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Yanik Silver - Adventures in Internet Marketing

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Brought To You By:<br />

Warner Carter<br />

http://warner-carter.com.com/blog


<strong>Yanik</strong><br />

<strong>Silver</strong><br />

<strong>Yanik</strong> <strong>Silver</strong> is a serial entrepreneur although he still considers himself a 'techno<br />

dunce'. Start<strong>in</strong>g from his one-bedroom apartment and with just a few hundred<br />

dollars, <strong>Yanik</strong> has built multiple 7-figure bus<strong>in</strong>esses.<br />

He is the author, co-author or publisher of several best-sell<strong>in</strong>g market<strong>in</strong>g books and<br />

tools <strong>in</strong>clud<strong>in</strong>g Moonlight<strong>in</strong>g on the <strong>Internet</strong>, Instant Sales Letters® & 34 Rules for<br />

Maverick Entrepreneurs. <strong>Yanik</strong> is a highly sought after speaker address<strong>in</strong>g groups<br />

rang<strong>in</strong>g from the prestigious Wharton Bus<strong>in</strong>ess School to <strong>in</strong>ternational audiences of<br />

3,000+.<br />

As a self-described "adventure junkie", <strong>Yanik</strong> has found that his own life-chang<strong>in</strong>g<br />

experiences such as runn<strong>in</strong>g with the bulls, bungee jump<strong>in</strong>g, sky div<strong>in</strong>g, exotic car<br />

road rallies and Zero-Gravity flights have not only brought a profound sense of<br />

accomplishment but also led to breakthroughs <strong>in</strong> ideas, focus and bus<strong>in</strong>ess th<strong>in</strong>k<strong>in</strong>g.<br />

That’s why he comb<strong>in</strong>ed both his passions to found Maverick Bus<strong>in</strong>ess <strong>Adventures</strong><br />

creat<strong>in</strong>g the k<strong>in</strong>d of "club" he’d want to be part of. In between adventures, he calls<br />

Potomac, Maryland home with his wife, Missy, and 2 mavericks <strong>in</strong> the mak<strong>in</strong>g, Zak &<br />

Zoe.<br />

Currently his most important mission is impact<strong>in</strong>g 1,000,000 young entrepreneurs<br />

(ages 13-23) to start or grow their bus<strong>in</strong>ess by 2020 and to get his 2½ year old<br />

daughter, Zoe, potty tra<strong>in</strong>ed.


“9 Steps to Supercharge Your Copywrit<strong>in</strong>g”<br />

I’m go<strong>in</strong>g to share with you <strong>in</strong>formation that I first taught at my $3,495.00/per person<br />

copywrit<strong>in</strong>g workshop. This subject is someth<strong>in</strong>g I have not seen anyone tackle <strong>in</strong> full –<br />

so if you are <strong>in</strong>terested <strong>in</strong> mak<strong>in</strong>g your sales copy work harder for you – pay attention!<br />

You see, once most people learn about copywrit<strong>in</strong>g they can usually crank out some<br />

pretty decent letters. I mean they get the gist of it right with a few formulas like<br />

“problem-agitate-solution” or “AIDA” or whatever.<br />

But where the rubber really meets the road is someth<strong>in</strong>g most people don’t want to th<strong>in</strong>k<br />

yet alone do – and that’s the copy edit<strong>in</strong>g part. I have a 9-step sequence I use to really<br />

hone, polish and sculpt my sales letters. Fact is, most people’s rough drafts are quite<br />

similar but it’s <strong>in</strong> the edit<strong>in</strong>g that you see the difference between a blockbuster and hohum<br />

copy.<br />

Before we get <strong>in</strong>to the 9 steps of edit<strong>in</strong>g – you need to have someth<strong>in</strong>g worth edit<strong>in</strong>g.<br />

Many writers fail to let their creative bra<strong>in</strong>s loose because it’s always be<strong>in</strong>g stymied by<br />

the critical part. It’s that little voice <strong>in</strong> your head that says, “That’s dumb”, “Blah!” or<br />

