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Issue 1 | STATELESS A student project made at Seattle Central Creative Academy. Not created for profit.

Issue 1 | STATELESS

A student project made at Seattle Central Creative Academy.
Not created for profit.

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THE ANALYST<br />

WHERE CHILDREN SLEEP<br />

WRITTEN BY MARIA MCCANN<br />

SOME CHILDREN GROW UP IN POVERTY, LACKING FOOD AND<br />

SANITATION, WHILE OTHERS ARE BORN IN COUNTRIES WHERE<br />

BASIC NECESSITIES ARE TAKEN FOR GRANTED.<br />

You can learn a lot about children by studying their facial<br />

expressions, or hair, or clothes, or body language. But if you<br />

really want to understand what matters most to a child, you<br />

must enter that distinctive sanctuary: their bedroom.<br />

After all, as documentary photographer James Mollison<br />

notes, a bedroom represents a “personal kingdom” for many<br />

children. “When I was a child, my bedroom was my one space<br />

that I was allowed to personalize and make my own,” Mollison<br />

said in a telephone interview from his home in Venice, Italy.<br />

“If you saw my bedroom, you would have known more about<br />

me than if you just saw a photograph of me.”<br />

Mollison started thinking along these<br />

lines back in 2004, when he was approached<br />

about doing a photography<br />

project tied to children’s rights. He knew<br />

he wanted to do something that stood<br />

apart from the familiar, haunting images<br />

used by many charities.<br />

“A lot of charities use photos from a<br />

war-torn place or a disaster area, and in<br />

the photos the children are always smiling<br />

or kind of pleading with you with their eyes,” said Mollison,<br />

37. “They work on a very emotive level, but you’re left<br />

knowing very little about the kid.”<br />

The result is “Where Children Sleep,” a Mollison photo<br />

book published by Chris Boot that is arresting both for the<br />

astonishing differences it exposes, and the astonishing<br />

similarities. No matter how unalike the kids in the book may<br />

seem, it quickly becomes clear that they would almost<br />

certainly be friends if they could just spend a little bit of<br />

time together. Mollison’s hope was that the book would<br />

resonate with both children and adults.<br />

94 <strong>TRAVERSE</strong>

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