spring 2012 catalog Download PDF - Damiani editore
spring 2012 catalog Download PDF - Damiani editore
spring 2012 catalog Download PDF - Damiani editore
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index<br />
[ new titles 3<br />
backlist 46<br />
alleged press 47<br />
Freedman | <strong>Damiani</strong> 48<br />
fashion | lifestyle 50<br />
photography 52<br />
contemporary art 60<br />
music 65<br />
architecture | design 66<br />
urban art 68<br />
limited edition 70<br />
collecting 74<br />
[ distributors 46<br />
[ contacts 77
new titles
toilet paper<br />
maurizio cattelan<br />
Freedman | <strong>Damiani</strong><br />
=============<br />
Maurizio Cattelan<br />
Toilet Paper<br />
Edited by Dennis Freedman<br />
Photographs by Pierpaolo Ferrari<br />
34,5 x 23,8 cm. 13.5 x 9.5 inches<br />
Pgs. 212 ill. 120<br />
Cloth hardback<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 65.00 GbP 40.00<br />
ISBN > 978-88-6208-210-5<br />
Maurizio Cattelan’s newest body of work comprises startling<br />
photographs done in collaboration with commercial photographer<br />
Pierpaolo Ferrari and published in Cattelan’s limited edition<br />
magazine Toilet Paper. Colliding commercial photography<br />
with twisted narrative tableaux and surrealistic imagery these<br />
images mark a new phase in Cattelan’s art production. This<br />
important body of work is gathered here for the first time in<br />
book form re-edited by Dennis Freedman in collaboration with<br />
Maurizio Cattelan.<br />
Maurizio Cattelan (born 1960) began his career as a furniture<br />
designer, transitioning to art through his realistic sculptures.<br />
Cattelan has exhibited at Skulptur Projekte, Münster (1997), the<br />
Tate Gallery, London (1999), the Museum of Contemporary Art,<br />
Los Angeles (2003) and the Museum Ludwig, Cologne (2003),<br />
Guggenheim Museum (2011), New York and participated in the<br />
Venice Biennale (1993, 1997, 1999, and 2002). He was a finalist for<br />
the Guggenheim's Hugo Boss prize in 2000, received an honorary<br />
degree in Sociology from the University of Trento, Italy, in<br />
2004, and was also awarded the Arnold-Bode prize from the<br />
Kunstverein Kassel, Germany, that same year. He has also founded<br />
and edited magazines such as Charley, Permanent Food and<br />
Toilet Paper. He is represented by Emmanuel Perrotin in Paris,<br />
Massimo de Carlo in Milan and Marian Goodman Gallery in<br />
New York.<br />
]<br />
4 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 5
electrical banana: masters of psychedelic art<br />
by norman hathaway and dan nadel<br />
foreword by paul mccartney<br />
contemporary art<br />
=========<br />
Norman Hathaway<br />
Dan Nadel<br />
Electrical Banana: Masters of Psychedelic Art<br />
Foreword by Paul McCartney<br />
23,5 x 26 cm. 9.5 x 10.25 inches<br />
Pgs. 208 ill. 150<br />
Paperback<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 39.95 GbP 27.00<br />
ISBN > 978-88-6208-204-4<br />
Electrical Banana: Masters of Psychedelic Art is the first definitive<br />
examination of the international language of psychedelia,<br />
focusing on the most important practitioners in their respective<br />
fields with a deft combination of hundreds of unseen images<br />
and exclusive interviews and essays, Electrical Banana aims to<br />
revise the common perception of psychedelic art, showing it to<br />
be more innovative, compelling, and revolutionary than was<br />
ever thought before.<br />
The artists include: Marijke Koger, a Dutch artist responsible for<br />
dressing the Beatles; Mati Klarwein, who painted the cover for<br />
Miles Davis Bitches Brew; Keiichi Tanaami, the Japanese master<br />
of psychedelic posters; Heinz Edelmann, the German illustrator<br />
and designer of the Yellow Submarine animated film; Tadanori<br />
Yokoo, whose prints and books, defined the ‘60s in Japan; Dudley<br />
Edwards, a painter, car decorator, and graphic embellisher for<br />
the London rock scene, and the enigmatic Australian Martin<br />
Sharp, whose work for Cream and underground magazines<br />
made him a hippie household name in Europe.<br />
]<br />
6 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 7
alchemy of beauty<br />
bob recine<br />
fashion | lifestyle<br />
=============<br />
Bob Recine<br />
Alchemy Of Beauty<br />
Text by René Ricard<br />
Photographs by Mario Sorrenti,<br />
Robbie Fimmano and Bob Recine<br />
24 x 31,2 cm. 9.5x 12 inches<br />
Pgs. 164 Ill. 130<br />
Hardback with french jacket<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 65.00 GbP 40.00<br />
ISBN > 978-88-6208-212-9<br />
Hairstylist Bob Recine approaches the head as an armature<br />
for sculpture. The man behind some of the most avant-garde<br />
hairdos and head dresses worn by Lady Gaga, Recine has taken<br />
hair styling to incredibly creative heights-often literally, as he<br />
propels the braids and locks of his subjects into gravity-defying<br />
contours, augmenting them with sculptural gestures such as<br />
clumps of headphones or sunglasses, tendrils of Play-Doh and<br />
