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Letters and Lines - SCBWI Rocky Mountain

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Illustration copyright Karen Limb Windness, 2008<br />

<strong>Letters</strong> <strong>and</strong> <strong>Lines</strong><br />

Fall Conference for Children’s Writers <strong>and</strong> Illustrators<br />

Saturday <strong>and</strong> Sunday, September 20-21, 2008<br />

at the Qwest Learning <strong>and</strong> Conference Center,<br />

Lakewood, Colorado<br />

Presented by<br />

the <strong>Rocky</strong> <strong>Mountain</strong> Chapter of<br />

the Society of Children’s Book Writers <strong>and</strong> Illustrators


Contents<br />

Schedule of Events.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3<br />

Lunch Menu Descriptions................................ 3<br />

Exp<strong>and</strong>ed Schedule with Session Descriptions<br />

Saturday Sessions.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-5<br />

Sunday Sessions. ..................................... 6<br />

Featured Speakers .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-9<br />

Special Instructions for Optional Sessions .. . . . . . . . . . . . . . 10<br />

Registration Fees....................................... 11<br />

The Vickie Ferguson Children’s Writer Scholarship........ 11<br />

Hotel Options.......................................... 12<br />

Directions to Qwest Learning <strong>and</strong> Conference Center .. . . 12<br />

Information Form .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13<br />

Registration Form.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14<br />

<strong>Rocky</strong> <strong>Mountain</strong> Chapter website: www.rmcsbwi.org<br />

For more information contact:<br />

Denise Vega, Co-Regional Advisor, denise@rmcscbwi.org<br />

Christine Liu Perkins, Co-Regional Advisor, chris.rmcscbwi@gmail.com<br />

Todd Tuell, Assistant Regional Advisor, ttuell@yahoo.com<br />

Thank you to Karen Limb Windness for the cover art. ‐ http://mudpuppystudios.com<br />

Thank you to Gayle Croissant-Madden for the brochure design. ‐ http://www.cardigras.com


Schedule of Events<br />

Day 1, Saturday, September 20, 2008<br />

7:45 – 8:30 General Registration, Check-in for Author <strong>and</strong><br />

Illustrator Book Sales, Book Sales, Continental<br />

breakfast<br />

8:00 – 8:45 Pre-Conference Session (choose one)<br />

• Children’s Publishing 101 – Denise Vega<br />

• The ABC’S of Illustrating for the Children’s<br />

Book Market – Bobbi Collier-Morales<br />

9:00 – 9:15 Welcome<br />

9:15 – 10:00 Keynote: Risk, Luck, <strong>and</strong> Other 4-Letter Words –<br />

