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AngolaConcertPressRe.. - Academy of Vocal Arts

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FOR IMMEDIATE RELEASE: Revised May 29, 2012<br />

For more information contact: Denise Stuart, Director <strong>of</strong> Marketing and Public Relations<br />

1920 Spruce Street Philadelphia, PA 19103<br />

215 735-1685 dstuart@avaopera.org<br />

ACADEMY OF VOCAL ARTS’ TENOR NELSON EBO’S<br />

TRIUMPHANT RETURN TO ANGOLA<br />

Mr. Ebo, soprano Chloé Moore, and pianist David Antony L<strong>of</strong>ton to perform a<br />

series <strong>of</strong> concerts in Luanda in June.<br />

PHILADELPHIA: Angolan tenor Nelson Ebo, who has just completed his first year as a resident artist at<br />

Philadelphia’s prestigious <strong>Academy</strong> <strong>of</strong> <strong>Vocal</strong> <strong>Arts</strong>, will present a series <strong>of</strong> three concerts in Luanda,<br />

Angola. He will be joined by fellow AVA artist, soprano Chloé Moore, in a program that includes opera,<br />

musical theatre, art song and even some Gershwin and Edith Piaf songs. AVA faculty member David<br />

Antony L<strong>of</strong>ton will accompany the singers. The three concerts will be held over a period <strong>of</strong> one week,<br />

with performances on June 6 th , June 8 th , and June 9 th in three different locations: Casa 70, Luanda’s<br />

Convention Centre, and the National Theatre, respectively. All concerts will be open to the public. The<br />

last concert, on June 9 th , will be attended by the President and First Lady <strong>of</strong> the Republic <strong>of</strong> Angola as<br />

well as other government authorities and diplomatic corps in Luanda. This will be Nelson’s first time<br />

back in his home country since obtaining a scholarship to study in Madrid, Spain in 2001.<br />

The second youngest <strong>of</strong> fifteen children, Nelson’s formative years were spent singing in his parish choir<br />

where he began to experiment with opera and found his vocal passion. His first pr<strong>of</strong>essional<br />

opportunities were on the stage at Casa 70, Luanda’s premier music hall. As Casa 70 is celebrating their<br />

50 th anniversary, they have invited Nelson to once again impress Angolan audiences with his lyrical<br />

style.


Nelson’s performances at Casa 70 led to an opportunity to further his vocal studies, when a U.N. Human<br />

Rights <strong>of</strong>ficer from Spain happened to hear him sing one evening. With the help <strong>of</strong> the Spanish<br />

Embassy, arrangements were made for Nelson to travel to Madrid to audition for the Royal<br />

Conservatory <strong>of</strong> Music and Carlos III University in Madrid. When Nelson arrived in Madrid his health had<br />

deteriorated and he had been diagnosed with early-stage tuberculosis. Even so, Nelson knew this was a<br />

“make or break” opportunity. He sang an impressive audition, scoring a perfect “10” and was accepted<br />

on full scholarship to Carlos III University <strong>of</strong> Madrid.<br />

The next few years saw a transformation in Nelson, as he quickly adjusted to life in Madrid, embracing<br />

the language and culture, and throwing himself into his vocal studies. It was in Genoa in 2004, that the<br />

late Julian Rodescu <strong>of</strong> Philadelphia, heard Nelson sing. He was by all accounts bowled over by Nelson’s<br />

voice, and became a mentor, friend, and teacher. He encouraged Nelson to audition for the prestigious<br />

<strong>Academy</strong> <strong>of</strong> <strong>Vocal</strong> <strong>Arts</strong>, which he did in 2005. He was not accepted, and this first-ever rejection sent him<br />

into a period <strong>of</strong> self-evaluation and even depression. With the support <strong>of</strong> friends such as Mr. Rodescu<br />

and others, he enrolled in Westminster Choir College, then the Hartt School <strong>of</strong> Music and continued his<br />

vocal studies. He re-auditioned for AVA in 2011, and this time, he was accepted. He currently studies<br />

with Bill Schuman, the legendary teacher who has had particular success with tenors.<br />

As the AVA trio prepares to depart for Angola, they recognize the fact that, although it is a growing part<br />

