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spring 2012 catalog Download PDF - Damiani editore

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index<br />

[ new titles 3<br />

backlist 46<br />

alleged press 47<br />

Freedman | <strong>Damiani</strong> 48<br />

fashion | lifestyle 50<br />

photography 52<br />

contemporary art 60<br />

music 65<br />

architecture | design 66<br />

urban art 68<br />

limited edition 70<br />

collecting 74<br />

[ distributors 46<br />

[ contacts 77


new titles


toilet paper<br />

maurizio cattelan<br />

Freedman | <strong>Damiani</strong><br />

=============<br />

Maurizio Cattelan<br />

Toilet Paper<br />

Edited by Dennis Freedman<br />

Photographs by Pierpaolo Ferrari<br />

34,5 x 23,8 cm. 13.5 x 9.5 inches<br />

Pgs. 212 ill. 120<br />

Cloth hardback<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 65.00 GbP 40.00<br />

ISBN > 978-88-6208-210-5<br />

Maurizio Cattelan’s newest body of work comprises startling<br />

photographs done in collaboration with commercial photographer<br />

Pierpaolo Ferrari and published in Cattelan’s limited edition<br />

magazine Toilet Paper. Colliding commercial photography<br />

with twisted narrative tableaux and surrealistic imagery these<br />

images mark a new phase in Cattelan’s art production. This<br />

important body of work is gathered here for the first time in<br />

book form re-edited by Dennis Freedman in collaboration with<br />

Maurizio Cattelan.<br />

Maurizio Cattelan (born 1960) began his career as a furniture<br />

designer, transitioning to art through his realistic sculptures.<br />

Cattelan has exhibited at Skulptur Projekte, Münster (1997), the<br />

Tate Gallery, London (1999), the Museum of Contemporary Art,<br />

Los Angeles (2003) and the Museum Ludwig, Cologne (2003),<br />

Guggenheim Museum (2011), New York and participated in the<br />

Venice Biennale (1993, 1997, 1999, and 2002). He was a finalist for<br />

the Guggenheim's Hugo Boss prize in 2000, received an honorary<br />

degree in Sociology from the University of Trento, Italy, in<br />

2004, and was also awarded the Arnold-Bode prize from the<br />

Kunstverein Kassel, Germany, that same year. He has also founded<br />

and edited magazines such as Charley, Permanent Food and<br />

Toilet Paper. He is represented by Emmanuel Perrotin in Paris,<br />

Massimo de Carlo in Milan and Marian Goodman Gallery in<br />

New York.<br />

]<br />

4 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 5


electrical banana: masters of psychedelic art<br />

by norman hathaway and dan nadel<br />

foreword by paul mccartney<br />

contemporary art<br />

=========<br />

Norman Hathaway<br />

Dan Nadel<br />

Electrical Banana: Masters of Psychedelic Art<br />

Foreword by Paul McCartney<br />

23,5 x 26 cm. 9.5 x 10.25 inches<br />

Pgs. 208 ill. 150<br />

Paperback<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 39.95 GbP 27.00<br />

ISBN > 978-88-6208-204-4<br />

Electrical Banana: Masters of Psychedelic Art is the first definitive<br />

examination of the international language of psychedelia,<br />

focusing on the most important practitioners in their respective<br />

fields with a deft combination of hundreds of unseen images<br />

and exclusive interviews and essays, Electrical Banana aims to<br />

revise the common perception of psychedelic art, showing it to<br />

be more innovative, compelling, and revolutionary than was<br />

ever thought before.<br />

The artists include: Marijke Koger, a Dutch artist responsible for<br />

dressing the Beatles; Mati Klarwein, who painted the cover for<br />

Miles Davis Bitches Brew; Keiichi Tanaami, the Japanese master<br />

of psychedelic posters; Heinz Edelmann, the German illustrator<br />

and designer of the Yellow Submarine animated film; Tadanori<br />

Yokoo, whose prints and books, defined the ‘60s in Japan; Dudley<br />

Edwards, a painter, car decorator, and graphic embellisher for<br />

the London rock scene, and the enigmatic Australian Martin<br />

Sharp, whose work for Cream and underground magazines<br />

made him a hippie household name in Europe.<br />

]<br />

6 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 7


alchemy of beauty<br />

bob recine<br />

fashion | lifestyle<br />

=============<br />

Bob Recine<br />

Alchemy Of Beauty<br />

Text by René Ricard<br />

Photographs by Mario Sorrenti,<br />

Robbie Fimmano and Bob Recine<br />

24 x 31,2 cm. 9.5x 12 inches<br />

Pgs. 164 Ill. 130<br />

Hardback with french jacket<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 65.00 GbP 40.00<br />