“Nobody is go<strong>in</strong>g to care about that” etc.<br />

I suggest you write fast and turn off your <strong>in</strong>ternal editor. Get it all out as soon as you can<br />

and then edit later. There are 2 different parts of your bra<strong>in</strong>. You really cannot edit and<br />

write at the same time.<br />

Now when we get to the 9 edit<strong>in</strong>g steps – I focus on one particular part for each pass<br />

through and edit. You might want to highlight that because right there is one of the<br />

biggest secrets. It’s like when you buy a new car and all of a sudden you start see<strong>in</strong>g your<br />

make and model everywhere. The same number of M<strong>in</strong>i Coopers were on the road before<br />

– but now you have selective perception. Our bra<strong>in</strong>s are tra<strong>in</strong>ed to seek out what we are<br />

hunt<strong>in</strong>g for and most people will do 1 ‘general’ edit. That’s not good enough.<br />

Step 1 Edit: Open<strong>in</strong>g<br />

Your open<strong>in</strong>g is one of the most critical parts of your sales copy (after your headl<strong>in</strong>e). In<br />

readership studies it’s been shown that readership after 500 words will only fall off aga<strong>in</strong><br />

at 5,000 words. So the key is gett<strong>in</strong>g people <strong>in</strong>to a slippery slope and <strong>in</strong>to those 500<br />

words.<br />

Most writers have a lot of ‘warm up’. Essentially gett<strong>in</strong>g ready to say what they want to<br />

say – you need to be ruthless and cut out the fluff. Many times when do<strong>in</strong>g critiques I<br />

will literally ‘X’ out an entire first page (or 2) or <strong>in</strong>itial paragraphs. An easy trick to<br />

mak<strong>in</strong>g your writ<strong>in</strong>g more powerful is to see what you can cut from your orig<strong>in</strong>al<br />

open<strong>in</strong>g. Typically your lead-<strong>in</strong> will be further down the page.<br />

For many of my open<strong>in</strong>gs I really like simple, t<strong>in</strong>y paragraphs like these:


Yes, you really can make money onl<strong>in</strong>e.<br />

Let’s face it,…<br />

Yes, its’ true…<br />

I need your help.<br />

Frankly, membership <strong>in</strong> The is not for everyone.<br />

I looked at her like she was crazy.<br />

How much is one more sale worth to you? (Sell<strong>in</strong>g Power)<br />

If you are concerned about ______, this letter is for you.<br />

Here’s you chance to…<br />

In look<strong>in</strong>g over our records I noticed that you…<br />

Will you do me a favor?<br />

Will you try this experiment?<br />

Or someth<strong>in</strong>g we’ve discussed before <strong>in</strong> the Secret Society – stories are some of the best<br />

openers:<br />

I got the message around 7 pm, and I got go<strong>in</strong>g at once! I knew I had to drive all night <strong>in</strong><br />

an ancient Jeep through a steam<strong>in</strong>g jungle that would scare a tenderfoot like me out of<br />

three years’ growth, even <strong>in</strong> the daytime. I also knew that if I could get to where I was<br />

go<strong>in</strong>g <strong>in</strong> time it was worth a few prickles up and down my sp<strong>in</strong>e dur<strong>in</strong>g the tight spots.<br />

(Thompson Cigars)<br />

On an autumn day, not too long ago, sociologist Robert Harner visited the Great Serpent<br />

Mound of Ohio. (Time Life Books)<br />

On a beautiful late spr<strong>in</strong>g afternoon, twenty-five years ago, tow young men graduated<br />

from the same college. They were very much alike, these two young me. Both had been<br />

better than average students, both were personable and both – as young college graduates<br />

are – were filled with ambitious dreams for the future. (Wall Street Journal)<br />

Step 2 Edit: Mov<strong>in</strong>g Pieces and Copy Blocks<br />

The next th<strong>in</strong>g I look at is if the copy blocks fit <strong>in</strong>to a sequential process. Here, I’m<br />

look<strong>in</strong>g for the logical and most persuasive order of the parts of my letter. If my audience


Red headl<strong>in</strong>e, box for the guarantee right up front and yellow highlighter and signature to<br />

make it stand out.


