Print Annual 25 - Childs Gallery
Print Annual 25 - Childs Gallery
Print Annual 25 - Childs Gallery
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CHILDS GALLERY<br />
Volume <strong>25</strong><br />
<strong>Print</strong> <strong>Annual</strong><br />
Five Dollars<br />
1
Peggy Bacon, American (1895-1987). The Chosen Few, 1972. Lithograph, 14 x 21 3/4 inches. Flint 192. Signed in pencil:<br />
“Peggy Bacon”. A fine impression in fine condition with full margins. $550<br />
Grant Wood, American (1891-1942). Seed Time and Harvest,<br />
1937. Lithograph, 7 1/2 x 12 1/4. Signed in pencil:<br />
“Grant Wood”. Czestochowski 4, Cole 2, published by<br />
AAA, edition of <strong>25</strong>0. A fine impression in fine condition<br />
aside from slight foxing in the lower margin, with full<br />
margins. $6,<strong>25</strong>0<br />
Grant Wood, American (1891-1942). Fertility, 1939. Lithograph,<br />
9 x 12 inches. Signed in pencil lower right: “Grant<br />
Wood”. Czestochowski 167, published by AAA, edition<br />
of <strong>25</strong>0. A fine impression in fine condition with full<br />
margins. $6,000<br />
2<br />
LEFT: Thomas Hart Benton, American (1888-1975). Lonesome<br />
Road, 1938. Lithograph, 12 1/2 x 9 3/4 inches. Fath<br />
18. Published by AAA, edition of <strong>25</strong>0. Signed in pencil:<br />
“Benton”. A fine impression in fine condition with full<br />
margins. $2,400<br />
<strong>Childs</strong> is also pleased to offer Island Hay by Thomas<br />
Hart Benton.
CHILDS GALLERY<br />
Volume <strong>25</strong><br />
<strong>Print</strong> <strong>Annual</strong><br />
I have never given great weight to numerology, but as I reviewed <strong>Print</strong> <strong>Annual</strong> Volume <strong>25</strong>, I noted that this<br />
publication had had a run longer than many national magazines and has now presented more than <strong>25</strong>00 images of fine<br />
prints and drawings together with their cataloguing and prices. This gives a record for more than a quarter century of<br />
advancing prices and changing tastes. This year is <strong>Childs</strong> <strong>Gallery</strong>’s 65th year in business. Since we opened our doors on<br />
December 1, 1937, tens of thousands of fine prints, drawings, paintings, watercolors, pastels and sculpture have passed<br />
through our doors and out into the world of museums, collectors and other dealers.<br />
One hundreth anniversaries of important events also need to be noted. July 17, 2003 marks the centennial of<br />
James A. M. Whistler’s death. His precepts defined, perhaps better than any others, our understanding of fine prints<br />
today—in his belief that editions should be limited, and signed and printed by the artist. He scoffed at foibles of<br />
collectors—the rage for wide margins, for example—and cut off the margins on many of his own prints, thus turning a<br />
vice into a virtue. At the time of his death he was encouraging the British public to honor the memory of Hogarth whose<br />
prints he had loved from an early age. Frank Duveneck and Otto Bacher became close friends of Whistler while he was<br />
producing the First Venice Set in Venice in 1879-80. Joseph Pennell fell under his influence and became his biographer<br />
and apologist; and no etcher could approach a plate thereinafter—certainly not of Venice—without also being influenced<br />
by Whistler’s etched vision of the Serene Republic.<br />
I believe that you will find in this catalogue prints and drawings of interest and quality in a very wide range of<br />
prices. All of them and many more can be viewed at www.childsgallery.com. We invite your inquiries.<br />
D. Roger Howlett, President<br />
FRONT COVER: Max Beckmann, German (1884-1950).<br />
Der Abend (Selbstbildnes Mit Den Battenbergs)<br />
(Evening, Self Portrait with the Battenbergs), 1916.<br />
Drypoint, 9 1/4 x 7 inches. Signed in pencil: “Beckmann”.<br />
Hofmaier 90, State IIB. A fine impression in fine condition<br />
with full margins on heavy weight paper. $10,000<br />
3<br />
James A. M. Whistler, American (1834-1903). Soupe a<br />
Trois Sous, 1859. Etching, 6 x 8 7/8 inches. Signed in<br />
plate: “Whistler”. Kennedy 49, State i/I. A fine impression<br />
printed on oriental tissue in fine condition with full<br />
margins. $3,500
Johan Frederik Clemens, Danish (1749-1831) after John Trumbull, American (1756-1843). The Death of General Montgomery<br />
in the Attack of Quebec, December 1775. Engraving, 20 x 30 inches. Signed in plate: “J. T. Clemens”. Published<br />
by A.C. de Poggi, London, 1798. While in London (1792-1795), Clemens etched John Trumbull’s 1786 painting, "The<br />
Death of General Montgomery". A fine impression in fine condition with full margins in an original neoclassical scoop<br />
gold frame with reedings and ribbons at edges and dentals on inner side. $3,500<br />
William Hogarth, British (1697-1764). Four Times of<br />
Day, Morning, May 1738. Engraving, 15 x 18 inches.<br />
Paulson 164, State ii/II. Signed in plate: “Wm. Hogarth”.<br />
John Boydell impressions printed between 1790-95. A<br />
fine impression, well printed on early wove paper, in<br />
fine condition with trimmed margins. $4,800 for the set<br />
of four (Morning, Noon, Evening, Night).<br />
4<br />
William Hogarth, British (1697-1764). Four Times of<br />
Day, Night, May 1738. Engraving, 14 1/2 x 17 1/2 inches.<br />
Paulson 167, State ii/II. Signed in plate: “Wm. Hogarth”.<br />
John Boydell impressions printed between 1790-95. A<br />
fine impression, well printed on early wove paper, in<br />
fine condition with trimmed margins. $4,800 for the set<br />
of four (Morning, Noon, Evening, Night).