Bruce Hale<br />

10:00 – 10:15 Break, Refreshments<br />

10:15 – 11:15 (choose one)<br />

• The Pitch – Selling Your Manuscript in a<br />

Sentence – John Rudolph<br />

• “Voice” Lessons: Making Your Story Speak for<br />

Itself – Melissa Manlove<br />

• So You Want to be a Botanical Artist? –<br />

Carolyn Crawford<br />

11:15 – 11:25 Break<br />

11:25 – 12:25 (choose one)<br />

• To Market, to Market, to Buy . . . WHAT?? –<br />

Barry Goldblatt<br />

• Make Your Story Unputdownable –<br />

Bruce Hale<br />

• Web Marketing <strong>and</strong> Your Future –<br />

Cherish Flieder<br />

12:30 – 1:45 Lunch, Networking, Book Sales<br />

2:00 – 3:15 (choose one) – note this is a longer session<br />

• First Pages with Joy Neaves<br />

• First Pages with Barry Goldblatt<br />

• Authors’ Professional Roundtable: Marketing<br />

Yourself <strong>and</strong> Your Books<br />

• Portfolio Review of Artists Represented by<br />

Portfolio Solutions – Bernadette Szost<br />

3:15 – 3:45 Break, Refreshments, Book Sales, Autographing,<br />

Public Viewing of Portfolios<br />

3:45 – 4:45 (choose one)<br />

• Agents & Editors Corner – Barry Goldblatt,<br />

Melissa Manlove, Joy Neaves, John Rudolph,<br />

Bernadette Szost<br />

• Illustrating for Independent Publishers –<br />

Cherish Flieder<br />

4:45– 5:00 Announcements, Door Prizes, Evaluations,<br />

Farewell<br />

Please note that schedule details are subject to change.<br />

See Page 4 <strong>and</strong> 5 for session descriptions.<br />

Day 2, Sunday, September 21, 2008<br />

7:45 – 8:30 General Registration, Continental Breakfast<br />

8:45 – 9:00 Welcome<br />

9:00 – 9:50 (choose one)<br />

• Online Critique Groups: A Busy Writer’s Best<br />

Friend – Cheryl Reifsnyder<br />

• First Pages with Melissa Manlove<br />

• The Artist-Agent Relationship –<br />

Bernadette Szost<br />

9:50 –10:00 Break, refreshments<br />

10:00 – 10:50 (choose one)<br />

• Exploring Theme – Joy Neaves<br />

• Git R Done – Lauren Myracle<br />

• Digital Color – “Help! The Printer is Speaking<br />

Geek!” – Danlyn Iantorno<br />

10:50 – 11:00 Break<br />

11:00 – 11:50 (choose one)<br />

• LM + BG = BFF with Lauren Myracle <strong>and</strong><br />

Barry Goldblatt<br />

• Becoming an Authorpreneur – Bruce Hale<br />

• Illustration Critique Session with<br />

John Rudolph, Senior Editor/ Putnam<br />

12:00 – 1:00 Lunch<br />

1:00 – 1:15 Door prizes, Evaluations, Farewell<br />

Please note that schedule details are subject to change.<br />

See Page 6 for session descriptions.<br />

Lunch Menu Descriptions<br />

Following are full description of the lunch choices.<br />

Saturday Lunch choices:<br />

• Chicken Breasts, Artichokes & Rice – chicken breasts<br />

baked with sautéed artichoke hearts <strong>and</strong> mushrooms in<br />

sherry-rosemary sauce<br />

• Stir-Fried Vegetables with Brown Rice (Vegan)–<br />

broccoli, carrots, cabbage, mushrooms <strong>and</strong> baby carrots<br />

stir-fried with vegetable broth <strong>and</strong> garlic<br />

Sunday Lunch choices:<br />

• Turkey Club Wraps -- roasted turkey with bacon, lettuce,<br />

<strong>and</strong> tomato with honey Dijon dressing in a flavored<br />

tortilla<br />

• Tuscan Burrito (Vegan) – tomato tortilla filled with<br />

turmeric rice, hummus, roasted peppers, eggplant, <strong>and</strong><br />

red onions<br />

Please indicate your preference on the registration<br />

form on the last page.<br />

Page 3


Exp<strong>and</strong>ed Saturday Schedule with Descriptions<br />

8:00 – 8:45 Pre-Conference Session<br />

o Children’s Publishing 101– Denise Vega<br />

How do I get started in children’s publishing? What’s the “slush<br />

pile”? What’s the difference between a chapter book <strong>and</strong> a book<br />

with chapters? Join RMC-<strong>SCBWI</strong> Co-RA <strong>and</strong> author Denise Vega in a<br />

short informational tour. She’ll cover some of the terminology of the<br />

industry, the types <strong>and</strong> levels of children’s books, submission etiquette<br />

<strong>and</strong> the process of submitting, manuscript formatting, <strong>and</strong> anything<br />

else she can squeeze in! Come with questions <strong>and</strong> an empty h<strong>and</strong> for<br />

h<strong>and</strong>outs. Recommended for those new to children’s publishing but all<br />

are welcome.<br />

o The ABC’S of Illustrating for the Children’s Book Market –<br />

Bobbi Collier-Morales<br />

For attendees that are beginning their illustration career in the<br />

children’s market, this session will cover the basics. We’ll talk about<br />

different areas of illustration for children, what makes a strong portfolio<br />

presentation, the basics of creating a story board, terminology,<br />

finished art, basic business needs, <strong>and</strong> pertinent industry information.<br />

9:15 – 10:00<br />

o Risk, Luck, <strong>and</strong> Other 4-Letter Words – Bruce Hale<br />

It’s hard to leap a 20-foot chasm in two 10-foot jumps – take it from<br />

someone who’s tried. In a humorous, inspiring presentation, bestselling<br />

author Bruce Hale reflects on hard-earned lessons of the writing life, <strong>and</strong><br />

how taking a chance – in writing <strong>and</strong> in life – will help your work reach<br />

the next level of success.<br />

10:15 – 11:15<br />

o The Pitch – Selling Your Manuscript in a Sentence –<br />

John Rudolph<br />

With editors’ submission piles reaching monumental heights, it’s more<br />

important than ever to be able to explain your project clearly <strong>and</strong> succinctly.<br />

Through exercises <strong>and</strong> discussion, we’ll explore techniques for<br />

nailing down a good, brief description of your manuscript that will get<br />

readers (<strong>and</strong> editors) excited about your work.<br />

o “Voice” Lessons: Making Your Story Speak for Itself –<br />

Melissa Manlove<br />

There are few elements as powerfully attractive to editors as strong<br />

voice. Voice can convey mood, place, <strong>and</strong> personality, <strong>and</strong> is the most<br />

subtle way of showing-not-telling. This workshop will exp<strong>and</strong> attendees’<br />

awareness of voice <strong>and</strong> give them practice in making the small choices<br />

that can make a big difference.<br />

o So You Want to be a Botanical Artist? – Carolyn Crawford<br />

What do you need to know to do botanical illustration? This presentation<br />

will focus on the various kinds of botanical illustration, such as<br />

popular book illustration, flower painting for gallery exposure, or purely<br />

scientific illustration, such as descriptions of species new to science for<br />

botanical journals or floristic treatments for regional floras. Carolyn will<br />

“walk you through” what you need to know for each. She will also discuss<br />

the various media commonly used in botanical art <strong>and</strong> show you<br />

some visual examples of contemporary artists using each.<br />

11:25 – 12:25<br />

o To Market, to Market, to Buy . . . WHAT?? – Barry Goldblatt<br />

A snapshot of the current children’s publishing market, what’s working,<br />

what isn’t, <strong>and</strong> what to expect down the line.<br />

o Make Your Story Unputdownable – Bruce Hale<br />

What makes a story riveting? In a word: Suspense. Every story, from<br />

the simplest picture book to the darkest detective fiction, relies on<br />

suspense to drive the plot. But how do you build suspense? This session<br />

shows you how to construct a character worthy of concern, set<br />

the hook, ratchet up the tension – <strong>and</strong> above all, keep your readers<br />

reading.<br />

o Web Marketing <strong>and</strong> Your Future – Cherish Flieder<br />

It’s undeniable that there is a growing connection between the internet<br />

<strong>and</strong> your ability to market yourself as a writer or illustrator. Learn<br />

how you can holistically <strong>and</strong> strategically use resources on the web to<br />

promote, sell <strong>and</strong> connect with your target audience, while streamlining<br />

the building of your “br<strong>and</strong>” in style!<br />

2:00 – 3:15<br />

o First Pages with Joy Neaves, Editor/ Front Street<br />

Wouldn’t you love to be a fly on the wall as an editor reads that crucial<br />

first page of your manuscript? In this session, you will see <strong>and</strong> hear<br />

an editor’s initial reaction to actual first pages submitted by conference<br />

attendees. See “Special Instructions for Optional Sessions” for<br />

details on how to submit your first page.<br />

o First Pages with Barry Goldblatt, Agent/ Barry Goldblatt<br />

Literary<br />

You want the straight scoop on your manuscript’s first pages? In these<br />

assessments, Barry promises his fair but straightforward, no sugarcoated<br />

response to actual first pages submitted by conference attendees.<br />

Please, no picture books or non-fiction for this First Pages session.<br />

See “Special Instructions for Optional Sessions” for details on how to<br />

submit your first page.<br />

o Authors’ Professional Roundtable: Marketing Yourself <strong>and</strong><br />

