Complete Convention Program - Southeastern Theatre Conference
Complete Convention Program - Southeastern Theatre Conference
Complete Convention Program - Southeastern Theatre Conference
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<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
<strong>Southeastern</strong> <strong>Theatre</strong> <strong>Conference</strong><br />
62nd Annual<br />
<strong>Convention</strong><br />
Ben Cameron<br />
2011 Distinguished<br />
Career Award Recipient<br />
Matt Cavenaugh<br />
Pearl Cleage<br />
©1994, Kevin C. Rose<br />
Connecting You to Opportunities in <strong>Theatre</strong><br />
ATLANTA, GEORGIA March 2 - 6, 2011 www.setc.org
Networking
Networking
Networking
Networking
Networking
Networking
SETC<br />
Fall Graduate Auditions
K-12 Institute: Live from Atlanta<br />
Room 8:30 - 9:00 9:00 - 11:30 11:30 - 1:00 1:00 - 2:30 2:45 - 4:15 4:15 - 4:45<br />
210, 211, 212<br />
SETC Board Meetings<br />
Exec Boardroom,<br />
Crystal Ballroom<br />
Registration &<br />
Introduction<br />
Acting Master Class -<br />
Tom Key<br />
WEDNESDAY'S SCHEDULE - March 2, 2011<br />
Lunch & Roundtables<br />
Tools & Techniques -<br />
Nancy Meyer<br />
Strategic Partnerships<br />
Panel<br />
Executive Board Room: 9AM Division Chairs Meeting; Crystal Ballroom: 9AM State Representatives Meeting; 10:30AM Advisory Council Meeting; 12:30PM<br />
Executive Committee & Board Meeting<br />
Closing<br />
Registration, Information, Workshops and Opening Night Events<br />
Executive Boardroom<br />
Grand Ballroom East<br />
204, 205<br />
301<br />
302<br />
304, 305<br />
313, 314<br />
WEDNESDAY'S SCHEDULE - March 2, 2011<br />
Room 12:00 1:00 2:30 4:00 5:30 7:00 8:30<br />
Registration<br />
2nd Floor Lobby<br />
Registration, Pre-Registration NOON-8PM<br />
Info Hub, <strong>Convention</strong> Gear, Silent Auction NOON-8PM<br />
Commercial/ Education Exhibitors Exhibit Set-Up NOON-8PM<br />
Galleria Hall<br />
Community <strong>Theatre</strong><br />
Festival<br />
Welcome Gathering:<br />
7-8PM<br />
Performance:<br />
8-9:15PM Driving<br />
Miss Daisy<br />
The Baldwin<br />
Job Contact Service/ Pro Company Check-in & Set-up 2-6PM<br />
Custom Latex Mask<br />
Creation<br />
Things I Didn't Learn<br />
in College<br />
Solo Performance -<br />
How to Begin<br />
Bam! Ka-Pow!: Basic<br />
Slapstick<br />
Acting & Directing<br />
Interest Meeting<br />
Design TECH MIXER<br />
All those who work or study any aspect of<br />
Design or Technical <strong>Theatre</strong> are<br />
210, 211 Burroughs <strong>Theatre</strong><br />
welcome.<br />
What Not to Wear<br />
Spelman College<br />
Hors d’oeuvres and cash bar<br />
Directions, p. 35;<br />
Sponsored by TOMCAT USA and Vari*lite<br />
Drama + Math<br />
212 Shuttle Sched, p. 30<br />
Grand Salon A & B<br />
SETC Orientation<br />
8-9:30PM<br />
=DramaMath<br />
Welcome to<br />
SETC's 62nd<br />
Annual<br />
<strong>Convention</strong>!<br />
“LIVE from ATLANTA!"<br />
SETC Opening Night<br />
9-11PM • Hilton Hotel Lobby<br />
Meet and greet old friends and network with<br />
new! Cash bar<br />
Rabun-Gap's Cirque Troupe<br />
Performs excerpts from their upcoming<br />
production Cirque Verona , 9PM<br />
Nailing the Musical<br />
Audition<br />
Low Cost Technqs to<br />
Dye Synth Wigs<br />
Teach/Create Smple<br />
Lighting Lab<br />
Finding & Making<br />
Connect w/ Stanis<br />
Well, Slap Me Silly<br />
Job Contact<br />
Resumes<br />
Auditions Committee<br />
Meeting<br />
<strong>Theatre</strong> for Youth Festival Orientation<br />
6-9PM Grand Ballroom East<br />
Know When to Butch<br />
It Up: Casting<br />
Choices<br />
Auditioning for<br />
Commercials<br />
Computer Visual<br />
Tricks-Designers<br />
Directing Tblwrk:<br />
Actor/Dir Relations<br />
Explorations in<br />
Movement Training<br />
Pro Actor Walk-Thru<br />
7-8:20PM, Grand<br />
Ballroom East<br />
Ten Minute Play Aud<br />
10PM-12AM<br />
Design Tech<br />
<strong>Convention</strong> Planning<br />
Meeting<br />
6-8PM,<br />
Grand Salon C<br />
Audition: What Are<br />
They Looking For?<br />
Many thanks to<br />
The Show Hub for<br />
the <strong>Convention</strong> Tote<br />
Bags!