<strong>of</strong> Angola’s musical culture, opera is still rather unique. Nelson’s achievements, and those <strong>of</strong> other<br />

young Angolan opera singers studying and performing abroad, are a great source <strong>of</strong> pride for his<br />

compatriots. The June concerts are being billed as the triumphant return <strong>of</strong> Nelson Ebo, who left Angola<br />

a poor, sickly teenager with big hopes and dreams, and returns a poised, educated, talented artist on<br />

the cusp <strong>of</strong> a career in opera.<br />

ABOUT THE ARTISTS<br />

Nelson Ebo, tenor, a first-year resident artist from Angola, attended the University <strong>of</strong> Carlos III in<br />

Madrid, Spain, Westminster Choir College, and the Hartt School <strong>of</strong> Music. Among his awards and<br />

recognitions are an encouragement award from the Giulio Gari Foundation in 2011 and 2010, second<br />

prize in the 2011 Gerda Lissner Foundation International <strong>Vocal</strong> Competition, first place in the 2010<br />

Connecticut Concert Opera Competition, and first place in the 2008 Lakes Region Opera Competition in<br />

New Hampshire. Mr. Ebo has sung in a variety <strong>of</strong> concerts, including the Richard Tucker Foundation,<br />

Gerda Lissner Foundation, Marcello Giordani and Friends, Scenes from Carmen, and the UN Human


Rights Day in Geneva, Switzerland. He has also performed solo recitals in New Hampshire, Connecticut,<br />

and Spain.<br />

Chloé Moore, soprano, from Calgary, Alberta, is a second-year AVA resident artist. She is a recipient <strong>of</strong><br />

the George London Award from the George London Foundation, third-prize winner <strong>of</strong> the Liederkranz<br />

Competition, third prize winner in both the Gerda Lissner Foundation International <strong>Vocal</strong> Competion,<br />

and the Loren L. Zachary Society <strong>Vocal</strong> Competition, all in 2012. In 2011, Ms. Moore received the Leoš<br />

Janácek Prize and Donald James Goldberg Prize, both with the Czech & Slovak International Voice<br />

Competition at Théâtre Lyrichorégra 20, the Rosalind Jackson Memorial Award from the Crested Butte<br />

Music Festival, first place in the Sacred <strong>Vocal</strong> Competition with Concerts@First, and encouragement<br />

awards from the Gerda Lissner International <strong>Vocal</strong> Competition and the Licia Albanese-Puccini<br />

Foundation International <strong>Vocal</strong> Competition. At AVA she has sung Adina in L’elisir d’amore, Mélisande in<br />

Pelléas et Mélisande, Antonia and Stella in Les Contes d’H<strong>of</strong>fmann, Donna Elvira in Don Giovanni, Zdenka<br />

in Arabella, Mistress Brown in The Scarlet Letter, and Sister Osmina, Sister Dolcina and the Infirmary<br />

Sister in a concert version <strong>of</strong> Suor Angelica. Other performances include Giulietta in I Capuleti e i<br />

Montecchi, Frasquita in Carmen, and Antonia in Les Contes d’H<strong>of</strong>fmann with the Crested Butte Music<br />

Festival. She holds a M.M. in <strong>Vocal</strong> Performance from the University <strong>of</strong> Arizona and a B.M. from the<br />

University <strong>of</strong> Toronto.<br />

David Antony L<strong>of</strong>ton, pianist, is a native Philadelphian and a graduate <strong>of</strong> the Curtis Institute <strong>of</strong> Music,<br />

where he studied piano accompanying with Dr. Vladimir Sokol<strong>of</strong>f. While at Westminster Choir College<br />

he developed his choral conducting skills and studied the organ. He has served as artistic director <strong>of</strong><br />

Opera North (Opera Ebony) and as conductor <strong>of</strong> La traviata, Les Contes d’H<strong>of</strong>fmann, Faust, L’elisir<br />

d’amore, Die Zauberflöte, Susannah, and Der Vampyr for Mozart & Friends Opera Company.While at<br />

Curtis, he was the accompanist and vocal coaching apprentice <strong>of</strong> the late Todd Duncan for eight years.<br />

He has been a recital collaborator for many renowned singers including, Stephen Costello, Aylin Pérez,<br />

Marietta Simpson, Angela Brown, Indra Thomas, Wilhelmenia Fernandez, Nancy Fabiola Herrera, Eglise<br />