Your Books<br />

Come share your tips, tricks, <strong>and</strong> questions for getting the word out<br />

about yourself <strong>and</strong> your books. Are you using YouTube? MySpace? Virtual<br />

book tours? Blogs? What have been your successful strategies for<br />

getting school <strong>and</strong> library visits? Unsuccessful strategies? Please come<br />

prepared to discuss what has <strong>and</strong> has not worked for you as you try to<br />

get yourself <strong>and</strong> your book noticed in a crowded marketplace, as well<br />

as questions you have about things you’d like to try. Recommended<br />

for published authors but all are welcome; moderated by author <strong>and</strong><br />

Co-Regional Advisor Denise Vega.<br />

Page 4


Exp<strong>and</strong>ed Saturday Schedule with Descriptions<br />

o Portfolio Review of Artists Represented by Portfolio<br />

Solutions – Bernadette Szost<br />

This session will be a general discussion on the suitability of art styles<br />

for various markets, including trade, trade mass market, educational,<br />

toy manufacturers, etc. Bernadette will provide hard copy printed<br />

samples from each artist represented by Portfolio Solutions, LLC, for<br />

distribution <strong>and</strong> discussion among each class participant. She will then<br />

open the session to a group discussion/critique of each artist’s work. If<br />

there is enough time, she will ask participants to give their opinions of<br />

the market type for each artist’s style <strong>and</strong> their reasoning behind their<br />

choices.<br />

NOTE: Bernadette will also be offering a limited number of private critique<br />

appointments during the conference. See “Special Instructions<br />

for Optional Sessions” for details on how to register for a one-on-one<br />

portfolio critique.<br />

3:15 – 3:45<br />

o Break, Refreshments, Book Sales, Autographing, Public<br />

Viewing of Portfolios<br />

Take a break, buy a book, have some refreshments, <strong>and</strong> enjoy the<br />

fabulous art by our illustrators. Also, authors <strong>and</strong> illustrators will be<br />

available to autograph books purchased at the book table.<br />

3:45 – 4:45<br />

o Agents & Editors Corner with Barry Goldblatt, Melissa<br />

Manlove, Joy Neaves, John Rudolph, <strong>and</strong> Bernadette Szost<br />

(moderated)<br />

The editors <strong>and</strong> agents will briefly describe their houses or agencies<br />

<strong>and</strong> their acquisition process. They will then answer questions about<br />

what catches their eye <strong>and</strong> what makes them groan in a manuscript or<br />

illustration.<br />

o Illustrating for Independent Publishers – Cherish Flieder<br />

It takes courage to meet the challenges of illustrating for the everrising<br />

number of independent publishers, not to mention a lot of hard<br />

work <strong>and</strong> common sense. Cherish will teach you how to negotiate win/<br />

win agreements, interview prospective clients, assemble a team of<br />

professionals, create a realistic production schedule <strong>and</strong> launch a book<br />

with a marketing plan in mind.<br />

Page 5


Exp<strong>and</strong>ed Sunday Schedule with Descriptions<br />

9:00 – 9:50<br />

o Online Critique Groups: A Busy Writer’s Best Friend –<br />

Cheryl Reifsnyder<br />

As a writer, one of the best things you can do for your craft is to join a<br />

critique group—but finding the right group can seem impossible. How<br />

do you hook up with other writers when you (a) have a young child<br />

at home, (b) live off the beaten path, or (c) are so incredibly scheduled<br />

that you can’t meet during the hours most people consider normal?<br />

Come find out why an online critique group might be a perfect fit for<br />

your busy life. You’ll learn about the different types of online groups,<br />

how to find online critique groups, how to tell if a group is a good fit<br />

for you, how to start your own online group, <strong>and</strong> how to h<strong>and</strong>le submissions<br />

<strong>and</strong> critiques in an online format.<br />

o First Pages with Melissa Manlove, Assistant Editor/<br />

Chronicle Books<br />

Wouldn’t you love to be a fly on the wall as an editor reads that crucial<br />

first page of your manuscript? In this session, you will see <strong>and</strong> hear<br />

an editor’s initial reaction to actual first pages submitted by conference<br />

attendees. See “Special Instructions for Optional Sessions” for<br />

details on how to submit your first page.<br />

o The Artist-Agent Relationship – Bernadette Szost<br />

In this session we will discuss the following topics: How to find an<br />

agent, how to present yourself <strong>and</strong> your portfolio to an agent, what to<br />

expect from an agent, what your agent expects from you, overview of<br />

an Artist/Agent contract, <strong>and</strong> markets (if time permits).<br />

10:00 - 10:50<br />

o Exploring Theme – Joy Neaves<br />

Theme is what gets your characters up in the morning. Theme is what<br />

keeps your story from sinking. Your characters have their voice. Your<br />

story has its voice. Theme is the writer’s voice, your voice, the voice of<br />

your caring, your story’s soul. Theme is the answer to: Why?<br />

11:00 - 11:50<br />

o LM + BG = BFF with Lauren Myracle <strong>and</strong><br />

Barry Goldblatt<br />

A conversation between bestselling author Lauren Myracle <strong>and</strong> her<br />

agent Barry Goldblatt about working together, crafting <strong>and</strong> career, <strong>and</strong><br />

learning to say no.<br />

o Becoming an Authorpreneur – Bruce Hale<br />

So you wrote a book? Now comes the real work – promoting it <strong>and</strong><br />