Peter Moran, American (1842-1915). [Cows in a Field],<br />
1888. Etching on sheep vellum, 17 x 28 7/8 inches. Signed<br />
in pencil: “P Moran”. Remarques lower right and lower<br />
left. A fine impression in fine condition aside from slight<br />
creasing and toning with full margins. $850<br />
Peter Moran, American (1842-1915). [Herding Sheep],<br />
1888. Etching and drypoint on paper vellum, 12 3/8 x 18<br />
3/4 inches. Signed in pencil: “Moran”. Remarque lower<br />
left. A fine impression in fine condition aside from slight<br />
mat burn with full margins. $950<br />
Charles François Daubigny, French (1817-1878). Un<br />
Ruisseau du Valmondois, 1862. Etching, 7 7/8 x 4 5/8<br />
inches. Signed in plate: “Daubigny”. Delteil 116, State<br />
iii/III, Henriet 106. A fine impression in fine condition<br />
aside from a few small spots of staining, some slight<br />
discoloration at edges, and slight wrinkling at edges<br />
not extending into image, with thread margins. $400<br />
Charles François Daubigny, French (1817-1878).<br />
L’Ondée, 1851. Etching, 7 5/8 x 10 1/4 inches. Signed in<br />
plate: “Daubigny”. Delteil 85, State v/VII, Henriet 78. A<br />
fine chine appliqué impression, in fine condition with<br />
full margins. $750<br />
5<br />
LEFT: Mary Nimmo Moran, American (1842-1899). A<br />
California Forest (after Thomas Moran), 1888. Etching<br />
and drypoint, 11 7/8 x 8 inches. Signed in plate: “M. N.<br />
Moran 1888”. Klackner 57. A fine impression in fine condition<br />
with good margins. $4<strong>25</strong>
John Taylor Arms, American (1887-1953). Il Sacro<br />
Monte, Varese, [Italy], 1927. Etching, 7 7/8 x 7 3/16<br />
inches. Signed in pencil: “John Taylor Arms - 1927”.<br />
Arms 193, Fletcher 191, personal proof preceeding the<br />
edition of 100. A fine impression in fine condition with<br />
full margins. $650<br />
Otto Bacher, American (1856-1909). San Vio- Ponte del<br />
Pestor, [Venice, Italy], 1880. Etching, 13 x 6 inches.<br />
Signed in pencil: “Otto H. Bacher”. A fine chine appliqué<br />
impression in fine condition with full margins. $2,500<br />
Valer Ferenczy, Austrian (20th Century). Palazzo<br />
Loredan, [Italy], 1924. Etching, 11 x 7 3/4 inches. Signed<br />
in pencil: “Valer Ferenczy s.c. 1924”. A fine impression<br />
in fine condition aside from slight creasing in upper<br />
right corner. $300<br />
6<br />
Stefano Della Bella, Italian (1610-1664). [Maritime<br />
Scene], c. 1640. Engraving, 3 1/4 x 5 inches. Signed in<br />
plate: “S. D. Bella im.” A fine impression in fine condition<br />
aside from slight spots of discoloration, with thread<br />
margins. $5<strong>25</strong>
Domenico Quaglio, German (1786-1837). Dom Zu Frankfort<br />
Am Main, [Frankfurt, Germany], 1819. Crayon lithograph,<br />
15 7/8 x 16 1/8 inches. Signed in plate: “D. Quaglio,<br />
del et fecit 1819.” Trost L60, Nagler 2A16. A fine impression<br />
in fine condition with full margins.<br />
$850<br />
Ernest D. Roth, American (1879-1964). Anchorage,<br />
Camogli [Italy], 1930. Etching, 14 x 9 7/8 inches. Signed<br />
in pencil lower right: “Ernest D. Roth 1930”. Library of<br />
Congress 3. A fine impression in fine condition aside<br />
from slight mat toning, with full margins. $950<br />
John Taylor Arms, American, (1887-1953). The Piazza,<br />
Venzone [Italy], 1931. Etching, 5 1/4 x 7 5/16 inches.<br />
Signed in pencil: “John Taylor Arms, 1931”. Arms 241,<br />
Fletcher 239, edition of 100. A fine impression in fine<br />
condition with full margins. $5<strong>25</strong><br />
Tavik Frantisek Simon, Czechoslovakian (1877-1942).<br />
Entrance to the Louvre Paris, or Entrée du Louvre v<br />
Parizi, [France], 1928. Soft ground etching and aquatint,<br />
12 1/2 x 16 inches. Signed in pencil : “T. F. Simon”.<br />
Novak 475, 70 in an edition of 75. A fine impression in<br />
fine condition with full margins. $650<br />
<strong>Childs</strong> <strong>Gallery</strong> currently has available addition T. F.<br />
Simon prints of French, Czech, and Italian subjects.<br />
LEFT: John Winkler, American (1890-1979). Waterloo<br />
Bridge,[London, England], 1927. Etching, 7 1/2 x 11 1/<br />
2 inches. Signed in pencil: “Winkler”. A rich early impression<br />
in fine condition. $575<br />
7
Helen Hyde, American (1868-1919). White Peacock, 1914.<br />
Color woodcut, 8 3/8 x 10 inches. Signed in pencil: “Helen<br />
Hyde”. Mason 123, 159 in an edition of c.200. A fine<br />
impression in fine condition with full margins, printed<br />
on tissue paper. $1,100<br />
Kashosai Shunsen, Japanese (1762-1830). First Set:<br />
Kanzashi, c. 1807. Woodblock print, 13 3/4 x 8 3/4 inches.<br />
Signed in block: “Shunsen-ga”. With kwame approval<br />
seal with zodiac date seal of 1807. From the "Eight Artistic<br />
Views of Make-Up" series. A fine impression in good<br />
condition with trimmed margins and slight foxing, staining<br />
and creasing.“Kanzashi” is a type of hair ornament.<br />
$950<br />
Thomas Handforth, American (1897-1948). Opisat, 1927.<br />
Etching, 6 3/4 x 7 1/4 inches. Signed in pencil: “Thomas<br />
Handforth”. Edition of 50. A fine impression in fine condition<br />
with full margins. $300<br />
8<br />
Anton Schutz, German (1894-1977). Lake and Pagoda.<br />
Etching, 11 7/8 x 8 7/8 inches. Signed in pencil: "A.<br />
Schutz". A fine impression in fine condition aside from<br />
some adhesive residue in upper corners of the full margins.<br />
$350
Stow Wengenroth, American (1906-1978). Vermont Pasture,<br />
Paulet, VT, 1965. Lithograph, 10 x 15 1/2 inches.<br />
Signed in pencil: “Stow Wengenroth”. Stuckey 302, edition<br />
of 65. A fine impression in fine condition with full<br />
margins. $700<br />
Alan Crane, American (1901-1969). First Snow<br />
[Rockport, Maine], 1953. Lithograph, 9 3/4 x 13 3/4<br />
inches. Estate stamp verso. Crane 51, edition of 40. A<br />
fine impression in fine condition with full margins. $275<br />
Drawn from the window of Crane’s home in Rockport.<br />
Luigi Lucioni, American (1900-1988). Stones and Shadows,<br />
1956. Etching, 10 7/8 x 7 1/4 inches. Signed in pencil:<br />
“Luigi Lucioni ”. Embury 127, published by AAA,<br />
187 in an edition of <strong>25</strong>0. A fine impression in fine condition<br />
aside from slight toning with full margins. $6<strong>25</strong><br />
Samuel L. Margolies, American (1897-1974). R.F.D. #2,<br />
1940. Etching and aquatint, 10 x 11 7/8 inches. Signed in<br />
pencil: “S.L. Margolies”. Published by AAA, edition of<br />
<strong>25</strong>0. A fine impression in fine condition with full margins.<br />