complex meshes of wire or cellophane. Starting out as an artist,<br />
Recine secured a project creating hairstyles and head ornaments<br />
for the windows of Henri Bendel. His designs caught<br />
the eye of world-renowned hair stylist Jean Louis David, who<br />
offered him the opportunity to travel to Paris and hone his<br />
craft; four years later, Recine returned to New York, armed with<br />
a portfolio of innovative stylings for top photographers and<br />
magazines. Today Recine is a legend among A-list celebrities,<br />
having worked with Gwyneth Paltrow, Charlize Theron, Naomi<br />
Watts, Angelina Jolie, Catherine Zeta-Jones, Kate Hudson, Renée<br />
Zellweger, Uma Thurman, Nicole Kidman, and Tilda Swinton.<br />
His talents have even returned him circuitously to the world of<br />
fine art, for his extensive collaborations with Vanessa Beecroft.<br />
Alchemy of Beauty gathers original artwork by Recine, from<br />
photographs, sketches, collages and paintings to previously<br />
published and unpublished editorial images of his extraordinary<br />
sculpture and headdresses. Art direction for the volume is<br />
by Fabien Baron.<br />
]<br />
8 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 9
holy works<br />
andres serrano<br />
photography<br />
=========<br />
Andres Serrano<br />
Holy Works<br />
Introduction by James Frey<br />
Text by Germano Celant<br />
24 x 31 cm. 9.5 x 12 inches<br />
Pgs. 96 ill. 60<br />
Cloth hardback<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 50.00 GbP 30.00<br />
ISBN > 978-88-6208-209-9<br />
Holy Works is the culmination of Andres Serrano’s vision of<br />
Christian iconography, reinterpreted photographically for the<br />
present. Serrano’s intention with these works is not to recreate<br />
specific medieval or renaissance religious paintings, nor to<br />
invest them with the iconoclasm that made his name in the<br />
1980s, but rather to renew the genre of sacred portraiture:<br />
“Rather than destroy sacred icons,” says the artist, “I reinvent<br />
and reinforce them.” Serrano’s subjects for this series are selected<br />
from among his friends and acquaintances, emphasizing<br />
(like Caravaggio before him) the ordinariness of human<br />
features. The genres and themes are familiar, and Holy Works<br />
includes a Last Supper and a Stations of the Cross (rendered<br />
as a triptych panel), as well as bolder portrayals typical of<br />
Serrano, a Blood Madonna and a Chinoise Madonna, for example.<br />
This volume is Serrano’s major statement of his religious<br />
and artistic belief.<br />
]<br />
Limited edition<br />
===========<br />
Andres Serrano<br />
Holy Works<br />
[ Limited edition of 50 copies<br />
Introduction by James Frey<br />
Text by Germano Celant<br />
Cloth hardback<br />
comes with a numbered and signed<br />
photo by Andres Serrano (28 x 35,5 cm. 11 x 14 inches)<br />
in a linen cloth box (36,5 x 45 x 6,5 cm. 14.5 x 18 x 2,5 inches)<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 750.00 GbP 500.00<br />
ISBN > 978-88-6208-219-8<br />
10 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 11
nailed<br />
the history of nail culture and dzine<br />
dzine<br />
fashion | lifestyle<br />
=============<br />
Dzine<br />
Nailed<br />
The history of nail culture and dzine<br />
In association with Standard Press<br />
Introduction by Kim Hastreiter<br />
24.4 x 29.3 cm. 9.5 x 11.5 inches<br />
Pgs. 216 ill. 290<br />
Hardback<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 45.00 GbP 30.00<br />
ISBN > 978-88-6208-205-1<br />
Dzine’s fusion of commerce, kustom kulture craft and high art<br />
have made him an international sensation in locations as various<br />
as the Venice Biennale—where he famously customized an<br />
18-foot boat into a blinged-out multimedia installation—and<br />
Chicago, where he first made a name for himself as a teenage<br />
graffiti artist. In September 2011, Dzine launched two kustom<br />
nail art salons in New York: one in the lobby window of the<br />
New Museum, at which various local nail artists offered free<br />
nail designs to visitors; and the other at Salon 94 Freemans<br />
gallery,where a kustom chandelier, four jewel-encrusted paintings,<br />
a gold-leaf hutch and flamboyant,wearable nail sculptures<br />
were exhibited alongside a nail salon with a part-time manicurist.<br />
Produced in the Get Nailed at the New Museum and Imperial<br />
Nail Salon—these events were huge hits, coinciding as<br />
they did with kustom nail art’s massive international popularity,<br />
and led to the publication of this luxurious volume,which<br />
celebrates and contextualizes the kustom nail movement.<br />
Nailed looks at the history of nail design and adornment across<br />
cultures, documenting contemporary nail art with specially<br />
commissioned photography of the phenomenon from across<br />
the globe.With an introduction by Paper cofounder Kim Hastreiter<br />
and contributions by Luis Gispert, Yone, Jamel Shabazz and<br />
Fab 5 Freddy, Nailed includes overviews of Dzine’s Get Nailed at<br />
the New Museum and Imperial Nail Salon projects.<br />
