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Currents Magazine Fall 2013

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There wasn’t just one powerful artist<br />

who was inspired from her abroad experience.<br />

Pepperdine Senior Kai Decker’s<br />

travels became a integral part of her artwork.<br />

She explores the art of humanity in<br />

her summer project, her. We are all living<br />

beings, and no matter how different our<br />

cultures, religions and customs may be,<br />

we all have something in common in our<br />

very existence. It is that sentiment — the<br />

collectivity of humanity —that captivated<br />

Decker.<br />

It was amid the art-steeped streets of<br />

Florence, the quiet churches of Sicily and<br />

the serenity of Ephesus that Kai first discovered<br />

the beauty and perplexity of humanity.<br />

One could find Kai sitting in the middle<br />

of a piazza or on the steps of a church in<br />

Italy just observing people as they interacted<br />

with each other and sketching anything<br />

she found fascinating.<br />

“I just went around sketching people;<br />

that was good for me. It was like I was<br />

plopped in the center of humanity. You<br />

get to see it staring you in the face, and I<br />

was able to get in touch with that sketching<br />

wise,” recalled Kai of her time in Florence.<br />

While abroad, Kai also drew inspiration<br />

from literature, in particular, Theodore<br />

Zeldin’s work, “An Intimate History of<br />

Humanity.” Zeldin’s work gave Kai a new<br />

perspective on the collectivity of humanity<br />

and allowed her to see that, although<br />

we are stratified and different, we have so<br />

much in common just as humans — an insight<br />

that was particularly poignant for her<br />

artwork as she traveled to different countries<br />

observing the locals.<br />

“I fell in love with humanity that year,<br />

so it just carried into my artwork,” recalled<br />

Kai of finding inspiration abroad.<br />

Kai’s newfound love for humanity translated<br />

perfectly into her summer art project<br />

as she explored the themes of otherness,<br />

faith and reason, and humanity and our<br />

shared history as a race. She explored these<br />

themes through a series of black-andwhite<br />

sketches and digital art.<br />

Kai describes her sketches saying,”It’s all<br />

black-and-white. It puts things in better<br />

perspective for me and focuses more on<br />

value and composition without worrying<br />

20 | <strong>Currents</strong><br />

about all the color schemes and other elements.”<br />

Kai’s use of contrast between black-andwhite,<br />

light-and-dark and negative space<br />

gives her art a deep and meaningful appeal,<br />

especially in light of the reflective statements<br />

accompanying them.<br />

The project also helped Kai look into her<br />

future as an artist and rediscover her first<br />

love — animation. Throughout the process,<br />

Kai felt satisfied and fulfilled with her work,<br />

but it was something she had always done<br />

— representative, realistic work — and<br />

she was ready to try something new. After<br />

watching a series of cartoons, Kai wanted to<br />

know what it would be like if she could take<br />

a character from her mind, give it life and a<br />

personality, and convey a sense of humanity<br />

that way.<br />

“I just discovered the life and sheer optimism<br />

that could be put into a cartoon that<br />

can just convey a message of optimism into<br />

a young child’s mind — just show them that<br />

creation is possible in all of us, that we can<br />

go out and do something and make sense<br />

of the world around us through our expression,<br />

and that’s just such a beautiful thing.”<br />

It is that sense of optimism, determination<br />

and sheer love for human life that<br />

comes through in every single one of Kai’s<br />

works.

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