$450<br />
9<br />
Samuel L. Margolies, American (1897-1974). Path to<br />
the Sea, 1941. Etching and aquatint, 12 x 9 3/4 inches.<br />
Signed in pencil: “S.L. Margolies”. Published by AAA,<br />
edition of <strong>25</strong>0. A fine impression in fine condition with<br />
full margins. $450
Frank W. Benson, American (1861-1952). Winter<br />
Wildfowling, 1927. Etching, 11 7/8 x 9 7/8 inches. Signed<br />
in pencil: “Frank W. Benson”. Paff 266, edition of 150. A<br />
fine impression in fine condition with full margins.<br />
$6,000<br />
Frank W. Benson, American (1861-1952). Marsh Gunner,<br />
1918. Etching, 10 7/8 x 8 7/8 inches. Signed in pencil:<br />
“Frank W. Benson”. Paff 149, edition of 150. A fine impression<br />
in fine condition with full margins.<br />
$9,500<br />
Aiden Lassell Ripley, American (1896-1969). Grouse<br />
Shooting, 1937. Drypoint, 9 x 11 3/4 inches. Estate stamp<br />
verso. Edition of 10 printed by Impressions Workshop,<br />
Boston, in 1982, by order of the estate of Doris Ripley. A<br />
fine impression in fine condition with full margins. $<strong>25</strong>0<br />
Aiden Lassell Ripley, American (1896-1969). Geese, 1946.<br />
Drypoint, 8 7/8 x 13 5/8 inches. Estate stamp verso. Edition<br />
of 10 printed by Impressions Workshop, Boston, in<br />
1982, by order of the estate of Doris Ripley. A fine impression<br />
in fine condition with full margins. $<strong>25</strong>0<br />
RIGHT: Frank Benson, American (1861-1952). Wild<br />
Geese, 1917. Etching, 6 7/8 x 10 3/4 inches. Signed in<br />
pencil: “Frank W. Benson”. Paff 112, edition of 152. A<br />
fine impression in fine condition with full margins.<br />
$1,200<br />
10
Stow Wengenroth, American (1906-1978)<br />
Barred Owls, 1956. Lithograph, 9 9/16 x 15 13/16 inches. Signed in pencil: “Stow Wengenroth”. Stuckey 231, edition of<br />
40. A fine impression in fine condition with full margins. $950<br />
Ruffed Grouse [Bayport, New York], 1942. Lithograph,<br />
11 3/8 x 17 inches. Signed in pencil: “Stow Wengenroth”.<br />
Stuckey 117, edition of 60. A fine impression in fine<br />
condition with full margins. $2,200<br />
The Brook [New Hope, Pennsylvania], 1945. Lithograph,<br />
10 9/16 x 16 1/2 inches. Signed in pencil: “Stow<br />
Wengenroth”. Stuckey 150, edition of 75. A fine impression<br />
in fine condition aside from slight toning in the full<br />
margins. $700<br />
11<br />
Red-Winged Blackbirds, 1946. Lithograph, 15 3/8 x 11<br />
inches. Signed in pencil: “Stow Wengenroth”. Stuckey<br />
158, edition of 109. A fine impression in fine condition<br />
with full margins. Accompanied by a letter of November<br />
1, 1948 from Mr. and Mrs. H.F.J. Knobloch of New York,<br />
describing how the entire edition of this print was given<br />
to them as a gift by Wengenroth. $950
Eugène Carrière, French (1849-1906). Paul Verlaine,<br />
1896. Lithograph, 20 1/2 x 15 7/8 inches. Signed in pencil:<br />
“Eugène Carrière”. Delteil 26, edition of 100. A fine<br />
impression in fine condition aside from a few skillfully<br />
repaired surface nicks and paper imperfections, with<br />
full margins. $5,000<br />
Giovanni Battista Piranesi, Italian (1720-1799). Portrait<br />
of Clement XIII, 1761. Etching, 19 x 13 1/4 inches. Focillon<br />
928, Taschen 436. Signed in plate: “I. B. Piranesius<br />
inventi” and lower right: “D. Cunego et Piraneseus<br />
sculpsevunt”. Most likely, Piranesi etched the architecture<br />
and Cunego (1726-1803) etched the portrait. A fine<br />
impression in fine condition aside from minor left crease<br />
and slight foxing in the full margins. $850<br />
Johann Lorenz Rugendas, German (1730-1799). Benjamin<br />
Franklin, c. 1777. Mezzotint, 13 1/2 x 8 7/8 inches.<br />
Signed in plate: “Angleterre le 17 Janvier 1706. Joh.<br />
Lorenz Rugendas Sculp. et excud. Aug Vind”. A fine<br />
impression in fine condition with full margins. $2,300<br />
12<br />
David Edwin , American (1776-1841), after Rembrandt<br />
Peale. Portrait of George Washington, 1800. Stipple<br />
engraving, 11 x 8 7/8 inches. Signed in plate: “D. Edwin<br />
Sc”. Hart 701, State i/III, Stauffer 903, State i/III. A fine<br />
impression in fine condition with full margins. $2,750
Jacques Callot, French (1592-1635). La Pendaison (The Hanging) from the series Les Misères et les mal-heurs de la<br />
Guerre (The Miseries and the Misfortunes of War), 1633. Signed in plate: “Callot imp. et fec.” Etching, 3 1/4 x 7 3/8 inches.<br />
Lieure 1349, State iii/III, printed c. 1742. Watermark : “1742”. A fine impression in fine condition aside from mild toning<br />
with wide (3/8 inch) margins. $12,000 for the complete set of seventeen etchings and a frontispiece (Lieure 1339-1356).<br />
Callot’s Misères et les mal-heurs de la Guerre was first published in Paris in 1633 by the well-known printer Israel<br />
Henriet. Ten of the eighteen impressions in this set are from the second state of three, indicated by the publisher’s<br />
name inscribed in the plate. These impressions were printed on Hachet paper c.1633, and are especially fine and<br />
crisp. The last plate in the series is from the third state of four (from the same printing as the second state of the other<br />
plates, and just as fine). Seven of the impressions (including the one illustrated above) are from the third state of<br />
three, printed c. 1742. The original publisher’s name was removed on the third state plates and replaced with the<br />
artist’s. Although not quite as fine as second state impressions, these third state impressions are very good.<br />
François Grenier, French (1793-1867). Napoléon, 1841.<br />
Etching, 7 1/2 x 5 3/4 inches. Signed in plate: “Composé<br />
et lith. par Grenier”. <strong>Print</strong>ed by Formentin et Companie,<br />
stamp by F. Jeannin (Lugt 1397c). BNF Inventaire Après<br />
1800, v.9 p. 367 #76, Musée de L'Amateur #109. A fine<br />
chine appliqué impression in good condition with minor<br />
discoloration in the full margins. $350<br />
13<br />
Zéphirin Belliard, French (1798- c. 1843). Hortense, c.<br />
1830. Lithograph, 9 7/8 x 8 3/8 inches. Signed in plate:<br />
“Z. Belliard”. BNF Inventaire Après 1800, v.2 p. 133 #17.<br />
<strong>Print</strong>ed by Delpech. A fine impression in fine condition<br />
with full margins. $450<br />
Hortense de Beauharnais was Napoléon Bonaparte's<br />
step-daughter by Joséphine de Beauharnais. Hortense<br />
and Napoléon had an affair that resulted in the birth<br />
of an illegitimate child, Napoléon-Charles.