Chicago-based artist Carlos Rolon (born 1970),aka Dzine, is a recipient<br />
of the Joan Mitchell Foundation award for Painting and<br />
Sculpture. His work has been included in exhibitions and is in<br />
the collections of the Brooklyn Museum of Art, New York; the<br />
Museo del Barrio, New York; the Museum of Contemporary Art,<br />
Chicago; and the Bass Museum of Art, Miami.<br />
]<br />
12 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 13
ewilding<br />
cass bird<br />
photography<br />
=========<br />
Cass Bird<br />
Rewilding<br />
Texts by Sally Singer and Jack Halberstam<br />
18 x 24 cm. 7 x 9.5 inches<br />
Pgs. 88 ill. 42<br />
Cloth hardback<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 35.00 GbP 20.00<br />
ISBN > 978-88-6208-218-1<br />
Over the past ten years, Cass Bird (born 1974) has established<br />
herself as one of the foremost portraitists of contemporary<br />
America. Her photographs of young women and men casually<br />
draw attention to the fluid expression of gender roles and androgyny<br />
in today’s youth culture, and to what she has described<br />
as “the convergence of alternative lifestyles with accepted conceptions<br />
of motherhood, nurturing and family.” In the summers<br />
of 2009 and 2010, Bird traveled to Sassafrass, Tennessee, with a<br />
group of young women, a wardrobe of diaphanous dresses and<br />
a camera. These women—studio assistants, friends, or women<br />
cast from the streets of New York—had been selected by Bird<br />
for their ease with their sexual identities, but also for their relative<br />
awkwardness in front of the lens. The result was Rewilding,<br />
a joyous portrait of modern femininity and a frolicking celebration<br />
of women’s camaraderie.<br />
]<br />
14 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 15
framed<br />
for l.a. eyeworks<br />
greg gorman<br />
photography<br />
=========<br />
Greg Gorman<br />
Framed<br />
for L.A. Eyeworks<br />
25 x 25 cm. 10 x 10 inches<br />
Pgs. 192 ill. 100<br />
Cloth hardback with Jacket<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 50.00 GbP 35.00<br />
ISBN > 978-88-6208-203-7<br />
In 1982 Greg Gorman was just beginning his career as a photographer,<br />
creating campaigns and publicity shoots for such films<br />
as Tootsie, The Big Chill and Scarface, with stars from the worlds<br />
of film, television and music gracing his studio on a daily basis.<br />
It was also at this time that Jeff Gorman and Gary Johns<br />
created a campaign for the famous Los Angeles-based eyewear<br />
company, L.A. Eyeworks, for which they hired Gorman as house<br />
photographer. The ads were published as full-page bleeds in<br />
AndyWarhol’s Interview magazine; and the campaign, one of<br />
the very first celebrity endorsed “advertorials” of its kind, has<br />
endured over 30 years,making it one of the longest running<br />
photo-campaigns ever. Gorman was able to recruit stars for<br />
the campaign from his film-studio work, andWarhol—who<br />
personally called the photographer and requested to do an<br />
l.a.Eyeworks shoot, which led to the series’most famous portrait—also<br />
gathered famous faces for the company. Alongside-<br />
Warhol, the many celebrities photographed by Gorman in their<br />
L.A. Eyeworks frames include Boy George, Philip Glass, Meryl<br />
Streep, Jodie Foster, Iman, Lypsinka, Bryan Ferry, Grace Jones,<br />
Quentin Crisp, JohnWaters, Johnny Rotten, Rob Lowe,Whoopi<br />
Goldberg, Mickey Rourke, Frank Zappa, Elton John, Divine, Pierce<br />
Brosnan, David Hockney, Debbie Harry and PeeWee Herman.<br />
Gorman’s luscious, era-defining, black-and-white photographs<br />
are gathered here for the first time.<br />
]<br />
SIGNED<br />
COPY<br />
ALSO AVAILABLE AT<br />
damiani<strong>editore</strong>.com<br />
Also Available:<br />
Greg Gorman<br />
In Their Youth<br />
[ Photography<br />
20 x 25 cm. 8 x 10 inches<br />
Pgs. 280 ill. 250<br />
Hardback with jacket<br />
English<br />
Rights world<br />
Usd 50.00 GbP 29.99<br />
ISBN 978-88-6208-097-2<br />
16 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 17
wood, water & rock<br />
cliff watts<br />
photography<br />
=============<br />
Cliff Watts<br />
Wood Water & Rock<br />
Foreword by Beyoncé<br />
24 x 28 cm. 9,5 x 11 inches<br />
Pgs. 200 Ill. 140<br />
Cloth hardback with dust jacket<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 60.00 GbP 35.00<br />
ISBN > 978-88-6208-206-8<br />
This collection of nudes is about forms in nature. It was a year<br />
of travelling to different landscapes and seeing the beauty of<br />
these “human fossils.” It’s a collaboration between myself as<br />
a photographer and six willing friends who volunteered to go<br />
through extreme heat, freezing cold and various uncomfortable<br />
conditions to create this wonderful body of work. This book is<br />
a labor of love. It’s about form, texture, abstraction, and beauty.<br />
It’s about the classic nude, and how it blends seamlessly into<br />
and also contrasts nature.<br />
Cliff Watts is an American fashion and portrait photographer<br />
