Untitled - De Slegte

1. Arts et Métiers Graphiques Paris no. 16.
Paris, Arts et Métiers Graphiques, 1930. Wrappers, spiralbound,
158 pp. - € 225
2. Manciu-Cuo vigoroso nei fotografi. Die Junge Mandschurei in Bildern. Youn
Manchoukuo in pictures.
Imperial Government of Manchoukuo, Manchoukuo 1938. In Publisher’s paperboards,
bound with a silk string, 50 pp. - € 600
3. The History of contemporary photography in Japan 1945-1970.
Tokyo, 1977. Cloth, in a pictorial slipcase.
The book has over 366 pages with more than 500 black and white and color photographs.
Only Japanese text that also includes a list of photographs and bibliographic notes. Published
to commemorate the 25th anniversary of Japan Photographers Association. Slipcase
a bit worn. With a few old library stamps. - € 175
4. AARSMAN, H. (text and photo’s) : Hollandse Taferelen.
(Amsterdam), Uitgeverij Fragment. 1989, 1st Edition. Cloth in dustjacket. Edition printed
in 2000 copies.
(Parr, Badger Vol II pg. 69). With a signed dedication. - € 650
5. ABBOTT, Berenice: Changing New York.
New York, E. P. Dutton & Company, 1939. Clothbound in illustrated dust jacket. Text by
Elizabeth McCausland. With 97 full page reproductions of Abbott’s photo-essay on New
York.
Documentation of changes in the architecture and social nature of the city, its beauty and
decay. A project of the Works Progress Administration. Book with some light shelf wear
at extremities. Dustjacket Missing a large piece of paper at the top of the spine, and some
minor pieces at the top of the dustjacket. - € 1.500
6. ABBOTT, Berenice & LANIER, Henry Wysham: Greenwich village: to-day and
yesterday.
New York, Harper & Brothers, 1949. Cloth in dustjacket. 160 pp.
Berenice Abbott began her career before photography was considered a serious art form
and women were regarded as serious artists. (National Museum of Women in the Arts,
artist profile) Her sixty-year career encompassed an extraordinary range of work: portraits,
documentary images of American life, and photographs to illustrate the laws of science. In
addition she was an activist, writer, historian and teacher. (O’Neal 1982, 32). Abbott took
on a variety of projects throughout her career such as: creating a book entitled Greenwich
Village Today and Yesterday. Very minor shelf wear. Very good copy. - € 295
7. ADAMS, Robert: Denver, A Photographic Survey of the Metropolitan Area.
Colorado Associated University Press in cooperation with The State Historical Society of
Colorado, 1977. Cloth in dustjacket.
“In Denver’s vacant lots one can still find, no matter how numerous the food wrappers
and pieces of styro foam, an old, tough green--Spanish bayonet, cactus, and sage. Perhaps
the most reassuring of all, there remain cottonwoods, those commercially useless trees
that are habitat for birds and children. Whether I was photographing these accidental
sanctuaries, however, or bare, new tracts, I tried to keep in mind a phrase from a novel by
Kawabata: “My life, a fragment of a landscape. “ The same applied, I thought, to each of
us, and to the objects, with which we live, My goal was not only to record the animate and
inanimate fragments, but to show the totality, the landscape. “(Robert Adams). Signed
copy. - € 600
8. ADAMS, Robert & STAFFORD, William: Listening to the River. Seasons in the
American West.
New York, Aperture, 1994. Cloth in dustjacket, 112 pp.
Listening to the River is a celebration of anonymous places where we can still find nature’s
beauty. Robert Adams first visited these particular locations as a boy, when the West
seemed unchanging. Now in his fifties, he returns to them with the affection of a longtime
acquaintance. The book records hushed walks when irrelevancies are forgotten, when sunlight
makes the fields, hills, and roads new. Adams has chosen twelve poems by William
Stafford to accompany the pictures. - € 145
9. ADAMS, Robert: What We Bought. The New World.
Hannover, Sprengel Museum, 1995. Cloth in a dustjacket.
Denver and What We Bought, together with The New West, form a loose trilogy of Robert
Adams’s work exploring the rapidly developing landscape of the Denver metropolitan
area from 1968 through 1974. In the former two books, Adams created a comprehensive
document that was resolute in its avoidance of romantic notions of the American West and
dispassionately honest about man’s despoliation of the land. Both books demonstrate the
artist at the height of his powers as a documentary photographer and a poetic sequencer
of images. The photographs featured in Denver and What We Bought show tract housing
with mountain ranges in the distance, trailer lots devoid of people, suburban streets
through generic windows, shopping mall interiors, and parking lots: subjects distinctly
unspectacular, familiar, and banal. Adams’s compositions are straightforward and democratic,
and it is this precise turn from sentimentality that has made Adams one of the most
influential figures in the history of American photography. These exquisite new editions,
printed in rich tri-tones, celebrate this landmark work. It also includes new and previously
unpublished photographs from the project, chosen and sequenced by Adams himself.
- € 195
10. ADAMS, Robert: Los Angeles spring.
New York, aperture, 1986. Cloth in dustjacket, 59 pp.
Adams indicts the human despoliation of what was once a beautiful Eden. Seldom has the
camera been used to such potent effect, both as an instrument of protest & as a conveyer of
beauty. - € 125
11. ADAMS, Robert: Commercial residential, landscapes along the Colorado Front
Range, 1968-1972.
Roth Horowitz, 2003. Cloth in dustjacket, 43 pp.
“To what extent can we love the developing American West? We know the urgency of
that question because bitterness has sometimes made us exiles. ~My first attempt to describe
the region in a book (The New West, 1974) omitted pictures that might have helped.
I am grateful now to be able to reproduce them. They record a geography that is still in
some respects characteristic, one where we could do better but where the rest is faultless.
~At about the time I took the pictures I read an interview with Raoul Coutard, Jean-Luc
Godard’s cameraman. In it Coutard noted with gratitude that ‘daylight has an inhuman
faculty for always being perfect. ‘ It is one of the mercies, I believe, by which each of us is
allowed to live. “ –R. Adams, from Commercial/Residential. - € 225
12. ADAMS, Robert: A portrait in landscapes.
Tucson, Oregon, Nazraeli Press 2005. Cloth in dustjacket, 52 pp. Kerstin Adams has often
accompanied her husband Robert when he has photographed the rural West. On those trips
he would sometimes turn, after making a picture of the landscape, and make another that
included her. “Kerstin loves the forest and prairie and shore, ” Adams writes, “which is
part of my love for her. When we are there, portraiture and landscape seem one; she shares
nature’s glory, and nature is warmed by her caring.” A Portrait in Landscapes reproduces
a selection of these linked pictures, together with related views. They span almost 40 years,
and most have not been published before. Two of the photographs are of Kerstin reading.
This volume might itself be understood as a letter. The pictures reproduced in this book
record their affection for the places they have been, and for each other. The first printing of
A Portrait in Landscapes sold out upon publication. A Portrait in Landscapes is printed in
duotone on matt art paper and bound in Japanese cloth. This beautiful little book offers a
heartwarming testament to the power of human love. Signed copy. - € 90
13. AGATA, Antoine d’ & DANTEC, Bruno Le: Mala noche.
Paris, En Vues, 1998. Hardcover in dustjacket, 103 pp.
Mala Noche, published in 1998, is about life, sex, and death on the fringe of society.
D’Agata’s intimate photographs depict lives unadorned and unabashed in slums and cities.
Signed and dated on the title page. - € 450
14. AGATA, Antoine d’: Insomnia.
Marseille, Images Manoeuvres Éditions, 2003. Paperback, 192 pp.
Born in Marseille in 1961, Antoine D’Agata left France in the early eighties, studying
photography at the International Centre for Photography in New York in 1990 alongside
of Larry Clark and Nan Goldin. Considered one of a new breed of Magnum photographers,
Antoine d’Agata’s images appear to exist between time and space in an alternately

leak, painterly and carnivalesque atmosphere. From his native Marseilles to New York,
Mexico and Central America, d’Agata has drawn from over 10 years of travelling as the
inspiration for his photography. Whether his subjects are portraits, desolate landscapes or
inner city streets, d’Agata’s twilight world captures the intense and intimate nature of his
chance encounters with people and places. Likening the compulsion to photograph to that
of proving one’s own existence, d’Agata distances himself from straightforward documentary
photography. Signed copy. - € 450
15. AGATA, Antoine d’: Stigma. Images en Manoeuvres.
Editions, 2004. Hardcover, 2004.
Antoine D’Agata veritably takes us on his travels. Instead of trying to represent the
world, he tells us how he is part of this world. We find ourselves swept up in the chaos and
turmoil of his nights: sordid and artificial purgatory, slices of wounded and famished flesh,
desperate promiscuity on vacant evenings, and constellations of depraved and violated
private lives. This is crudeness of the state of being seized photographically. - € 175
16. ALVERMANN, Dirk: Keine Experimente, bilder zum Grundgesetz.
Berlin, Eulenspiegel Verlag, 1961. In photo-pictorial boards issued without dustjacket,
136 pp.
Keine Experimente: Pictures of Basic Law is a book about the general attitude of the
West German population towards the changes brought about in West Germany with the
election of the CDU party. Konrad Adenauer, the first Chancellor of the Federal Republic
of Germany ushered in an era of rapid economic growth for post-war Germany that was
essentially a free-market economy that spurred upwards of 8 percent growth per year.
Adenauer’s “Keine Experimente” (No Experiments) slogan symbolized a more practical
approach to politics for people who had just years prior experienced the ideologies and
economic upheavals of the war period. Although living standards did improve for most
Germans, it was a policy that would have a similar effect to “trickle-down” economics of
Reagan in the United States where large gaps between the rich and poor would be created
and where wages for workers stagnated. Alvermann’s impressive pictures from the
years 1956-61 follow the paragraphs 1 to 9 of the Basic Constitutional Law of the Federal
Republic of Germany and are directed clearly against the blind faith into the German
Wirtschaftswunder. - € 390
17. ANDERSEN, Morten: Fast city.
Oslo : Morten Andersen, 1999. Paperback. 110 pp. Signed by Andersen. - € 85
18. ANDERSEN, Morten: Oslo F.
Oslo, HitMe! Books, 2005. Hardcover, 224 pp.
A book about the streets of Oslo with the old buildings and stairways of the 19th century,
a book about friends and the walk from the studio back home. The black and white tones are
astonishing. 222 photos. limited edition of 500 numbered copies. Signed copy. - € 175
19. ANDERSEN, Morten & GANGE, Eva Klerck: Days of night.
Oslo, Museet for Samtidskunst, 2003. Cloth.
Born 1965 in Oslo, Norway, Andersen is one of the leading younger photographers in
Norway. Educated at the International Centre of Photography, New York (Joan Liftin,
Nan Goldin, Larry Clark), he has received several European grants for his work, which can
be described as straightforward photography. While most of the European and American
photographers prefer a very conceptual strategy, Morten Andersen is interested in humankind
and its fate, his pleasures and fears shown by pictures taken on the street, captured in
bars and nightclubs, in the underground and in hotels. Andersen documents the human
struggle in pursuit of happiness. The title of the exhibition is a slight alteration of the term
“Day for Night”, which is used in the film industry when shooting night scenes during the
day, using special filters. It is also the title of a film by French director François Truffaut
known also as La Nuit Americaine. The photographs taken from the series Days of Night
are mostly black and white images, often very rough and grainy. Images of people caught
in a very moment of joy, fear or despair, emptied streets, a stray dog are shown together
with color images of flowers. A signed edition. - € 110
20. ANDERSEN, Morten & KUNSTNERSENTER, AKERSHUS: Leira.
Oslo, Hit Me! & Akershus Kunstsenter, 2006. Cloth in slipcase. Publisher’s Description:
Leira is a river just outside Oslo, where the photographer was born. This project represents
a 2 year photographic romance with the river, nature and the landscape around it. As such,
it is something of a departure for Andersen, whose previous work has had a more distinctly
urban feel, often reminiscent of Daido Mariyama and other Japanese street photographers.
With a silver Gelatin print. copy 194/ 450, signed. - € 125
21. ANGIER, Roswell: “A kind of life”, conversations in the combat zone.
Danbury, N.H.: Addison House.1976. Hardcover, 130 pp. - € 120
22. ARBUS, Diane: ARBUS, Doon: Diane Arbus. The libraries.
San Francisco: Fraenkel Gallery, 2004. Hardcover in matching slipcase, 32 pp.
From the book: “The books and other objects documented in the following pages were
assembled from the collection of Diane Arbus and constitute a significant portion of the
contents of her library. They are pictured here as they were displayed in several rooms of
the international museum retrospective Diane Arbus Revelations, which was organized
by the San Francisco Museum of Modern Art and traveled to seven other institutions
between October 2003 and October 2006”. - € 125
23. ARINO, Eimu: Cities - Space Between Real And Unreal.
Japan, AIM Press Company, 1983. Cloth in dustjacket. 188 pp. First edition. 94 photographic
plates. Text in English and Japanese.
Arino Eimu was born in 1941 in Amegasaki (Hyogo Pref). After graduating from Osaka
Educational University he became a high-school teacher in his home town. The present
images are taken between 1977 and 1982 in London, Paris, New York, Osaka, Interlaken,
Bern, Kyoto, Nagoya, Kobe, Rome, and a few other locations. Arino emerges as a hunter of
surreal or poignant images that negate the city that they were taken in. “There are times
we feel the city has a life of its own. And occasionally, we even become convinced that the
city harbors personal feeling of kindness, malice, admiration, and contempt towards its
inhabitants” (‘Is the City Rebelling’ Introduction by Hajima Irako). Small fold in
dustjacket. A near fine copy. - € 350
24. ATGET, Eugène & RECHT, Camille: Lichtbilder.
Paris and Leipzig. Verlag Henri Jonquieres, 1930. Cloth, 143 pp. Printed in a limited
edition of 1000.
The German edition of this monograph was published simultaneously in English and
French editions on the occasion of the first one-man exhibition organized by Levy and Abbott
at the Weyhe Gallery in New York. A rare copy of an important book. - € 650
25. AUER, Michel: Encyclopédie internationale des photographes de 1839 à nos
jours.
Editions Camera Obscura, 1985. Hardcover, 837 pp. 2 vol. - € 250
26. AVEDON, Richard & CAPOTE, Truman: Observations.
Luzern, Camera Verl., 1959. Cloth in dustjacket in slipcase, 151 pp. Like Robert Frank’s
‘The Americans, ’American photographer Richard Avedon’s first book, ‘Observations, ’
was published in 1959. And, like ‘The Americans’ it was included in Andrew Roth’s ‘The
Book of 101 Books: Seminal Photographic Books of the 20th Century (PPP Editions, 2001),
now itself a seminal work on the history of the photographic book. Having begun to take
photographs during the Second World War, where he served in the Merchant Marine,
Avedon became chief photographer of ‘Harper’s Bazaar’ in the late 1940s, where he helped
redefine and elevate fashion photography to an art form, frequently taking his models out
of the studio. But Avedon’s first book did not focus on his fashion work, but on his iconic
and penetrating portraits. In the 150 pages that form ‘Observations, ’ with comments by
the great American writer Truman Capote, we encounter the likes of Charlie Chaplin,
John Huston, Alfred Hitchcock, The Duke and Duchess of Windsor, Arthur Miller, Pablo
Picasso, Marilyn Monroe, Mae West, Judy Garland, Igor Stravinsky, Katherine Hepburn,
Brigitte Bardot, Louis Armstrong, Humphrey Bogart, Buster Keaton, and many others.
(Wayne Ford, The Photo Book Club) - € 350
27. AVEDON, Richard & BALDWIN, James: Im Hinblick.
Luzern, C. J. Bucher, 1964. Hardcover in slipcase, 88 pp.
Avedon and Baldwin were high school friends. Writing in The Photobook: A History, Vol.
I, Martin Parr and Gerry Badger describe this book as a “surprisingly bitter, existential
work, as jaundiced in its view of the 1950s United States as Robert Frank’s ever was …
[Avedon’s] best book, his demonic version of The Americans. This is the first Swiss edition
of the book. - € 150

28. AVEDON, Richard: Avedon--photographs, 1947-1977.
New York, Farrar, Straus and Giroux, 1978. Hardcover in dustjacket, 250 pp. - € 120
29. AVEDON, Richard: In the American West, 1979-1984.
New York, Abrams, 1985. Hardcover in mylar dustjacket, 172 pp. A master of American
fashion and art photography turns his artistry to capturing--in a series of photograph
portraits--the cowboys, roustabouts, drifters, gamblers, bar girls, and others who characterize
the modern Western experience. - € 290
30. AVEDON, Richard: An Autobiography.
Random House Incorporated, 1993. Cloth in plastic dustjacket, in original box, 424 pp.
A startling retrospective collection of the work of one of the most famous photographers in
the world. Images include famous fashion photos from the 1950s and portraits of Marilyn
Monroe, Charlie Chaplin, and the Warhol Factory. Many of the photographs here have
never been seen before. - € 295
31. BAILEY, David: London NW1, urban landscapes.
London, J M Dent & Sons Ltd, 1982. Cloth in dustjacket, 59 pp. David Bailey is an iconic
figure who is regarded as one of the best British photographers. Born in the East End, he
became a photographic assistant at the John French studio, then photographer for John
Cole’s Studio Five before being contracted as a fashion photographer for British Vogue
magazine in 1960. Along with Terence Donovan and Brian Duffy, he captured and helped
create the ‘Swinging London’ of the 1960s. - € 250
32. BAITEL, Esaias: Zonen.
Stockholm, Bokomotiv Förlags AB, 1882. Hardcover. 143 pp. First and only edition.
From Bokomotiv: “In the nineteen seventies, photographer Esaias Baitel lived in France, in
the Parisian suburb of Aubervilliers, for five years, which, among other things, resulted in
a book and an exhibition that has toured the world. . . . . . The Zone describes a neighborhood
where motor bikes, rock and roll, and swastikas go hand in hand. In order to get close
to these “Rockers”, Esaias had to tell them that he was a Swede of Walloon origin. To introduce
himself as a Jew in this environment would not have been cool. The photos do not
show lost or mislead youths, but take us very close to a integrated subculture, with entire
families and small children. / There are a lot of films and documentaries about the problems
that immigrants encounter in France. Here we get to see the pictures of the other side.
Confrontations are not hard to imagine. Esaias Baitel’s photos pointed towards the future.
In the nineteen seventies, he documented something that later was to erupt throughout
Europe: the different forms and shapes of neo nazism. The photos are accompanied by
Esaias Baitel’s texts, describing his experiences living among the Rockers. “ An important,
intimate and chilling work. - € 395
33. BALTZ, Lewis: New industrial parks near Irvine, California.
New York, Castelli/Castelli Graphics, 1974. Cloth in dustjacket.
In Roth, The Book of 101 Books, Vince Aletti referred to this book, along with Robert
Adams’ The New West, “the most cogent, concise, and rigorous New Topographics
documents produced in America.” While they explore the cold, anonymous surfaces of
the man-made environment, as Aletti points out, Baltz’s images “can’t help but establish
[their] link to minimalist painting and sculpture, particularly Donald Judd’s boxes and
Carl Andre’s concrete blocks. “ With a former owners name written in ink on the first
blank. - € 1.500
34. BALTZ, Lewis & BLAISDELL, Gus: Park City.
Albuquerque, Artspace Press/ New York Castelli Graphics, 1980. Cloth in dustjacket. 51
gelatin-silver prints. Essay by Gus Blaisdell (in English). This edition was limited to 3000
hardbound copies. Thirty years ago, when Lewis Baltz was completing his photographs
of a ski resort being built in Park City, Utah, he was in the middle of his most productive
period. He spoke of this project and two others as a “trilogy”, which implies that he saw the
new landscape of the West as tragic in nature. Park City shows why. - € 350
35. BALTZ, Lewis & HAWORTH-BOOTH, Mark: San Quentin Point.
New York, Aperture / Verla, Millerton, 1986. Cloth in dustjacket. Printed in an edition of
1200 copies with an essay by Mark Haworth-Booth.
Another monograph that continues Baltz’s photography of the landscapes of the American
West. - € 350
36. BALTZ, Lewis & MIN, Gallery: Candlestick Point.
New York: Gallery Min & Aperture, 1989. Hardcover in matching slipcase, 122 pp.
“Candlestick Point” is Lewis Baltz’ fascinating essay on the manmade debris, detritus,
and blight scarring the San Francisco peninsula. It’s a book filled with stark photography.
These are photographs of a ravaged, ugly land. Even in the colour photographs (the book
features both b/w and color), there is very little, if any prettiness. Here are no toxic lakes
running through the land in beautiful red. Signed edition. - € 225
37. BALTZ, Lewis: Lewis Baltz: The Tract Houses; The Prototype Works; The New
Industrial Parks Near Irvine, California (3 Volume Set).
New York, RAM Publications in association with the Whitney Museum of American Art
and Göttingen, Verlag Steidl, 2004. Cloth in dusjacket, in a slipcase.
Publisher’s Description: Lewis Baltz, with his iconic, minimalist photos of suburban
landscape, is considered the founder of the New Topographics movement. Reproduced for
the first time, his earliest portfolio, The Tract Houses (1971), and his preliminary forays
into a minimal aesthetic, The Prototype Works (1967-1976), illuminate Baltz’s drive to
capture the reality of a sprawling Western ecology gone wild. Together with The New
Industrial Parks near Irvine, California, this trilogy reveals the indelible importance of
Baltz in the development of contemporary photography. ‘Baltz turned his camera on the
virtually featureless built environment of California . . . He pushed his compositions to
an astringent minimum, ‘ writes curator Sheryl Conkelton in an informative essay. All 3
volumes signed. - € 350
38. BANSE, Ewald: Frauen des Morgenlandes, 64 Bilder.
Zürich-Leipzig, Orell Füssli Verlag. Hardcover pictorial boards in half cloth, 64 pp. - € 75
39. BASILICO, Gabriele: Basilico. Beyrouth : 42 photographies.
Internos Books, 1994. Paperback, 87 pp. - € 125
40. BAUMGARTEN, Lothar. Carbon.
Los Angeles, Museum of Contemporary Art, 1991. Cloth in dustjacket, 146 pp. Typography
and composition by Baumgarten and Walter Nikkels.
In 1989 German artist Lothar Baumgarten dedicated six months to following America’s
railroad tracks across the land with camera, dictating recorder, and pen and notebook, developing
an epic project he would call Carbon, which would incorporate several thousand
black-and-white and color photographs, large-scale wall drawings, journals, audio tapes,
texts, and graphic design and typography studies into an eponymous limited-edition publication
now regarded as one of the most beautiful artists’ books of the late 20th century.
Writing in Roth, et. al., The Book of 101 Books, Vince Aletti describes Carbon as a
“fiercely intelligent book. . . . [that] moves easily between intellectual rigor and romance. .
“ Signed at the back. - € 950
41. BEARD, Peter: The Last Word From Paradise.
Seibu. Tokyo, Museum of Art, 1979, Hardbound in photo-illustrated dust jacket. Photographs
by Peter Beard. Assisted by Eiko Ishioko. Seibu Museum of Art, Tokyo, Unpaged.
Illustrated endpapers. Numerous black-and-white illustrations, with several double gatefold
plates. Text in Japanese.
A very scarce and beautifully printed book that accompanied a 1979 show at the Seibu
Museum of Art in Tokyo. With the characteristic collage elements from his ‘day books’
mostly absent from this production, the spotlight here is on Beard’s black-and-white images
of wildlife enacting their Darwinian struggle for survival on their home turf. A copy
without obi. - € 295
42. BEATON, Cecil: Japanese.
Londen, Weidenfeld and Nicolson, 1959. Cloth, in dustjacket, 40 pp. Price clipped dustjacket.
- € 150
43. BECHER, Bernd & BECHER, Hilla: Anonyme Skulpturen.
Düsseldorf, Art-Press Verlag, 1970. Cloth in dustjacket, 107 pp. Text in German, French,
and English.
The first publication of the Becher’s landmark typological approach to documentary and
architectural photography. Includes photographs of lime-kilns, cooling-towers, blastfurnaces,
winding-towers (mineheads), water towers, gas-holders and silos. (Parr / Badger,
v2, 261; Roth 194-195; Open Book 258-259; Auer 518). Near Fine in dustjacket. - € 1.450

44. BECHER, Bernd & BECHER, Hilla : Fachwerkhäuser des Siegener Indus-
triegebietes : Fachwerkhäuser des Siegener Industriegebietes.
München, Schirmer/Mosel, 1977 Cloth, in a dustjacket, 350 pp. Text: Christian Rathke,
Bernd und Hilla Becher. Illustrated with 350 black and white photos. With a small unobtrusive
library stamp in the front. - € 175
45. BECHER, Bernd & BECHER, Hilla & Z̃DENEK, Felix: Fördertürme. Chevalements.
Mineheads. Castelletti di Estrazione.
Essen, Museum Folkwang, 1985. Cloth in dustjacket, 224 pp. Catalogue of the exhibition
in Essen, Torino, Paris and Liege. In German English French and Italien language. Dustjacket
is missing a triangle of white paper on the top-front, not affecting the image. - € 175
46. BECHER, Bernd & BECHER, Hilla: Wassertürme.
Schirmer / Mosel, 1988. Cloth in dustjacket, 240 pp.
Wassertürme is part of a larger ongoing series in which the artists sought out similar
architectural forms during a 25-year period. By juxtaposing like images in a grid format,
they produce a dialogue between repetition and variation. - € 295
47. BECHER, Bernd, BECHER, Hilla: Gasbehälter.
Schirmer/Mosel, 1993. Cloth in dustjacket, 120 pp. - € 150
48. BECHER, Bernd & BECHER, Hilla & BUSSMANN, Klaus: Fabrikhallen.
Schirmer / Mosel, 1994. Cloth in dustjacket, 264 pp.
Returning to the investigations of the German photographer August Sander (who in the
Twenties had created an atlas of representative types of occupations, social groups and
political alignments with the intention of showing the aesthetic similarities which come
into being within all social aggregations), from the Sixties onwards Bernhard and Hilla
Becher turned to examination of industrial architectural structures lacking in any evident
aesthetic value, the comparative study of which throws up great stylistic and typological
variety even though their function is the same. This is the case in Fabrickhalle (Giebel),
which shows us the façades of sixteen German factories all of which are marked, despite
their respective formal diversities, by the presence of architectural elements in the Romanesque
style which attempt, at least in part, to conceal the industrial nature of the buildings.
These “anonymous, serial sculptures”, all of which are photographed in black and white,
without any human figures and with the same luminous intensity and raised angle-shot,
serve as historical documentation of industrial areas which were later destroyed (the Ruhr)
but also as a study of the relationship between function and architectural elements and
as a comparative survey of stylistic choices and the societies which produced them. Their
search for absolute objectiveness eliminates any expressionist components (such as settings,
views, atmospheric conditions), since their intention to create a heritage of images of
a historical and anthropological nature takes priority over artistic aspect of the work. For
this reason the Bechers’ work has been placed within the conceptual art movement. - € 250
49. BECHER, Bernd & BECHER, Hilla: Fördertürme.
Schirmer / Mosel, 1997. Cloth in dustjacket, 190 pp.
This book concentrates on a single theme, extraction towers, which the two artists
researched for over twenty years across different industrial zones in Western Europe and
North America. The photographs have an abstract quality, with subjects observed in an
impersonal, analytical, methodical manner reminiscent of anatomical studies. - € 250
50. BEHNE, Adolf: Wochenende --und was man dazu braucht.
Zürich / Leipzig: Orell Füssli, 1931. Clothbacked pictorial boards. Number 26 of Orell
Füssli’s popular “Schaubücher” (sb) photobook series.
The book was commented by Adolf Behne (1885-1948), an important promoter of avantgarde
art, architecture and lifestyle. - € 75
51. BELLMER, Hans: Hans Bellmer Photographe.
Paris: Centre Georges Pompidou, 1983. Cloth in dustjacket. Hans Bellmer (German,
1902–1975) was a photographer, sculptor, writer, and painter, associated with the Surrealist
movement. - € 125
52. BELLOCQ, E. J. & FRIEDLANDER, Lee & SZARKOWSKI, John: E. J.
Bellocq, Storyville portraits, photographs from the New Orleans red-light district,
circa 1912.
The Museum of Modern Art / New York Graphic Society, 1970. Cloth, in dustjacket.
Now regarded as a modern photography classic, this is a true first edition Published in a
small and limited print run as a hardcover original, which is now extremely scarce. An
elegant production by Joseph Bourke Del Valle. Brown linen cloth boards with gilt titles
embossed on spine, as issued. Photographs by E. J. Bellocq. Preface by Lee Friedlander.
Interviews by John Szarkowski. Reproduced from prints made by Lee Friedlander and
printed on thick coated stock paper by The Meridien Gravure Comp.,Connecticut. Copy
with an ex libris in the front. - € 125
53. BERENDT, Joachim Ernst & CLAXTON, William: Jazzlife. Auf den spuren des
Jazz.
Burda Druck und Verlag, 1961. Hardcover in dustjacket, 268 pp. Abundantly illustrated
with over 20 pages of color photographs and many more b&w photographs of jazz musicians
and their audiences across the USA. “U. S. of Jazz” map front endpapers. Dustjacket
slightly damaged, reinforced at some places at the back. - € 350
54. BERG, Micke & LEKANDER, Nina & LEO, Patric: Stockholm blues.
Journal 1994. Cloth in dustjacket, 80 pp. 30 duotone illustrations.
A poetic journey through the streets of Stockholm. As the title indicates, these are not
romanticized city-scenes, but rather a look at the darker, grittier side of life. - € 95
55. BIDERMANAS, Izis: Paris des rêves. 75 photographies d’Izis Bidermanas.
Lausanne, Clairefontaine, 1950. Thin boards with photo-illustrated dustjacket, 156 pp.
With rich gravure images of Paris accompanied by holograph text excerpts by Jean
Cocteau, Andre Breton, Blaise Cendrars, Georges Hugnet, Henry Miller, and others. Izis
photographed in the tradition of Kertesz. - € 225
56. BIDERMANAS, Izis & PRÉVERT, Jacques: Grand Bal Du Printemps.
Lausanne, La Guilde du Livre, 1951. Cardboard in dustjacket, 144 pp. Printed in an edition
of 15, 300.
Izis Bidermanas spent his career photographing Paris in the “poetic realist” style. Grand
Bal du Printemps is a collection of 62 of his photographs, each accompanied by poetry by
Prévert. - € 150
57. BIDERMANAS, Izis & PRÉVERT, Jacques: Charmes de Londres.
Lausanne, Guilde Du Livre, 1952. Soft covers with original glassine wrappers, 143 pp.
One of 10300 copies. - € 150
58. BIDERMANAS, Izis & MALRAUX, André: Israël.
Lausanne: La Guilde du Livre, 1955. Boards with dustjacket, 159 pp. - € 110
59. BIDERMANAS, Izis & Colette: Paradis terrestre.
Lausanne, La Guilde du livre, 1961. In plain stiff wrappers, 138 pp. - € 100
60. BIDERMANAS, Izis & PRÉVERT, Jacques & CHAGALL, Marc: Le cirque
d’Izis.
Monte-Carlo, Editions André Sauret, 1965. Cloth in acetata jacket, in dustjacket, 171 pp.
Among the numerous books by Izis, Gerry Badger and Martin Parr have especial praise for
Le Cirque d’Izis (The Circus of Izis), “published in 1965, but bearing the stamp of an earlier
era”. Shot mostly in Paris but also in Lyon, Marseille and Toulon, the photographs are
“affectionate and nostalgic, but also deeply melancholic” with “a desolate undercurrent”,
forming a work that is “profound, moving and extraordinary”. Acetate Jacket missing
large pieces dustjacket + book NF. - € 390
61. BIERMANN, Aenne & ROH, Franz: 60 Fotos, 60 photos. The literary dispute
about photography.
Berlin, Klinkhardt & Biermann Verlag, 1930. Illustrated original soft cover. 11 pp. text +
plates + 4 pp. advertising.
A cooperation between the famous photographer and the famous layouter and typographer
Jan Tschichold, who was responsible also for the dustjacket. It is called “Fototek 2”, number
2 of a planned longer series of photography publications, but only two were published
(“Fototek 1” by Moholy-Nagy). Without the scarce red belly band. - € 450

62. BISCHOF, Werner & GASSER, Manuel: Carnet de route.
Zurich, Robert Delpire Éditeur, 1957. Cloth in dustjacket, 134 pp. Text in French by
Manuel Gasser.
Photographs taken in Bombay, Hong Kong, Japon, New York, Mexique, Perou, and
Machu Picchu. - € 95
63. BLOSSFELDT, Karl & NIERENDORF, Karl: Urformen der Kunst. Photographische
Pflanzenbilder. 120 Bildtafeln.
Berlin, Wasmuth, 1928. In green cloth.
Immensely popular and profound in their simplicity, Blossfeldt’s typology of plant
forms drew parallels between nature and art. They were used as inspiration for jewelers,
wrought iron workers, designers, craftsman, and artists worldwide. His vision is as fresh
and unforgettable today as one could imagine it to be when this book was first published.
With 2 small library stamps and one annotation in ink in front. - € 850
64. BONNEY, Thérèse: Europe’s Children.
Self Published, 1946. New York: Self-Published, 1943. Original black and white pictorial
cardstock wraps.
Thérèse Bonney was an American photographer and publicist. She was best known for her
images taken during World War II on the Russian-Finnish front. Her war effort resulted
in her being decorated with the Croix de guerre in May 1941 and one of the five degrees
the Légion d’honneur. She published several photo-essays and was the subject of the 1944
True Comics issue “Photofighter. During the war, she traveled through western Europe
taking photographs of children in dire conditions; some of the images were shown at
The Museum of Modern Art in New York City in 1940 and published in her 1943 book
Europe’s Children. Signed edition. - € 175
65. BOT, Marrie: Miserere, the great pilgrimages of penance in Europe.
Marie Bot, 1985. Cloth in dustjacket. One of 100 copies signed and numbered by Bot.
- € 250
66. BOT, Marrie: Bezwaard bestaan, foto’s en verhalen over verstandelijk gehandicapten.
Rotterdam, Bot, 1988. Cloth, in a dustjacket.
Copy with a signed dedication. No. 12/15. With a signed and numbered photo, no 82/
88. - € 225
67. BOTMAN, Machiel: Heartbeat.
Volute, 1994. Illustrated hardboards (issued without dustjacket). First edition 1500
copies total, of which 500 in Dutch, 500 English and 500 French. Editing & design
Machiel Botman, Adriaan Monshouwer, Victor Levie and Fred Ritchin. Dutch edition.
No slipcase.
Between the end of 1990 and 1994 I made about seven different dummies for Heartbeat.
Some with fiber prints, the others photocopied. This began after the unexpected passing
away of my mother. I had photographed about 15 years and made selections from that
period, about her of course, and about everything else that mattered: my relationships, my
brother, my friends, my son and the places where I lived, mostly in The Netherlands and
in France. Heartbeat became a visual poem in which happiness and sadness went hand in
hand. Nothing was linear or chronological in the book. The images I used for Heartbeat
were taken without any intent to publish them in a book. I never was much of a planner
and I photographed from intuition, always kind of reacting to things. I began by photographing
directly around me. And that never changed much, except of course, my circles
of living life became larger, or different, or something. (from Machiel Botman’s site). With
a signed dedication. - € 150
68. BOTMAN, Machiel: Drifting.
HUP, 2005. Softcover with slipcase. Limited to 500 copies.
Machiel Botman was born in 1955 in Vogelenzang, The Netherlands. Self-taught, Botman
has photographed since the age of 10. In the early 1980s he learned to print by assisting
the master printer Philippe Salaün in Paris, who made prints for Willy Ronis, Izis and
Robert Doisneau and others. This is a copy of the limited edition of 25 copies with a signed
dedication, a silver print of the image Sydney Road 1999. - € 250
69. BOUBAT, Edouard: La survivance.
Mercure de France, 1976. Cloth in dustjacket, 107 pp. 62 reproductions in photogravure,
some in double page.
Edouard Boubat was a French art photographer. Boubat was born in Montmartre,
Paris. He studied typography and graphic arts at the Ecole Estienne, and then worked
for a printing company before becoming a photographer after WWII. He took his first
photograph in 1946 and was awarded the Kodak Prize the following year. Afterwards he
travelled the world for the magazine Réalités. The French poet Jacques Prévert called him
a “Peace Correspondent.” His book “La Survivance” won the Rencontres d’Arles Book
Award in 1977. No slipcase present. - € 350
70. BOUBAT, Édouard: Pauses.
Paris, Contrejour, 1988. Cloth in dustjacket, 175 pp. Introduction by Claude Nori.
“The fundamental mechanism of Edouard Boubat’s work is autobiography. For him,
strolling in the neighborhood is as fulfilling as traveling to distant countries. . . Edouard
Boubat seems to me important not just because of his place in the history of photography,
but also because, at a time when photography claims its independence and autonomy, he
stimulates us, makes us want to wonder, to taste life, to preserve silence around us, so as
not to spoil the fragile beauty of the instant--even though this may mean taking photographs.
“[ from Claude Nori’s Introduction]. - € 150
71. BOURKE-WHITE, Margaret: Eyes on Russia.
New York, Simon and Schuster, 1931. Cloth, 135 pp. Preface by Maurice Hindus.
Bourke-White, traveled to the Soviet Union several times in the thirties. As Martin Parr
and Gerry Badger write in The Photobook, “following her Russian visit Bourke-White
demonstrated that she had absorbed the lessons of Rodchenko and the magazine USSR in
Construction. “ The book remains a fascinating document of the American Left’s fascination--and,
in retrospect, naïveté--with the Soviet experiment during the thirties. - € 250
72. BOURKE-WHITE, Margaret & CALDWELL, Erskine: You have seen their
faces.
New York: Modern Age Books, (1937), original photographic stiff paper covers. Text by
Erskine Caldwell.
Photographs by Margaret Bourke-White of the Sharecroppers living in the Southern
United States (Alabama, Arkansas, Georgia, Louisiana, Mississippi, Tennessee) at the
time of the great depression. These are some of Miss Bourke-White’s finest and most
memorable photo-portraits -- presenting “man, and the intention of his soul. “ If you have
not seen these faces, “there is much that you have yet to learn about America. “ “This
word-and-picture portrait of the share-cropping South’ told the truth in both text and
image about a reality hidden to most Americans at the time” (Roth, 94). As one of Life
magazine’s first photojournalists, Margaret Bourke-White “helped create and define the
look of picture magazines in the United States. “ During the Dust Bowl, her skillful wedding
of two seemingly incompatible styles, a “hard-edged theatrical style partaking of the
machine-age esthetic [and a] no-nonsense style indebted to the Farm Security Administration’s
photography project. [She brought] into high relief the disparity between industrial
society and those displaced by it” (New York Times). “The most commercially successful
of American documentary photobooks and one of the most controversial, “ the highly
influential You Have Seen Their Faces was a collaboration with Bourke-White’s future
husband, writer Erskine Caldwell (Parr & Badger I:122, 140). Scarce soft-bound Modern
Age edition (published same year as cloth-bound first) - € 125
73. BOURKE-WHITE, Margaret & CALDWELL, Erskine: Say, Is This the U. S.
A.
New York, Duell, Sloan and Pearce, 1941. In pictorial boards in dustwrapper. 182 pp.
Hardbound with illustrated boards. Numerous half-tone reproductions.
A follow-up to the 1937 book, You Have Seen Their Faces this book focuses on rural areas
of the mid-west and western states. Includes both iconic and little-known Bourke-White
photographs. With a former owner’s dedication. Dustjacket slightly damaged. - € 175
74. BOURKE-WHITE, Margaret: Shooting the Russian War.
New york, Simon & schuster, 1942. Cloth in dustjacket, 298 pp.
In early 1941, Bourke-White returned to Russia for Life to make a comparison between
the current Russia and the one that she saw ten years before. She and Caldwell entered
Russia though China. On July 22nd, Germany broke the nonaggression pact and invaded