Alice D. Laughlin, American (1895-1952). Nativity, c.<br />
1935. Wood engraving, 3 x 4 inches. Signed in pencil:<br />
“Alice D. Laughlin”. A fine impression in fine condition<br />
with full margins. $200<br />
Boris Artzybasheff, Russian (1899-1965). The Last Trumpet,<br />
1937. Wood engraving, 11 3/8 x 7 7/8 inches. Signed<br />
in pencil: “Boris Artzybasheff”. 64 in an edition of <strong>25</strong>0.<br />
Published by the Woodcut Society: Kansas City, 1937.<br />
A fine impression in fine condition with full margins.<br />
$1,800<br />
Alice D. Laughlin, American (1895-1952). The Kings Sit<br />
Down to Dinner, c. 1935. Wood engraving, 5 3/4 x 6 7/8<br />
inches. Signed in pencil: “Alice D. Laughlin”. A fine<br />
impression in fine condition with full margins. $<strong>25</strong>0<br />
RIGHT: Georges Rouault, French (1871-1958). Christ<br />
au Faubourg, 1935. Aquatint, 12 1/4 x 8 1/4 inches.Signed<br />
in plate: “GR 1939”. Chapon/ Rouault <strong>25</strong>8a, Wofsy 338,<br />
edition of 40 printed in black, 270 overall. “Verge de<br />
Montval” watermark. One of 17 aquatints that illustrated<br />
the album “Passion”, published in 1939 by Ambroise<br />
Vollard, text by André Saures. A fine impression in fine<br />
condition with full margins. $2,500<br />
14
Everardo Ramirez, Mexican (b. 1906). The Corn Crib.<br />
Wood engraving, 10 11/16 x 9 5/8 inches. Signed in pencil:<br />
“Everado Ramirez”. A fine impression tipped to support<br />
sheet in fine condition with wide margins. $500<br />
Alan Crane, American (1901-1969). Amecameca Pilgrims<br />
[Mexico], 1944. Lithograph, 13 7/8 x 9 1/8 inches. Estate<br />
stamp verso. Crane 17, edition of 50. A fine impression<br />
in fine condition with full margins. $<strong>25</strong>0<br />
Irwin D. Hoffman, American (1901-1989). Bullfight<br />
[Mexico], c. 1935. Etching, 6 x 11 1/4 inches. Signed in<br />
pencil: “Irwin D. Hoffman”. A fine impression in fine<br />
condition with full margins. $600<br />
Jose Clemente Orozco, Mexican (1893-1949). Pueblo,<br />
Mexicano, 1930. Lithograph, 10 13/16 x 15 1/4 inches.<br />
Signed in pencil: “J C Orozco”. Hopkins 20, 12 in an<br />
edition of 100. A fine impression in fine condition with<br />
full margins. $6,500<br />
Jesus Escobedo, Mexican (b. 1918). Fisherman of<br />
Acapulco, Mexico, 1939. Lithograph, 8 3/16 X 10 11/16<br />
inches. Signed in pencil: “Jesus Escobedo/ 1939”. 18 in<br />
an edition of 20. A fine impression in fine condition with<br />
full margins. $750<br />
15
John Sloan, American (1871-1951). Nude at Dressing<br />
Table, 1933. Etching, 6 7/8 x 5 3/8 inches. Signed in<br />
pencil: “John Sloan”. Morse 268, State iii/IV. Edition of<br />
100. A fine impression in fine condition aside from old<br />
glue stains at the top and bottom edges of the full margins,<br />
not extending into the image. $2,300<br />
Gerald Brockhurst, British (1890-1978). Nadia, 1921.<br />
Etching, 5 1/2 x 4 3/8 inches. Signed in pencil: “G. L.<br />
Brockhurst”. Wright 26, State v/X. A fine impression in<br />
fine condition aside from artist’s fingerprint marks in<br />
the full margins. $650<br />
James A. M. Whistler, American (1834-1903). Mother<br />
and Child, No. 1, 1891 and 1895. Lithograph, 7 1/4 x 7<br />
1/2 inches. Signed with butterfly monogram. Chicago<br />
51, ii/II; Way 80; Levy 119, from lifetime edition of 33<br />
(not distinguishing between first and second states).<br />
Chicago watermark 309. A fine impression in fine condition<br />
aside from slight soiling with full margins.<br />
$9,500<br />
16<br />
Anders Zorn, Swedish (1860-1920). Kesti, A Mora Peasant,<br />
1906. Etching, 6 1/4 x 4 3/4 inches. Signed in pencil:<br />
“Zorn”. Asplund 196, State ii/II. Delteil 193. A fine impression<br />
in fine condition with full, slightly tattered margins.<br />
$1,600
Anders Zorn, Swedish (1860-1920). Omnibus, 1920. Etching, 10 3/4 x 7 3/4 inches. Signed in pencil: “Zorn”. Asplund 72,<br />
Delteil 71, State iii/III, Hjert & Hjert 183, State iii/III. Edition of 75. A fine impression in fine condition with full margins.<br />
$28,000<br />
Omnibus is one of Zorn’s most distinguished etchings. A painting of the same subject is in the collection of the Isabella<br />
Stewart Gardner Museum, Boston.<br />
17
David Young Cameron, Scottish (1865-1945). Ben Lomond, 1954. Etching and drypoint, 10 5/16 x 16 3/16 inches. Signed<br />
in pencil: “D Y Cameron”. Rinder 468, State v/VI, edition of 80. <strong>Print</strong> Collectors Quarterly, February 1924. A fine<br />
impression in fine condition with trimmed margins. $2,400<br />
This is one of Cameron's finest landscape prints. Ben Lomond Mountain overlooks Loch Lomond, the largest freshwater<br />
lake in Great Britain, and is located between Strathclyde and Central regions, in Western Scotland.<br />
Joseph Pennell, American, (1857-1926). Entrance to<br />
Henry VII's Chapel (Westminster) [London, England],<br />
1905. Etching and drypoint, 11 x 8 1/2 inches. Signed in<br />
pencil: “Pennell imp.” Wuerth 354, edition of c. 75 proofs.<br />