and commercials director. He is most widely known for his ad<br />
campaigns for Revlon, L’Oréal, Hugo Boss, Banana Republic and<br />
Armani Jeans, as well as for his work in Vanity Fair, Vogue, Bazaar,<br />
W, Elle and Esquire. His music videos for Beyoncé complement<br />
his spot projects, which have paired him with celebrity<br />
subjects such as David Beckham, Halle Berry, Sienna Miller and<br />
Scarlett Johansson. Watts’ work is noted for its unique perspective,<br />
as evident in his intimate portraits that reveal the sensuality,<br />
humour and humanity that lies behind the public image of<br />
his subjects. Wood Water & Rock will be his first tabletop book.<br />
]<br />
18 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 19
prospect<br />
thomas r. schiff<br />
photography<br />
=========<br />
Thomas R. Schiff<br />
Prospect<br />
Texts by Michael Speaks and Ann Cotter<br />
42,5 x 24,8 cm. 16.5 x 10 inches<br />
Pgs. 304 ill. 250<br />
Cloth hardback with jacket<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 80.00 GbP 50.00<br />
ISBN > 978-88-6208-195-5<br />
From the vernacular movie theatres of the 1930s to libraries,<br />
private residences, universities, and performance halls, Prospect<br />
features Schiff’s quintessentially American work—kaleidoscopic<br />
and vibrantly colored large format prints that offer up a new<br />
way of seeing and interpreting the architectural landscape.<br />
Counted among the more than 200 photographs in Prospect<br />
are buildings by the titans of architecture: Norman Foster,<br />
Frank Lloyd Wright, Louis Kahn, Zaha Hadid and Renzo Piano.<br />
From visionary works by Thomas Jefferson to spectacular hotel<br />
resort developments, museums and the public spaces that define<br />
the fantasy skyline of Las Vegas, Schiff has logged hundreds<br />
of thousands of miles across the United States in rediscovering<br />
this rich repository of buildings. In Prospect, Schiff’s steady and<br />
unrestrained visual language forcefully combines in a remarkable<br />
corpus that will broadly appeal to architects, designers,<br />
photographers, filmmakers and those interested in the visual<br />
arts. Designed by Los Angeles-based Waxel, the book also features<br />
a compelling new essay by noted writer, Michael Speaks.<br />
Thomas R. Schiff began experimenting with panoramic photography<br />
in the mid-1980s, a period in which he also helped found<br />
Images Center, Cincinnati’s premier gallery for exhibiting photography.<br />
In 1994, Schiff began using the Hulcherama 360 Panoramic<br />
camera which he continues to use in his prolific practice.<br />
A native of Cincinnati, Schiff is the founder of FotoFocus Cincinnati,<br />
a citywide celebration of photographic and lens-based art.<br />
He is currently at work on a book about the architectural legacy<br />
of J. Irwin Miller and the city of Columbus, Indiana.<br />
]<br />
20 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 21
quantum light<br />
david benjamin sherry<br />
photography<br />
=============<br />
David Benjamin Sherry<br />
Quantum Light<br />
Introduction by Collier Schorr<br />
In association with Salon 94<br />
21 x 27 cm. 8.2 x 10.6 inches<br />
Pgs. 72 ill. 70<br />
Cloth Hardback<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 50.00 GbP 30.00<br />
ISBN > 978-88-6208-213-6<br />
David Benjamin Sherry (born 1981) graduated with an MFA<br />
in photography from the Yale School of Art in 2007. In 2010<br />
his richly color-saturated photographs became the face of the<br />
Greater New York exhibition at MoMA/PS1. That same year<br />
he was named by the New York Times T magazine as one of the<br />
50 up -and- coming American talents. Sherry's work has been<br />
recognized for casting new light on the state of contemporary<br />
photography while celebrating the end of the film-based medium.<br />
In Quantum Light, Sherry's second publication, his non-<br />
digital photographs reference the traditional photographic hierarchies<br />
of landscape and portraiture, yet rely on a subversion<br />
of the expected. He creates pictures of interior landscapes by<br />
constructing a sublimated view of his place within the natural<br />
world. This book designed by Tiffany Malakooti includes his<br />
most recent landscape, collage, still life, abstraction, portrait<br />
and sculptural works, all placed upon colored pages. The playful<br />
layout activates Sherry's often monochromatic and bright<br />
photographs. A conversation between Sherry and Collier Schorr<br />
serves as a preface to this beautifully produced clothbound volume,<br />
which is published to coincide with the artist's first New<br />
York solo show at Salon 94.<br />
]<br />
Also Available:<br />
David Benjamin Sherry<br />
It’s Time<br />
[ Photography<br />
22 x 30 cm. 9 x 12 inches<br />
Pgs. 96 ill. 60<br />
Cloth Hardback<br />
English<br />
Rights world<br />
Usd 50.00 GbP 29.99<br />
ISBN 978-88-6208-093-4<br />
22 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 23
gabe TM<br />
nick haymes<br />
