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<strong>Summer</strong> <strong>2005</strong><br />
<strong>Hood</strong> Magazine 11<br />
For her senior exhibition, Amy, of<br />
Frederick, constructed 26 triangular<br />
ceramic stoneware vessels. She modeled<br />
her geometric forms first in paper, chosen<br />
for its flexibility and malleability, and<br />
then designed stronger cardboard templates<br />
to help cut and form the clay<br />
slabs. She built and grouped the angular<br />
clay pieces according to size, then glazed<br />
and fired the majority of her work in<br />
<strong>Hood</strong>’s electric kilns.<br />
Through connections fostered by<br />
Michaud, Amy had the opportunity to<br />
fire three of her pieces in a three-chambered<br />
hikarigama wood fire kiln at the<br />
Tye River Pottery in Amherst, Va., over<br />
a period of three weekends. “I wanted to<br />
keep the glazing light, so it wouldn’t<br />
overpower the work itself. I took a graduate<br />
course at <strong>Hood</strong> in ceramic decoration<br />
and this taught me the correct glaze<br />
application method and firing techniques,”<br />
Amy said.<br />
Nilah, of Pasadena, Md., displayed a<br />
series of detailed graphite drawings as<br />
part of her senior exhibition. Nilah, the<br />
recipient of this year’s Suzanne Gottert<br />
Prize in Art presented at the annual<br />
Honors Convocation ceremony in April,<br />
transferred to <strong>Hood</strong> from the Art<br />
Institute of Washington in September<br />
2004 before the studio arts program was<br />
officially reinstated. She brought to<br />
<strong>Hood</strong> an interest in animation, multimedia<br />
and Web development.<br />
In order to improve her animation<br />
skills, Nilah enrolled in drawing classes<br />
during her first semester at <strong>Hood</strong>. “They<br />
helped me get a better handle on the<br />
human figure,” Nilah said. She believes<br />
these drawing techniques will help her<br />
grow as an animation artist. She said<br />
that the preparation and work leading to<br />
her senior exhibition helped to prepare<br />
and train her for professional gallery<br />
exhibitions. “Our art students would not<br />
succeed as artists when they leave <strong>Hood</strong><br />
without the excellent training they get<br />
here,” said Michaud.<br />
In a series of six large-scale graphite<br />
pencil drawings titled “No Child Left<br />
Behind,” Nilah comments on the current<br />
controversies in public education. In her<br />
drawings she tells the story of her<br />
three nieces, Nicole, Della and<br />
Monica, and their struggles with<br />
reading and writing. “My nieces are<br />
struggling to get through elementary<br />
school. I need to tell their story,”<br />
Nilah said. “People need to speak up<br />
more in this country. We don’t stand<br />
up for ourselves enough. Our society<br />
and government are not perfect. We<br />
don’t have revolutions, we just have<br />
people. We need to express ourselves<br />
more,” she said.<br />
Both Nilah and Amy received<br />
tremendous support from their<br />
A M Y C O R B I N<br />
families and the <strong>Hood</strong> faculty<br />
throughout the semester leading up to<br />
their exhibitions. “<strong>Hood</strong>’s program is<br />
incredibly accommodating,” Amy said.<br />
Michaud believes that “many successful<br />
artists are coming from studio<br />
art programs at liberal arts institutions<br />
including <strong>Hood</strong> <strong>College</strong>.” Telling their<br />
stories in the form of graphite and<br />
clay, Michaud said Amy and Nilah are<br />
fine examples of the successful artist<br />
who she is honored to teach.<br />
Trevor James is <strong>Hood</strong>’s Web site manager.