03.05.2015 Views

2008 May – Artist: Fred Richman - Society of Connecticut Sculptors

2008 May – Artist: Fred Richman - Society of Connecticut Sculptors

2008 May – Artist: Fred Richman - Society of Connecticut Sculptors

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Newsletter <strong>of</strong> the<br />

<strong>Society</strong> <strong>of</strong><br />

<strong>Connecticut</strong><br />

<strong>May</strong>, <strong>2008</strong> – Vol. 5, No. 2<br />

SCS, Inc., P.O. Box 415,<br />

Essex, CT 06426<br />

FROM THE PRESIDENT’S PEN<br />

As I sit here looking out the window at the gray skies and heavy rain, I have<br />

to repeat mentally the mantra “This is Spring. This is Spring” – because all the<br />

visual data leads to the conclusion that this is the depths <strong>of</strong> Winter. However,<br />

there is a spring-like bright spot even in this gloom. Thanks to a big, individual<br />

effort by Robert Swain, husband <strong>of</strong> the editor <strong>of</strong> this newsletter, the <strong>Society</strong> <strong>of</strong><br />

<strong>Connecticut</strong> <strong>Sculptors</strong> now can present itself to the world on our very own<br />

impressive website. (www.ctsculptors.org)<br />

If this enthusiasm for our website seems excessive, I do not believe it is.<br />

When SCS was founded 16 years ago, one <strong>of</strong> the first things agreed upon by the<br />

founders was that our new organization would greatly benefit from a website. Over the years creating<br />

one has been a continual topic <strong>of</strong> discussion, and in fact there have been four serious attempts to<br />

negotiate with various organizations to create one. But they have all fallen through largely because <strong>of</strong><br />

the cost. Bob volunteered to give it a try, and by creating the website – and getting SCS onto the Net –<br />

he has moved us into a new era.<br />

This is not just another place to show. As one pundit once said, “On the Net everybody looks the<br />

same size.” Even though we have only about a hundred members, on the Net we have the same<br />

exposure and opportunities for recognition as a major museum. This is the proverbial “Quantum Leap”<br />

into the big, International Art World.<br />

I want to thank Bob publicly for his accomplishment and to encourage the membership <strong>of</strong> SCS to<br />

volunteer to get actively involved with our site. If you already have your own website, mention on it that<br />

you are a member <strong>of</strong> the <strong>Society</strong> <strong>of</strong> <strong>Connecticut</strong> <strong>Sculptors</strong> and add a link to the SCS site on it. Also<br />

notify Bob <strong>of</strong> your address if we don’t already have a link to yours.<br />

This is only the beginning. There will be more work to be done as we go along. We welcome any<br />

volunteers, no matter how inexperienced, to help maintain the site. (Bob Swain will be leading a<br />

workshop soon on how to update the site. Contact him directly if you want to participate.) Please<br />

consider volunteering. Help put us in the sun.<br />

PS: Wendy and Bob can be e-mailed at wgs10s@yahoo.com or uu4u@sbcglobal.net.<br />

–John Molloy<br />

SCS Newsletter <strong>May</strong>, <strong>2008</strong><br />

SPOTLIGHT ON THE ARTIST – FRED RICHMAN<br />

It seems that <strong>Fred</strong> <strong>Richman</strong> was born to sculpt! He started sculpting when he was just a little tot –<br />

when he used to carve his own (wooden) toy blocks! He moved on to carving Ivory<br />

soap, which he says helped him win a scholarship to college for his first year. Says<br />

<strong>Fred</strong>. “When I graduated from the Music and Art High<br />

School in New York I thought I would be a sculptor,<br />

but being a child <strong>of</strong> the Great Depression it sounded<br />

safer to go into industrial design.”<br />

<strong>Fred</strong>’s interest in sculpting did not waiver into<br />

adulthood. He went for classes at night to the Sculpture<br />

Center and the Art Students’ League in New York City<br />

after working all day at his job. <strong>Fred</strong> laughs, “Since all<br />

they had to <strong>of</strong>fer was working from live models,<br />

I now have a house full <strong>of</strong> nudes in terra cotta.”<br />

At 81, <strong>Fred</strong> presently works at his Clinton studio in both wood<br />

and terra cotta. Working in wood, he says, seems to satisfy a carving<br />

instinct he has. Although most <strong>of</strong> his formal instruction was “Bauhaus”<br />

form and abstraction, he tends to go the figurative route now. (See<br />

more <strong>of</strong> <strong>Fred</strong>’s work on our website, www.ctsculptors.org.)<br />

