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Brittany Chunn-Jones Design Portfolio

An accumulation of Brittany's course projects throughout her 2 year journey at Brenau University's Interior Design Program. Feel free to post comments and critiques.

An accumulation of Brittany's course projects throughout her 2 year journey at Brenau University's Interior Design Program. Feel free to post comments and critiques.

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Residential<br />

Commercial


Table of Contents<br />

page no.<br />

iii<br />

content<br />

Resume<br />

Letter from<br />

editor<br />

the<br />

1<br />

9<br />

15<br />

33<br />

Healthcare <strong>Design</strong><br />

Whistling Meadows Eldercare Home<br />

A Greenhouse concept home for elders<br />

with Alzheimer’s and Dementia<br />

Commercial <strong>Design</strong><br />

Haystak Digital Media<br />

The company specializes in digital<br />

media. The focus is to create a place<br />

for the millennials that will be<br />

working there.<br />

Universal <strong>Design</strong><br />

2015 Bernice Bienenstock <strong>Design</strong><br />

Competition<br />

Tasked with converting a brownstone<br />

in upstate New York into an art<br />

gallery and accessible 2 bedroom<br />

apartment<br />

Capstone Project<br />

Treetop Sanctuary<br />

Located in Codrington, Barbuda this<br />

Bed & Breakfast. While this is located<br />

in a beach area it is not a typical beach<br />

house. The colors reflect the vibrant<br />

colors of carnival while mixing with<br />

the wood elements of the typical<br />

treehouse<br />

If you have received this magazine,<br />

it means we met at the High<br />

Museum of Art in Atlanta, Georgia<br />

on July 11, 2015 at the Brenau<br />

University <strong>Portfolio</strong> Show. I would<br />

like to offer you my sincerest<br />

appreciation for showing interest in<br />

me and my work. My resume is<br />

included in the welcome to me kit.<br />

If you need anything, please don’t<br />

hesitate to call, text, or send me an<br />

e-mail. I look forward to hearing<br />

from you sometime in the near<br />

future to show more of my projects<br />

and discuss potential employment<br />

opportunities.<br />

Thank you,<br />

<strong>Brittany</strong> <strong>Chunn</strong>-<strong>Jones</strong>


HEALTHCARE<br />

DESIGN<br />

Dining areas<br />

H E A L T H C A R E | P A G E 1


The<br />

REVOLUTIONof the<br />

Nursing Home<br />

Vision<br />

We envision homes in every community<br />

where elders and others enjoy excellent<br />

quality of life and quality of care; where<br />

they, their families, and the staff engage<br />

in meaningful relationships built on<br />

equality, empowerment, and mutual<br />

respect; where people want to live and<br />

work; and where all are protected,<br />

sustained, and nurtured without regard to<br />

the ability to pay. -The Green House Project<br />

Front porch H E A L T H C A R E | P A G E 2


THE<br />

GREENHOUSE<br />

PROJECT:<br />

THE REVOLUTION OF<br />

THE NURSING HOME<br />

By: <strong>Brittany</strong> <strong>Chunn</strong><br />

“We only have two<br />

populations who live in<br />

institutions in our society:<br />

criminals and residents of<br />

nursing homes.”<br />

T<br />

he new concept of the GreenHouse project,<br />

the “home” environment seem more logical than<br />

the previous institutional models. These “homes”<br />

are growing in popularity. Residential care was just<br />

an idea, created in the minds of Dr. Bill Thomas, a<br />

Geriatrician and professor at the University of<br />

Maryland Baltimore County and his lovely wife<br />

Jude Thomas. Dr. Thomas worked in<br />

institutionalized nursing homes for much of his<br />

career and didn’t like what he saw. However, a<br />

switch was flipped, after one of the elders came up<br />

to him and said “I’m so lonely”. The couple wanted<br />

to create an environment that encouraged the<br />

autonomy and relationships of the elders within the<br />

care facility. Thusly, their pilot home, The Eden<br />

Alternative was created in 1991.<br />

In 2001, a study was conducted by the Institute of<br />

Medicine, on the stereotypical nursing care<br />

facilities. They found the in the institutional<br />

facilities people often equated it with malnutrition,<br />

bed sores loss of activity in daily living functions,<br />

infections, improper use of medicine, higher levels<br />

of depression, as well as a poor quality of life. That<br />

same year, Dr. Thomas dressed in a sweatshirt and<br />

Birkenstocks walked into the Robert Wood Johnson<br />

(RWJ) Foundation and stated his case. The RWJ<br />

Foundation was so impressed by what the doctor<br />

