AngolaConcertPressRe.. - Academy of Vocal Arts
AngolaConcertPressRe.. - Academy of Vocal Arts
AngolaConcertPressRe.. - Academy of Vocal Arts
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FOR IMMEDIATE RELEASE: Revised May 29, 2012<br />
For more information contact: Denise Stuart, Director <strong>of</strong> Marketing and Public Relations<br />
1920 Spruce Street Philadelphia, PA 19103<br />
215 735-1685 dstuart@avaopera.org<br />
ACADEMY OF VOCAL ARTS’ TENOR NELSON EBO’S<br />
TRIUMPHANT RETURN TO ANGOLA<br />
Mr. Ebo, soprano Chloé Moore, and pianist David Antony L<strong>of</strong>ton to perform a<br />
series <strong>of</strong> concerts in Luanda in June.<br />
PHILADELPHIA: Angolan tenor Nelson Ebo, who has just completed his first year as a resident artist at<br />
Philadelphia’s prestigious <strong>Academy</strong> <strong>of</strong> <strong>Vocal</strong> <strong>Arts</strong>, will present a series <strong>of</strong> three concerts in Luanda,<br />
Angola. He will be joined by fellow AVA artist, soprano Chloé Moore, in a program that includes opera,<br />
musical theatre, art song and even some Gershwin and Edith Piaf songs. AVA faculty member David<br />
Antony L<strong>of</strong>ton will accompany the singers. The three concerts will be held over a period <strong>of</strong> one week,<br />
with performances on June 6 th , June 8 th , and June 9 th in three different locations: Casa 70, Luanda’s<br />
Convention Centre, and the National Theatre, respectively. All concerts will be open to the public. The<br />
last concert, on June 9 th , will be attended by the President and First Lady <strong>of</strong> the Republic <strong>of</strong> Angola as<br />
well as other government authorities and diplomatic corps in Luanda. This will be Nelson’s first time<br />
back in his home country since obtaining a scholarship to study in Madrid, Spain in 2001.<br />
The second youngest <strong>of</strong> fifteen children, Nelson’s formative years were spent singing in his parish choir<br />
where he began to experiment with opera and found his vocal passion. His first pr<strong>of</strong>essional<br />
opportunities were on the stage at Casa 70, Luanda’s premier music hall. As Casa 70 is celebrating their<br />
50 th anniversary, they have invited Nelson to once again impress Angolan audiences with his lyrical<br />
style.
Nelson’s performances at Casa 70 led to an opportunity to further his vocal studies, when a U.N. Human<br />
Rights <strong>of</strong>ficer from Spain happened to hear him sing one evening. With the help <strong>of</strong> the Spanish<br />
Embassy, arrangements were made for Nelson to travel to Madrid to audition for the Royal<br />
Conservatory <strong>of</strong> Music and Carlos III University in Madrid. When Nelson arrived in Madrid his health had<br />
deteriorated and he had been diagnosed with early-stage tuberculosis. Even so, Nelson knew this was a<br />
“make or break” opportunity. He sang an impressive audition, scoring a perfect “10” and was accepted<br />
on full scholarship to Carlos III University <strong>of</strong> Madrid.<br />
The next few years saw a transformation in Nelson, as he quickly adjusted to life in Madrid, embracing<br />
the language and culture, and throwing himself into his vocal studies. It was in Genoa in 2004, that the<br />
late Julian Rodescu <strong>of</strong> Philadelphia, heard Nelson sing. He was by all accounts bowled over by Nelson’s<br />
voice, and became a mentor, friend, and teacher. He encouraged Nelson to audition for the prestigious<br />
<strong>Academy</strong> <strong>of</strong> <strong>Vocal</strong> <strong>Arts</strong>, which he did in 2005. He was not accepted, and this first-ever rejection sent him<br />
into a period <strong>of</strong> self-evaluation and even depression. With the support <strong>of</strong> friends such as Mr. Rodescu<br />
and others, he enrolled in Westminster Choir College, then the Hartt School <strong>of</strong> Music and continued his<br />
vocal studies. He re-auditioned for AVA in 2011, and this time, he was accepted. He currently studies<br />
with Bill Schuman, the legendary teacher who has had particular success with tenors.<br />
As the AVA trio prepares to depart for Angola, they recognize the fact that, although it is a growing part<br />