<strong>Fred</strong> joined the <strong>Society</strong> <strong>of</strong> <strong>Connecticut</strong> <strong>Sculptors</strong> when he moved<br />

to the state fifteen years ago and has participated in many <strong>of</strong> the<br />

<strong>Society</strong>’s shows. He also has won a number <strong>of</strong> awards for his sculpture<br />

as a participant in Clinton Art <strong>Society</strong> Shows.<br />

STANLEY BLEIFELD’S CIVIL RIGHTS MEMORIAL<br />

To be Unveiled in July in Richmond, VA<br />

Stanley Bleifeld has been an artist in the public eye since the 1950’s. In 1967, the Bridgeport Sunday<br />

Post art critic wrote, “The name Stanley Bleifeld and sculpture are synonymous.” His fame is almost<br />

legendary.<br />

Widespread public recognition came from the 1964 World’s Fair Vatican Pavilion’s commission <strong>of</strong><br />

a five-part terra cotta relief. Then a Life Magazine picture and article kept him before the public eye. And<br />

<strong>of</strong> course there was the New York gallery – a well established one – Peridot, at 820 Madison Avenue,<br />

with its streams <strong>of</strong> Bleifeld reviews. (You can see more about Stanley Bleifeld on his web site at<br />

www.stanleybleifeld.com )<br />

More recently, Bleifeld was selected from hundreds <strong>of</strong> American sculptors to create a national<br />

2


SCS Newsletter <strong>May</strong>, <strong>2008</strong><br />

monument for the U.S. Navy in Washington, D.C. His larger-than-life<br />

sculpture “Lone Sailor” sits on a site near the Capitol building and is<br />

viewed by thousands <strong>of</strong> visitors every year. This commission peaked the<br />

interest <strong>of</strong> national media including the Today Show, Newsweek and The<br />

Washington Post. A Weston, CT, resident for 35 years, Stanley shares his<br />

time between his secluded studio and home here and another one in<br />

Pietrasanta, Italy.<br />

Former Governor <strong>of</strong> Virginia Mark Warner<br />

commissioned the Civil Rights Memorial in 2005.<br />

Stanley, who is a member <strong>of</strong> the <strong>Society</strong> <strong>of</strong> <strong>Connecticut</strong><br />

<strong>Sculptors</strong> in addition to his world renown, submitted his<br />

proposal to the Governor’s committee for the Capitol<br />

Square Civil Rights Memorial Foundation. Stanley’s<br />

proposal won and he began work on the project in<br />

October <strong>of</strong> 2006. The total cost is expected to be about<br />

$2.6 million, with the money being raised from private<br />

donations.<br />

Bleifeld did most <strong>of</strong> the work on this enormous<br />

undertaking in Pietrasanta, where he has a big studio<br />

and the help <strong>of</strong> an excellent assistant and other skillful<br />

local artisans. Stanley estimates that he worked for about<br />

ten to twelve hours daily on this project.<br />

The unveiling <strong>of</strong> the monument will take place in Richmond<br />

on Monday, July 21 st . A small group <strong>of</strong> SCS members are<br />

planning to attend.<br />

Editor’s Musings<br />

One <strong>of</strong> the amazing things that happens to<br />

me when I go to work in the company <strong>of</strong> other<br />

sculptors in a studio not far from my home is that<br />

the experience is much more than just the<br />

coaxing <strong>of</strong> the clay into various shapes and forms.<br />

It is the uplift, too, and the inspiration I get from<br />

bouncing ideas <strong>of</strong>f <strong>of</strong> others in the studio, plus getting and giving<br />

reactions to my work and the work <strong>of</strong> my colleagues. I love being<br />

a part <strong>of</strong> a group <strong>of</strong> like-minded individuals who are there to work<br />

and support each other.<br />

And while I love being surrounded by beauty, I can also<br />

3<br />

Above are views <strong>of</strong> two <strong>of</strong> four sides <strong>of</strong> the new<br />