Russia. Bourke-White was the only foreign photographer present, and she photographed
bombs falling on the Kremlin at night from her hotel balcony. The resulting pictures were
a major scoop for Bourke-White and Life. Dustjacket damaged, missing some small chips
of paper, mainly at the extremities. - € 250
75. BOURKE-WHITE, Margaret: Halfway to freedom. a report on the new India
in the words and photographs of Margaret Bourke-White.
New york, Simon & schuster, 1949. Cloth in dustjacket. 245 pp. Dustjacket damaged,
mainly on the spine.
Halfway to Freedom shows the new face of an ancient land. To most people, India has been
only a curiosity: a backward British colony, a country of strange temples, bejewelled maharajahs,
fakirs and famine. But the Indian that Margaret Bourke-White has written about
and photographed does not conform to this pattern. It is an awakening giant, striving to
throw off the shackles of a medieval feudalism, to develop modern industries, to educate its
people. India is learning to find freedom. (front jacket text) - € 125
76. BRANDT, Bill: The English at home.
London, B. T. Batsford. 1936. Hardcover, 64 pp.
The extreme social contrast, during those years before the war, was, visually, very inspiring
for me. I started by photographing in London, the West End, the suburbs, the slums. ‘
Bill Brandt Brandt visited England during the late 1920’s. In 1934 he and his wife settled
in Belsize Park, north London. Brandt adopted Britain as his home and it became the
subject of his greatest photographs. The majority of Brandt’s earliest English photographs
were first published in Brandt’s The English at Home. 2 pages in the middle of the book
with a restored tear. - € 250
77. BRANDT, Bill: Londres de nuit, soixante-quatre photographies de Bill Brandt.
Paris, Arts et Métiers graphiques, / London, Country Life / New York, Charles Scribner’s
Sons First edition, 1938. Paperback, 64 pp. ‘I photographed pubs, common lodging houses
at night, theatres, Turkish baths, prisons and people in their bedrooms. London has
changed so much that some of these pictures now have a period charm almost of another
century. Brandt’s second book, A Night in London, was published in London and Paris in
1938. It was based on Paris de Nuit (1936) by Brassaï, whom Brandt greatly admired. The
book tells the story of a London night, moving between different social classes and making
use – as with The English at Home – of Brandt’s family and friends. Night photography
was a new genre of the period, opened up by the newly developed flashbulb (the ‘Vacublitz’
was manufactured in Britain from 1930). Brandt generally preferred to use portable
tungsten lamps called photo-floods. He claimed to have enough cable to run the length of
Salisbury Cathedral. James Bone introduced Brandt’s book and described the new, electric
city: ‘Floodlit attics and towers, oiled roadways shining like enamel under the street lights
and headlights, the bright lacquer and shining metals of motorcars, illuminated signs…’
Brandt often used the darkroom to alter his photographs in decisive way. For example,
in the photograph Policeman in a Dockland Alley he used the ‘day for night’ technique
employed by cinematographers to transform images photographed in daylight into night
scenes. Spine damaged, missing some chips of paper, front partly loose. Very rare.
- € 1.750
78. BRASSAÏ & MORAND, Paul: Paris de Nuit, 60 photos inedites de Brassai
publiees dans la Collection Realites sous la direction de J. Bernier.
Paris, Editions Arts et Metiers Graphiques, 1933. Spiral bound with stiff card wrappers,
74 pp.
“Paris de Nuit is a ravishing book object in a purely physical sense. The printing
represents arguably the most luscious gravure ever seen, the blacks being so rich and deep
that after handling the book one expects to find sooty deposits all over one’s fingers. The
gradation of tones is wonderfully subtle, describing an apparently infinite range of black
and near-black tones. . . one should think of it as among the best produced and influential
photobooks ever. “--Parr & Badger, The Photobook: A History, vol. I. Cover slightly
rubbed. - € 2.500
79. BRASSAÏ: Etudes de Nus. 24 Photographies, de Brassaï, Nora Dumas, Féher,
Pierre Jahan, Ergy Landau, Liu-Shu-Chang, Philippe Pottier, Jeanne Robert,
Seeberger, Sougez.
Paris, éditions du Chêne, 1948. Loose as issued in wraps. - € 175
80. BRASSAÏ, [ photographie] & KAHNWEILER, Daniel Henry: Les Sculptures
de Picasso.
Paris, Les Éditions du Chêne, 1949. In pictorial Hardcover, 8 pp., text followed by 216
plates. Text by Daniel Henry Kahnweiler. some slight foxing. - € 125
81. BRASSAÏ: Brassaï.
Paris, Éditions Neuf, 1952. Cloth, with a pictorial front, 82 pp. Edited by Robert Delpire
and Pierre Faucheux.
Brassaï’s friend the novelist Henry Miller contributed an essay ‘Oeil de Paris’ – the
photographer would soon return the favor, providing illustrations to Miller’s own Quiet
Days in Clichy. - € 500
82. BRASSAÏ, [photographs] & MONTHERLANT, Henry: Séville en Fête.
Paris, Collection Neuf Robert Delpire, 1954. Cloth with dustjacket. 134 pp. First edition.
Brassaï’s photobook on Seville’s famous April festivals, Semana Santa and La Feria de
Abril, with 75 rich photogravures depicting the month’s processions and festivities.
“Always astonishing in Brassaï’s work is the strong presence of people. They fill every
setting with their physical volume and reveal the photographer’s genuine involvement.
No photograph was taken just for its own sake. Despite all his transformation of life into
a photographic image, Brassaï’s pictures were always a confession of humanity” (Icons of
Photography, 52). His homage to Seville is no exception. Seville is the very embodiment
of the Andalusian character and spirit, and its cultural richness is best manifested in two
annual festivals in April: Semana Santa (Holy Saturday), a solemn and beautiful series of
religious processions marking the end of Holy Week, and by the non-stop week-long party
at the end of the month—La Feria de Abril. In the grand Paseo de Caballos, beautifullydecorated
horses-drawn carriages parade in shining colors throughout the city, with their
occupants in fantastic flamenco dress. Over 1000 brightly-colored casetas (little houses set
up in the streets), covered in decorations and paper lanterns, become temporary homes for
thousands of revelers, packed day and night with flamenco dancers. Every evening some of
the best bullfights of the year take place at the Plaza de Toros de Maestranza de Caballería.
Brassaï has captured it all. Dustjacjket with some light shelf wear. - € 195
83. BRASSAÏ, [photographs] & MILLER, Henry: Quiet Days in Clichy.
Paris, Olympia Press, 1958. In black, yellow, grey and white card wrappers, 178 pp.
Against the vivid, sensual background of Paris, Henry Miller has woven yet another
masterful work of people living life to the full, experiencing sex, love and all manner of
emotions to the utmost. Henry miller will undoubtedly offend some, shock others, but dazzle
many more with this brilliant book. - € 700
84. BREUKEL, Koos: Photo Studio Koos Breukel.
Amsterdam, Basalt & Van Zoetendaal. 2000. Cloth in dustjacket. 30 plates. - € 175
85. BULLOCK, Wynn & BULLOCK-WILSON, Barbara: Wynn Bullock.
San Francisco: The Scrimshaw Press, 1971. Cloth in dustjacket. - € 125
86. BURRI, René: Les Allemands. Photographies de René Burri.
Paris, Robert Delpire, 1963. Hardcover, 166 pp.
The photos published in “Les Allemands” (“The Germans”) have been taken during trips
in Germany from 1957 to 1964. They are considered today as classics of photojournalism,
but they are more than that. They are not only masterpieces of their kind, but also part
of history and historiography. However, they do not describe the big issues of history but
everyday life. They reflect the details of life, that may sometimes seem contradictory in
their outer appearance. René Burri’s view, impartial but open-minded, full of interest in
his neighbour-country permits him a certain intimacy with what he sees, without getting
involved too much. His intimacy does not result in a loss of distance, which actually gives
his images this singular quality. Today his images can be considered to be among the best
witnesses of the era of reconstruction in Germany before the wall was built. Here is one
last attempt to show all of Germany as a unity. This book was included as one of the volumes
in the “Encyclopedie Essentielle” which also included the first publication of Robert
Frank’s “Les Americains” in 1958. - € 350
87. BURRI, René & ENZENSBERGER, Hans Magnus: Die Deutschen. Photographien
aus einem geteilten Land 1957-1964.
Schirmer/ Mosel, 1986. Cloth in dustjacket, 205 pp. - € 125

88. BURROWS, Larry: Larry Burrows, compassionate photographer.
New York: Time, Inc, 1972. Cloth, in a pictorial slipcase, 160 pp. - € 110
89. CALLAHAN, Harry M. : Callahan.
London, Gordon Fraser, 1976. Cloth in dustjacket, 203 pp. - € 125
90. CALLAHAN, Harry: Water’s edge.
Callaway Editions, 1980. Cloth in dustjacket.
Callahan manages to make photographs of such simple power that they take your breath
away. There are empty beaches, and there are beaches with swimmers. There are simple
pictures of objects in the sand, and even simpler pictures of just sand. There are pictures of
his wife Eleanor, sometimes clothed and sometimes not, that speak to the joy of being alone
in a place with a lover. Always there is a sense of care in looking, in the joy of translating a
simple human moment into a beautiful photograph, even (or especially) in scenes so common
that they seem to have no subject except for time and light and space. - € 175
91. CALLAHAN, Harry M. : Color. 1941 – 1980.
Matrix, Rhode Island, 1980. Cloth, 146 pp. - € 140
92. CAPA, Robert: Death in the making.
New York Covici, Friede, Inc. 1938 First edition. Cloth, no dustjacket. Photographs by
Robert Capa and Gerda Taro. Captions by Robert Capa. Translated by Jay Allen. Preface
by Jay Allen. Arranged by André Kertesz. With halftones from photographs throughout.
First Edition.
Moving photographic history of the Spanish Civil War, showing the people, the ruins, the
suffering which drew Hemingway and other writers to observe the conflict. Capa’s first
book. - € 450
93. CAPA, Robert & FORBES-ROBERTSON, Diana: The battle of Waterloo road.
New York: Random House. 1941. First edition. Cloth, 122 pp.
This is Capa’s second book, with text by Dinah Sheean (Forbes-Robinson) and illustrated
with images by Capa, mainly taken in the summer of 1941 when the Blitz had nearly
ended. Without the heightened action of the bombing, Capa focuses upon the spirit of
Londoners in the new normality of a heavily-bombed city. - € 100
94. CAPA, Robert: Slightly out of focus.
New York, Henry Holt and Company, 1947. Cloth in dustjacket, 243 pp. In 1942, a
dashing young man who liked nothing so much as a heated game of poker, a good bottle
of scotch, and the company of a pretty girl hopped a merchant ship to England. He was
Robert Capa, the brilliant and daring photojournalist, and Collier’s magazine had put him
on assignment to photograph the war raging in Europe. In these pages, Capa recounts his
terrifying journey through the darkest battles of World War II and shares his memories
of the men and women of the Allied forces who befriended, amused, and captivated him
along the way. His photographs are masterpieces -- John G. Morris, Magnum Photos’ first
executive editor, called Capa “the century’s greatest battlefield photographer” -- and his
writing is by turns riotously funny and deeply moving. From Sicily to London, Normandy
to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion
and wit shine on every page of this book. Dustjacket damaged and missing some
paper. - € 175
95. CAPONIGRO, Paul: Megaliths.
New York, Graphic Society, 1986. Cloth in dustjacket, 158 pp.
“ Locked in the silence of these stone complexes lies a link to the world of the unutterable. “
- Paul Caponigro In ‘Megaliths’, Paul Caponigro explores the various configurations of the
prehistoric monuments - from standing stones, tumuli, and cairns to circles, alignements
and the enigmatic dolmens. The photographer has kindly agreed to exhibit some of the images
from this powerful publication in the Bradshaw Foundation’s British Isles Prehistory
Archive, in the Megaliths section. Megaliths ofcourse are one of the most striking forms of
prehistoric occupation in Britain, and the intensity of Caponigro’s work captures the force
behind the megalithic stuctures, and their relationship to the landscapes in which they
reside. Dustjacket slightly damaged. - € 125
96. CARMI, Lisetta & FACHINELLI, Elvio : I Travestiti.
Roma, Essedi editrice, 1972. In pictorial hardcover, 164 pp.
In the wrong hands the subject of the transvestite can be voyeuristic. It is to the credit
of the Genoese photographer Lisetta Carmi that she never goes for the cheap shot as she
explores Genoa’s transvestite quarter. This book is a serious study that makes an attempt
to understand and empathize with the social and sexual phenomenon of the transvestite.
Auer : 551 & Parr /Badger Vol. I. Top and bottom of spine split and repaired with tape. +
one small library stamp in the front. - € 950
97. CARRIERI, Mario: Milano, Italia.
Milan, C M Lerici Editore, 1959. Cloth in dustjacket, 159 pp.
One of the most beautiful photobooks ever published! Martin Parr, The Photobook, page
214. Carrieri was a leading photojournalist and cinematographer associated with the Italian
neo-realists. He was influenced by William Klein”s “Life is Good & Good For You in
New York” and shared a similarly raw view, though his layout is slightly more restrained.
Carrieri spent time photographing in the suburbs as well as in the centre of Milan,
focusing his attention mostly on the less glamorous working side of this hard Italian city.
Dustjacket very slightly rubbed, reinforced at some places at the back. Some small tears at
the bottom. - € 950
98. CARTIER-BRESSON, Henri: Beautiful Jaipur.
Jaipur, India: Information Bureau, Government of Jaipur, 1948. Red cloth in a dustjacket.
75 pp.
“Mr. Cartier-Bresson came to Jaipur, accompanied by his talented wife, on the auspicious
occasion of the marriage of Princess Premkumari Sahiba in August, 1948 and revistied
the palace in the same month when he stayed for over a fortnight. He developed a liking for
Jaipur and its colourful scenes and took a large number of photographs for some foreign
journals. The photographs were attractive and presented an artistic picture of Jaipur. We,
therefore, requested him to allow us to issue some of these in an album. He readily agreed
to the suggestion, and also persuaded his friend, Mr. Max J. Olivier, representative of the
French News Agency in India and the President of the Foreign Journalists Association of
New Delhi, to write a pen-picture of Jaipur which forms an introduction the the album.
Mr. Max Olivier also contributed captions to go with the photographs. The photographs
and the text have been incorporated here in their original form and provide an interesting
picture of modern Jaipur as seen by two distinguished Frenchmen. . . We are glad that we
are now able to present to our readers this album which represents the joint work of Mr.
Cartier-Bresson and Mr. Max Olivier”. A spectacular copy of photographer Henri Cartier-
Bresson’s first book. A rare book. - € 3.900
99. CARTIER-BRESSON, Henri: The Decisive Moment.
New York/ Paris, Simon and Schuster/ Verve, 1951. Hardcover, designed by Matisse, 158
pp. With the captions booklet.
Cartier-Bresson achieved international recognition for his coverage of Gandhi’s funeral in
India in 1948 and the last (1949) stage of the Chinese Civil War. He covered the last six
months of the Kuomintang administration and the first six months of the Maoist People’s
Republic. He also photographed the last surviving Imperial eunuchs in Beijing, as the
city was falling to the communists. From China, he went on to Dutch East Indies (now
Indonesia), where he documented the gaining of independence from the Dutch. In 1952,
Cartier-Bresson published his book Images à la sauvette, whose English edition was titled
The Decisive Moment. It included a portfolio of 126 of his photos from the East and the
West. The book’s cover was drawn by Henri Matisse. For his 4, 500-word philosophical
preface, Cartier-Bresson took his keynote text from the 17th century Cardinal de Retz: “Il
n’y a rien dans ce monde qui n’ait un moment decisif” (“There is nothing in this world
that does not have a decisive moment”). Cartier-Bresson applied this to his photographic
style. He said: “Photographier: c’est dans un même instant et en une fraction de seconde
reconnaître un fait et l’organisation rigoureuse de formes perçues visuellement qui
expriment et signifient ce fait” (“Photography is simultaneously and instantaneously the
recognition of a fact and the rigorous organization of visually perceived forms that express
and signify that fact”). - € 850
100. CARTIER-BRESSON, Henri &ARTAUD, Antonin: Les danses à Bali.
Paris, Delpire, 1954. Cloth, in dustjacket, 121 pp. The second volume of collection “Huit”.
Essay, ‘Le Théâtre balinais, ‘ by Antonin Artaud. With an excerpt from Beryl de Zoete’s
book Dance and Drama in Bali.
Les Danses A Bali was the beginning of his collaboration with Robert Delpire, the famous
French publisher of photography books. - € 200

101. CARTIER-BRESSON, Henri & SARTRE, Paul: D’une Chine à l’autre.
Paris, Robert Delpire, 1954. Cloth, in a dustjacket, 150 pp. Photographs taken in Chine by
Henri Cartier-Bresson during his travels between 1948-49, when Mao Tse-tung took over
power. Good copy in dustjacket with slight shelf wear, missing some chips of paper at the
top of the spine. - € 395
102. CARTIER-BRESSON, Henri: Les Européens.
Paris, Verve, 1955. Hardcover, Cover designed and executed by Joan Miro, 114 pp.
“Cartier-Bresson worked on The Europeans for five years, a short period if one considers
that the famous Images à la sauvette [The Decisive Moment] of 1952, was the fruit of
twenty years’ labour. Its presents a dense portrait of a Europe where, ten years after the
war, accumulated ruins, as well as traces of hunger and misery on people’s faces were still
clearly visible. In the preface, nevertheless, Cartier-Bresson states that whether we are just
passing or settled down in a particular place, in order to express a country or situation,
one needs to have somehow established a close working relationship, to be supported by
a human community; living takes time, and roots take shape slowly. . . Amplified and
enriched, the work of the photographer with soles of wind is revealed in all its grandeur.
“(Jean Clair, Maison Européenne de la Photographie, Paris). Cited in Martin Parr and
Gerry Badger, The Photobook: A History, Volume I. (London and New York: Phaidon,
2004). - € 800
103. CARTIER-BRESSON, Henri: Moscou vu par Cartier-Bresson.
Paris, Robert Delpire, Collection Neuf, (1955). Cloth in dustjacket, 190 pp.
This volume is, in effect, a first peek behind the Iron Curtain, When attempts to obtain a
visa to enter the country from the Russian Consulate failed, Cartier-Bresson sent a copy
of The Decisive Moment to the Society for Cultural Relations in Moscow. Upon arrival,
he and his wife moved about freely with an interpreter; he claimed no interference with the
resulting work. Good copy in a very lightly damaged DJ. Missing some chips of paper at
the bottom of the spine. - € 250
104. CARTIER-BRESSON, Henri & SHAPLEN: Visage d’Asie.
Paris, Chêne, 1972. Cloth, in dustjacket, 207 pp. Introduction by Robert Shaplen. Includes
list of illustrations, a profusion of full-page black & white photographic prints. - € 120
105. CATLEEN, Ellen & SCHIFF, F. H. : Peking Studies.
Shanghai, Kelly & Walsh, 1934. Cloth, 87 pp.
Beautiful gravure images of Peking taken with a Rolliflex, and with vignettes illustrated
by noted illustrator Schiff. Excellent photography and charming sketches. Author was the
wife of Friedrich Schiff, who was the Dutch ambassador to China. - € 900
106. CHARBONNIER, Jean-Philipe & SOUPAULT, Philippe: Chemins de la vie.
Monte-Carlo, Éditions du Cap, 1957. Cloth in a dust-jacket.
A “fine book” by “one of France’s leading photojournalists”, which can be seen as a
manifesto of the humanist mode of photography (The Photobook). Parr and Badger: The
Photobook, vol. I, p. 210. Dustjacket missing some pieces of paper. - € 600
107. CHARGESHEIMER & BÖLL, Heinrich: Unter Krahnenbäumen.
Köln, Greven Verlag, 1958. Boards, in a dustjacket. Photographs and text by
Chargesheimer. Essays by Heinrich Böll . No jacket as issued. Black-and-white reproductions.
Chargesheimer (Karl Heinz Hargesheimer, 1924-1971) was one of the most prolific German
photographers of the post-war period. He photographed regularly for Stern magazine
and produced books on Hanover, the Rhine area, Berlin, and of course, Köln. The best
known of these are Cologne intime, 1957, this book, Unter Krahnenbäumen, 1958--a closeup
of a traditional street in an old district of Cologne directly behind the Cathedral and the
train station--and, finally Köln 5. Uhr 30, 1970. - € 350
108. CHARGESHEIMER, & BÖLL, Heinrich: Im Ruhrgebiet.
Frankfurt/M., Büchergilde Gutenberg, 1958. Cloth in dj. - € 175
109. CHRISTENBERRY, William: Southern Photographs.
New York, Aperture, 1985. Cloth in dustjacket.
Christenberry’s subject matter is inspired by the land, people and history of Alabama and
deals with such large themes as the depopulation of the rural landscape and the deteriorat-
ing effects of time upon the material world. His first monograph is “Southern Photographs”
and it presents his pioneering work in color photography from early snapshots
to his move to larger format photography in 1973 that he was encouraged to explore by
Lee Friedlander. Howard N. Fox, curator of modern and contemporary art, Los Angeles
County Museum of Art commenting on his photography wrote, “It is the genius of William
Christenberry to stir up intensely evocative emotions and meanings from common,
even humble, pieces of the world.” - € 150
110. CLARK, Larry: Tulsa.
Lustrum Press, 1971. Paperback. Black-and-white photographs.
Showing the life of young people - having sex, shooting up drugs, and playing with guns.
First edition of this important photobook; Clark’s debut. Scarce. Good copy, minor wear on
the edges. Front wrappers damaged, missing a rubbed piece of cover. - € 450
111. CLARK, Larry: Teenage lust.
New York: Larry Clark (self-published), 1983. Paperback, 148 pp. Clark tells a story that
begins in Tulsa in the late 1950s with “drugs and violence, rhythm and blues, “ and ends
up with male hustlers on New York’s infamous 42nd Street in the late 70s. In-between, we
find the “Summer of Love” in the East Village, teenagers skinny-dipping in New Mexico,
and time in jail. Parr & Badger, Roth 101. Signed on the title-page. - € 600
112. CLARK, Larry: The perfect childhood.
London: L. C. B. 1993. Cloth, in dustjacket. 192 pp. Designed by Hans Werner Holzwarth
and Design pur. Text in English.
Larry Clark’s “The Perfect Childhood” caused quite a stir when the attorneys for its
American distributor upon seeing their first copy refused to let it be imported due to the
prevailing moral climate. The successor to “Tulsa” and “Teenage Lust”, it continues the
notorious photographer/director’s fascination with the American teen through wall-to-wall
photos, collages, video stills and re-photographed press clippings - most of which are previously
unpublished. Highly voyeuristic in nature, there is no shortage here of sex, violence,
skateboarders and Matt Dillon! A most handsome copy of the uncommon true first edition
issued by Larry Clark Books in association with Thea Westreich. With a former owners
entry on the French title. - € 225
113. CLARK, Larry: Punk Picasso.
New York, AKA Editions, 2003. Soft cover. Illustrated laminated stiff wrappers, in a
cardboard slipcase, 496 pp. Limited edition of 1000 copies, stamp-numbered, signed and
dated (“2003”) in green ink pen on last page by Clark.
Publisher: “Larry Clark’s opus ‘punk Picasso’--whose title references David Denby’s
review of ‘Bully’: “. . . as the camera wanders-grazes-among naked thighs and tattooed torsos,
this punk Picasso combines the multiple desires of lover, artist and voyeur. . . “ - € 600
114. CLERGUE, Lucien & COCTEAU, Jean & MAGNAN, Jean Marie: Poesie der
Photographie.
Köln, Dumont. 1960. Illustrated paper covered boards by Pablo Picasso. 62 pp. text on
brown paper, photographs on laminated paper; with an additional lithographic title-page in
red, yellow and blue by Picasso, also designed by Picasso .
With child harlequins, abandoned buildings, gypsy camps, flotsam, dead birds, nudes in
the surf, rocks, reflections … Cocteau’s contributions are in parallel French and German
versions. Clergue and Picasso first met in 1949 and their friendship lasted 30 years.
- € 225
115. CLERGUE, Lucien & LORCA, Federico García & COCTEAU, Jean &
MAGAN, Jean-Marie & PETIT, Jean: Toros muertos.
Stuttgart, Ernst Battenberg Verlag, 1966. Quarter leather spine. No dust jacket as issued.
Matching slipcase. Photo-illustrated endpapers.
The death of the bull, when the iron penetrates into the nuptial ring, is that of the black
ambassador of the white lady, who once again is defrauded of her mysterious wedding with
the man who wishes it and dreads it. The funeral quadriga carries off this ambassador with
his bouquet of banderillas, whilst the bridegroom remains alone on the place of the sacrifice.
That is why he wears mourning in the garb of satin and gold. (-Jean Cocteau). Martin
Parr, The Photobook, vol 1, page 219. Signed copy. - € 1.000

116. CLERGUE, Lucien: Née de la Vague.
Paris, Belfond, 1968. Cloth in dustjacket, 1968. Technique: Black And White Photograph,
Gelatin Silver Print. - € 110
117. COMTE, Michel: Aiko T.
Steidl / Edition7L, 2000. Cloth, in glassine dustjacket, in slipcase, 124 pp.
This very limited edition presents famed photographer Michel Comte’s erotically charged
images of Japanese geisha Aiko T., capturing her transformation from luminous serenity
to possessed Dionysian abandon. Fully aware that Comte’s photographs would eventually
come to public view, her sexual act becomes a betrayal of Asian women as passive, obedient,
and timid creatures who dare not exercise control over their sexuality and a symbolic
protest against Japanese patriarchy. Through Comte’s photographs, the guarded and veiled
aura of the geisha is revealed and destroyed, consequently rupturing traditional boundaries
and the geisha burden of all Japanese women. Printed on the finest Monadnock paper,
bound in linen, and slip-cased, this extraordinary 56 duotone sequence is strictly limited to
500 books, signed and numbered by Michel Comte. Dusjacket damaged, missing pieces. - €
125
118. COPPENS, Martien & CONCORDIUS, (Pater): Rond de peel, 40 foto’s uit de
serie levensbeelden van Martien Coppens.
‘s-Hertogenbosch, Zuid-Nederlandsche Drukkerij, 1937. Cloth, 37 pp. introduction first
four pp. by Antoon Coolen, 37 pp. of extensive commentary by P[ater] Concordius O. M.
Cap.
40 fine black/white plates after original photographs by Martien Coppens, featuring
portraits of local people of “De Peel”, a poor rural district of North-Brabant Province, The
Netherlands. A famous photo record featuring portraits of simple Dutch peasants and their
families, males and females. With a bookplate on the first blank. - € 110
119. COPPENS, Martien: Monsters van de Peel.
Eindhoven, Lecturis, 1958. Hardcover without dustjacket (as issued). 18 photographs, 5 of
these colour-tinted.
Graphic designer Herman Rademaker contributes an original design which complements
Coppens” odd images of burnt down trees and stumps. see: The Photobook: A History
volume II, pag. 190, Foto in omslag, Het Nederlandse documentaire fotoboek na 1945, pag.
36, Het Nederlandse fotoboek, pag. 88-89. With a minor bump at the top of the spine . At
least very good. - € 700
120. COPPENS, Martien & SNOEK, Paul: Op de grens van land en zee.
Venlo, Océ- van der Grinten, 1964. Black cloth-covered boards (hardcover) with
letterpress-title in silver, 103 pp.
Martien Coppens was born in 1908, son of a clog maker from Lieshout, a village a stone’s
throw from the town of Eindhoven. Very soon he developed a remarkable interest for
photography (on one of his school reports it is mentioned that the photography could actually
use a bit less attention) and follows, exceptionally, an education abroad, in Munich.
After some wandering, he establishes himself as independent photographer in Eindhoven.
He works on request, but has a preference for free work and for what he callls artistic
photography. His photos are authentic and realistic, although the quality of his work was
not appreciated by all people at that time. Martien Coppens focused his camera quite often
at Brabant farmers and workers, at church buildings, and at landscapes, such as De Peel,
but he was also interested in the dynamics of a city such as Eindhoven and her industrial
activity. He was an enterprising man who published about seventy photobooks, of which
some were well accepted by the public. (Martin Parr and Gerry Badger : The Photobook: A
History volume 1) - € 195
121. DAETTWYLER, Otto & MAXIMOFF, Matéo: Tsiganes. Wanderndes Volk auf
endloser Straße.
Zürich, Büchergilde Gutenberg, 1959. Cardboard in wrappers, 135 pp. First edition. A
nice book about gypsies. - € 100
122. DAVIDSON, Bruce: East 100th Street.
Harvard University Press, Cambridge, Massachussetts, 1970. Cloth, In printed acetate
dustjacket, 129 pp. First edition.
Made in the late 1960s in New York City’s East Harlem. Bruce Davidson was able to photograph
the lives inside these tenament buildings with full trust, producing an intimacy in
the work unmatched before that time and matched by few since. The duotone reproductions
on semi-gloss, heavy paper stock are beautifully rendered dark and rich, making this book
far different in feel from the recent reprint. Reference: The Book of 101 Books. Still with the
review card. Very good. - € 350
123. DAVIDSON, Bruce: Photographs.
New York: Agrinde. 1978. 1th. edition. Cloth in dustjacket, 165 pp. This retrospective
monograph contains photographs from fifteen of Davidson’s photo-essays taken over
a twenty year period, including The Widow of Montmartre(1956), The Dwarf(1958),
Brooklyn Gang(1959), The Bridge(1963), Black Americans(1962-65), The Cafeteria(1976).
In a quote on the dustjacket flap, MOMA curator John Szarkowski summed up Davidson’s
talent in this way: “Few contemporary photographers give us their observations so unembellished
- so free of apparent craft or artifice. “ - € 190
124. DAVIDSON, Bruce: Subway.
Aperture Foundation Inc. In association with Floyd A. Yearout Weston [Massachusetts,
New York], 1986. Cloth in dustjacket, 88 pp. First Edition. Illustrated with photographically
illustrated dust jacket. Photographs and text by Bruce Davidson. Afterword by
Henry Geldzahler. Includes a technical note on the photographs by Davidson. Designed by
Wendy Byrne.
From the publisher: “Since the ground was broken, New York City’s subway system has
been the stuff of legend as well as the source of inspiration and fear. This dark, democratic
environment provides the setting for photographer Bruce Davidson’s first extensive series
in color. Subway riders are set against a gritty, graffiti-strewn background, displayed in
tones Davidson describes as ‘an iridescence like that I had seen in photographs of deep-sea
fish. ‘ - € 225
125. DAVIDSON, Bruce: Brooklyn gang.
Santa Fe: Twin Palms. 1998. Cloth in dustjacket, 98 pp. . Printed in an edition of 4000.
During the summer of 1959, Bruce Davidson followed a loosely knit “gang” of teenagers
around Brooklyn, New York. His camera captured these children of the James Dean generation
in both private and public moments at the soda fountain, the tattoo parlor, Coney
Island, and late-night basement dance parties. The beautiful adolescents that fill the pages
of this book exude a cool sensuality which came by way of the young Brando and Dean,
and traveled from American shores around the world. Davidson has created an exquisite
photographic elegy for a time when, in retrospect, we all seemed young. - € 450
126. DAVIDSON, Bruce: Time of Change. Civil Rights Photographs 1961-1965.
Los Angeles, St. Ann’s press, 2002. Cloth in plastic dustjacket, 144 pp.
On May 25, 1961, Bruce Davison joined a group of Freedom Riders traveling by bus from
Montgomery, Alabama to Jackson, Mississippi. The actions of these youths challenged and
disobeyed federal laws allowing for integrated interstate bus travel. These historic episodes,
which ended in violence and arrests, marked the beginning of Davidson’s exploration into
the heart and soul of the civil rights movement in the United States during the years 1961-
1965. In 1962, Davidson received a Guggenheim Fellowship and continued documenting
the era, including an early Malcolm X rally in Harlem, steel workers in Chicago, a Ku
Klux Klan cross burning near Atlanta, farm migrant camps in South Carolina, cotton
picking in Mississippi, protest demonstrations in Birmingham, and the heroic Selma
March that led to the Voting Rights Act of 1965, which was instrumental in changing the
political power base in the segregated Southern states. In the 140 photographs collected
here, many of which have never before been published, we see intimate and revealing portraits
of Dr. Martin Luther King Jr., John Lewis, and other leaders made by Davidson during
those turbulent times. These images describe the mood that prevailed during the civil
rights movement with a lyrical imagery that is both poignant and profound. As Davidson
bears witness to these historical events, and documents the degradation and segregation
that were endured, he gives testimony to the struggle for freedom, equality, justice, and
human dignity. - € 225
127. DAVIDSON, Bruce: Subway.
Los Angeles, St. Ann’s press, 2003. Hardbound in dust jacket. First edition thus, 124 pp.
Since ground was first broken, New York City’s subway system has been the stuff of living
legend--and a source of inspiration and fear. This dark, democratic environment provided
the setting for photographer Bruce Davidson’s first extensive series in color, originally
published in 1986. In it, subway riders are set against a gritty, graffiti-strewn back-