building a career. With publishers doing less <strong>and</strong> less promotion, it’s<br />

not enough for you just to be an author. You’ve got to become an<br />

authorpreneur – a tech-savvy author who connects with readers <strong>and</strong><br />

takes full responsibility for success. This session will get you started.<br />

o Illustration Critique Session with John Rudolph,<br />

Senior Editor/ Putnam<br />

This group-format session will feature anonymous illustrations<br />

reviewed on large screen. Up to four images per illustrator will be<br />

reviewed. Each submission will be evaluated for:<br />

• Marketability<br />

• Effectiveness for age group <strong>and</strong> book type<br />

• Overall strength <strong>and</strong> weakness<br />

• Suggestions for improvement<br />

• Possible publisher recommendation for style<br />

Additional illustrations will be critiqued as time permits. Join fellow<br />

illustrators <strong>and</strong> take advantage of this fantastic opportunity to learn<br />

from a publishing leader.<br />

See “Special Instructions for Optional Sessions” for details on how to<br />

submit your illustrations by August 29.<br />

o Git R Done – Lauren Myracle<br />

Many insanely talented folks write a book <strong>and</strong> get it published. Just<br />

as many insanely talented folks don’t—probably more. What’s up with<br />

that? Come chat with Lauren as she shares far too many personal<br />

stories of rejection, humiliation, <strong>and</strong> what finally made her writing<br />

career take off. Oh, <strong>and</strong> she’ll talk about other writers, too. She’s happy<br />

to overshare about their experiences, too.<br />

o Digital Color – “Help! The Printer is Speaking Geek!” –<br />

Danlyn Iantorno<br />

Ever wonder why the printed piece doesn’t resemble your art? Learn<br />

how to maintain consistency <strong>and</strong> get the best results possible.<br />

Covered topics include:<br />

• Software programs <strong>and</strong> when to use them.<br />

• Resolution <strong>and</strong> how to select the right one.<br />

• File extensions demystified.<br />

• Color formats <strong>and</strong> why you need to choose the right one.<br />

• File transfer techniques.<br />

Page 6


Featured Speakers<br />

Illustration has been a passion in Bobbi Collier-Morales’ life since she was a child.<br />

Her career started 28 years ago, <strong>and</strong> has grown <strong>and</strong> exp<strong>and</strong>ed as the skills, equipment<br />

<strong>and</strong> industry has changed. She’s illustrated for the trade book, mass market,<br />

religious <strong>and</strong> educational markets. In the last three years, she’s added licensing<br />

<strong>and</strong> designing to her resume. “I’ve been doing this long enough that I’ve seen our<br />

industry change drastically since I started. Learning the ropes takes effort <strong>and</strong> a good<br />

network of others who are professionals to help navigate the publishing maze. I’ve<br />

learned from some of the best, had some hard lessons <strong>and</strong> have been given a h<strong>and</strong><br />

up by many generous people. I want to return that favor to illustrators who are new<br />

to the market.” Learn more at www.robertacolliermorales.com.<br />

Botanical artist Carolyn Crawford of Louisville has had one-person shows at<br />

botanical gardens in St. Louis, San Francisco, <strong>and</strong> Denver. She was awarded the<br />

Grenfell Silver Medal from London’s Royal Horticultural Society in 1988. Her various<br />

passions include field botany with a focus on the Milkweed Family (Apocynaceae<br />

s. l.); entertaining, especially for Halloween; <strong>and</strong> her two cats <strong>and</strong> her family.<br />

Cherish Flieder has been illustrating <strong>and</strong> designing non-stop for the last ten<br />

years. She has worked with numerous small <strong>and</strong> independent publishers, helping<br />

them to develop award-winning books. This led her to develop strategic marketing<br />

strategies for print <strong>and</strong> web materials. Much of Cherish’s marketing expertise<br />

stems from working on projects for Tehama (Clint Eastwood), Arnold Palmer <strong>and</strong><br />

IZOD G golf fashion lines. She graduated summa cum laude with two BFA degrees<br />

from <strong>Rocky</strong> <strong>Mountain</strong> College of Art & Design <strong>and</strong> Colorado Christian University.<br />

Cherish <strong>and</strong> her illustrator husb<strong>and</strong>, Benjamin Hummel, work together out of their<br />

studio in Golden, Colorado. She has two websites: www.cherishedsolutions.com<br />

<strong>and</strong> www.somethingtocherish.com.<br />

Barry Goldblatt opened his literary agency in September 2000, after an 11-year<br />

career in the rights <strong>and</strong> contracts departments at various publishing houses,<br />

including Dutton Children’s Books, Dial Books for Young Readers, The Putnam &<br />

Grosset Group, <strong>and</strong> Orchard Books. Information about his agency can be found<br />

at www.bgliterary.com.<br />

Edgar-nominated author Bruce Hale has written or illustrated more than 20<br />

seriously funny books for children, including the popular Chet Gecko Mysteries<br />

series <strong>and</strong> the comics-novel hybrid, Underwhere. An actor <strong>and</strong> Fulbright Scholar<br />

in Storytelling, Bruce is in dem<strong>and</strong> as a speaker, having presented at conferences,<br />

universities, <strong>and</strong> schools across North America – from the Maui Writers Conference<br />

to the Surrey International Writers Conference in British Columbia. His acting<br />

resume includes regional commercials, theater, <strong>and</strong> an independent film, The<br />

Ride. Check out his newsletter of writing tips at www.brucetalks.com.<br />

Page 7


Featured Speakers<br />

Danlyn Iantorno is the owner of Painted Olive Studios <strong>and</strong> has been a fulltime<br />

artist for over 25 years. An extensive background in publishing, licensed<br />

products, graphics <strong>and</strong> illustration provides her professional expertise. She<br />

is an Illustrator Coordinator for <strong>SCBWI</strong> (Society of Children’s Book Writers <strong>and</strong><br />