Registration, Professional Auditions, Job Contact Service, Commercial Exhibits and Ed Expo<br />
Room 8:00 9:00 10:30 12:00 1:00 2:30 4:00 5:30 7:00 8:30<br />
Registration, Exhibits, Professional Auditions, Job Contact<br />
1st Floor Lobby<br />
2nd Floor Lobby<br />
Galleria Hall<br />
Grand Ballroom W<br />
201, 208, 209, 214<br />
Grand Salon D West<br />
Creating Chekhov<br />
Char<br />
Precision Dancing<br />
w/Rockette!<br />
<strong>Theatre</strong> for Youth Festival 9AM - 1PM, Keynote 2:30 PM, Ten-Minute Play Festival 10PM, Fringe Festival MIDNIGHT<br />
Grand Ballroom E <strong>Theatre</strong> for Youth (TFY) Festival<br />
TFY Festival Critque<br />
Design Competition, Design South, Light Lab<br />
Grand Salon C<br />
Design/Tech Competition Setup/Registration 9-11AM<br />
Grand Salon A & B<br />
406, 407<br />
Workshops and Presentations<br />
Crystal Ballroom<br />
Design South:<br />
Tech Direction<br />
<strong>Theatre</strong> Lab<br />
Participant Intro<br />
Meisner+Lecoq=<br />
Full Throttle Acting<br />
Executive Boardroom KEAP Mtg Liaison Chairs Mtg<br />
Grand Salon E<br />
202<br />
Sketching, Rendering<br />
& Modeling<br />
Fitzmaurice Voice:<br />
What's Tremoring?<br />
203 Splitting Hare(s)<br />
204, 205<br />
Professional Company Set-Up<br />
Commercial Exhibitors Mtg 9:30AM<br />
High School<br />
<strong>Theatre</strong> Festival<br />
North Atlanta High<br />
School<br />
8AM-10:30PM<br />
*****<br />
Nailing the Musical<br />
Audition<br />
Design South:<br />
Sound<br />
Theater Labs in<br />
Classroom<br />
Xtreme Physical<br />
<strong>Theatre</strong><br />
Scholarship<br />
Committee Mtg<br />
Wig-Play<br />
Archetypes in Action<br />
Singing Is Believing<br />
THURSDAY'S SCHEDULE - March 3, 2011<br />
Registration, Pre-Registration 8AM-5PM (Hilton 1st Floor Lobby) Presenters Thank You Reception 5-6PM<br />
Info Hub, <strong>Convention</strong> Gear, Silent Auction 8AM-5PM<br />
Point of View, Hilton's 30th Floor<br />
Commercial Exhibits and Education Exhibitor Expo 10AM-6PM<br />
Professional Auditions 8:30AM-5PM<br />
Design South:<br />
Lighting<br />
Shakespeare’s Action<br />
Figures<br />
Past President's Mtg<br />
Trippingly on the<br />
Tongue, Lessac<br />
Once More<br />
From The Top<br />
Job Contact Service 10:30AM-6PM<br />
Professional Auditions Warm-up Room Professional Auditions Holding Room Professional Auditions Callback Posting Room 10:30AM-9PM<br />
Dance Prep<br />
Design South:<br />
Scenery<br />
Suzuki Method Actor<br />
Training<br />
Denise Halbach<br />
Award Committee<br />
Hae a<br />
Highland Accent<br />
Acting For Camera,<br />
1-3PM<br />
Acting the Song<br />
Design South:<br />
Costumes<br />
Team Bldg w/ Musical<br />
<strong>Theatre</strong><br />
Southern <strong>Theatre</strong><br />
Editorial Board Mtg<br />
Scene Painting for<br />
Profs and Pros<br />
Design South:<br />
Costume/Prop<br />
Teaching Stage<br />
Combat<br />
Publications<br />
Committee Mtg<br />
Scared Scriptless!<br />
Improv Techniques<br />
Acting For Camera, 4-6PM<br />
Mastering Retract and Anchor<br />
Patsy Rodenburg, Meet & Greet<br />
6-7PM Point of View,<br />
Hilton's 30th Floor, Cash Bar<br />
Dance Briefing & Warm-Up 5:15PM-6:45PM<br />
Dance Call 6:45PM-8:15PM<br />
Ten Minute Play Festival Performances 10PM<br />
Student Design/Technical Competition Exhibit 6:30PM-11PM<br />
Design Keynotes 7-10PM<br />
Light Lab Working Session I 6-11PM<br />
Quality Movement-<br />
Chekhov<br />
Spice up your<br />
Dialects: Trinidad<br />
Develop Character for<br />
the Audition<br />
The Actor's Cool<br />
Down<br />
Ten Min Play Festival<br />
10PM Response - Gary<br />
Garrison Grand Ballroom<br />
East<br />
Body of Voice<br />
Through Feldenkrais<br />
ast 2:30 PM<br />
206 Wrights vs. Writes<br />
207<br />
210, 211<br />
Small <strong>Theatre</strong><br />
<strong>Program</strong> Support<br />
212, 213 Life Has No Script! Nail That Audition<br />
301, 302<br />
303<br />
304, 305<br />
306<br />
307<br />
308<br />
LGBTQ Issues Round<br />
Table<br />
Service Learning -<br />
Catch the Buzz<br />
VIEWPOINTS:<br />
Practical Intro<br />
New Tech for Stage<br />
Managers<br />
Sketching Digitally<br />
w/Photoshop<br />
The Business of<br />
Acting<br />
Recycle...Re-imagine<br />
Electrify The Space<br />
Between<br />
Now You're a<br />
Professional Actor<br />
Teaching Playwriting<br />
Silicone Makeup<br />
Effects in Minutes<br />
Design/Tech Portfolio Review<br />
From <strong>Theatre</strong><br />
Training to Work<br />
<strong>Theatre</strong> Online from<br />
ME2U<br />
Stage Management<br />
101<br />
Getting Out of<br />
Your Head<br />
Stage Adapt/C. S.<br />
Lewis's Classic<br />
Signs Of Life: Perf<br />
Venue<br />
Stage Movement Mtg<br />
Musical <strong>Theatre</strong><br />