ground, displayed in tones Davidson described as “an iridescence like what I had seen in
photographs of deep-sea fish. “ Never before had the subway been portrayed in such detail,
revealing the interplay of its inner landscape and outer vistas. The images include lovers,
commuters, tourists, families, and the homeless. From weary strap hangers to languorous
ladies in summer dresses to stalking predators, Davidson’s compassionate vision
illuminates the stubborn survival of humanity. From the spring of 1980 to 1985, Davidson
explored and shot 600 miles of subway tracks. In his own words, he “wanted to transform
this subway from its dark, degrading, and impersonal reality into images that open up our
experience again to the color, sensuality, and vitality of the individual souls that ride it
each day. “ Now nearly 25 years later, and on the eve of the subway’s 100th anniversary,
St. Ann’s Press is publishing a new edition of Davidson’s classic book. This edition adds
43 unseen images to the original book, and includes an introduction by Arthur Ollman of
the Museum of Photographic Art in San Diego, and a foreword by Fred Braithwaite (aka
Fab Five Freddy), the original graffiti artist. It also includes Bruce Davidson and Henry
Geldzahler’s original essays. Signed by Davidson. - € 250
128. DAY, Corinne: Diary.
Hamburg, Kruse Verlag, 2000. Hardcover, 120 pp.
Corinne Day’s photographs have influenced a generation of fashion and documentary image
makers. Her pictures unflinchingly document her life and relationships with a realist
snapshot aesthetic -- representing a youth culture set against the glamour of fashion and
avoiding fictionalization or voyeurism. Gaining notoriety both for a scandalous photo of
Kate Moss in Vogue in 1993 and for pioneering so-called ‘grunge’ fashion photography,
she was exiled from the mainstream fashion media -- which had always been wary of her
potential for controversy -- a few years later as tastes began to shift towards a more stylized,
clean-cut look. Since then her photography has tended to focus on her own life, on the
daily lives of her circle of friends. Diary is Corinne Day’s first publication, cataloguing the
photographer’s life over the past five years. The subjects of this book include friends like
Tara -- a London commune dweller and fashion stylist -- and George and Rose, who after
being photographed by Day went on to become catwalk models. Their lives intersect in this
book, presenting a document of contemporary youth with all their habits, desires, fears,
and hopes. - € 225
129. DECARAVA, Roy & ALINDER, James: Roy DeCarava, photographs.
Friends of Photography Bookstore, 1981. Cloth in dj, 192 pp.
A collection of photographs on everyday life in NewYork City by the first Black artist to
receive a Guggenheim Foundation Fellowship. - € 110
130. DICORCIA, Philip-Lorca: Streetwork, 1993-1997.
Ediciones Universidad de Salamanca. Softcover, no dustjacket as issued, 68 pp. Introduction
by Jose Luis Brea; includes biographical chronology and a short bibliography. The first
and only edition.
Published in a very small and limited print run as a softcover original only. With a small
damage at the top of the front wrappers. - € 300
131. DICORCIA, Philip-Lorca & SANTE, Luc Pace. Wildenstein: Philip-Lorca
DiCorcia.
Steidl / Edition7L, 2001. Cloth in dustjacket, 40 pp.
The photographer Philip-Lorca diCorcia is best known for his elaborately staged scenes
made to look like real life, in which he meticulously plans every element of a shot-lighting,
pose, etc, before taking the photograph, creating the “ur” moment. This is conceptual
photography with the veneer of the documentary. As such, his photographs have been
integral to contemporary dialogues on street photography, portraiture and constructed
versus spontaneous tableaus. His most recent body of work, titled Heads, is a departure
from this method. Setting up shop in New York City, diCorcia took unstaged pictures of
passersby that follow in the street photography tradition of Paul Strand, Walker Evans,
Harry Callahan and Robert Frank. DiCorcia’s work helps to redefine the genre, bringing
street photography into our postmodern world. - € 125
132. DIJKSTRA, Rineke & BRACEWELL, Michael & LOWRY,
Joanna&GALLERY, Photographers: RinekeDijkstra, location, the Photographers’
Gallery.
London, 1997. Boards, 40 pp. - € 125
133. DIJKSTRA: Rineke: Menschenbilder. Ausstellungskatalog, Museum Folkwang
Essen 29. März bis 24. Mai 1998.
Essen, Folkwang, 1998. Paperback, 97 pp. Forword by Ute Eskildsen. Essay by Ulf
Erdmann Ziegler. Includes a list of plates, biography, awards, exhibition history and
bibliography. Designed by Sabine van Huef.
Rineke Dijkstra might be the most important photographer of portraits alive today. - € 350
134. DIJKSTRA, Rineke & EHLERS, Carol & RONDEAU, James: Rineke Dijkstra.
Lasalle Bank Na, 2002. Cloth in dustjacket, 64 pp.
Tall, skinny, short, round, squat, awkward, slouched, tanned, bashful, and sometimes
unknowingly beautiful, the adolescents in Rineke Dijkstra’s Beach Portraitsstand alone,
the ocean rolling behind them. Clad in little more than bathing suits, these young people
are striking to behold. Remarkably clear and formally classical, each subject is frontally
posed and shot straight on; the resulting photographs participate in a cold, quasi-scientific
categorization reminiscent of the work of August Sander and Thomas Ruff. Yet Dijkstra’s
pictures are not just that--there is also something of the eccentric in them, something
that comes closer to Diane Arbus’s images. Seen together, the complete series of 20 Beach
Portraits creates a kind of collective portrait of the existential insecurity and awkward
beauty of youth. - € 150
135. DOISNEAU, Robert & CENDRARS, Blaise: La banlieu de Paris
Lausanne: La Guilde du Livre, 1949. In original cream boards, as it was published, without
a dustjacket, 183 pp. Copy no. 1762 of 4300 press-numbered copies.
Although this is the correct first edition, the Pierre Seghers edition published later in the
same year has become more desirable, largely for its dust jacket. This copy, the Guilde
du Livre edition, was not issued with a jacket. Otherwise the books are the same. Images
of postwar Paris suburbs, with just the right mix of romanticism and decrepitude. (Parr
/ Badger, v1, 203; Roth 132-133; Auer 336). With a photocopy DJ. of the later Seghers
edition. N. F. - € 600
136. DOISNEAU, Robert & GIRAUD, Robert & RAGON, Michel: Les Parisiens
tels qu’ils sont.
Paris, Robert Delpire, 1954. Cloth in dustjacket. 124 pp. Text and commentary by Robert
Giraud and Michel Ragon.
Doisneau’s is a profoundly humanist vision; his work in this diminutive volume celebrates
quotidian life with a playful and ironic wit. “I like people for their weaknesses and faults. I
get on well with ordinary people. When I photograph them, “ said Doisneau, “it is not as
if I were examining them with a magnifying glass, like a cold and scientific observer. It’s
very brotherly. And it’s better, isn’t it, to shed some light on those people who are never in
the limelight. “- € 200
137. DOISNEAU, Robert & WAGENSEIL, Kurt: Instantanés de Paris, photographies
en noir.
Paris: Arthaud, 1955. Hardcover, bound in yellow cloth with dustjacket. With 148 photographic
illustrations by Doisneau. First edition.
Photographs on the topics of travelling, leisure time, love, children, moments et al.Good
copy. Dustjacket some very slight shelfwear. - € 175
138. DOISNEAU, Robert & GREGOR, Arthur: 1, 2, 3, 4, 5.
Lausanne, Editions Clairefontaine, 1955. Cardboard, in pictorial dustjacket, 26 pp. Verses
by Arthur Gregor.
Doisneau’s photographic children’s book contains twelve full-page gravure plates. Each
plate is an image depicting a corresponding number of objects; for example, two kittens in
shoes, five large snails lined up in a shallow ditch, seven acrobats forming a human pyramid,
nine round hats on people below the Eiffel Tower, twelve eggs laid out in the grass.
Designed by Albert Plécy. A Beautiful dreamlike photobook by the maker of “Banlieue de
Paris”/”Suburbs of Paris”, Martin Parr. - € 900
139. DOISNEAU, Robert & DONGUÉS, Jean: Gosses de Paris.
Paris, Genève, Jeheber, 1956. In original photo pictorial wrappers 111 pp. Illustrated with
full page reproductions of Doisneau”s photographs of children in Paris.
With a library stamp on the French title. - € 150

140. DOISNEAU, Robert &TRIOLET, Elsa: Pour que Paris soit.
Paris, Cercle d’Art, 1956. Publisher’s stiff wrapers with original photo illustrated dust
jacket, 160 pp.
A dynamic photo-perspective of Paris. Doisneau lived and breathed the sights of Paris for
six decades, instinctively mixing wit and charm with insight. Doisneau used to prowl the
streets to record the amusing moments of everyday life. Handsomely designed, and printed
in heliogravure by the presses of L’Imprimerie Sapho in Paris. - € 275
141. DOMON, Ken: Hiroshima.
Tokyo: Kenko-sha, 1958. Cloth in dustjacket, designed by Miro, 54 pp.
It took some time before a photographer would take on the task of shooting a series of
images dealing with the human impact of the bombing of Hiroshima. Although he was a
tiny man, Ken Domon had an extraordinary strength of character and he became the most
influential photographer of the immediate postwar years. Domon advocated the “absolutely
unstaged snapshot” and championed the ‘objective’, social realist photography that
became so popular in Japan in the late 1940s and early 1950s. With his direct, unflinching
approach, he was the first to undertake a major project on Hiroshima. The series was
published in a 1958 book, Hiroshima (Tokyo: Kenko-sha), which deals with the physical
destruction of the city, but focuses mainly on the lives of the Hibakusha (the atomic bomb
survivors). - € 1.500
142. DORR, Nell: Mother and child.
New York, Harper & Brothers, 1954. Cloth in dustjacket. 89 pp. Tipped-in statement from
the author mounted on verso of photo-illustrated front endpaper.
From the writings from a Nell Dorr website “Nell Dorr, in Mother and Child, seeks to
capture the affection and affinity between a mother and a child. Nell Dorr used her camera
to expose this affinity ‘Become as one, you and your camera, clear as glass and selfless. ‘
The maternal connection is a ‘divine mystery’ to Nell Dorr. ‘I see woman as the yeast of
life without which all the dough in the world would not rise. The mother gives love to her
child, inspiration to man and beauty to the world’. Very good copy, with library stamps
Hartkamp collectie on French title and title page. - € 295
143. DUVAL, Rémy & BONNARD, Abel: 28 études de nus.
Paris, Arts et Métiers Graphiques, 1936. loose in orig. publisher’s folder. Poème de R.
Duval. - € 225
144. ECHAGÜE, José Ortiz: Spanische Köpfe, Bilder aus Kastilien, Aragonien und
Andalusien.
Berlin, Verlag Ernst Wasmuth A. G. 1929. Half cloth boards in dustjacket, 80 pp. 31
pages + 80 full page photographs of Spanish costume in these three provinces.
Ortiz Echagüe (1886-1980), was a renowned Spanish photographer and engineer; he
employed the Fresson process, manufacturing his own paper, which he called Carbondir
(carbon direct). His subjects were Spanish landscapes, villages and people. The dust wrapper
for this book is very scarce. Dustjacket slightly damaged. - € 450
145. EGGLESTON, William & SZARKOWSKI, John: William Eggleston’s guide.
New York, Museum of modern art, 1976. Hardbound with black leatherette-covered
boards, with title stamped in gilt. Color plate tipped into embossed front cover. No dust
jacket as issued. 112 pp.
William Eggleston’s Guide was the first one-man show of color photographs ever presented
at The Museum of Modern Art, New York, and the Museum’s first publication of color
photography. The reception was divided and passionate. The book and show unabashedly
forced the art world to deal with color photography, a medium scarcely taken seriously at
the time. - € 350
146. EGGLESTON, William & GALLERY, Barbican Art: Ancient and modern.
New York: Random House, 1992. First edition. Cloth in dustjacket. Introduction by Mark
Holborn.
Published on the occasion of an exhibition at Barbican Art Gallery in London. The book
gathers together work from his career to date. - € 110
147. EGGLESTON, William: The democratic forest.
New York: Doubleday, 1989. Cloth in dustjacket, 176 pp.
Creates arresting imagery from the details of everyday life from the American South to
the Berlin Wall, making use of the objective, dispassionate, or democratic attitudes of the
camera lens. - € 100
148. EGGLESTON, William & GALLERY, Barbican Art: Ancient and modern.
Random House Inc. 1992. Cloth in dustjacket, 167 pp. Introduction by Mark Holborn.
Published on the occasion of an exhibition at Barbican Art Gallery in London. The book
gathers together work from his career to date. - € 110
149. EGGLESTON, William & WESKI, Thomas: William Eggleston.
Scalo Verlag Ac. 2003. Cloth in dustjacket, 175 pp.
Call Out: One of the few genuises in photography. --”Andy Grundberg” The world is so
visually complicated that the word “banal” scarcely is very intelligent to use. All days are
similar, no matter what part of this planet we’re in. (“William Eggleston”) - € 175
150. EHRHARDT, Alfred: Das Watt.
Hamburg, Verlag Heinrich Ellermann, 1937. Cloth in dustjacket. Introduction by Dr.
Kurt Dingelstadt.
“The modernist New Vision style was characterized by a tendency to find subjects both in
the city and in nature that made good abstract or semi-abstract photographs… The best of
this genre is arguably Alfred Ehrhardt’s Das Watt… His photographs of a commonplace
subject—mudflats after the tide has receded—are simple, striking and carefully crafted…
He chooses the low sun of morning or evening, shooting either directly into the light or
with strong sidelighting to make the most of the ripple effects left by the departing tide”
(Parr & Badger, 112). Dustjacket damaged, missing chips of paper, mainly on the front.
No slipcase present. - € 295
151. EHRMANN, Gilles & PICASSO, Pablo & VERDET, André: Provence noire.
Paris, Editions Cercle d’Art, 1955. Paperback, 142 pp. With 101 black and white pictures
by Gilles Ehrmann, cover by Pablo Picasso. - € 100
152. ELSKEN, Ed van der: Een liefdesgeschiedenis in Saint Germain des Prés.
Amsterdam, De Bezige Bij, 1956. Cloth, in a dustjacket.
“Van der Elsken’s blend of informal photojournalism and diaristic note-taking set a
precendent for the sort of engaged personal book works that Larry Clark and Nan Goldin
would make decades later. . . . “--Vince Aletti, The Book of 101 Book, p. 147. Very good
copy. - € 495
153. ELSKEN, Ed van der: Jazz. Met teksten van Jan Vrijman, Hugo Claus, Simon
Carmiggelt, Friso Endt en Michiel de Ruyter.
Amsterdam, De Bezige Bij, 1959. Hardcover. A first edition.
Van der Elsken’s third book, a collection of photographs taken at concerts in Amsterdam
and The Hague. The text is by Jan Vrijman, Hugo Claus, Simon Carmiggelt, Friso Endt
and Michiel de Ruyter. On the photos you can see jazz giants as Chet Baker, Gerry Mulligan,
Louis Armstrong, Miles Davis and Count Basie. “The 1950s constituted a golden
age for jazz music. The decade was also renowed for classic small-camera photography,
much of it as rough and ready as the best experimental jazz. The two art forms combine to
perfection in Ed van der Elsken’s gem of a book, “Jazz”… (From: The photobook: A history,
volume 1, by Martin Parr and Gerry Badger. ) - € 350
154. ELSKEN, Ed van der: Sweet Life.
Amsterdam, De Bezige Bij, 1966. Cloth in dustjacket, 180 pp. Dustjacket design by Wim
Crouwel.
“Wherever in the world photography is taken seriously, the work of Ed van der Elsken is
known and admired. His images are unmistakable, and demonstrate (if the tiresome question
still lodges in anybody’s mind) how personal and expressive a vehicle the camera can
be. “Reference: SWEET LIFE. Harry N. Abrams, New York, NY. - € 375
155. ELSKEN, Ed van der: Parijs foto’s / 1950-1954.
Amsterdam, Bert Bakker, 1981. Cloth, 176 pp. Anthon Beeke : design.
A review in photographs of Elskens period in Paris 1950-54, richly illustrated in black &
white some wellknown images, some unpublished with text by the photographer himself.
Signed copy. - € 250

156. ELSKEN, Ed van der & SWAAN, A. de: Jong Nederland. Adorabele rotzakken
1947-1987.
Amsterdam, Bert Bakker, 1987.
Copy with a signed dedication. - € 110
157. ELSKEN, Ed van der: Japan 1959-1960.
Libroport, 1987. Paperback. Photographs and text (in Dutch) by Ed van der Elsken.
Includes an illustrated list of plates. Designed by Max Kisman Grafische Vormgevers
Associatie, Amsterdam. 176 pp., with 151 full-bleed black-and-white plates printed in
Belgium by Snoeck-Ducaju & Zoon NV, Ghent. - € 350
158. ELSKEN, Ed van der: De ontdekking van Japan.
Amsterdam, Fragment, 1988. Cloth in dustjacket, 154 pp. Includes an illustrated list of
plates. Designed by Max Kisman Grafische Vormgevers Associatie, Amsterdam. With an
insert brochure ‘Ratatouille Japonica’, stapled. - € 350
159. ELSKEN, Ed van der: Hong Kong.
Dewi Lewis/De Verbeelding, 1997. Hardcover in dustjacket, 136 pp. - € 175
160. ÉLUARD, Paul & PICASSO, Pablo: Corps mémorable.
Paris, Pierre Seghers, 1960. Hardcover in dustjacket, 35 pp. Photographs by Lucien Clergue.
Poetry by Paul Eluard. Cover by Pablo Picasso. Additional poem by Jean Cocteau.
With this publication, Clergue virtually invented the mainstream erotic photobook. Books
published during the 1960s that bear its unmistakable influence include The Face of Love
by Sanne Sannes; Cowboy Kate and Other Stories and Five Girls by Sam Haskins; all of
the work of Jeanloup Sieff. . . the list could go on. The pairing of Clergue’s photos with the
poems of Eluard ties them that earlier generation of erotic adventurers, the Surrealists. It
bears the distinction of being the first ‘over-the-counter’ photobook to show female pubic
hair (permissible only because the models’ faces are not shown. [Parr & Badger, The Photobook,
A History, vol. I. ] Binding almost loose. Dustjacket good. - € 150
161. ENGSTRÖM, Jan Henrik: Härbärge.
Stockholm: Bökförlaget DN, 1997. Cloth in dustjacket. The photographer”s first book.
Engstrom is widely regarded as one of the leading talents in contemporary photography.
This book consists of 54 black and white images of women at the Klaragarden shelter in
Stockholm. Signed by the artist. - € 550
162. ENGSTRÖM, Jan Henrik : Trying to Dance.
Stockholm, Journal, 2004. Clothbound with tipped on cover image. No jacket as issued.
Design by Patric Leo. Edited by Gösta Flemming.
“I’m always looking for presence. Whenever I try, my doubts get unmasked. Easier then
to stick with absence. I’m not trying to prove anything. I don’t have that many memories
yet. “ JH Engström, from the back cover. “Trying to Dance is a masterpiece of enigma and
indeterminacy, a tone set by the cover picture. A young couple stand together in a field, the
girl in a short white dress, a scarf or veil on her head, and a bunch of white flowers in her
hand. It is probably a wedding photograph--but we cannot be certain. . . Trying to Dance
seems to be in the vanguard of a new genre that depicts a veiled, oblique, almost novelistic
view of modern life, especially modern relationships, apparently offering frankness and
disclosure yet actually remaining extremely guarded. “(Parr/Badger). Signed on the titlepage.
- € 900
163. EPSTEIN, Mitch: Family business. Göttingen.
Steidl Verlag. 2003. Cloth with dustjacket. 295 pp.
Cited in Parr and Badger “The Photobook: A History, Volume II”. Signed by Epstein.
- € 175
164. EVANS, Walker: American photographs.
New York: The Museum of Modern Art, 1938. Original ribbed black cloth, with printed
paper label to spine, 195 pp. Essay by Lincoln Kirstein. Printed in an edition of 5000
copies,
“Throughout Evans’ long career. . . commentators often remarked on the transparency of
his pictures. They were thought to represent the thing itself, seemingly without intervention.
Thought of as pure documents, their transformative power was downplayed. But
Evans’ photographs are in fact highly mediated representations, actively making a world
even as they record it. They are documentary interventions of the highest order”--David
Levi-Strauss in The Book of 101 Books. Top and bottom of spine a bit rubbed Spine a bit
discolored, Still a very good copy. - € 450
165. FAUCON, Bernard: Les Grandes vacances. mises en scènes photographiques,
1976-1980.
Paris, Herscher, 1979. Cloth, in a dustjacket.
From the English language edition: “Bernard Faucon is a master magician of ambiguity.
His photographic ‘mise-en-scene’ of children’s games and rituals [using mannequins
and an occasional live model], like the salaciously naïve narrative that accompanies them,
convincingly perverts the notion of reality. For the real in Faucon’s art is both the subtly
delirious content of unusually memorable images and the heightened awareness of the feelings
they arouse in us. Copy with pencil dedication signed B.F. - € 275
166. FIERET, Gerard Petrus: Gerard Fieret, foto’s.
Stedelijk Van Abbemueum Eindhoven, 12 november t, m 12 december. Stedelijk Van
Abbemueum, 1976. Paperback.
Fieret, [Den Haag 1924-2009]. After an education as graphic artist and painter Gerard Fieret
started photographing. His main production in this field was between 1950 and 1980.
He photographed everything in his direct environment: Himself, girls, kids and animals in
the street, and above all Women, many women he casually meets and photographs, giving
his pictures a light voyeuristic character. - € 125
167. FRANK, Robert: Les americains.
Paris, Robert Delpire, 1958. Glazed paper over boards. No dust jacket as issued. 174 pp.
Texts by numerous authors edited by Alain Bosquet. Cover design by Saul Steinberg. The
true first edition.
“. . . paved the way for three decades of photographs exploring the personal poetics of lived
experience. Many memorable photobooks have been derived from this mass of material.
None has been more memorable, more influential, nor more fully realized than Franks’s
masterpiece. “--Martin Parr and Gerry Badger, The Photobook: A History, Vol. 1. Some
minor traces of tape on the blanks. Very good copy. - € 3500
168. FRANK, Robert & KEROUAC, Jack: Pull My Daisy. Text by Jack Kerouac
for the film by Robert Frank and Albert Leslie.
New York, Grove Press, 1961. In stif wrappers, 64 pp.
Weaves Jack Kerouac’s narration with stills from the 1959 film [Pull My Daisy]. Pull My
Daisy (1959) is a short film that typifies the Beat Generation. Directed by Robert Frank
and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat
Generation; Kerouac also provided the improvised narration. Leslie and Frank discuss the
film at length in Jack Sargeant’s book Naked Lens: Beat Cinema. - € 250
169. FRANK, Robert: Du Heft 01/1962: Der Photograph Robert Frank.
Du Kulturelle Monatschrift, 1962. Paperback, 68 pp.
Theme number of one of the greatest American photographers, With : Early works 1948-
1953, “The Americans” 1955-1957 / 9 pictures from the 1958-1961 / Hugo Loetscher
about the films of Frank / Pictures from “Pull My Daisy” and “The Sin of Jesus”. etc.
- € 140
170. FREED, Leonard: Police Work.
New York Touchstone 1980. Paperback, 192 pp.
Freed began photographing the NYPD as a commission for the London Sunday Times in
1972. When published—accompanied by an article titled “Thugs, Mugs, Drugs; City in
Terror”—the collection raised more than an uproar. Mayor Jon Lindsay called the article
“a gross insult to the city, ” and the Daily News even sued. Freed himself had a different
angle on his own photographs. “They wanted blood and gore, ” he told Worldview magazine
about the article. “But I was more interested in who the police were…I wanted to get
involved in their lives.” With a sticker on a former owner’s entry on the first blank. - € 100
171. FREED, Leonard: La danse des fidèles.
Paris, Édition du Chêne, 1984. Cloth in a dustjacket.
First and only edition of Magnum photographer Freed’s celebration of Jewish culture in
Europe, Israel and the United States. - € 150

172. FREEDMAN, Jill: Street cops.
New York, Harper & Row Publishers, 1981. Cloth in dustjacket, 253 pp.
Street Cops captures a wild period in New York City history where junkies, drunks, prostitutes
and lunatics openly walked the streets. This remarkable body of work is the result of
Freedman on foot patrol and riding in the police cruisers of the Ninth and Midtown South
Precincts, which included Alphabet City and the raunchy blocks around Times Square.
Street Cops shows an intelligent empathy towards the police and their attitudes of likemindedness.
- € 110
173. FRIEDLANDER, Lee: Self portrait.
New York Haywire Press, 1970. Paperback, 88 pp. - € 295
174. FRIEDLANDER, Lee: Lee Friedlaender, photographs.
New City, NY, Haywire Press, 1978. Cloth, 106 pp.
Binding a bit discolored, with some library stamps. - € 125
175. FRIEDLANDER, Lee: Flowers and trees.
Haywire Press, 1981. Clothbound with embossed title. No dustjacket as issued. Pages are
spiral bound internally, 80 pp.
A member of the Social Landscape school of photography, the photographs included in
Flowers and Trees provide a sharp contrast to Friedlander’s Self Portrait (1970) and
The American Monument (1976), which chronicle life in small-town America and often
employ visual puns. Flowers and Trees is just that: photographs of blossoms and leaves
taken between 1972 and 1979, in the United States, Canada, France, Japan and Australia.
- € 500
176. FRIEDLANDER, Lee: Factory valleys. Ohio & Pennsylvania.
New York, Callaway Editions, 1982. Cloth, in dustjacket, 60 pp. Lee Friedlander’s Factory
Valleys series, conceived 30 years ago, has come to be recognized as a milestone both in the
artist’s career and in the history of documentary photography. Signed edition. - € 500
177. FRIEDLANDER, Lee: Portraits.
New York Graphic Society Books/ Little, Brown and Company, 1985. Cloth in dustjacket,
96 pp. Foreword by R. B. Kitaj.
This selection of Lee Friedlander’s best portraits span the years 1957 to 1984. These
photographs of both the anonymous and of the famous--including Count Basie, Jean
Genet, Walker Percy, Garry Winogrand, and Walker Evans--are reproduced in duotone on
uncoated stock. - € 225
178. FRIEDLANDER, Lee & INC, Cray Research: Cray at Chippewa Falls.
Minneapolis, A Cray Research, Inc. Book, 1987. Clothbound with printed label, 96 pp.
In 1975, as part of a special commission, American master photographer Lee Friedlander
took these photographs at Cray Research, Inc., Chippewa Falls, Wisconsin, birthplace of
the Cray-1 supercomputer—then the fastest computer in the world. With four page prepublication.
- € 325
179. FRIEDLANDER, Lee & LACY, Steve & BROWN, Ruth: American musicians.
New York, Distributed Art Publishing Inc. 1998. Cloth in dustjacket, 295 pp.
In the 1950s Lee Friedlander arrived in New York and began work as the house photographer
for Atlantic Records. Over the next two decades, he would create some of their most
famous album covers, and his style of taking pictures of Ray Charles, Aretha Franklin,
Ruth Brown, Charles Mingus, John Coltrane, the Modern Jazz Quartet, and countless
others -- became forever associated with that golden era of American music. Friedlander
took great photos of musicians in large part because he was an avid music fan. It was the
founders of Atlantic, the Ertegun brothers, whom Lee befriended through music -- all
three men were fascinated by the emerging sounds of be-bop, urban blues, country and
soulful R&B. This book is Lee’s tribute in photographs -- the bulk of which have never
been shown in any format before -- to the great musicians of the post-war years. It includes
photographs from Lee’s trips through the Deep South, where he met Delta Blues musicians
like Mississippi Fred McDowell, New Orleans marching bands and old-time musicians,
and Nashville performers like Johnny Cash, the Carter sisters, and Flatt & Scruggs. There
are photos of anonymous bluegrass players in Appalachia, photos from touring with Count
Basie’s band, classic photos of gospel and soul musicians, and images of jazz geniuses like
Thelonius Monk, Duke Ellington, Ornette Coleman, and Yusef Lateef. Though the book
is mostly from the ‘50s and ‘60s, it stretches into the ‘70s, and is virtually a who’s-who of
American music -- from a time before the conquests of rock-and-roll and synthetic pop. Interviews
with R&B legend Ruth Brown and modern jazz pioneer Steve Lacy are included
along with an introduction by music impresario Joel Dorn. - € 125
180. FRIEDLANDER, Lee: Kitaj.
San Francisco, Fraenkel Gallery, 2002. Cloth in dustjacket, 115 pp. This book’s title refers
to the television screens housed in motel rooms and other nondescript rooms of anonymous
character spread throughout the country during the 1960s. Each screen vividly transmits
images of popular culture icons, political figures, or minor celebrities of the times. The
environments are iconographic ghost-rooms filled with bland furniture-rooms without
personality, rooms that could be, and are, anywhere and everywhere. The Little Screens
and their environments weave a narrative of a peripatetic photographer moving through
the landscape of 1960s America, and the melancholy, yet sometimes comic quality of life
lived on the road. They provide a look at the 1960s as so many people saw it - beamed into
their televisions and flickering across their living rooms. The book’s preface was written by
the legendary Walker Evans after he saw the photographs in 1963. - € 225
181. FUKASE, Masahisa: Homo Ludence.
Tokyo, Chuo Kuronsha, 1971. Cloth, in dustjacket. 150 pp.
Fukase’s first book, with pictures of his wife, the model Yoko (from whom he would later
separate), his family (including nudes), a slaghterhouse, etc. Masahisa Fukase, (born 1934)
is a renowned Japanese photographer. The freshness of Fukase’s photographs of his family
and his bride, shown in numerous exhibitions and magazines brought considerable attention;
these were collected in his second book, published in 1978. Fukase was able to enjoy
little of the success from this book as in 1991 he fell down a flight of stairs while intoxicated
and into a coma in which he remains today (2010). Top of the spine of the dustjacket
and corners are missing some chips of paper. spine of dustjacket slightly discolored. Copy
with original postcard from publisher inside. - € 850
182. FUKASE, Masahisa: Hysteric twelve.
Tokyo, Hysteric glamour, 2004. Hard cover with clear plastic cover. Printed in a limited
edition of 700. Text in English. Designed by Toshio Shiratani (Nomade).
One of Post-war Japan’s pre-eminent photographers, Masahisa Fukase (of “The Solitude of
Ravens” fame) presents here a rather lighthearted series of self-portraits taken in his bathtub
with an underwater camera published by Hysteric Glamor. A pristine copy. - € 125
183. FUNKE, Jaromír & SOUCČEK, Ludvík : Jaromír Funke, Fotografie.
Praha, Odeon, 1970. White cloth stamped in black in photo-illustrated dustjacket, 135 pp.
Text by Ludvik Soucek (text in Czech).
A central figure of the Czech photographic avant-garde of the 1920s and 1930s, at time
during which Czechoslovakia was at the cutting edge in many areas of the arts, Funke was
the subject of the 2009 exhibition, “Jaromir Funke and the Amateur Avent-Garde” at the
National Gallery in Washington. He was a founder, with Josef Sudek, Adolf Schneeberger
and others of the Czech Photographic Society. This superbly printed monograph offers a
definitive overview of his career. - € 250
184. GELPKE, André & WELLERSHOFF, Dieter: Fluchtgedanken. Ein monolog.
Mahnert-Lueg, 1983. Paperback, 88 pp.
Gelpke’s second book: a strange assortment of images, some shot at the seashore, which are
highly evocative of the work of Japanese photographer Shigeo Gocho. Regarded by some as
one of the seminal German photobooks of the postwar era. - € 175
185. GELPKE, André: Sex-Theater, eine fotografische Dokumentation.
München, Mahnert-Lueg, 1986. Paperback, 102 pp.
Gelpke starts by alternating images of women painted onto strip club windows with
portraits of the real performers. Once inside, the theater’s stage is mostly a bare-bones
affair with the performers going about their act; fucking, stripping or trying their talents
as acrobats. One familiar with Garry Winogrand’s pictures in the Ivar Theater in LA will
have an idea of the sometimes dreary atmosphere made all the worse by Gelpke’s evenly lit
flash. In the glaring light of the exposure we see the grime and wear and tear of the stage
curtains and walls. With a former owner’s name on the first blank. - € 295