Illustrators), active member of CAI (Colorado Alliance of Illustrators), NAPP<br />

(National Assoc. of Photoshop Professionals) <strong>and</strong> a featured illustrator for<br />

SGAI (Specialty Graphic Imaging Assoc.). Her work is shown in galleries <strong>and</strong><br />

has been published nationally. To view Danlyn’s work, please visit<br />

www.Danlyn.info<br />

Melissa Manlove is Assistant Editor at Chronicle Books in San Francisco. She<br />

has been with Chronicle for four years. She acquires picture books, chapter<br />

books, middle grade <strong>and</strong> YA, <strong>and</strong> is passionate about all genres <strong>and</strong> topics in<br />

children’s books, with the exception of religious themes. When acquiring, she<br />

looks for fresh takes on familiar topics as well as the new <strong>and</strong> unusual. More<br />

important than topic, however, is an effective approach <strong>and</strong> strong, graceful<br />

writing. She is a member of the <strong>SCBWI</strong> <strong>and</strong> has 10 years of children’s bookselling<br />

experience.<br />

Lauren Myracle has written squillions of books for tweens <strong>and</strong> teens,<br />

including the best-selling Eleven, Twelve, <strong>and</strong> Thirteen series <strong>and</strong> the bestselling<br />

Internet Girls series. (And not to worry, the Internet Girls are not a porn<br />

circle. That’s just the goofy name the New York Times came up with when<br />

the series hit the NYT Best-Seller list.) She also co-wrote the novel How to Be<br />

Bad with coolio YA authors Sarah Mlynowski <strong>and</strong> E. Lockhart. Readers have<br />

described her work as “totally ah-may-sing” <strong>and</strong> “so funny I almost peed my<br />

pants.” Her favorite comment, however, was when a fan wrote in, “I can’t<br />

believe these books were written by a—cough, cough—grown-up.” You can<br />

find out more about Lauren at laurenmyracle.com.<br />

Joy Neaves, Editor/Front Street, began working at Front Street in 1999 as<br />

assistant to the publisher soon after graduating from the University of North<br />

Carolina at Asheville with a degree in literature <strong>and</strong> language. Since becoming<br />

a Front Street editor, she has worked with novelists Andrea Cheng, Zu<br />

Vincent, Shenaaz Nanji, Emily Smith Pearce, Lindsay Lee Johnson, <strong>and</strong> Adam<br />

Osterweil; the poet Charlotte Pomerantz; <strong>and</strong> the illustrators Craig Smith,<br />

David Udovic, C<strong>and</strong>ice Hartsough McDonald, Nicole Wong, <strong>and</strong> Rob Shepperson.<br />

She has overseen the publication of several foreign authors, including<br />

Australian writers Judith Clarke (Printz Honor winner) <strong>and</strong> Steven Herrick<br />

<strong>and</strong> the Swedish writer Per Nilsson.<br />

Page 8


Featured Speakers<br />

Cheryl Reifsnyder writes in Boulder, CO, where she lives with one sweetheart,<br />

two energetic boys, two bouncy dogs, <strong>and</strong> a small mammal menagerie.<br />

She merges a background in science with a love for writing to work as<br />

a medical writer, a commissioned science writer for Highlights for Children,<br />

<strong>and</strong> a contracted work-for-hire writer working on a 12-book series of science<br />

books for the educational market. She is a two time winner of the Paul<br />

Gillette Writing Contest, Children’s Category, <strong>and</strong> her articles, crafts, <strong>and</strong> short<br />

stories have appeared in Highlights for Children, Cricket, <strong>and</strong> Spider Magazine—probably<br />

due to the excellent feedback provided by three wonderful<br />

critique groups, one of which is online. She keeps a blog at http://cherylreifsnyder.blogspot.com/<br />

<strong>and</strong> her website is www.cherylreifsnyder.com.<br />

John Rudolph is a Senior Editor at G.P. Putnam’s Sons, an imprint of the Penguin<br />

Young Readers Group. He edits picture books, middle-grade <strong>and</strong> young<br />

adult novels, <strong>and</strong> a small number of nonfiction titles. Among the authors<br />

<strong>and</strong> illustrators he’s been lucky enough to work with are Pete Seeger, Tomie<br />

dePaola, Richard Michelson, Nathaniel Philbrick, Padma Venkatraman, Jack<br />

Higgins, Brenda Woods, Pete Hautman, R. Gregory Christie, Steve Schindler,<br />

Mary Azarian, <strong>and</strong> Wendy Anderson Halperin.<br />

Born in Cheltenham, Engl<strong>and</strong>, Bernadette Szost came from an accounting<br />

background. She started working for PGI, a well established Connecticut<br />

agency 1986. In 1999, Portfolio Solutions, LLC was formed with the support,<br />

guidance <strong>and</strong> help of the former agent as she readied herself for retirement.<br />

When not behind her desk at the agency, you can find her either on horseback,<br />

spending time with her own dogs or volunteering for German Shepherd<br />

rescue. She lives in Dutchess County, New York with her ever supportive<br />

<strong>and</strong> adored husb<strong>and</strong> of 28 years, four horses, four dogs <strong>and</strong> three cats.<br />

For more information, see www.portfoliosolutionsllc.com.<br />

Denise Vega wrote five novels for young people before her sixth novel—<br />

Click Here (To Find Out How I Survived Seventh Grade)—was accepted for<br />

publication in 2003. Click Here went on to become a bestselling title for the<br />

Scholastic Book Fairs/Clubs, won the Colorado Book Award for Young Adult<br />

Literature, <strong>and</strong> was a 2008 Louisiana Reader’s Choice Nominee. Her latest<br />

young adult novel is Fact of Life #31 <strong>and</strong> she has three other books (toddler<br />

through novel) scheduled for publication in 2008 <strong>and</strong> 2009. Denise is a<br />