shared, they agreed to support his cause, and lead<br />

him to NCB Capital Impact, a non-profit<br />

organization that helps organize programs for<br />

underprivileged communities. Which NCB as<br />

Thomases sponsor they hatched a plan that came<br />

into fruition two years later in Tupelo, Mississippi.<br />

These two homes were the precursors to the current<br />

GreenHouse models that are flourishing<br />

throughout the United States, today. The<br />

GreenHouse model is based on the ideal<br />

environment needed for the elderly to not just<br />

temporarily prolong the life they have, but also<br />

make their last years better.<br />

It was thought that these residential elder care<br />

environments wouldn’t last long. Institutionalized<br />

health care has been a leader in the elder care since<br />

nursing homes were created. In 2009, there were<br />

close to 1.5 million senior citizens in nursing<br />

facilities in the United States; as the years progress<br />

our aging population is growing. There are only 10-<br />

12 elders per home. This gives each individual the<br />

personalized care they need and deserve. Patients<br />

receive over four times the amount of care they<br />

would have in an institutionalized home. Dr.<br />

Thomas was tired of facilities that prized the staff<br />

over the patients. In his homes he hoped the elders<br />

would be the center of attention. The top-down<br />

organizational structure needed a full face-lift and a<br />

makeover. A self-managed team known as the<br />

Shahbazim share the tasks of taking care of the<br />

residents and report back to their guide. They all<br />

share the responsibilities of cooking and cleaning<br />

The doctor wanted them to erase the sterile, cold,<br />

lonely environment of institutions, stating: “We<br />

only have two populations who live in institutions<br />

in our society: criminals and the residents of<br />

nursing homes,”<br />

H E A L T H C A R E | P A G E 3


The Shahbaz (plural: Shahbazim) a term<br />

coined by the founders, to describe caregivers. It<br />

comes from a Persian word that translates as “royal<br />

falcon.” “Its quality of mystery is what makes it<br />

well chosen to define a new concept,” as stated in<br />

his online blog http:shahbazim.blogspot.com.<br />

Unlike most nursing home staff the Shahbazim are<br />

trained for 120 hours in order to receive<br />

certification, to work in the facility. They are<br />

trained in the art of cooking home meals as well as<br />

proper housekeeping. They are with the same 10-12<br />

residents daily, which is a great advantage for the<br />

doctors on call. They don’t receive nearly as many<br />

middle of the evening emergency phone calls,<br />

where no one knows what is going on. If one of the<br />

residents has a little sniffle the Shahbazim know it!<br />

The individuals on staff create more than a<br />

homelike environment, they create an actual home<br />

for it’s residents, which the residents respond well<br />

to. In 2005, Judith Rabig, former executive director<br />

of the national GreenHouse Project, told the<br />

White House Conference on Aging, “moving to a<br />

nursing home is a dreaded event.” Which all of the<br />

problems associated with typical nursing homes,<br />

who is ready to sign up and move into<br />

one. Residents moving into residential home<br />

environments are more apt to settle in quickly as<br />

well as enjoy the experience. Residents are “elders”<br />

and aren’t referred to as patients. Unlike most<br />

nursing homes, patients can bring in objects from<br />

their previous homes-- furniture and pets included.<br />

They can also go into the kitchen and eat whenever<br />

they feel like it, the Shahbazim are cooking at all<br />

hours of the day. If a resident doesn’t want to eat<br />

with the others at a certain time, they don’t have to,<br />

which combats malnutrition and helps patients who<br />

are underweight.<br />

Here is a touching story of an elder named<br />

Daniel Shaughnessy, at 81 years old he lived alone<br />

and was frequently checked on by neighbors. After<br />

a few days of not answering his phone, his niece<br />

came in and checked on him. She found him curled<br />

up in the corner after suffering a stroke, he only<br />

weighed 80 pounds. Fast-forward six months later,<br />

Mr. Shaughnessy has now made a recovery from<br />

his stroke and weighs 180 pounds. There are a few<br />

simple changes from the typical nursing homes, but<br />

the results are drastic. The elders aren’t bombarded<br />

with the constant beeping, pumping of machinery.<br />

The environment is tranquil, which leads to less<br />

agitated elders. A study was conducted by the<br />