Virginia State Civil Rights Memorial by Stanley<br />

Bleifeld. See www.vacivilrightsmemorial.org/<br />

memorial/render/ for more views and details.<br />

<strong>Society</strong> <strong>of</strong> CT <strong>Sculptors</strong><br />

Board <strong>of</strong> Directors<br />

John Molloy, President<br />

Harold Wright, Treasurer<br />

Susan Zurles, Vice President<br />

LeaAnn Cogswell, Secretary<br />

Members at Large<br />

Ken Bujnowski<br />

Steffi Friedman<br />

Rosemary Gurpide<br />

Helene Johnson<br />

Maurice Maultz<br />

<strong>Fred</strong> <strong>Richman</strong><br />

Fay Stevenson-Smith<br />

Wendy Swain<br />

Jack Yerkes<br />

SCS Newsletter <strong>May</strong>, <strong>2008</strong><br />

spend a lot <strong>of</strong> time in the studio with lots <strong>of</strong> unsightly plastic covering people’s works, various sculpture<br />

stands scattered about and tools laid out all over the studio for the convenience <strong>of</strong> all the sculptors<br />

working there. The beauty which emerges from this seeming chaos inspires my creativity and lights a<br />

certain fire in me. For me, there is no weather, no heat, no cold, no sun, nor rain – just a spot to unleash<br />

my soul and block out the outside world for a time. For that, I am most grateful..<br />

I hope that you, too, have found your spot for creativity, and, in this world <strong>of</strong> busy and busier,<br />

work that truly fulfills your soul.<br />

–Wendy Swain<br />

<strong>May</strong> 2 Field Trip to New York City<br />

Five SCS members took the train together into New York City on a cool, overcast morning to<br />

explore the city and some <strong>of</strong> its<br />

sculpture. The first stop was at<br />

the National Sculpture <strong>Society</strong>,<br />

at 46th and Park Avenue, to view<br />

the 75th Annual Exhibition in<br />

the Atrium <strong>of</strong> its lovely, modern<br />

building. The 60 sculptures on<br />

view were selected from over 800<br />

Individual sculptures at right are from the 75 th<br />

NSS exhibit – clockwise from top left, by<br />

Marsha Tosk, Richard Blake, Jane DeDecker,<br />

Joy Beckner and the show winner, “Iron Child”<br />

(sculpted in wood) by Stephen Layne. See the<br />

NSS site for more. Other shots are at the<br />

Lucchesi studio – Bruno with Louise and Pat<br />

Wiley and with Patti Law, Ann Rosow-Lucchesi<br />

showing Wendy Swain one <strong>of</strong> Bruno’s books.<br />

4


SCS Newsletter <strong>May</strong>, <strong>2008</strong><br />

entries by a jury. The variety <strong>of</strong> sculptures was noteworthy. A separate Awards Jury selected fifteen<br />

sculptures for awards totaling more than $12,000. The subject matter <strong>of</strong> pieces ranged from birds and<br />

animals, some lifelike and others whimsical, to human figures in various poses. The materials ranged<br />

from terra cotta to bronze and wood. Gwen Pier, Executive Director <strong>of</strong> the NSS, was kind enough to<br />

accompany the group for a short time through the exhibit and to take some photographs <strong>of</strong> us as well.<br />

(The exhibit ends <strong>May</strong> 30th and will then travel to Brookgreen Gardens, South Carolina, for display<br />

from June 28 to August 24.)<br />

We enjoyed the walk up Madison Avenue next to visit the Wildenstein and Knoedler Galleries,<br />

located on 64th and 70th respectively. The galleries held mostly paintings, some by very well known<br />

artists – with price tags into the millions.<br />

Then we hopped on a subway to wend our way down to the East Village where we had had an<br />

invitation from Ann and Bruno Lucchesi to visit their work studio. That was the true highlight <strong>of</strong> the<br />

day – viewing the wonderful array <strong>of</strong> completed sculptures by both Bruno and Ann as well as seeing<br />

works in progress and getting to interact with them and ask questions about techniques and ideas. The<br />

smiles and laughter flowed freely. (You can view slide shows <strong>of</strong> both Bruno’s and Ann’s sculpture on<br />

our website – www.ctsculptors.org.)<br />

The promised rain did not materialize, so the day was a special delight – talking about sculpture<br />

and art in a small group <strong>of</strong> friends – “hanging out” for the day, but with a purpose. Opportunities such<br />

as this are just one good reason for being a member <strong>of</strong> a group like the <strong>Society</strong> <strong>of</strong> <strong>Connecticut</strong> <strong>Sculptors</strong>.<br />