Later <strong>in</strong> the letter you see check marked bullets po<strong>in</strong>ts (with yellow highlighter) and then<br />

boxed <strong>in</strong> comments from my blog (<strong>in</strong> a different font) to keep the copy engag<strong>in</strong>g.


Handwritten embellishments to keep the eye engaged and po<strong>in</strong>t out important results<br />

from screenshots.


Use of a ‘file-folder’ like graphic for the testimonial case studies. Notice there is a<br />

headl<strong>in</strong>e for the testimonial and graphic embellishments <strong>in</strong>side the case study (bold<strong>in</strong>g,<br />

yellow highlighter, underl<strong>in</strong><strong>in</strong>g, etc)<br />

There’s more on the InfoPlayersWorkshop.com site as a good example.<br />

Step 4 Edit: Double Readership<br />

I first learned this term and concept from Dan Kennedy and it’s especially useful onl<strong>in</strong>e.<br />

As prospects hit your site – many are only go<strong>in</strong>g to skim what is there unless they are<br />

fully engaged. Essentially there are skimmers and readers. You want someone to be able<br />

to simply skim through the headl<strong>in</strong>e, subheads, bold<strong>in</strong>gs, yellow highlighter,<br />

embellishments, etc and be able to make a buy<strong>in</strong>g decision.<br />

If they can do that – you’ve done your job.<br />

Let’s look at one of my first million dollar products – Instant Sales Letters®. I’m go<strong>in</strong>g<br />

to only write out the headl<strong>in</strong>e and subheads here. Noth<strong>in</strong>g else.<br />

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Look<strong>in</strong>g To Increase Your Bus<strong>in</strong>ess?<br />

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You’ve Just Created A Powerful, Money-Mak<strong>in</strong>g Sales Letter!<br />

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And You Too, Can Use This Secret To Make Yourself a Fortune!<br />

Okay, Now I Hear You Grumbl<strong>in</strong>g:<br />

"But I Can’t Write" or "I’m Not Creative"


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This doesn’t <strong>in</strong>clude any bold<strong>in</strong>g or yellow highlighter, etc to draw the eye <strong>in</strong>. Just from<br />

skimm<strong>in</strong>g these subheads – somebody could get the ma<strong>in</strong> idea and actually buy the<br />

product. Look at your copy from a skimmer’s viewpo<strong>in</strong>t and see where you need to add<br />

more subheads or graphical embellishments to make the sale.<br />

Step 5 Edit: Bucket Brigade<br />

This is where you smooth out and “stitch” everyth<strong>in</strong>g together. Your copy’s readability<br />

(step 6) is directly part of the “bucket brigade” copy transitions. They are called bucket<br />

brigade because they keep mov<strong>in</strong>g the reader forward and through the copy.<br />

Here are a few you can use liberally (I have compiled 226 I use that are part of my<br />

copywrit<strong>in</strong>g workshop material):<br />

� A few examples of what you’ll<br />

discover…<br />

� Also,…<br />

� Am I right about you so far?<br />

� And guess what?<br />

� And that’s just the beg<strong>in</strong>n<strong>in</strong>g…<br />

� As you probably remember,…<br />

� As you read on, I’ll tell you more<br />

about how…<br />

� At that moment,….<br />

� Back to the purpose of this letter.<br />

� Better yet.<br />

� But before we go <strong>in</strong>to that,…<br />

� But better still…<br />

� But don’t get me wrong…<br />

� But don’t take my word for it…<br />

� But I’m jump<strong>in</strong>g ahead. Let me<br />

tell you how this all came about:


� Fact is,…<br />

� F<strong>in</strong>ally,….<br />

� Here’s more…<br />

� Here’s proof:<br />

� Here’s the deal:<br />

� Here’s the scary part:<br />

� Listen, there’s more. Lots more.<br />

� My strong hunch is…<br />

� Needless to say,…<br />

� Now consider what happens….<br />

� What this all boils down to is..<br />

� What this means is…<br />

� What’s all this worth to you?<br />

� What’s more,…<br />

� What’s the catch?<br />

� Then it hit me…<br />

� Wait, there’s more…


Anytime you can use a copy transition – it will help keep the reader slid<strong>in</strong>g down the<br />

slippery slope we’re creat<strong>in</strong>g that ultimately ends <strong>in</strong> the sale.<br />