<strong>of</strong> Angola’s musical culture, opera is still rather unique. Nelson’s achievements, and those <strong>of</strong> other<br />
young Angolan opera singers studying and performing abroad, are a great source <strong>of</strong> pride for his<br />
compatriots. The June concerts are being billed as the triumphant return <strong>of</strong> Nelson Ebo, who left Angola<br />
a poor, sickly teenager with big hopes and dreams, and returns a poised, educated, talented artist on<br />
the cusp <strong>of</strong> a career in opera.<br />
ABOUT THE ARTISTS<br />
Nelson Ebo, tenor, a first-year resident artist from Angola, attended the University <strong>of</strong> Carlos III in<br />
Madrid, Spain, Westminster Choir College, and the Hartt School <strong>of</strong> Music. Among his awards and<br />
recognitions are an encouragement award from the Giulio Gari Foundation in 2011 and 2010, second<br />
prize in the 2011 Gerda Lissner Foundation International <strong>Vocal</strong> Competition, first place in the 2010<br />
Connecticut Concert Opera Competition, and first place in the 2008 Lakes Region Opera Competition in<br />
New Hampshire. Mr. Ebo has sung in a variety <strong>of</strong> concerts, including the Richard Tucker Foundation,<br />
Gerda Lissner Foundation, Marcello Giordani and Friends, Scenes from Carmen, and the UN Human
Rights Day in Geneva, Switzerland. He has also performed solo recitals in New Hampshire, Connecticut,<br />
and Spain.<br />
Chloé Moore, soprano, from Calgary, Alberta, is a second-year AVA resident artist. She is a recipient <strong>of</strong><br />
the George London Award from the George London Foundation, third-prize winner <strong>of</strong> the Liederkranz<br />
Competition, third prize winner in both the Gerda Lissner Foundation International <strong>Vocal</strong> Competion,<br />
and the Loren L. Zachary Society <strong>Vocal</strong> Competition, all in 2012. In 2011, Ms. Moore received the Leoš<br />
Janácek Prize and Donald James Goldberg Prize, both with the Czech & Slovak International Voice<br />
Competition at Théâtre Lyrichorégra 20, the Rosalind Jackson Memorial Award from the Crested Butte<br />
Music Festival, first place in the Sacred <strong>Vocal</strong> Competition with Concerts@First, and encouragement<br />
awards from the Gerda Lissner International <strong>Vocal</strong> Competition and the Licia Albanese-Puccini<br />
Foundation International <strong>Vocal</strong> Competition. At AVA she has sung Adina in L’elisir d’amore, Mélisande in<br />
Pelléas et Mélisande, Antonia and Stella in Les Contes d’H<strong>of</strong>fmann, Donna Elvira in Don Giovanni, Zdenka<br />
in Arabella, Mistress Brown in The Scarlet Letter, and Sister Osmina, Sister Dolcina and the Infirmary<br />
Sister in a concert version <strong>of</strong> Suor Angelica. Other performances include Giulietta in I Capuleti e i<br />
Montecchi, Frasquita in Carmen, and Antonia in Les Contes d’H<strong>of</strong>fmann with the Crested Butte Music<br />
Festival. She holds a M.M. in <strong>Vocal</strong> Performance from the University <strong>of</strong> Arizona and a B.M. from the<br />
University <strong>of</strong> Toronto.<br />
David Antony L<strong>of</strong>ton, pianist, is a native Philadelphian and a graduate <strong>of</strong> the Curtis Institute <strong>of</strong> Music,<br />
where he studied piano accompanying with Dr. Vladimir Sokol<strong>of</strong>f. While at Westminster Choir College<br />
he developed his choral conducting skills and studied the organ. He has served as artistic director <strong>of</strong><br />
Opera North (Opera Ebony) and as conductor <strong>of</strong> La traviata, Les Contes d’H<strong>of</strong>fmann, Faust, L’elisir<br />
d’amore, Die Zauberflöte, Susannah, and Der Vampyr for Mozart & Friends Opera Company.While at<br />
Curtis, he was the accompanist and vocal coaching apprentice <strong>of</strong> the late Todd Duncan for eight years.<br />
He has been a recital collaborator for many renowned singers including, Stephen Costello, Aylin Pérez,<br />
Marietta Simpson, Angela Brown, Indra Thomas, Wilhelmenia Fernandez, Nancy Fabiola Herrera, Eglise<br />
Gutiérrez, Burak Bilgili, John Packard and Othalie Graham. He has also served as coach and accompanist<br />