A fine impression in fine condition with slight tear on<br />
left margin not extending into image. $350<br />
18<br />
Frank Duveneck, American (1848-1919). Piazza San<br />
Marco [Venice], 1883. Etching, 13 5/16 x 11 inches. Initialed<br />
in plate: “FD 1883”. Poole 15. A fine impression in<br />
fine condition with full margins. $3,500
James A.M. Whistler, American, (1834-1903). The Storm, 1861. Etching, 6 3/8 x 11 1/4 inches. Signed in plate: “Whistler”.<br />
Kennedy 81, State ii/II (with cancellation lines). Kennedy describes four lifetime impressions before the cancellation of<br />
the plate, but there may be a few more in existance. The cancellation proofs still print well and are rare. This proof matches<br />
the quality of the Dowdeswell cancellation proof at the Boston Public Library—the latter on van Gelder paper. This proof<br />
is a fine impression on old French green paper with plate tone and retroussage and still printing with some burr, in fine<br />
condition except for a small paper loss in the extreme upper left and lower right corners of the full margins. $12,000<br />
James A.M. Whistler, American (1834-1903). Fulham<br />
[England], c. 1878. Etching, 5 3/16 x 8 inches. Signed<br />
with butterfly monogram. Kennedy 182, State ii/II. A<br />
fine impression on heavy japan paper with delicate plate<br />
tone in fine condition aside from very slight mat toning<br />
with exceptionally wide margins. $1,800<br />
Seymour Haden, British (1818-1910). Whistler's<br />
House, Old Chelsea [London, England], 1863. Etching<br />
and drypoint, 6 7/8 x 13 1/8 inches. Signed in pencil:<br />
“Seymour Haden”. Schneiderman 50, State vii/VII. A<br />
fine impression in fine condition aside from a fragment<br />
missing from the left margin, with good margins. $2,500<br />
James McBey, Scottish, (1883-1959). Amsterdam from<br />
Ransdorp, 1910. Etching, 4 15/16 x 9 inches. Signed<br />
in pencil: “James McBey”. Hardie 74, edition of 40. A<br />
fine impression in fine condition with full margins. $650<br />
19<br />
Frederick Childe Hassam, American (1859-1935). The<br />
Chimneys, Portsmouth [New Hampshire], 1915. Etching,<br />
4 15/16 x 8 3/16. Signed in pencil with monogram.<br />
Cortissoz 16. A fine impression in fine condition aside<br />
from very slight mat toning with full margins. $2,100
Lawrence Nelson Wilbur, American (1897-1988). The<br />
Spire, New York, 1984. Drypoint, 14 7/8 x 11 1/8 inches.<br />
Signed in pencil: “Lawrence Nelson Wilbur”. 14 in an<br />
edition of 100. A fine impression in fine condition with<br />
full margins. $500<br />
Armin Landeck, American (1905-1984). Manhattan<br />
Vista, 1934. Drypoint, 9 7/8 x 8 1/2 inches. Signed in<br />
pencil: “Landeck 1934”. Kraeft 47, edition of 100. A fine<br />
impression in fine condition with full margins. $2,900<br />
Thomas Nason, American (1889-1971). St. Paul’s Chapel<br />
[Columbia University, New York City], 1953. Wood<br />
engraving, 4 x 3 1/16 inches. Unsigned. BPL 507, commissioned<br />
by Columbia University but never editioned<br />
except for a few proofs. Fine impression in fine condition<br />
with full margins. $300<br />
20<br />
Edith L.Smul, American (1897-1978). Winter in the Park<br />
[New York]. Lithograph, 14 3/4 x 11 inches. Signed in<br />
pencil: “Ethel L. Smul”. 6 in an edition of 15. A fine<br />
impression in fine condition aside from slight mat toning<br />
and tape remnants around the outside edges of the<br />
good margins. $350
Max Weber, Polish-American (1881-1961). Brooklyn<br />
Bridge, 1928. Hand-colored lithograph, 6 3/4 x 8 3/8<br />
inches. Signed in pencil: “Max Weber”. Rubenstein 70,<br />
edition of 30 including 5 hand-colored impressions. A<br />
fine impression in fine condition with full margins.<br />
$12,000<br />
George Bellows, American (1882-19<strong>25</strong>). In the Park,<br />
Dark, 1916. Lithograph, 17 1/16 x 23 3/8 inches. Signed<br />
in pencil: “Geo Bellows”. Mason 30, 17 in an edition of<br />
81. A fine impression in fine condition with full margins.<br />
$8,500<br />
James Penney, American (1910-1982). Queens Landscape<br />
[New York City], 1932. Lithograph, 9 3/4 x 7 7/8<br />
inches. Signed in pencil: “Queen's Landscape James<br />
Penney 1932”. <strong>Print</strong>ed in a very small edition. A fine<br />
impression in fine condition with full margins. $1,100<br />
21<br />
Adriaan Lubbers, American (1892-1954). The "L" at<br />
Chatham Square, 1929. Lithograph, 14 11/16 x 8 3/4<br />
inches. Signed in pencil: “Adriaan Lubbers/ 1929”. A<br />
fine impression in fine condition with full margins.<br />
$1,700<br />
LEFT: James L. Hendershot, American (b.1941). Swan<br />
Boats [Boston], 1980. Lithograph, 14 x 20 inches. Signed<br />
in pencil: “JL Hendershot”. 65 in an edition of 100. A<br />
fine impression in fine condition with full margins. $<strong>25</strong>0
Honoré Daumier, French (1808-1879). Et ces Deux<br />
Grands Debris se Consolaient Entre Eux, 1866. Lithograph,<br />
9 1/2 x 8 3/4 inches. Initialed in the stone: “H.D.”<br />