Acting<br />
Acting From Open<br />
Text<br />
Select the Right Thtre<br />
Prgrm<br />
Audition Mono- logue<br />
Wkshp<br />
Rubber Chicken<br />
Improv Festival<br />
A Life In Review<br />
Profit w/ Mktg<br />
(Sustainable)<br />
From Amateur to Pro<br />
Acting<br />
Mastering<br />
Performance<br />
Getting the Callback<br />
Second Circle for<br />
Pros<br />
Cirque <strong>Program</strong>s for<br />
High School<br />
Effective Ed -Actor's<br />
Role<br />
2 for 1! Dynamic<br />
Monologue<br />
Retract and Anchor<br />
Your Belt!<br />
Dramatists'<br />
Bill of Rights<br />
Creating Armor<br />
for the Stage<br />
<strong>Theatre</strong> for Youth<br />
Playwright Slam<br />
Team-Based<br />
Learning in <strong>Theatre</strong><br />
Quo Vadis? The<br />
Christian Actor<br />
Alexander Technique Method Not Madness<br />
Medea: Exploring the<br />
Other Side<br />
Collaborative Creative<br />
Process<br />
Green Thtre:<br />
Evangeline Drown<br />
Study Abroad In<br />
Russia<br />
Undergraduate Auditionees:<br />
Meet the Accompanist<br />
Shakespeare<br />
Your BFF!<br />
Giving Antigone<br />
Some Seoul!<br />
Dancing Solo: Acting<br />
the Dance<br />
NOISES OFF: Alumni<br />
Production<br />
Financial Peace for<br />
the Artist<br />
309 Monopolylogues Social Change Memoir Project Alexander Alignmnt<br />
310<br />
311<br />
312<br />
Long Range Planning<br />
Forum<br />
Resume & Portfolio<br />
Building<br />
OK, I have a Wiggle<br />
Light... NOW What?<br />
313, 314 Actor Warm-Up Musical Thtre Dance<br />
315<br />
401, 402<br />
Show Schedule -<br />
page 56-57<br />
Acting for Camera:TEACHERS ONLY<br />
The Sustainable<br />
<strong>Theatre</strong><br />
So You Want to<br />
Teach<br />
Allies: Director &<br />
Stage Manager<br />
Chekhov's Psych<br />
Gesture<br />
Classical <strong>Theatre</strong>s in<br />
Turkey<br />
HS New Play Contest<br />
Interest Group Mtg<br />
KCACTF Info<br />
Workshop<br />
Costumes, Glue<br />
and You<br />
KCACTF Resp.<br />
Training<br />
Synchronization:<br />
Lights! Sets! …<br />
Can I Get A Light? Swords in Your Show<br />
LOCATION!<br />
LOCATION!...<br />
FACEBOOK TODAY<br />
Design/Tech Choices<br />
Directing Games<br />
Exchange<br />
Faith-Based Coll<br />
Thtre Prgrms<br />
Legal Issues In<br />
<strong>Theatre</strong><br />
Color for the Eye<br />
and Camera<br />
Cultural Diversity<br />
Committee Mtg<br />
Acting the Fight<br />
Dramaturgy is<br />
For the Birds<br />
College/Univ Div<br />
Interest Mtg<br />
Integrating Light &<br />
Movement<br />
State Auditions<br />
Coordinators Mtg<br />
Creating Distinct<br />
Characters<br />
Women in <strong>Theatre</strong>:<br />
50/50 in 2020<br />
Getchell New Play Winner Rehearsal,<br />
Nicolas the Worm by Eddie Zipperer<br />
Bold New Collective<br />
of <strong>Theatre</strong> Artists<br />
Creative Solutions for<br />
Stage Managers<br />
Physical Action w/<br />
Props<br />
Christian Messages<br />
Through <strong>Theatre</strong><br />
FRINGE FESTIVAL<br />
MIDNIGHT KICKOFF<br />
*****<br />
Put It in the<br />
Scrapbook<br />
Grand Ballroom East<br />
Six Solutions-Get<br />
Butts in Seats<br />
Figuring Dance:<br />
Shakespeare<br />
Keynote Address PEARL CLEAGE Grand Ballroom Ea<br />
Community <strong>Theatre</strong><br />
Festival<br />
Spelman College<br />
7:00AM-10:30PM<br />
*****<br />
Show Schedule -<br />
page 35<br />
Ten Minute Play Readings 7-9AM<br />
Undergrad Design Display Center Undergraduate Design Display Center<br />
<strong>Theatre</strong> for Youth<br />
Meet & Greet<br />
7-9:30PM<br />
Room 2830
Registration, Professional Auditions, Job Contact Service, Commercial Exhibits and Ed Expo<br />
Room 8:00 9:00 10:30 12:00 1:00 2:30 4:00 5:30 7:00 8:30<br />
1st Floor Lobby<br />
2nd Floor Lobby<br />
Galleria Hall<br />
Grand Ballroom W<br />
Rm201,208,209,214<br />
Grand Salon D, West<br />
Fringe Festival, Keynotes<br />
Grand Ballroom East<br />
Rm 203, 204-206, 207<br />
Design Competition, Light Lab<br />
Grand Salon C<br />
Grand Salon A & B<br />
406, 407<br />
Workshops and Presentations<br />
Crystal Ballroom<br />
Undergrad Audition<br />
Briefing<br />
Hey, Get Up! Free<br />
Yoga!<br />
Executive Boardroom KEAP Mtg<br />
Grand Salon E, West<br />
202<br />
210, 211<br />
USITT-SE Business<br />
Mtg<br />
High School <strong>Theatre</strong><br />
Actor Tech Briefing<br />
Integrating Light and<br />
Sound Design<br />
Stage Violence w/o<br />
Choreographer<br />
Playwriting Interest<br />
Group Mtg<br />
Patsy Rodenburg<br />
10:30-11:50AM<br />
Responses to Undergraduate Designs 8:30AM-11:30AM<br />
Actor Choices, Opp,<br />
Training<br />
Aud Techniques -<br />
Working Actors<br />
Directing in Scaled<br />
<strong>Theatre</strong> Labs<br />
Chinese Shadow<br />
<strong>Theatre</strong><br />