for the Luciano Pavarotti International Voice Competition and participated in the Festival dei Due Mondi<br />
in Spoleto, Italy, where he was assistant conductor for televised productions <strong>of</strong> Carmen and Amahl and<br />
the Night Visitors, staged by the composer Gian Carlo Menotti himself. Mr. L<strong>of</strong>ton has performed as a<br />
pianist in both solo and chamber music performances. He appeared as piano soloist in Beethoven’s<br />
Choral Fantasy with the New Jersey MasterChorale. He has conducted full concerts <strong>of</strong> operatic and
symphonic music including one with the famed Harlem Boys Choir at Carnegie Hall and Hansel and<br />
Gretel with the University <strong>of</strong> Minnesota at Duluth.<br />
Prior to joining the AVA faculty, he began a ten-year period as faculty member <strong>of</strong> the Curtis Institute <strong>of</strong><br />
Music and was also on the faculty at the Combs College <strong>of</strong> Music. Aside from being a conductor and<br />
accomplished pianist, Mr. L<strong>of</strong>ton has composed spanish music for television commercials and served as<br />
a vocal consultant for Sony Recordings. He has conducted the Mozart and Faure Requiems and was<br />
pianist for numerous recitals at Neumann University. Three times he was chosen to conduct “Opera on<br />
the Square” for Sunoco’s Welcome America Celebration. In 2010 Mr. L<strong>of</strong>ton made his debut with Opera<br />
Delaware conducting Puccini’s La bohème. He is Music Director <strong>of</strong> St. Paul’s Episcopal Church <strong>of</strong> Elkins<br />
Park, which presents a series <strong>of</strong> recitals each year with AVA artists.<br />
David Antony L<strong>of</strong>ton has been the exclusive Music Director and Conductor <strong>of</strong> AVA’s Jubilate. A Concert<br />
<strong>of</strong> Sacred Music for fourteen years.<br />
ABOUT THE ACADEMY OF VOCAL ARTS<br />
The mission <strong>of</strong> The <strong>Academy</strong> <strong>of</strong> <strong>Vocal</strong> <strong>Arts</strong>, founded in 1934 by Helen Corning Warden, is to provide<br />
tuition-free vocal and opera training <strong>of</strong> the highest quality, and financial support during training, to<br />
exceptionally talented and committed young singers who have the potential for international stature,<br />
and to present them in pr<strong>of</strong>essional performances that are accessible to a wide community.<br />
Gifted singers come from throughout the world to seek the exceptional guidance and training that The<br />
<strong>Academy</strong> <strong>of</strong> <strong>Vocal</strong> <strong>Arts</strong> <strong>of</strong>fers. AVA’s four-year program is unique, not only because it is a fully tuitionfree<br />
institution that focuses solely on operatic training, but also because it has established a niche as an<br />
organization that produces opera. Admission is determined by competitive annual auditions, with an<br />
average <strong>of</strong> 8 to 10 singers admitted each year. The total roster <strong>of</strong> resident artists is purposely kept low<br />
and averages 25-30 in total. Those who are accepted receive training equivalent to more than $70,000<br />
per year. A faculty <strong>of</strong> individuals who are among the finest in their fields provides intensive training in<br />
voice, acting, stage combat, repertoire, languages, and other related subjects necessary for an operatic<br />
career.<br />
Over the past seven decades, outstanding singers <strong>of</strong> international stature have attended AVA, including<br />
David Adams, Lando Bartolini, Joyce DiDonato, Ryan Edwards, Wilhelmenia Fernandez, Nancy Fabiola<br />
Herrera, Luis Ledesma, James Morris, Stuart Neill, John Packard, Julien Robbins, Valerian Ruminski, Jane
Shaulis, Ruth Ann Swenson, Indra Thomas, Richard Troxell, Beverly Wolff, and currently making their<br />
mark in the opera world, recent graduates Burak Bilgili, Stephen Costello, Ellie Dehn, Joyce El Khoury,<br />
Michael Fabiano, Othalie Graham, Eglise Gutiérrez, Bryan Hymel, Angela Meade, Keith Miller, Latonia<br />
Moore, Ailyn Pérez, Dongwon Shin, Taylor Stayton, James Valenti, and Corinne Winters.<br />
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