186. GERMAIN, Julian: For every minute you are angry you lose sixty seconds of
happiness.
Göttingen, Steidl / Edition7L, 2005. Cloth, 72 pp.
“I met Charles Albert Lucien Snelling on a Saturday in April, 1992. He lived in a typical
two-up, two-down terraced house amongst many other two-up, two-down terraced houses.
. . it was yellow and orange. In that respect it was totally different from every other house
on the street. Charlie was a simple, gentle man. He loved flowers and the names of flowers.
He loved color and surrounded himself with color. He loved his wife. Without ever trying
or intending to, he showed me that the most important things in life cost nothing at all.
He was my antidote to modern living. “ Over eight years, photographer Julian Germain
documented Charlie, an elderly man living alone on England’s Southern Coast, unfettered
by the misplaced aspirations of the modern world; instead he spent the last years of his life
absorbed in memories of his family, his love for flowers, music and the quotidian pleasures
of the crossword. Germain’s charming photographs are a beautiful, gentle portrait of a
gentleman in his twilight years. - € 250
187. GERSTMANN, Robert: Chile: en 110 caudros.
Braun & Cie. 1932. Paperback.
A study of Chile, concentrating on the landscape, but including images of towns, industry,
and people. - € 110
188. GERSTMANN, Robert & MCFARREN, Peter: Bolivia. 150 grabados en cobre.
Paris, Braun & Co. Editores. Cloth, 150 pp. - € 175
189. GIBSON, Ralph: Chiaroscuro.
Paris, Marval 1990. Hardcover, 1990. - € 150
190. GIBSON, Ralph: Syntax.
New York: Lustrum Press, 1983. Cloth in dustjacket, 76 pp.
Ralph Gibson is best known for his photographic books. His images often incorporate
fragments with erotic and mysterious undertones, building narrative meaning through
contextualization and surreal juxtaposition. His book “Syntax” received a mention for the
Rencontres d’Arles Book Award in 1983. - € 125
191. GIEDION, Sigfried: Befreites Wohnen.
Zürich / Leipzig: Orell Füssli, 1929. In clothbacked pictorial boards, 20 pp.
The “Schaubücher” were a series of modern photobooks launched by the Orell Füssli
Verlag in the late 1920s. this book with the title “befreites wohnen” was compiled by
sigfried giedion (1988-1968), an important promoter of modern architecture. This book is
also an early swiss example of “new typography”, complete with asymmetric page layout,
sans-serif type, fat rules, photo bleeds, and large numbers for pages and illustrations. the
designer of the “schaubücher” series is still not known. On the cover are the modernist
“rotach” houses designed by Max Ernst Haefeli in 1928. - € 150
192. GILDEN, Bruce: Go.
London, Trebruk Inc. /Magnum, 2000. Cloth, 96 pp.
Parr / The Photobook / A History / Volume II, page 310. Signed, limited edition 3000
numbered copies, copy 1042. - € 175
193. GILL, Stephen: Hackney Wick.
London, Nobody, in association with Archive of Modern Conflict, 2005. Cloth, 106 pp.
“Stephen Gill is emerging as a major force in British photography. His best work is a
hybrid between documentary and conceptual work. It is the repeated exploration of one
idea, executed with the precision that makes these series so fascinating and illuminating.
Gill brings a very British, understated irony into portrait and landscape photography.”
Martin Parr In Hackney Wick, Stephen Gill tells several stories, the first one beginning
with a discovery. While taking photographs for the project A Book of Field Studies, on a
Sunday in January 2003, the Londoner by choice ended up in this inhospitable place. To
his surprise, Gill stumbled upon an enormous marketplace where mountains of washing
machines, video cassette recorders, and refrigerators were being offered for sale. The desolate
site made no secret of the fact that the goods were stolen and that the immigrants and
asylum-seekers selling them were struggling to eke out a meager living. The scene would
have been an ideal stage for a critical social reportage. But Gill observed the hustle and
bustle more closely, and beyond the chaos and the noise he noticed a fascinating spectrum
of different lifestyles with a completely separate set of laws. He bought a plastic camera
with a fixed lens for fifty pence, which from that point onward the time and again aimed at
the chaotic trade center. Signed by Gill. - € 350
194. GILL, Stephen: Unseen UK, a book of photographs by the people at Royal
Mail.
Great Britain, Royal Mail, 2006. Cloth, 230 pp.
Signed by Gill in pencil. - € 150
195. GLOEDEN, Baron Wilhelm von & WOODY, Jack: Taormina.
Twelvetrees Press, 1986. Cloth in dustjacket, 112 pp. - € 175
196. GOLDBERG, Jim: Raised by wolves.
Zürich. Scalo, 1997. Paperback, 317 pp. - € 125
197. GOLDBLATT, David & GORDIMER, Nadine: On the mines.
C. Struik (RTY) Ltd. 1973. Cloth in dustjacket. - € 350
198. GOLDIN, Nan: The Ballad of Sexual Dependency.
New York, Aperture Foundation, 1986. Cloth in dustjacket, 144 pp.
Nan Goldin began documenting the post-punk new-wave music scene, along with the
city’s vibrant, post-Stonewall gay subculture of the late 1970s and early 1980s. She was
drawn especially to the Bowery’s hard-drug subculture; these photographs, taken between
1979 and 1986, from her famous work The Ballad of Sexual Dependency — a title taken
from a song in Bertolt Brecht’s Threepenny Opera. These snapshot aesthetic images depict
drug use, violent, aggressive couples and autobiographical moments. Most of her Ballad
subjects were dead by the 1990s, lost either to drug overdose or AIDS; this tally included
close friends and often-photographed subjects Greer Lankton and Cookie Mueller. In 2003,
The New York Times nodded to the work’s impact, explaining Goldin had “forged a genre,
with photography as influential as any in the last twenty years. “In addition to Ballad, she
combined her Bowery pictures in two other series: “I’ll Be Your Mirror” (from a song on
The Velvet Underground’s The Velvet Underground & Nico album) and “All By Myself.“
- € 225
199. GOLDIN, Nan: Nan Goldin, I’ll be your mirror.
Zurich, Switzerland: Scalo, 1996. Cloth in dustjacket, 491 pp. Published to accompany
the 1996 mid-career survey organized by the Whitney Museum of American Art, I’ll Be
Your Mirror remains the most comprehensive and critically praised publication on the
work of photographer Nan Goldin. Covering two decades of her life and art, from her time
in Boston in the 1970s through her move to downtown New York City and her subsequent
and stratospheric rise in the art world, Goldin’s most memorable work is collected here.
Amongst the many powerful images are photographs of friends and lovers sometimes in
pain, sometimes in repose; self portraits taken during an abusive relationship, from The
Ballad of Sexual Dependency; the transvestite and transgendered kings and queens of The
Other Side; and the harrowing and moving documentation of the slow death from AIDS of
close friend Cookie Mueller. - € 120
200. GORMAN, Greg: Volume 1.
Ridgefield, Connecticut CPC Publishing 1989. Cloth in dustjacket. First Edition of Greg
Gorman’s Volume I, including photographs of Andy Warhol, Tom Waits, Al Pacino,
David Bowie, Iggy Pop, Winona Ryder, Michael Jackson, Bette Midler, Mel Gibson, Matt
Dillon, George Clinton, Janice Dickinson, Milla Jovovich and many more. - € 250
201. GOSSAGE, John R. : The Romance industry.
Tucson, Nazraeli Press, 2002. Cloth with dustjacket, 332 pp. With numerous duotone
illustrations, text by Gus Blaisdell, Thomas Weski and John Gossage. a. o.
It started with a letter sent on the 26th of May 1998 by Dr. Sandro Mescola. In the letter,
Gossage was invited to work on a project to document “the city of Venice’s industrial
transformation. “ No gondolas and peppermint sticks rising out of the water here. The
ports of Marghera provided endless material for an artist who is brilliant at mustering together
‘evidence’, like a detective. The ‘case’ for which he photographs is irrelevant; one can
so easily become absorbed in the unfolding story the images present that concerns about
grandiose theories fall to the wayside. Pay special attention to the chapter entitled, “The
Contents of a Laboratory. “ The photographs in that chapter pleasantly conjure up Calder

and Diebenkorn in an effortless, unintentional manner. Limited to 250 hard cover copies of
500 total. One of the best photobooks of the decade according Gerry Badger, who put it on
the second spot. Signed by Gossage in 2002. - € 900
202. GOSSAGE, John R. & WESKI, Thomas: There and gone.
Nazraeli Press, 1997. Cloth in dustjacket, 144 pp.
There and Gone focuses on the topographical contradiction of one structure being laid
upon another, and the way one looks (and is seen) across the resulting borders. Using
surveillance film and telephoto lenses, Gossage photographed the double border between
San Diego and Mexico: the one of politics -- fences, footprints and dirt paths -- and the one
of geography, where the land meets the sea. Omitting those characteristics normally used
in the identification of individuals, Gossage draws attention to what can be communicated
through posture, gestures, and the placement of an individual in a crowd. “--the Publisher.
Signed by the artist. - € 125
203. GOSSAGE, John R. & BADGER, Gerry: Berlin in the time of the wall.
Loosestrife Editions / Rockledge, 2004. Hardcover in linen, glassine jacket. cardboard
slipcase, 461 pp.
Beginning in 1982 Gossage made many trips to Berlin throughout the ‘80s and into the
early ‘90s. What began as a trip to exhibit photographs and conduct a workshop at the
Werkstatt für Fotografie in Kreuzburg became a point of discovery that would forever
change Gossage’s work. In Berlin Gossage found a subject that would change his sense of
order and ideas. At Photo Ireland Festival 2011 Martin Parr selected this title as one of the
most important 30 photobook titles of the decade. Signed copy. - € 295
204. GRÄFF, Werner: Es kommt der neue Fotograf!
Verlag Hermann Reckendorf, 1929. Cloth, 126 pp.
Photographs a. o. by Willi Baumeister, Herbert Bayer, Victor Bracq, Erich Czermak, Andreas
Feininger, Lux Feininger, Hans Finsler, S. Giedion, Werner Gräff, John Heartfield,
Louis Held, Carl Hubacher, El Lissitzky, Man Ray, Alice Nerlinger, Oscar Nerlinger,
Albert Renger-Patzsch, Hans Richter, Stone, Alex Strasser, Umbo, Dsiga Werhoff. [Parr -
The Photobook. A History; vol. 1, pp 98]. - € 400
205. GRAHAM, Paul: Beyond caring.
Grey Editions, 1986, paperback. Isbn: 0950870315. 32 full page color photos. Includes an
essay by the artist.
Produced in the early 1980s in Britain, Beyond Caring shows the interiors of unemployment
offices and the large crowds of people waiting for their appointments. The offices,
we are told in the essay by David Chandler, had been designed to deal with up to 600,
000 people, and they were completely overwhelmed by the millions of people asking for
help. “There is no such thing as society, ” Margaret Thatcher famously said - a sentiment
mirrored across the Atlantic by the American right’s mantra that “government is the
problem.” Regardless of whether we agree on these sentiments or not, they have serious
consequences, and Beyond Caring shows some of those consequences. It is very interesting
that there was so much interesting photography coming out of Britain as a result of its
massive economic problems. There might have been a lot of people who did not care, but
people like Paul Graham did care. He didn’t get official permission to take photographs
in unemployment offices, so he went in anyway, with a camera at hip level or placed on a
bench or chair. - € 690
206. GRAHAM, Paul & STAHEL, Urs: New Europe.
Fotomuseum Winterthur + Cornerhouse, 1993. Paperback, 116 pp.
This is the first U. S. release of this widely praised book. New Europe seeks to dig beneath
the utopian dream of a united continent arising to face the dawn of the 21st century. Paul
Graham’s photographs reflect on the inescapable shadow of history that falls over each
nation’s conscience, from the dictatorships of Franco and Hitler, to the Holocaust and the
Irish conflict. Thus burden is interwoven with a questioning of the banality of modern day
consumption-led culture. Neither a narrative nor a conventional documentary, this body
of photographs builds into a visual poem that resonates across the social and psychological
landscape of Europe today. - € 175
207. GRAHAM, Paul: Empty Heaven, Photographs from Japan 1989-1995.
Zürich. Scalo, 1995. Cloth in dustjacket. In Empty Heaven, Graham employs a series of
close cropped deadpan photos of objects, re-photographed images, portraits and scanned
surfaces, to establish a series of clearly defined motifs. Graham uses the polemic of cultural
wrapping, to investigate the masking of history and power in contemporary Japanese society.
The motifs are established quickly in the first five photographs of the book. The opening
image is an innocuous looking mid-range portrait, of a young Japanese woman touching
the tip of her nose. This is followed by several double page spreads, the first of a car engine,
the second a pink polka-dotted surface, however it’s only with the next image that the book
begins to take shape and give meaning to the pictures which proceed it. This photograph is
of four re-photographed images of an atomic blast, which hang on a blank white wall, below
it a placard reads “Atomic Cloud seen from Kasumicho” – with this Graham raises the
specter of the atomic blast for the first time. Before the image of the atomic blast, Graham
has inserted a scanned image of a bright pink polka dotted candy wrapper. Copy with the
pink text book. - € 125
208. GREENE, Stanley: Somnambule.
Marval, paperback, 1990.
A portrait of the edge of Parisian nightlife, this hommage to Brassai and to Paris is the
work of American photographer Stanley Greene, a founding member of San Francisco
Camerawork. With a signed dedication. with a small private library stamp. - € 100
209. GRIFFITHS, Philip Jones: Vietnam inc.
New York, Collier books, 1971. Paperback, 223 pp.
“I decided to be the one to show what was really going on in Vietnam. Here was something
of profound importance. My goal was to present every aspect of the war in a digestible way
between two covers of a book. “ Griffiths produced one of the best photographic records of
the Vietnam era, and established his reputation with this book. - € 250
210. GROEBLI, René & BISCHOF, Walter Gort: Das Auge der Liebe. 25 Photos.
Zürich, Turnus Verlag, 1954. In original photographic wrappers, original printed glassine
dust jacket, 30 pp. Auer, p. 350.
A sensuous photo-essay set in a French hotel room, with illustrated cover and 24 full page
photographs. Signed by Groebli - € 900
211. GRUYAERT, Harry: Rivages.
Textuel, 2003. Hardcover, 102 pp.
At the heart of Gruyaert’s work is the structuring nature of color, organised by the tension
of the horizon line. With photos taken all around the world, Gruyaert opposes the hustle of
the city with a pared-down, yet intense, nature. His landscapes are never empty; they are
inhabited places where light, color, objects, people and situations weave a serene, sublime
tableau. - € 150
212. GURSKY, Andreas & COOKE, Lynne & DÜSSELDORF, Städtische Kunsthalle:
Andreas Gursky., photographs from 1984 to the present.
Schirmer/Mosel Verlag Gmbh. Cloth in dustjacket, 130 pp.
In his large-format colour photos Gursky usually portrays vast panoramic views: “complete”
townscapes, “endless horizons, “ huge factory halls and packed rooms, frequently
from a bird’s eye view, always from a great distance. The people in these tableaux, reminiscent
of the landscape paintings of romanticism in terms of composition and lighting, are
reduced to the size of tiny decorative figures, whose “individuality” seems to down in the
“ornamentation of the masses. “ Devoid of any trace of reproach or intention to psychologise,
Gursky’s portraits of exteriors and interiors capturing scenes of work and leisure are
subtle descriptions of the condition of our society. Our book, the first major monograph of
Gursky’s photographic work since 1984, is now available again. - € 150
213. GYÖRGY, Lörinczy: New York.
New York. Cologne, Schaden, 2004. Cloth in dustjacket. Facsimile reprint published by
Nederlands Fotomuseum/Schaden. com/Vintage Gallery, 2004. 1000 copies the entire
edition. Originally published in 1972, Lörinczy’s book is the product of time spent in New
York’s East Village in 1968. Clearly influenced by Klein, Lörinczy’s “manic exuberance
seems to run on pure energy, without the psychological tensions that underpin Klein’s
more realistic and informed vision of the city. “ (Parr & Badger). - € 175

214. HAEBERLIN, Peter W & BOWLES, Paul: Yallah.
Zürich, Manesse Verlag, 1956. Cloth, in a pictorial dustjacket, 83 pp. True first edition of
this photobook by Haeberlin with text by Paul Bowles.
This book is about the tribes in western Sahara. - € 175
215. HAJIME, Sawatari: Hysteric ten.
Tokyo Hysteric Glamour 2004. Hard cover with clear plastic cover. Printed in an edition
of 600. - € 95
216. HAMAYA, Hiroshi: Snow Land.
Tokyo, Mainichi Shinbun, 1956. Hardcover with illustrated dust jacket housed in original
slipcase with yellow obi wrap-around band.
In 1940 he began work on his Yukiguni (Snow Land) series in Niigata prefecture and from
1945 to 1952 he based himself out of Takada, Niigata Prefecture. Cited in Japanese photobooks
of the 60’s and 70’s (Aperture, 2009), p. 30; and Auer, p. 366. Dustjacket damaged,
missing some paper, in the middle of the spine and at the front right corner and right side.
slipcase worn. - € 950
217. HAMAYA, Hiroshi: Ura Nihon; Japan’s back coast.
Tokyo, Shinchosha, 1957. Cloth in pictorial Dusjacket, in slipcase. Hamayabegan teaching
himself photography from the age of 15 and became a freelance photographer in 1937.
He gained recognition in the immediate aftermath of World War II and his work was
subsequently included in Edward Steichen’s The Family of Man exhibition (1955) at
the Museum of Modern Art in New York. He is best known for works such as Yukiguni
(Snow Country, 1956) and Ura Nihon (Japan’s Back Coast, 1957), humanist portrayals
of the rites and rituals of daily life in rural Japan focusing on the inextricable relationship
between people and their natural environment. aged, but present. - € 1.350
218. HARA, Yoshiichi: Fubaika. The Anemophilous.
Self Publication, 1978. Author’s first work. - € 450
219. HARA, Yoshiichi: Mandala Zukan.
Tokyo, Banseisha, 1988. Paperback, 610 pp. 300 photos.
Yoshiichi Hara was born in 1948 in Tokyo. He attended the Chiyoda Photography
Vocational School but dropped out. He first exhibited his photography in 1973. In 1978 he
self-published his first book, Fubaika. Mandala Zukan is a thick, square-shaped book, containing
exactly 300 black and white photographs. Most of the photographs are in a square
format, with “sloppy borders” to emphasize that we are seeing them full-frame, without
cropping. They fill most of the right-hand page, giving them a sense of scale that is nicely
counterweighted by the subject matter itself, which is rarely grand. On the left-hand page,
there’s an almost completely empty page except for a simple caption denoting the number
of the photograph, the city and district where the photograph was taken (in Japanese only),
and the year the photo was taken. The subject matter is all over the place, but never feels
scattershot or give the impression that Hara doesn’t know what he’s doing. We always feel
he is in control, that there is a vision he is trying to put forth but it is up to us to decide
what that is. There are some images that might repel, and a few that could upset those with
delicate sensibilities, but again one never gets the sense that Hara is shocking for shock’s
sake. Like Suzuki’s books, Hara’s have that same feeling where the thread from photo to
photo is often thin and hard to see, but always strong and firm. - € 350
220. HASKINS, Sam: Cowboy Kate en andere verhalen.
Amsterdam, De Bezige Bij, 1965. Cloth in dustjacket.
First Dutch language edition of ‘Cowboy Kate and Other Stories’. Gilt titled black cloth.
- € 125
221. HEATH, David: A dialogue with solitude.
New York, The Community Press, 1965. Cloth in dustjacket, 100 pp.
Dialogue with Solitude was well-received and has long been sought after by collectors.
Published in 1965, it was the product of 10 years work. It went on to become one of the
most important photobooks of the sixties. Made up of eighty-two black-and-white photos
and quotes, it shows Heath’s dark and poetic vision of existence: “Photography is like making
diary notes, that are inspired by my involvement in life, “ he has said. “The sequence of
my photos create a poetic structure, a connecting link, that does not develop in chronological
order or is narrative in structure like a visual story, but is emotional in development.
When one image is connected to another, it creates a feeling that has a greater effect than
each image alone. “ Page 104 of Martin Parr and Gerry Badger’s “The Photobook: A History
Volume II”, Roth 101. With a former owner’s dedication on the French title. - € 1.500
222. HEATH, David: A dialogue with solitude.
Toronto Lumiere Press 2000. Cloth, in dustjacket. 100 pp.
Signed by the artist. - € 295
223. HEATH, David: Korea. Photographs 1953-1954.
Toronto: Lumiere Press, 2004. Hardcover, 59 pp.
Reviewing an exhibition of Dave Heath’s photographs from Korea, Jacob Deschin of the
New York Times, wrote, in 1958, “Mr Heath is a relatively new photographer and truly a
discovery. His pictures reveal compassion and understanding, penetration and a masterly
use of the medium.” Heath had photographed his fellow soldiers in the winter of 1953/54
– the early months of a tenuous truce – producing a suite of introspective portraits permeated
with the malaise of war. It was a body of work that defined the young photographer as
an artist. The 1958 exhibition remained intact, and it is from this exquisite collection that
Lumiere Press has shaped their limited-edition book. Heath’s reminiscences of Korea, along
with an introductory essay by Michael Torosian, amplify the stunning portfolio of twentysix
black and white photographs and one never before seen colour image. Korea has been
composed in the rare typeface Linotype Falcon, and printed letterpress on Biblio paper,
a mould-made sheet. Heath’s printmaking has been replicated through stochastic tritone
lithography. The images have been printed on Utopia Premium paper and varnished. The
book has been hand bound in Japanese Asahi book cloth and Bugra mould-made paper, patterned
in black and gold, over boards. Limited to a numbered edition of 200. Published in
conjunction with the Howard Greenberg Gallery and the Stephen Bulger Gallery. - € 395
224. HENSON, Bill: Lux et nox.
Lakewood, Scala Pub, 2002. Cloth, in dustjacket, 175 pp.
Australian artist Bill Henson is a passionate and visionary explorer of twilight zones, of
the ambiguous spaces that exist between day and night, nature and civilization, youth and
adulthood, male and female. His photographs of landscapes at dusk, of the industrial noman’s
land that lies on the outskirts of our cities, and of androgynous girls and boys adrift
in the nocturnal turmoil of adolescence are painterly tableaux that continue the tradition of
romantic literature and painting in our post-industrial age. The rich chiaroscuro, the oscillating
light, and the masterful composition of his photographs map enigmatic states that
escape rationalism’s iron grip, providing a much-needed antidote to a culture that increasingly
looses itself in a numbing vortex of blinking screens and glittering surfaces. - € 395
225. HENSON, Bill & VICTORIA, National Gallery of: Mnemosyne.
Scalo 2005. Cloth in dustjacket, 501 pp. - € 450
226. HERDER, Dirk de: Amsterdam. 68 photographic impressions.
C. V. Allert de Lange, 1947. Spiral bound, 64 pp. - € 100
227. HERNANDEZ, Cecelia Denise: Through the eyes of the homeless, a study on
service utilization.
Hannover, Sprengel Museum, 1995. Cloth in dustjacket, 1995. This study examined the
causes and reasons for not using services, and needs among people experiencing homelessness
in the city of Riverside. In addressing the initial causes and immediate needs of the
homeless, current knowledge about services offered from the homeless perspective is very
limited. - € 125
228. HIDO, Todd: Roaming., landscape photographs, 1994-2004.
Nazraeli Press, 2004. Cloth, in dustjacket, 56 pp.
This is Todd Hido’s most popular books of photography, the first monograph where the
artist broke away from his earlier photographs of suburban houses. An excellent collectible
title. From the Publisher: “The work in Roaming appears arrestingly different than that in
Todd Hido’s previous two monographs. It is as if, having spent so many nights outside the
eerie, brightly lit suburban tract homes featured in House Hunting and Outskirts, he has
suddenly put his foot on the gas pedal and driven into the next day. But these landscapes
continue Hido’s mastery in portraying the most mundane scenes with a menacing air of
expectancy. These unpeopled pictures, often taken through a car windshield, are so effective
in creating tension they might almost have been staged. But in fact they are taken ‘as seen’;

the telegraph poles, the straggling tree, the road leading nowhere are all exactly as en-
countered by Hido as he drove through Eastern Washington State, the California Central
Valley, Indiana, South Louisiana and beyond. “ Signed. - € 195
229. HIPMAN, Vladimir: Práce Je Zivá.
Prague, Ceska Graficka, 1945. Green textured paper boards, stamped in white. Photoillustrated
dust jacket. [lacking original slipcase]. 172 gravure reproductions.
A tribute to the workers of newly liberated Czechoslovakia. Hipman is the foremost Czech
Modernist still working in the New Vision style of the 20s & 30s following World War
II. - € 800
230. HOCKNEY, David & WESCHLER, Lawrence: Cameraworks.
New York: Alfred A. Knopf, 1984. Cloth in dustjacket, 279 pp.
A commentary by the “New Yorker” art critic accompanies 117 photographic collages
by the celebrated and popular artist, whose work in this medium reflects a synthesis of
observation, panorama, and impression. - € 150
231. HOLLANDER, Paul den: Moments in time.
Amsterdam Bert Bakker 1982 Hardcover, 72 pp. - € 60
232. HOPPÉ, Emil Otto & BÜRGEL, Bruno Hans: Deutsche arbeit. Bilder vom
wiederaufstieg Deutschlands.
Berlin, Ullstein, 1930. Half cloth over paper covered boards with red lettering on front
cover and white lettering on spine, 126 pp. In the mid-to late 1920’s, Hoppé made frequent
visits to his home country. He traveled extensively throughout Germany visiting the
manufacturing cities where an unprecedented industrial buildup was underway. Parr/
The Photobook/A History/Volume I/ Page 125. With a former owners entry on the French
title. - € 250
233. HORST, P. : Form.
Altadena, Twin Palms Publishers, 1992. Cloth in dustjacket, 150 pp. - € 175
234. HOSOE, Eikoh: Man and woman. (Otoko to onna).
Tokyo, Camera Art, 1961. Hardbound in dust jacket. Unpaged. Eikoh Hosoe is undoubtedly
among the most important masters of photography since world war II. In 1961 Hosoe
released ‘man and woman’, in which the human body was turned into a naked object,
vividly depicting the drama of the rivalry between the two sexes on an equal basis. A copy
without the cardboard slipcase and without obi. Dustjacket with a minor closed tear at
the top of the spine and a very small unobtrusive tear at the back. Back of the dustjacket is
slightly discolored. Book fine. - € 950
235. HOSOE, Eikoh & FURUTA, Miyuki: Why, mother, why?
Tokyo, Kodansha Internatinal LTD, 1965. Cloth in dustjacket, 63 pp.
A beautifully illustrated children’s book describing the touching story of little Miyuki
trying to come to terms with the death of her mother. This story is remarkable on several
levels: It is a true story. The mother died just before partaking in a swimming competition
in Miyuki’s school. To cope with the sudden loss Miyuki started to write poems addressed
to her mother, which were subsequently published in the Asahi Newspaper. Furthermore
the girl was a Christian, still very much a minority in Japan. This is an surprisingly
intimate portrait of a subject that is more or less considered a taboo in most countries.
(Titus Boeder, 4/07). With a bookplate and a former owner’s entry in ink on the first blank.
- € 250
236. HOSOE, Eikō & MISHIMA, Yukio: Embrace.
Tokyo, Shashin Hyoron Sha, 1971. Cloth in dustjacket, in slipcase. First published as a
book in 1971, Embrace represents a return to the study of the human body that Hosoe
undertook in earlier series such as Man and woman 1959 or Ordeal by roses 1963. In
this new body of work, however, he abandoned the strong contrast and dramatic, baroque
visual aesthetic in favor of the purity of the human form. Showing abstract fragments
of male and female nudes in intimate placement, the series is not merely about eroticism
or the dialogue of rivalry between the opposite sexes but is also a celebration of the pure
beauty of the human body. By de-personalising the bodies of his models, Hosoe attempted
to reach a universal expression of corporeality. The extreme abstraction of these images focuses
the attention on the flesh, which, according to Hosoe’s belief, is the essence of human
beings. The author Yukio Mishima comments on this series: ‘The viscosity which is associated
with sex – those earthly odors and temperatures of soft and indeterminately formed
internal organs – has been painstakingly removed from these photographs. To me this is a
series filled with a hard, athletic beauty. First and foremost, it is about form. ’ - € 900
237. HOSOE, Eikoh: Ba Ra Kei, Ordeal by Roses.
New York, 1985. Clothbound in illustrated dustjacket.
With Mishima as a model, Hosoe created a series of dark, erotic images centered on the
male body, Killed by Roses or Ordeal by Roses (Bara-kei, 1961–1962) The series (set in
Mishima’s Tokyo house) positions Mishima in melodramatic poses. Mishima would follow
his fantasies, eventually committing suicide by seppuku in 1970. - € 225
238. HOYNINGEN-HUENÉ & George, FRENZEL, H. K. : Hoyningen Huené.
Meisterbildnisse.
Berlin, Dietrich Reimer, Cloth, 48 pp. No dustjacket. - € 110
239. HÜTTE, Axel & BREUER, Gerda: Photographien 1982-1984.
London, Munchen, Schirmer/Mosel. 1993, First Edition. Hardcover with dustjacket.
Study of London housing projects 1982-1984. - € 240
240. ICHIRO, Kojima: Hysteric Eleven.
Tokyo, Hysteric Glamour, 2004. Cloth in Acetate Dust Jacket, (130 pp. ) Printed in an
edition of 800. Designed by Toshio Shiritani (Nomade).
This is the eleventh in the estimably hip Japanese fashion/style purveyor Hysteric
Glamour’s series of beautifully produced limited edition photography monographs. It is a
dark meditation on the isolation of Japan’s frostbitten rural Tsugaru region just after the
Second World War by noted photographer Ichiro Kojima. A most handsome copy of this
uncommon item. This is copy no 232/ 800. - € 175
241. IMES, Birney: Juke joint. Photographs.
University Press of Mississippi, 1990. Cloth in dustjacket, 116 pp. In this spectacular
album of full-color photographs Birney Imes reveals a previously unexplored domain:
the black juke joints of the Mississippi Delta. Imes transforms this phenomenon of Delta
cultural life into something rich and strange. Introduced by Richard Ford. - € 125
242. IONESCO, Irina & DEFORGES, Régine & VIVIEN, Renée: Femmes sans
tain. Poèmes.
Bernard Letu et Secle, 1975. Cloth in dustjacket, 94 pp.
A collection Renee Vivien poems accompanied with photographs by Irina Ionesco and a
foreword by Regine Deforges. Text in French. Plastic dustjacket slightly damaged. Binding
a bit rubbed at extremities. - € 200
243. IONESCO, Irina: Les immortelles.
Paris, Contrejour, 1991, Cloth, in dustjacket. 117 pp.
It is nice to see some of the Egypt photographs I had read about, and the parallels between
what she shoots on the street and the way she shoots women and their bodies are fascinating.
- € 125
244. ISHIUCHI, Miyako: Yokosuka again 1980-1990.
Tokyo, Sokyusha, 1998. In wrappers, in a slipcase, 93 pp.
Signed edition. - € 175
245. JANSSEN, Curry: Macedonia; Portraits and Landscapes.
Köln. Schaden. 2004. Hardcover, 32 pp. Text by Paul Andriesse. Design by -SYB-Utrecht.
“. . . a subtle book about the aftermath of conflict. Along with the children’s portraits, on
each facing page Janssen places photographs of the Macedonian landscape, so the book can
be read from either orientation--as portraits from the front cover, or as landscapes from the
back cover. Although this is a quiet, thoughtful piece of work, it is shot through with irony.
These children, united in seriousness, may--probably will--grow up hating those from a
different ethnic background, tainted by the prejudices of their parents. The landscapes of
rock and field and forest, so lyrical and peaceful today, could be fought over once more tomorrow.
“--Parr and Badger, The Photobook: A History, Vol. II. Signed in Pencil. - € 195
246. JESSE, Nico: Oranje Nassau mijnen.
N.V. Maatschappij tot exploitatie van de Limburgse steenkolenmijnen genaamd Oranje

Nassau mijnen, 1953. Clothbacked with illustrated paper-covered boards, spiral bound,
housed in illustrated cardboard slipcase with cloth on 3 sides. One of a total of 3400, with
a Dutch text. - € 150
247. JOCHEMS, G. : Rus.
D.A.P. / FotoMuseum Antwerpen, 2005. Hardcover.
Between 2001 and 2005, Belgian photographer Gert Jochems made seven extended trips
to the outskirts of Russia, especially Siberia. In his unpolished, expressive photographs, he
offers a highly subjective impression of the barren, dead-end landscape, where people struggle
to survive under extreme circumstances. - € 490
248. JOHANSSON, Anders: Amerika, dröm eller mardröm.
Byggfolaget, 1998. In publisher’s gray wrappers, In matching grey box. 235 pp.
Gerry Johansson is a sensitive, low-key photographer who has been an active contributor
to Swedish photography for several decades. His images of urban and rural cultural
landscapes, in which human beings are present only via the traces they leave, are familiar
to many photography aficionados. - € 125
249. JOHANSSON, Gerry: Sverige.
Byggfolaget, 2005. Clothbound. 160 pp.
Gerry Johansson’s series entitled Sverige (Sweden) comprises photographs taken in Swedish
conurbations between 1988 and 2005. The pictures are borne up by their iconographic
signs and symbols, and the viewer feels very much at home with them. The melancholy
often considered a characteristic Swedish trait is tangible, but his images open up to vari-
375. OUTERBRIDGE, Paul: Paul Outerbridge.
ous levels of interpretation. There are trompe l’oeil effects as well - photographs of existing
places form Santa the backbone Barbara, of his Arabesque, fictional narrative. 1981. beige His photos cloth with also offer a center us the opportunity
photograph mounted with a hinged mat on the front cover,
to analyze times and places, things we recognize and can relate to. Representation is
with print pasted on the front, 238 pp. . Copy of the de luxe
important in edition, his work, limited not only to physical 1500 copies. representation, Edited by where Elaine the Dines photos and were taken, but
more importantly Graham the Howe. aura contained Introductory in his images. essay by - € Bernard 150 Barryte.
€ 600
250. JONSSON, Sune: Byn med det blå huset.
Stockholm, Nordisk Rotogravure, 1959. Cloth in dustjacket, 173 pp.
After studying folklore and literature in Stockholm and Uppsala, Jonsson returned in
the early 1960s to northern Sweden. His debut book Byn med det blå huset (The village
with the blue house) was published in 1959 and includes personal portrays of people in
Djupsjönäs and his native village Nyåker. As in his second photobook, Timotejvägen, the
relationship between text and image play an important role. Martin Parr, The Photobook
vol 1, page 214/215. Dustjacket with very light shelf wear, A near fine copy. - € 450
251. JOHNSON, Tore & LO-JOHANSSON, Ivar: Okänt paris.
Stockholm, Rabén & Sjögren, 1954. Hardcover in attached dustwrappers, 94 pp. - € 295
252. KÁLLAY, Karol & KÁRA, Lubor: Italien heute.
Praha, Artia, 1962. Cloth, in a dustjacket, 125 pp. N. F. - € 110
253. KÁLMÁN, Kata & MÓRICZ, Zsigmond & BOLDIZSÁR, Iván: Tiborc.
Corvina Kiadó, 1987. paperback, 54 pp. Facsimile edition of 24 black and white photographs
by Kalman of peasants and factory workers. Interviews by Boldizsar. - € 150
254. KANDÓ, Ata: Droom in het woud. Foto’s van Ata Kando.
Amsterdam/Antwerpen, Uitgeverij Contact, 1957. Cloth-covered boards, pictorial dustjacket.
44 pp.
Ata Kandó worked as a children”s photgrapher until the outbreak of World War Two,
but hardly anything of her prewar work has survived . After the war she worked for Paris
fashion houses and continued to do so after accompanying Dutch photographer Ed van
der Elsken to the Netherlands, whom she married in 1954. This book is a photo-phantasy
featuring her children. Bookdesign by Jurriaan Schrofer. - € 295
449. SCHUITEMA, Paul: C. Chevalier boek-, steen-, staal- en
offsetdrukkerij Rotterdam.
255. KANEMURA, Osamu: Spider’s strategy.
Rotterdam, Chevalier. Spiral bound.
Tokyo, Osiris, 2001. Cloth in dustjacket.
I know an American € 590 photographer who works in Japan, shooting interiors. I asked if she
had tried any exteriors or cityscapes, and she almost visibly shuddered. When I saw the
results of a few attempts at them, I saw her frustration: the control that she exerted on
small spaces, and the relative composure of the interiors she shot, was practically lost in
urban Japan. There is no such thing as unobstructed field of view, and power lines hang in
dense clumps that shoot out on new trajectories at every street and alley. It’s a compositional
nightmare. But it’s the substance of Kanemura’s work, reportedly taken while on
newspaper routes across Tokyo: maximalist compositions whose vanishing points carom
off apartment blocks, street poles, hoardings and bicycle handles. But Kanemura counter
intuitively works with the density, often foregrounding a significant obstacle, anchoring
the picture with an unlovely but inescapable feature. The book is printed quite dark, which
accentuates the graphic claustrophobia; the only breaks in the book come in the form of two
separate sheets printed with a metallic ink on one side. These breaks don’t seem to relate
to anything, but they provide a welcome break for those who find the visual experience
maddening. Kanemura may be attempting some kind of integration with this project; the
unconscious response in the city, and perhaps with such work, is to keep moving and walk
briskly in order to let the chaos blur into a fog of geometry. The “strategy” here is to get
tangled up in it all. ALAN RAPP Read, Publisher’s Description. No Obi present. - € 175
256. KARABUDA, Günes & PRÉVERT, Jacques: Paris.
Stockholm, Tiden, 1961. Cloth, in dustjacket. 124 pp.
Café life in Paris during the 1950’s by a Turc photographer who settled down in Stockholm
in the 50’s. Preface by the famous French poet Jacques Prévert, followed by black and white
full-/double page photographs, accompanied by poems of the French poet Roland Malcome,
reproduced in gravure (héliogravure). Signed by Prévert. - € 750
257. KAWADA, Kikuji: The map.
Tokyo, Getsuyosha, 2005. Black boards stamped in silver, no dust-jacket as issued, il-
439. SANNES, Sanne & STEEVENSZ, Walter: Sex a gogo. For
lustrated slipcase. Edition
amusement
limited to 1000
only.
copies. The Map (“Chizu”) by Kikuji Kawada
is one of those milestones in photobook publishing that lands on everyone’s list of the
most important photobooks
Amsterdam,
ever.
De
It has
Bezige
appeared
Bij, 1969.
in Roth’s
Laminated
Book of 101
pictorial
Books,
boards.
Parr and
No dustjacket as issued. Published by Walter Steevens after
Badger’s: The Photobook: Sanne Sannes A History, death. Vol. I and The Open Book. - € 295
€ 750
258. KAWAUCHI, Rinko: Otatune.
Tokyo, Little More, 2001. Plain white wrappers with photo-illustrated dust jacket. Printed
obi. 130 pp.
“Just when it seems that everything has been photographed, in every possible way, along
comes a photographer whose work is so original that the medium is renewed. “--Parr &
Badger
The first edition of this title has two different obis, this being the second issue. which
replaced ayheslightly more ornate one after she won the 27th annual Kimura Ihei Award in
2002. She was also a 2009 recipient a prestigious ICP Infinity Award. - € 450
259. KAWAUCHI, Rinko: Cui Cui.
Tokyo. Foil. 2005. Paperback. 228 pp.
The works in “Cui Cui” are memories of Rinko’s family which she has been shooting for
13 years. There are scenes of, family gathering in New Year’s Holidays, wedding of older
brother, grandfather’s death, birth of a new life, and so on. - € 250
260. KERTESZ, Andre: A Day of Paris. Edited by George Davis. Jacket designed by
Alexey Brodovitch. Book designed by Peter Pollack.
New York: J. J. Augustin. 1945. Cloth in dustjacket. 148 pp. Photographs by André
Kertész. Edited by George Davis. Jacket designed by Alexey Brodovitch. Book designed
by Peter Pollack. Taken during the 20s and 30s, but not appearing until the end of World
War II, the images have a wistfulness that make them some of his most appealing. In
Roth, et. al., The Book of 101 Books, Vince Aletti writes, “Though Day of Paris is full of
cityscapes. . . . the photographer is always alert to the human heart of the city, and even his
pictures of figures passing on the street are engaging. “ As Parr and Badger explain, “In
the end, Day of Paris, despite the presence of the radical Brodovitch, is deeply nostalgic in
tone. In the uncertain days following the war nostalgia for prewar Paris was both inevitable,
and probably an important part of the healing process. “ A true classic containing
486. TACONIS (A. O. ): Children’s World.
some of Kertész’s most famous photos! (Roth . 114-5; Parr and Badger Volume one, page
200; Open Book 138-9). Tokyo,Heibonsha, Dustjacket almost 1957. torn Hardcover in 2, and with in dustjacket. a stain near Photos the bottom by of
Taconis, Seymour, Rodger, Cartier-Bresson, arnold, Marath,
the spine. - € 1.200
Capa, Erwitt.
€ 400