University of Minnesota of the people in residentcare<br />

facilities. GreenHouse residents were not as<br />

depressed and were able to perform daily functions<br />

better and for longer periods of time than the<br />

people in the regular facility.<br />

As the GreenHouse methodology becomes more<br />

popular. Approximately 30% of the larger nursing<br />

homes have begun to incorporate some of the<br />

GreenHouse values into their homes. Some<br />

facilities have downsized, creating a more homesized<br />

environment, while others have included<br />

more activities and autonomy into the daily routine.<br />

Research has shown that the GreenHouse homes<br />

result in fewer staff turnovers, and less bed-ridden<br />

elderly, with fewer draw-backs.<br />

The current GreenHouse model was created<br />

to provide more than just a place for people to go<br />

when they get old. It was created to be a “home”<br />

where people live in a community and create a<br />

family environment filled with caregivers that are<br />

properly trained to and restore the life seniors have<br />

lefts. Rabig says, “ rich in autonomy, dignity and<br />

choice … where priority is given to their quality of<br />

life,” In 2003 the first four GreenHouse homes<br />

were opened, by early 2008 the number had grown<br />

to 41 in 10 States; furthermore, 4 years ago in 2010<br />

it was estimated that hundreds would be built or<br />

under-construction in rural and urban areas across<br />

the United States. There are only hundreds of<br />

these residential facilities compared to the 16,000<br />

institutionalized facilities spread throughout the<br />

country, and though the GreenHouse Project model<br />

is growing strong, however, it won’t be replacing<br />

the old fashioned system anytime quick enough.<br />

Dr. Thomas says, “The No. 1 reason nursing home<br />

reform has lagged is that people don’t believe the<br />

system can really be changed...even though it costs<br />

a lot of money and doesn’t generate a lot of wellbeing.”<br />

H E A L T H C A R E | P A G E 4


Basic Principles<br />

of the<br />

Center<br />

H E A L T H C A R E | P A G E 5


creates opportunity to give as well<br />

as receive care. This is the<br />

antidote to helplessness.<br />

The three plagues of loneliness,<br />

helplessness, and boredom<br />

account for the bulk of suffering<br />

among our Elders.<br />

An Elder-centered community<br />

commits to creating a human<br />

habitat where life revolves around<br />

close and continuing contact with<br />

plants, animals, and children. It is<br />

these relationships that provide<br />

the young and old alike with a<br />

pathway to a life worth living.<br />

An Elder-centered community<br />

imbues daily life with variety and<br />

spontaneity by creating an<br />

environment in which unexpected<br />

and unpredictable interactions<br />

and happenings can take place.<br />

This is the antidote to boredom.<br />

An Elder-centered community<br />

honors its Elders by deemphasizing<br />

top-down<br />

bureaucratic authority, seeking<br />

instead to place the maximum<br />

possible decision-making<br />

authority into the hands of the<br />

Elders or into the hands of those<br />

closest to them.<br />

Loving companionship is the<br />

antidote to loneliness. Elders<br />

deserve easy access to human<br />

and animal companionship.<br />

Meaningless activity corrodes the<br />

human spirit. The opportunity to do<br />

things that we find meaningful is<br />

essential to human health.<br />

Creating an Elder-centered<br />

community is a never-ending<br />

process. Human growth must<br />

never be separated from human<br />

life.<br />

Medical treatment should be the<br />

servant of genuine human caring,<br />

never its master.<br />

Wise leadership is the lifeblood of<br />

any struggle against the three<br />

plagues. For it, there can be no<br />

substitute.<br />

An Elder-centered community<br />

H E A L T H C A R E | P A G E 6


4<br />

2<br />

3<br />

1<br />

R e n d e r e d F l o o r P l a n<br />

S I D E N O T E - E l d e r s a r e<br />

encouraged to bring their own<br />

furniture and accessories for<br />

t h e i r s u i t e s H E A L T H C A R E | P A G E 7


1 2<br />

salon<br />

spa<br />

3<br />

4<br />

Book nook<br />

I N T E R I O R<br />

P E R S P E C T I V E<br />

S<br />

Sitting area<br />

H E A L T H C A R E | P A G E 8


Commercial<br />

<strong>Design</strong><br />

C O M M E R C I A L | P A G E 9


Exterior perspective<br />

C O M M E R C I A L | P A G E 1 0


L o b b y p e r s p e c t i v e<br />

1<br />

a<br />

b<br />

c<br />

a. OMF 55314: 4 unit marque circular reception desk workstation, b. Hightower Access:<br />

