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BILL BISSETT<br />
Founder of blewointmentpress and author of numberless books, Bissett was a pioneer of<br />
sound poetry in Canada in the early sixties developing his single and multi-voice chants.<br />
Le Solei I describes him as the first truly revolutionary poet in Canada. Has appeared<br />
frequently at international festivals, most recently at the Festival of Sound and Syntax in<br />
Glasgow. His text-sound visual scores have been exhibited in Edmonton, Brussels, Paris,<br />
Rio de Janiero, Toronto and London. Films: Strange Grey Day This (CBC) ; In Search of<br />
Innocence (NFB) ; Poets of the Late Sixties (with bpNichol and Phyllis Webb) and Mask of<br />
Which Avenger. Records : Awake in the Red Desert (Talonbooks see/heer production);<br />
Medicine My Mouths on Fire (Oberon Press). Latest publications include: Nobody Owns<br />
the Earth, Pass th Food Release th Spirit Book, Space Travl, Living with th Vishyun,<br />
Stardust, Plutonium Missing, Pomes forYoshi.<br />
LARS-GUNNAR BODIN<br />
Born 1935 Bodin has, besides his text-sound compositions, built a reputation as a com <br />
poser of mainly electronic music. He has also worked as a painter and creator of<br />
intermedia works. Bodin 's first text-sound compositions date from 1963/ 64 and he has<br />
long been an active member of Fylkingen's Group for Linguistic Arts. Bodin has made<br />
extensive use in his text-sound compositions of the metaphor of the 'cyborg' (cybernetic<br />
organisms). His work is described by fellow text-sound composer Bengt-Emil Johnson in<br />
the following terms: 'Bodin is the text-sound composer who has gone farthest in the<br />
matter of arranging voices electro-acoustically- often to such a high degree, that the<br />
dimension of meaning has become completely destroyed or reduced to rhythmic or<br />
dynamic courses which resemble those of speech- and in combining these with pure<br />
electronic sound.'<br />
HE NRI CHOPIN<br />
Born 1922 in Paris. In 1943 deported as a forced labourer and later interned in camps in<br />
Czechoslovakia and Germany. 1945 Soviet Union. Returned to France to find his family<br />
had been exterminated. Joined the military serving in Indochina, returned to Paris sick<br />
and 'surtout ant)tout'. His earliest preserved writings are poems of the resistance written<br />
during his internment in Czechoslovakia. He is the self styled and publicly acclaimed<br />
originator of 'poesie sonore'. His collections of poems include Signes 1957, Chant de Nuit<br />
1957, Presence 1957, L'Arriviste 1958, La Peur 1959. Edited the influential magazine<br />
Cinq uieme Saison and later OU Magazine, one of the most important international .<br />
outlets for the most significant audio and visual poetry of the 1950s and 60s. Many of h1s<br />
own audiopoems, including Vibrespace, La Fusee lnterplanetaire, lndicatif 1, L'Energie<br />
du Sommeil and Sol Air have been released in the OU series, whilst New Departure, La<br />
Peur No. 1, and Pluralite 1.1.1.1. are available under the collective title Audio poems frorr<br />
Tangent Records.<br />
Both Sol Air and Vibrespace formed the nuclei of experimental ballets, and the film<br />
version of L'Energie du Sommeil was awarded the Prix Anton in Artaud in 1966.<br />
An indefatigable manifestator, he has organized more than 30 exhibitions of objective,<br />
text-sound and visual poetry, and his critical writings have been widely published.<br />
He is currently completing a history of sound poetry.<br />
SVANTE BODIN<br />
Born Sweden. A member of Fylkingen's Group for Linguistic Arts. He has been involved in<br />
text sound composition since the first Swedish experiments in the sixties. Bodin's work<br />
illustrates the same technological sophistication and complexity as the rest of the Fylkingen<br />
group, but his use of computer units to scramble and transform textual material is<br />
particularly noteworthy. His piece Transition to Majorana Space is perhaps the best<br />
example.<br />
Henri Chopin<br />
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