Organic Approach -<br />
Effective Audition<br />
Acting For Camera 9-11AM<br />
FRIDAY'S SCHEDULE - March 4, 2011 Meeting Room Layouts: Pages 60-62<br />
Commercial Exhibits and Education Exhibitor Expo 10AM-6PM<br />
Actor Tech 8AM-9:30AM Professional Auditions 9:30AM-5:30PM (NOON-1:30PM Professional Division - ALL COMPANY Mtg & Lunch)<br />
Professional Auditions Warm-up Room Professional Auditions Holding Room Professional Auditions Callback Posting Room 10:30AM-9PM<br />
Dance Prep<br />
Student Design & Craftsmanship Competition Display<br />
Registration, Pre-Registration 8 AM - 5 PM (Hilton 1st Floor Lobby)<br />
Info Hub, <strong>Convention</strong> Gear, Silent Auction 8AM-5PM<br />
Job Contact Service 9AM-6PM<br />
Maximize Your<br />
Monologue with LMA<br />
Old Dry Frye Wings Canteen<br />
Sanjie Maria's Pictures<br />
Undergraduate School Auditions 7AM-5PM Undergraduate Design Display Center Detailed Schedule, Page 38<br />
Writing Aerobics for<br />
Playwrights<br />
Teaching Beyond the<br />
Technique<br />
Responses to Craft<br />
Designs<br />
SETC States<br />
Luncheon Crystal<br />
Ballroom<br />
Counted Scripts for<br />
Stage Mgrs<br />
Audition Tips for<br />
Film/TV<br />
Voice, Breath, and<br />
Body<br />
Musical <strong>Theatre</strong> Interest Group<br />
Responses to Grad Designs<br />
3-5PM<br />
Film Fights Based on<br />
Social Dance<br />
<strong>Theatre</strong> Symposium<br />
Interest Mtg<br />
<strong>Theatre</strong> for Youth<br />
Divisional Mtg<br />
Claim Your Voice:<br />
Dissolve Anx<br />
A Stage and Screen<br />
Agent Talk-Back<br />
The Suzuki Method of<br />
Actor Training<br />
Crack the secrets of<br />
Shakespeare<br />
NC State Mtg<br />
Dance Briefing & Warm-Up 5:45PM-7:15PM<br />
Dance Call 7:15PM-8:45PM<br />
Voice and Speech<br />
Interest Group Mtg<br />
Martial Arts for Actor<br />
Training<br />
What Are YOU Doing<br />
After Grad?<br />
Strt Tone in Music<br />
Thtre Singing<br />
Spice Up Your<br />
Dialects<br />
Non-Juried Design Resp 5:30-7:30PM Design/Tech Awards<br />
Ceremony<br />
8:30-10PM<br />
Light Lab Working Session II 6-11PM<br />
Social Dance: Let's<br />
Swing!<br />
Create Your Own Award Winning Puppet!<br />
Creative Drama<br />
Techniques<br />
Staged Reading/Critque of<br />
Nicolas the Worm by Eddie Zipperer<br />
st 2:30 PM<br />
212, 213<br />
301, 302<br />
303<br />
Screenwriter's<br />
Bootcamp<br />
Acting In Film:<br />
Meisner Approach<br />
304, 305 Believe In Ballroom<br />
306 Outside The Box<br />
307<br />
308<br />
309, 310<br />
311<br />
312<br />
Ethnic Diversity<br />
Roundtable<br />
313, 314 Actor Warm-Up<br />
315<br />
401, 402<br />
403<br />
404<br />
405<br />
408<br />
Festival<br />
North Atlanta High<br />
School<br />
8AM-10:30PM<br />
*****<br />
Show Schedule -<br />
page 56-57<br />
Leighton M. Ballew<br />
Award Interviews<br />
Robert Porterfield<br />
Award Interviews<br />
Draping Leather<br />
Masks for <strong>Theatre</strong><br />
"Mktg Magic" Sell<br />
Your Thtre Prgrm<br />
Storytelling: Ancient<br />
Art Reborn<br />
Light Desgn: Art,<br />
Physics&Culture<br />
<strong>Theatre</strong> for Youth<br />
Forcast<br />
Improvement<br />
Through Movement<br />
Playing with<br />
Proportion<br />
How to Be Your Own<br />
Dialect Coach<br />
William Wilson Award<br />
Interviews<br />
Marian A. Smith<br />
Award Interviews<br />
I Have to Teach<br />
What?<br />
No Fear Performer<br />
Flying Effects<br />
Sneaking Up On the<br />
Verb<br />
Twelve Things You<br />
Need to Know<br />
Work Less Get More<br />
Done<br />
The Active<br />
Monologue<br />
Showcase Your Play,<br />
the NYC Way<br />
Art Direction for TV<br />
Sitcoms<br />
Chekhov's Four<br />
Movement Qualities<br />
Develop the Sound<br />
Designers Portfolio<br />
Physical Comedy with<br />
Children<br />
Balanced Art &<br />
Patronage<br />
HS Playwrighting<br />
Committee Mtg<br />
Long Rnge Planning<br />
Committee Mtg<br />
Drama+Math<br />
=Dramath<br />
Eliminate Audition<br />
Anxiety<br />
<strong>Theatre</strong> History<br />
SUCKS!<br />
LED's: Where Do<br />
They Fit In?<br />
Blocking Showdown<br />
The Secret to Great<br />
Headshots<br />
Cross Campus<br />
Collaboration<br />
Explore, Unlock and<br />
Engage<br />
Scene Painting on<br />
Velour<br />
Preparing Portfolio for<br />
Success<br />
Stage Presence-<br />
Sports Psychology<br />
Christianity & Modern<br />
Arts<br />
Musical <strong>Theatre</strong><br />
Audition Workshop<br />
When Shakespeare<br />
Met Spider Man<br />
From Graduate<br />
School to Faculty<br />
Cheap & Effective<br />
Technical Solutions<br />
Teaching Artist?<br />
What's That?!?<br />
New Dog - Old Tricks<br />
Fed Thtre Proj: Living<br />
Newspaper<br />
Fighting to Define<br />
Your Beat<br />
Produce Play Festival<br />
in 24hrs<br />