photography<br />
=============<br />
Nick Haymes<br />
GAbE TM<br />
Introduction by Gus Van Sant<br />
22 x 28 cm. 8.5 x 11 inches<br />
Pgs. 128 ill. 85<br />
Hardback<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 40.00 GbP 25.00<br />
ISBN > 978-88-6208-191-7<br />
Nick Haymes first met Gabe Nevins on an editorial assignment<br />
in the summer of 2007. Gabe had just wrapped up his lead<br />
role in Gus Van Sant’s Paranoid Park, in which he had played a<br />
teenage skateboarder who accidentally kills a security guard.<br />
Gabe had never acted prior to starring in the film; he had heard<br />
about Van Sant’s casting call from a skateboard store and initially<br />
auditioned as an extra. Meeting the teenager, Haymes<br />
recalls: “Initially, Gabe was fairly shy, but it quickly transpired<br />
that he had seen some of my skateboarding images online and<br />
an instant friendship was struck. When the assignment was<br />
over, I approached Gabe about the possibility of working on<br />
more photographs as there was something entirely captivating<br />
about him and his energy.” This volume tracks the highs and<br />
lows of Gabe’s teen years, from stardom to emotional.<br />
]<br />
Limited edition<br />
===========<br />
Nick Haymes<br />
GAbE TM<br />
[ Limited edition of 30 copies<br />
Introduction by Gus Van Sant<br />
Hardback with slipcase<br />
The limited edition comes with a numbered<br />
and signed photo by Nick Haymes<br />
and it includes original segments from Gabes notebooks<br />
photo by Nick Haymes (22 x 29 cm. 8,5 x 11,5 inches)<br />
in a cloth slipcase (23 x 30 x 2,5 cm. 9 x 12 x 1 inches)<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 350.00 GbP 220.00<br />
ISBN > 978-88-6208-225-9<br />
24 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 25
shoebox studio<br />
stéphane coutelle<br />
photography<br />
=========<br />
Stéphane Coutelle<br />
Shoebox Studio<br />
Introduction by Camille Saint-Jacques<br />
23 x 28 cm. 9 x 11 inches<br />
Pgs. 128 ill. 120<br />
Hardback with slipcase<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 50.00 GbP 30.00<br />
ISBN > 978-88-6208-197-9<br />
These aspiring models have flown in from all over the world to<br />
Paris, the ogre city, where the quest for beauty feeds on new faces.<br />
Soon, these uprooted girls will be transformed into sophisticated<br />
creatures of universal glamour. Stéphane Coutelle, the<br />
renowned beauty photographer, will be one of the architects of<br />
this transformation. But by receiving them in the Shoebox Studio<br />
during the first days of their Parisian stay for a brief session,<br />
unencumbered by any strict production objectives, Coutelle<br />
pays tribute to their identity and their peculiarity, both perhaps<br />
even more short-lived than their youth. This first meeting aims<br />
to capture a psychology, a past, before professional reflexes can<br />
take hold, before any complicity is established. The artist acts<br />
here without preconceived ideas, open to everything. The situation<br />
is not the conventional one of the artist and his model.<br />
The girls’ looks carry questioning, expectations, but determination<br />
as well. They know their fate will unwind behind the<br />
closed doors of shooting sessions, and that there will be little<br />
time to learn the rules of the game …Coutelle’s portraits sometimes<br />
trouble us. We could attribute this disconcertment to a<br />
kind of harshness or voyeurism on behalf of the photographer.<br />
But in reality, these images express a certain solidarity; it is not<br />
Coutelle himself who is unrelenting, but the world in which<br />
both the artist and his model evolve. Shoebox Studio is a major<br />
project because the portraits lead us from a private, individual<br />
psychology to the contemporary human condition in which the<br />
need to be seen and recognized has become a global quest, a<br />
social phenomenon.<br />
]<br />
26 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 27
master photographers.<br />
portraits by michael somoroff<br />
michael somoroff<br />
photography<br />
=============<br />
Michael Somoroff<br />
Master Photographers.<br />
Portraits by Michael Somoroff<br />
Text by William Ewing<br />
28 x 33 cm. 11 x 13 inches<br />
Pgs. 138 ill. 110<br />
Hardback<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 50.00 GbP 30.00<br />
ISBN > 978-88-6208-211-2<br />
Master Photographers is the body of work Michael Somoroff<br />
made thirty-five years ago. He took it upon himself to photograph<br />
in-depth his heroes and mentors, the master photographers<br />
of the twentieth century. Michael Somoroff had been<br />
introduced to their work and subsequently to many of the photographers<br />
themselves by his father, the pre-eminent still-life<br />
photographer Ben Somoroff.<br />
In honor of each of these photographers mentoring Somoroff,<br />
he began a series of portraits of his heroes including Brassaï,<br />
Ralph Gibson, André Kertész, Jacques Henri Lartigue, Arnold<br />
Newman, Helmut Newton and others. Each was caught at the<br />
