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Summer 2005 - Hood College

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<strong>Summer</strong> <strong>2005</strong><br />

<strong>Hood</strong> Magazine 11<br />

For her senior exhibition, Amy, of<br />

Frederick, constructed 26 triangular<br />

ceramic stoneware vessels. She modeled<br />

her geometric forms first in paper, chosen<br />

for its flexibility and malleability, and<br />

then designed stronger cardboard templates<br />

to help cut and form the clay<br />

slabs. She built and grouped the angular<br />

clay pieces according to size, then glazed<br />

and fired the majority of her work in<br />

<strong>Hood</strong>’s electric kilns.<br />

Through connections fostered by<br />

Michaud, Amy had the opportunity to<br />

fire three of her pieces in a three-chambered<br />

hikarigama wood fire kiln at the<br />

Tye River Pottery in Amherst, Va., over<br />

a period of three weekends. “I wanted to<br />

keep the glazing light, so it wouldn’t<br />

overpower the work itself. I took a graduate<br />

course at <strong>Hood</strong> in ceramic decoration<br />

and this taught me the correct glaze<br />

application method and firing techniques,”<br />

Amy said.<br />

Nilah, of Pasadena, Md., displayed a<br />

series of detailed graphite drawings as<br />

part of her senior exhibition. Nilah, the<br />

recipient of this year’s Suzanne Gottert<br />

Prize in Art presented at the annual<br />

Honors Convocation ceremony in April,<br />

transferred to <strong>Hood</strong> from the Art<br />

Institute of Washington in September<br />

2004 before the studio arts program was<br />

officially reinstated. She brought to<br />

<strong>Hood</strong> an interest in animation, multimedia<br />

and Web development.<br />

In order to improve her animation<br />

skills, Nilah enrolled in drawing classes<br />

during her first semester at <strong>Hood</strong>. “They<br />

helped me get a better handle on the<br />

human figure,” Nilah said. She believes<br />

these drawing techniques will help her<br />

grow as an animation artist. She said<br />

that the preparation and work leading to<br />

her senior exhibition helped to prepare<br />

and train her for professional gallery<br />

exhibitions. “Our art students would not<br />

succeed as artists when they leave <strong>Hood</strong><br />

without the excellent training they get<br />

here,” said Michaud.<br />

In a series of six large-scale graphite<br />

pencil drawings titled “No Child Left<br />

Behind,” Nilah comments on the current<br />

controversies in public education. In her<br />

drawings she tells the story of her<br />

three nieces, Nicole, Della and<br />

Monica, and their struggles with<br />

reading and writing. “My nieces are<br />

struggling to get through elementary<br />

school. I need to tell their story,”<br />

Nilah said. “People need to speak up<br />

more in this country. We don’t stand<br />

up for ourselves enough. Our society<br />

and government are not perfect. We<br />

don’t have revolutions, we just have<br />

people. We need to express ourselves<br />

more,” she said.<br />

Both Nilah and Amy received<br />

tremendous support from their<br />

A M Y C O R B I N<br />

families and the <strong>Hood</strong> faculty<br />

throughout the semester leading up to<br />

their exhibitions. “<strong>Hood</strong>’s program is<br />

incredibly accommodating,” Amy said.<br />

Michaud believes that “many successful<br />

artists are coming from studio<br />

art programs at liberal arts institutions<br />

including <strong>Hood</strong> <strong>College</strong>.” Telling their<br />

stories in the form of graphite and<br />

clay, Michaud said Amy and Nilah are<br />

fine examples of the successful artist<br />

who she is honored to teach.<br />

Trevor James is <strong>Hood</strong>’s Web site manager.

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