5. ABBOTT, Berenice: Changing New York.
New York, E. P. Dutton & Company, 1939. Clothbound in
illustrated dust jacket. Text by Elizabeth McCausland. With 97
full page reproductions of Abbott’s photo-essay on New York.
€ 1.500
83. BRASSAÏ, [photographs] & MILLER, Henry: Quiet Days
in Clichy.
Paris, Olympia Press, 1958. In black, yellow, grey and white
card wrappers, 178 pp.
€ 700
14. AGATA, Antoine d’: Insomnia.
Marseille, Images Manoeuvres Éditions, 2003. Paperback,
192 pp.
€ 450
98. CARTIER-BRESSON, Henri: Beautiful Jaipur.
Jaipur, India: Information Bureau, Government of Jaipur, 1948.
Red cloth in a dustjacket. 75 pp.
€ 3.900

115. CLERGUE, Lucien & LORCA, Federico García &
COCTEAU, Jean & MAGAN, Jean-Marie & PETIT, Jean:
Toros muertos.
Stuttgart, Ernst Battenberg Verlag, 1966. Quarter leather spine.
No dust jacket as issued. Matching slipcase. Photo-illustrated
endpapers.
€ 1.000
205. GRAHAM, Paul: Beyond caring.
Grey Editions, 1986, paperback. Isbn: 0950870315. 32 full page
color photos. Includes an essay by the artist.
€ 690
162. ENGSTRÖM, Jan Henrik : Trying to Dance.
Stockholm, Journal, 2004. Clothbound with tipped on cover
image. No jacket as issued. Design by Patric Leo. Edited by
Gösta Flemming.
€ 900
210. GROEBLI, René & BISCHOF, Walter Gort: Das Auge der
Liebe. 25 Photos.
Zürich, Turnus Verlag, 1954. In original photographic
wrappers, original printed glassine dust jacket, 30 pp. Auer, p.
350.
€ 900

267. KEUKEN, Johan van der & CAMPERT, Remco. Achter
Glas. J. van der Keuken, foto’s.
C. de Boer Jr. 1957. Cloth in dustjacket.
€ 750
306. LERSKI, Helmar: Köpfe des Alltags. Unbekannten
Menschen gesehen von Helmar Lerski.
Berlin, Verlag Hermann Reckendorf, 1931. Original spiral
bound leaves in the original black wrappers, in a dustjacket.
-
€ 950
302. LANGE, Dorothea & TAYLOR, Paul Schuster: An
American Exodus. A record of human erosion.
New York, Reynal & Hitchcock, 1939. Cloth, in a first edition
dustjacket, 158 pp. Text by Paul S. Taylor. Photo-illustrated
dustjacket (1st issue dust jacket with rear panel showing list of
books including ‘Mein Kampf’ rather than the 2nd issue dj with
quotation from Voltaire).
€ 1.200
311. LISSITZKY, El & TSCHICHOLD, Jan & ROH, Franz:
Foto-auge, 76 Fotos Der Zeit Oeil Et Photo. . . Photo-eye .
Stuttgart: Akademischer Verlag Dr. Fritz Wedekind & Co, 1929.
In black & white wrappers with a photograph by El Lissitzky.
€ 1.400

375. OUTERBRIDGE, Paul: Paul Outerbridge.
Santa Barbara, Arabesque, 1981. beige cloth with a center
photograph mounted with a hinged mat on the front cover,
with print pasted on the front, 238 pp. . Copy of the de luxe
edition, limited to 1500 copies. Edited by Elaine Dines and
Graham Howe. Introductory essay by Bernard Barryte.
€ 600
449. SCHUITEMA, Paul: C. Chevalier boek-, steen-, staal- en
offsetdrukkerij Rotterdam.
Rotterdam, Chevalier. Spiral bound.
€ 590
439. SANNES, Sanne & STEEVENSZ, Walter: Sex a gogo. For
amusement only.
Amsterdam, De Bezige Bij, 1969. Laminated pictorial boards.
No dustjacket as issued. Published by Walter Steevens after
Sanne Sannes death.
€ 750
486. TACONIS (A. O. ): Children’s World.
Tokyo,Heibonsha, 1957. Hardcover in dustjacket. Photos by
Taconis, Seymour, Rodger, Cartier-Bresson, arnold, Marath,
Capa, Erwitt.
€ 400

261. KERTÉSZ, André: Distortions.
New York, Alfred A. Knopf, 1976. Cloth in dustjacket, 182 pp. In 1932 (according to
jacket copy, 1933 according to other sources) Kertész was asked by the publisher Querelle
to contribute nude photographs to the men’s magazine Le Sourire (The Smile). Since the
war he had been interested in the optical distortions created by water or the chromiumplate
housings of auto lamps. For this project he used three mirrors and a camera designed
to expose 9-by-12-centimeter negatives fitted with an early zoom lens. “Sometimes, just by
a half-a-step left or right, all the shapes and forms have changed. I viewed the changes and
stopped whenever I liked the combination of distorted body shapes, “ Kertész recalled. They
created a sensation in Paris when they were first shown, influencing Man Ray, Brassai,
and others. Four years later, they created a furor when they were shown at the Museum
of Modern Art in New York. When this book was published, they had not been seen,
complete, for over 40 years. In their subversion of the logical language of the image, they
are exemplary works of Surrealism. The photographs in the book, reproduced in gravure,
were reprinted from the original glass negatives that had been restored in the early 1970s.
- € 250
262. KERTÉSZ, André: J’aime Paris, photographs since the twenties.
New York: Grossman Publishers, 1974. Cloth in dustjacket, 224 pp. Photographs since the
Twenties. Edited by Nicolas Ducrot. “I write with light and the light of Paris helped me
express what I felt and what I feel: J’aime Paris. “ (André Kertész)- € 150
263. KERTÉSZ, André: Of New York . . .
New York, Alfred A. Knopf, 1976. Cloth in dustjacket, 191 pp. Here he has captured his
vision of New York in 184 photographs, most of them never published before. With a very
small stamp on the first blank, Still Very Good. - € 225
264. KERTÉSZ, André & HINSON, Hal & HARDER, Susan: André Kertész, diary
of light, 1912-1985.
New York, Aperture, 1987. Cloth in dustjacket, 206 pp. Collects more than 175 photographs
of subjects such as artists, soldiers, New York City, and Paris. - € 220
265. KESTEREN, G. van & HIRSH, M. : Why Mister Why ? / Nederlands Arabisch.
Geert van Kesteren, Irak 2003-2004.
Amsterdam, Artimo, 2004. Paperback. Dutch-Arabic edition. From the large volume of
photographic work Geert van Kesteren produced in Iraq in 2003 and 2004, he compiled
the, book Why Mister, Why?, it’s title expressing the Iraqis’ incomprehension of the fate
that has befallen them. The publication won various prestigious awards. In their ‘Book of
Books’, Parr and Badger write: Already, what is being regarded as the second Gulf War’s
equivalent to Vietnam Inc. - € 110
266. KEUKEN, Joan van der & CARMIGGELT, Simon: Wij zijn 17.
Bussum, C. A. J. van Dishoeck (1955), Illustrated stiff photo-pictorial wrappers (softcover).
64 pp. - € 125
267. KEUKEN, Johan van der & CAMPERT, Remco. Achter Glas. J. van der
Keuken, foto’s.
C. de Boer Jr. 1957. Cloth in dustjacket.
The theme of Achter Glas, Van der Keuken’s foray into the new form of the ‘photonovel’.
Two sisters, Georgette and Yvonne, do little more than sit by a window, day-dreaming.
And it was this youthful lassitude, this apparent aimlessness, perfectly expressed by Van
der Keuken, that caused a degree of controversy. But this view of teenage rebellion at the
sulky rather than more active stage rings painfully true. - € 750
268. KEUKEN, Joan van der: Paris Mortel.
Hilversum, C. J. de Boer, 1963. Cloth, in dustjacket. This is a first edition of a limited
edition of 1000.
Van der Keuken moved from Amsterdam to Paris in 1956 to study at the School of Film,
the Institute des Hautes Etudes Cinématographiques (Idhec). He was confronted in Paris
with life and man’s loneliness living in a metropolis. Van der Keuken took thousands of
photographs, the city acting as a background to his feelings of desolation. In 1963 a selection
of these registrations were published in the book “Paris Mortel” a title that reflects
the gloomy undertone of the contents of the book. In this book, Van der Keuken attempted
to reflect the complexity of the city. This is one of the greatest photography books of the
20th century. Johan van der Keuken, (1938-2001), was a Dutch documantary filmmaker,
author, and photographer. In a career that spans 42 years, van der Keuken produced 55
documentary films. He also wrote nine books on photography and films, his field of interest.
He received seven awards for his life work, and one other for photograph. Van der
Keuken was an extremely industrious man. Even before he graduated from the IDHEC
film school in Paris (1956-1958), he had already published two books on photography,
and had already started working on his first documentary film. In 1960 he joined “Haagse
Post”, a Dutch newspaper, as a film critic, but left in 1961. He was very active in both film
and photography until his death. Keuken’s work is regarded, by many, as exceptional. Top
of the spine of the dustjacket very slightly damaged, still NF. - € 1.650
269. KEYZER, Carl de & ANTHIERENS, Johan: Oogspanning, fotografie Carl De
Keyzer, 1981-1984.
Carl de Keyzer, (self published), 1984.
The photographers first book. One of a total edition of 400, one of the 100 copies in grey
cloth, in dustjacket. - € 950
270. KEYZER, Carl de: U. S. S. R-1989-C. C. C. P.
Amsterdam, Focus/ SDU, 1989. Cloth in dustjacket in a matching slipcase. 75 pp.
In 1988 and 1989 Belgian photographer Carl De Keyzer made numerous visits to the
Soviet Union, photographing throughout the country. this is the result. De Keyzer’s
subjects include urban sunbathers milking Moscow’s weak summer sun for all its worth,
old men intent on oceanside chess games, uniformed school children on group outings,
and vacationing Russian families. Copy of the luxe edition, signed and numbered, together
with a photograph, signed and numbered 4/ 100 - € 700
271. KEYZER, Carl de: God Inc.
Amsterdam, Focus Publishing, 1992. Cloth, in dustjacket, 124 pp. In the summer of 1990,
Carl de Keyser buys a camping-car which will be his home for a year. He has only one subject
: religious groups. Religion is an essential part of the American way of life. It appears
that God as product is the gap in the American market of the 90s; hence, God Incorporated.
Carl de Keyzer’s photographs capture religious life on society margins. These prints both
dramatize one sort of information and withhold another sort. De Keyzer suggests that
spiritual uplift is not much more exciting than other parts of life that are tedious and
repetitious. More important, he suggests that such uplift may be factitious or genuinely
felt, and that an observer simply cannot tell the difference. In the summer of 1990, Carl
de Keyser buys a camping-car which will be his home for a year. He has only one subject :
religious groups. Religion is an essential part of the American way of life. It appears that
God as product is the gap in the American market of the 90s; hence, God Incorporated.
Carl de Keyzer’s photographs capture religious life on society margins. These prints both
dramatize one sort of information and withhold another sort. De Keyzer suggests that
spiritual uplift is not much more exciting than other parts of life that are tedious and
repetitious. More important, he suggests that such uplift may be factitious or genuinely
felt, and that an observer simply cannot tell the difference. - € 225
272. KIKUJI, Kawada: The Globe theatre.
Tokyo, Kawada Kikuji (self-published), 1998. In jacket and publisher’s translucent plastic
slipcase. First edition, first and only printing. Limited edition of 550 numbered copies.
Photographs by Kikuji Kawada. Includes a list of plates and a list of Kawada’s bodies of
work (in Japanese and English). Designed by Mitsuo Katsui. 200 pp., with 146 four-color
and black and white plates and additional illustrations, exquisitely printed in Japan by
Toppan Printing Co., Ltd. - € 750
273. KILLIP, Christopher: In Flagrante.
London, Martin Secker and Warburg, 1988. Paperback, 96 pp.
The images show the social effects of declining industry in late 1980s Britain. With an essay
by John Berger and Sylvia Grant. Martin Parr, The Photobook vol 2, page 299. - € 250
274. KIMURA, Ihē: Paris, 1954, 1955, 1960.
Tokyo, Nora-sha, 1974. Cloth, in a pictorial slipcase. Texts by Sasaki, Koji Taki, and Shinji
Obkuda.
Though it was published in 1974, the year Kimura died, the photos in this stunning book
date from before 1960. “Paris is notable for two things, “ write Parr and Badger. “Firstly,
it as a distinctive colour palette, composed of cool blues, greys, browns, and purples.

Secondly, there is Kimura’s view of the city itself, which teeters between conventional
travel photography and somethingmuch more original. What he appears to have discovered
is a residue of Atget’s Paris, at a time when the work of the French photographer was much
less known to the photographic world than it is now. Kimura’s Paris, like Atget’s, is a
nostalgic one, a city of crumbling textures and decaying structures, of courtyards and back
alleys, of mists and winter gloom”- € 1.250
275. KITAJIMA, Keizo: Shashin Tokkyubin Tokyo (Photomail from Tokyo).
Tokyo, Paroru-sha, 1980. Stiff photo-illustrated wrappers. With the first state black obi
with yellow and green lettering. “Camp” poster bound in at front. Unpaged.
While Kitajima’s black and white photographs of Tokyoites have a decidedly Provoke sensibility,
his color images signal a move away from Provoke towards a more Punk worldview.
The seedy side of Tokyo nightlife is juxtaposed with the everyday, with modern Tokyo
architecture crowding it all into the frames. A wild, vertiginous ride through Tokyo that
never lets up. Some minor rubbing to edges of obi. Else a Near Fine copy - € 1.100
276. KLEIN, Aart [fotograaf] & TERREEHORST, Pauline [intr. ]: Aart Klein
fotograaf. Wit water, zwarte sneeuw. White water, black snow.
Reflex, 1986. Loose in box. A Signed copy. - € 225
277. KLEIN, William: Life is good and good for you in New York.
Paris, Éditions Seuil, 1956. Cloth, 1956.
“Improvising, thriving on accident and surprise, Klein turned out raw, kinetic, and utterly
original photographs--each one a gut reaction to the energy of the urban street, writes
Vince Aletti in The Book of 101 Books: Seminal Photographic Books of the Twentieth
Century. Picking up on the same theme Martin Parr and Gerry Badger say that the
“book’s internal rhythm contains as many cadences, breaks and unexpected flights of fancy
as a Sonny Rollins sax solo” (The Photobook: A History, Vol. 1). Without the 16 page
booklet and with a little former owner’s stamp on first blank. Comes with a photocopy of
the dustjacket. - € 900
278. KLEIN, William: Roma.
Milano, Feltrinelli, 1959. Cloth in dustjacket, 189 pp.
In 1956, a 28-year old William Klein arrived in Rome, fresh from the debut of his now classic
monograph “Life Is Good & Good for You in New York, “ to assist Federico Fellini on
his film “Nights of Cabiria. “ Filming was delayed, and so Klein instead strolled about the
city in the company of Fellini, Pier Paolo Pasolini, Alberto Moravia and other avant-garde
Italian writers and artists who served as his guides. It was on these walks that “Rome, “ a
pioneering and brilliant visual diary of the city, was born. - € 950
279. KLEIN, William: Moskau.
Die Zeit Bücher, 1965. Cloth in dustjacket, 184 pp. Vorwort v. Helmut Heißenbüttel
The fourth of Klein’s books to focus on a specific city. This book offers a nice collection of
black and white images. - € 250
280. KLEIN, William: Tokyo.
Paris, Delpire, 1964. Cloth in dustjacket, 179 pp.
Simultaneously released in Paris, New York, Berlin and Tokyo, this volume represents the
culmination of Klein’s “Cities” series. “This series showcases Klein’s fine eye for composition
alongside his sense of humor and talent for capturing the irony and subtle interactions
of big city life. Tight, clean, flat, square and sharp book. Lower tips rubbed clean of the
chocolate laminate. William Klein’s lasting legacy to photography will be his four city
books, New York (1956), Rome (1959), Tokyo and Moscow (both 1964). - € 450
281. KLEIN, William & CAUJOLLE, Christian: William Klein.
Paris, Photo Poche 1985. Paperback, 150 pp.
With a signed dedication by William Klein to Dutch photographer Paul Huf. - € 150
282. KLEIN, William: Close up.
London: Thames & Hudson, 1989. Cloth in dustjacket, 175 pp. Wide-angle, close up
photographs of people, famous and obscure, from throughout the world, from the French
Academy to the Guardian Angels to sumo wrestlers. - € 175
283. KLEIN, William & MANDERY, Guy: 7 città + i mondiali : Torino ‘90.
Federico Motta, 1990. Cloth in dustjacket, 176 pp.
A little-known, scarce William Klein book that was only published in Italy. Turin, being
the smallest city Klein documented for a monograph, is probably the most intimate of his
books. It focuses heavily on Turin’s infatuation with soccer. The end papers are photoillustrated
crowd scenes. It is said that the city of Turin had published the book to celebrate
the World Cup matches being held there. They were only distributed in town, and when
Italy was knocked out in the semifinals, getting only third place, they were so upset they
stopped handing them out and eventually destroyed many of the remaining books. - € 275
284. KLEIN, William: New York 1954-55.
Dewi Lewis, 1995. Cloth in dustjacket, 256 pp. - € 250
285. KOCH, JINDRICH: Práce Jindricha Kocha.
Praha, Státni grafická skola, 1935. Paperback. Original printed wrappers designed by
Ladislav Sutnar.
Rare and fascinating photography work containing 10 gravure reproductions of Koch’s
photographs, on loose leaves as issued, and one page introduction by Karel Herain.
Jindrich Koch (1896-1934) was a famous Czech photographer, and one of the masters of
the New Objectivity photography. This work is the first one to be a postmortem homage
rendered to the artist. Text in Czech. loose in cover. Cover damaged. - € 195
286. KOIVIKKO, Kati & PIRINEN, Mia & BURNS, James & HELSKY, Ursula &
ROESLER, Ritva: Kultakylä.
Golden Village / Dorf aus Gold 2002. Schaden, 2002. Cloth in dustjacket, 131 pp. Signed
edition. - € 125
287. KORHONEN, Nina: Minne. Muisto. Memory.
Stockholm. Journal. 1997. Paperback, 1997.
Signed by Korhonen. - € 150
288. KORHONEN, Nina: Anna, Amerikan mummu.
Stockholm, Journal, 2004. Cloth. Published in an edition of 1000 copies. Signed edition.
- € 150
289. KOUDELKA, Josef: Mission Photographique Transmanche. Cahier 6.
Calais: Editions de la Différence - Centre de Développement Culturel de Calais, Régional
de la Photographie Nord-Pas-De-Calais, 1989. Softcover book in printed paper slipcase,
1989. 34 accordion-bound pages; in English and French.
A series of 15 gorgeously printed panoramas of Calais that effectively erase the old
distinction between “documentary and fiction, objectivity and invention. . . [Koudelka]
makes use of photography to re-appropriate the world, just as he uses the world to make
photographs”(from Bernard Latarjet’s essay) Slipcase creased, book fine. - € 290
290. KOUDELKA, Josef: Black triangle.
Prague, Sprava Prazskeho, 1994. Softcover catalog with die-cut cardboard covers, accordion
bound. Text in English, French and Czech foreword by Vaclav Havel. Introduction by
Josef Vavrousek. Captions by Zdenek Stahlik, Igor Michal, and Petr Pakosta.
“The Black Triangle” is a photographic report in black and white on the Podkrusnohorí
Region - the western tip of the infamous Black Triangle’s foothills of the Ore Mountains,
located between Germany and the Czech Republic. It is one of Europe’s worst devastated
territories, but it is also a region that shaped the origin and future development of the
Czech state. Coal mining, the first record of which dates back to 1403, has been the region’s
enormous wealth as well as its curse. The industrial revolution facilitated an unprecedented
upsurge of the living standards, but at the cost of irreversible changes in nature. ‘Man
is not an omniscient master of the planet who can get away with doing whatever he likes
and whatever may suit him at the moment’. That introductory quotation of Václav Havel
is illustrated by Josef Koudelka’s photographs of the land dominated by head frames, waste
heaps, factory stacks and dried-up lakes. - € 1.100

291. KOUDELKA, Josef: Periplanissis.
Thessaloniki, Greece Thessaloniki Filmfestival, 1995. Paperback, 88 pp. Printed in 2000
copies. Photographs and text (in English and Greek) by Josef Koudelka. Essays (in English
and Greek) by Alain Bergala and Margarita Mandas. Includes a biography. Designed by
Josef Koudelka. - € 450
292. KOUDELKA, Josef: Limestone.
Paris, Éditions de La Martinière, 2001. Paper-covered boards, with endpapers. Limited
edition of 500 numbered copies.
36 duotone plates of limestone quarries, . Text in English, French and German. “Here
[in these images of quarry sites] the hand of Man is everywhere. Nature is transformed,
turned upside down. There is not a square centimeter which has escaped his touch…”
(from the introduction). Clamshell slipcase missing. This is copy 318 / 500. - € 800
293. KOUDELKA, Josef & LUCA, Erri de & MORMORIO, Diego: Théâtre du
temps : Rome, 1999-2003.
Actes Sud, 2003. bound concertina-style; white boards, lettered in black, in a like slipcase.
Published on the occasion of the 2003 exhibition Théâtre du Temps: Rome, 1999-2003.
This book contains a mere 25 panoramic plates, gorgeously printed, of work made in Rome
taken over three years. Signed copy. - € 295
294. KOUDELKA, Josef & GIONO, Jean: Camargue.
Arles, Actes Sud / Conservatoire Du Littoral, 2006. Softcover with cardboard cover, accordion
bound. 54 pp.
Published on the occasion of an exposition in 2006 in Arles for “Rencontres internationales
de la photographie”. In this collection of panoramic photographs, Josef Koudelka takes
as his subject the vast river delta south of Arles, France. Known as the Camargue, this vast
marshland stretches all the way to the Mediterranean Sea from the River Rhone. Koudelka’s
bucolic compositions eloquently capture the wild, isolated feel of the place. - € 100
295. KRULL, Germaine: 100 x Paris.
Berlin-Westend, Verlag der Reihe, 1929. Paperback, 31 pp. text + plates + 100 sepia-toned
gravure reproductions.
Street scenes and sights, in the 1920s by one of the early female photographers. Essay on
Paris and table of contents in German, French and English. - € 175
296. KRULL, Germaine & NERVAL, Gérard de: Le Valois, par Gérard de Nerval.
Illustré par Germaine Krull.
Paris, Fermin, Didot & Cie, 1930. Paperback, 27 pp. Illustrated with twenty-five original
black and white photographs by Germaine Krull.
A collection of Germaine Krull’s dreamy landscapes and rural scenes. Printed in a rich
silver-gray gravure. - € 350
297. KRULL, Germaine, FARRÈRE, Claude: La route Paris-Biarritz.
Paris, Jacques Haumont, Collection “ Voir “, 1931. Paperback, 96 pp. 87 photos hors text
by Germaine Krull.
Top and bottom of spine missing some tiny pieces of paper. - € 200
298. KRULL, Germaine: Ballets De Monte Carlo.
Nice, Marcel Roche, 1937. staple-bound in white card covers with a flowing drawing of a
dancer, by Matisse, 56 pp.
The cover is designed by Henri Matisse and the black and white photographs are by Germaine
Krull plus color plates from the original sketches of Cassandre, Derain, Dufy and
Andreu. A souvenir album of photographs and mountings by Germaine Krull of the artists,
scenery and stage sets of various ballets. Includes colour plates from original sketches
by Cassandre, Dreain, Dufy and Andreu. Printed on “paper of a dull finish specially
manufactured by the Papeleries Grillet & Feau”. Binding loose, spine damaged. - € 350
299. KRULL, Germaine: Métal.
Köln/ Zülpich, Ann und Jürgen Wilde, 2003. In original photo-pictorial portfolio with
64 loose plates as issued in original slipcase. Facsimile of the Libraire es Arts Décoratifs.
Printed in a limited edition of 1000. Copy no 919. - € 240
300. KUGE, Yasuhide: Lift.
Seigensha Art Publishing, 2004. Loose in cardboard slipcase, 96 pp. - € 110
301. KUJIMA, Ichiro: Tsugaru. (Poems, Texts, and Photography)
Shinchosha, 1963. White stiff wrappers with photographically illustrated French-fold dust
jacket; contained in a cardboard slipcase with printed label (missing obi), 84 pp. Photographs
by Ichiro Kojima. Texts (in Japanese) by Yojiro Ishizaka and Kyozo Takagi. With
47 black-and-white gravure plates.
Cited in Ryuichi Kaneko and Ivan Vartanian, Japanese Photobooks of the 1960s and ‘70s.
(New York: Aperture, 2009).
“From Kaneko and Vartanian: “Tsugaru brings together the poetry of Kyozo Takagi, the
photographs of Ichiro Kojima, and a text by novelist Yojiro Ishizaka, who also edited the
book. These three individuals are native sons of the northernmost region of Japan’s main
island, Aomori Prefecture. In their words and images they create a unique portrait of their
homeland, the prefecture’s Tsugaru Peninsula, which has a strong, independent sense of
itself and its historicity. “- € 600
302. LANGE, Dorothea & TAYLOR, Paul Schuster: An American Exodus. A record
of human erosion.
New York, Reynal & Hitchcock, 1939. Cloth, in a first edition dustjacket, 158 pp. Text by
Paul S. Taylor. Photo-illustrated dustjacket (1st issue dust jacket with rear panel showing
list of books including ‘Mein Kampf’ rather than the 2nd issue dj with quotation from
Voltaire).
“Of all the photobooks stemming from the New Deal, and the FSA in particular, An
American Exodus. . . is the most considered. Not only does it have the closest integration
of text and image, but the whole book was compiled with scrupulous attention to the presentation
of facts, without either hyperbole or undue rhetoric on the part of photographer
or writer. . . Both she and Taylor seemed to have been acutely aware of piling on too much
heart-wringing rhetoric. They have included just enough to make their sympathies clear,
and to keep their audience engaged. This makes An American Exodus the most balanced of
New Deal documentary books, and therefore a model for the genre. “--Parr & Badger, The
Photobook: A History, vol. I Also included in Roth, et. al., The Book of 101 Books and The
Open Book. Dustjacket rubbed, missing some minor chips of paper, slightly stained. still
good. - € 1.200
303. LARSEN, Hermann & CLEMMENSEN, Carl Henrik: Kobenhavn ved nat. 48
fotografier udført i dybtryk efter optagelser.
Jespersen og Pios Forlag, 1935. Spiral bound. First and only edition. - € 295
304. LEE, Russell & HURLEY, Forrest Jack: Russell Lee, photographer.
Morgan & Morgan, Inc. 1978. Cloth in dustjacket, 206 pp. - € 125
305. LEITER, Saul: Early color.
Göttingen, Steidl Verlag, 2006, Clothbound hardcover with dust jacket, 168 pp.
Although Edward Steichen exhibited some of Saul Leiter’s color photographs at the
Museum of Modern Art in 1953, for forty years afterwards they remained virtually
unknown to the art world. Saul Leiter: Early Color provides the first opportunity to see
a comprehensive presentation of images by one of photography’s great originals. Leiter
moved to New York in 1946 intending to be a painter and through his friendship with the
abstract expressionist Richard Pousette-Dart he quickly recognized the creative potential of
photography. Though he continued to paint, exhibiting alongside Philip Guston and Willem
de Kooning, Leiter’s camera became — like an extension of his arm and mind — an
ever-present interpreter of life in the metropolis. - € 225
306. LERSKI, Helmar: Köpfe des Alltags. Unbekannten Menschen gesehen von
Helmar Lerski.
Berlin, Verlag Hermann Reckendorf, 1931. Original spiral bound leaves in the original
black wrappers, in a dustjacket.
One of most important and most sought-after photobooks ever pubished! Martin Parr, The
Photobook vol 1, page 130/131. Andrew Roth, The Book of 101 Books, page 68/69. The
Open Book, Hasselblad Center, page 98/99. 802 photobooks from the M. + M. Auer collection,
page 172. Dustjacket damaged, missing some pieces of paper. - € 950

307. LEVINTHAL, David: Mein kampf.
Santa Fe, Twin Palms Publishers 1996. Cloth in dustjacket, 87 pp. Since his first publication
in 1977, Hitler Moves East, photographer David Levinthal has explored a panoply
of compelling issues in representation. Using toy soldiers, dolls, and other figurines,
Levinthal, in Mein Kampf, has created dramatic tableaux which engage the narrative of
Hitler’s rise to power and the Nazi campaign to wipe out the Jews. - € 125
308. LEVITT, Helen: Way of seeing.
New York, Viking Press, 1965. Cloth in dustjacket, 78 pp. Essay by James Agee.
Although most of the pictures in this book were taken by 1948, it did not appear until
1965. Writing in Roth, et. al., The Book of 101 Books, Vince Aletti refers to the images as
“. . . an episodic montage--bleak, antic, poignant; sometimes melodramatic, often comic--at
once suggestively narrative and as ephemeral as a passing glance. “ In The Photobook: A
History, vol. 1 Martin Parr and Gerry Badger write, “Levitt’s photographs are beautiful-
-major underrated works. Like Henri Cartier-Bresson, she achieves a rare balancing act:
her pictures have sentiment without being sentimental, always maintaining an objective
distance. . . The casual observer of these pictures, dazzled by their poetry, could easily
miss the harsher realities masked by the surface warmth and joie de vivre. “ Price clipped
dustjacket. - € 395
309. LEVITT, Helen: Slide Show. The Color Photographs of Helen Levitt.
New York, Power House Books, 2005. Cloth in dustjacket, 118 pp. PowerHouse Books
published a collection of more than one hundred of Levitt’s color photos in a book called
Slide Show, with an introduction by John Szarkowski, (who was a strong proponent of
Levitt’s work during the influential decades he was curator of photography at MoMA).
The book has a great collection of images. - € 110
310. LIPPER, Susan: Grapevine.
Manchester: Cornerhouse Publications, 1994. Cloth, in dustjacket. 111 pp.
A series of monochrome photographs by Susan Lipper of Grapevine, West Virginia, taken
between 1988-1993 with a transcript of a conversation between the photographer and three
residents. - € 350
311. LISSITZKY, El & TSCHICHOLD, Jan & ROH, Franz: Foto-auge, 76 Fotos
Der Zeit Oeil Et Photo. . . Photo-eye . . .
Stuttgart: Akademischer Verlag Dr. Fritz Wedekind & Co, 1929. In black & white wrappers
with a photograph by El Lissitzky.
Two books were published to accompany the 1929 “Film und Foto” exhibition in Stuttgart
organized by the Deutscher Werkbund -- Foto-Auge, edited by Franz Roh and Jan
Tschichold, and Es kommt der neue Fotograf!, edited by Werner Gräff (TR653 . G7 1929
Art Locked Stacks). With its cover of El Lissitzky’s now famous “Self Portrait” of the artist
as a hand in service to the eye celebrating the monocular medium (photography), Foto-
Auge served both as an catalog of the work exhibited as well as a visual polemic detailing
Laszlo Moholy-Nagy’s New Vision. Featuring work from the world’s leading modernist
photographers, as well as anonymous news and bureau photos, Roh’s and Tschichold’s editing
and sequencing energetically riff on the Bauhausian notion of enlightened objectivity.
Spine slightly damaged, some slight staining to covers & discoloration to spine. - € 1.400
312. LIST, Herbert: Licht über Hellas, eine Symphonie in Bildern.
München, Georg D. W. Callwey, 1953. Cloth in dustjacket, 243 pp. Greece is List’s main
interest from 1937 to 1939. After his first visit to the antique temples, sculptures and
landscapes, his first solo show in Paris opens in the summer of 1937. Publications in Life,
Photographie, Verve and Harpers Bazaar followed and List works on his first book called
“Licht Ueber Hellas”, which won’t be published until 1953. During his work in Athens,
List hopes to escape the war but is forced by the invading troops to return to Germany in
1941. Some of his work, which is stored in a hotel in Paris, is lost forever. Because of his
Jewish family descent, List is not allowed to publish or work officially in Germany. - € 140
313. LUKAS, Jan: Zeme a Lidé, Kniha fotografii.
Kniha fotografii, 1946. Cloth in dustjacket.
With 63 black and white photographs of landscapes and everyday life in the Czechoslovakian
countryside. With Tmej and Koudelka he is one of the most important Czech
photographers of the 20th century. - € 125
314. LYON, Danny: The destruction of lower Manhattan.
New York, Macmillan company, 1969. Clothbound in illustrated dust jacket. 75 plates
printed by Rapoport Printing.
“The Destruction of Lower Manhattan is a historical record of a fast-disappearing scene
and a beautiful portraits of buildings that we will never see again; but in a way, it is also
a portrait of the people who lived there. . . “(from the jacket copy). With a former owners
entry on the first blank. - € 350
315. LYON, Danny: The bikeriders.
Santa Fe, NM: Twin Palms Pub, 1997. Cloth in dustjacket, 96 pp. In 1968, a small and
unassuming book of photographs featuring America’s bikers was published. Little note was
taken of its release, and it rather quietly disappeared. Today The Bikeriders is recognized as
a seminal work of documentary photography by one of a new generation of photographers.
This is a reissue of Lyon’s long-out-of-print and much-sought-after first book, treasured
both as a cult classic and a standard of photojournalism. - € 110
316. LYON, Danny & MCCUNE, Billy: Conversations with the dead.
New York: Holt, Rinehart and Winston, 1971. Cloth, in dustjacket. 196 pp.
Photos. of prison life, with the letters and drawings of Billy McCune #122054. (Parr &
Badger volume2, 19; Roth 210-211) - € 650
317. MADONNA & BARON, Fabien: Sex.
Dohosa, 1993. Spiral bound with brushed aluminum boards in silver mylar envelope, 134
pp.
Composed chiefly of photographs and erotic stories. Includes a CD and ‘comic book’. This
edition contains additional pages not in the US version and is printed on better quality
paper. Japanese edition unopened, still in Box. - € 250
318. MAGDANZ, Andreas: Dienststelle Marienthal, eine Gebäudemonographie.
Aachen, Verlag Andreas Magdanz. Cloth in dustjacket, 155 pp. Photographs and text by
Andreas Magdanz. Additional text by Christoph Schaden (text in German and English).
Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London
and New York: Phaidon, 2006). An excerpt from a New York Times review by Richard
B. Woodward (January 11, 2004): “The Dienstelle Marienthal (or Marienthal Office) is
among the most ambitious but least-known monuments to “thinking the unthinkable” ever
conceived. This vast underground tunnel complex, built from 1960 to 1972 outside Bonn,
was once so secret that to acknowledge its existence could bring charges of treason in West
Germany. Designed to house 3, 000 of that government’s essential personnel in case of nuclear
attack, it represented one of the most exclusive fraternities in the world. . . [Magdanz]
was the first person authorized to photograph there. . . With a precise and clinical eye, Mr.
Magdanz shows the 25-ton doors, the miles of cable and the air ducts that connected the
underground denizens, through a series of filters, with the upper atmosphere. The décor is
spare, the furniture uniformly modern. There are no gymnasiums or libraries. Fluorescent
light and gray airlessness are pervasive. “ - € 450
319. MAHURIN, Matt: Matt Mahurin photographs.
Santa Fe, Twin Palms Press, 1989. Cloth, in dustjacket, 94 pp. - € 175
320. MANEN, Bertien van & Kapuscinski, Ryszard introduction: A hundred summers,
a hundred winters.
De Verbeelding Booksellers, 1994. Paperback. - € 295
321. MANNIKKO, Esko & JAUKKURI, Maaretta & DAULT, Gary Michael:
Mexas.
Oulu and Gothenburg: Esko Mannikko and Hasselblad Center, 1999. Hardcover, 77 pp.
Presents Esko Mannikko’s photographs of Batesville and San Antonio, Texas. All of the
American subjects are of Mexican descent. Hence Mannikko’s clever conflation, “Mexas”.
Mannikko’s lifelong subject, the decline of rural Finland (which is tenderly mirrored by
the decline of rural America in this collection), is off-putting, even depressing, something
people say they do not want in their lives, as if it were ugly or toxic, an accusation that the
American writer Annie Proulx had to endure all the way to “Brokeback Mountain”. This
is ironic because Mannikko’s work breathes whereas most contemporary art and photography
are lifeless exercises in Mannerist cleverness. Mannikko is a Classicist, a rarity in our
shallow “post-modern” art world. Signed on the title page. - € 150