Devsd Thtre Raises<br />
Campus Profile<br />
Learn to Portray<br />
Biogr Figures<br />
Teaching with Drama<br />
Games (DP)<br />
Children's <strong>Theatre</strong> in<br />
a Small Town<br />
Broadway Audition<br />
Bootcamp: Dance<br />
Playwrights Create<br />
Characters<br />
Applying Meisner to<br />
Improv<br />
Religion in <strong>Theatre</strong><br />
Interest Mtg<br />
The <strong>Theatre</strong> PhD<br />
Legal Issues for<br />
<strong>Theatre</strong><br />
Adventure in<br />
Appalachian Thtre<br />
Character Factory -<br />
Playwrighting<br />
Nat'l Thtre Honor<br />
Societies Mtg<br />
2 for 1! Create<br />
Dynamic Mlgue<br />
MS State Mtg<br />
SC State Mtg<br />
AL State Mtg<br />
Create a Dance in 50<br />
Minutes<br />
Real <strong>Theatre</strong>. Real<br />
Life<br />
Releasing Your<br />
Creativity<br />
CITA Networking<br />
Session<br />
Collaboranalysis WV State Mtg Dynamic Differences<br />
Directing a Catalog<br />
Musical<br />
Auditioning with<br />
Shakespeare<br />
American Noh<br />
<strong>Theatre</strong><br />
USITT Costume<br />
Resources<br />
Chat with Play<br />
Publishers<br />
Precision Dancing<br />
with a Rockette!<br />
Video Game <strong>Theatre</strong><br />
Meditation to Resolve<br />
Conflicts<br />
Page to Stage to Go!<br />
Write for Southern<br />
<strong>Theatre</strong><br />
GA State Mtg<br />
Film Actor's Business<br />
Toolkit<br />
KY State Mtg Longevity in <strong>Theatre</strong><br />
FL State Mtg<br />
TN State Mtg<br />
Play Development<br />
Workshops<br />
Digital Media in<br />
<strong>Theatre</strong><br />
VA State Mtg SAFD Mtg<br />
MELT into Freer<br />
Acting!<br />
Photoshopping<br />
Production Photos<br />
Physical <strong>Theatre</strong><br />
Improvisation<br />
Screen Acting<br />
Secrets: Cap/Gap<br />
Create Original Wk w/<br />
HS Students<br />
The Stella Adler Workshop (7-9PM)<br />
Community <strong>Theatre</strong><br />
Festival<br />
Spelman College<br />
7:00AM-10:30PM<br />
*****<br />
Show Schedule -<br />
page 35<br />
Tompkins Technique<br />
& Monologue<br />
Mobile Marketing<br />
LGBTQ Roundtable -<br />
Let's Discuss!<br />
Lugering's Exprsve<br />
Actor Technique<br />
Alumni Receptions<br />
10PM-Midnight<br />
UNCG Alumni<br />
Crystal Ballroom<br />
Golden Eagle Alumni<br />
Rooms 313/314<br />
FSU Alumni &<br />
Friends Rooms<br />
304/305<br />
Keynote Address MATT CAVENAUGH Grand Ballroom Eas<br />
High School New Play Open Rehearsal
Registration, Professional Auditions, Job Contact Service, Commercial Exhibits and Ed Expo<br />
Room 8:00 9:00 10:30 12:00 1:00 2:30 4:00 5:30 7:00 8:30<br />
Registration<br />
2nd Floor Lobby<br />
Galleria Hall<br />
Grand Ballroom W<br />
Rm201,208,209,214<br />
SATURDAY'S SCHEDULE - MARCH 5, 2011<br />
Registration, Pre-Registration 8AM-NOON (Hilton 1st Floor Lobby)<br />
Info Hub, <strong>Convention</strong> Gear, Silent Auction 8AM-NOON<br />
Job Contact Service 9AM-NOON<br />
Commercial Exhibits & Education Exhibitor Expo 10AM-1PM<br />
Professional Auditions 8:30AM-5PM<br />
Professional Auditions Warm-up Room Professional Auditions Holding Room Professional Auditions Callback Posting Room 10:30AM-9PM<br />
SETC<br />
1175 Revolution Mill Drive, Suite 14<br />
Greensboro, NC 27405<br />
Grand Salon D, West<br />
Graduate School Auditions/Interviews<br />
203<br />
Instant Auditioning!<br />
No Acting Nec<br />
Well Slap Me Silly<br />
Graduate School Auditions Holding Room 8:30AM-12:30PM<br />
204, 205<br />
Graduate School Auditions 8-1PM Callback Postings in the Hall<br />
206, 207<br />
Fringe Festival, Keynote, Digital Cinema & TV Fetival, Design Masterclasses, Light Lab<br />
Exploring Through<br />
Improvisation<br />
Broadway Audition<br />
Bootcamp: Vocal<br />
Awww Man, Not the<br />
Ensemble Again<br />
Design/Tech Protfolio Interviews 1-5PM<br />
Dance Briefing & Warm-Up 5:15PM-6:45PM<br />
Dance Call 6:45PM-8:15PM<br />
Grand Ballroom East Rabbit Hole 8:45AM Scooter Thomas Masquerade Fringe Load - Out<br />
403<br />
Grand Salon C<br />
406, 407<br />
Grand Salon E, West<br />
Workshops and Presentations<br />
Crystal Ballroom<br />
Hey, Get Up! Free<br />
Yoga!<br />
Executive Boardroom KEAP<br />
Grand Salon A & B<br />
Distress Dying in a<br />
Bottle<br />
Digital Cinema & TV<br />
Festival<br />
Commedia Training Musical Improvisation<br />
Secondary School<br />
Interest Group<br />
<strong>Theatre</strong> Symposium<br />
2010 Highlights<br />
Commedia A Tool for<br />
Today's Actor<br />
Film/ TV Interest<br />
Group<br />
Design Competition Display Open 9AM-NOON ▪ 2011 Award Winning Designs!<br />
Scenic Painting for Young Designers w/<br />
Kat Conley<br />
Light Lab Projects Sharing 1-3PM<br />
Stage Combat: The<br />
Dance of Danger<br />
<strong>Convention</strong> Critique<br />