Delteil 3500, State ii/II. From the “Actualites”, published<br />
in Le Charivari. A fine impression in fine condition aside<br />
from slight mat burn and a horizontal fold line, with full<br />
margins. $75<br />
Honoré Daumier, French (1808-1879). Nouveau<br />
Parapluie, par Brevet d'invention, Ressorts<br />
Perfectionnes, Souvrant avec une Merveilleuse<br />
Facilité, 1840. Lithograph, 9 3/4 x 7 1/4 inches. Initialed<br />
in the stone: “H.D.” Delteil 717. Published in Le<br />
Charivari. A fine impression in fine condition with full<br />
margins, mounted to paper. $75<br />
Paul Gavarni, French (1804-1866). La Boutique, 1857-<br />
58. Lithograph, 12 x 7 1/2 inches. Signed in stone: “Par<br />
Gavarni”. Armehaut and Boucher 1889, State ii/II, 40 in<br />
the series “Physionomies Parisiennes”. A fine sur blanc<br />
impression in fine condition with full margins. $150<br />
22<br />
Paul Gavarni, French (1804-1866). Sans Profession, 1853.<br />
Lithograph, 7 9/16 x 6 5/16 inches. Armelhaut and Bocher<br />
1<strong>25</strong>9, State ii/II, number 3 in the series “Bohèmes,” one<br />
of the groupings within the larger series “Masques et<br />
Visages”. A fine sur blanc impression in fine condition<br />
aside from a stain in the right margin. $1<strong>25</strong>
William Gropper, American (1887-1977). For the<br />
Record. Soft ground etching and aquatint, 5 3/4 x 3 3/4<br />
inches. Signed in pencil: “Gropper”. A fine impression<br />
in fine condition with full margins. $2<strong>25</strong><br />
William Gropper, American (1887-1977). The Judge.<br />
Lithograph, 19 1/4 x 13 inches. Signed in pencil:<br />
“Gropper”. A fine impression in fine condition with<br />
full margins. $<strong>25</strong>0<br />
Allen Lewis, American (1873-1957). One Man had<br />
Better Steal a Horse Than Another Look Over the<br />
Hedge, 1917. Wood engraving, 4 3/4 x 3 1/4 inches.<br />
Signed in pencil: “Allen Lewis”. A fine impression in<br />
fine condition with good margins. $85<br />
23<br />
Allen Lewis, American (1873-1957). Need Makes the<br />
Old Wife Trot, 1917. Wood engraving, 4 7/8 x 3 3/8<br />
inches. Signed in pencil: “Allen Lewis”. A fine impression<br />
in fine condition with narrow margins. $85
Werner Drewes, German-American (1899-1985). Girls<br />
Feeding Birds, 1954. Woodcut, 20 3/4 x 11 5/8 inches.<br />
Signed in pencil: “Drewes 54”. Rose 162, edition of 20. A<br />
fine impression in fine condition with full margins.<br />
$1,200<br />
Letterio Calapai, American (1902-1993). 11:45 pm, 1947.<br />
Relief print in blue-black ink, 19 3/4 x 11 3/4 inches.<br />
Signed in pencil: “L. Calapai ‘47”. 11 in an edition of 30.<br />
A fine impression in fine condition with full margins.<br />
$2,000<br />
Letterio Calapai, American (1902-1993). The Robin and<br />
Her Brood, 1984. Intaglio in red ink, 7 1/4 x 14 3/4 inches.<br />
Signed in pencil: “L. Calapai ‘84”. 14 in an edition of 65.<br />
A fine impression in fine condition with full margins.<br />
$200<br />
Werner Drewes, German-American (1899-1985).<br />
Crystallic Form, 1944. Woodcut, 9 7/8 x 15 3/8 inches.<br />
Signed in pencil: “Drewes”. Rose 122, State i/II. A fine<br />
impression on Japanese paper, in fine condition with<br />
full margins. $1,200<br />
RIGHT: James J. McVicker, American (b. 1911). Lateral<br />
Passage, 1982. Color aquatint, 9 7/8 x 17 inches.<br />
Signed in pencil: “McVicker ‘82”. 2 in an edition of 40. A<br />
fine impression in fine condition with full margins. $450<br />
24
Benton Spruance, American (1904-1967). Fragment,<br />
1954. Lithograph printed in five colors, 16 3/8 x 11 inches.<br />
Signed in pencil: “imp. Spruance 54”. Fine and Looney<br />
337, edition of 30. A fine impression in fine condition<br />
aside from slight discoloration, with full margins. $950<br />
Georges Rouault, French (1871-1958). Sunt Lacrymae<br />
Rerun, 1926. Etching and aquatint, 23 x 16 1/2 inches.<br />
Signed in plate: “G. Rouault”. Misere 27, edition of 4<strong>25</strong>,<br />
printed on Arches laid paper watermarked “Ambroise<br />
Vollard”. A fine impression in fine condition with full<br />
margins. $2,200<br />
Dorothy Rutka, American (1907-1985). Aunt Josie, 19<strong>25</strong>.<br />
Pochade in purple, green, grey and yellow, 8 x 5 3/4<br />
inches. Signed in pencil: “Rutka/ 19-<strong>25</strong>”. A fine impression<br />
in fine condition with full margins. $350<br />
<strong>25</strong><br />
Karl Schrag, German-American (1912-1995). Rain and<br />
the Sea, 1946. Etching, 14 3/4 x 10 7/8 inches. Signed in<br />
pencil: “Karl Schrag 1946”. Edition of 30. A fine impression<br />
in fine condition with full margins. $1,200
Arthur Briscoe, British (1873-1943). Gravesend Reach<br />
[Kent, England], 1927. Etching, 6 7/16 x 9 7/8 inches.<br />
Signed in pen: “Arthur Briscoe”. Hurst 194, Laver 102,<br />
62 in an edition of 75. A fine impression in fine condition<br />
with good margins. $750<br />
Muirhead Bone, Scottish (1876-1953). Evening, Port of<br />
