andrea ferreol dirk bogarde - Festival de Cannes
andrea ferreol dirk bogarde - Festival de Cannes
andrea ferreol dirk bogarde - Festival de Cannes
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DIRK<br />
BogarDe<br />
ANDREA<br />
<strong>ferreol</strong><br />
“Despair is the Most hopeful Movie i’ve MaDe.”<br />
RAINER WERNER FASSBINDER<br />
SCREENING Fri, May 13 19.30h Salle du 60e WORLD PREMIERE of restored version<br />
PHOTOS CAN BE DOWNLOADED AT<br />
www.Bavaria-filM-international.coM<br />
BAVARIA FILM INTERNATIONAL presents a production of BAVARIA STUDIOS MUNICH for NF GERIA II FILM a film by RAINER WERNER FASSBINDER ‘DESPAIR’ starring DIRK BOGARDE • ANDREA FERREOL • KLAUS LÖWITSCH<br />
VOLKER SPENGLER dramatised for the screen by TOM STOPPARD based on a novel by VLADIMIR NABOKOV with PETER KERN • ALEXANDER ALLERSON • HARK BOHM • GOTTFRIED JOHN and BERNHARD WICKI director of<br />
photography MICHAEL BALLHAUS music by PEER RABEN production <strong>de</strong>sign ROLF ZEHETBAUER costume <strong>de</strong>sign DAGMAR SCHAUBERGER edited by JULIANE LORENZ • FRANZ WALSCH production supervisor DIETER MINX<br />
production executive LUTZ HENGST produced by PETER MÄRTHESHEIMER directed by RAINER WERNER FASSBINDER restored by BAVARIA MEDIA in co-operation with CINEPOSTPRODUCTION
sYnopsis<br />
Is Hermann going to spend his whole life in the chocolate business? Hermann, a Russian<br />
living in exile, owns a comfortable apartment in Berlin, drives a fast car, and is married<br />
to Lydia, who is only mo<strong>de</strong>rately intelligent but very attractive. The management of his<br />
company – a chocolate factory – takes him only a few hours a day. Business is stagnating,<br />
perhaps because of the Great Depression; but Hermann doesn’t mind too much. What<br />
fascinates him more and more is the feeling of being able to step out of his body, stand<br />
besi<strong>de</strong> it, and watch it. One evening he leaves the bedroom door open, so that he, sitting<br />
in the living room, can watch Lydia and himself make love. He starts enjoying this state<br />
and would like to refi ne his ability to double himself, to cultivate it like an artistic skill.<br />
While relaxing on a business trip he meets a jobless man named Felix Weber. Curiously,<br />
Hermann is convinced that Felix is a spitting image of himself, down to every last physical<br />
<strong>de</strong>tail. He promises to keep in touch with him. Back in Berlin, the existence of his<br />
doppelganger fires up his imagination: What if he were to disappear and start a new<br />
life with another man’s name? Hermann then meticulously begins to plan a perfect crime,<br />
his rebirth, his journey towards the light ...<br />
Featuring international stars in the lead roles with Dirk Bogar<strong>de</strong> (“Death in Venice”) and<br />
Andréa Ferréol (“La Gran<strong>de</strong> Bouffe”) and in the technical <strong>de</strong>partments with cinematographer<br />
Michael Ballhaus (“The Departed”, “Goodfellas”, “Gangs of New York”) and Oscarwinning<br />
production <strong>de</strong>signer Rolf Zehetbauer (“Luther”, “The Boat”, “Cabaret”), “Despair”<br />
is an adapation from a novel by Vladimir Nabokov by Oscar-winning British script writer<br />
Tom Stoppard (“Shakespeare in Love”, “Brazil”). “Despair” is a psyche<strong>de</strong>lic drama set in<br />
the 1930s against the background of the rising power of the Nazis. This English-language<br />
masterpiece by Germany’s most renowned director Rainer Werner Fassbin<strong>de</strong>r originally<br />
premiered in competition at the <strong>Cannes</strong> Film <strong>Festival</strong> (1978) and was honored with three<br />
German Film Awards in Gold. We now present a fully HD restored version and newly<br />
produced bonus features of Fassbin<strong>de</strong>r’s greatest international film.<br />
2 Despair
ainer werner fassBinDer the director<br />
Rainer Werner Fassbin<strong>de</strong>r (1946-1982) directed his first feature-length film, “Love is<br />
Col<strong>de</strong>r than Death”, n 1969, but he ma<strong>de</strong> his <strong>de</strong>finitive breakthrough with his next<br />
film, “Katzelmacher” (1969). He achieved his first major commercial success with<br />
“The Merchant of Four Seasons” (1971) and caught the attention of international critics<br />
and audiences with “Ali – Fear Eats the Soul” (1974), which won the International Critics<br />
Prize at <strong>Cannes</strong>. His biggest success, which brought him the popular acceptance he<br />