ISBN > 978-88-6208-212-9<br />

Hairstylist Bob Recine approaches the head as an armature<br />

for sculpture. The man behind some of the most avant-garde<br />

hairdos and head dresses worn by Lady Gaga, Recine has taken<br />

hair styling to incredibly creative heights-often literally, as he<br />

propels the braids and locks of his subjects into gravity-defying<br />

contours, augmenting them with sculptural gestures such as<br />

clumps of headphones or sunglasses, tendrils of Play-Doh and<br />

complex meshes of wire or cellophane. Starting out as an artist,<br />

Recine secured a project creating hairstyles and head ornaments<br />

for the windows of Henri Bendel. His designs caught<br />

the eye of world-renowned hair stylist Jean Louis David, who<br />

offered him the opportunity to travel to Paris and hone his<br />

craft; four years later, Recine returned to New York, armed with<br />

a portfolio of innovative stylings for top photographers and<br />

magazines. Today Recine is a legend among A-list celebrities,<br />

having worked with Gwyneth Paltrow, Charlize Theron, Naomi<br />

Watts, Angelina Jolie, Catherine Zeta-Jones, Kate Hudson, Renée<br />

Zellweger, Uma Thurman, Nicole Kidman, and Tilda Swinton.<br />

His talents have even returned him circuitously to the world of<br />

fine art, for his extensive collaborations with Vanessa Beecroft.<br />

Alchemy of Beauty gathers original artwork by Recine, from<br />

photographs, sketches, collages and paintings to previously<br />

published and unpublished editorial images of his extraordinary<br />

sculpture and headdresses. Art direction for the volume is<br />

by Fabien Baron.<br />

]<br />

8 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 9


holy works<br />

andres serrano<br />

photography<br />

=========<br />

Andres Serrano<br />

Holy Works<br />

Introduction by James Frey<br />

Text by Germano Celant<br />

24 x 31 cm. 9.5 x 12 inches<br />

Pgs. 96 ill. 60<br />

Cloth hardback<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 50.00 GbP 30.00<br />

ISBN > 978-88-6208-209-9<br />

Holy Works is the culmination of Andres Serrano’s vision of<br />

Christian iconography, reinterpreted photographically for the<br />

present. Serrano’s intention with these works is not to recreate<br />

specific medieval or renaissance religious paintings, nor to<br />

invest them with the iconoclasm that made his name in the<br />

1980s, but rather to renew the genre of sacred portraiture:<br />

“Rather than destroy sacred icons,” says the artist, “I reinvent<br />

and reinforce them.” Serrano’s subjects for this series are selected<br />

from among his friends and acquaintances, emphasizing<br />

(like Caravaggio before him) the ordinariness of human<br />

features. The genres and themes are familiar, and Holy Works<br />

includes a Last Supper and a Stations of the Cross (rendered<br />

as a triptych panel), as well as bolder portrayals typical of<br />

Serrano, a Blood Madonna and a Chinoise Madonna, for example.<br />

This volume is Serrano’s major statement of his religious<br />

and artistic belief.<br />

]<br />

Limited edition<br />

===========<br />

Andres Serrano<br />

Holy Works<br />

[ Limited edition of 50 copies<br />

Introduction by James Frey<br />

Text by Germano Celant<br />

Cloth hardback<br />

comes with a numbered and signed<br />

photo by Andres Serrano (28 x 35,5 cm. 11 x 14 inches)<br />

in a linen cloth box (36,5 x 45 x 6,5 cm. 14.5 x 18 x 2,5 inches)<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 750.00 GbP 500.00<br />

ISBN > 978-88-6208-219-8<br />

10 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 11


nailed<br />

the history of nail culture and dzine<br />

dzine<br />

fashion | lifestyle<br />

=============<br />

Dzine<br />

Nailed<br />

The history of nail culture and dzine<br />

In association with Standard Press<br />

Introduction by Kim Hastreiter<br />

24.4 x 29.3 cm. 9.5 x 11.5 inches<br />

Pgs. 216 ill. 290<br />

Hardback<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 45.00 GbP 30.00<br />