Genoa [Italy], 1915. Drypoint, 7 1/2 x 9 1/2 inches. Signed<br />
in pencil: “Muirhead Bone”. Dodgson 377, edition of 45<br />
in four states. A fine impression in good condition aside<br />
from slight overall toning, and minor soiling in the full<br />
margins. $600<br />
Gordon Grant, American (1875-1962). [Schooner], c.<br />
1940. Lithograph, 9 x 10 inches. Signed in pencil: “Gordon<br />
Grant”. A fine impression in fine condition with<br />
good margins. $450<br />
Frank W. Benson, American (1862-1951). The Anchorage,<br />
1915. Etching, 3 7/8 x 5 7/8 inches. Signed in pencil:<br />
“Frank W. Benson”. Paff 57, State i/II, 13 in an intended<br />
edition of 50, actual edition 48. A fine impression in fine<br />
condition with full margins. $2,200<br />
William Meyerowitz, Russian-American (1887-1981). View From Hill, Gloucester Harbor, c. 1922. Etching, 6 x 12 inches.<br />
Signed in pencil: “Wm Meyerowitz”. 3 in an edition of 20. A fine impression in fine condition with full margins. Excollection<br />
Theresa Bernstein (wife of the artist). $1,100<br />
26
William Meyerowitz, Russian-American (1887-1981).<br />
Boats in Harbor, c. 1922-32. Etching, 7 7/8 x 9 7/8 inches.<br />
Signed in pencil: “Wm Meyerowitz”. A fine impression<br />
in fine condition with good margins. Ex-collection<br />
Theresa Bernstein (wife of the artist). $700<br />
Frank Brangwyn, British (1867-1956). Going Aboard,<br />
1918. Lithograph, 18 1/2 x 13 7/8 inches. Signed in pencil:<br />
“Frank Brangwyn”. Edition of 200. Number 4 in “Making<br />
Sailors,” a portfolio of 6 lithographs. A fine impression<br />
in fine condition with good margins. $750<br />
David Young Cameron, Scottish (1865-1945). The Old<br />
Revenge [Scotland], 1889. Etching, 10 7/8 x 16 5/16.<br />
Signed in pencil: “D.Y. Cameron”. Rinder 50, State ii/II,<br />
edition of 100, 40 of which were destroyed. A fine impression<br />
in fine condition with full margins. $450<br />
James Craig Nicoll, American (1847-1918). Moonlight<br />
Communipaw [New Jersey], 1885. Etching, 10 7/8 x 16<br />
inches. Signed in pencil: “J.C. Nicoll”. A fine impression<br />
in fine condition aside from slight discoloration in the<br />
full margins. $650<br />
Mauritz Frederic Hendrik de Haas, Dutch-American<br />
(1832-1895). Fishing Boats on the Beach at<br />
Scheveningen [Holland], 1883. Etching, 6 1/4 x 8 7/8<br />
inches. Signed in plate: “MFH de Haas”. A fine impression<br />
in fine condition with full margins. $175<br />
RIGHT: Henry Farrer, American (1843-1903). Sunset in<br />
Gowan’s Bay [New York], 1880. Etching, 6 5/16 x 9 7/16<br />
inches. Signed in pencil: “H Farrer / 1880”. A fine impression<br />
in fine condition with full margins. $150<br />
27
Fine Drawings<br />
Otto Heinigke, American (1850-1915). [A New York<br />
Field], 1880. Watercolor, 7 x 10 inches. Signed lower<br />
right: “Otto Heinigke / N.Y. 1880”. In fine condition.<br />
$650<br />
James Ward, British (1769-1859). Willows, c. 1804-7.<br />
Charcoal and chalk, 12 1/4 x 20 1/2 inches. Signed lower<br />
left: “JWard.RA”. In fine condition. $4,500<br />
George F. Bosworth, American (1859-1953). Fish House,<br />
East Gloucester [Massachusetts], 1930. Pencil on card,<br />
7 1/2 x 11 3/8 inches. Signed lower right: “G.F.B. Aug<br />
‘30”. In fine condition. $275<br />
Henry Botkin, American (1896-1983). Boat at St. Tropez,<br />
1929. Ink, 8 3/8 x 9 1/2 inches. Signed lower right:<br />
“Botkin”. In fine condition aside from creasing in the<br />
margins. $<strong>25</strong>0<br />
Samuel Chamberlain, American (1895-1975). Castel del<br />
Monte [Italy], c. 1955. Graphite, 2 3/4 x 8 inches. Initialed<br />
lower left: “SC”. In fine condition. $500<br />
Jan Gelb, American (1906-1978). A Street in Amsterdam,<br />
1929. Pencil, 9 x 11 1/2 inches. Titled, signed and dated<br />
lower right: “A Street in / Amsterdam - 1929 J Gelb”. In<br />
fine condition. $300<br />
28<br />
Herbert Barnett, American (1910-1972). View from the<br />
Pasture of Brooks’ Farm [Princeton, Massachusetts],<br />
1951-5. Ink and wash, 12 x 17 7/8 inches. From the estate<br />
of the artist. In fine condition. $500
Fine Drawings<br />
R.H. Ives Gammell, American (1893-1981). [Male Figure<br />
Study], c. 1930-36. Pencil on card, 14 x 10 inches.<br />
From the estate of the artist. In fine condition. $550<br />
Mather Brown, American (1761-1831). Costumed Lady<br />
(3/4 length, standing), c. 1795-1800. Pen and gray ink<br />
over pencil, 8 1/2 x 4 3/4 inches. In fine condition. Number<br />
327 in Brown raisonné by Dorinda Evans (Mather<br />
Brown: Early American Artist in England, 1982). $3,000<br />
Chaim Gross, Austrian-American (1904-1991). Seated<br />
Nude, 1950. Charcoal, 11 1/4 x 15 3/8 inches. Signed<br />
lower right: “Chaim Gross”. In fine condition. $950<br />
29<br />
LEFT: Donald De Lue, American (1897-1988). Study for<br />
Airborne, c. 1948. Charcoal on tissue, 23 x 15 inches.<br />
From the estate of the artist. In fine condition. $2,800<br />
<strong>Childs</strong> is also pleased to offer the sculpture Airborne.
