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HC 28<br />

Controlling Chemical Hazards During<br />

the Application of Artificial Fingernails<br />

Artificial fingernail products are made from many chemicals, but the main one in most of these<br />

products is ethyl methacrylate (EMA). In 1974 the U.S. Food and Drug Administration outlawed a<br />

similar chemical, methyl methacrylate (MMA), used in fingernail products. MMA was proven<br />

harmful to nail technicians and customers. However, both MMA and EMA can cause contact<br />

dermatitis, asthma, and allergies in the eyes and nose—all problems that nail technicians know<br />

about. Both can make the eyes, nose, and other mucous membranes sting, become red, and<br />

swell. Customers are at risk, too. Because it is often difficult to tell which chemical in a nail salon is<br />

causing a sensitivity or allergy, it is best to control your exposure before you become sensitized.<br />

CONTROLS<br />

In the nail sal o n , to get rid of EMA in the air you breathe, you should app l y art if ic i a lfinger nails at a<br />

ven ti lated work tab l e . It is also helpf u l to keep all bott l e s of fing e rn a i l liqu i d tightly capped. Finally,<br />

you should look at your work habi t s to see if they can be imp r o v e d .<br />

O VENTILATED TABLE<br />

Re searchers from the Nat i o n a l Ins t it u t e for Occ up at i o n a l Safety and Health (NIOSH) have found<br />

that a vent il at i o n tab l e pro tects the nail techn ic i a n best against breathi n g EMA. The vent i lated<br />

ta ble is the most imp o rt a n t eng in e e ri n g cont r o l for gett i n g rid of EMA in the fing e rn a i l sa lon<br />

be cause the vented tab l e places loc a l ex haust vent il at i o nclose to the work area.<br />

• Place loc a l exh a u s t vent il at i o n as close to the EMA source as poss ib l e . Ex haust this air<br />

out doors. Charc o a l filt e r s that all o w the air to be used over again are not reco mme n d e d be -<br />

cause it is hard to know when the charc o a l is full.


• Build a vent il a t e d tab l e , or change a<br />

ta ble you al ready own into a vent il a t e d<br />

one (Figu r e 1). Vent il a t e d tab l e sizes will<br />

vary from nail sal o n to nail sal o n . Choose<br />

a wood for your vent il a t e d tab l e that will<br />

not soak up the chemic a l s . If the tab l e<br />

acts like a sponge, it may act ua l l y ex pose<br />

you to the chemic a l s you want to avoid. A<br />

ve neer-coated part ic l e board works well<br />

for the tab l e mat er i a l .<br />

Make a hole in the tab l e top for an air in -<br />

take (called the downdraft face). This<br />

downdraft face should be placed on the<br />

tech ni cian’s side of the tab l e . Cover the<br />

hole with a screen-like cover (or perf o -<br />

rated plate) to pre vent things from falli n g<br />

in.<br />

Figure 1. Ventilated nail application table.<br />

The clie n t ’s side of the tab l e should be a<br />

lit tle higher than the techn ic i a n’s side.<br />

This will all o w the clie n t ’s hands to hang<br />

over the downdraft face and be as close<br />

as poss ib l e to the loc a l ex haust vent il a -<br />

tion (Figu r e 2).<br />

• Make sure enough air blows through<br />

the tab l e downdraft to get rid of the<br />

EMA. The amount of air ex hausted<br />

Figure 2. Interior construction of ventilated<br />

nail application table.<br />

de pends on its speed as it moves through the downdraft face and on the size of the tab l e<br />

open ing. How ever, too much air rushi n g past the fing e rn a i l s may cause the art if ic i a lnail<br />

prod uct to crystalize.<br />

An air speed of 620 feet per minu t e , dir e c t l y above the 13- by 4-inch downdraft face works<br />

well. A 2½-inch baff l e should sur round the downdraft face to pull the movi n g air closer to<br />

the clie n t ’s hands.<br />

Dif fer ent dryi n g times are needed for diff e re n t fing e rn a i l prod ucts and diff e re n t app l i ca tion<br />

tech niques. Alt h o u g h a strong e r and larger airf l o w will coll e c t more dust duri n g fili n g and<br />

dry the color coat faster, a slower and lower airf l o w gives better re sults for the art if ic i a l<br />

fin ger nail prod uct.<br />

• Choose an exh a u s t fan that can ex haust at least 250 cub i c feet per minu t e of air and has<br />

¼-inch static pres sure. A c horse power cent r i fug a l fan should work well. To pre vent fan<br />

noise from gett i n g in the way of talk or clie n t com fort, you can do one of three things: (1) buy<br />

a quiet fan, (2) put a cover over a noisi e r fan, or (3) buy an outd o o r fan to be placed on an<br />

out side wall. The fan should have cont r o l sett i n g s . Use eit h e r a multi-speed or high-volume<br />

ex haust fan with a damper. You can find a fan supp l i e r by looki n g in a dir e ct o r y called<br />

“Thomas Regi st e r of Americ a n Manuf a ct u r e r s . ” Look und e r the headi n g s of “fans” or “fans,<br />

cen trif u gal.” Your publ i c lib r a r y should have this dir e ct o r y . The fan supp l i e r may be able to<br />

in stall your fan, as well as supp l y the duct work and other needed mat er ia l s .