Insula coffee table c. Herman Miller- Goetz sofa<br />

about the<br />

COMPANY<br />

Haystak Digital Marketing is the leading provider<br />

of digital marketing services to the automotive<br />

industry. Haystak’s products and services are used<br />

by hundreds of automobile dealerships in North<br />

America and Europe including numerous publicly<br />

traded retailers and Automotive News Top 125<br />

Dealership Groups.<br />

Haystak Digital Marketing is a recognized leader in<br />

the digital marketing space, being named an<br />

Adwords Premier SMB Partner by Google and a<br />

Microsoft Advertising Authorized Reseller. The<br />

company has offices in Fort Myers, Florida and<br />

Denver, Colorado.<br />

What began as the Moore & Scarry Advertising<br />

product Haystak (a search marketing platform for<br />

auto dealerships), has developed into Haystak<br />

Digital Marketing, a worldwide leader providing<br />

comprehensive digital marketing services for<br />

dealers.<br />

The sister companies, Moore & Scarry Advertising<br />

and Haystak Digital Marketing, provide dealers<br />

with the most robust digital and traditional<br />

automotive retail marketing services.<br />

From Haystak.com<br />

Concept<br />

T h e c o n c e p t of t h i s<br />

d e s i g n is i n d u s t r i a l<br />

r e t r o . A l l of t h e<br />

fur nitur e used in t his<br />

p l a n is f r o m K n o l l ,<br />

Hightower Access, and<br />

H e r m a n M i l l e r , to<br />

c r e a t e a b a l a n c e d<br />

blend of mid-century<br />

m o d e r n a n d<br />

contemporary design.<br />

H a y s t a k D i g i t a l<br />

Marketing is well known<br />

for its representation<br />

of car companies, the<br />

curves in the design will<br />

mimic the fluidity and<br />

c u r v e s of t h e r e t r o<br />

cars of the era. This<br />

building is an historical<br />

b r ick s t ructure a n d<br />

will be left as raw as<br />

p o s s i b l e , e x p o s e d<br />

structure throughout<br />

the building. All of the<br />

will remain clay brick,<br />

concrete flooring will<br />

be throughout, as well<br />

as exposed ducting and<br />

b e a m s in t h e c e i l i n g<br />

C O M M E R C I A L | P A G E 1 1


2<br />

C o l l a b o r a t i o n a r e a<br />

3<br />

b r e a k r o o m<br />

4<br />

c o n f e r e n c e r o o m<br />

C O M M E R C I A L | P A G E 12


F i r s t f l o o r f u r n i t u r e p l a n<br />

s e c o n d f l o o r f u r n i t u r e p l a n<br />

C O M M E R C I A L | P A G E 1 3


L e v e l I I W o r k r o o m<br />

e l e v a t i o n<br />

F e a t u r e w a l l e l e v a t i o n<br />

B u i l d i n g s e c t i o n<br />

C O M M E R C I A L | P A G E 1 4


Turquoise Gallery Lobby<br />

Competition Objective<br />

The objective of this project is to test<br />

students’ interior design skills. The<br />

format has been modeled after the<br />

NCIDQ practicum exam. Creativity is<br />

encouraged, and meeting the minimum<br />

requirements for this project is necessary<br />

U N I V E R S A L | P A G E 1 5<br />

Project Overview<br />

& Client Profile<br />

Former industrial areas and urban<br />

ethnic enclaves have long held an<br />

attraction for artists and<br />

adventurous young people, and this<br />

up-and-coming area of the “Rust<br />

Belt” city is no exception. Artists,<br />

actors and musicians settled in this<br />

neighborhood for its low rents and<br />

plentiful space; savvy investors are<br />

buying up properties and opening<br />

up avant garde galleries, restaurants<br />

and boutiques.<br />

Your clients, Emma and Andrew,<br />

have just purchased two adjoining,<br />

three-story brick rowhouses dating<br />

back to the turn of the last century.<br />

They have asked for your help in<br />

combining the two units into a<br />

single art gallery that will display the<br />

work of cutting-edge artists in a<br />

variety of mediums—photography,<br />

sculpture, paintings, multimedia,<br />

photography, etc. The first and<br />

second floors will be used for<br />

exhibiting art, hosting special events<br />

and serving as a community meeting<br />

space and will contain a catering<br />

kitchen and an office. The third<br />

floor is reserved for the couple’s<br />

private living quarters.<br />

Emma and Andrew have chosen you<br />

because you possess both the<br />

technical skills and the aesthetic<br />

sensitivity required to showcase art<br />

to its fullest potential. They have<br />

also asked you to ensure full ADA<br />

access in the public spaces, and to<br />

incorporate sustainable design<br />

concepts throughout the project.<br />

Emma and Andrew have requested a<br />

name and logo design that will be<br />

well suited for the art gallery.


Building Location & Description<br />

This renovated upstate New York gallery has a facade of brick veneer. The roof is flat with a parapet at the front. The<br />

only exposed sides are the front and the back; the buildings flow together in approximately six storefront rows. The<br />

interior walls are gypsum wallboard. Refer to the plan for all window widths and heights. Windows are operable<br />

double hung. The finished floor to ceiling height is 11’ 0” for the first floor, 10’ 0” for the second floor and 9’ 0” for<br />

the third floor. Plumbing chases can be located a maximum of 10 feet from any exterior wall. The basements of these<br />

buildings serve primarily as a crawl space. Heating, ventilation and air conditioning (HVAC) units are located in the<br />

crawl space. Supply and return air ducts are flexible. This distribution duct work can be installed in each space when<br />

the layout is completed. The final floor plan shall incorporate all ADA and program requirements and reflect<br />

