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PAPER: Books - Polyphony Recordings

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LP's: RCA's<br />

I am now listing RCA's all together in one group when they are either early pressings in which customers have<br />

indicated an interest, or when they are later pressings of issues which have had a particular following. Records<br />

are listed alphanumerically by prefix and number. Codes for pressings refer to label types, and are given in<br />

brackets just before the grade at the end of the listing (e.g. [SD]). RCA pressing codes are as follows:<br />

PD = Plum Dog (Nipper, the RCA/HMV dog, shown against a shaded plum background;<br />

used for the last RCA classical mono issues, c.1954-1958).<br />

SD = Shaded Dog (as above, but with fire-engine red background; used during the early<br />

stereo era, c.1958-1963, for both mono and stereo classical issues except some Sorias).<br />

WD = White Dog (also called "Plain Dog"; Nipper here is against an unshaded background<br />

of Christmas red; used for all classical issues except Sorias c.1964-1969).<br />

ND = No Dog (large "RCA" in open white letters on left of label; c.1969-1977).<br />

LD = Late Dog (small dog on upper right of label against dark red; c.1977 forward).<br />

BL = Black label (for popular records almost exclusively)<br />

CP = Canadian Pressing.<br />

PL = Plum Label (for Victrola [VIC or VICS] issues, the earliest pressings, c. 1964-1968).<br />

SS = Soria Series (special label of Christmas red with no dog used only for the Sorias; the<br />

first Sorias had SD labels, but switched to SS about 1961 - before WD era).<br />

I am now also including the stamper numbers of each stereo disc (and some monos too) next to the pressing<br />

code. If the information is available I also show the names of the producer and engineer in another pair of<br />

brackets. Please note that for these issues - as for most records from the early stereo era - copies in apparently<br />

mint condition frequently grade "A- to B+" in my audition. Copies graded A- are very fine, and higher grades<br />

are quite extraordinary from this period.<br />

1189.*ARL1-0136: NOW, VOYAGER - CLASSIC FILM SCORES OF MAX STEINER. Music<br />

from King Kong, Big Sleep, Charge of Light Brigade, Four Wives, Fountainhead, Since<br />

You Went Away, Johnny Belinda, Informer, Saratoga Trunk. Gerhardt/National<br />

Philharmonic. [Korngold; Wilkinson][TAS 30:143] A-(but missing notes insert) [064493] ....... 12.00<br />

1190.*ARL1-3004: FALLA - Nights in the Gardens of Spain; Harpsichord Concerto (Piano Version).<br />

Achucarro; Mata/LSO. [Gerhardt, producer] A- [057927] ............................................................ 9.00<br />

1191.*CAMDEN LIVING STEREO CAS-481: HAYDN - Symphony #94. Fjeldstad/Oslo Phil.<br />

[Living Stereo; 1S/1S; rec June, 1958; in print 5/1959 - 10/1960] A- [069592] ............................ 23.00<br />

1192.*CAMDEN LIVING STEREO CAS-495: BRAHMS - Symphony #1. Gruner-Hegge/Oslo<br />

Phil. [Living Stereo; 1S/1S; recorded June, 1958; only in print June 1959 - Oct 1960;<br />

Dellheim producer; one of the scarcest of this series] A- [069595] ............................................... 32.00<br />

1193.*CAMDEN LIVING STEREO CAS-534: LORIN HOLLANDER - Piano music of Brahms<br />

(Intermezzo & Rhapsody); Liszt (Hungarian Rhapsody #6 & Mephisto Waltz);<br />

Rachmaninoff (Prelude in c#); Chopin (Scherzo #2; Polonaise). [Scarce early Hollander -<br />

only in print Jan 1960 - Sept 1961] [2S/2S] A- [075439] ............................................................... 19.00

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