Co-Regional Advisor of the <strong>Rocky</strong> <strong>Mountain</strong> Chapter of <strong>SCBWI</strong> <strong>and</strong> lives in<br />

Denver with her family. Find out more at www.denisevega.com.<br />

Page 9


Special Instructions<br />

SPECIAL INSTRUCTIONS FOR OPTIONAL SESSIONS<br />

FIRST PAGES Critiques with Joy Neaves or Barry Goldblatt<br />

(Saturday) or Melissa Manlove (Sunday)<br />

Bring ONE COPY of your first page (no cover sheets). At the<br />

check-in/registration table, we will have containers marked<br />

with the names of the Editors <strong>and</strong> Agent who will review First<br />

Pages. We encourage you to study the brochure information<br />

<strong>and</strong> interviews on our website about each editor <strong>and</strong> agent so<br />

you can find the best match for your page. Please choose only<br />

ONE container to drop your first page in to enable as many<br />

writers as possible to receive feedback. This is one of the rare<br />

times you’ll be allowed to submit anything other than proper<br />

manuscript formatting. For First Pages, use one-inch margins<br />

all around, double-spaced, 12-point Times. Center your title at<br />

the top, drop down two spaces, <strong>and</strong> start your text. In the upper<br />

right corner note whether it’s a picture book, middle grade or<br />

YA novel, or non-fiction. Your name is optional. The editor or<br />

agent will draw r<strong>and</strong>omly from the pile <strong>and</strong> s/he or a moderator<br />

will read your submission out loud after which the editor or<br />

agent will provide feedback.<br />

NOTE: Agent Barry Goldblatt is fair but blunt, so keep that in<br />

mind as you decide who is best to receive your First Page. He<br />

also requests no picture books <strong>and</strong> no non-fiction.<br />

PORTFOLIO ONE-ON-ONE CRITIQUES with<br />

Bernadette Szost<br />

A limited number of 30-minute private critique sessions are<br />

available to conference registrants. Illustrators are welcome<br />

to bring their portfolio as it is for a discussion, but they should<br />

choose their four strongest pieces to get an in-depth critique<br />

on first. During your time together, Bernadette will discuss your<br />

works, strengths, <strong>and</strong> areas you wish to pursue. These one-onone<br />

sessions are offered at $30 each. Check the box on your<br />

registration form to request <strong>and</strong> pay for a critique session. If<br />

you do not receive a spot, we will refund your critique fee.<br />

Questions? Contact Bobbi Collier-Morales at:<br />

robertacm@comcast.net.<br />

PREPARING ILLUSTRATION SUBMISSIONS<br />

for Illustration Critique Session with editor John Rudolph<br />

(Sunday)<br />

In an effort to provide all attendees with an editor critique, a<br />

group format session will be utilized with Power Point images.<br />

Each attendee may submit up to four illustrations with two<br />

guaranteed a critique. Each slide will be anonymous <strong>and</strong> critiqued<br />

on-screen. All session attendees may submit files. Please<br />

e-mail the following:<br />

• Four illustrations (at least two will be critiqued)<br />

• JPG files, 200 dpi, RGB<br />

• Place your art on a WHITE background, 400 pixels x 400 pixels<br />

• Provide age category: Baby, Toddler, Pre-School, K-3, 4-6,<br />

Tween, Teen<br />

• Provide publishing category: Picture Book, Chapter Book,<br />

Graphic Novel, Magazine, Educational<br />

• E-mail to AskMe@Danlyn.info<br />

• DEADLINE August 29, 2008<br />

CRITIQUE CLINIQUE<br />

Critique Clinique is a unique opportunity to have your writing<br />

professionally critiqued, so start preparing your manuscripts.<br />

All qualified manuscripts will receive a written critique <strong>and</strong> a<br />

one-on-one appointment with their critiquers at the conference.<br />

Unlike writing contests, the Manuscript Critique provides<br />

each entrant a valuable <strong>and</strong> constructive critique from either an<br />

author, an agent or an editor.<br />

Go to our website www.rmcscbwi.org for full details on<br />

submitting for one-on-one critiques.<br />

MEMBER BOOK SALE<br />

If you are a member of <strong>SCBWI</strong>, have a children’s book you’ve authored<br />

or illustrated, <strong>and</strong> will be attending the Fall Conference<br />

on September 20-21, 2008, you may have your book(s) included<br />

in the Member Book Sale.<br />

Check our website www.rmcscbwi.org for instructions.<br />

Page 10


Registration Fees<br />

Saturday <strong>and</strong> Sunday Registration (2 days)<br />

<strong>SCBWI</strong> member postmarked by 8/10/08 - $199<br />

postmarked after 8/10/08 - $225<br />

Non-<strong>SCBWI</strong> member postmarked by 8/10/08 - $225<br />

postmarked after 8/10/08 - $250<br />

Saturday ONLY Registration<br />

<strong>SCBWI</strong> member postmarked by 8/10/08 - $125<br />

postmarked after 8/10/08 - $150<br />

Non-<strong>SCBWI</strong> member postmarked by 8/10/08 - $150<br />

postmarked after 8/10/08 - $175<br />

Sunday ONLY Registration<br />

<strong>SCBWI</strong> member postmarked by 8/10/08 - $99<br />

postmarked after 8/10/08 - $125<br />

Non-<strong>SCBWI</strong> member postmarked by 8/10/08 - $125<br />

postmarked after 8/10/08 - $150<br />

Private portfolio critique session<br />

with Bernadette Szost - $30<br />

Vickie Ferguson Memorial Scholoraship<br />

The Vickie Ferguson Memorial Children’s Writer<br />

Scholarship honors the memory of Vickie Ferguson,<br />

long-time member of RMC-<strong>SCBWI</strong>. The memorial will<br />

be offering one or more full or partial scholarships to<br />

the Fall Conference. You must be a member of <strong>SCBWI</strong><br />

(full or associate), <strong>Rocky</strong> <strong>Mountain</strong> Chapter, to be<br />