ISBN > 978-88-6208-205-1<br />

Dzine’s fusion of commerce, kustom kulture craft and high art<br />

have made him an international sensation in locations as various<br />

as the Venice Biennale—where he famously customized an<br />

18-foot boat into a blinged-out multimedia installation—and<br />

Chicago, where he first made a name for himself as a teenage<br />

graffiti artist. In September 2011, Dzine launched two kustom<br />

nail art salons in New York: one in the lobby window of the<br />

New Museum, at which various local nail artists offered free<br />

nail designs to visitors; and the other at Salon 94 Freemans<br />

gallery,where a kustom chandelier, four jewel-encrusted paintings,<br />

a gold-leaf hutch and flamboyant,wearable nail sculptures<br />

were exhibited alongside a nail salon with a part-time manicurist.<br />

Produced in the Get Nailed at the New Museum and Imperial<br />

Nail Salon—these events were huge hits, coinciding as<br />

they did with kustom nail art’s massive international popularity,<br />

and led to the publication of this luxurious volume,which<br />

celebrates and contextualizes the kustom nail movement.<br />

Nailed looks at the history of nail design and adornment across<br />

cultures, documenting contemporary nail art with specially<br />

commissioned photography of the phenomenon from across<br />

the globe.With an introduction by Paper cofounder Kim Hastreiter<br />

and contributions by Luis Gispert, Yone, Jamel Shabazz and<br />

Fab 5 Freddy, Nailed includes overviews of Dzine’s Get Nailed at<br />

the New Museum and Imperial Nail Salon projects.<br />

Chicago-based artist Carlos Rolon (born 1970),aka Dzine, is a recipient<br />

of the Joan Mitchell Foundation award for Painting and<br />

Sculpture. His work has been included in exhibitions and is in<br />

the collections of the Brooklyn Museum of Art, New York; the<br />

Museo del Barrio, New York; the Museum of Contemporary Art,<br />

Chicago; and the Bass Museum of Art, Miami.<br />

]<br />

12 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 13


ewilding<br />

cass bird<br />

photography<br />

=========<br />

Cass Bird<br />

Rewilding<br />

Texts by Sally Singer and Jack Halberstam<br />

18 x 24 cm. 7 x 9.5 inches<br />

Pgs. 88 ill. 42<br />

Cloth hardback<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 35.00 GbP 20.00<br />

ISBN > 978-88-6208-218-1<br />

Over the past ten years, Cass Bird (born 1974) has established<br />

herself as one of the foremost portraitists of contemporary<br />

America. Her photographs of young women and men casually<br />

draw attention to the fluid expression of gender roles and androgyny<br />

in today’s youth culture, and to what she has described<br />

as “the convergence of alternative lifestyles with accepted conceptions<br />

of motherhood, nurturing and family.” In the summers<br />

of 2009 and 2010, Bird traveled to Sassafrass, Tennessee, with a<br />

group of young women, a wardrobe of diaphanous dresses and<br />

a camera. These women—studio assistants, friends, or women<br />

cast from the streets of New York—had been selected by Bird<br />

for their ease with their sexual identities, but also for their relative<br />

awkwardness in front of the lens. The result was Rewilding,<br />

a joyous portrait of modern femininity and a frolicking celebration<br />

of women’s camaraderie.<br />

]<br />

14 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 15


framed<br />

for l.a. eyeworks<br />

greg gorman<br />

photography<br />

=========<br />

Greg Gorman<br />

Framed<br />

for L.A. Eyeworks<br />

25 x 25 cm. 10 x 10 inches<br />

Pgs. 192 ill. 100<br />

Cloth hardback with Jacket<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 50.00 GbP 35.00<br />

ISBN > 978-88-6208-203-7<br />

In 1982 Greg Gorman was just beginning his career as a photographer,<br />

creating campaigns and publicity shoots for such films<br />

as Tootsie, The Big Chill and Scarface, with stars from the worlds<br />

of film, television and music gracing his studio on a daily basis.<br />

It was also at this time that Jeff Gorman and Gary Johns<br />

created a campaign for the famous Los Angeles-based eyewear<br />

company, L.A. Eyeworks, for which they hired Gorman as house<br />

photographer. The ads were published as full-page bleeds in<br />

AndyWarhol’s Interview magazine; and the campaign, one of<br />

the very first celebrity endorsed “advertorials” of its kind, has<br />

endured over 30 years,making it one of the longest running<br />

photo-campaigns ever. Gorman was able to recruit stars for<br />

the campaign from his film-studio work, andWarhol—who<br />

personally called the photographer and requested to do an<br />

l.a.Eyeworks shoot, which led to the series’most famous portrait—also<br />

gathered famous faces for the company. Alongside-<br />

Warhol, the many celebrities photographed by Gorman in their<br />

L.A. Eyeworks frames include Boy George, Philip Glass, Meryl<br />

Streep, Jodie Foster, Iman, Lypsinka, Bryan Ferry, Grace Jones,<br />

Quentin Crisp, JohnWaters, Johnny Rotten, Rob Lowe,Whoopi<br />

Goldberg, Mickey Rourke, Frank Zappa, Elton John, Divine, Pierce<br />

Brosnan, David Hockney, Debbie Harry and PeeWee Herman.<br />

Gorman’s luscious, era-defining, black-and-white photographs<br />

are gathered here for the first time.<br />

]<br />

SIGNED<br />

COPY<br />

ALSO AVAILABLE AT<br />

damiani<strong>editore</strong>.com<br />

Also Available:<br />

Greg Gorman<br />

In Their Youth<br />

[ Photography<br />

20 x 25 cm. 8 x 10 inches<br />

Pgs. 280 ill. 250<br />

Hardback with jacket<br />

English<br />

Rights world<br />

Usd 50.00 GbP 29.99<br />

ISBN 978-88-6208-097-2<br />

16 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 17


wood, water & rock<br />

cliff watts<br />

photography<br />

=============<br />

Cliff Watts<br />

Wood Water & Rock<br />

Foreword by Beyoncé<br />

24 x 28 cm. 9,5 x 11 inches<br />

Pgs. 200 Ill. 140<br />

Cloth hardback with dust jacket<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 60.00 GbP 35.00<br />

