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As Long as it Lasts ⁄<br />
Tobias Wong, Josee Lepage & Aric Chen<br />
98 99<br />
Participating designers<br />
Vi<strong>to</strong> Acconci /Acconci Studio ⁄<br />
Tord Boontje & Andrew Allenson ⁄<br />
Juergen Mayer H ⁄ Yves Behar ⁄<br />
Lawrence Weiner ⁄ Hella Jongerius ⁄<br />
5.5 <strong>Design</strong>ers ⁄ Kaws ⁄<br />
Merging design, art and the body,<br />
the ‘As Long as it Lasts’ is <strong>Design</strong><br />
<strong>Miami</strong>’s first pop-up tat<strong>to</strong>o parlor.<br />
For three days, visi<strong>to</strong>rs and<br />
passersby will have the opportunity<br />
<strong>to</strong> get a tat<strong>to</strong>o, inked by a licensed<br />
professional, in one of eight<br />
specially-commissioned designs<br />
created by prominent artists and<br />
designers. What does it mean for a body <strong>to</strong> be ‘signed’ by an artist? What is<br />
the relationship between author and audience, and how far will art and<br />
design lovers go? Organized by Tobias Wong, Josee Lepage and Aric Chen,<br />
‘As Long as it Lasts’ will be part performance, part cultural barometer, part<br />
guest amenity. Like a manicure or Tarot card reading, drop-ins are<br />
welcomed. One design will be offered as a temporary tat<strong>to</strong>o.<br />
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Tat<strong>to</strong>o <strong>Design</strong>s by Lawrence Weiner,<br />
KAWS & Tord Boontje<br />
Image courtesy of Tobias Wong<br />
What is Nature? ⁄<br />
Studio Libertiny<br />
Studio Libertiny, founded by Tomáš Gabzdil Libertiny, believes that<br />
contemporary product manufacturing needs <strong>to</strong> be challenged. This design<br />
collective, based in The Netherlands, pursues their mission through the<br />
exploration of ostensibly vulnerable and ephemeral material. Their first<br />
highly publicized project involved beeswax: a vase formed by 40,000 bees<br />
building their hive within a mold devised by the studio. The studio dubbed<br />
this process “slow pro<strong>to</strong>typing,” a name that represents a literal<br />
description as well as a commentary on the era of computer-aided design.<br />
For <strong>Design</strong> <strong>Miami</strong> ⁄ 07, Studio Libertiny will apply their syllogistic design<br />
thinking <strong>to</strong> discarded artifacts of culture—printed pieces of paper.<br />
The collective will meticulously glue and press thick stacks of paper until<br />
they become like solid blocks of wood. Through this process, the paper<br />
is returned <strong>to</strong> its natural, pre-culturalized state, while retaining the<br />
manmade printed imagery.<br />
The resurrected wood will then be<br />
turned on a lathe, a traditional<br />
woodworking <strong>to</strong>ol, and carved in<strong>to</strong><br />
unique bowls.<br />
————————————————————————————————<br />
Studio Libertiny<br />
Paper Project<br />
Pho<strong>to</strong>graphy courtesy of Studio Libertiny