eligible.<br />

Vickie was devoted to her writing <strong>and</strong> this scholarship<br />

seeks to support those writers who are committed<br />

to their craft <strong>and</strong> are actively writing.<br />

To apply, please write a short essay, 250 words or less,<br />

about why you write for young readers. Let us know<br />

what your current projects are <strong>and</strong> your goals for<br />

your writing.<br />

Do NOT include your name or contact information<br />

on your essay. Staple a SEPARATE cover page to<br />

your essay with your name, address, phone number,<br />

e-mail address, <strong>and</strong> <strong>SCBWI</strong> membership status (full<br />

or associate). We will number each essay so judging<br />

can occur anonymously. Please send your essay <strong>and</strong><br />

separate cover sheet to be received by SATURDAY,<br />

JULY 19 to:<br />

Vickie Ferguson Memorial Scholarship<br />

Anna-Maria Crum<br />

7752 E. Arizona Dr.<br />

Denver, CO 80231<br />

Deadline: Entries must be received by SATURDAY,<br />

JULY 19. The winner(s) will be notified prior to the<br />

conference <strong>and</strong> conference fees paid for by RMC-<br />

<strong>SCBWI</strong> using scholarship funds. If you’ve already<br />

paid for the conference, your registration fee will be<br />

reimbursed. The scholarship will also cover the cost<br />

of a critique if you registered for one.<br />

DONATIONS. If you wish to donate, there are two<br />

ways to do so:<br />

1. Send your donation<br />

(NOT your essay) to:<br />

Vickie Ferguson Memorial Fund<br />

c/o Caroline Stutson<br />

7288 S. Sundown Cir<br />

Littleton, CO 80120<br />

2. Visit a local Wells Fargo Bank. Ask a banker to look<br />

up the Fund by name <strong>and</strong> make a donation directly.<br />

Please note that because the fund is not classified<br />

as a charity, your donation cannot be considered<br />

a charitable donation for tax purposes. Check with<br />

your accountant to see if it qualifies for any other<br />

deduction.<br />

Thank you for keeping Vickie’s memory alive <strong>and</strong><br />

for supporting writers of children’s literature.<br />

Page 11


Hotel Options<br />

Qwest Learning <strong>and</strong> Conference Center (QLCC)<br />

3898 South Teller Street, Lakewood<br />

Contact: Conference Center Hotel Front Desk at<br />

(720) 962-4000. RMC-<strong>SCBWI</strong> has reserved a block of rooms<br />

at $99.00 per night; mention you’re with our conference.<br />

Best Western Denver Southwest<br />

3440 South Vance Street, Lakewood<br />

(303) 989-5500, about 1 mile from QLCC. Rate per night:<br />

$79.99, 10% off for AAA or AARP members.<br />

Super 8 Motel Lakewood/Denver<br />

7240 West Jefferson Avenue, Lakewood<br />

(303) 989-4600, less than 1 mile from QLCC. Rate per<br />

night: $69.00; pets allowed.<br />

Residence Inn by Marriott Denver Southwest/Lakewood<br />

7050 West Hampden Avenue, Lakewood<br />

(303) 985-7676, about .5 mile from QLCC. Rate per night:<br />

$99.00.<br />

La Quinta Inn <strong>and</strong> Suites<br />

Denver Southwest/Lakewood<br />

7190 West Hampden Avenue, Lakewood,<br />

(303) 969-9700, about .5 mile from QLCC. Rate per night:<br />

$75.00 for two persons with two double beds or $80.00<br />

for two persons with 1 king bed.<br />

Holiday Inn Denver<br />

7390 West Hampden Avenue, Lakewood<br />

(303) 980-9200, about .5 mile from QLCC. Rate per night:<br />

$89.99.<br />

Comfort Suites Southwest<br />

7260 West Jefferson Avenue, Lakewood<br />

(303) 988-8600, less than 1 mile from QLCC.<br />

Rate per night: $109.00 for 1 king bed (for single, double,<br />

or triple occupancy) includes living room area with pullout<br />

sofa; $119.00 for 2 queen beds (for single, double, or<br />

triple occupancy) includes living room area with pull-out<br />

sofa. 10% off for AAA or AARP members.<br />

The rates may have changed <strong>and</strong> may not include taxes, service charges, fees, extra person<br />

charges, or other incidentals. Please check with each hotel for details.<br />

Directions to the Conference<br />

The conference will be held at:<br />

Qwest Learning <strong>and</strong> Conference Center (QLCC)<br />

3898 South Teller<br />

Lakewood, CO 80235<br />

(720) 692-4000<br />

For driving directions, see:<br />

http://www.qwestlearning<strong>and</strong>conferencecenter.com/<br />

directions.htm<br />

For driving directions in a PDF version:<br />

http://www.qwestlearning<strong>and</strong>conferencecenter.com/pix/<br />

pdf/Driving_to_QLCC.pdf<br />

After driving into the QLCC parking lot, continue on to<br />

available parking spaces on the right or around the back<br />

of the building.<br />

Enter the building through the doors by a blue sign<br />

labeled, “Qwest Education <strong>and</strong> Development, Lakewood<br />

Campus.” In the lobby will be our conference registration<br />

tables.<br />

(Note: After you go through registration <strong>and</strong> receive a security<br />