Step 6 Edit: General Flow<br />

I don't know what it is about read<strong>in</strong>g someth<strong>in</strong>g aloud versus read<strong>in</strong>g to yourself, but<br />

you'll pick up lots and lots of <strong>in</strong>sight <strong>in</strong>to how good (or bad) your ad really is by read<strong>in</strong>g<br />

it aloud. All the bumps and rough spots jump out at you.<br />

Or a variation on this is to have someone else read it you. This is even better. As they're<br />

read<strong>in</strong>g it, you should take out a copy of the ad and make notes on it. One big advantage<br />

of this is your reader is completely impartial. He won't stress certa<strong>in</strong> phrases or words to<br />

make the mean<strong>in</strong>g clearer. And if the reader is hav<strong>in</strong>g trouble you know that's an area to<br />

edit.<br />

Also, at this edit<strong>in</strong>g phase I like to see if I can change some of the “I”, “We” or “Me”s to<br />

“You’s” and make most of the sentences geared to the readers benefit. i.e.<br />

“We are giv<strong>in</strong>g you 6 must-have bonuses” to “You’ll get 6 must-have bonuses”.<br />

Much stronger that way. A simple start of a sentence you cannot over-use is “You get…”<br />

Step 7 Edit: Check the 68-Po<strong>in</strong>t Checklist<br />

I debated whether I should <strong>in</strong>clude the entire checklist – but I’m <strong>in</strong> a generous mood.<br />

(This just one of the resources <strong>in</strong>side the copywrit<strong>in</strong>g home study course.) I’m putt<strong>in</strong>g out<br />

my entire checklist here – some of it might not make total sense without the explanation I<br />

gave dur<strong>in</strong>g the event but it’ll be a big help regardless.<br />

1. Can I use a story, analogy or metaphor? Do I have a hook or secret or<br />

compell<strong>in</strong>g story beh<strong>in</strong>d the ‘deal’ (developed at NASA, pool <strong>in</strong> Hawaii with red<br />

algae, only distribution rights <strong>in</strong> <strong>in</strong>dustry, secret sauce or recipe)<br />

2. Create scarcity (limited time offer, pre-publication, limited quantity, overstock,<br />

pend<strong>in</strong>g price <strong>in</strong>crease, limited edition, product shortage, deadl<strong>in</strong>e for all<br />

bonuses, early bird bonus for fast response).<br />

3. Free bonuses worth more than actual product (<strong>in</strong>voke greed)<br />

4. Enemy to rally aga<strong>in</strong>st<br />

5. Reason why<br />

6. Compare apples to oranges value comparison.<br />

7. Why should they act now?


8. Add irrelevant detail (i.e. I like Budweiser. I’m a Bulls Fan, etc)<br />

9. Would it be silly for me to pass on this offer?<br />

10. Create authority<br />

11. Create lik<strong>in</strong>g with personal stories and build trust<br />

12. Damag<strong>in</strong>g admission – give people the truth<br />

13. Testimonials/Proof - Have I provided a preponderance of proof?<br />

14. Are you us<strong>in</strong>g specifics?<br />

15. Why wouldn’t a customer respond – how you can counter that? Br<strong>in</strong>g it up.<br />

Answer<strong>in</strong>g objections before or as people would th<strong>in</strong>k about them<br />