ISBN > 978-88-6208-206-8<br />

This collection of nudes is about forms in nature. It was a year<br />

of travelling to different landscapes and seeing the beauty of<br />

these “human fossils.” It’s a collaboration between myself as<br />

a photographer and six willing friends who volunteered to go<br />

through extreme heat, freezing cold and various uncomfortable<br />

conditions to create this wonderful body of work. This book is<br />

a labor of love. It’s about form, texture, abstraction, and beauty.<br />

It’s about the classic nude, and how it blends seamlessly into<br />

and also contrasts nature.<br />

Cliff Watts is an American fashion and portrait photographer<br />

and commercials director. He is most widely known for his ad<br />

campaigns for Revlon, L’Oréal, Hugo Boss, Banana Republic and<br />

Armani Jeans, as well as for his work in Vanity Fair, Vogue, Bazaar,<br />

W, Elle and Esquire. His music videos for Beyoncé complement<br />

his spot projects, which have paired him with celebrity<br />

subjects such as David Beckham, Halle Berry, Sienna Miller and<br />

Scarlett Johansson. Watts’ work is noted for its unique perspective,<br />

as evident in his intimate portraits that reveal the sensuality,<br />

humour and humanity that lies behind the public image of<br />

his subjects. Wood Water & Rock will be his first tabletop book.<br />

]<br />

18 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 19


prospect<br />

thomas r. schiff<br />

photography<br />

=========<br />

Thomas R. Schiff<br />

Prospect<br />

Texts by Michael Speaks and Ann Cotter<br />

42,5 x 24,8 cm. 16.5 x 10 inches<br />

Pgs. 304 ill. 250<br />

Cloth hardback with jacket<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 80.00 GbP 50.00<br />

ISBN > 978-88-6208-195-5<br />

From the vernacular movie theatres of the 1930s to libraries,<br />

private residences, universities, and performance halls, Prospect<br />

features Schiff’s quintessentially American work—kaleidoscopic<br />

and vibrantly colored large format prints that offer up a new<br />

way of seeing and interpreting the architectural landscape.<br />

Counted among the more than 200 photographs in Prospect<br />

are buildings by the titans of architecture: Norman Foster,<br />

Frank Lloyd Wright, Louis Kahn, Zaha Hadid and Renzo Piano.<br />

From visionary works by Thomas Jefferson to spectacular hotel<br />

resort developments, museums and the public spaces that define<br />

the fantasy skyline of Las Vegas, Schiff has logged hundreds<br />

of thousands of miles across the United States in rediscovering<br />

this rich repository of buildings. In Prospect, Schiff’s steady and<br />

unrestrained visual language forcefully combines in a remarkable<br />

corpus that will broadly appeal to architects, designers,<br />

photographers, filmmakers and those interested in the visual<br />

arts. Designed by Los Angeles-based Waxel, the book also features<br />

a compelling new essay by noted writer, Michael Speaks.<br />

Thomas R. Schiff began experimenting with panoramic photography<br />

in the mid-1980s, a period in which he also helped found<br />

Images Center, Cincinnati’s premier gallery for exhibiting photography.<br />

In 1994, Schiff began using the Hulcherama 360 Panoramic<br />

camera which he continues to use in his prolific practice.<br />

A native of Cincinnati, Schiff is the founder of FotoFocus Cincinnati,<br />

a citywide celebration of photographic and lens-based art.<br />

He is currently at work on a book about the architectural legacy<br />

of J. Irwin Miller and the city of Columbus, Indiana.<br />

]<br />

20 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 21


quantum light<br />

david benjamin sherry<br />

photography<br />

=============<br />

David Benjamin Sherry<br />

Quantum Light<br />

Introduction by Collier Schorr<br />

In association with Salon 94<br />

21 x 27 cm. 8.2 x 10.6 inches<br />

Pgs. 72 ill. 70<br />

Cloth Hardback<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 50.00 GbP 30.00<br />

ISBN > 978-88-6208-213-6<br />

David Benjamin Sherry (born 1981) graduated with an MFA<br />

in photography from the Yale School of Art in 2007. In 2010<br />

his richly color-saturated photographs became the face of the<br />

Greater New York exhibition at MoMA/PS1. That same year<br />

he was named by the New York Times T magazine as one of the<br />

50 up -and- coming American talents. Sherry's work has been<br />

recognized for casting new light on the state of contemporary<br />

photography while celebrating the end of the film-based medium.<br />

In Quantum Light, Sherry's second publication, his non-<br />

digital photographs reference the traditional photographic hierarchies<br />

of landscape and portraiture, yet rely on a subversion<br />

of the expected. He creates pictures of interior landscapes by<br />

constructing a sublimated view of his place within the natural<br />

world. This book designed by Tiffany Malakooti includes his<br />

most recent landscape, collage, still life, abstraction, portrait<br />

and sculptural works, all placed upon colored pages. The playful<br />

layout activates Sherry's often monochromatic and bright<br />

photographs. A conversation between Sherry and Collier Schorr<br />

serves as a preface to this beautifully produced clothbound volume,<br />

which is published to coincide with the artist's first New<br />

York solo show at Salon 94.<br />

]<br />

Also Available:<br />

David Benjamin Sherry<br />

It’s Time<br />

[ Photography<br />

22 x 30 cm. 9 x 12 inches<br />

Pgs. 96 ill. 60<br />

Cloth Hardback<br />

English<br />

Rights world<br />

Usd 50.00 GbP 29.99<br />

ISBN 978-88-6208-093-4<br />

22 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 23


gabe TM<br />

nick haymes<br />

photography<br />

=============<br />

Nick Haymes<br />

GAbE TM<br />

Introduction by Gus Van Sant<br />

22 x 28 cm. 8.5 x 11 inches<br />

Pgs. 128 ill. 85<br />

Hardback<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 40.00 GbP 25.00<br />

