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Veli-Matti Puumala The music is the man - Gehrmans Musikförlag

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Pettersson release in Norrköping<br />

Chr<strong>is</strong>tian Lindberg, <strong>the</strong> Norrköping Symphony Orchestra and BIS<br />

Records continue <strong>the</strong>ir promotion of Allan Pettersson’s <strong>music</strong>, with<br />

concert perfor<strong>man</strong>ces and recordings of Symphonies Nos. 4 and 16.<br />

In connection with <strong>the</strong> concert (31 Oct), <strong>the</strong> CD with Pettersson’s<br />

monumental Symphony No. 9, recorded in Norrköping last autumn,<br />

will be released toge<strong>the</strong>r with a bonus DVD including <strong>the</strong> Pettersson<br />

documentary “Männ<strong>is</strong>kans röst” (<strong>The</strong> Hu<strong>man</strong> Voice).<br />

Ville Matvejeff, Jorma Hynninen & Kimmo Hakola<br />

An autumn of Hakola stage works<br />

Works by Kimmo Hakola are being staged in several<br />

Finn<strong>is</strong>h towns during th<strong>is</strong> year. H<strong>is</strong> opera Akseli premiered<br />

in February 2013 has led to no fewer than six<br />

more perfor<strong>man</strong>ces during autumn: two at <strong>the</strong> Turku<br />

Music Festival, and <strong>the</strong> o<strong>the</strong>rs in Joensuu, Kuusamo<br />

and Hämeenlinna, and in Lahti in December. Akseli<br />

<strong>is</strong> a monologue opera and marks <strong>the</strong> operatic swansong<br />

of baritone Jorma Hynninen.<br />

Hakola’s children’s opera Mara and Katti <strong>is</strong> also in<br />

<strong>the</strong> autumn repertoire: Taite performed it in Espoo<br />

in August and <strong>the</strong>re were two perfor<strong>man</strong>ces at <strong>the</strong><br />

Tampere Hall in September.<br />

New comm<strong>is</strong>sions<br />

Rolf Martinsson will compose an opera in four acts<br />

based on Joseph Conrad’s short story Amy Foster.<br />

Stephen Plaice <strong>is</strong> writing <strong>the</strong> libretto (in Engl<strong>is</strong>h)<br />

to <strong>the</strong> opera, which <strong>is</strong> comm<strong>is</strong>sioned by <strong>the</strong> Royal<br />

Swed<strong>is</strong>h Opera in Stockholm.<br />

Tobias Broström has recently fin<strong>is</strong>hed h<strong>is</strong> String<br />

Quartet No. 1, comm<strong>is</strong>sioned by <strong>the</strong> New York based<br />

Brooklyn Rider. It will be premiered during <strong>the</strong>ir tour<br />

of Scandinavia in early 2014.<br />

Photo: Seilo R<strong>is</strong>timäki<br />

A Freak in Burbank receives<br />

six national premieres<br />

Albert Schnelzer’s concert opener A Freak in<br />

Burbank continues its advance throughout <strong>the</strong><br />

world with six national premieres from October till<br />

May 2014. Thomas Dausgaard will conduct <strong>the</strong><br />

work with <strong>the</strong> BBC Scott<strong>is</strong>h Symphony Orchestra<br />

in Glasgow and <strong>the</strong> French premiere with <strong>the</strong> Chamber<br />

Orchestra of Europe at Opera de Dijon. Stefan<br />

Solyom will lead Orchestra di Padova e del Veneto<br />

in <strong>the</strong> Italian premiere and Sinfonia Lahti in <strong>the</strong><br />

Finn<strong>is</strong>h premiere. Finally Mark Wigglesworth will<br />

direct <strong>the</strong> US premiere with <strong>the</strong> Utah Symphony<br />

Orchestra in Salt Lake City, as well as <strong>the</strong> Australian<br />

premiere with <strong>the</strong> Melbourne Symphony Orchestra.<br />

M<strong>is</strong>s Julie in Par<strong>is</strong><br />

Birgit Cullberg<br />

Opera National de Par<strong>is</strong> <strong>is</strong> staging <strong>the</strong> ballet M<strong>is</strong>s Julie<br />

in Birgit Cullberg’s classical choreography, to <strong>music</strong> by<br />

Ture Rangström (orchestrated by Hans Gross<strong>man</strong>).<br />

<strong>The</strong>re will be a total of 15 perfor<strong>man</strong>ces between 21<br />

