David Copperfield
David Copperfield
David Copperfield
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TNT theatre Britain & ADG Europe presents:<br />
DAVID COPPERFIELD<br />
A dramatisation of Charles Dickens’ novel<br />
by Paul Stebbings and Phil Smith.<br />
Original music by Thomas Johnson.<br />
<strong>David</strong> <strong>Copperfield</strong> George Mclean<br />
Emily and Clara <strong>Copperfield</strong> Eilidh Debonnaire<br />
Mr Pegotty and Luther Joe Herzfeld<br />
Pegotty, Dora and Miss Murdstone Emily Bowman<br />
Steerforth and Mr Murdstone Peter McMillan<br />
Other roles played by the ensemble<br />
Director Paul Stebbings<br />
Costume designer Juliane Kasprzik<br />
Set Design Arno Scholz<br />
Production assistant Monika Ondockova<br />
Producer (ADGE) Grantly Marshall
PAUL STEBBINGS is artistic director of TNT theatre Britain and The American<br />
Drama Group Europe. He was born in Nottingham and studied drama at Bristol<br />
University, where he received first class honours. He trained in the Grotowski<br />
method with TRIPLE ACTION THEATRE in Britain and Poland. Paul founded TNT<br />
theatre in 1980 and received regular Arts Council funding for work in the UK. Paul<br />
has also acted for NOTTINGHAM PLAYHOUSE and TNT and directed and written<br />
for SOUTH YORKSHIRE THEATRE, PARAGON ENSEMBLE Glasgow, TAMS<br />
THEATER Munich, the ST PETERSBURG STATE COMEDY THEATRE, the Athens<br />
Concert Hall MEGARON and the Russian TEATR EXPERIMENTA. His productions<br />
have toured to over twenty countries worldwide. Festival appearances include<br />
WIZARD OF JAZZ at the Munich Biennale (critics prize), the Off Broadway Festival in<br />
New York, the Tehran Fajr Festival the Tokyo International Festival, and award<br />
winning performances at the Edinburgh Festival (THE MURDER OF SHERLOCK<br />
HOLMES, in which he played the title role). His numerous productions for ADGE and<br />
TNT include MACBETH, BRAVE NEW WORLD, THE CRUCIBLE, DON QUIJOTE<br />
and the recent prize winning HAMLET. One of Paul´s main areas of interest is the<br />
integration of music and theatre which culminated in his large scale production of<br />
production of MOBY DICK. He has directed productions in Russian, Greek, German<br />
and is increasingly working in Spanish, while n spring he directed THE TAMING OF<br />
THE SHREW in Mandarin at Shanghai’s leading theatre (SDAC). Productions for<br />
TNT and ADGE this season include: MUCH ADO ABOUT NOTHING, A<br />
MIDSUMMER NIGHT’S DREAM, TAMING OF THE SHREW and MACBETH by<br />
Shakespeare, Lorca’s LA CASA DE BERNADA ALBA and his own version of<br />
DON QUIJOTE (in Spanish) OLIVER TWIST, DAVID COPPERFIELD and A<br />
CHRISTMAS CAROL all adapted from the novels of Charles Dickens, ONE<br />
LANGUAGE MANY VOICES ( an exploration of Britain’s colonial legacy),and his<br />
own play HITLER KILLED MY CANARY These varied productions tour to over thirty<br />
countries on four continents performing in cities as diverse as Beijing, Jerusalem,<br />
Paris, Tokyo, San Jose’ de Costa Rica, Hanoi, London and Berlin.