322. MÄNNIKKÖ, Esko: Naarashauki.
Helsinki, (self-published), 2000. Hardback with full red leatherette and photograph
mounted on (as issued), 143 pp. Design by Petri Kuokka.
Presents Esko Mannikko’s austerely yet breathtakingly beautiful photographs of his
native Finland, that is, a dying rural Finland kept defiantly alive by Esko Mannikko’s
unsurpassed artistry. Martin Parr, The Photobook, vol 2, page 78/79. Signed on the title
page. - € 250
323. MÄNNIKKÖ, Esko: 100% Cashmere.
Scotland: Ballantyne Cashmere, 2003. Cloth, 78 pp. The book includes an essay by Segre
Simona.
The Scottish clothing company, Ballantyne Cashmere, commissioned Esko Mannikko to
photograph its factory and workers in Innerleithen as a commemorative event. Signed on
the French title. - € 225
324. MAPPLETHORPE, Robert: Foto’s/ Photographs.
Amsterdam, Jurka Galerie, 1979. Paperback, 54 pp.
Signed copy. - € 225
325. MAPPLETHORPE, Robert: Black males.
Amsterdam, Jurka Galerie, 1980. Paperback, 54 pp.
Signed copy. - € 225
326. MAPPLETHORPE, Robert: Certain People; a book of portraits.
Twelvetrees Press, 1985. Cloth, in dustjacket, 101 pp. - € 125
327. MARK, Mary Ellen & FULTON, Marianne. Mary Ellen Mark, 25 years.
New York: Bulfinch Press, 1991. Cloth, in dj., 192 pp. - € 110
328. MARK, Mary Ellen: Indian circus.
Chronicle Books Llc, 1993. Cloth in dustjacket, 107 pp.
Mary Ellen Mark fell in love with the Indian circus in 1969, during her first trip to India.
As she watched a huge hippopotamus walk around the ring with its mouth wide open,
wearing a pink tutu, she was struck by the beauty and innocence of the show. She returned
to India many times, and in 1989 and 1990 she devoted six months to photographing
eighteen circuses, following them around the continent by train, plane, van, and
auto-rickshaw. Secretive, highly competitive, and each a closed, self-sufficient society, the
circuses embody what Mark calls “a poetry and a craziness that are still uncorrupted, and
honest, and pure”. Beautifully printed in tritone, this remarkable collection of photographs
captures the texture of circus life outside of the ring - exhausting, humorous, poignant,
and often bizarre - as well as the affection and devotion that the performers have for each
other and their animals. Indian Circus is documentary photography at its finest. The photographs
are not only compelling portraits of the performers, but also eloquent and poetic
narratives about life in the Indian circus. - € 110
329. MASAFUMI, Sanai: Tekka.
Tokyo, Seigensha Art Publishing, 2004. Paperback, 64 pp. - € 110
330. MASCLET, Daniel: NUS, La beauté de la femme, album du Premier Salon
international du nu photographique, Paris, 1933.
Paris, Daniel Masclet, 1933. Wraps, secured with silk cord. 96 pp. With pictures of Albin-
Guillot, Boucher, Drtikol (5), Feininger, Fiedler, Hoppé (3), Landau, Lynes (3), Man Ray
(2), Mortensen, Perckhammer, Verneuil (3) and others. - € 850
331. MEATYARD, Ralph Eugene & TANNENBAUM, Barbara: Ralph Eugene
Meatyard an American visionary.
Akron Museum/ Rizzoli, 1991. Cloth in dustjacket, 207 pp. - € 100
332. MEEKS, Raymond & BASS, Rick & GANDER, Forrest: Sound of summer
running.
Nazraeli Press, 2004. Cloth in dustjacket, 68 pp.
From the Publisher: “Summer is a time we like to remember as glorious, endless, carefree
and full of warmth from a sun that is always shining. Perhaps in our minds we see sum-
mer days playing forward in sepia hues, flowing gently as if on a reel of old cine film.
Raymond Meeks has captured all of this in a collection of photographs that move from first
image to last in a way that is soft and intimate but never once loses momentum. But these
are not bland, generic pictures to flick through and put on one side; Meeks succeeds in
soothing and stimulating the senses in equal measure. Whether his lens is focused on children
playing or adults in contemplation, flora and fauna or simply beautiful landscapes,
the pleasure never waivers. This is the photograph album that we would feel privileged to
call our own -- and like a favorite album it will be taken out and looked at time and time
again. - € 175
333. MEENE, Hellen van & BUSH, Kate: Hellen van Meene, portraits.
New York, Aperture, 2004. Cloth, 96 pp.
Hellen van Meene is an artist who makes photos, mostly portraits, mostly of young people,
and mostly of girls. Thanks to her galleries she can make a living out of this. Her work is
shown in museums and galleries all over the world. She is the single subject of three books
and appears along other artists in many other books and magazines.
This is one of The Village Voice’s Top 25 Photo Books of 2004: Hellen Van Meene: Portraits
(ISBN 1931788456). It features 55 photos and an essay by Kate Bush. - € 195
334. MEISELAS, Susan: Carnival Strippers.
New York, Farrar, Straus and Giroux, 1976. Paperback.
From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing
women who performed striptease for small town carnivals in New England, Pennsylvania,
and South Carolina. As she followed the girl shows from town to town, she portrayed the
dancers on stage and off, photographing their public performances as well as their private
lives. She also taped interviews with the dancers, their boyfriends, the show managers, and
paying customers. Meiselas’ frank description of the lives of these women brought a hidden
world to public attention. Produced during the early years of the women’s movement
Carnival Strippers reflects the struggle for identity and self-esteem that characterized a
complex era of change. Originally published in 1976, this book is considered a pioneering
publication for it’s frank and honest look at women on the margins of society. Original
editions of the book now sell for up to $900. 00 on the rare book market. This revised edition
contains a new selection of Meiselas’ black-and-white photographs together with the
original excerpts from the interviews. Additionally an Audio-CD with a collage of voices
from many participants and a 1977 interview with the photographer is included. Essays by
Sylvia Wolf and Deirdre English reflect on the importance of this body of work within both
the history of photography and feminism. - € 295
335. MENDELSOHN, Erich: Amerika. Bilderbuch eines architekten
Berlin, Rudolf Mosse Buchverlag, 1926. Hardcover.
Noted German architect photographed American cityscapes in the 20s. New York’s Times
Square, Fifth Avenue, Brooklyn Bridge, Trinity Church, many other sites. Chicago’s
Michigan Avenue, Tribune Building, Federal Reserve Bank. Also buildings and locales in
Buffalo and Detroit. Striking, dramatic views by trained observer. - € 395
336. MENDELSOHN, Erich: Russland-Europa-Amerika, Ein architektonischer
Querschnitt.
Berlin, Rudolf Mosse Buchverlag, boards, 1929. In half cloth, 216 pp.
Erich Mendelsohn (21 March 1887 – 15 September 1953) was a Jewish German architect,
known for his expressionist architecture in the 1920s, as well as for developing a dynamic
functionalism in his projects for department stores and cinemas. Binding designed by
Mendelsohn. Authoritative work by Erich Mendelsohn comparing Russian, European
and American architecture. Includes architectural history. Profusely illustrated with 100
full-page b/w reproductions in photogravure by Mendelsohn, Adolf Behne, E. O. Hoppé,
Mumford, Grabar, Lukomskij, Hilbersheimer, Giedion, Hegemann, Kasweik, and others.
Four photographs were contributed by Professor Walter Gropius. - € 390
337. MENTZEL, Albert & ROUX, Albert: Formes nues 1935. 96 photos de: Alban,
Albin-Guillot, Binia Bill.
Paris. Editions d’Art Graphique et Photographique, 1935. In Spiral binding. Cover photo
by Man Ray.
96 full pages by photographers: Aram Alban, Laure Albin-Guillot, Binia Bill, Pierre
Boucher, Brassai, Louis Caillaud, Frantisek Drtikol, Nora Dumas, Andreas Feininger,
Emile Gos, Raoul Hausmann, John Havinden, Florence Henri, Andre Kertesz, Edmund

Kesting, Julius Kulszar-Magyar, Ergy Landau, Jacques Lemare, Herbert List, Kefer-Dora
Maar, Laszlo Moholy-Nagy, George Platt Lynes, Therese Le Prat, Man Ray, Franz Roh,
Georges Sand, Schall, Emmanuel Sougez, Andre Steiner, Stephen Storm, Maurice Tabard,
Rolf Ubach-Michelet and Maurice P. Verneuil. 22 pages with text contributions in
French, English and German by: Pierre Boucher, Louis Caillaud, Andreas Feininger, John
Havinden, Laszlo Moholy-Nagy, Man Ray, Emmanuel Sougez, and Maurice P. Verneuil.
- € 1.350
338. MEYEROWITZ, Joel: St. Louis and the Arch.
Little Brown & Co, 1980. Cloth in dustjacket.
Meyerowitz was invited to contribute his view of the city by the St Louis Art Museum
in the fall of 1977. Four visits and four hundred images produced this fascinating take on
the towering Gateway Arch and surrounding metropolis. The fifty-nine photos in the book
have some lovely examples of atmospheric color. Nearly all of them are exteriors and about
half feature the Arch, either as the dominant image or a suggestion in the distance. - € 125
339. MICHALS, Duane & WHITMAN, Walt: Salute, Walt Whitman.
Twin Palms Pub, 1996. Cloth in dustjacket. 112 pp.
Salute, Walt Whitman is both an extension and a summation of Duane Michals’s decadeslong
exploration of desire and an acknowledgment of the lifelong comfort, inspiration, and
extraordinary vision he’s found in the writings of his spiritual mentor and companion,
Walt Whitman. Suffering retrospectives and the accumulated critical accolades and dismissals
that a long, illustrious career brings, Michals finds an open meadow in the ageless
words of Whitman. In this book a litany of images unfolds, evoking the sensuality and rapturous
longing that was part of this singular American poet’s great contribution. - € 110
340. MIHAILOV, Boris & SOLONSKIJ, Sergej & BRATKOV, Sergej: ‘ Wenn ich
ein Deutscher wäre . . .
‘ Verlag der Kunst Dresden, 1995. Paperback, 60 pp. - € 150
341. MIHAILOV, Boris: Die Dämmerung. At Dusk. Am Boden. By the Ground.
Landeskulturzentrum Salzau / Oktagon Verlag, 1996. Hardcover in cardboard slipcase,
280 pp. Two hardcover volumes in slipcase. Illustrated boards. Issued without dustjackets.
126 sepia-colored and 111 blue-colored full page plates. Text in English, German and
Russian. - € 350
342. MIHAILOV, Boris: Case History.
Zürich, Scalo, 1999. Hardback with jacket. 480 pp.
Though Mikhailov considers the conditions of his particular place of residence for over
fifty years crucial to his work, he is not providing a recollection of the specific history
of Khar’kov, Ukraine -- but rather bringing out the “condition humaine” of this city.
Characterized by industry and Factories, by newly installed Coca Cola billboards as well as
socialist architecture, Khar’kov provides the backdrop for Mikhailov’s moving portraits. He
describes the decay of social structures as well as of individual lives. We witness street kids
taking drugs, adults in search of food, trying to re-install their social self by cleaning their
bodies in the artist’s own house. Despite the devastating poverty, the women and men in
Mikhailov’s images look back at us with great dignity. Their eyes express an unbroken will
to survive in a social system that has fallen to its lowest possible level Mikhailov depicts
very warmly the harshness of everyday life in a society not as far away from ours as we
mightthink. Martin Parr and Gerry Badger, The Photobook A History, vol 2, page 309.
- € 150
343. MISERACHS, Xavier & ESPINÀS, Josep Maria: Barcelona, blanco y negro.
Aymá, S. A. Editora, 1964 Cloth in dustjacket, 371 pp.
Xavier Miserachs i Ribalta was a Catalan photographer. He studied medicine at the University
of Barcelona, but left school to be a photographer. He exhibited in Barcelona since
1956. His work is reminiscent of neorealism and is representative of the years of Spanish
economic recovery of the years 1950-1960. His photographs shows him as a creator of a
new image of the city and its people. - € 200
344. MISRACH, Richard: Telegraph 3 A. M. The street people of Telegraph avenue
Berkeley, California.
Cornucopia Press, 1974. Cloth in dustjacket. This edition consists of 3000 copies. Misrach’s
first book.
Misrach, born in 1949, attended UC Berkeley in the tumultuous 60s. He received his first
National Endowment of the Arts fellowship for this series documenting the street people of
Telegraph Avenue, five years before he began working on his famed Desert Cantos series.
Signed copy 294/ 3000. - € 295
345. MISRACH, Richard: Richard Misrach : A Photographic book.
San Francisco CA, Grapestake Gallery, 1979. Paperback, 112 pp. Ex library copy with 2
stamps. Cover a bit of wear. - € 125
346. MISRACH, Robert & TUCKER, Anne & SOLNIT, Rebecca [essay]: Crimes
and splendors.
Boston, Bulfinch Press, 1996. Cloth in dustjacket, 192 pp.
Misrach’s Desert Cantos series is one of the most ambitious and innovative photographic
projects of the late 20th century. Over the course of two decades, Misrach has been exploring
the beauty, mystery and abuse of the American desert. - € 225
347. MISRACH, Richard & SOLNIT, Rebecca: The sky book.
Santa Fe, Arena Editions, 2000. Hardcover, 131 pp.
Richard Misrach has redefined contemporary landscape photography with his images of
the splendor and destruction of the American West. Each of his “cantos” considers another
chapter in the epic story of humankind and the land. Far from the edenic pristine landscapes
of early practitioners such as Carleton Watkins, Eadweard Muybridge, and Ansel
Adams, Misrach’s compelling and often troubling images of the American West pose
important questions about human impact on the natural world. Beneath the remarkable
beauty of Misrach’s color photographs are scenes of floods, fires, nuclear testing grounds,
dead animals, and the debris of society. The photographs in The Sky Book comprise Richard
Misrach’s most recent, most ambitious series, which transposes his narrative from the land
to the sky. The images mediate between document and abstraction, reality and metaphor.
Drawing on photography’s documentary tradition, Misrach contextualizes each photograph
with respect to time and place, rooting the celestial realm firmly in the earthly and
political one. In this way, his images are reminiscent of the efforts of nineteenth-century
expeditionary photographers to record the natural resources of the frontier. At the same
time, Misrach’s sky pictures are a quiet meditation and a study of ephemerality, light,
and color. They evoke a legacy of abstraction in art and photography that includes Alfred
Stieglitz’s “Equivalents” and Mark Rothko’s color field paintings. - € 150
348. MIYAMOTO, Ryuji: Kowloon walled city.
Hiroshi Shimonaka, 1997. Hardcover, 197 pp.
A dark and foreboding essay by photographer Miyamoto chronicling the final seven years
of Hong Kong’s labyrinthine and decaying Kowloon Walled City. Destroyed by the government
in 1994, the Walled City was somewhat like the Chinese version of the Kasbah;
cramped, interconnected warrens of poverty and criminal activity. - € 125
349. MIZUTANI, Kanji: Indigo. Photographs 1993-2003.
Tokyo, Sokyu-Sha, 2004. Signed copy. - € 125
350. MOHOLY-NAGY, László: L. Moholy-Nagy. 60 Fotos.
Berlin, Klinkhardt & Biermann Verlag, 1930. Paperback edition . 71 pp. ( 11 text pages,
60 photographic plates).
Slightly soiled/stained, still a good copy of this photobook. First volume of only two books
realized in Franz Roh”s Fototek series (eight volumes planned). Introduction “Moholy-
Nagy and New Photography” by Franz Roh. Designed by Jan Tschichold. (only 2 issues of
the projected 8 were published); Text in French, German and English. - € 500
351. MOHOLY-NAGY, László & BENEDETTA, Mary: The Street Markets of
London.
London, John Miles, 1936. Clothbound, 201 pp. . Text by Mary Benedetta. Photos. by L.
Moholy-Nagy
With some text written in ink on the first blank. - € 175

352. MOI VER [Moshe Raviv-Worobeichic] & Fernand Leger, Intro: Paris: 80
Photographies.
Paris: Editions 7L, 2004. Paperback in Cloth box. Facsimile reprint of the 1931 edition.
One of the most sought after and influential photobooks of the 20th century, long out of
print. Copy 316/ 1000. - € 350
353. MOÏ WER: Ci-Contre 110 photos de Moi Wer (Ver).
Pinakothek der Moderne, Sammlung Moderne Kunst, 2004. Paperback with dustjacket,
122 pp.
Third work by the legendary artist, who makes photo history with his works “Ein Ghetto
im Osten Wilna” (Martin Parr, The Photobook, vol 1, page 130) and “Paris” (Martin
Parr, The Photobook, vol 1, page 128/129). No slipcase present. - € 110
354. MOLLE, Peter & Pröpper, S. : Peter Molle 43 Photographs.
Strand pictures, 2009. Clothbound, 96 pp. copy 41 / 100. - € 175
355. MORA, Giles: Voyages en Ibérie.
Paris, Contrejour, 1983. Cloth in dustjacket, 127 pp. - € 175
356. MORGAN, Barbara Brooks: Summer’s children. a photographic cycle of life
at camp.
Scarsdale, NY Morgan & Morgan 1951. Cloth, in dustjacket, 156 pp.
Over the years her great interest in children’s growth inspired many jobs located at
children’s camps, schools and colleges, and her own projects, which culminated in the
book, Summer’s Children (1951). Beaumont Newhall, of George Eastman House stated,
“Barbara Morgan has made her book of universal appeal. Her sensitive photographs,
skillfully combined with words, capture the world of youth with heartiness and tenderness,
humor and sympathy. Summer’s Children is a moving interpretation of the magic world of
youth.” Dustjacket slightly damaged. - € 195
357. MORINAGA, Jun: River, its shadow of shadows.
Japan, Yugensha, 1978. Cloth, in pictorial slipcase, 168 pp. A very fine copy First Edition.
Only sold in Japan. Text in English and Japanese.
Introduction by W. Eugene Smith of whom Morinaga was an assistant when Smith was in
Japan in 1961 - 1962. His first book, a beautiful production from the same publisher behind
Robert Frank’s “Lines of My Hand” and “Flower Is”. Beautifully illustrated with 89
black & white plates, some gatefolded. The second book published by Kazuhiko Motomura
under the Yugensha imprint. Like all Motomura”s books, a triumph of form and content.
(Auer 608). In his introduction to this work, Smith says: “The photographs in this book
contain no actual human beings. Yet, to me, these photographs hauntingly seethe with
undercurrents of the damnation factors of our times… To appreciate them the viewer must
break any narrowness of traditional recognitions…It is an experience worth the effort…
There are few photographs that profoundly move me, that change my life. Jun Morinaga’s
photographs did both…. Many months after Jun was working with me, he sat on the floor
and we tried to converse. He spoke that “You are the master, what can I do to improve my
photographs?” And I replied with all the sincerity of my being:”In what you do you are the
master-I only wish I could photograph as well. “ From 1960-1963, Morinaga photographed
the vanishing rivers of Tokyo, drawing out their beauty in the midst of their rapidly approaching
destruction due to urbanization. In this, he combines the traditional Japanese
aesthetic appreciation of rivers with the modern demands of progress. Signed edition.
- € 1.290
358. MORIYAMA, Daido: Hikari to Kage / Light and Shadow.
Tokyo, Toujusha, 1982. Softcover with paper dustcover.
“Early summer in 1980, I bought a camera. That was unnusual because I have no
interest in cameras usually and think any cameras, if they are working, are acceptable. I
did not know why, but I could not stopping me to buy the flaked off in spots black body
Asahi Pentax in a corner of the show window at a used camera shop. I kept distance from
photography then. Glancing at the camera might make recall photography in my mind
again. Or the old camera might be calling me. Anyhow, I loaded Try-x film and began with
taking photographs of a white big flower in the garden of my house, in Zushi-city. A moment
later, I felt strange response. When noticing, I took gradually photographs of diverse
objects and landscapes on the streets more and more. In other words, I had a camera in my
hands and sunlight was shining outside with one step. Just small impulses come one after
another make me really feel coming back the actual spot of photography in a long while.
Everywhere before me, there were innumerable fragments of dairy life filled with gradation
between light and shadow lying around. I walked to gather each fragment carefully. One
year and a half later, I could publish a photography book. I named its title “Light and
Shadow” with no hesitation. “ (Daido Moriyama). Signed on the front endpaper in silver
ink by Daido Moriyama in English and Japanese characters. Dustjacket a bit rubbed.
- € 1.350
359. MORIYAMA, Daido: Memories of a dog.
Tokyo, Asahi Shimbyun, 1998. Paperback, with obi. - € 95
360. Moriyama, Daido & PHILLIPS, Sandra, MUNROE, Alexandra: Daid Moriyama,
stray dog.
San Francisco Museum of Modern Art, 1999. Cloth in dustjacket, 159 pp.
A crucial overview of an artist whose pioneering work prefigures much current cuttingedge
photography. Influenced early on by William Klein and Andy Warhol, Moriyama
stands as one of Japan’s central postwar photographers. No Obi. - € 125
361. MORIYAMA, Daidō: Daidō Moriyama.
Nazraeli Press, 2002. Paperback in original slipcase, 250 pp. Signed (in English, “Daido”)
in silver marker recto the half-title page by Moriyama. - € 195
362. MORIYAMA, Daido: ‘71-NY.
PPP, 2002. Paperback in original slipcase. - € 275
363. MORIYAMA, Daido: Platform.
Tokyo, Taka Ishii Gallery, 2002. Cloth, 174 pp. Printed in a limited edition of 1000.
Signed by Daido. - € 125
364. MORIYAMA, Daido: Lettre à St. Loup.
Kawade, 2005. Cloth in dustjacket, 148 pp. - € 95
365. MORIYAMA, Daido: Farewell Photography.
Tokyo, Powershovel Books, 2006. Paperback in slipcase, 276 pp. - € 175
366. MORRIS, Wright: The inhabitants.
New York, Scribner’s, 1946. Cloth, in dustjacket, 111 pp.
Morris’ photographs, like his writing, speak eloquently of life in middle America in the
1930s and 1940s. “Their outlook and their dreams unite with the pictures to form an
evocative portrait of America. Each exists independently, until joined in the mind’s eye of
the reader. “--the publisher. Featured in Andrew Roth’s The Book of 101 Books: Seminal
Photographic Books of the Twentieth Century. Top of dustjacket missing some minor chips
of paper on the spine. Reinforced at the back of the dustjacket. - € 300
367. NAKAFUJI, Takehito: Enter the Mirror.
Tokyo, Mole, 1997. Paperback in a slipcase. Complete set; softcover black and white photobook,
text book, and a poster, all in an original slipcase.
Takehiko Nakafuji was born in Tokyo in 1970, Nakafuji left the Faculty of Letters at the
Waseda University and instead, graduated from Tokyo Visual Arts. While working as
the director of Gallery Niépce, he continues to take and show his photos which are mainly
monochromatic snapshots of street scenes. - € 225
368. NAKAFUJI, Takehiko: Winterlicht.
Tokyo, Wise Shuppan, 2001. Cloth in dustjacket.
Born in 1970, Tokyo, Japan. Photographer. Drop-out, Waseda University Literature
Department. Graduated in Photography from Tokyo Visual Arts. Produced several monochrome
photograph books from travels in Japan, Eastern Europe, Russia and Cuba. Active
as photographer and as owner of Gallery Niepce in Yotsuya, Tokyo. - € 150
369. NAKAHIRA, Takuma & TAKANASHI, Yutaka: The Japanese box.
Steidl / Edition7L, 2001. Box with 6 paperback books with the japanese box booklet. facsimile
reprint of six rare photographic publications of the Provoke era.
In 1968, a magazine with the programmatic title Provokewas published in Tokyo by the
photographer and writer Takuma Nakahira, the art critic Koji Taki, and other members.

Investigating the relationship between photography and text, and suggesting new ways
for photography to depict Japanese society, the magazine was an artistic and philosophical
manifesto, responding to the upheavals of the late sixties. The participating photographers,
among them Daido Moriyama (who joined Provokewith the second issue) searched for a
radically new photographic language, as is reflected in the titles of their books: titles like
Moriyama’s Bye, Bye Photography, and Nakahira’s For a Language to Come; publications
that were turning points in postwar Japanese photography. This spectacular limited
edition collection of facsimile reprints of six legendary Japanese photography publications
from the 1960s and 1970s will undoubtedly be a highly sought-after collector’s
item. Included are the first three issues of Provokeand three books that were inspired by
it. Originally published in extremely limited editions (Provokehad a print run of 1, 000
copies), these publications are very rare today and almost impossible to find. Among the
photographers included are Daido Moriyama, Nobuyoshi Araki, Takuma Nakahira, Yutaka
Takanashi, and Koji Taki. Comes in a black wooden collector’s box, with an editor’s book
that includes translations of the texts. Copy 276 / 1000 - € 1.000
370. NASH, Paul: Fertile image.
Faber & Faber, 1951. Cloth in dustjacket, 32 pp.
Introduction by James Laver. “Paul Nash [1889-1946], who is regarded in some quarters
as one of the finest British painters of the early twentieth century, was an unusual English
modernist in that he regularly employed a camera--albeit as a note-taker--in a cultural
climate that despised photography. . . Is picture in Fertile Image of brooding landscapes,
twisted trees and deserted gardens are dark in mood, their frequent Surreal inflections
reminiscent of Bill Brandt, but whereas Brandt’s darker impulses seem domestic, that is,
springing up from within himself, Nash’s rural dreams and nightmares would appear to
derive more from the horrors he witnessed in the blasted fields of Flanders. . . He was one of
the most original of English photographers, during a period when originality was in short
supply in the country’s photography. “--Parr & Badger. Top and bottom of dustjacket
slightly rubbed/ damaged, still very good, With a former owner’s entry on the first blank.
- € 350
371. OKUMURA, Mitsuya: Divined by dreams.
Hanschichi Printing Co. Ltd. 1976. Paperback. Printed in a limited edition of 1000. Copy
with 2 library stamps, and a small remnant of library sticker on the bottom of the spine.
- € 350
372. ONAKA, Koji: Slow boat.
Tokyo, Sokyu-Sha, 2003. Cloth in dustjacket.
The book contains intimate photos of him with his parents during his childhood taken by
his father and uncle. Originally monochrome, the photos have been carefully colorized by
Onaka Koji. The colors have this melancholic aura that we can find usually in his colors
works. - € 225
373. ONEDARA, Yuki: Camera Chimera.
2002. Cloth in dustjacket. 127 pp. Signed edition. - € 195
374. OORTHUYS, Cas, NORD, Max: Amsterdam tijdens de hongerwinter. Ruim
100 foto’s.
Amsterdam, Contact / De Bezige Bij, (1947). Cloth, in dustjacket. Pictures taken during
the winter of 1944-1945 by leading members of the Underground Camera group, including
Dutch greats Cas Oorthuys and Emmy Andriese. What emerges from this bookn are
the beginnings in photo literature of a new way of seeing the world. Forced by necessity
to shoot under the most extreme conditions, the photographers are formulating a new
aesthetic forged from the immediacy of circumstance. (Parr / Badger, v1, 196). With former
owner’s name in ink on titlepage, further, NF, in NF dustjacket. - € 750
375. OUTERBRIDGE, Paul: Paul Outerbridge.
Santa Barbara, Arabesque, 1981. beige cloth with a center photograph mounted with a
hinged mat on the front cover, with print pasted on the front, 238 pp. . Copy of the de luxe
edition, limited to 1500 copies. Edited by Elaine Dines and Graham Howe. Introductory
essay by Bernard Barryte.
Contains all known images produced during the artists most prolific years, 1921-1941.
First edition - € 600
376. PARR, Martin & FISH, Michael & TURNER, Peter: Bad weather.
London, Arts Council of Great Britain, 1982. Paperback, 54 pp.
A mere 62 pages in soft wraps with 54 b/w photos. Text includes a commentary by cult
status weatherman Michael Fish. Parr is a highly collected and gifted Brit snapper (born
1952) who at some point was inducted into Magnum to the disgust of vieux humbug
Cartier Bresson who described him as being from “a different solar system. “ MP is also
responsible for the droll collections of ‘boring’ postcards, now up to 3 books -they have
practically become a franchise. Parr has a ‘whim of iron’ as Powell said of Betjeman.
Signed copy. - € 395
377. PARR, Martin & WALKER, IAN: The last Resort. Photographs of New
Brighton.
Promenade Press, 1986. Paperback.
A casual visitor admiring Martin Parr’s colorful photos of fat, lethargic, and relaxed British
vacationers on Brighton would never understand the controversy and critical derision
that surrounded them when they were first displayed in 1986. Even today, one might
be tempted to dismiss the controversy as a peculiar and parochial moment rather than a
defining watershed for British photography. With a signed dedication by Parr to a famous
Dutch photobook collector, with his library stamp. - € 250
378. PARR, Martin: One day trip. Mission Photographique Transmanche.
Edition de la difference, Centre Regional de la Photographie Nord-Pas-de-Calais, France,
1989. Softcover.
Martin Parr photographing British duty-free shoppers on a day trip to Calais, Text by
Robert Chesshyre. 25 colour plates. Signed on the title page. - € 125
379. PARR, Martin: Martin Parr - Small World.
Stockport, Dewi Lewis, 1995. Cloth in dustjacket, 68 pp.
In Small World, Martin Parr shows us the industry of world tourism for what it has become—an
endless parade of the strange and hilarious. From a woman getting attacked by
the pigeon in Italy, to an awkward moment on Santa’s lap in Lapland. From local villagers
swarming tourists to buy their trinkets, to family photos being taken in the Las Vegas
strip, Parr has covered most of the inhabited globe in Small World. The affects of globalization
are very present throughout Parr’s photographs as the presence of the tourists give
each image a strong sense of semblance with the rest no matter what corner of the globe it
was photographed in. - € 125
380. PENN, Irving: Augenblicke.
Luzern: Camera Verlag, C. J. Bucher AG. 1960. Cloth, in dustjacket in original slipcase.
- € 225
381. PENN, Irving: Worlds in a small room.
Studio Vesta, 1974. Cloth in dustjacket, 95 pp.
Includes black and white images of people in their local dress from Cuszco, Crete, Dahomey,
Nepal, New Guinea, Morocco and several other places. - € 225
382. PENN, Irving & VREELAND, Diana: Inventive Paris clothes, 1909-1939, a
photographic essay.
New York, Viking Press, 1977. Cloth in dustjacket, 95 pp. Photographs of pre-World War
II fashions by Poiret, Vionnet, Alix, les Callot Soeurs, Molyneux, Paquin, Chanel, and
Schiaparelli, are accompanied by historical and social commentaries. - € 150
383. PENN, Irving: Flowers, photographs.
New York, Harmony Books, 1980. Cloth in dustjacket. 94 pp.
Flowers is a beautiful photographic book, capturing seven of the most beautiful and popular
flowers--the poppy, the rose, the lily, the orchid, the begonia, the peony and the tulip--in
73 full-color portraits. - € 150
384. PERCKHAMMER, Heinz von & HOLITSCHER, Arthur:
Peking.
Albertus Verlag, 1928. Cloth in dustjacket, 200 pp.
An early 20th Century pictorial account of Peking richly illustrated with annotated sepiatone
photogravures. Text In German. Introduction by Arthur Holitscher. - € 650