February and 13 March 2014. Cullberg’s production of<br />

August Strindberg’s play <strong>is</strong> a harsh show down behind<br />

closed doors between an ar<strong>is</strong>tocratic young wo<strong>man</strong> and<br />

her servant, including both seduction and humiliation.<br />

<strong>The</strong> ballet had its premiere in 1950 and <strong>is</strong> reckoned as<br />

<strong>the</strong> first Swed<strong>is</strong>h modern dance drama.<br />

Photo: Ragnild Haarstad/Scanpix<br />

P r e m i e r e s<br />

Autumn 2013<br />

Sven-David Sandström<br />

Five Pieces for String Quintet<br />

Uppsala Chamber Solo<strong>is</strong>ts<br />

8.9. Uppsala, Sweden<br />

Four Pieces for String Quartet<br />

Stenhammar Quartet<br />

8.10. Stockholm, Sweden<br />

Olli Kortekangas<br />

Seven Songs for Planet Earth<br />

Tampere PO, Tampere Philharmonic Choir, San Franc<strong>is</strong>co<br />

Choral Society etc./Jani Sivén, sol. Tuija Knihtilä, mezzosoprano,<br />

Aarne Pelkonen, baritone<br />

13.9. Tampere, Finland (Finn<strong>is</strong>h premiere)<br />

Adventus (suite for organ),<br />

Five Chr<strong>is</strong>tmas Song Arrangements<br />

Tiina-Maija Koskela, soprano, Nicholas Söderlund, bassbaritone,<br />

Tuomas Tainio, percussion, Kari Vuola, organ<br />

8.12. Naantali, Finland<br />

<strong>Veli</strong>-<strong>Matti</strong> <strong>Puumala</strong><br />

Rime<br />

Ostrobothnian ChO/Tuomas Hannikainen<br />

20.9. Kokkola, Finland<br />

Johan Ullén<br />

Lady Macbeth<br />

Swed<strong>is</strong>h ChO/Gerard Korsten, sol. Katarina Karnéus,<br />

mezzo-soprano<br />

3.10. Örebro, Sweden<br />

Kimmo Hakola<br />

Music for <strong>the</strong> film Tukkijoella<br />

(Musiikkia elokuvaan Tukkijoella)<br />

Finn<strong>is</strong>h RSO/Santtu-Matias Rouvali<br />

11.10. Helsinki, Finland<br />

De kasp<strong>is</strong>ka tigrarnas Gud<br />

Chorus Sanctae Ceciliae<br />

22.11. Helsinki, Finland<br />

Jonas Valfridsson<br />

A Fragmented Memory, My Overgrown<br />

Little Tree House<br />

Jönköping Sinfonietta/Hannu Koivula<br />

27.10 Jönköping, Sweden<br />

Lars Karlsson<br />

Sju sånger till texter av Pär Lagerkv<strong>is</strong>t<br />

(Seven Songs to Texts by Pär Lagerkv<strong>is</strong>t)<br />

Wegelius String Orchestra/Arturo Alvarado,<br />

sol. Gabriel Suovanen, baritone<br />

8.11. Helsinki, Finland<br />

Kai Nieminen<br />

Symphony – La Selva<br />

Sinfonia Finlandia Jyväskylä/Patrick Gallo<strong>is</strong><br />

13.11. Jyväskylä, Finland<br />

Publ<strong>is</strong>hing agreement with Tiina Myllärinen<br />

Fennica Gehr<strong>man</strong> has signed a publ<strong>is</strong>hing agreement with Tiina Myllärinen for two orchestral works<br />

and her Squarcio for ensemble. Born in 1979, Myllärinen <strong>is</strong> a freelance composer working for a doctorate<br />

at <strong>the</strong> Sibelius Academy. She has composed orchestral, choral, chamber and solo works and experimented<br />

with electronic <strong>music</strong>. Outside Finland works by her have been performed in <strong>the</strong> United States,<br />

Italy, Ger<strong>man</strong>y, Lithuania, Iceland and Norway. Among those who have comm<strong>is</strong>sioned works from her<br />

are <strong>the</strong> Helsinki Chamber Choir, <strong>the</strong> Time of Music festival, <strong>the</strong> Polytech Choir (PK) and <strong>the</strong> “ja kitara<br />

soi” guitar festival. Myllärinen’s <strong>music</strong> has been described as cheerfully inqu<strong>is</strong>itive, vigorous and original.<br />

She has recently developed an interest in <strong>the</strong> application and study of various acoustic phenomena, such<br />

as resonance, in her <strong>music</strong>.<br />

Photo: Mika Kirsi<br />

H i g h l i g h t s 3 / 2 0 1 3

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