sustainable design criteria.<br />

Residential living area<br />

Location<br />

Upstate new York<br />

U N I V E R S A L | P A G E 1 6


Commercial Space<br />

U<br />

N I V E R S A L | P A G E 1 7


<strong>Design</strong> Concept<br />

The Turquoise Art Gallery exhibits a contemporary design that<br />

acts as a backdrop to the featured art work by local New York<br />

artists. The space is an exhibition for every form of art:<br />

painting, drawing, sculpture, and jewelry. While the art will<br />

remain the focal point, it was also important that certain<br />

aspects of the space, be a work of art as well. It is important that<br />

the walls be bare, but there will be pops of turquoise and brass<br />

throughout the space in order to keep the guests intrigued.<br />

Rendered Floor Plans<br />

1 ST L E V E L R E N D E R E D F L O O R P L A N<br />

2 ND L E V E L R E N D E R E D F L O O R P L A N<br />

U N I V E R S A L | P A G E 1 8


1 ST L E V E L D I M E N S I O N E D F L O O R P L A N<br />

1 ST L E V E L L I G H T I N G P L A N<br />

2 ND L E V E L D I M E N S I O N E D F L O O R P L A N<br />

U N I V E R S A L | P A G E 1 9


CUSTOM RECEPTION DESK<br />

1 ST L E V EL F U R N ITURE &<br />

F I N ISHES<br />

2 ND L E V EL F U R N I TURE &<br />

F I N ISHES<br />

U N I V E R S A L | P A G E 2 0


1<br />

Elevator corridor<br />

2<br />

Office<br />

U N I V E R S A L | P A G E 2 1


3<br />

Lecture Hall<br />

U N I V E R S A L | P A G E 2 2


Residential Space<br />

<strong>Design</strong> Concept<br />

The residential space will be elegant and traditional. The<br />

apartment will embrace the history of the brownstone. It will be an<br />

eclectic blend of contemporary design with timeless accents that<br />

will reflect the era in which the brownstone was built. The color<br />

scheme will be a combination of monochromatic black and white<br />

with splashes of contradictory orange and blue to create some<br />

boldness for the artistic owners.<br />

U N I V E R S A L | P A G E 2 3


THE<br />

Emma’s passion for the natural world informs her work. This<br />

passion is incorporated into sustainability principles within her<br />

contemporary jewelry and business practice. Emma has taken part in<br />

The Repairs Workshop, a collaborative investigation into the<br />

concept of ‘repair’, as a part of the State of <strong>Design</strong> Festival. She has<br />

also established The Treasury, a monthly workshop, run from her<br />

studio in Melbourne’s Nicholas Building, in which jewelry lovers are<br />

invited to bring in broken or unloved pieces to be fixed or reimagined.<br />

Emma’s work, predominantly in sterling silver and 18ct gold,<br />

contrasts bold lines with organic forms to build a playful tension.<br />

Drawing inspiration from the modern art movement and making<br />

reference to primal nature, Emma works this delicate balance to<br />