385. PERESS, Gilles: Telex Persan.
Paris, Contrejour, 1984. Original stiff photographic wrappers, photographic endpapers.
First French Edition, published simultaneously with the American edition of the photojournalist’s
first book. “Telex Iran” is an extraordinarily personal document of a public
event. The photographs Gilles Peress took over a five-week period during 1979-1980 focus
on the seizure of the American embassy and a number of hostages in Teheran by student
proxy groups of the new Iranian regime. - € 490
386. PETERSEN, Anders & STOLPE, Jan: Gröna Lund, om människor på ett
nöjesfält.
Helsingborg, Aktuell Fotolitteratur Fyra Förläggare, 1973. Hardcover, 114 pp.
First book by Anders Petersen. (Martin Parr, The Photobook, page 230/231. The Open
Book, The Hasselblad Center, page 318. 802 photobooks of the M. + M. Auer Collection,
page 566. Signed copy, unfortunately with a stamp and a name on the French title. - € 750
387. PETERSEN, Anders: Café Lehmitz.
München, Schirmer-Mosel, 1978. Paperback, 87 pp. Anders Petersen is noted for his
intimate and personal documentary-style black-and-white photographs. He studied photography
under Christer Stromholm in Sweden, 1966-1967. In 1967, he started to photograph
the late-night regulars (prostitutes, transvestites, drunks, lovers, drug addicts) in a bar in
Hamburg, Germany, named Café Lehmitz, and continued that project for three years. His
photobook of the same name was published eight years later, in 1978, by Schirmer/Mosel in
Germany, and then appeared in France (1979) and Sweden (1982). Café Lehmitz has since
become regarded as a seminal book in the history of European photography. Stamp in the
front. - € 140
388. PETERSEN, Anders & PERSSON, Leif G. W. : Fängelse. Text by Leif G. W.
Persson.
ETC / Norstedts, 1984. Cloth in dustjacket. With photos of prisonlife. - € 495
389. PETERSEN, Anders & ODBRATT, Göran: Rågång till kärleken.
Stockholm, Norstedts Förlag, 1991. Cloth, in dustjacket, 170 pp.
In 1970, he co-founded SAFTRA, the Stockholm group of photographers, with Kenneth
Gustavsson. At the same time, he taught at Christer Stromholm’s school. He has been
director of the Göteborg School of Photography and Film. He began to photograph for
magazines, and he continued his personal photo diary work, which continues to this day.
He has photographed for extensive periods of time in prisons, mental asylums, and homes
for old people. Petersen has published more than 20 books, mostly in Sweden, and has had
solo and group exhibitions throughout Europe and Asia. included “Ca me touche”, les invités
de Nan Goldin, at Les Rencontres d’Arles festival, France. Signed by Petersen - € 350
390. PETERSEN, Anders & ODBRATT, Göran: Ingen har sett allt.
Stockholm, Legus, Rolf & Co. 1995. Cloth in dustjacket, 176 pp. The title translates to”
No one has seen everything” and through the lens of social documentary photographer,
Anders Petersen, it is more a challenge than a reality. Petersen is constantly drawn to the
troubled of society where he finds the humanity and grace of those who struggle to exist. In
this body of work he documents psychiatric patients. Signed by Petersen. - € 395
391. PETERSEN, Anders: Close distance.
Stockholm, Journal, 2002. Cloth in dustjacket, 60 pp.
Preface by Ingrid Fischer Jonge. Essay and interview by Birna Marianne Kleivan. “In
various different projects he has photographed the imprisoned of this world. And in the
universe of Anders Petersen imprisonment in life has many shapes and forms. There are
regular inmates in prisons, but there are also the patients of institutions. While the most
rudimentary imprisonment of all is self-imprisonment. Locked inside one’s body. Filled
with fear for the life one never attains. Photographing such states requires something special.
Sober-minded impressions become more important than concrete phenomena, and the
pictorial universe of Anders Petersen is at once quiet intimation and powerful language,
with human instincts supplying a reverberating undertone. “ -From the introduction by
Ingrid Fischer Jonge. A catalog of Swedish photographer Anders Petersen’s exhibition for
The National Photomuseum at The Royal Library in Copenhagen. Signed on title-page. - €
195
392. PETERSEN, Anders: Du mich auch.
Stockholm, Journal, 2002. Leather bound. 112 pp.
Hearkening back to his classic photobook “Cafe Lehmitz, “ Anders Petersen introduces an
array of intriguing characters against the backdrop of Hamburg’s dark corners and seedy
dives. In one way, it’s the Artist’s visual journal of his time there during the 1960s. But
the greater accomplishment here is the sense of complexity Petersen conveys about this
strange community of outsiders - a “Rick’s Café Américain” sort of convergence of wandering
souls, each with their own story. Signed by Petersen on the front endpaper. - € 125
393. PETERSEN, Vinca: No system.
Steidl / Edition7L, 1999. Paperback, 159 pp. - € 125
394. PFAHL, John & JUSSIM, Estelle & GALLERY, Albright-Knox Art & CHI-
CAGO, Art Institute of & ART, High Museum of: A distanced land, the photographs
of John Pfahl.
University of New Mexico Press, 1990. Cloth in dustjacket, 204 pp. Over 100 photographs,
most in color, from an exhibit in Buffalo, New York, include views of altered
landscapes, waterfalls, smoke, power places, and other elements of landscape. Some of the
photographs have appeared in Pfahl’s earlier collections. - € 140
395. Photo 1933-1934,
Paris, Arts et Métiers Graphiques, 1933. Spiral bound. Back and front cover slightly damaged.
- € 275
396. Photo 1935.
Paris, Arts et Métiers Graphiques, 1934. Spiral bound. Back and front cover slightly damaged.
- € 195
397. Photo 1936.
Paris, Arts et Métiers Graphiques, 1935. Spiral bound. Back and front cover slightly damaged.
- € 195
398. Photo 1937.
Paris, Arts et Métiers Graphiques, 1936. Spiral bound. Back and front cover slightly damaged.
- € 195
399. Photo 1938.
Paris, Arts et Métiers Graphiques, 1937. Spiral bound. Back and front cover slightly damaged.
- € 195
400. Photo 1939.
Paris, Arts et Métiers Graphiques, 1938. Spiral bound. Back and front cover
slightly damaged. - € 195
401. Photo 1940.
Paris, Arts et Métiers Graphiques, 1939. Spiral bound. Back and front cover slightly damaged.
- € 195
402. Photo 1947.
Paris, Arts et Métiers Graphiques, 1946. Spiral bound. Back and front cover slightly
damaged. - € 125
403. PLOSSU, Bernard &ROCHE, Denis: Les paysages intermédiaires.
Paris: Contrejour - Centre Georges Pompidou, 1988. Cloth in dustjacket. 79 pp.
Published in conjunction with a retrospective exhibition at the Musée national d’art
moderne, Centre Georges Pompidou, Paris, June-Sept. 1988. - € 100
404. POLIDORI, Robert: Robert Polidori, Zones of Exclusion, Pripyat and Chernobyl.
Gottingen, Steidl., 2003. Cloth in dustjacket, 112 pp. - € 175
405. PRINCE, Richard: Adult comedy action drama.
Scalo/ Distributed Art Pub Inc. 1995. Cloth in dustjacket, 239 pp. Designed by Hans
Werner Holzwarth. “Adult Comedy Action Drama is a kind of self-portrait of the artist as

individual consumer. Or one might think of it as landscape photography, where the landscape
is consumerism. . . Richard Prince, always the classicist, revisits a central concern of
art from the beginning of easel painting: the display of constitutive possessions. “(David
Levi Strauss, in Roth, et. al. The Book of 101 Books. ) - € 250
406. RAUSCHENBERG, Robert: Photos in + out city limits.
Boston. New York, Ulea Inc, 1981. Paperback, in a slipcase. - € 125
407. RAY-JONES, Tony: A day off. An English journal: 120 photographs.
London, Thames and Hudson, 1974. Cloth in dustjacket, 120 pp. Tony Ray-Jones was
arguably the person who shaped a generation of British photographers. Between 1966 and
1969 he worked tirelesly to capture his vison of the English, their rituals and customs and
to promote photography as an art form. With an Introductions by Ainslie Ellis. “I have
tried to show the sadness and humour in a gentle madness that prevails in people. The
situations are sometimes ambiguous and unreal, and the juxtapositions of elements seemingly
unrelated, and yet the people are real. This, I hope, helps to create a feeling of fantasy.
Photography can be a mirror and reflect life as it is, but I also think that perhaps it is
possible to walk, like Alice, through the looking-glass, and find another kind of world with
the camera.” With these words printed directly onto the cover of the book Tony Ray- Jones
published by Boot in 2004, we finally get an extensive view into Jones’ world. - € 225
408. RENÉ-JAQUES, [Photographs] & CARCO, Francis. Envoûtement de Paris.
Paris, Grasset, 1938. In pictorial wrappers, 90 pp. + 112 photographs.
Showing René-Jacques’s beautiful photographs of Paris shot in the years 1933-1949.
Francis Carco’s words and René-Jacques’ photographs in a similar and intertwined vision
reveal a sad and poor but bewitching Paris. - € 200
409. RENGER-PATZSCH, Albert & HEISE, Carl Georg: Die Welt Ist Schön.
Einhundert Photographische Aufnahmen.
München, Kurt Wolff Verlag, 1928. In blue cloth, with dustjacket. Included in The
Photobook: A History, Vol. 1, The Book of 101 Books: Seminal Photographic Books of the
Twentieth Century, and The Open Book: A history of the photographic book from 1878 to
the present, Die Welt ist Schön is one of the most well known titles in photobook history.
Responsible in part for sparking the Neue Sachlichkeit, or New Objectivity, style--later
revived by Bernd and Hilla Becher and their students--Andreas Gursky, Thomas Struth,
and Thomas Ruff. Dustjacket missing some chips of paper near the top and bottom of
the spine and at the front right top corner; Missing A bigger piece at the back lower left
corner. - € 590
410. RENGER-PATZSCH, Albert & SCHUMACHER, Fritz: Hamburg.
Hamburg, Gebr. Enoch, 1930. Cloth, 88 pp.
First edition of this work on pre WWII Hamburg, profusely illustrated with 80 full-page
black & white photographic reproductions by Albert Renger-Patzsch. Each plate has its
caption in German, English, French, Spanish and Portuguese. Front of binding missing
some ink. - € 110
411. RENGER-PATZSCH, Albert: Eisen und Stahl.
Berlin: Hermann Reckendorf, 1931. Original cloth-backed metallic silver titled boards.
Renger-Patzch’s dynamic exploration of ‘Iron and Steel’ – one of the great German industrial
photography books of the 1930s, along with Wolff’s Arbeit! and Tuggener’s Fabrik.
Unlike the latter, this is an unpeopled world – of girders, cogs and mighty engines. Parr &
Badger v1, 125 Andrew Roth, Book of 101 Books, page 50. 802 photobooks from the M. +
M. Auer collection, page 134. Hasselblad Center, the Open Book, page 68/69. - € 950
412. RENGER-PATZSCH: Bilder aus der Landschaft zwischen Ruhr und Möhne,
ein Bildband.
Privatdruck der Siepmann-Werke AG, 1957. Hardcover 118 pp. Copy with the best wishes
paper. - € 175
413. RENGER-PATZSCH, Albert & KÜKELHAUS, Hugo: Bauten zwischen Ruhr
und Möhne, ein Bildband von Albert Renger-Patzsch.
Privatdruck des Siepmann-Werke, 1959. Half cloth with dustjacket, 19 pp. - € 195
414. RENGER-PATZSCH, Albert (photo) & JÜNGER, Ernst: Bäume.
Ingelheim am Rhein, 1962. Cloth in dustjacket.
In a letter to Ernst Jünger, Albert Renger-Patzsch describes his work for the publications
“Bäume” (“Trees”, 1962) and “Gestein” (“Rock”, 1966) as “the sum of [his] existence”.
They were to be the last two photobooks that the most famous protagonist of New Objectivity
photography published before his death in 1966. Both series of works had been initiated
and funded by the industrialist Ernst Boehringer, for whom Albert Renger-Patzsch had
already completed several projects since 1949. The books were published after lengthy
preparations and in an elaborate production process, in a small run, printed by the private
press of the C. H. Boehringer Ingelheim pharmaceutical company and were aimed at an
exclusive audience. No dustjacket as issued. - € 300
415. RENGER-PATZSCH, Albert (photo) & JÜNGER, Ernst: Gestein.
Ingelheim am Rhein, 1966. Cloth, no dustjacket as issued. - € 175
416. RHEIMS, Bettina & BRAMLY, Serge: Chambre close.
Paris: Maeght Éditeur, 1992. Cloth, in dustjacket, 139 pp.
The artistic collaboration of photographer Bettina Rheims and writer/art critic Serge
Bramly began in 1991 with this book. The cultivated literary tone of Monsieur X’s fictional
‘confessions’ is set against the artist’s provocative nudes, which explore female eroticism
and exhibitionism with a candor unrivaled in contemporary photography. Without the red
belly-band. - € 150
417. RIEBESEHL, Heinrich: Situationen und Objekte-Eine Monographie von Jörg
Krichbaum.
Verlag/Riesweiler, 1978. Paperback, 136 pp.
Photobook, vol. II. Though Riebesehl’s style is firmly in line with the Objectivist tendencies
of the Dusseldorf School, he was a student of Otto Steinert, the guiding light behind the
Subjective Photography movement at the Folkwangschule in Essen during the 1960s. As
Parr & Badger explain, this 1978 book became the basis for the influential book Agrarlandschaften.
- € 150
418. RIEFENSTAHL, Leni: Schönheit im Olympischen Kampf. Mit zahlreichen
Aufnahmen von den Olympischen Spielen 1936.
Im Deutschen Verlag, 1937. Cloth, 282 pp. First edition.
This is Riefenstahl’s record of her remarkable and groundbreaking cinematic masterpiece.
(=Andrew Roth, The Book of 101 Books, page 96/97. 802 photobooks of the M. + M. Auer
col., page 225. ) - € 500
419. RICHARDS, Eugene & BARNES, Edward: Cocaine true, cocaine blue.
New York, Aperture, 1994. Cloth in dustjacket. 157 pp.
A compelling portrait of three communities penetrated by drugs and isolation: East New
York, North Philadelphia, and the Red Hook housing projects in Brooklyn, New York.
With a chilling and informative afterword by Dr. Stephen W. Nicholas, who works as a
pediatric AIDS physician in Harlem, Cocaine True, Cocaine Blue reveals how first steps
toward solutions to overcome the drug trade have actually contributed to public denial and
further isolation of the trapped communities. Cocaine True, Cocaine Blue is a history of
our times, a compelling, terrifying document that will educate us and promote dialogue, a
first step toward affecting change. - € 140
420. RILEY, Chris & NIVEN, Douglas: The Killing fields.
Twin Palms Pub. 1996. Cloth in dustjacket, 112 pp.
In this haunting record of barbarism that attended the Cambodian dictatorship of Pol
Pot we are confronted with images of one hundred people who were to be executed at the
Khmer Rouge prison, S-21. - € 125
421. RODGER, George: Le village des Noubas.
Paris, Robert Delpire, 1955. Cloth, in dustjacket, 111 pp. Photographs of the Nuba people
before Leni Riefenstahl got hold of them. George Rodger was a member of Magnum Photos
and had been the first photographer to enter the concentration camp at Bergen-Belsen.
- € 200
422. RONIS, Willy & MAC ORLAN, Pierre: Belleville Menilmontant.
Paris, Arthaud, 1954. Wraps in dustjacket.

Ronis visited the working class neighborhoods of Belleville-Menilmontant and photo-
graphed regularly from 1947-1950, with the aim of one day making a book from the im-
ages. Ronis’s images, like countless Realist artists before him, aim to capture the poetry of
the streets. Ever respectful of his subjects, Ronis’s gaze is always affectionate and discrete.
Unlike many documentary photographers, who search out freaks and weirdoes, Ronis
seeks out the typical and the ordinary. Without the belly-band. Dustjacket with some light
shelfwear. - € 250
423. ROTH, Sanford H. & HUXLEY, Aldous: Mon Paris.
Paris: Editions Du Chene, 1953. Illustrated wrappers over stiff wraps, 112 pp. Over 150
page filling black and white photographs.
A very nice copy of Sanford Roth’s look at Paris and Parisians. Printed in beautiful
gravure. - € 125
424. RUPP, August & LEIP, Hans: Hamburg.
Albertus Verlag, 1927. Cloth in dustjacket, 127 pp.
All photos in black & white of beautiful Hamburg before World War II. Slightly foxed.
dustjacket a bit worn at the extrimities. - € 150
425. SALGADO, Sebastião: Other Americas.
New York, Pantheon books, 1986. Paperback, 111 pp.
Photographs show the people of Brazil, Mexico, Ecuador, Peru, Bolivia, and Guatemala,
including weddings, funerals, and scenes of everyday life. The overwhelming impression
left by Salgado’s photographs in Other Americas is that all is sadness, misery, and death. 6
Hand-in-hand with this focus on the tragic is a dominant tone of enigma. All is enveloped
in an incomprehensible and inexplicable mystery which makes enigmatic the hunger, poverty,
misery, and death which appear in this book. Comes together with Exhibition poster
for the photographer’s gallery 1990. - € 175
426. SALGADO, Sebastião 7 GALEANO, Eduardo H. RITCHIN, Fred: An uncertain
grace.
New York, Aperature, 1990. Cloth in dustjacket 155 pp.
This collection of photographs by photographer Sebastiao Salgado represents two decades
of work. His images come from Andean villages, mining shanty-towns in the Brazilian
jungle, and refugee camps in famine-stricken Ethiopia, Chad, and Mali. “Salgado’s photographs
honor the human spirit with a reverent dignity that approaches allegorical vision.
It is not simple social documentary, but his recreation of the spirit of a people struggling
against difficult odds while maintaining a dignity and sense of self that define the very
roots of human existence. “--the publisher. An introduction by noted critic and author
Eduardo Galeano accompanies the images. - € 175
427. SALGADO, Sebastião: Migrations.
New York, Aperature, 2000. Cloth in dustjacket, 431 pp.
First published in April 2000, . In Migrations, internationally renowned photographer
Sebastião Salgado turns his attention to the staggering phenomenon of mass migration. In
photographs taken over seven years and across more than thirty-five countries, this volume
documents the epic displacement of the world’s people at the close of the twentieth century.
Wars, natural disasters, environmental degradation, explosive population growth, and
the widening gap between rich and poor have resulted in over one hundred million international
migrants, a number that has doubled in the span of a decade. This extraordinary
level of demographic change is unparalleled in human history, and presents profound
challenges to the most basic notions of nation, culture, community, and citizenship. The
first pictorial survey to extensively chronicle the current global flux of humanity, Migrations
follows Latin Americans entering the United States, Jews leaving the former Soviet
Union, Africans traveling into Europe, Kosovars fleeing into Albania, and many others.
The images address suffering while revealing the profound dignity, courage, and energy of
the subjects. With his unique vision and empathy, Salgado gives us a clearer picture of the
enormous social and political transformations now occurring in a world divided between
excess and need. - € 225
428. SALGADO, Sebastião: The children.
New York, Aperature, 2000. Cloth in dustjacket, 111 pp.
In the Children: Refugees and Migrants, Sebastião Salgado confronts us with the individu-
als who will bear the burden of this uncertain future. The book brings together portraits
of children under the age of fifteen from Mozambique, Rwanda, Croatia, Burundi, Hong
Kong, Indonesia, Vietnam, India, Brazil, Afghanistan, Iraq, Turkey, Angola, and many
other countries. Part of a major exhibition at the United Nations in New York City during
the Millenium Assembly in 2000, The Children is a companion volume to Salgado’s
Migrations. A world-renowned exemplar of the tradition of “concerned photography, “
Sebastião Salgado has been awarded virtually every major photographic prize in France,
Germany, Holland, Spain, Sweden, and the United States. A former member of Magnum
Photos and recipient of the W. Eugene Smith Grant in Humanistic Photography, he has
twice been named Photographer of the Year by the International Center of Photography.
- € 175
429. SALOMON, Dr. Erich: Berühmte zeitgenossen.
Stuttgart, J. Engelhorns Nachf. 1931. Cloth in dustjacket, 1931. Book Very good, dustjacket
missing some minor chips of paper and a bit rubbed. still good. - € 450
430. SALLE David & CHEIM, John: David Salle. Photographs 1980 to 1990.
Robert Miller, 1991. Hardcover in dustjacket, 66 pp. - € 125
431. SAMARAS, Lucas: Samaras album; autointerview, autobiography, autopolaroid.
Whitney Museum of American Art and Pace Editions, 1971. Embossed decorative
boards with photographic paste-down. 104 pp. This is first edition, first printing of Lucas
Samaras’s most famous photobook “Samaras Album” published by Whitney Museum of
American Art and Pace Editions, New York in 1971 with a limitation of 2000 copies that
was released in anticipation of the Whitney’s 1972 Samaras retrospective.
Vince Aletti in “The Book of 101 Books: Seminal Photographic Books of the Twentieth
Century” writes, ” Album gathers the artist’s first body of photographic work…Working
alone, often late at night and almost always in the nude, Samaras turned his cluttered
apartment into an impromptu Theater of the Ridiculous with himself as both willing cast
and inspired crew. . . [in this book] Images--usually antic, erotic variations on a theme--are
reproduced in their original size in color and black-and-white, and arranged in grids,
in rows, or singly on a page as if in a family snapshot album or a demented high school
yearbook. “ - € 295
432. SAMMARTINO, Lori: La domenica degli Italiani.
Milan, Minerva, 1961. Clothbound in photo-illustrated dust jacket, 132 pp. Introduction
by Ennio Flaiano.
“Lori Sammartino dashes off notes in a notebook with his camera. His gaze is reposed,
drawn in by the quotidian aspects of street life--the salt of a city and the comfort of
voluntary unemployment. The photographs in this volume have the gift of happy times
set with the ease of young people eager for a life of love and memory that runs out in front
of their eyes at the same moment in which it operates. Seizing that ephemeral moment the
secret. But only an affectionate irony, the artist can assist in setting down these memories
desperate--only a true love for others every day “--loosely translated from Ennio Flaiano’s
introduction. - € 150
433. SANDER, August: Antlitz der zeit.
München, Transmare Verlag /Kurt Wolff Verlag, 1929. In yellow cloth, still in original
slipcase.
“One of the great documentary works of all time, Antlitz der Zeit (Face of Our Time), is
an affecting collective portrait of Germany during the Weimar Republic, on the way to
the Third Reich.” Considered “a crowning achievement of photography in this century, ”
Sander’s rare 1929 monograph “has influenced many photographers in the years since…
In an essay published in 1931, Walker Evans compared Sander to the French photographer
Eugene Atget, and described his approach as ‘one of the futures of photography’… The
simple act of showing things as they are, Sander demonstrated, can reveal meaning with
a striking clarity, and even beauty” (New York Times). From 1910 to the 1950s, Sander
made over 500 portraits of Germans from all professions and classes, but was unable to
complete his planned masterwork, publishing only a select number here in 1929. “When
his portraits were first shown in 1927… Sander was hailed as the ‘Balzac of the lens.
’… It would be difficult to overestimate the influence of this work on later photography,
documentary or otherwise, in Germany and elsewhere” (Roth, 52). Sander’s “magnum
opus… is not just penetrating, but was seen as positively dangerous, a little too acute
in its analysis of society and class… This is made clear by the fact that when the Nazis

came to power in Germany in 1933, publisher’s copies of Antlitz der Zeit were seized, the
plates destroyed, and the negatives confiscated by Hitler’s Ministry of Culture” (Parr &
Badger I:124). First edition of one of the rarest photobooks of the century, August Sander’s
magnum opus. - € 3.500
434. SANDER, August & LÜTZELER, Heinrich: Deutschenspiegel. Menschen des
20. Jahrhunderts.
Hamburg, Sigbert Mohn Verlag, 1962. Cloth with dustjacket, 28 pp. Introduction by
Heinrich Lutzeler.
This is among the scarcest Sander titles. - € 225
435. SANDER, August & SANDER, Gunther: Menschen ohne Maske.
Luzern and Frankfurt: Verlag C. J. Bucher, 1971. Cloth in dustjacket, 313 pp. Hundreds of
August Sander’s black & white photographic portraits. Text by Gunther Sander, the son of
August Sander. - € 150
436. SANDER, August & KEMP, Wolfgang: Rheinlandschaften, Photographien
1929-1946.
Munich: Schirmer/Mosel, 1975. Cloth in dustjacket, 53 pp. Text in German. “August
Sander, Rheinlandschaften” with an introduction by the art historian Wolfgang Kemp was
the first Schirmer/Mosel publication (1975).
The book was well received by press and public which recognized it as programmatic for a
serious investigation of the art of photography - € 195
437. SANDER, August: Menschen des 20. Jahrhunderts. Gesamtausgabe. 7
volumes. Der Bauer / Der Handwerker / Die Frau / Die Stände / Der Künstler / Die
Großstadt / Die letzten Menschen.
Schirmer/ Mosel, 2002. Cloth in dustjacket, in slipcase, 1436 pp. - € 400
438. SANNES, Sanne & CLAUS, Hugo: Oog om oog.
Amsterdam, De Bezige Bij, 1964. Pictorial hardcover, 96 pp. Black & white photographs
by Sanne sannes, text by Hugo Claus with poems by Hugo Claus after poems by Macedonios,
Asklepiades, Rufinos, Paules Sillentiarius, Meleager and others.
Sanne Sannes (1937-1967) appeared out of the blue as Holland’s photographer of female
eroticism, only to disappear in the same manner. He had no predecessors to speak of,
and certainly left no heirs in his wake. And this was inevitably the case, for Sannes’
photographic urge was fuelled exclusively by the artist’s highly personal fantasies (…).
In Sannes’ fantasy the woman is in command, she decides what happens, what she gives
and what she doesn’t. (…). He was the author of many more plans for films and books
than he actually produced. The only projects to materialise during his lifetime was the
book: “ Oog om oog (An eye for an eye)” and the bowdlerised version of the film Dirty girl,
which was relayed by VPRO television after the sadistic passages had been suppressed”. A
book-adaption from the film dirty girl, titled Sex a gogo was not published before 1969, two
years after he died in a car-crash. - € 550
439. SANNES, Sanne & STEEVENSZ, Walter: Sex a gogo. For amusement only.
Amsterdam, De Bezige Bij, 1969. Laminated pictorial boards. No dustjacket as issued.
Published by Walter Steevens after Sanne Sannes death.
Sanne Sannes had recently been killed in a car accident, at the age of 30. He had been
responsible for a notable work in the Dutch photonovel tradition, “Oog om Oog” (Eye
for Eye). Parr & Badger I, 227: “light-hearted, a Pop art sexual manual, complete with
psychedelic collaging and cartoon speech balloons” - € 750
440. SANNES, Sanne: The face of love.
A. S. Barnes and Co. Ltd., 1978. Cloth in dustjacket, 182 pp.
In the text Jim Hughes (the editor of Camera 35), wrote: “Sannes did not make easy
photographs. Certainly, he did not make pretty photographs. I’m not even sure he made
photographs. He made explorations of people, of their outsides and their insides, and sent
back picture postcards of their psyches. “ More provocative than most books of nudes in its
day, it remains a fantastic period piece. Sannes died tragically in an automobile accident.
Top of spine slightly damaged, Reinforced with a paper glued at the back. Still A Very
good copy. - € 375
441. SAWATARI, Hajime: Nadia.
Tokyo, Asahi Sonorama, 1977. Cloth, in dustjacket.
Ryuichi Kaneko and Ivan Vartanian in their reference work on Japanese Photobooks,
“Japanese Photobooks of the 1960’s and 70’s provide an excellent critique of “Nadia”, “…
in this work the nude becomes something close to the reader as opposed to a removed and
unknowable beauty…the pursuit of photography here is self-fulfilling while it finds its
ultimate subject in the nude form of a lover…A facsimile edition of “Nadia” was released
as part of the Asahi Sonorama series. The initial printing was published in 1977. Containing
90 black-and-white high quality gravure photographs. Essay by Shoji Yamagishi (in
English and Japanese). Letter written by Nadia, in Japanese. An important book when
considering the influence of certain Western photographers on Japanese photo culture as
it headed into the seventies. Particularly interesting is the fact that Ed Van Der Elsken
and Sam Haskins--the photographers whose mark this work clearly shows--were not particularly
big names in the West at this time. Signed, with a dedication to a famous Dutch
Photobook collector. With his small library stamp. - € 350
442. SCHALL, Roger & COCTEAU, Jean: Paris de jour, soixante-deux photographies
de Schall. Préface par Jean Cocteau.
Paris, Editions Arts et Metiers Graphiques, 1937. In original photographic wrappers. 58
pp. - € 250
443. SCHLES, Ken : Invisible city.
Tokyo, Twelvetrees Press, 1988. Cloth in dust jacket. [80] pp. 2000 copies.
For a decade Ken Schles watched the passing of time from his Lower East Side Manhattan
neighborhood. His camera has fixed the instances of his observations, and these moments
become the foundation of his invisible city. Friends and architecture come under the
scrutiny of his lens and, when sorted and viewed in the pages of this book, a remarkable
achievement of personal vision emerges. - € 450
444. SCHLES, Ken: The geometry of innocence.
Hatje Cantz, 2001. Cloth in dustjacket, 128 pp.
Signed, inscribed and dated the year of publication in silver ink on the black colophon
page. - € 150
445. SCHMIDT, Michael & ESKILDSEN, Ute : Waffenruhe.
Berlin, Dirk Nishen Verlag, 1987. Paperback.
First printing of Michael Schmidt’s critically acclaimed “Waffenruhe” (CeaseFire). he
book with German text is a striking photo-essay that documents West Berlin in the years
just before the fall of the Berlin Wall and contains 39 full page duotones with one being
gate folded. The New York Times wrote, “Schmidt “represents what is most promising
about the New European photography. Working in a style that is impressionistic and
seemingly casual, he fashions images that are simultaneously personal and political” (Martin
Parr, The Photobook, vol 2, page 65. The Open Book, Hasselblad Center, page 336/337.
802 photobooks from the M. +M. Auer collection, page 673). Signed by schmidt. - € 600
446. SCHMIDT, Michael & BOWITZ, Horst: Berlin-Wedding.
Galerie und Verlag A. Nagel, 1978. Paperback, 120 pp.
Good copy, with a library stamp on the title-page. - € 175
447. SCHÜRMANN, Wilhelm & HONNEF, Klaus: Wilhelm Schürmann, Fotografien.
Köln, Rheinlandverlag, 1979. Paperback, 81 pp. Text by Klaus Honnef.
Schurmann is a proponent of the Becher school of German photography (Dusseldorf
Tendency). - € 250
448. SCHUITEMA, Paul: N. V. Betondak Arkel ; De Vries Robbé & Co.
Gorinchem.
Rotterdam, Chevalier. Spiral bound, 64 pp.
During his employment at the NV Maatschappij Van Berkel Patent scale company in Rotterdam,
Schuitema gained recognition for his original designs of stationery and publicity
material, often using only the colors black, red and white and bold sans serif fonts. From
1926 on, he started working with photomontages, becoming one of the pioneers of this
technique in the field of industrial design. - € 590

449. SCHUITEMA, Paul: C. Chevalier boek-, steen-, staal- en offsetdrukkerij Rotterdam.
Rotterdam, Chevalier. Spiral bound. - € 590
450. SCIANNA, Ferdinando & FERNÁNDEZ, Dominique & SCIASCIA, Leonardo:
I siciliani.
Giulio Einauldi editore, 1977. Cloth in dustjacket, 165 pp.
Text: Fernandez Dominique, Sciascia Leonardo. In 1977 he published I Siciliani in La
Villa Dei Mostri in Italy. During this period Scianna met Henri Cartier-Bresson, and in
1982 he joined Magnum Photos. He entered the field of fashion photography in the late
1980s. - € 350
451. SELLERIO, Enzo: Inventario siciliano.
Palermo Sellerio editore, 1977. Cloth in dustjacket, 180 pp. Sellerio’s black-and-white
photographs depict most fairly public aspects of Sicilian life. - € 175
452. SEUSS, Juergen & MAIER, Hans & DOMMERMUTH, Gerold: London
scene. Das Abenteuer einer neuen Generation.
Frankfurt: Buchergilde Gutenberg, 1969. First Edition. Cloth in dustjacket. 48 pp.
Absolutely astounding book on 60ts London! Underground Press, Alexander Trocchi,
Yoko Ono, IT, OZ, Quant, Penelope Tree, Boutique culture, Hippies, The Nice, (The) Pink
Floyd, psychedelia, Amanda Lear, Lord Kitchiners Valet, Kings Road, Carnaby Street, the
list really goes on. - € 125
453. SEYMOUR, David : Children of Europe.
Paris, Uneco, 1949. Spiral Bound. 69 pp.
Seymour is especially well known for his empathetic photos of people, especially children.
This book was the result of a commission by the United Nations Educational and Scientific
Organization (UNESCO) to photograph the Children of Europe after World War II. His
pictures showed both the physical and spiritual damage the war had done to this generation
of young people. A founding member of Magnum Photos, together with Robert Capa
and Henri Cartier-Bresson, David seymour traveled extensively in Europe and the Middle
East, recording images of social change. Chim was fluent in several languages and developed
deep connections with many cultures. He did not focus on war and action, but rather
on the impact war, or other social events, had on the people. His unforgettable photos of
those who suffered, such as war orphans, were complemented by his work with celebrities.
In every case he captured the emotions of his subjects, whatever emotion that was. His
work served to inform the world, moving people’s hearts with empathy and compassion for
those who might otherwise have remained distant. With some minor closed tears and cover
slightly creased, still a good copy of this rare photobook. - € 1.150
454. SHERMAN, Cindy & DANTO, Arthur Coleman: Untitled film stills.
Schirmer / Mosel, 1990. Hardcove, 40 pp.
The American feminist artist Cindy Sherman (1954) is famous for the Untitled Film
Stills series (1977-1980) that consist of black-and-white photographs of the artist posing
in different stereotypical female roles. Although she poses for her photographs, Sherman’s
pictures are not self-portraits in a traditional sense. - € 225
455. SHINOYAMA, Kishin: Nude.
Tokyo, Camera Mainichi, 1970. Hardcover in dustjacket. 64 pp.
In 1968, Shinoyama began a successful career photographing subjects which ranged from
portraits of pop stars to travel photographs of the Silk Road, capturing them with a fine
expressive technique. His unique character and appearance made him a mass media star
and he popularized the phrase gekisha (‘agitated shot’)-a series using amateur models.
Although working on various subjects, including travel and body tattoos, he is known for
his celebrity portraits and nudes. - € 175
456. SHINOYAMA, Kishin: A Fine Day.
Tokyo, Heibon-sha, 1975. Hardbound with full black leatherette. Printed acetate dust
jacket.
A sequential diary of events, some seminal, others trivial, all occurring in 1974. While
the range of subjects may seem random, Shinoyama”s electrifying use of color binds these
parts into a grand conceptual dream. (Parr / Badger, v1, 303; Auer 586). Publisher’s
ephemera laid in. Dustjacket damaged at the extrimities. With 2 lib.stamps. - € 850
457. SHINOYAMA, Kishin & MOTOKI, Masahiro: White room. Accidents 2.
Asahi Press, 1991. Cloth in dustjacket. Art direction by Tsuguya Inoe. - € 195
458. SHORE, Stephen: Uncommon places.
New York, Aperture, 1982. Cloth in dustjacket, 63 pp.
First edition of Shore’s iconic first book, an exploration of the numinous in the banal taken
1973-1981 – an important document in the legitimising of colour in art photography. ‘Like
all the best photographs Shore’s images demonstrate his formal ambitions, but also his passionate
involvement with a particular subject matter … despite the elegant, cool exterior of
the pictures’. They present ‘a clear, luminous, cogent reality … This is what makes them
so touching, so exhilerating and so important’ (Parr & Badger). Parr & Badger, II, 35.)
- € 250
459. SIEFF, Jeanloup: Jeanloup Sieff 1950-1990, time will pass like rain.
Paris, Contrejour, 1990. Cloth in dj in original slipcase, 248 pp.
Sieff was born in Paris to parents of Polish origin. His interest in photography was first
piqued when he received a Photax plastic camera as a birthday gift for his fourteenth
birthday. He recalled his holidays in Polish winter resort of Zakopane as a period when
photographing newly met girls he got really hooked on photography. In 1953 he attended
the Vaugirard School of Photography in Paris, later on moved to the Vevey School in
Switzerland, and in 1954 he was already working as a freelance reporter, leaving aside
his brief interest in cinema. In 1956 he began shooting fashion photography, and in 1958
he joined the Magnum Agency. His work for them made him travel to Italy, Greece,
Poland and Turkey. He settled in New York for a number of years in the 1960s, where he
worked for Esquire, Glamour, Vogue and Harper’s Bazaar, becoming extremely popular in
America. He was guest of honour for Rencontres d’Arles festival (France) in 1972. He won
a number of prizes, including the Prix Niepce, the Chevalier des Arts et Lettres in Paris
in 1981 and the Grand Prix National de la Photographie in 1992. He photographed many
celebrities, among them Jane Birkin, Yves Montand, Alfred Hitchcock, Jacques-Henri Lartigue,
Yves Saint-Laurent, and Rudolf Nureyev. Dancers and nudes were two recurring
themes in his works. - € 225
460. SMITH, W. Eugene: Minamata.
New York: An Alskog-Sensorium Book; Holt, Rinehart and Winston, 1975. Cloth in
dustjacket, 192 pp.
“The story of the poisoning of a city, and of the people who choose to carry the burden of
courage”--Jacket subtitle. This document of the cruel and devastating effects of mercury
poisoning on the Japanese town of Minamata contains some of Smith’s most powerful and
unforgettable images. “- the tragedy of Minamata is recorded and transcended at the same
time” (Roth) - € 295
461. SMITH, W. Eugene: Japan through the eyes of W. Eugene Smith.
Tokyo Metropolitan Museum of photography, 1996. Pictorial hardcover, 196 pp.
Eugene Smith visited Japan three times. The first time was during World War II as a
reporter for Life magazine. He was assigned on the US aircraft carrier Bunker Hill in 1944
and got to photograph bombing raids on Tokyo, the invasion of Iwo Jima, and the battle of
Okinawa. His second trip to Japan was in 1961 at the invitation of Hitachi, Ltd. He was
commissioned to photograph the company and its employees and stayed for one year. In
1971, Smith came back a third time and lived in a small fishing village in Kumamoto Pref.
with his wife Aileen (a former part-time interpreter for Dentsu). Although they initially
planned to stay for only three months, they ended up staying for three years. That fishing
village was of course Minamata. His photos on the Minamata mercury poisoning were
published in Asahi Camera, Camera 35, and Life (“Death-Flow from a Pipe”) magazines
and in a book called “Minamata. “ The photos brought world attention to the Minamata
disease caused by mercury pollution released in the ocean by a company called Chisso.
The most famous photo was that of Kamimura Tomoko in the bath being cradled in her
mother’s arms. Born in 1956, Tomoko suffered mercury poisoning which had entered
her bloodstream through the placenta. She was born blind and deaf and with useless
legs. Smith heard about Tomoko’s daily afternoon bath and asked her mother if he could
photograph them. He carefully checked the bath’s lighting which came through an opaque
window. He thought 3 p. m. was best, and took the famous photo in Dec. 1971. In late
1996, the Tokyo Metropolitan Museum of Photography held a major photo exhibition of
126 B/W photos that Smith took during his three trips to Japan. This book is the catalog for