SETC Digital Cinema & TV Festival<br />
Core Connections:<br />
Alexander & Bartnff<br />
Portfolio Constr for<br />
Arts Admins<br />
The Five Elements<br />
Finance Budget Mtg<br />
High School Festival Awards Recognition<br />
Ceremony 7-8PM<br />
Salon A, B, C<br />
Community <strong>Theatre</strong> Division Meeting &<br />
Recognition Ceremony 7-8PM<br />
Rm 210, 211<br />
:30 PM<br />
202<br />
210, 211<br />
Voice for Singing/<br />
Dancing Actor<br />
Actor's Tools English<br />
Lang Lrnrs<br />
212, 213 Young Scholars Panel<br />
301<br />
302<br />
303<br />
304, 305<br />
306<br />
307<br />
308<br />
309, 310<br />
Breakfast Rnd Tbl -<br />
Women's Issues<br />
Stage Management<br />
Mtg<br />
Creating Dramatic<br />
Works from History<br />
Intro to Basic Stage<br />
Makeup<br />
Movement Using the<br />
Four Elements<br />
SayLove: Conception<br />
to Performance<br />
Choreographic Cliff<br />
Notes<br />
Script Analysis to<br />
Performance<br />
<strong>Theatre</strong> for Social<br />
Change<br />
Dynamic/Believable<br />
Performance<br />
Design/Tech Interest<br />
Group<br />
Become Arts Ready<br />
Ann Bogart's<br />
Composition Work<br />
Stage Managing<br />
Dance<br />
Service Learning Style v. Genre<br />
Meditation<br />
Techniques<br />
311 Costume Design ABC<br />
312<br />
313, 314<br />
315<br />
Community <strong>Theatre</strong><br />
Festival<br />
Spelman College<br />
7:30AM-3PM<br />
*****<br />
Show Schedule -<br />
page 35<br />
New Products -<br />
Lighting & Tech<br />
Performing Musical<br />
<strong>Theatre</strong> Dance<br />
Writing Effective<br />
Synopsis for Plays<br />
<strong>Theatre</strong> Games<br />
Secrets of Flying<br />
Effects<br />
Fabric Mods in Small<br />
Arts Prgrms<br />
Laban Movement<br />
Analysis<br />
Production Exchange<br />
Yoga & Classroom<br />
Effectiveness<br />
Select the Right<br />
<strong>Theatre</strong> <strong>Program</strong><br />
Acting in the Classical<br />
<strong>Theatre</strong><br />
The BEST First Job<br />
After College!<br />
Exploration of the<br />
Corded Corset<br />
Extreme Stretch and<br />
Strengthen<br />
Designer-Director<br />
Collaboration<br />
Small <strong>Theatre</strong> Prog<br />
Solutions Group<br />
Tenure & Promotion:<br />
Taking Action<br />
Classroom Mgmt for<br />
K-12 Students<br />
Lighting System Care<br />
& Feeding<br />
Sound and Mvmnt:<br />
Actors Tools<br />
Why Our Town<br />
Remains a Classic<br />
Poetry: Dramatizing<br />
Verse Vocally<br />
History/Theory/Lit/<br />
Crit Committee<br />
College Auditioning<br />
101<br />
Building Community<br />
<strong>Theatre</strong><br />
New Plays and Lost<br />
Treasures<br />
Intro to Basic Old Age<br />
Makeup<br />
Alba Emoting:To Feel<br />
or Not to Feel<br />
Secrets of Shibori<br />
Dyeing<br />
Creating Character<br />
Through Portraits<br />
Division Chairs<br />
Meeting<br />
State Reps Mtg<br />
Perform w/ Found<br />
Object Puppetry<br />
Energy and the Actor<br />
Lessac Yoga Improv Games To-Go<br />
Why Knot?<br />
Commedia dell'Arte<br />
Char Exploration<br />
Pinocchio Takes on<br />
Educ Standards<br />
401, 402 Create Your Own Puppet<br />
Counted Scripts<br />
Shakespeare’s Action<br />
Figures<br />
Keynote Address BEN CAMERON Grand Ballroom East 2:<br />
High School New Play Contest Staged<br />
Reading and Critique<br />
President's Reception<br />
7-8PM Second Floor Lobby Cash Bar<br />
**************************<br />
Live from Atlanta!<br />
Banquet<br />
62nd Annual Awards Ceremony<br />
8-9:30PM ▪ Grand Ballroom<br />
**************************<br />
Celebration Dance!<br />
With Ya Boi Boi Productionz<br />
10PM-Midnight ▪ Crystal Ballroom<br />
SETC Annual Business Meeting 3:30 PM<br />
Mark Your Calendars!<br />
SETC 63rd Annual <strong>Convention</strong><br />
Returns to Chattanooga, TN<br />
March 7-11, 2012
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Help???
Help???
Help???
Help???
Help???
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Help???
SETC Fall<br />
Professional Auditions
SETC Fall<br />
Professional Auditions
Turn all cell phones and pagers off<br />
during all workshops, presentations,<br />
shows and keynotes.
Turn all cell phones and pagers off<br />
during all workshops, presentations,<br />
shows and keynotes.
Turn all cell phones and pagers off<br />
during all workshops, presentations,<br />
shows and keynotes.
Turn all cell phones and pagers off<br />
during all workshops, presentations,<br />
shows and keynotes.
Turn all cell phones and pagers off<br />
during all workshops, presentations,<br />
shows and keynotes.
Turn all cell phones and pagers off<br />
during all workshops, presentations,<br />
shows and keynotes.
Turn all cell phones and pagers off<br />
during all workshops, presentations,<br />
shows and keynotes.