create emotional resonance. The simplicity of Emma’s contemporary<br />

jewelry recalls the charming and illustrative aesthetics of naïve art<br />

while still maintaining a sophisticated minimalism.<br />

Meet<br />

artists<br />

Android <strong>Jones</strong>’ pictorial work is one strain of a larger project that he<br />

calls “Electro-Mineralist Art.” Moving “beyond the traditional organic<br />

vegetable and animal technologies of pencils, ink, and brushes”, Android<br />

takes up emergent technologies that are crystalline, metallic, electronic<br />

and digital in their materiality and aesthetic feel, implicating a historical<br />

scheme that echoes the integral view of planetary evolution from<br />

physiosphere to biosphere to noosphere to theosphere; where the<br />

techno-media of exhibition artworks have been by and large, as the artist<br />

says, bound to or associated with the biologic. Android is classically<br />

trained in academic drawing and painting and this traditional art<br />

background is the foundation through which he bridges the knowledge<br />

of the past and brings it into the future. For a post-postmodern art of<br />

high noospheric and theospheric expression, Android instead upgrades<br />

to more resonate noospheric vehicles; where the crystalline or<br />

“mineralist”, proper to the physiosphere, is recovered as a marginalized<br />

inorganic principle for the artistic celebration of the energies of life.


RESIDENTIAL<br />

DOCUMENTS<br />

U N I V E R S A L | P A G E 2 5


RESIDENTIAL ISOMETRIC<br />

RESIDENTIAL FLOOR PLAN<br />

U N I V E R S A L | P A G E 2 6


U N I V E R S A L | P A G E 2 7


U N I V E R S A L | P A G E 2 8


U N I V E R S A L | P A G E 2 9


U N I V E R S A L | P A G E 3 0


U N I V E R S A L | P A G E 3 1


U N I V E R S A L | P A G E 3 2


C A P S T O N E | P A G E 3 3


Situated in the heart of the town of Codrington,<br />

Barbuda, the Treetop Sanctuary B&B caters to<br />

families who wish to visit the island. Inspired by<br />

the frigate bird and its habitat, the guests will<br />

enter the base of the building or the trunk of the<br />

tree. While the finishes will be raw wood or<br />

black to evoke the cavernous feel of the hollow<br />

core of the tree, the fabrics will reflect the<br />

vibrancy of the island’s culture. The families will<br />

ascend into the canopy of the tree and inhabit<br />

their own nest.<br />

C A P S T O N E | P A G E 3 4


Block plan<br />

Level 1 floor plan<br />

C A P S T O N E | P A G E 3 5


Block plan<br />

Level 2 floor plan<br />

C A P S T O N E | P A G E 3 6


Conceptual exterior elevation<br />

Building key<br />

Vertical building section<br />

Lobby Elevation<br />

C A P S T O N E | P A G E 3 7


interior<br />

perspectives<br />

C A P S T O N E | P A G E 3 8


C A P S T O N E | P A G E 3 9


C A P S T O N E | P A G E 4 0


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