Fine Drawings<br />
José de Creeft, Spanish-American (1884-1982). Figure<br />
Group, c. 1940. Pen, ink, wash and charcoal, 32 x <strong>25</strong> 1/2<br />
inches. Signed lower right: “Jose de Creeft”. In fine condition.<br />
$4,200<br />
Bryson Burroughs, American (1869-1934). King and<br />
Two Swordsmen and Christ and Three Apostles, c. 1900.<br />
Watercolor and charcoal, 12 3/8 x 9 1/2 inches. Estate<br />
stamp lower left. In fine condition aside from thumbtack<br />
holes in the corners. Two studies for stained glass in<br />
the medieval manner. $600<br />
Alexander Brook, American (1898-1980). Children Playing<br />
[Savannah, Georgia], 1941-44. Graphite, 11 x 17<br />
inches. Signed lower right: “A Brook”. In fine condition<br />
aside from a small pinhole at center top. $950<br />
30<br />
Jack Kramer, American (1923-1984). [Self Portrait at<br />
an Easel], c. 1975. Ink, 16 3/4 x 13 3/4 inches. From the<br />
estate of the artist. In fine condition. $150
Frederic Sackrider Remington, American (1861-1909). Three Mounted United States Troopers, 1898. Grisaille watercolor<br />
wash and white gouache, 21 1/4 x 27 3/4 inches. Signed in ink lower right: “Frederic Remington”. In fine condition.<br />
Provenance: Mrs. Frederick P. Taft (before 1970); to private New England collection.<br />
Price on request<br />
This drawing is one of Remington’s many Spanish-American War illustrations, although it was never published. The<br />
subject of the drawing is most likely troopers in Tampa, Florida. Other related Remington works from the Spanish-<br />
American War Florida-Cuba campaign are in the collection of The Art Institute of Chicago (Hassrick 2305), The<br />
Frederic Remington Museum, Ogdensburg, New York (Hassrick 2306), and the 21 Collection, New York, New York<br />
(Hassrick 2350).<br />
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description should be shown to vary from the work at the time that it was sold.<br />
Project Editor: Emily Schreiner<br />
31<br />
Assistant Editor: Courtney McGowan
Albert Decaris, French (1901-1989). Saint John the Baptist, 1927. Engraving, 29 x 19 1/4 inches.<br />
Signed in pencil: “Decaris 1927”. 13 in an edition of 50. A fine impression in fine condition with good<br />
margins. $2,000<br />
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32
Volume <strong>25</strong><br />
Gloucester Fishermen Racing, 1928. Etching, 7 7/8 x<br />
11 7/8 inches. Initialed in pencil: “R.B. 1928”. A fine impression<br />
in fine condition with full margins.<br />
$500<br />
<strong>Print</strong> <strong>Annual</strong><br />
CHILDS GALLERY<br />
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ADDRESS SERVICE REQUESTED<br />
Reynolds Beal, American (1867-1951)<br />
Coast Scene, Dominica, 1932. Etching, 6 3/4 x 9 3/4<br />
inches. Signed in pencil: “Reynolds Beal, 1932”. A<br />
fine impression in fine condition with full margins.<br />
$375<br />
Enterprise Wins, 1930. Etching, 6 15/16 x 9 7/8 inches.<br />
A fine impression in fine condition with full margins.<br />
$300
Leo Meissner, American (1895-1977)<br />
Auction, New England, 19<strong>25</strong>. Linoleum cut, 8 1/2 x 12<br />
inches. Signed in pencil: “Leo Meissner”. Edition of 30.<br />
A fine impression in fine condition with full margins.<br />
$500<br />
Waterfall. Wood engraving, 4 x 2 7/8 inches. Signed in<br />
pencil: “Leo Meissner”. <strong>25</strong> in an edition of at least 30. A<br />
fine impression in fine condition with full margins. $85<br />
Bridge at Glencoe. Woodcut, 7 x 9 inches. Signed in<br />
pencil: “Leo Meissner”. 48 in an edition of 60. A fine<br />
impression in fine condition with full margins. $275<br />
Iris, 1942. Wood engraving, 8 15/16 x 6 5/16 inches.<br />
Signed in pencil: “Leo Meissner”. 11 in an edition of 50.<br />
A fine impression in fine condition with full margins.<br />
$400<br />
Down East, 1971. Wood engraving, 7 1/2 x 10 7/8 inches.<br />
Signed in pencil: “Leo Meissner”. Edition of 60. A fine<br />
impression in fine condition with full margins. $350
Raphael Soyer, American (1899-1987). [Greenwich Village<br />
Scene], 1970s. Color lithograph, 20 x 15 inches.<br />
Signed in pencil: “Raphael Soyer ”. Executed after the<br />
Cole catalogue. 78 in an edition of 300. A fine impression<br />
in fine condition with full margins, printed on French<br />
paper. $1,200<br />
Mervin Jules, American (b.1912). Morning Practice,<br />
1966. Color woodcut, 24 x 12 inches. Published by AAA,<br />
artist's proof before the edition of 100. Signed in pencil:<br />
“Mervin Jules”. A fine impression in fine condition, aside<br />
from slight creasing in corners, with full margins, and<br />
printed on japanese paper. $200<br />
Irving Amen, American (b. 1918). Chess Strategy. Color<br />
lithograph, 17 1/2 x 13 1/2 inches. Signed in pencil:<br />
“Amen”. 214 in an edition of 300. A fine impression in<br />
fine condition with full margins. $450<br />
This print is most likely a portrait of Bobby Fischer.<br />
RIGHT: Isac Friedlander, American (1890-1968). At the<br />
Lake. Wood engraving, 4 3/16 x 5 3/16 inches. Signed in<br />
pencil: “I. Friedlander”. A fine impression in fine condition,<br />
aside from pale discoloration on outer edge of the<br />
1 inch margins. $400
C.J.A. Wilson, American (1880-1965)<br />
Heave Short. Etching, 6 7/8 x 8 7/8 inches. Signed in<br />
pencil: “CJA Wilson”. 65 in an edition of 75. A fine impression<br />
in good condition aside from mat toning and<br />
minor tape residue in the full margins. $2<strong>25</strong><br />
America- Boston Pilot Boat 1897. Etching, 4 x 6 inches.<br />
Signed in pencil: “CJA Wilson”. A fine impression in<br />
fine condition with trimmed margins and adhesive residue<br />
verso. $150<br />
Three Brothers. Etching, 3 1/2 x 4 7/8 inches. Signed in<br />
pencil: “CJA Wilson”. A fine impression in fine condition<br />
aside from slight mat toning with full margins. $150<br />
R. M. S. Queen Mary. Etching, 4 x 6 1/8 inches. Signed in<br />
pencil: “CJA Wilson”. A fine impression in fine condition<br />
aside from slight mat toning with full margins. $150<br />
Cape Cod Canal. Etching, 4 x 6 inches. Signed in pencil:<br />
“CJA Wilson”. A fine impression in fine condition<br />
aside from minor foxing with full margins. $175<br />
RIGHT: Standing Down the Line. Etching, 6 7/8 x 5 3/8<br />
inches. Signed in pencil: “CJA Wilson”. A fine impression<br />
in fine condition aside from minor soiling with<br />
trimmed margins. $200