that exhibition. Like the exhibition, the book is divided into three sections: World War II,
Hitachi, and Minamata. Since the photos are captioned (in Japanese and English), they are
easy to understand and quite educational. They offer a trip back in time when life in Japan
was full of sad conflicts. Many of the photos tell a sad story. Quality English translations
are provided with the Japanese text which includes reminiscing essays by a few people
including his wife Aileen. - € 200
462. SOBOL, Jacob Aue: Sabine.
Copenhagen, (self-published), 2004. Hardcover in halfcloth, 120 pp. 55 black&white
photos.
Jacob Aue Sobol’s series Sabine (1999–2002) chronicles three years the artist spent in the
settlement of Tiniteqilaaq in Greenland, his life as a fisherman and hunter, and his intimate
relationship with Sabine and her family. The series of black-and-white photographs is
a visual diary of a love story and daily survival, capturing private moments with Sabine
contrasted with the harsh arctic environment of the east Greenlandic coast. Signed on the
title-page. - € 395
463. SOTH, Alec & HAMPL, Patricia & TUCKER, Anne: Sleeping by the Mississippi.
Steidl / Edition7L, 2004. Decorative cloth boards. No jacket as issued, 120 pp.
Text by Anne Wilkes Tucker and Patricia Hampl. “In the book’s 46 ruthlessly edited
pictures, “ writes Anne Wilkes Tucker, “Soth alludes to illness, procreation, race, crime,
learning, art, music, death, religion, redemption, politics, and cheap sex. “--Parr and
Badger, The Photobook: A History, vol. II. Signed edition. - € 850
464. SOUPAULT, Philippe: Photo 1931. Etat de la photographie.
Paris, Arts et Metiers Graphiques, 1931. In white card covers. 154 pp. With photos by
Cecil Beaton, Andre Kertesz, , Man Ray, Marey, Lee Miller, Lazslo Moholy-Nagy, Paul
Outerbridge, Edward Steichen.
Philippe Soupault was an important writer of the Surrealist and Dada movement. - € 350
465. STEINER, Ralph: Ralph Steiner - a point of view.
Connecticut, Wesleyan University Press, 1978. Cloth, in dustjacket, 144 pp.
Copy with a librarystamp on the titlepage. - € 175
466. STEINERT, Otto: Subjektive Fotographie, ein Bildband moderner europäischer
Fotografie.
München, Brüder Auer Verlag, 1952. Cloth in dustjacket. Subjektive Fotografie emphasized
personal vision and experimental photography over documentary realism, and the
first exhibition included a section on the work of Laszlo Moholy-Nagy, Herbert Bayer
and Man Ray. Three exhibitions with the title Subjektive Fotografie were held (1951,
1954, 1958). These gave Steinert and the other members of Fotoform the opportunity to
systematize developments in creative photography while acknowledging the legacy of Neue
Sachlichkeit, the Bauhaus and Surrealism. Steinert believed Subjektive Fotografie to form
the basis of an international pictorial language. He published two books to explain the philosophy
behind the exhibitions, Subjektive Fotografie and Subjektive Fotografie II. - € 300
467. STEINERT, Otto: Subjektive Fotographie, ein Bildband moderner europäischer
Fotografie.
Germany, München, Brüder Auer Verlag, 1952. Cloth in dustjacket, 112 pp. - € 300
468. STERNFELD, Joel : Walking the High Line.
Steidl/ Pace/MacGill Gallery, 2001. Cloth in dustjacket, 72 pp.
In March 2000 Joel Sternfeld began photographing the High Line, an abandoned elevated
railway which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes.
- € 125
469. STERNFELD, Joel & Brougher, Kerry & Grundberg, Andy: American
Prospects.
New York, D. A. P. 2003. Cloth in pictorial dustjacket, 136 pp.
This is the definitive edition of Joel Sternfeld’s seminal American Prospects, developed in
close association with Sternfeld and featuring new photographs, and a revised format.
- € 175
470. STIEGLITZ, Alfred & GREENOUGH, Sarah & HAMILTON: Alfred Stieglitz,
photographs & writings.
National Gallery of Art, 1983. Cloth in dustjacket, 246 pp.
Alfred Stieglitz was an American photographer and modern art promoter who was instrumental
over his fifty-year career in making photography an accepted art form. In addition
to his photography, Stieglitz is known for the New York art galleries that he ran in the
early part of the 20th century, where he introduced many avant-garde European artists to
the U. S. He was married to painter Georgia O’Keeffe. - € 110
471. STONE, Sasha: Femmes. Collection d’études photographiques du corps
Humain no. 1.
Paris, Arts et Métiers Graphiques, 1933. In half ivory cloth portfolio, loose as issued,
folding flaps.
Sasha Stone was a leader in the New Photography movement, which announced the birth
of a new epoch with the Stuttgart Film und Foto (Fifo) exhibit of 1929: featuring works
by Stone, Man Ray, Steichen, Moholy-Nagy, Renger-Patzsch, Abbott, Weston and many
others who shared a “desire to use new creative tools to produce a different portrayal of a
modern reality that was constantly changing” (Abrams, 74). Stone was killed by the Nazis
in 1940. With photographic front board, 19 numbered photographic leaves and single text
leaf. Plate one on the cover. Textleaf damaged. - € 850
472. STRAND, Paul & ROY, Claude: La France de profil.
Lausanne, La Guilde du Livre, 1952. Stiff pictorial wrappers, 121 pp. Text in French.
“Although Roy’s layout, sequencing, and inspired text for La France de Profil often seem
to be at odds with Strand’s exactingly composed, meditative images, the combination
couldn’t be more engaging. Roy’s texts, many of them handwritten, cavort around the
photos, commenting, celebrating, spinning their own tales. The gravure reproduction in La
France de Profil was overseen by Strand. The results are superb: crisp, radiantly dark, and
with an unusual depth. “--Vince Aletti from The Book of 101 Books. - € 295
473. STRAND, Paul: Living Egypt.
London: MacGibbon & Kee, , 1969. First Edition. Cloth with dustjacket, 156 pp.
“Strand, with Aldridge’s help, has tried to extract the quintessence from Egypt. They both
set out to make modern Egypt comprehensible. . . They are mainly concerned with the
underlying evidence of what Egypt is, and what it is trying to become. “(-from the dust
jacket. ) - € 150
474. STRÖMHOLM, Christer: Picture show no 1.
Stockholm, ETC Production, 1986. Softcover. Text in Swedish and English by Timo Sundberg,
Christer Strömholm, Hakan Elofsson, design by J. Ehrenberg. - € 195
475. STRÖMHOLM, Christer: Poste restante.
Stockholm. Norstedt & Söhners., 1967. Cloth in dustjacket. 20 pp., plus 96 full-page black
& white photographs.
Originally published in 1967, Poste Restante has become one of the most collectible
photography books from the mid-twentieth century, ranking alongside the better-known
publications of Robert Frank and Ed van der Elsken. This photographic autobiography
details Strömholm’s extensive travels across the globe in a book constructed as an Existentialist
diary. Juxtaposing the urbane and the macabre, combining portraiture and street
scenes with abstract photographic fragments, the book uses metaphor and visual pun in an
unrelenting stream of consciousness. In its sequence and design, it is a book that prefigures
much of contemporary photographic publishing and art practice. Dustjacket with some
minor tears, dustjacket missing some chips of paper on the top and bottom of the spine.
- € 1.000
476. STRÜWE, Carl: Formen des Mikrokosmos.
München. Prestel. 1955. Cloth in dustjacket, 35 pp.
Between 1926 and 1959 Strüwe was one of the furst to make Art photos by using microphotography.
this work brings together 96 pictures of his life work. Signed by the artist in
1966. - € 295
477. STURGES, Jock: Jock Sturges, new York, 1996-2000.
Scalo Verlag Ac. 2001. Cloth in dustjacket, 111 pp.
Building on his first monograph, Jock Sturges presents us with a new body of work that

strikes the same chords of beauty and evolution that we find in his earlier images, but with
a more intense dramatic and metaphoric intention. His new work often has an almost
theatrical effect on the viewer -- seeming to emanate directly from the lives of the artist’s
models. The settings, the subjects, the sumptuous lighting will all be familiar to longtime
admirers of Sturges’ ongoing body of work. As his experience as a photographer has deepened
and his relationships with his growing subjects spans decades of collaboration, both
subjects and photographer have found more to say to each other. The new photographs
include diptychs of clothed/nude models, pictures of true mutual trust, as well as neverbefore
seen color photographs! This large format book takes direct aim at Jock Sturges’
long-standing vision as his large format, 8x10 view-camera always demanded the large
exhibition prints that were to follow. Thanks to the brilliant combination of computerdriven
advances in modern printing techniques and the old-world attention to detail and
craftsmanship, this book sets a new standard for the reproduction of artworks. - € 125
478. SUDEK, Josef & LINHART, Lubomir: Fotografie.
Prague: Statni Nakladatelstvi Krasne Literatury, Hudby a Umeni, 1956. Cloth in a
dustjacket, 232 pp.
This is Sudek’s landmark collection; extremely scarce in its dust jacket! “In its classic,
clean design (by Frantisek Tichy), exquisite photogravure printing, and attention to detail
(down to a white silk ribbon as bookmark!), it is the perfect vehicle for the full range of
Sudek’s romantic, atmospheric work. “ David Levi-Strauss, from Roth, et. al., The Book of
101 Books. Dustjaket damaged, mainly at the spine, missing a small chip of paper. - € 500
479. SUDEK, Josef: Praha Panoramatická.
Praha, Statni Nakladatelstvi, 1959. Clothbound in photo-illustrated dustjacket. Preliminaries
+ poem by Jaroslav Seifert + 284 plates.
This magnificent book alone would have secured a place for Sudek as a master among
twentieth century photographers. Photographing this book, Sudek used a modified 1899
panoramic camera that took individual sheets of film. Josef Sudek’s “Praha Panoramaticka”
was selected as one of the greatest photography books in “The Photobook”. “Josef
Sudek Fotografie” was selected as one of the “Seminal Photography Books of the 20th Century”
in “The Book of 101 Books”. Dustjacked damaged at the ends of the spine, missing
some chips of paper. A bit weak in the hinges, as often. Still a very good copy. - € 900
480. SUDEK, Josef & FÁROVÁ, Anna: Josef Sudek.
Gina Kehayoff Verlag, 1999. Hardcover with dustjacket, 405 pp. Josef Sudek is counted
among the greatest personalities in photography this century. He was born in 1896 in
Bohemia, and was severely wounded in the First World War, losing his right arm. In the
early Twenties he founded, together with other photographers, the Czech Photographic
Society. He made a name for himself with photographs of the reconstruction of Prague
Cathedral as the official photographer of the City of Prague. He is known today for his
mastery of still life and nature photographs. His lyrical, realistic photographs, often with
a background of filtered daylight, direct sunlight or grey skies, are melancholy, elegiac and
sad. His poetic vision takes the viewer into the world of Franz Kafka and Jaroslav Seifert.
- € 175
481. SULTAN, Larry: Pictures from home.
New York, Harry N Abrams Inc. 1992. Clothbound in pictorial dustjacket, 127 pp.
“Pictures from Home was a decade-long project Larry Sultan initiated when his father,
Irving, was forced into early retirement from his career as vice president of the Schick
Safety Razor Company. As initially conceived, the project was to be about “what happens
when – as I interpreted my father’s fate – corporations discard their no-longer-young
employees, and how the resulting frustrations and feelings of powerlessness find their way
into family relations, “ explains Sultan. While Irving continued to be Sultan’s favored
subject, the project evolved to include video stills from his family’s home movies and the
on-going commentary on Sultan’s project by both of his parents. Interestingly, working
in the San Fernando Valley suburbia where he grew up led Sultan to his next project,
The Valley, an investigation of suburban houses used as pornographic film sets. (Kendra
Greene, Museum of Contemporary Photography, Chicago.) - € 250
482. Sultan, Larry: The Valley.
Zürich. Scalo. 2004. Cloth, in dustjacket, 127 pp.
Since 1988, Larry Sultan has returned time and again to photograph on porn sets in
Los Angeles’s San Fernando Valley--the Silicon(e) Valley of the porn industry. But The
Valley is by no means a documentary on porn filmmaking. Rather, it is a dense series of
pictures of middle-class homes invaded by the porn industry. Sultan’s lens focuses on
pedestrian details--a piece of half-eaten pie, dirty linens in a heap, “actors” taking a break-
-that offer clues to a bizarre other-world. The lush and intricate images adroitly play with
artifice and reality, adding up to rich, elliptical narratives that circle around the concepts
of “home” and “desire. “ These images of homes and gardens, porn actors and film crews,
studio and location shootings are an ambiguous meditation on suburbia and its trappings,
family and transgression, the utopias and dystopias of middle-class lifestyle. The Valley
and its many-layered photographs outline the complexity of domestic life at the beginning
of the 21st century, opening up new perspectives for photography through its innovative
combination of staged and documentary photographs. - € 295
483. SUZUKI, Kiyoshi: Soul and soul.
Self Publication, 1972. Cloth in dustjacket, 81 pp.
In 1972 Kiyoshi Suzuki self-published his first photobook, Nagare no uta, which is known
by the English translation Soul and Soul. Suzuki passed away in 2000 after self-publishing
eight photobooks between 1972 and 1998. Signed edition. - € 650
484. SZABO, Joseph & ZIEGLER, Alan: Almost Grown.
New York, Harmony books, 1978. Paperback, 125 pp. Photographs and poems combine to
capture the emotions, aspirations, experiences, and activities of the teenage years. - € 150
485. SZABO, Joseph: Teenage.
Los Angeles, Greybull Press., 2003. Hardbound with photo-illustrated boards. No jacket
as issued, 168 pp. Essay by Cameron Crowe.
Szabo has been photographing his teen-age students for the past twenty-five years, and
has perfectly captured the ambivalence of that time of life. As a high school teacher of
photography, he takes seriously their pretentions, passions, and confusions, and he knows
intimately how students put on, act up, behave, and misbehave. As Cornell Capa says in
his foreward, “Szabo’s camera is sharp, incisive, and young, matching his subjects. One
can use many adjectives: revealing, tender, raucous, sexy, showy. . . in Szabo’s hands, the
camera is magically there, the light is always available, the moment is perceived, seen, and
caught. “ - € 225
486. TACONIS (A. O. ): Children’s World.
Tokyo,Heibonsha, 1957. Hardcover in dustjacket. Photos by Taconis, Seymour, Rodger,
Cartier-Bresson, arnold, Marath, Capa, Erwitt. - € 400
487. TARAMELLI, Ennery: Mario Giacomelli.
Paris, Contrejour, 1992. Cloth, in dustjacket, 167 pp.
Mario Giacomelli (1925–2000) was an Italian photographer born on 1 August 1925
in Senigallia, Italy. He died on 25 November 2000 in the town of his birth. Known for:
Photographs of Italian seminaries and a poetic transcription of everyday life in Southern
Italy. Bold, stylized compositions with stark contrast. - € 350
488. TEMPLETON, Ed: Ed Templeton.
Rome, Drago, 2002.
Templeton’s photography depicts the nitty gritty of life in an urban landscape. - € 175
489. THORBECKE, Ellen & THORBECKE, Willem Johan Rudolf: People in
China. 32 photographic studies from life.
London, Bombay, Sydney, 1935. Cloth in dustjacket, 141 pp.
His collaborator, Ellen Thorbecke, was a distinguished German photojournalist whose
maiden name was Ellen Catleen. She was one of the two most outstanding European
women photographers working in China in the 1930s. Her work seems to have irritated
the sort of art critics that like to put creative people into neat little boxes. After she married
the Netherlands Minister in China, she dropped her maiden name and used Thorbecke
instead. This may be why bewildered critics have classified her as an “amateur Dutch
photographer” although of course there is nothing remotely unprofessional about her
work, which is brilliant, but madly unconventional. The photographs were taken with a
Rolleiflex camera, by Ellen Thorbecke, the noted German photojournalist. Divided into the
following sections :Introduction The industrialist The pedlar The pupil of the sing-song
house The Manchu Duke The student The countrywoman The eunuch The thirteen-yearold
husband The happy couple The fortune-teller The mother-in-law The daughter-in-law
The cabbage-vendor The little girl The camel-driver The concubine The farmer’s son The

physician The ultra-modern girl The soldier The baby-wife The refugee The philosopher
The lost girl The monk The rickshaw-coolie The mourning trumpeters The slave The
theatre-manager The woman from the junks The music professor The mother. - € 850
490. THORBECKE, Ellen: Hong Kong.
Shanghai, Kelly & walsh limited, 1940. Pictorial Hardcovers In rare dustjacket, 69 pp.
Photographic study of everyday people, daily life, and the attractions in the colony. With
15 color sketches by Schiff and 25 black & white phographs by the author, 2 maps. Very
good condition. Friedrich Schiff (1908-1968) was born in Austria and came to China in
1930 where he worked as caricaturist for several newspapers and illustrated books. Ellen
Thorbecke was the wife of the former Netherlands Ambassador in China. She published
books on Hong Kong, Shanghai and Peking. Dustjacket with light shelfwear, missing
some chips of paper at the extremities. Very Good copy - € 600
491. THORBECKE, Ellen: Het geheimzinnige China. Mysterious China.
Den Haag, H. P. Leopolds, 1937. Softcover. - € 110
492. TICE, George A. : Urban landscapes, a New Jersey portrait.
Rutgers University Press, 1975. Cloth in dustjacket, 110 pp.
In the 1970s, Tice began exploring his home state. Those photographs formed the beginnings
of his Urban Landscapes series, which he worked on until the year 2000. His
publications include: Fields of Peace: A Pennsylvania German Album (1970), Paterson,
New Jersey (1972), Seacoast Maine: People and Places (1973), Urban Landscapes: A New
Jersey Portrait (1975), and Hometowns: An American Pilgrimage (1988). Tice has taught
at the Maine Photographic Workshops since 1977. - € 175
493. TIETGENS, Rolf: Der Hafen.
Hamburg, Verlag Heinrich Ellermann. Cloth in dustjacket, 95 pp. With a former owner’s
entry in ink on the title-page. - € 275
494. TMEJ, Zdenek: Abeceda. Dusevniho prázdna. [Alphabet of spiritual emptiness].
Prague, Ceska graficka unie, 1945. Soft-cover in profesionally rebacked dust-jacket. With
45 black & white wholepaged photographs.
After being send to Breslau to work in a Nazi forced labour camp, Tmej, a 22-year-old
aspiring photographer, brought along a Contax and a Rolliflex camera intending to bear
witness to the conditions and events that transpired in a Nazi-run forced labor camp and
somehow he would was allowed to keep his cameras and photographs. The resulting photographs
and eventual book published in 1946 called Abeceda Dusevniho Prazdna - Alphabet
of Spiritual Emptiness, serve as an unrivaled insider’s account of what it was like
to live under the conditions of a Nazi forced labor camp. Abeceda collects 45 photographs
of a series of 88 known photographs that Tmej took. Text by Alexandra Urbanova. First
edition. Edges of the binding slightly torn. Dust jacket good. Inside the book is in a perfect
condition. Very rare. Roth 124; Parr/Badger 199; Hasselblad 144. - € 2.500
495. TOMATSU, Shomei & DOMON, Ken: Hiroshima-Nagasaki, document 1961.
Tokyo, Japan Council Against Atomic and Hydrogen Bombs, 1961. Cloth, 142 pp.
Photographs by Ken Domon and Shomei Tomatsu. Preface by Hideki Yukawa with notes
by Kiyoshi Sakuma, Nobuo Kusano, Ryusei Hasegawa and Toshio Hata. Designed by
Kiyoshi Awazu, Kohei Sugiura, and Kazunobu Shimura. Hiroshima-Nagasaki Document
1961 by Domon Ken (1909-90) and Tomatsu Shomei took the documentary style of photography
of the immediate post-war years and applied it to the living torture of some of
the survivors. Glass bottles fused and distorted by the Nagasaki blast serve as an eloquent
and poignant substitute for the unbearably damaged human bodies recorded in other
images in the book. Just before the titlepage book is internally starting to split but holding.
Cloth a bit worn/ faded. Internally very good. - € 2.500
496. TUCHOLSKY, Kurt: Deutschland Deutschland Über alles.
Berlin., Neuer Deutscher Verlag., 1929. Original boards with dustjacket by John Heartfield,
231 pp. Dustjacket damaged.
In this ‘picture-book’ right-wing nationalism, the military, the democratic system, and
capitalism were trenchantly criticized. Deutschland, Deutschland uber Alles is as much
about the role of photography in society as it is about Weimar’s political situation. The
late 1920s are generally seen as a period of medium optimism in which the new photog-
raphy was in the forefront. Yet a close analysis of the use of photography in Deutschland,
Deutschland uber Alles nuances the so-called optimism of Weimar visual culture and
its sudden disruption by the advent of fascism in the 1930s. While from the early 1910s
onwards, Tucholsky had promoted the polemical power of photography, his position
shifted by the end of the 1920s. An ambivalence marked Deutschland, Deutschland uber
Alles: on the one hand the photographic medium was used as a critical tool; on the other,
the book reflects an underlying critique of and frustration with photojournalism and its
association with urban modernity. Missing some chips of paper. - € 295
497. TUGGENER, Jak & BURGAUER, Arnold: Fabrik.
Zürich, Rotapfel Verlag, 1943. Cloth in dustjacket, 95 pp.
First published in Zurich in 1943, Jakob Tuggener’s Fabrik, a sceptical pictorial critique
of Swiss industry, was entirely out of step with the times. Its images of factories and
furnaces, turbines and workers, some derived from the brochures he produced in his day
job as an industrial photographer, subtly undercut the myth of technical progress; their
expressionistic and frequently disorienting compositions amounting to a kind of satirical
constructivism. A commercial failure in its day, it has since become a highlight in the
history of the photography book. Some pages loose, the pages are also manuscript numberedin
ink, in the lower corner. - € 650
498. TUNBJÖRK, Lars: Lars Tunbjörk office.
Stockholm, Journal, 2002. Cloth in dustjacket, 79 pp.
Office offers an offbeat and ironic vision of the universe of the working place. None of
these photographs could be found in the illustrated annual reports issued by the great
companies. Under Lars Tunbjörk’s gaze, this formatted world becomes a theater for
skits where the absurd borders on anguish. Individuals appear completely overwhelmed
by electronics. Here, fax machines, as if left to their own fate, pour out meters of paper.
There, a face emerges with difficulty from an ocean of computer screens. The uneasiness is
amplified by the point of view taken, sometimes very close to the ground, sometimes very
close-up or disturbed by smeared elements that appear in the framework. Under these
conditions, only the miniature golf course seems like the only way out… - € 150
499. TUNBJÖRK, Lars & ODBRATT, Göran & CENTER, Hasselblad: Home.
Steidl / Edition7L, 2002. Cloth with laminated photo illust laid on, 104 pp.
After his earlier series on leisure time and the world of office labor, Lars Tunbjork
returned to his childhood neighborhood to photograph his mother’s house. The experience
intrigued him, and he continued shooting in similar areas around Sweden. Saturated
with other people’s personal memories, his photographs convey the peculiar atmosphere
of silence familiar in middle-class housing districts, not only in Sweden but in other
countries as well. If on the surface his images purport to investigate the private domestic
realm in terms of architecture, home decorating styles, and garden culture, as seen in
Sweden during the latest two decades, under these multiple, quiet surfaces they reveal
apocalyptically more. Home is the final book in a trilogy, following Country Beside Itself
and Office. - € 350
500. UNWERTH, Ellen Von & SISCHY, Ingrid: Snaps.
Twin Palms Publishers, 1994. Cloth in dustjacket, 120 pp.
Von Unwerth’s wry and sexy take on the glamorous world of fashion reflects the years she
spent in front of the camera as a model. - € 150
501. VOROBEICHIC, Max & CHNEOUR, Salkind [introduction]: Ein Ghetto im
Osten.
Zürich / Leipzig: Orell Füssli, 1931. Cloth-backed photo-illustrated boards, 77 pp. (with
text in Yiddish appended) Schaubücher Series, No. 27.
This book is most sought after: it is a photo documentation of the jewish ghetto of vilnius,
the lithuanian city which is called “wilna” in german. A stunning book about a fascinating
world which was wiped out by the nazis in ww2. Vorobeichic was a Lithuanian
painter & photographer. In 1927 he took courses at the Bauhaus with Paul Klee, Wassily
Kandinsky, and Joseph Albers. Later he studied at the famous Ecole de Photo Cine in
Paris. Martin Parr, The Photobook vol 1, page 130. - € 650
502. WAPLINGTON, Nick: Living Room.
New York, Aperture foundation, 1991. Cloth, in dustjacket. - € 225

503. WATAY, Osamu: Hirugao (Photographs 2003).
Tokyo, Sokyu-sha, 2004. Silk boards with tipped on cover image. No jacket as issued.
Wataya is known mainly as editor and art director of the highly regarded Hysteric Glamour
series. As a photographer in his own right, he as several books to his credit. His street
aesthetic derives much from Daido Moriyama, but with a greater focuses on urban dwellers.
In his deftly composed panoramas, we see low-key street scenes in which ‘his subjects
seem to drag themselves through a colourless, featureless, anonymous city. . . They are
disabled, infected, overweight, exhausted, isolated and, worst of all, stared at. ‘--excerpted
from Osamu Wataya: Rumor, Text by Gordon MacDonald, Photoworks 13 (Nov 2009).
Signed in pencil on front flyleaf. - € 250
504. WEBER, Bruce: Bruce Weber.
Los Angeles, Twelvetrees Press, 1983. Cloth in dustjacket. - € 250
505. WEBER, Bruce: O Rio de Janeiro. A photographic journal.
New York, Alfred A. Knopf, 1986. Paperback, 200 pp. [First edition]. Folio. Original stiff
photographic wrappers.
Containing 144 spectacular color and duotone full-page gravures (four folding), the book is
an intimate photo-essay that features images of sculpted fashionable young people and the
sensual Rio de Janeiro scene. Waterstained. - € 400
506. WEBER, Bruce: Bruce Weber.
New York, Alfred a Knopf Inc. 1989. Cloth in dustjacket, 250 pp. Bruce Weber became one
of the preeminent photographers of the fashion industry in the 1980?s. Leading designers
such as Calvin Klein, Karl Lagerfeld and Ralph Lauren employed his talents to define their
brand image. Widely credited with elevating advertising photography to an art form, he
continues to be one of the world’s most popular commercial photographers. In addition to
his commercial work, however, Weber has published several books of his photographs, made
several films, and had his work exhibited in museums and galleries throughout the world.
The collection of photographs presented in this portfolio is testimony to his achievements
and to the range of his talents. Whether interiors, landscapes, bold, sexy male nudes, or
erotic yet nostalgic takes on American adolescence, the reader will be dazzled with the
breadth of Weber’s contributions on display. Top of dustjacket slightly damaged. - € 125
507. WEBER, Bruce: Bear Pound.
Boston, MA, Bulfinch, 1990. Cloth in dustjacket,
Homo-erotic photobook; landmark collection of black-and-white photographs from the
skull capped maestro of the gay, the fashionable and the rippling muscle. Weber did a lot
of memorable advertising for Calvin Klein and pretty much established the new brattish
image of the old firm of Abercrombie and Fitch. Sometimes considered “a late-modern
erotic photography classic’ especially by dealers trying to sell it. Published as a hardcover
original only, with poem by Reynolds Price. It deals with the beauty of nature, dogs,
and the masculine form, his three big interests. The place was the Adirondacks, the dogs
Golden Retrievers and the guys buffed models from mondo fashionista. To quote a dealers
catalogue: ‘The underlying “message” of the work is Man’s perfect harmony with Nature,
which was prompted by a particularly crucial moment in American history: When the
book first appeared, Bruce Weber’s intention was to provide whatever solace and comfort
an artist/photographer can give in the face of the devastation of AIDS. All of the proceeds
from the sale of the book were donated to the AIDS Resource Center in New York City.
It seems unlikely that even he could have imagined that “Bear Pond” would become an
instant classic and transcend the urgent need of the time. At their very best, the images in
“Bear Pond”, almost all of them full-frontal male nudes, have not been surpassed, not even
by the photographer himself.” Weber’s work is completely ignored by Parr in his essential,
but earnest two volume ‘The Photobook’. - € 275
508. WEBER, Bruce: Gentle Giants: A Book of Newfoundlands.
Bulfinch Press, 1994. Boards in 1/4 cloth, 240 pp. Introductory lyrics by Patti Smith.
Designed by Dmitri Levas.
“Gentle Giants” is Bruce Weber”s loving 1994 tribute to his beloved “Rowdy”, the breed
itself, and the owners that love them. - € 290
509. WEBER, Bruce: A House Is Not a Home.
Bulfinch, 1996. Cloth in dustjacket, 178 pp.
In this spectacular book, Bruce Weber takes us around the world -- and shows us how doz-
ens of creative individuals have transformed their houses into homes. With his unrivaled
sense of style and eye for detail, Webers photographs reveal how these homes reflect and
express the personalities of their owners: Siegfried and Roy’s tiger-striped (and tiger-filled)
Las Vegas suite; Georgia O’Keeffe’s Ghost Ranch in the New Mexico desert; Chris Isaak’s
childhood home in suburban California; Cy Twombly’s villa in Rome; the Duchess of
Devonshire’s stately home in England; Andrew Wyeth’s Maine lighthouse retreat; and
Weber’s own Montana ranch, among many others. Here are interiors and exteriors, panoramas
and details -- a fascinating exploration of the idiosyncratic touches and personal
flourishes that turn a house into a home. - € 150
510. WEBER, Bruce: The Chop Suey Club.
Santa Fe: Arena Editions. 1999. Cloth in dustjacket. 280 pp.
This is an astonishingly beautiful collection of images by a very gifted photographer who
presents his subject with great sensitivity and warmth, as well as with a fair amount of
humor and love. The artist reveals more about himself than his subject, allowing the viewer
to feel and to be touched by his intensely personal obsession with this beautiful young
man. - € 200
511. WEEGEE: Naked city.
New York, Essential, 1945. Clothbound, 246 pp.
“Weegee is best remembered as the chronicler of a particular place and time: New York
City in the first half of the twentieth century. He was a news photographer, and if we accept
the definition of poetry as ‘news that stays news, ‘ he was a poet with a camera. “--David
Levi Strauss writing in Roth, et. al., The Book of 101 Books. Parr I; p. 145. - € 125
512. WEEGEE, HARRIS, Mel: Naked Hollywood.
New York: Pellegrini & Cudahy. 1953. (First edition). Cloth in dustjacket, 119 pp.
Hollywood is Newark, New Jersey, with Palm Trees, ” quipped Arthur Fellig, the prolific
and fearless photographer of America’s underbelly who was known as Weege - like the
ouija board - for his uncanny ability to be in the right place at the right time. After selling
the film rights to Naked City, his best-selling book of gritty crime scenes and nocturnal
New York street photography, he moved to Los Angeles in 1947, staying for four years.
Weegee shot thousands of images during his stint on the West Coast, some of which were
featured in the lesser-known book Naked Hollywood. He was drawn to the absurd extremes
of the city, as well as its banalities, photographing movie premiers, awards ceremonies,
costume shops, strip clubs and Skid Row, with a keen and mischievous eye. He also began
experimenting with his images to create distorted and surreal results. Dustjacket damaged,
and with a library stamp on the first page- € 150
513. WENDT, Lionel & PRAGER, Eugène & GEYZEL, L. C. van & THORNLEY
& Bernard G: Lionel Wendt’s Ceylon.
London: Lincolns Prager Publishers, 1950. First edition. Cloth, 256 pp.
Ceylon consists of 120 photographs printed in rich gravure, grouped in seven sections:
Landscapes, Types, Nudes (male and female), Details, Buildings and Ornaments, Fantasy
(Surrealist-inspired photographs, including montage), and Heads. “A fascinating example
of the cultural schizophrenia that photographers in colonial countries have worked to get
away from”--Parr/Badger. Included in Parr/Badger Vol. II. - € 95
514. WESSING, Koen: Chili september 1973.
Amsterdam, De Bezige Bij, 1973. Paperback, 48 pp. No text, First edition of the first book
by Koen Wessing.
24 black & white photos taken during the military revolt against president Allende of
Chile, 1973. [= Parr/ Badger I, page229. ] Koen Wessing (Amsterdam, 26 januari 1942).
His photo’s mostly have a political background, showing the losers and oppressed people.
In 1989 Wessing received the Alblasprijs. In 2000 Amsterdams Historisch Museum
organized an exhibition of his work. Very tiny damage at the top of the front cover, A fine
copy. - € 750
515. WEYER, Edward Moffat [photographs] & ALLEN, Frederick Lewis & ROG-
ERS, Agnes: Metropolis, An American city in photographs.
New York: Harper & Brothers. 1934. Pictorial Hardcover. 192 pp. One of the first photographic
studies of New York City, “primarily devised to suggest the complexion of human
life in a metropolis--the ways in which people live and work and play. - € 100

516. WICKI, Bernhard & DÜRRENMAT, Friedrich: Zwei Gramm Licht.
Zürich, Interbooks, 1960. Cloth in dustjacket, 104 pp. Edited with an afterword by Georg
Raseger. Foreword by Frederich Durrenmatt.
“In his afterword to this book, Georg Ramseger asks what constitutes a photographic
document. It is a good question, since Zwei Gramm Licht (Two Grams of Light) seems
to have little to do with documentary. This is an expressive, personal meditation on life,
and the pictures, by the Swiss film-maker Bernhard Wicki, are moody, dark and grainy. .
. an urban mood piece that chronicles the photographer’s wanderings across the postwar
European landscape. . . [the] mood is emphasized by the ravishingly dark gravure printing,
craggy urban portraits, a wrecked car, grizzled tramps. . . Wicki allows us a glimmer of
hope: the book ends, like Jean-Philippe Charbonnier’s Chemins de la vie, with two people
walking down a country road--perhaps towards freedom”--Parr & Badger. Top of spine
dustjacket very lightly rubbed. - € 450
517. WINOGRAND, Garry & BISHOP, Helen Gary: Women are beautiful. A light
Gallery book / Farrar Straus Giroux, 1975.
Cloth, in dustjacket, 93 pp.
Garry Winogrand photographed in crowds and on the street from his early days as a New
York magazine freelancer in the 1950s to his last years in Los Angeles. When he sensed
the composition of a picture falling into place, Winogrand would quickly raise his camera
to his eye and take candid photos of anonymous people. He used a 35mm Leica camera
that enabled him to photograph quickly and freely. Often he focused on women—in parks,
getting into cars, at parties, exiting stores—creating photographs that highlighted the
changing role of women and, at times, the uncertainty of their new place. - € 350
518. WINOGRAND, Garry & STACK, Trudy Wilner: Winogrand.
Santa Fe, Arena Editions, 2002. Cloth in dustjacket, 283 pp.
Garry Winogrand (19281984) was a native New Yorker whose photography epitomizes
the indigenous pulse and social complexity of the urban scene after World War II. This
collection of 175 photographs shot by Winogrand in a single year records an America
in transition. Each picture is a strange, unforgettable surprise, documenting the artists
comedic, almost palpable empathy for his subjects, and crystallizing his influence as a
photographic interpreter of the 1960s. Most of the images in this book are previously
unpublished. - € 250
519. WITKIN, Joel-Peter: Gods of earth and heaven.
Altadena CA: Twelvetrees Press, 1991. Cloth, in dustjacket, 120 pp. 52 full-page illus. and
short texts by John Yau and Gus Blaisdale. - € 125
520. Wood, Tom & KISTERS, Jürgen: Tom Wood, People.
Köln, Weinand. 1999. Cloth, with dustjacket, 101 pp.
Thomas “Tom” Wood is a street photographer working in England, particularly Merseyside
(1978–2001). He has had solo shows, and his work has been collected in five books.
- € 125
521. WOOD, Tom: All Zones Off Peak.
Dewi Lewis Publishing, 1998. Cloth in dustjacket, 96 pp.
Starting from the premise that he would photograph Liverpool and the people of Merseyside
from the top of a bus, Wood spent over 15 years developing and refining his theme.
The photographs are both visually stunning and dramatically revealing in their content.
It is already recognized as one of the most impressive achievements of recent British
photography. - € 140
522. YANAKA, Kimi: Photographs 2001-2004.
Tokyo, Sokyu-Sha, 2005. Cloth in original slipcase.
Signed copy. - € 125
523. YATO, Tamotsu: Young Samurai. Body builders of Japan.
New York Grove Press 1967 First US edition. Cloth in dustjacket. 75 pp. - € 120
Member of ILAB