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Fall 2007 - YALSA - American Library Association

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Koelling<br />

the BBYA committee meetings are like a<br />

biannual potluck that hosts folks from different<br />

parts of the book world, including<br />

teen readers themselves, so that they may<br />

look over, promote, discuss, select from,<br />

and relish the most delectable literary fare<br />

on the table—and all leave full and hopefully<br />

satisfied.<br />

The guests at this party are all essential<br />

in making the BBYA committee and<br />

its lists possible in the first place. Authors<br />

need to conceive and write quality books<br />

that appeal to and engage young readers;<br />

editors need to help authors polish<br />

and present their stories in the best possible<br />

way; publishers need to get those<br />

stories packaged and out on the market;<br />

dedicated, teen-serving professionals need<br />

access to the books so that they might<br />

evaluate and recognize them; and teens<br />

need a resource that narrows down the<br />

publishing market in a way that provides<br />

them with a neat annual list of high-quality,<br />

high-appeal reading choices.<br />

In addition to helping create and<br />

maintain a higher profile for outstanding<br />

teen literature and for the importance<br />

of that literature in the lives of teens, as<br />

well as endorsing the professional role of<br />

<strong>YALSA</strong> in general and the BBYA committee<br />

in specific in the lives of teens, following<br />

are some benefits past and current<br />

BBYA members find in the connection<br />

between the committee and the publishing<br />

industry.<br />

“The publishers are active in watching<br />

what is being discussed and what the<br />

teens think of the books,” said McMillen.<br />

“It provides an important way for them to<br />

discover more about their audience. The<br />

cache of the list also propels some of their<br />

books forward that may otherwise have<br />

had a weaker debut.”<br />

Diana Tixier Herald, consultant and<br />

author of Genreflecting, adds, “Publishers<br />

want their books to be named to the list<br />

because it really does seem to increase<br />

the marketability of the titles. This makes<br />

additional good YA books available.”<br />

Kimberly Paone sums up BBYA’s<br />

influence perfectly: “It’s obvious that more<br />

books are being published for teens, books<br />

of better quality; I’m sure that BBYA<br />

has had some influence as far as that’s<br />

concerned.”<br />

Colleen Macmillan addresses the benefits<br />

of this connection from the perspective<br />

of a publisher by saying:<br />

With the diminishing numbers of<br />

independent children’s bookstores<br />

and the accompanying decline<br />

of hand selling, publishers who<br />

endeavour to select projects of<br />

a high editorial standard deeply<br />

appreciate the extraordinary time<br />

commitment and devotion to<br />

reading countless numbers of books<br />

that takes place in the various<br />

youth-related committees of the<br />

ALA. Through the committees’<br />

work, publishers receive the<br />

encouragement that is essential<br />

to publish the best books for<br />

youth. There was a time when<br />

publishers could look to two<br />

strong constituencies of support—<br />

independently owned children’s<br />

bookstores and the institutional<br />

market. While we are grateful<br />

for the tremendous efforts of the<br />

remaining independent bookstores<br />

and others who promote new<br />

releases and backlist for young<br />

readers, we can’t fail to recognize<br />

the critical role of youth librarians.<br />

It is not uncommon to find authors<br />

sitting quietly in the audience during<br />

BBYA discussions. They may have one or<br />

more books on the current nomination list,<br />

or they may just be regular participants<br />

in ALA conferences and enjoy the discussion<br />

of all books written or recognized for<br />

their potential power in the reading lives<br />

of teens. Whatever the case may be, they<br />

appreciate the committee process and see<br />

its value in their lives as authors.<br />

“I think recognition by ALA is<br />

almost vital. Being a BBYA choice is even<br />

better,” said Gail Giles, a multiple-title<br />

author for teens whose book Shattering<br />

Glass appeared on the 2003 BBYA list and<br />

on the 2005 Best of the Best list. “Making<br />

the list is great for sales, for buzz, and—<br />

face it—for your own ego. It validates<br />

your book.”<br />

Giles continues, “Do I think the<br />

BBYA list is valuable? You bet. Some<br />

libraries with small funding might be able<br />

to order nothing more than the books on<br />

BBYA. And to those lunatic authors like<br />

me that value the craft just a tad more than<br />

the sales—yes, the list is important. It says<br />

something to me about my work.”<br />

All in all, there are a lot of people<br />

from all aspects of the book industry and<br />

teen services profession who are involved<br />

in, important to, and invested in the BBYA<br />

committee. This committee plays an essential<br />

role in showcasing outstanding and<br />

appealing books for teen readers across the<br />

nation and beyond its borders, and also is<br />

a player in the larger world of books that,<br />

through its process, is dedicated to ensuring<br />

there will be more and more outstanding<br />

and appealing books for teen readers to<br />

recognize over and over again. YALS<br />

<strong>Fall</strong> <strong>2007</strong> | Young Adult <strong>Library</strong> Services | YALS 31

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