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ESCALATOR<br />
ELEVATOR<br />
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SOUTHERN<br />
ELEMENTS<br />
RESTAURANT<br />
SOUTHERN<br />
ELEMENTS<br />
LOUNGE<br />
MARKET<br />
PLACE<br />
RETAIL<br />
HARRIS STREET<br />
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304<br />
303<br />
302<br />
306<br />
307<br />
308<br />
301<br />
315<br />
314<br />
313<br />
311<br />
310<br />
309<br />
312<br />
ELEVATOR<br />
404<br />
<br />
<br />
<br />
403<br />
402<br />
401<br />
405<br />
406<br />
407<br />
408<br />
410<br />
409
Loading<br />
Ramp<br />
Loading<br />
Dock<br />
Roll-up Doors<br />
Exit<br />
Ramp<br />
Down<br />
ENTRANCE<br />
Exit<br />
Exit<br />
Exit<br />
Exit<br />
ENTRANCE<br />
Elev<br />
NE<br />
SE<br />
NW<br />
SW<br />
BAKER STREET<br />
HARRIS STREET<br />
SERVICE CORRIDOR<br />
SERVICE CORRIDOR<br />
STAIRS<br />
BAKER STREET<br />
LOADING DOCK<br />
EXHIBIT HALL ENTRANCE<br />
FROM BAKER STREET<br />
DOCKS<br />
509<br />
601<br />
702<br />
708<br />
710<br />
607<br />
706 605<br />
704 603<br />
709<br />
707<br />
701<br />
712<br />
711<br />
810<br />
808<br />
403<br />
401<br />
405<br />
407<br />
409<br />
411<br />
413<br />
415<br />
312<br />
310<br />
306<br />
304<br />
302<br />
211<br />
209<br />
207<br />
212<br />
210<br />
208<br />
122<br />
120<br />
118<br />
116<br />
114<br />
111<br />
109<br />
107<br />
105<br />
126<br />
132<br />
148 146 144 142 140<br />
138<br />
136<br />
134<br />
129<br />
113 115<br />
125 123<br />
119<br />
912<br />
910<br />
908<br />
906<br />
1009<br />
1007<br />
909<br />
907<br />
905<br />
903<br />
1012<br />
1010<br />
1006<br />
1005<br />
1003<br />
901<br />
1004<br />
1001 904<br />
914<br />
1011 911<br />
1014<br />
429 427 425 423 421 419<br />
117<br />
J47<br />
J58<br />
J59<br />
J50<br />
J51<br />
J46<br />
J45<br />
J44<br />
J43<br />
J42<br />
J36<br />
J37<br />
J38<br />
J39<br />
J35<br />
J34<br />
J33<br />
J25<br />
J26<br />
J27<br />
J24<br />
J23<br />
J22<br />
J32<br />
J31<br />
J13<br />
J14<br />
J15<br />
J16<br />
J17<br />
J18<br />
J19<br />
J20<br />
J30<br />
J40<br />
J41<br />
J51<br />
S<br />
J55<br />
J54<br />
J53<br />
J52<br />
J56<br />
J57<br />
J58<br />
J59<br />
J60<br />
J28<br />
J21<br />
J29<br />
J6<br />
J5<br />
J4<br />
J8<br />
J9<br />
J10<br />
J12<br />
J11<br />
705<br />
703<br />
128<br />
J1<br />
J2<br />
J3<br />
J63 J62 J61<br />
HES<br />
Boneyard<br />
913<br />
501<br />
610<br />
612<br />
602<br />
112<br />
110<br />
108<br />
106<br />
124<br />
204<br />
202<br />
101<br />
205<br />
201<br />
309<br />
307<br />
305<br />
303<br />
301<br />
J7<br />
J65<br />
J66 J64<br />
406<br />
402<br />
408<br />
410<br />
412<br />
504<br />
502<br />
506<br />
508<br />
510<br />
512<br />
514<br />
516<br />
507<br />
608<br />
505<br />
606<br />
503<br />
604<br />
417 416<br />
431<br />
433<br />
609<br />
611<br />
812<br />
809<br />
807<br />
811<br />
915<br />
917<br />
919<br />
921<br />
923<br />
1013<br />
102<br />
Booth Inventory 2/10/11<br />
Category Size SF Qty Total SF
Loading<br />
Ramp<br />
Loading<br />
Dock<br />
Roll-up Doors<br />
Exit<br />
Ramp<br />
Down<br />
ENTRANCE<br />
Exit<br />
Exit<br />
Exit<br />
Exit<br />
ENTRANCE<br />
Elev<br />
NE<br />
SE<br />
NW<br />
SW<br />
BAKER STREET<br />
HARRIS STREET<br />
SERVICE CORRIDOR<br />
SERVICE CORRIDOR<br />
STAIRS<br />
BAKER STREET<br />
LOADING DOCK<br />
EXHIBIT HALL ENTRANCE<br />
FROM BAKER STREET<br />
DOCKS<br />
509<br />
601<br />
702<br />
708<br />
710<br />
607<br />
706 605<br />
704 603<br />
709<br />
707<br />
701<br />
712<br />
711<br />
810<br />
808<br />
403<br />
401<br />
405<br />
407<br />
409<br />
411<br />
413<br />
415<br />
312<br />
310<br />
306<br />
304<br />
302<br />
211<br />
209<br />
207<br />
212<br />
210<br />
208<br />
122<br />
120<br />
118<br />
116<br />
114<br />
111<br />
109<br />
107<br />
105<br />
126<br />
132<br />
148 146 144 142 140<br />
138<br />
136<br />
134<br />
129<br />
113 115<br />
125 123<br />
119<br />
912<br />
910<br />
908<br />
906<br />
1009<br />
1007<br />
909<br />
907<br />
905<br />
903<br />
1012<br />
1010<br />
1006<br />
1005<br />
1003<br />
901<br />
1004<br />
1001 904<br />
914<br />
1011 911<br />
1014<br />
429 427 425 423 421 419<br />
117<br />
J47<br />
J58<br />
J59<br />
J50<br />
J51<br />
J46<br />
J45<br />
J44<br />
J43<br />
J42<br />
J36<br />
J37<br />
J38<br />
J39<br />
J35<br />
J34<br />
J33<br />
J25<br />
J26<br />
J27<br />
J24<br />
J23<br />
J22<br />
J32<br />
J31<br />
J13<br />
J14<br />
J15<br />
J16<br />
J17<br />
J18<br />
J19<br />
J20<br />
J30<br />
J40<br />
J41<br />
J51<br />
S<br />
J55<br />
J54<br />
J53<br />
J52<br />
J56<br />
J57<br />