Hopefully you may be a part <strong>of</strong> the group next time.<br />

Some Possibilities for Summer Fun Mixed with Inspiration<br />

Summer Workshops are being <strong>of</strong>fered in<br />

many, many locations around the country. For us,<br />

there are two <strong>of</strong> special note—<br />

MARBLE CARVING with <strong>Fred</strong><br />

Brownstein. This workshop will be taking place<br />

from August 4 to 8 in Salem, New York. “This<br />

marble carving residency will <strong>of</strong>fer instruction in<br />

marble carving for a mixed group <strong>of</strong> participants<br />

from beginners to more experienced sculptors<br />

who wish to learn and improve their techniques.<br />

We will cover the three main phases <strong>of</strong> marble<br />

sculpture: roughing out, modeling with chisels and<br />

finishing. All tools and techniques will be<br />

demonstrated.<br />

5<br />

<strong>Fred</strong> X. Brownstein sculptures above<br />

and at right: “The Wall” and “Ricordo<br />

di Pr<strong>of</strong>umo” (from the 2006 NSS<br />

annual exhibit.<br />

SCS Newsletter <strong>May</strong>, <strong>2008</strong><br />

“For the more advanced participants we will work with the ‘machinetta’ (pointing device) to<br />

reproduce a plaster model in marble using the Italian pointing method for transferring accurate<br />

measurements.” (The cost is $525.) For more information, contact Salem Art Works, 19 Cary Lane<br />

Salem, New York 12865.<br />

<strong>Fred</strong> X. Brownstein is a Fellow <strong>of</strong> the National Sculpture <strong>Society</strong> who was recently featured in<br />

their News Bulletin. He is internationally known for his marble work. <strong>Fred</strong> says that living in Italy from<br />

1975 to 1991 was the foundation for all <strong>of</strong> his work.<br />

SCULPTURE with Paul Lucchesi. This workshop will take place from July 19 to 26 at the Punch<br />

Bowl, on the coast <strong>of</strong> Maine. The cost is around $1,300, which includes 4-6 hours <strong>of</strong> instruction per<br />

day, three meals daily, beautiful rooms with water views and daily instructor critiques on the Northwest<br />

Porch. “This five-day workshop will emphasize the individuality and expression <strong>of</strong> bas-relief sculpture<br />

with the Human Figure as the central theme. Paul will discuss different approaches and demonstrate<br />

techniques and structure throughout the week, helping students to gain both technical skill and<br />

confidence.” He reminds students that “the whole point is to have fun.” (Contact Gar Waterman, 425<br />

West Rock Avenue, New Haven, CT 06515)<br />

Paul Lucchesi is an accomplished painter, sculptor and teacher from Brooklyn, NY, and son <strong>of</strong><br />

Bruno Lucchesi.<br />

OTHER LOCAL WORKSHOP LOCATIONS OF POSSIBLE INTEREST: Arts Center at<br />

Killingworth, Carriage Barn Arts Center (New Canaan), Creative Arts Workshop (New Haven),<br />

Guilford Art Center, Lyme Academy <strong>of</strong> Fine Arts (Old Lyme), New Haven Paint & Clay Club,<br />

Rowayton Arts Center, Silvermine School <strong>of</strong> Art (Norwalk).<br />

ARTS QUESTIONS & ANSWERS (A New Column)<br />

6<br />

By Louise Wiley<br />

George Bernard Shaw said, “If you have an apple and I have an apple and we exchange these<br />

apples, then you and I will still each have one apple. But if you have an idea and I have an idea and we<br />

exchange these ideas, then each <strong>of</strong> us will have two ideas.”<br />

I would like to begin a new column to appear in our future newsletters which will hopefully<br />

exchange ideas and benefit us all. Who among us knows everything about sculpting? Have you ever<br />

been trying to complete a project and run into a problem which you may have had difficulty solving?<br />

Have you solved a problem and are willing to share your solution with other sculptors? Has a new idea<br />

or technique come into your bag <strong>of</strong> tricks which may be helpful to others? Have you had an interesting<br />

experience with a gallery, show place, foundry, a new or different tool?<br />

Let’s have a question-and-answer – helpful hints (information) – section. No matter what medium<br />

you work in, we all can learn and pr<strong>of</strong>it from our fellow artists, but you can’t learn if you don’t ask.


SCS Newsletter <strong>May</strong>, <strong>2008</strong><br />

Others will find it difficult if you won’t share. So… let me hear from you! Tell us all some <strong>of</strong> your<br />

personal, helpful experiences; give your best tips or ask questions about problems or concerns you may<br />

have.<br />

I’ll start <strong>of</strong>f by telling you something that I found. This is one example <strong>of</strong> information which is not<br />

necessarily easy to find.<br />

We all know the importance <strong>of</strong> the quality <strong>of</strong> your photos. Some <strong>of</strong> us can take our own stills or<br />

slides but with a new pr<strong>of</strong>essional innovation, pictures can be obtained which far exceed any up to now.<br />