• Pro vide enough makeup air to re place the exh a u s t e d air. If the makeup air is too weak,<br />

there will be negat i v e pres sure are a s and perh a p s drafts. The air in take, which pulls<br />

out door air in side, should not be placed near the buildi n g exh a u s t . If the ex haust and in take<br />

vents are too close, dirty air will be pulled back into the room.<br />

• Comfort fans should not blow directly on the downdraft face because the strong air<br />

movement can interfere with the exhaust airflow.<br />

O KEEP DISPENSER BOTTLES CLOSED<br />

Use disp e n s e r bott l e s that have small openi n g s , only large enough for an app l ic at i o nbrush to en -<br />

ter. The bott l e stopp e r s should be press u r e sens it i v e . A disp e n s e r bott l e with a press u r e - s ensitive<br />

stop per and small openi n g will res u l t in less evapor at i o n of the fing e rn a i l liqu i d and, thus, will cut<br />

down on poss ib l e exp os u r e s to metha cr yl a t e s (Figu r e 3).<br />

O CHANGE YOUR WORK HABITS<br />

Nail techn ic i a n s can also lower their exp os u r e s<br />

to these air borne chemic a l s by changi n g some<br />

of their work habi t s :<br />

1. EMA-soaked gauze pads should be placed<br />

in a sealed bag bef o r e bei n g thrown in the<br />

trash can.<br />

2. Trash can line r s should be changed daily.<br />

3. No more than the needed amount of fing e r -<br />

nail liqu i d should be poured into the closed<br />

dis penser bott l e .<br />

4. Nail technicians should wear personal protec -<br />

tive clothing and glasses. When techniciansre -<br />

move artificialnails, chips of acrylic often fly off,<br />

cre at ing a need for eye protection. In additi on<br />

Figure 3. Example of closed container for<br />

fingernail liquid; pressure is applied to the brush<br />

to release a spring-loaded stopper.<br />

to safety glasses, techniciansalso should wear long sleeves and gloves to protect their skin<br />

from acrylic dust.<br />

5. Tech ni cians should wash their hands, arms, and face with mild soap and wat e r seve r a l times<br />

through out the day to remo v e pot e nt i a l l yirr it a ti n g dust.<br />

6. Eating and drinki n g should not be all o we d where art if ic i a lfing e rn a i l s are app l i e d or in other<br />

work ing are a s . Metha cr yl a t e s in nail dust can be carr i e d acc id e n t l y to the mouth or face on a<br />

cup or other food item, and this con tact may cause a skin rash. Also, many other chemic a l s<br />

are used in a sal o n that could cause health probl e ms if swall o we d .<br />

7. Smoking should be banned for the ent i r e sal o n be cause many of the chemic a l s in a beauty<br />

shop, inc l u di n g nail prod ucts, catch fire easi l y .


For More Information<br />

To obt a i n more free inf o rmat i o n about cont r o ll i n g this haza r d or for inf o rmat i o n about other<br />

oc cu pa tional safety and health is sues:<br />

—call NIOSH* at 1–800–35–NIOSH (1–800–356–4674), or<br />

—visit the NIOSH Homepage on the World Wide Web at<br />

http://www.cdc.gov/niosh<br />

Ask for these publ ic at i o n s :<br />

Spencer AB, Estill CF, McCammon JB, Mickelsen RL, Johnston OE [1997]. Cont r o l of ethyl<br />

methacrylate exp os u r e s duri n g the app l ic at i o n of art if ic i a l fing e rn a i l s . Am Ind Hyg Assoc J<br />

58 (3):214−218.<br />

Spencer AB, Estill CF, McCammon JB, Johnston OE [1997]. NIOSH studi e s EMA. Nails<br />

(No vem ber):50−54.<br />

*NIOSH is the Federal agency responsible for conducting research and making recommendations for preventing work-related<br />

illnesses and injuries. All HAZARD CONTROLS are based on research studies that show how worker exposure to hazardous<br />

agents or activities can be significantly reduced.<br />

Acknowledgments<br />

The princ ip a l cont r ib ut o r s to this publ ic at i o n are Cheryl F. Estill, Amy B. Spencer, Jane B.<br />

McCammon, R. Leroy Mickelsen, Ova E. Johnston, Anne Votaw, and Jerome P. Flesch. The<br />

draw ings are by Dick Carlson, Dani e l Farwick, and Dani e l Watkins. Desktop publishing was<br />

provided by Rosmarie T. Hagedorn and Su san Kaelin.<br />

This docum e n t is in the publ i c dom a i n and may be freely copi e d or rep r i n t e d . NIOSH enc o u ra g e s<br />

all reader s of this HAZARD CONTROLS to make it availa b l e to all int e re s t e d emp l o ye r s and worke r s .<br />

January 1999<br />

DHHS (NIOSH) Publication No. 99−112

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