quintessential moment thereby defining a period of photography<br />
that was unique- the climax of the analog photographic<br />
experience. The book contains a vast array of cutting edge artists<br />
photographed formally as well as behind the scenes who<br />
informed Somoroff’s art and craft.<br />
The text is written by William Ewing. Mr. Ewing at the time the<br />
photographs were taken was Director of Exhibitions at The International<br />
Center of Photography where Michael Somoroff had<br />
his first solo exhibition.<br />
The book is designed by Tom Bentkowski former Director of Design<br />
for LIFE magazine.<br />
Michael Somoroff will also contribute texts with his special<br />
reminiscences of these masters, his friendships with them and<br />
the significance of their work.<br />
]<br />
28 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 29
palindrome<br />
alessio cocchi<br />
photography<br />
=============<br />
Alessio Cocchi<br />
Palindrome<br />
35 x 28 cm. 13.5 x 11 inches<br />
Pgs. 88 Ill. 37<br />
Hardback<br />
Italian/English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 40.00 GbP 25.00<br />
ISBN > 978-88-6208-217-4<br />
Alessio Cocchi is a fashion and still-life photographer based in<br />
Milan, who is best known for his partnership with the most famous<br />
fashion brands and magazines such as Gucci, Ferragamo<br />
and Vogue. This volume introduces his perfection's research<br />
through palindromic photographs, fashion and still-life pictures<br />
absolutely symmetrical.<br />
Alessio Cocchi was born in 1968. He worked as an assistant of a<br />
Florentine fashion and still-life photographer but immediately<br />
afterwards, decided to set up his own photo studio and thus<br />
launched his career as a professional photographer. At the age<br />
of 23, his images had already made their way into prestigious<br />
publications such as Cosmopolitan, Harper's Bazaar and Vogue.<br />
Alessio's style is characterized by the unique and striking<br />
moods he creates through a meticulous study of lighting and<br />
its effects. Alessio is currently working out of Milan, with the<br />
most reputable fashion houses.<br />
]<br />
30 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 31
dreaming of ingmar bergman<br />
jill mathis<br />
photography<br />
=============<br />
Jill Mathis<br />
Dreaming of Ingmar Bergman<br />
Curated by Roberto Mastroianni<br />
Text by Ugo Volli, et al. Designed by Phillip Squier<br />
24 x 31 cm. 9.5 x 12 inches<br />
Pgs. 112 Ill. 100<br />
Hardback<br />
English/Italian<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 40.00 GbP 25.00<br />
ISBN > 978-88-6208-215-0<br />
This is a book with Bergman which creates a stage for a dialog<br />
between three generations, three different cultures and three<br />
different points of view which has as its center a rapport between<br />
the image, the word and human existence. Ingmar Bergman,<br />
Jill Mathis and Roberto Mastroianni come together on a<br />
delimited ground from the image and the word and from this<br />
propitious encounter is born an artistic-philosophical dialog.<br />
The existential value, one could say religious, of the images inspired<br />
by the Bergmanian poetic becomes the playing field for<br />
this photographic/ artistic research, and at the same time, it is<br />
a tribute to the life and times of the great director, writer and<br />
Swedish playwright, Bergman. The book is, in fact, the result of<br />
an artistic etymological/philosophical and photographic research<br />
on the places and the Bergman poetic. Jill Mathis created<br />
the photographs around the evocative words found in Bergman<br />
productions based on the dialog between Bergman and<br />
Mastroianni (i.e. Persona, Alone, Religion, Whisper, Desire, Seal,<br />
Confession, Forgiveness, Grace…). The Swedish spaces where<br />
Bergman lived and filmed (Uppsala, Stockholm, the island of<br />
Fårö), the themes and the Bergmanian words are seen as such<br />
and recounted Through a lens darkly, which is 'Through a glass<br />
darkly' expanding the evocative power of the worlds and the<br />
Bergmanian images.<br />
Jill Mathis is from San Antonio, Texas. After living in New York<br />
City for five years, four of which were spent as the full-time assistant<br />
to Ralph Gibson, she moved to Italy. This is not the first<br />
time she has entered in a dialog with another artist. At the moment<br />
she is now producing an extensive body of work based<br />
on etymology. Jill exhibits regularly in both Europe and America<br />
and her work can be found in many public and private collections,<br />
including Whitney Museum, The International Center of<br />
Photography of New York and of the Norton Museum of Art of<br />
Palm Beach, Brooklyn Museum, Columbia University, George<br />
Washington University.<br />
]<br />
32 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 33
cardinal points<br />
andrea garuti<br />
photography<br />
=============<br />
Andrea Garuti<br />
Cardinal Points<br />
Text by Andrea Salvatici<br />