16. Yess<strong>in</strong>g, nodd<strong>in</strong>g their head, “uh-huh” that’s like me. Add<strong>in</strong>g phrases like: isn’t<br />

that right? Sound familiar? Etc.<br />

17. Pique curiosity<br />

18. Reciprocation – can I give the reader someth<strong>in</strong>g first? Free <strong>in</strong>fo or a freemium or<br />

a love gift. Charities with their calendars or address labels.<br />

19. Are you sell<strong>in</strong>g a cure or prevention? Don’t sell prevention.<br />

20. Contrast<strong>in</strong>g (ties don’t look like a big purchase after I bought a suit)<br />

21. Ga<strong>in</strong> commitment and consistency<br />

22. What pa<strong>in</strong> will they have if they don’t order now?<br />

23. Mix of longer sentences with short one word or 2-3 sentence fragments. Make it<br />

sound good to the ear because people read to themselves <strong>in</strong> their heads.<br />

24. What pleasure, ga<strong>in</strong> and benefit will they get if they order now?<br />

25. Visualization of new life<br />

26. Slippery slope with the first few words that engage the reader.<br />

27. Subheads that make a sell<strong>in</strong>g argument all by themselves (double readership)<br />

28. Compell<strong>in</strong>g copy transitions to keep mov<strong>in</strong>g the reader along<br />

29. Attention gett<strong>in</strong>g headl<strong>in</strong>e<br />

30. What features/benefits does my competition stress? Can I <strong>in</strong>corporate all of<br />

those po<strong>in</strong>ts <strong>in</strong>to my copy or bonuses?


31. How open is my audience to this message? Can I just go straight <strong>in</strong>to the pitch or<br />

do I need to establish my sell<strong>in</strong>g story?<br />

32. Establish ROI (sell<strong>in</strong>g money at a discount)<br />

33. Intimidate <strong>in</strong>to buy<strong>in</strong>g<br />

34. Is it visually stimulat<strong>in</strong>g? Different colors for headl<strong>in</strong>es, subheads, etc. Bold<strong>in</strong>g,<br />

italics, yellow highlight<strong>in</strong>g. Br<strong>in</strong>g the marg<strong>in</strong>s <strong>in</strong>. Use a clear dark type on white<br />

background. Different sizes, colored screens, boxes. Divid<strong>in</strong>g up the copy <strong>in</strong>to<br />

panels.<br />

35. Do I have one objective with the copy and am I totally focused on it?<br />

36. Is this how I would say it if I was sitt<strong>in</strong>g down and talk<strong>in</strong>g to the customer over a<br />

beer? Contractions, simple words, us<strong>in</strong>g words like “listen” “take a look at this”.<br />

37. How about 1 or 2 <strong>in</strong>terest<strong>in</strong>g clichés?<br />

38. Have I proved that I “walk the talk”?<br />

39. Controversy. “Exposed” The real dirt on someth<strong>in</strong>g. How you hated a product but<br />

then it turns around a negative.<br />

40. Problem – agitation – solution. Headache and then the aspir<strong>in</strong>.<br />

41. Did you make it easy to order?<br />

42. Did you ask for the order several times? (But not before you have presented a<br />

complete argument.)<br />

43. Justify the purchase <strong>in</strong> the m<strong>in</strong>d of the buyer. Nobody needs a Porsche.<br />

44. Comparison and then subsequent rejection of every other available option out<br />

there<br />

45. Guarantee but not always money back. Consider a delicate procedure like LASIK<br />

(eye surgery) – nobody cares if they get their money back if they can’t see.<br />

46. Double your money back or some other outrageous guarantee<br />

47. Guarantee the sales letter ($25 for wast<strong>in</strong>g your time)<br />

48. Stress <strong>in</strong>stant gratification (especially if you’re sell<strong>in</strong>g a downloadable product)<br />

49. Trial period – don’t make them make a decision (which is associated with pa<strong>in</strong>).<br />

Test drive. “30 day hold your check” – delayed bill<strong>in</strong>g.<br />

50. In a nutshell – here’s what you get. Summarize the offer if it’s a long one.<br />

51. Offer a deluxe option right up front? Or as an upsell?


52. Ask questions that cannot be answered with a yes/no (especially important up<br />

front) that <strong>in</strong>volve readers<br />

53. Give readers a quiz or another <strong>in</strong>volvement device<br />

54. Offer payment options (multiple credit cards or break<strong>in</strong>g up payments over<br />

several months).<br />

55. Does the first sentence compel you to read the second, the second the third, and<br />

so on?<br />

56. Contextual rapport (if I am writ<strong>in</strong>g to Therapists what clues and jargon can I use<br />

to create rapport that comes from be<strong>in</strong>g <strong>in</strong> the field)<br />