ISBN > 978-88-6208-191-7<br />

Nick Haymes first met Gabe Nevins on an editorial assignment<br />

in the summer of 2007. Gabe had just wrapped up his lead<br />

role in Gus Van Sant’s Paranoid Park, in which he had played a<br />

teenage skateboarder who accidentally kills a security guard.<br />

Gabe had never acted prior to starring in the film; he had heard<br />

about Van Sant’s casting call from a skateboard store and initially<br />

auditioned as an extra. Meeting the teenager, Haymes<br />

recalls: “Initially, Gabe was fairly shy, but it quickly transpired<br />

that he had seen some of my skateboarding images online and<br />

an instant friendship was struck. When the assignment was<br />

over, I approached Gabe about the possibility of working on<br />

more photographs as there was something entirely captivating<br />

about him and his energy.” This volume tracks the highs and<br />

lows of Gabe’s teen years, from stardom to emotional.<br />

]<br />

Limited edition<br />

===========<br />

Nick Haymes<br />

GAbE TM<br />

[ Limited edition of 30 copies<br />

Introduction by Gus Van Sant<br />

Hardback with slipcase<br />

The limited edition comes with a numbered<br />

and signed photo by Nick Haymes<br />

and it includes original segments from Gabes notebooks<br />

photo by Nick Haymes (22 x 29 cm. 8,5 x 11,5 inches)<br />

in a cloth slipcase (23 x 30 x 2,5 cm. 9 x 12 x 1 inches)<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 350.00 GbP 220.00<br />

ISBN > 978-88-6208-225-9<br />

24 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 25


shoebox studio<br />

stéphane coutelle<br />

photography<br />

=========<br />

Stéphane Coutelle<br />

Shoebox Studio<br />

Introduction by Camille Saint-Jacques<br />

23 x 28 cm. 9 x 11 inches<br />

Pgs. 128 ill. 120<br />

Hardback with slipcase<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 50.00 GbP 30.00<br />

ISBN > 978-88-6208-197-9<br />

These aspiring models have flown in from all over the world to<br />

Paris, the ogre city, where the quest for beauty feeds on new faces.<br />

Soon, these uprooted girls will be transformed into sophisticated<br />

creatures of universal glamour. Stéphane Coutelle, the<br />

renowned beauty photographer, will be one of the architects of<br />

this transformation. But by receiving them in the Shoebox Studio<br />

during the first days of their Parisian stay for a brief session,<br />

unencumbered by any strict production objectives, Coutelle<br />

pays tribute to their identity and their peculiarity, both perhaps<br />

even more short-lived than their youth. This first meeting aims<br />

to capture a psychology, a past, before professional reflexes can<br />

take hold, before any complicity is established. The artist acts<br />

here without preconceived ideas, open to everything. The situation<br />

is not the conventional one of the artist and his model.<br />

The girls’ looks carry questioning, expectations, but determination<br />

as well. They know their fate will unwind behind the<br />

closed doors of shooting sessions, and that there will be little<br />

time to learn the rules of the game …Coutelle’s portraits sometimes<br />

trouble us. We could attribute this disconcertment to a<br />

kind of harshness or voyeurism on behalf of the photographer.<br />

But in reality, these images express a certain solidarity; it is not<br />

Coutelle himself who is unrelenting, but the world in which<br />

both the artist and his model evolve. Shoebox Studio is a major<br />

project because the portraits lead us from a private, individual<br />

psychology to the contemporary human condition in which the<br />

need to be seen and recognized has become a global quest, a<br />

social phenomenon.<br />

]<br />

26 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 27


master photographers.<br />

portraits by michael somoroff<br />

michael somoroff<br />

photography<br />

=============<br />

Michael Somoroff<br />

Master Photographers.<br />

Portraits by Michael Somoroff<br />

Text by William Ewing<br />

28 x 33 cm. 11 x 13 inches<br />

Pgs. 138 ill. 110<br />

Hardback<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 50.00 GbP 30.00<br />