Thomas Johnson (Composer and musical director) After graduating from Oxford<br />
University Thomas joined DR.FOSTERS THEATRE CO., where he spent 5 years as<br />
resident composer/MD. He has subsequently composed the music for many theatre<br />
companies, including THE NATIONAL THEATRE, LUDLOW FESTIVAL,<br />
BIRMINGHAM STAGE COMPANY, THE UNICORN THEATRE, EXETER<br />
NORTHCOTT, PLYMOUTH THEATRE ROYAL, CHELTENHAM EVERYMAN,<br />
NOTTINGHAM PLAYHOUSE, LONDON BUBBLE, THEATRE ALIBI (with the West<br />
End hit WHY THE WHALES CAME), POLKA THEATRE, TRAVELLING LIGHT,<br />
CHIPPING NORTON THEATRE, and FAIRGAME. His music has been performed<br />
worldwide, from Singapore to St. Petersburg, including a Broadway run of the awardwinning<br />
TIR NA N-OG. He has worked with TEATRO DIONYSUS in Costa Rica,<br />
SEATTLE CHILDREN’S THEATRE in the US, and THE VEDOGON THEATRE in<br />
Moscow. Choral work includes GILGAMESH, a 90-minute oratorio for STROUD<br />
COMMUNITY CHOIR. Tom has also written the scores for several BBC RADIO 4<br />
drama productions. OTHELLO is his 14 th production with TNT/ADG, for whom he has<br />
written the scores for KING LEAR, HAMLET, ROMEO & JULIET, CHRISTMAS<br />
CAROL, OLIVER TWIST, THE MURDER OF SHERLOCK HOLMES, THE GREAT<br />
GATSBY, DAVID COPPERFIELD, GULLLIVER’S TRAVELS, THE GRAPES OF<br />
WRATH, THE PICTURE OF DORIAN GRAY, STREETCAR NAMED DESIRE,<br />
OTHELLO and HITLER KILLED MY CANARY.<br />
GEORGE MCLEAN I am delighted to be playing <strong>David</strong> in TNT’s and the ADG’s<br />
production of DAVID COPPERFEILD, it is a great opportunity to work both with a<br />
company I love and on a rich Dickensian tale. I have worked for the company before<br />
in DEATH OF A SALESMEN and GULIVERS TRAVELS so know exactly what iv got<br />
my self in for! The biggest perk of the job is the travelling to all the varied places and<br />
experiencing all the different audiences and theatres. I graduated from drama school<br />
in London (ALRA) in 07 and since then have worked for the BBC, both on Radio and<br />
TV, in classical text, new writing and theatre in education. One of my previous<br />
favourite roles was Tybalt in ROMEO AND JULIET for the Oxford Shakespeare<br />
Company (always fun playing a bady!). I am keen fan of pretty much all sport (not<br />
golf), and follow England in Football, Rugby, Cricket and Athletics, and am a massive<br />
Liverpool fan in the English Premier League. I hope you enjoy the show!<br />
PETER MCMILLAN grew up in Hull, Yorkshire and trained as an actor at the<br />
University of Hull and the Oxford School of Drama. His UK theatre work includes:<br />
LARK RISE (Oxfordshire Museum) WIDOWS (Battersea Arts Centre), THE BALD<br />
PRIMA DONNA (Juno Theatre Company), BLAIR ON BROADWAY (Arts Theatre,<br />
London), CIRXUS (Arcola Theatre), THE MAN OUTSIDE (Theatre Royal<br />
Haymarket), THE LESSON BEFORE BREAK (Theatre 503), BOUNCERS (Hull Truck<br />
Theatre Company) and TEECHERS (Hull Truck Theatre Company UK<br />
Tour). Peter first started studying the clarinet at age nine and was Principal<br />
Clarinettist in the City of Hull Youth Symphony Orchestra which toured to Budapest<br />
and Venice. He also plays the piano and has always wanted to combine his passion<br />
for music, drama and travel in his work. Peter is very much looking forward to<br />
bringing DAVID COPPERFIELD to an international audience.
JOE HERZFELD trained at Mountview Academy after appearing in many productions<br />
while studying history at Oxford University. Since 2008 he has toured in all weathers<br />
with outdoor theatre company Heartbreak Productions, playing the French king in<br />
Henry V, Jacques in "As you like it" and Colin in "The Secret Garden". Other parts<br />
include Konstantin in the Seagull, Goldberg in "The Birthday Party", Corvino in<br />
"Volpone", Reverend Paris in "The Crucible", Dr Astrov in "Uncle Vanya", Ajax in<br />
"The Trojan War will not take place", Earnest Beavers in "Time and the Conways",<br />
Dogberry in "MUch ado about nothing", and Petruchio in "Tamingof the Shrew". Joe<br />
is also a comic writer and improviser - he wrote and performed for comedy double act<br />
"The Habberdashers", co-directed sketch show "The Oxford Revue" and has<br />
improvised entire performances in various independent films. As a composer he<br />
provides original music for certain productions in which he acts. He is the frontman<br />
and song-writerfor two darkly comic bands - "Hooverville", a maximalist rock group,<br />
and"Joey Herzfeld and the Haunted", an acoustic cabaret band. But to his friends he<br />
will always be the guy who dressed up as a giant fish in a Walkers crisps advert -<br />
dignity is over-rated.<br />
EMILY BOWMAN Trained at East 15 Acting School. Since graduating in 2001 she<br />
has worked all over Europe on a number of different projects from Shakespeare to<br />
Children’s Theatre. She worked with the American Drama Group on a production of<br />
THE IMPORTANCE OF BEING EARNEST with Tour De Force playing the roles of<br />
‘Gwendolen’ & ‘Miss Prism’. Emily thoroughly enjoyed the traveling and is really<br />