A photographer I know will take great CD’s, slides, prints and also has equipment which gives him the<br />

ability to photograph your art pieces while being rotated. This can be particularly great for display on<br />

your web site, for submissions to galleries or jurors in competitions and exhibitions who will now be<br />

able to see your work from every side. This photographer will come to your studio to take as many<br />

pictures as you wish without the hassle <strong>of</strong> transporting your statues to another location.<br />

Contact: Jack Bonura, 631-560-1183.<br />

(Contact Louise Wiley at wileyartist@comcast.net with your input for this column.)<br />

SCS Newsletter <strong>May</strong>, <strong>2008</strong><br />

<strong>Society</strong> <strong>of</strong> <strong>Connecticut</strong> <strong>Sculptors</strong>, Inc.<br />

P.O. Box 415<br />

Essex, CT 06426<br />

Return to the Acton Library for a Summer Show<br />

We have contacted the Acton Library in Old Saybrook and they are delighted to have our sculpture<br />

show there again this summer. The library has a very large influx <strong>of</strong> people on a daily basis during the<br />

months <strong>of</strong> July and August, and we are fortunate to have this opportunity again to show in their light<br />

and airy main room. Watch your mailboxes for the show details—submission <strong>of</strong> photos, jurying dates,<br />

delivery and pickup <strong>of</strong> accepted works, etc.<br />

(We are always on the lookout for venues for shows. Please let John Molloy know if you have any<br />

suggestions about possible future places to show – at Johnmol3@aol.com.)<br />

Thanks for the Support!<br />

A special thank-you goes out to those members who have supported the <strong>Society</strong> <strong>of</strong> <strong>Connecticut</strong><br />

<strong>Sculptors</strong> with a financial contribution above and beyond the basic membership fee this year. (Some <strong>of</strong><br />

these people have been doing so for years.) The <strong>Society</strong> wants to recognize their gifts.<br />

Kenneth Bruno<br />

Gerald Freedman<br />

Steffi Friedman<br />

Jacqueline Lobdell<br />

Sylvia Margison<br />

Maurice Maultz<br />

David Millen<br />

Richard Pauler<br />

Wayne Southwick<br />

Jack Yerkes<br />

OUR MEMBERS SHINE!<br />

Congratulations to Louise Wiley and Corina Alvarezdelugo for their recent successes with their<br />

work. On April 22, Louise attended the reception and unveiling <strong>of</strong> her six-foot-high bronze <strong>of</strong> an<br />

osprey swooping up a fish in its talons. It was commissioned by the owner <strong>of</strong> the Saybrook Point Inn.<br />

The sculpture now adorns the entrance to the inn. The owner has also commissioned two 42”-high terra<br />

cotta pieces <strong>of</strong> Viscount Say and Lord Brook (for whom the town <strong>of</strong> Saybrook was named) and those<br />

pieces will be inside the inn, in the restaurant.<br />

Corina Alvarezdelugo is showing her work at the Interlaken Inn and Conference Center in the<br />

Northwest corner <strong>of</strong> the state – in Lakeville, on Route 112. The opening reception was on <strong>May</strong> 10th.<br />

The exhibit will continue until September.<br />

7<br />

8


SCS Newsletter <strong>May</strong>, <strong>2008</strong><br />

SURVEY & MEMBERSHIP APPLICATION<br />

Please fill out the survey below and return it to:<br />

Harold Wright, 81 Green Hill Road Killingworth, CT 06419.<br />

Name_______________________________________________________________________________<br />

_____I have been a member <strong>of</strong> SCS for ____________ years.<br />

_____I would like to become a member <strong>of</strong> SCS. Benefits include newsletters, venues for exhibiting work,<br />

social events with other sculptors, etc. (Individual membership is $45 per year. Please send a check<br />

made out to SCS to: <strong>Society</strong> <strong>of</strong> <strong>Connecticut</strong> <strong>Sculptors</strong>, Inc., P.O. Box 415, Essex, CT 06426)<br />

_____I would be interested in writing an article for the newsletter or suggesting a focus for future<br />

articles.<br />

_____I have the following talent(s) that I would be willing to share with SCS members:<br />

__________________________________________________________________________________<br />

__________________________________________________________________________________<br />

_____I would be willing to find paid advertiser(s) for the newsletter.<br />

_____I would like to participate in future exhibits.<br />

_____I am interested in attending social events—field trips, evening soirees, demonstrations or lectures.<br />

Comments:<br />

____________________________________________________________________________________<br />

____________________________________________________________________________________<br />

____________________________________________________________________________________<br />

____________________________________________________________________________________<br />

____________________________________________________________________________________<br />

9

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!