ISBN > 978-88-6208-211-2<br />

Master Photographers is the body of work Michael Somoroff<br />

made thirty-five years ago. He took it upon himself to photograph<br />

in-depth his heroes and mentors, the master photographers<br />

of the twentieth century. Michael Somoroff had been<br />

introduced to their work and subsequently to many of the photographers<br />

themselves by his father, the pre-eminent still-life<br />

photographer Ben Somoroff.<br />

In honor of each of these photographers mentoring Somoroff,<br />

he began a series of portraits of his heroes including Brassaï,<br />

Ralph Gibson, André Kertész, Jacques Henri Lartigue, Arnold<br />

Newman, Helmut Newton and others. Each was caught at the<br />

quintessential moment thereby defining a period of photography<br />

that was unique- the climax of the analog photographic<br />

experience. The book contains a vast array of cutting edge artists<br />

photographed formally as well as behind the scenes who<br />

informed Somoroff’s art and craft.<br />

The text is written by William Ewing. Mr. Ewing at the time the<br />

photographs were taken was Director of Exhibitions at The International<br />

Center of Photography where Michael Somoroff had<br />

his first solo exhibition.<br />

The book is designed by Tom Bentkowski former Director of Design<br />

for LIFE magazine.<br />

Michael Somoroff will also contribute texts with his special<br />

reminiscences of these masters, his friendships with them and<br />

the significance of their work.<br />

]<br />

28 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 29


palindrome<br />

alessio cocchi<br />

photography<br />

=============<br />

Alessio Cocchi<br />

Palindrome<br />

35 x 28 cm. 13.5 x 11 inches<br />

Pgs. 88 Ill. 37<br />

Hardback<br />

Italian/English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 40.00 GbP 25.00<br />

ISBN > 978-88-6208-217-4<br />

Alessio Cocchi is a fashion and still-life photographer based in<br />

Milan, who is best known for his partnership with the most famous<br />

fashion brands and magazines such as Gucci, Ferragamo<br />

and Vogue. This volume introduces his perfection's research<br />

through palindromic photographs, fashion and still-life pictures<br />

absolutely symmetrical.<br />

Alessio Cocchi was born in 1968. He worked as an assistant of a<br />

Florentine fashion and still-life photographer but immediately<br />

afterwards, decided to set up his own photo studio and thus<br />

launched his career as a professional photographer. At the age<br />

of 23, his images had already made their way into prestigious<br />

publications such as Cosmopolitan, Harper's Bazaar and Vogue.<br />

Alessio's style is characterized by the unique and striking<br />

moods he creates through a meticulous study of lighting and<br />

its effects. Alessio is currently working out of Milan, with the<br />

most reputable fashion houses.<br />

]<br />

30 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 31


dreaming of ingmar bergman<br />

jill mathis<br />

photography<br />

=============<br />

Jill Mathis<br />

Dreaming of Ingmar Bergman<br />

Curated by Roberto Mastroianni<br />

Text by Ugo Volli, et al. Designed by Phillip Squier<br />

24 x 31 cm. 9.5 x 12 inches<br />

Pgs. 112 Ill. 100<br />

Hardback<br />

English/Italian<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 40.00 GbP 25.00<br />

ISBN > 978-88-6208-215-0<br />

This is a book with Bergman which creates a stage for a dialog<br />

between three generations, three different cultures and three<br />

different points of view which has as its center a rapport between<br />

the image, the word and human existence. Ingmar Bergman,<br />

Jill Mathis and Roberto Mastroianni come together on a<br />

delimited ground from the image and the word and from this<br />

propitious encounter is born an artistic-philosophical dialog.<br />

The existential value, one could say religious, of the images inspired<br />

by the Bergmanian poetic becomes the playing field for<br />

this photographic/ artistic research, and at the same time, it is<br />

a tribute to the life and times of the great director, writer and<br />

Swedish playwright, Bergman. The book is, in fact, the result of<br />

an artistic etymological/philosophical and photographic research<br />

on the places and the Bergman poetic. Jill Mathis created<br />

the photographs around the evocative words found in Bergman<br />

productions based on the dialog between Bergman and<br />

Mastroianni (i.e. Persona, Alone, Religion, Whisper, Desire, Seal,<br />

Confession, Forgiveness, Grace…). The Swedish spaces where<br />

Bergman lived and filmed (Uppsala, Stockholm, the island of<br />

Fårö), the themes and the Bergmanian words are seen as such<br />

and recounted Through a lens darkly, which is 'Through a glass<br />

darkly' expanding the evocative power of the worlds and the<br />

Bergmanian images.<br />

Jill Mathis is from San Antonio, Texas. After living in New York<br />

City for five years, four of which were spent as the full-time assistant<br />

to Ralph Gibson, she moved to Italy. This is not the first<br />

time she has entered in a dialog with another artist. At the moment<br />

she is now producing an extensive body of work based<br />

on etymology. Jill exhibits regularly in both Europe and America<br />

and her work can be found in many public and private collections,<br />

including Whitney Museum, The International Center of<br />

Photography of New York and of the Norton Museum of Art of<br />

Palm Beach, Brooklyn Museum, Columbia University, George<br />

Washington University.<br />

]<br />

32 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 33


cardinal points<br />

andrea garuti<br />

photography<br />

=============<br />

Andrea Garuti<br />

Cardinal Points<br />

Text by Andrea Salvatici<br />

24 x 30 cm. 9.5 x 11.5 inches<br />

Pgs. 96 Ill. 50<br />

Hardback<br />

English/Italian<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 40.00 GbP 24.95<br />

