Fall 2007 - YALSA - American Library Association
Fall 2007 - YALSA - American Library Association
Fall 2007 - YALSA - American Library Association
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Koelling<br />
the BBYA committee meetings are like a<br />
biannual potluck that hosts folks from different<br />
parts of the book world, including<br />
teen readers themselves, so that they may<br />
look over, promote, discuss, select from,<br />
and relish the most delectable literary fare<br />
on the table—and all leave full and hopefully<br />
satisfied.<br />
The guests at this party are all essential<br />
in making the BBYA committee and<br />
its lists possible in the first place. Authors<br />
need to conceive and write quality books<br />
that appeal to and engage young readers;<br />
editors need to help authors polish<br />
and present their stories in the best possible<br />
way; publishers need to get those<br />
stories packaged and out on the market;<br />
dedicated, teen-serving professionals need<br />
access to the books so that they might<br />
evaluate and recognize them; and teens<br />
need a resource that narrows down the<br />
publishing market in a way that provides<br />
them with a neat annual list of high-quality,<br />
high-appeal reading choices.<br />
In addition to helping create and<br />
maintain a higher profile for outstanding<br />
teen literature and for the importance<br />
of that literature in the lives of teens, as<br />
well as endorsing the professional role of<br />
<strong>YALSA</strong> in general and the BBYA committee<br />
in specific in the lives of teens, following<br />
are some benefits past and current<br />
BBYA members find in the connection<br />
between the committee and the publishing<br />
industry.<br />
“The publishers are active in watching<br />
what is being discussed and what the<br />
teens think of the books,” said McMillen.<br />
“It provides an important way for them to<br />
discover more about their audience. The<br />
cache of the list also propels some of their<br />
books forward that may otherwise have<br />
had a weaker debut.”<br />
Diana Tixier Herald, consultant and<br />
author of Genreflecting, adds, “Publishers<br />
want their books to be named to the list<br />
because it really does seem to increase<br />
the marketability of the titles. This makes<br />
additional good YA books available.”<br />
Kimberly Paone sums up BBYA’s<br />
influence perfectly: “It’s obvious that more<br />
books are being published for teens, books<br />
of better quality; I’m sure that BBYA<br />
has had some influence as far as that’s<br />
concerned.”<br />
Colleen Macmillan addresses the benefits<br />
of this connection from the perspective<br />
of a publisher by saying:<br />
With the diminishing numbers of<br />
independent children’s bookstores<br />
and the accompanying decline<br />
of hand selling, publishers who<br />
endeavour to select projects of<br />
a high editorial standard deeply<br />
appreciate the extraordinary time<br />
commitment and devotion to<br />
reading countless numbers of books<br />
that takes place in the various<br />
youth-related committees of the<br />
ALA. Through the committees’<br />
work, publishers receive the<br />
encouragement that is essential<br />
to publish the best books for<br />
youth. There was a time when<br />
publishers could look to two<br />
strong constituencies of support—<br />
independently owned children’s<br />
bookstores and the institutional<br />
market. While we are grateful<br />
for the tremendous efforts of the<br />
remaining independent bookstores<br />
and others who promote new<br />
releases and backlist for young<br />
readers, we can’t fail to recognize<br />
the critical role of youth librarians.<br />
It is not uncommon to find authors<br />
sitting quietly in the audience during<br />
BBYA discussions. They may have one or<br />
more books on the current nomination list,<br />
or they may just be regular participants<br />
in ALA conferences and enjoy the discussion<br />
of all books written or recognized for<br />
their potential power in the reading lives<br />
of teens. Whatever the case may be, they<br />
appreciate the committee process and see<br />
its value in their lives as authors.<br />
“I think recognition by ALA is<br />
almost vital. Being a BBYA choice is even<br />
better,” said Gail Giles, a multiple-title<br />
author for teens whose book Shattering<br />
Glass appeared on the 2003 BBYA list and<br />
on the 2005 Best of the Best list. “Making<br />
the list is great for sales, for buzz, and—<br />
face it—for your own ego. It validates<br />
your book.”<br />
Giles continues, “Do I think the<br />
BBYA list is valuable? You bet. Some<br />
libraries with small funding might be able<br />
to order nothing more than the books on<br />
BBYA. And to those lunatic authors like<br />
me that value the craft just a tad more than<br />
the sales—yes, the list is important. It says<br />
something to me about my work.”<br />
All in all, there are a lot of people<br />
from all aspects of the book industry and<br />
teen services profession who are involved<br />
in, important to, and invested in the BBYA<br />
committee. This committee plays an essential<br />
role in showcasing outstanding and<br />
appealing books for teen readers across the<br />
nation and beyond its borders, and also is<br />
a player in the larger world of books that,<br />
through its process, is dedicated to ensuring<br />
there will be more and more outstanding<br />
and appealing books for teen readers to<br />
recognize over and over again. YALS<br />
<strong>Fall</strong> <strong>2007</strong> | Young Adult <strong>Library</strong> Services | YALS 31