Gutiérrez, Burak Bilgili, John Packard and Othalie Graham. He has also served as coach and accompanist<br />

for the Luciano Pavarotti International Voice Competition and participated in the Festival dei Due Mondi<br />

in Spoleto, Italy, where he was assistant conductor for televised productions <strong>of</strong> Carmen and Amahl and<br />

the Night Visitors, staged by the composer Gian Carlo Menotti himself. Mr. L<strong>of</strong>ton has performed as a<br />

pianist in both solo and chamber music performances. He appeared as piano soloist in Beethoven’s<br />

Choral Fantasy with the New Jersey MasterChorale. He has conducted full concerts <strong>of</strong> operatic and


symphonic music including one with the famed Harlem Boys Choir at Carnegie Hall and Hansel and<br />

Gretel with the University <strong>of</strong> Minnesota at Duluth.<br />

Prior to joining the AVA faculty, he began a ten-year period as faculty member <strong>of</strong> the Curtis Institute <strong>of</strong><br />

Music and was also on the faculty at the Combs College <strong>of</strong> Music. Aside from being a conductor and<br />

accomplished pianist, Mr. L<strong>of</strong>ton has composed spanish music for television commercials and served as<br />

a vocal consultant for Sony Recordings. He has conducted the Mozart and Faure Requiems and was<br />

pianist for numerous recitals at Neumann University. Three times he was chosen to conduct “Opera on<br />

the Square” for Sunoco’s Welcome America Celebration. In 2010 Mr. L<strong>of</strong>ton made his debut with Opera<br />

Delaware conducting Puccini’s La bohème. He is Music Director <strong>of</strong> St. Paul’s Episcopal Church <strong>of</strong> Elkins<br />

Park, which presents a series <strong>of</strong> recitals each year with AVA artists.<br />

David Antony L<strong>of</strong>ton has been the exclusive Music Director and Conductor <strong>of</strong> AVA’s Jubilate. A Concert<br />

<strong>of</strong> Sacred Music for fourteen years.<br />

ABOUT THE ACADEMY OF VOCAL ARTS<br />

The mission <strong>of</strong> The <strong>Academy</strong> <strong>of</strong> <strong>Vocal</strong> <strong>Arts</strong>, founded in 1934 by Helen Corning Warden, is to provide<br />

tuition-free vocal and opera training <strong>of</strong> the highest quality, and financial support during training, to<br />

exceptionally talented and committed young singers who have the potential for international stature,<br />

and to present them in pr<strong>of</strong>essional performances that are accessible to a wide community.<br />

Gifted singers come from throughout the world to seek the exceptional guidance and training that The<br />

<strong>Academy</strong> <strong>of</strong> <strong>Vocal</strong> <strong>Arts</strong> <strong>of</strong>fers. AVA’s four-year program is unique, not only because it is a fully tuitionfree<br />

institution that focuses solely on operatic training, but also because it has established a niche as an<br />

organization that produces opera. Admission is determined by competitive annual auditions, with an<br />

average <strong>of</strong> 8 to 10 singers admitted each year. The total roster <strong>of</strong> resident artists is purposely kept low<br />

and averages 25-30 in total. Those who are accepted receive training equivalent to more than $70,000<br />

per year. A faculty <strong>of</strong> individuals who are among the finest in their fields provides intensive training in<br />

voice, acting, stage combat, repertoire, languages, and other related subjects necessary for an operatic<br />

career.<br />

Over the past seven decades, outstanding singers <strong>of</strong> international stature have attended AVA, including<br />

David Adams, Lando Bartolini, Joyce DiDonato, Ryan Edwards, Wilhelmenia Fernandez, Nancy Fabiola<br />

Herrera, Luis Ledesma, James Morris, Stuart Neill, John Packard, Julien Robbins, Valerian Ruminski, Jane


Shaulis, Ruth Ann Swenson, Indra Thomas, Richard Troxell, Beverly Wolff, and currently making their<br />

mark in the opera world, recent graduates Burak Bilgili, Stephen Costello, Ellie Dehn, Joyce El Khoury,<br />

Michael Fabiano, Othalie Graham, Eglise Gutiérrez, Bryan Hymel, Angela Meade, Keith Miller, Latonia<br />

Moore, Ailyn Pérez, Dongwon Shin, Taylor Stayton, James Valenti, and Corinne Winters.<br />

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