24 x 30 cm. 9.5 x 11.5 inches<br />
Pgs. 96 Ill. 50<br />
Hardback<br />
English/Italian<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 40.00 GbP 24.95<br />
ISBN > 978-88-6208-194-8<br />
With this volume, Italian photographer Andrea Garuti returns<br />
to his favorite practice, the depiction of cities. Organized around<br />
the idea of “cardinal points,” it portrays buildings and urban<br />
views in Berlin (north), Las Vegas (west), Cairo (south) and Hong<br />
Kong (east) with a painterly blurring treatment that animates<br />
the structures.<br />
Andrea Garuti, born in Florence in 1965, took up photography at<br />
the age of 13 under the guidance of his father, a photographer of<br />
architecture. From the mid 90’s onwards he alternated commissions<br />
from big multinationals (Etro, Fay, Champion...) with photojournalism<br />
for magazines such as Elle, Glamour, Cosmopolitan,<br />
Marie Claire, Case da Abitare, Elle Decor, Amica, Io Donna and<br />
Vogue. In 2006 he held his first solo exhibition, Urbe tremula, at<br />
the Romberg arte spaces in Rome. Garuti’s work has developed<br />
recently into an admixture of painting and photography, whose<br />
technique involves the transfer of images reproduced on paper<br />
and plaster.<br />
]<br />
34 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 35
ae martini - 24 carat dirt<br />
rae martini<br />
R A E M A R T I N I - 2 4 C A R A T D I R T<br />
=========<br />
Rae Martini<br />
Rae Martini. 24 Carat Dirt<br />
24 x 30 cm. 9.5 x 11.5 inches<br />
Pgs. 208 ill. 150<br />
Hardback<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 40.00 GbP 25.00<br />
ISBN > 978-88-6208-207-5<br />
Rae Martini, a prominent figure on the international street<br />
scene, comes face to face with painting and artistic expression<br />
for the first time in the early 90s. For over twenty years he<br />
serves as one of the greatest exemplars of the Italian Graffiti<br />
movement. Along with only a few other artists, he has managed<br />
to concretize his artistic development. With so much graffiti on<br />
streets and trains in so many European cities, he pursued an<br />
artistic career dedicated to the world of paint and canvas. Just<br />
like railroad tracks, these two parallel domains intertwine and<br />
influence each other with the aesthetics and experiences of<br />
two worlds, distant, yet close; hardly any artists from the graffiti<br />
scene are so committed to their work and beliefs that they<br />
are capable of bringing urban setting and street culture into<br />
the world of fine art galleries. Over the last two decades, Rae<br />
Martini has been able to dedicate himself to these two worlds<br />
using a common starting point: sketching on paper.<br />
]<br />
36 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 37
global education<br />
giuseppe stampone<br />
photography<br />
=============<br />
Giuseppe Stampone<br />
Global Education<br />
Edited by Maurizio Bortolotti<br />
16,5 x 23,5 cm. 6.5 x 9.25 inches<br />
Pgs. 304 Ill. 220<br />
Paperback<br />
English/Italian<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 40.00 GbP 25.00<br />
ISBN > 978-88-6208-214-3<br />
Global Education is a book on Italian artist Giuseppe Stampone's<br />
methodology. His work can be compared to the Chinese<br />
boxes game, he creates projects that contain other projects.<br />
Through these projects, he realizes artworks, interventions in<br />
the social space and new educational models that are based on<br />
the concept of network. The book contains Water/Net Community,<br />
his last project, the most ambitious from the point of view<br />
of his artistic methodology; Solstizio, the starting point from<br />
which all the others are derived.<br />
Giuseppe Stampone is an artist who has integrated the new<br />
media to his artistic-didactic projects addressed to social and<br />
environmental topics. In 2008 he creates the network Solstizio<br />
conceiving and developing its contents and the communication<br />
strategy. The project, co-funded by the European Union, envisages<br />
the realization of installations, whether permanent in public<br />
spaces, or of relational art. Recently, he has launched two pieces<br />
of global art with the title Global Education, Saluti da L’ Aquila<br />
and Saluti da New Orleans, which integrate with the Solstizio<br />
platform. Among his exhibitions: Saluti da L’ Aquila, MACRO<br />
2011; Liverpool Biennial 2010; The Flower of May Kunsthalle City<br />
Museum, Gwangiu; Gran Prix Linz 2009; Project VOLTA6 2010; Il<br />
bel paese, Museo Gamec di Bergam0; No Longer Empty con Julia<br />
Kent, Invisible Dog, New York; Through the looking glass, Villa<br />
Italia, Belgrade 2009; My Space, Museo PAN di Naples; XIV e XV<br />
Quadriennale di Rome; CAOS, side event of the 53° Biennale di<br />
Venice; Radici, Istituto italiano di cultura, Madrid 2009; Junk<br />
Space, Triennale Bovisa Milano; Welcome American Academy,<br />
Rome.<br />
]<br />
38 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 39
shades of a woman<br />