57. Do I have testimonials I can use to combat and handle each type of objection?<br />

58. Is there an endorser I can use for this target group?<br />

59. Have I stated the offer or guarantee <strong>in</strong> the most impactful way (ie If you are not<br />

happy I'll give you your money back vs. If this isn't the greatest th<strong>in</strong>g to ever<br />

happen to your bus<strong>in</strong>ess I will cheerfully refund every cent you paid or Money<br />

back guarantee vs. Iron Clad, No Questions Asked, Get Every Red Cent back<br />

Guarantee)<br />

60. Don't decide now....<br />

61. What grabber (dollar bill, penny, band aid, aspir<strong>in</strong>) could I use?<br />

62. Have I taken away the sale with a ‘penalty’ if they don’t buy?<br />

63. What about a PS, PPS or PPSS?<br />

64. Do I have the "driv<strong>in</strong>g" premium…the th<strong>in</strong>g they must have but can only get with<br />

purchase of deluxe version?<br />

65. Is the copy thorough enough to do the job it is supposed to do (very hard to sell<br />

an expensive product off of a classified)<br />

66. Go back and add "you " more often<br />

67. Remove most “that”s<br />

68. Can they belong to an exclusive or elite club?<br />

© Surefire Market<strong>in</strong>g and <strong>Yanik</strong> <strong>Silver</strong>


Step 8 Edit: Sleep On It<br />

First, you should let your ad sit for at least a day. Then the next day you can come back to<br />

it with new eyes and a fresher perspective. You can f<strong>in</strong>d errors that weren't apparent<br />

before. Also, your chances of writ<strong>in</strong>g a good ad are significantly improved with<br />

rewrit<strong>in</strong>g. (I will rewrite an ad or letter 3, 4 or 5 times before I'm done.)<br />

If you do not have the luxury of an extra day – even a few hours will help to give you a<br />

new perspective on the writ<strong>in</strong>g.<br />

Step 9 Edit: Grammar and Spell<strong>in</strong>g Edit<br />

This is my f<strong>in</strong>al pass through and I will typically have someone else who is much better<br />

at grammar and English look at my work. Note, I def<strong>in</strong>itely take this with a gra<strong>in</strong> of salt<br />

because a copywriter’s grammar is usually not proper English but I don’t want to look<br />

like a total dunce when I confuse ‘their’ and ‘there’.<br />

Now I know most people will not go through all 9 copy edit<strong>in</strong>g steps – but I promise it<br />

will dramatically improve the power of your writ<strong>in</strong>g!<br />

Note: If you really want to get serious about copywrit<strong>in</strong>g – our Ultimate At-Home<br />

<strong>Internet</strong> Copywrit<strong>in</strong>g Workshop is a must-have resource. Over 1579 pages of swipe files,<br />

formulas, etc. Plus an entire manual with actual examples of copy I’ve critiqued and gone<br />

through the 9 phases of copy edit<strong>in</strong>g. As a valued reader/member of Warner Carter’s<br />

blog, you can save $200. Use coupon code: UCW200 at check-out.<br />

www.ultimatecopywrit<strong>in</strong>gworkshop.com<br />

I strongly suggest this resource!<br />

Copyright. All rights reserved Surefire Market<strong>in</strong>g, Inc


Additional Tools & Resources<br />

Underground Onl<strong>in</strong>e Sem<strong>in</strong>ar®<br />

Have you ever wondered IF there might just be a group of<br />

“under-the-radar” people mak<strong>in</strong>g mega bucks onl<strong>in</strong>e who do<br />

NOT speak at the sem<strong>in</strong>ars? Could there be some wellhidden<br />

achievers who have truly cracked the code to<br />

<strong>Internet</strong> wealth out there?<br />

The answer is absolutely! But f<strong>in</strong>d<strong>in</strong>g them is another story<br />

all together…<br />

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