J58<br />
J59<br />
J60<br />
J28<br />
J21<br />
J29<br />
J6<br />
J5<br />
J4<br />
J8<br />
J9<br />
J10<br />
J12<br />
J11<br />
705<br />
703<br />
128<br />
J1<br />
J2<br />
J3<br />
J63 J62 J61<br />
HES<br />
Boneyard<br />
913<br />
501<br />
610<br />
612<br />
602<br />
112<br />
110<br />
108<br />
106<br />
124<br />
204<br />
202<br />
101<br />
205<br />
201<br />
309<br />
307<br />
305<br />
303<br />
301<br />
J7<br />
J65<br />
J66 J64<br />
406<br />
402<br />
408<br />
410<br />
412<br />
504<br />
502<br />
506<br />
508<br />
510<br />
512<br />
514<br />
516<br />
507<br />
608<br />
505<br />
606<br />
503<br />
604<br />
417 416<br />
431<br />
433<br />
609<br />
611<br />
812<br />
809<br />
807<br />
811<br />
915<br />
917<br />
919<br />
921<br />
923<br />
1013<br />
102<br />
Booth Inventory 2/10/11<br />
Category Size SF Qty Total SF
Loading<br />
Ramp<br />
Loading<br />
Dock<br />
Roll-up Doors<br />
Exit<br />
Ramp<br />
Down<br />
ENTRANCE<br />
Exit<br />
Exit<br />
Exit<br />
Exit<br />
ENTRANCE<br />
Elev<br />
NE<br />
SE<br />
NW<br />
SW<br />
BAKER STREET<br />
HARRIS STREET<br />
SERVICE CORRIDOR<br />
SERVICE CORRIDOR<br />
STAIRS<br />
BAKER STREET<br />
LOADING DOCK<br />
EXHIBIT HALL ENTRANCE<br />
FROM BAKER STREET<br />
DOCKS<br />
509<br />
601<br />
702<br />
708<br />
710<br />
607<br />
706 605<br />
704 603<br />
709<br />
707<br />
701<br />
712<br />
711<br />
810<br />
808<br />
403<br />
401<br />
405<br />
407<br />
409<br />
411<br />
413<br />
415<br />
312<br />
310<br />
306<br />
304<br />
302<br />
211<br />
209<br />
207<br />
212<br />
210<br />
208<br />
122<br />
120<br />
118<br />
116<br />
114<br />
111<br />
109<br />
107<br />
105<br />
126<br />
132<br />
148 146 144 142 140<br />
138<br />
136<br />
134<br />
129<br />
113 115<br />
125 123<br />
119<br />
912<br />
910<br />
908<br />
906<br />
1009<br />
1007<br />
909<br />
907<br />
905<br />
903<br />
1012<br />
1010<br />
1006<br />
1005<br />
1003<br />
901<br />
1004<br />
1001 904<br />
914<br />
1011 911<br />
1014<br />
429 427 425 423 421 419<br />
117<br />
J47<br />
J58<br />
J59<br />
J50<br />
J51<br />
J46<br />
J45<br />
J44<br />
J43<br />
J42<br />
J36<br />
J37<br />
J38<br />
J39<br />
J35<br />
J34<br />
J33<br />
J25<br />
J26<br />
J27<br />
J24<br />
J23<br />
J22<br />
J32<br />
J31<br />
J13<br />
J14<br />
J15<br />
J16<br />
J17<br />
J18<br />
J19<br />
J20<br />
J30<br />
J40<br />
J41<br />
J51<br />
S<br />
J55<br />
J54<br />
J53<br />
J52<br />
J56<br />
J57<br />
J58<br />
J59<br />
J60<br />
J28<br />
J21<br />
J29<br />
J6<br />
J5<br />
J4<br />
J8<br />
J9<br />
J10<br />
J12<br />
J11<br />
705<br />
703<br />
128<br />
J1<br />
J2<br />
J3<br />
J63 J62 J61<br />
HES<br />
Boneyard<br />
913<br />
501<br />
610<br />
612<br />
602<br />
112<br />
110<br />
108<br />
106<br />
124<br />
204<br />
202<br />
101<br />
205<br />
201<br />
309<br />
307<br />
305<br />
303<br />
301<br />
J7<br />
J65<br />
J66 J64<br />
406<br />
402<br />
408<br />
410<br />
412<br />
504<br />
502<br />
506<br />
508<br />
510<br />
512<br />
514<br />
516<br />
507<br />
608<br />
505<br />
606<br />
503<br />
604<br />
417 416<br />
431<br />
433<br />
609<br />
611<br />
812<br />
809<br />
807<br />
811<br />
915<br />
917<br />
919<br />
921<br />
923<br />
1013<br />
102<br />
Booth Inventory 2/10/11<br />
Category Size SF Qty Total SF
Professional.<br />
Challenging.<br />
Inspiring.<br />
BFA & BA in theAtre<br />
Professional training <strong>Program</strong><br />
• performance • design/technology<br />
• stage management<br />
Senior Showcase<br />
the only undergraduate program in Virginia<br />
that produces acting showcases for seniors<br />
in nYC, LA, & Chicago<br />
Guest Artist <strong>Program</strong><br />
Featuring nationally recognized guest artists<br />
to conduct week-long master classes<br />
Guest Director <strong>Program</strong><br />
two of theatre VCU’s four annual mainstage<br />
productions are directed by renowned<br />
professional directors<br />
MFA: PeDAGoGY<br />
• dramatic literature & dramaturgy<br />
• voice & speech • performance<br />
• movement & musical theatre<br />
MFA: SCeniC &<br />
CoStUMe DeSiGn<br />
• a unique 2-3 year graduate program<br />
• practical training<br />
• professional mentoring<br />
VCU<br />
AT VIRGINIA COMMONWEALTH UNIVERSITY<br />
Member of NAST - National Association of Schools of <strong>Theatre</strong><br />
David S. Leong, Chairman • dsleong@vcu.edu<br />
For information contact:<br />
Glynn Brannan, Creative Director • gmbrannan@vcu.edu<br />
922 Park Ave. • Richmond, VA 23284-2524 • 804.828.1514<br />
Blog: http://theatrevcubackstagepass.blogspot.com/<br />
http://www.vcu.edu/arts/theatre/dept
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