ISBN > 978-88-6208-194-8<br />

With this volume, Italian photographer Andrea Garuti returns<br />

to his favorite practice, the depiction of cities. Organized around<br />

the idea of “cardinal points,” it portrays buildings and urban<br />

views in Berlin (north), Las Vegas (west), Cairo (south) and Hong<br />

Kong (east) with a painterly blurring treatment that animates<br />

the structures.<br />

Andrea Garuti, born in Florence in 1965, took up photography at<br />

the age of 13 under the guidance of his father, a photographer of<br />

architecture. From the mid 90’s onwards he alternated commissions<br />

from big multinationals (Etro, Fay, Champion...) with photojournalism<br />

for magazines such as Elle, Glamour, Cosmopolitan,<br />

Marie Claire, Case da Abitare, Elle Decor, Amica, Io Donna and<br />

Vogue. In 2006 he held his first solo exhibition, Urbe tremula, at<br />

the Romberg arte spaces in Rome. Garuti’s work has developed<br />

recently into an admixture of painting and photography, whose<br />

technique involves the transfer of images reproduced on paper<br />

and plaster.<br />

]<br />

34 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 35


ae martini - 24 carat dirt<br />

rae martini<br />

R A E M A R T I N I - 2 4 C A R A T D I R T<br />

=========<br />

Rae Martini<br />

Rae Martini. 24 Carat Dirt<br />

24 x 30 cm. 9.5 x 11.5 inches<br />

Pgs. 208 ill. 150<br />

Hardback<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 40.00 GbP 25.00<br />

ISBN > 978-88-6208-207-5<br />

Rae Martini, a prominent figure on the international street<br />

scene, comes face to face with painting and artistic expression<br />

for the first time in the early 90s. For over twenty years he<br />

serves as one of the greatest exemplars of the Italian Graffiti<br />

movement. Along with only a few other artists, he has managed<br />

to concretize his artistic development. With so much graffiti on<br />

streets and trains in so many European cities, he pursued an<br />

artistic career dedicated to the world of paint and canvas. Just<br />

like railroad tracks, these two parallel domains intertwine and<br />

influence each other with the aesthetics and experiences of<br />

two worlds, distant, yet close; hardly any artists from the graffiti<br />

scene are so committed to their work and beliefs that they<br />

are capable of bringing urban setting and street culture into<br />

the world of fine art galleries. Over the last two decades, Rae<br />

Martini has been able to dedicate himself to these two worlds<br />

using a common starting point: sketching on paper.<br />

]<br />

36 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 37


global education<br />

giuseppe stampone<br />

photography<br />

=============<br />

Giuseppe Stampone<br />

Global Education<br />

Edited by Maurizio Bortolotti<br />

16,5 x 23,5 cm. 6.5 x 9.25 inches<br />

Pgs. 304 Ill. 220<br />

Paperback<br />

English/Italian<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 40.00 GbP 25.00<br />

ISBN > 978-88-6208-214-3<br />

Global Education is a book on Italian artist Giuseppe Stampone's<br />

methodology. His work can be compared to the Chinese<br />

boxes game, he creates projects that contain other projects.<br />

Through these projects, he realizes artworks, interventions in<br />

the social space and new educational models that are based on<br />

the concept of network. The book contains Water/Net Community,<br />

his last project, the most ambitious from the point of view<br />

of his artistic methodology; Solstizio, the starting point from<br />

which all the others are derived.<br />

Giuseppe Stampone is an artist who has integrated the new<br />

media to his artistic-didactic projects addressed to social and<br />

environmental topics. In 2008 he creates the network Solstizio<br />

conceiving and developing its contents and the communication<br />

strategy. The project, co-funded by the European Union, envisages<br />

the realization of installations, whether permanent in public<br />

spaces, or of relational art. Recently, he has launched two pieces<br />

of global art with the title Global Education, Saluti da L’ Aquila<br />

and Saluti da New Orleans, which integrate with the Solstizio<br />

platform. Among his exhibitions: Saluti da L’ Aquila, MACRO<br />

2011; Liverpool Biennial 2010; The Flower of May Kunsthalle City<br />

Museum, Gwangiu; Gran Prix Linz 2009; Project VOLTA6 2010; Il<br />

bel paese, Museo Gamec di Bergam0; No Longer Empty con Julia<br />

Kent, Invisible Dog, New York; Through the looking glass, Villa<br />

Italia, Belgrade 2009; My Space, Museo PAN di Naples; XIV e XV<br />

Quadriennale di Rome; CAOS, side event of the 53° Biennale di<br />

Venice; Radici, Istituto italiano di cultura, Madrid 2009; Junk<br />

Space, Triennale Bovisa Milano; Welcome American Academy,<br />

Rome.<br />

]<br />

38 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 39


shades of a woman<br />

guido argentini<br />

photography<br />

=============<br />

Guido Argentini<br />

Shades of a Woman<br />

28,7 x 29 cm. 11.2 x 9.5 inches<br />

Pgs. 200 Ill. 150<br />

Hardback with jacket<br />

English/Spanish/Italian/French/German<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 60.00 GbP 45.00<br />