looking forward to sampling some more international beverages! Other theatre credits<br />
include ‘Miriam’ in PROJECT DANCE – THE RED SHOES (Future Shorts); ‘Celia’ in<br />
AS YOU LIKE IT (Minack Theatre, Cornwall); ‘Musician’ in THE IMAGINATIVE<br />
WOMAN (Camden People’s Theatre); ‘Enchantress’ in BEAUTY & THE BEAST<br />
(Lyceum Theatre); ‘Sally Keebler’ in CHRISTINE (New End Theatre, London);<br />
‘Helena’ in A MIDSUMMER NIGHT’S DREAM (International Tour) and probably one<br />
of the most memorable, the title role in HUMPTY DUMPTY IN NURSERY RHYME<br />
LAND (Hackney Empire & Tour). Emily is also the Artistic Director of CUE Theatre.<br />
EILIDH DEBONNAIRE trained as an Actor Musician at Rose Bruford College of<br />
Theatre and Performance. She is a performer and a Musical Director with a particular<br />
interest in the use of live music in Theatre. She lives in London and works for various<br />
Theatres running Musicality workshops and a Young adults Choir. She is really<br />
excited about getting out of busy London and spending some time touring the world.<br />
Theatre Credits: Puss in Boots, (Derby Guildhall) Bizet’s Carmen (Leicester Square<br />
Theatre,London) Brittans Noyes’s Fludde (Cheltenham International Music Festival)<br />
The Rose Tattoo (The Rose Theatre) As Musical Director: Remember How To Fly<br />
(Young Vic Theatre) The Red Helicopter(The Almeida Theatre) Park High School<br />
Musical (The Unicorn Theatre, Paines Plough) Our Country’s Good (West Sussex<br />
County Youth Theatre) The Rose Tattoo (The Rose Theatre)
TNT theatre<br />
The company was founded in 1980 by Paul Stebbings and other actors trained in the<br />
Grotowski method in Britain and Poland. While valuing the imaginative and physical<br />
techniques of the Polish director they wanted to extend their work into comic and<br />
popular forms with greater contemporary relevance. Their first production,<br />
HARLEQUIN, was a commedia dell’arte based on the life of the Russian artist<br />
Meyerhold and his struggles with Stalin. (The play was revived in 1989 and became<br />
the first play about Stalinism to be performed throughout Eastern Europe after the fall<br />
of the Berlin Wall). Other productions took popular forms and explored serious<br />
themes; such as finance and fairy tales in FUNNY MONEY, vaudeville and war in<br />
ENGLISH TEA PARTY and the detective thriller and violence in THE MURDER OF<br />
SHERLOCK HOLMES. Since its foundation all TNT productions have been written or<br />
edited by Paul Stebbings and Phil Smith. The company’s approach to the classics is<br />
to critically examine the themes of the original rather than slavishly present a<br />
hallowed text. Since 2000 the company has extended this approach to<br />
interpretations of Shakespeare with considerable international success.<br />
Music plays an important role in the company’s work, and most productions include a<br />
newly commissioned score. Notable music theatre productions include CABARET<br />
FAUST (inspired by Klaus Mann’s MEPHISTO) and the WIZARD OF JAZZ (prize<br />
winner at the Munich Biennale) both scored by the well known composer, John<br />
Kenny. TNT’s most ambitious production to date was the integrated drama, dance<br />
and music version of Melville’s MOBY DICK, with a score by John Kenny and Paul<br />
Flush. Other long term members of TNT are the choreographer Eric Tessier Lavigne<br />
and composer Thomas Johnson.<br />
TNT began its collaboration with The American Drama Group Europe and producer<br />
Grantly Marshall in 1993. Notable productions include BRAVE NEW WORLD, LORD<br />
OF THE FLIES, FAHRENHEIT 451, DEATH OF A SALESMAN, OLIVER TWIST<br />
and many of Shakespeare’s greatest plays including our recent award winning<br />
HAMLET, OTHELLO and TAMING OF THE SHREW. TNT has received regular<br />
funding from the British Council and the UK Arts Council and collaborated or coproduced<br />
with organisations such as the Athens Concert Hall (Megaron), The St<br />
Petersburg State Comedy Theatre (Akimov), Tams Theatre Munich and St Donats<br />
Arts Centre (Wales) and the current long term collaborations with Costa Rica’s Teatro<br />
Terruno (Café Britt) Milky Way Productions in Beijing and the Shanghai Dramatic<br />
Arts Centre. TNT has toured from London to Hong Kong, from Guatemala to Tokyo,<br />
from Atlanta to St Petersburg and Tehran to Berlin in venues that range from village<br />
halls to opera houses and from castle ruins to National theatres. We borrow our<br />
motto from the great Russian theatre director, Meyerhold:<br />
“Tragedy with a smile on its lips”.<br />
Repertoire 2011-12<br />
MUCH ADO ABOUT NOTHING, MACBETH, A MIDSUMMER NIGHT’S DREAM and<br />
TAMING OF THE SHREW by Shakespeare, DAVID COPPERFIELD, OLIVER<br />
TWIST and A CHRISTMAS CAROL by Charles Dickens, LA CASA DE BERNADA<br />
ALBA by Lorca and our own version of DON QUIJOTE (in Spanish) and a multicultural<br />
production, ONE LANGUAGE MANY VOICES, based on Britain’s colonial<br />
experience with text from Salman Rushdie, Chinue Achebe and Somerset Maugham.