sought, came with “The Marriage of Maria Braun” (1978). Other acclaimed fi lms of his are<br />
“The Bitter Tears of Petra von Kant” (1973), “Lili Marleen” (1981) and “Veronika Voss”<br />
(1982) The TV series “Berlin Alexan<strong>de</strong>rplatz” (1980) and “Effi Briest” (1974) are two of his<br />
best-known adaptations. His last fi lm, “Querelle”, was shot in 1982. Fassbin<strong>de</strong>r ma<strong>de</strong> 41<br />
movies in 14 years, and also worked as an actor, producer, theater manager, composer,<br />
<strong>de</strong>signer, editor, and cameraman. His oeuvre stands out for its wrenchingly personal<br />
themes, intimate portraits of betrayal and <strong>de</strong>spair, and unsparing criticism of Western<br />
society. “Despair” is an homage to all who see their existential crises not as weaknesses<br />
but as possibilities.<br />
3 Despair
Dirk BogarDe is Hermann<br />
Born into a highly artistic family, Dirk Bogar<strong>de</strong> (1921-1999) was one of the greatest British<br />
actors of the 20th century. His strikingly handsome features and often melancholy aloofness<br />
pre<strong>de</strong>stined him for roles as men with a mystery. He began garnering international attention<br />
in the 1960s in fi lms by Joseph Losey, such as “The Servant” (1963). While his role in<br />
“The Night Porter” (1974) was criticized even by many of his most ar<strong>de</strong>nt fans, his roles<br />
in the Luchino Visconti fi lms “The Damned” (1971) and “Death in Venice” (1977) were<br />
universally acclaimed and are among his fi nest fi lms. Among his other notable productions<br />
are “Victim”, “Losey’s”, “King and Country” and “Acci<strong>de</strong>nt”, Oscar-winning “Darling”,<br />
George Cukor’s “Justine” and Alain Resnais’s „Provi<strong>de</strong>nce“.<br />
anDrea <strong>ferreol</strong> is Lydia<br />
Born in Aix-en-Provence, Andréa Ferréol became a noted stage actress before launching<br />
her career as a fi lm actor in France and abroad. The fi lm that catapulted her to international<br />
fi lm was Marco Ferreri’s “La Gran<strong>de</strong> Bouffe” of 1973, in which she combined eroticism<br />
with an infectious love of life. The following year, she dazzled alongsi<strong>de</strong> Romy Schnei<strong>de</strong>r<br />
and Michel Piccoli in “Le trio infernal” and began appearing in Italian fi lms as well, including<br />
Francesco Rosi’s “Three Brothers” (1980). Next to Rainer Werner Fassbin<strong>de</strong>r, she cultivated<br />
excellent contacts with other German directors as well, such as Werner Schroeter (“Les<br />
fl ocons d’or”) and Volker Schlöndorff (“The Tin Drum”). She also appeared in François<br />
Truffaut’s “Le <strong>de</strong>rnier métro” alongsi<strong>de</strong> Catherine Deneuve.<br />
klaus löwitsch is Felix, the double<br />
Klaus Löwitsch (1936-2002) owes part of his reputation as a serious actor to his work<br />
with Fassbin<strong>de</strong>r. In addition to “Despair”, his Fassbin<strong>de</strong>r fi lms inclu<strong>de</strong> “The Merchant of<br />
Four Seasons” and “The Marriage of Maria Braun”. He starred in more than 300 fi lms and<br />
TV productions and appeared in international features such as “The O<strong>de</strong>ssa File” (with<br />
Jon Voigt) and Sam Peckinpah’s “The Cross of Iron”.<br />
4 Despair
CAST<br />
hermann hermann Dirk BogarDe<br />
lydia hermann anDrea <strong>ferreol</strong><br />
felix weber klaus löwitsch<br />
ardalion volker spengler<br />
müller peter kern<br />
mayer aleXanDer allerson<br />
doctor hark BohM<br />
perebrodov gottfrieD John<br />
orlovius BernharD wicki<br />
CREW<br />
directed by rainer werner fassBinDer<br />
director of photography Michael Ballhaus<br />
music by peer raBen<br />
production <strong>de</strong>sign by rolf ZehetBauer<br />
costumes by DagMar schauBerger<br />
edited by Juliane lorenZ and franZ walsch<br />
produced by peter MÄrtesheiMer<br />
production companies Bavaria stuDios Munich<br />
for nf geria ii filM<br />
restored by Bavaria MeDia<br />
in co-operation with cinepostproDuction<br />
TEChniCAl dETAilS<br />
germany 1978, 115 minutes, color, 1:1.66, dolby digital<br />
Restored in 2011 by Bavaria Media in cooperation with Cinepostproduction<br />
Bavaria Media GmbH, Bavariafilmplatz 7, 82031 Geiselgasteig | Germany<br />
Phone +49 89 6499 2686, Fax +49 89 6499 3720, international@bavaria-film.<strong>de</strong>, www.bavaria-media.<strong>de</strong>