ISBN > 978-88-6208-199-3<br />

In the book Shades of a woman Guido Argentini began exploring<br />

different levels and nuances of the female nature. Shot<br />

both in color and black and white the images are telling a story<br />

in one single picture, like single frames taken from a movie.<br />

Women, photographed in USA, Thailand, Italy and Cuba are<br />

still the source of inspiration of Guido Argentini's photographs.<br />

Argentini’s aim is that women- the muses who have guided him<br />

along his path- up until now- being the subjects of his pictures<br />

or even simply those who witness his photos, can identify themselves<br />

in these stories.<br />

Guido Argentini was born in Florence, Italy. He studied Medicine<br />

for three years at the university of Florence. At 23 he decided to<br />

turn his passion for photography into a profession and started<br />

to shoot fashion and beauty. Since 1990 he has lived in the USA,<br />

in Los Angeles. His work has been published by some of the leading<br />

magazines in the world such as Marie Claire, Men'sHealth,<br />

Panorama, Playboy, Vogue, Max, Maxim and many others.<br />

]<br />

40 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 41


clouds nuages versailles<br />

lucy + jorge orta<br />

photography<br />

=============<br />

Lucy + Jorge Orta<br />

Clouds Nuages Versailles<br />

16,5 x 23,5 cm. 6.5 x 9.25 inches<br />

Pgs. 224 Ill. 150<br />

Paperback<br />

English/French<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 40.00 GbP 25.00<br />

ISBN > 978-88-6208-216-7<br />

Clouds|Nuages is published in association with the Ecole<br />

nationale supérieure d'architecture de Versailles and its<br />

contemporary art centre La Maréchalerie. It traces the<br />

inception of Clouds | Nuages co-commissioned by énsa-v and<br />

La Maréchalerie for an exhibition in the arts centre and the Cocreation<br />

workshop conducted with the architecture students<br />

presented in the Galerie des Moulages of the Louvre museum.<br />

Clouds|Nuages draws from their previous research on issues<br />

effecting our environment, in particular the theme of water.<br />

Leading from their project OrtaWater, the artworks pose questions<br />

about the scarcity of this natural resource, the exploitation,<br />

purification and the distribution networks. The recycling<br />

communities in Cairo inspire the artists as well as the lifespan<br />

of the water bottle that gradually disintegrates to create the<br />

enormous floating islands in our Oceans. In Versailles, these<br />

environmental threats radiate with an unexpected lightness<br />

and hedonism. Waste materials undergo metamorphosis. Technological<br />

processes, exuberant metallic colours and Baroque<br />

shapes confront us with a bright and optimistic world.<br />

]<br />

42 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 43


sand sea sky<br />

the beaches of sagaponack<br />

tria giovan<br />

photography<br />

=============<br />

Tria Giovan<br />

Sand Sea Sky<br />

The Beaches Of Sagaponack<br />

34 x 24 cm. 13.5 x 9.5 inches<br />

Pgs. 96 Ill. 63<br />

Hardback with dust jacket<br />

English<br />

Release date Spring <strong>2012</strong><br />

Rights world<br />

Usd 40.00 GbP 25.00<br />

ISBN > 978-88-6208-196-2<br />

Tria Giovan transports viewers to the Hamptons, to a pristine<br />

and fragile landscape of immeasurable variation and on a journey<br />

through the totality of the circle of time. The photographs<br />

are a meditation paying homage to a place where change is<br />

constant, primordial forces resonate, and the spirit is restored.<br />

Through a decade of seasons Giovan charted the permutations<br />

of tides, wind, sand, and sky. The 63 selected images featured<br />

in Sand Sea Sky: The Beaches of Sagaponack document a meteorological<br />

drama ranging from the threatening and explosive<br />

storm to the suffusing sunlight of midday and incandescent<br />

gloaming. In their invitation to become motionless they acquire<br />

an affecting intimate immensity that echoes America’s enduring<br />

belief in the transcendent spiritual beauty of nature.<br />

Tria Giovan An inveterate traveler raised in the Caribbean<br />

whose photography assignments have taken her all over the<br />

world, Giovan’s work has been published in Aperture, Elle, Esquire,<br />

Harpers, Travel & Leisure, and Vogue among many other<br />

publications. Her work has been exhibited in New York City,<br />

Athens, Greece, Washington, DC, and Havana, Cuba, and is in<br />

the permanent collections of The Museum of Modern Art, The<br />

Brooklyn Museum, the Jewish Museum, and the NY Public Library.<br />

Her first book Cuba: The Elusive Island was published by<br />

Harry N. Abrams in 1996.<br />

]<br />

44 [ new titles ] [ <strong>spring</strong> <strong>2012</strong> ] 45

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