guido argentini<br />
photography<br />
=============<br />
Guido Argentini<br />
Shades of a Woman<br />
28,7 x 29 cm. 11.2 x 9.5 inches<br />
Pgs. 200 Ill. 150<br />
Hardback with jacket<br />
English/Spanish/Italian/French/German<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 60.00 GbP 45.00<br />
ISBN > 978-88-6208-199-3<br />
In the book Shades of a woman Guido Argentini began exploring<br />
different levels and nuances of the female nature. Shot<br />
both in color and black and white the images are telling a story<br />
in one single picture, like single frames taken from a movie.<br />
Women, photographed in USA, Thailand, Italy and Cuba are<br />
still the source of inspiration of Guido Argentini's photographs.<br />
Argentini’s aim is that women- the muses who have guided him<br />
along his path- up until now- being the subjects of his pictures<br />
or even simply those who witness his photos, can identify themselves<br />
in these stories.<br />
Guido Argentini was born in Florence, Italy. He studied Medicine<br />
for three years at the university of Florence. At 23 he decided to<br />
turn his passion for photography into a profession and started<br />
to shoot fashion and beauty. Since 1990 he has lived in the USA,<br />
in Los Angeles. His work has been published by some of the leading<br />
magazines in the world such as Marie Claire, Men'sHealth,<br />
Panorama, Playboy, Vogue, Max, Maxim and many others.<br />
]<br />
40 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 41
clouds nuages versailles<br />
lucy + jorge orta<br />
photography<br />
=============<br />
Lucy + Jorge Orta<br />
Clouds Nuages Versailles<br />
16,5 x 23,5 cm. 6.5 x 9.25 inches<br />
Pgs. 224 Ill. 150<br />
Paperback<br />
English/French<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 40.00 GbP 25.00<br />
ISBN > 978-88-6208-216-7<br />
Clouds|Nuages is published in association with the Ecole<br />
nationale supérieure d'architecture de Versailles and its<br />
contemporary art centre La Maréchalerie. It traces the<br />
inception of Clouds | Nuages co-commissioned by énsa-v and<br />
La Maréchalerie for an exhibition in the arts centre and the Cocreation<br />
workshop conducted with the architecture students<br />
presented in the Galerie des Moulages of the Louvre museum.<br />
Clouds|Nuages draws from their previous research on issues<br />
effecting our environment, in particular the theme of water.<br />
Leading from their project OrtaWater, the artworks pose questions<br />
about the scarcity of this natural resource, the exploitation,<br />
purification and the distribution networks. The recycling<br />
communities in Cairo inspire the artists as well as the lifespan<br />
of the water bottle that gradually disintegrates to create the<br />
enormous floating islands in our Oceans. In Versailles, these<br />
environmental threats radiate with an unexpected lightness<br />
and hedonism. Waste materials undergo metamorphosis. Technological<br />
processes, exuberant metallic colours and Baroque<br />
shapes confront us with a bright and optimistic world.<br />
]<br />
42 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 43
sand sea sky<br />
the beaches of sagaponack<br />
tria giovan<br />
photography<br />
=============<br />
Tria Giovan<br />
Sand Sea Sky<br />
The Beaches Of Sagaponack<br />
34 x 24 cm. 13.5 x 9.5 inches<br />
Pgs. 96 Ill. 63<br />
Hardback with dust jacket<br />
English<br />
Release date Spring <strong>2012</strong><br />
Rights world<br />
Usd 40.00 GbP 25.00<br />
ISBN > 978-88-6208-196-2<br />
Tria Giovan transports viewers to the Hamptons, to a pristine<br />
and fragile landscape of immeasurable variation and on a journey<br />
through the totality of the circle of time. The photographs<br />
are a meditation paying homage to a place where change is<br />
constant, primordial forces resonate, and the spirit is restored.<br />
Through a decade of seasons Giovan charted the permutations<br />
of tides, wind, sand, and sky. The 63 selected images featured<br />
in Sand Sea Sky: The Beaches of Sagaponack document a meteorological<br />
drama ranging from the threatening and explosive<br />
storm to the suffusing sunlight of midday and incandescent<br />
gloaming. In their invitation to become motionless they acquire<br />
an affecting intimate immensity that echoes America’s enduring<br />
belief in the transcendent spiritual beauty of nature.<br />
Tria Giovan An inveterate traveler raised in the Caribbean<br />
whose photography assignments have taken her all over the<br />
world, Giovan’s work has been published in Aperture, Elle, Esquire,<br />
Harpers, Travel & Leisure, and Vogue among many other<br />
publications. Her work has been exhibited in New York City,<br />
Athens, Greece, Washington, DC, and Havana, Cuba, and is in<br />
the permanent collections of The Museum of Modern Art, The<br />
Brooklyn Museum, the Jewish Museum, and the NY Public Library.<br />
Her first book Cuba: The Elusive Island was published by<br />
Harry N. Abrams in 1996.<br />
]<br />
44 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 45