badge, you will be able to enter <strong>and</strong> exit from other<br />

doors around the building.)<br />

Page 12


<strong>SCBWI</strong> INFORMATION FORM<br />

BREAKOUT SESSIONS:<br />

To help us in assigning our meeting rooms for adequate<br />

space, please check the boxes for which breakout sessions<br />

you tentatively plan to attend. You will not be held to your<br />

choices. Full descriptions of sessions are on pages 4-6.<br />

SATURDAY Breakout Sessions<br />

8:00 - 8:45 (Choose one)<br />

o Children’s Publishing 101 – Denise Vega<br />

o ABC’s of Illustrating – Bobbi Collier-Morales<br />

10:15 - 11:15 (Choose one)<br />

o The Pitch – John Rudolph<br />

o “Voice” Lessons – Melissa Manlove<br />

o Botanical Artist? – Carolyn Crawford<br />

11:25 - 12:25 (Choose one)<br />

o To Market – Barry Goldblatt<br />

o Story Unputdownable – Bruce Hale<br />

o Web Marketing – Cherish Flieder<br />

2:00 - 3:15 (Choose one)<br />

o First Pages – Joy Neaves<br />

o First Pages – Barry Goldblatt<br />

o Authors’ Professional Roundtable<br />

o Portfolio Review – Bernadette Szost<br />

m Yes, I’m also requesting a one-on-one critique<br />

appointment with Bernadette for $30 extra<br />

m No, I’m not requesting a one-on-one critique<br />

appointment<br />

3:45 - 4:45 (Choose one)<br />

o Agents <strong>and</strong> Editors Corner<br />

o Illustrating for Independent Publishers –<br />

Cherish Flieder<br />

SUNDAY Breakout Sessions<br />

9:00 - 9:50 (Choose one)<br />

o Online Critique Groups – Cheryl Reifsnyder<br />

o First Pages – Melissa Manlove<br />

o Artist-Agent Relationship – Bernadette Szost<br />

10:00 - 10:50 (Choose one)<br />

o Exploring Theme – Joy Neaves<br />

o Git R Done – Lauren Myracle<br />

o Digital Color – Danlyn Iantorno<br />

11:00 - 11:50 (Choose one)<br />

o LM +BG = BFF with Lauren & Barry<br />

o Authorpreneur – Bruce Hale<br />

o Illustration Critique Session – John Rudolph<br />

m Yes, I will send illustrations for critique before<br />

August 29<br />

m No, I won’t be sending illustrations for critique<br />

SATURDAY DINNER GROUPS (Optional)<br />

Do you want to get to know a speaker or your fellow<br />

conference attendees better? We are coordinating smallgroup<br />

dinners at various nearby restaurants with Saturday<br />

faculty members, following the sessions on Saturday<br />

evening. The cost of the dinner is not included in the<br />

conference registration fees <strong>and</strong> is the responsibility of<br />

each participant. More details are available online at www.<br />

rmcscbwi.org.<br />

I would like to join the small group going to dinner with<br />

the following speaker (please rank in order of preference):<br />

____ Barry Goldblatt<br />

____ Bruce Hale<br />

____ Melissa Manlove<br />

____ Joy Neaves<br />

____ John Rudolph<br />

____ Bernadette Szost<br />

____ Denise Vega<br />

____ Danlyn Iantorno<br />

____ Bobbi Collier-Morales<br />

____ any group (group may or may not include a<br />

speaker; you mainly want dinner companions)<br />

____ if the groups ranked above are full, I prefer no<br />

dinner group assignment<br />

Please fill out this form <strong>and</strong> send it in with your registration.<br />

Thank you!<br />

Page 13


<strong>SCBWI</strong> REGISTRATION FORM — Fall Conference, September 20-21, 2008<br />

Name ____________________________________________________________________________________<br />

Address___________________________________________________________________________________<br />

City _________________________________________ State _________________Zip___________________<br />

E-mail address ____________________________________________________________________________<br />

Home Phone ( ______ ) __________________________<br />

I am an: o Author o Illustrator o Author/Illustrator o ______________________ (please specify)<br />

I am a: o Full <strong>SCBWI</strong> member o Associate <strong>SCBWI</strong> member o not yet an <strong>SCBWI</strong> member<br />

Saturday <strong>and</strong> Sunday Registration (2 days)<br />

$______ <strong>SCBWI</strong> member postmarked o by 8/10/08 $199 o after 8/10/08 $225<br />

$______ Non-<strong>SCBWI</strong> member postmarked o by 8/10/08 $225 o after 8/10/08 $250<br />

Saturday ONLY Registration<br />

$______ <strong>SCBWI</strong> member postmarked o by 8/10/08 $125 o after 8/10/08 $150<br />

$______ Non-<strong>SCBWI</strong> member postmarked o by 8/10/08 $150 o after 8/10/08 $175<br />

Sunday ONLY Registration<br />

$______ <strong>SCBWI</strong> member postmarked o by 8/10/08 $99 o after 8/10/08 $125<br />

$______ Non-<strong>SCBWI</strong> member postmarked o by 8/10/08 $125 o after 8/10/08 $150<br />

$______ Private portfolio critique session with Bernadette Szost $30<br />

o either Saturday or Sunday o Saturday only o Sunday only<br />

$______ TOTAL ENCLOSED<br />

Lunch Choice<br />

Saturday lunch choice: o Chicken w/Artichokes o Stir-Fried Vegetables (Vegan)<br />

Sunday lunch choice: o Turkey Club Wrap o Tuscan Burritos (Vegan)<br />

o I’d like confirmation of my registration via e-mail <strong>and</strong> included my e-mail address above.<br />

o I’ve enclosed a self-addressed, stamped postcard for registration confirmation.<br />

Mail your registration <strong>and</strong> check written out to RMC-<strong>SCBWI</strong> to:<br />

Peggy Vicaro<br />

RMC-<strong>SCBWI</strong> Registrar<br />

P.O. Box 579<br />

Colorado Springs, CO 80901<br />

Page 14<br />

Registration questions?<br />

Contact Peggy Vicaro at:<br />

registrar@rmcscbwi.org<br />

or by phone at:<br />

719-520-1899 (day) or 719-633-1865 (evenings).

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