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<strong>TERRA</strong><br />
ANIMAL<br />
BEHAVIOUR<br />
IN ZOOS<br />
FLAMINGO SPECIAL<br />
1
CONTENT<br />
6<br />
Animal<br />
Behaviour in<br />
zoos<br />
Butterflies<br />
wonders<br />
14<br />
28<br />
Film or Digital<br />
The American<br />
Flamingo<br />
34<br />
22<br />
Spring in the<br />
cities:<br />
40<br />
Photographer<br />
Feature<br />
Barney Melton<br />
Urban insects<br />
2 3
44<br />
Product<br />
Review:<br />
Canon EF 85<br />
mm<br />
Unstable:<br />
Exhibition<br />
Review<br />
48<br />
NOTE FROM THE EDITOR<br />
Dear Reader,<br />
My passion in the last years for conservation biology<br />
and photography developed in me the ambition<br />
to be able to get to the public the important<br />
message about how important is to preserve our<br />
environment. And of course we can not preserve<br />
our environment if we do not know what is inside<br />
it. This is a compilation of many important biological<br />
events and creatures that I hope you find<br />
interesting.<br />
As well as interesting topics about our planet<br />
wildlife and conservation, there is a section dedicated<br />
to the art of photography per se and the<br />
techniques you could use in order to become a<br />
better photographer.<br />
I hope you enjoy the colourful sections this magazine<br />
has reserved for you and that every picture<br />
and text give you more reasons to be curious about exploring the world at your feet and the<br />
wonders of nature you can enjoy!<br />
50<br />
How to:<br />
Do a cutout<br />
Sincerely,<br />
Maricela Rivera<br />
Editor<br />
Tintype courtesy of Barney Melton<br />
4 5
BUTTERFLY<br />
WONDERS<br />
Butterflies are among the most diverse,<br />
widespread and widely recognizable<br />
group of insects in the world, with about<br />
20,000 identified species and more being<br />
described every day. Alongside moths,<br />
butterflies are classified inside the a very<br />
large group of insects known as Lepidoptera<br />
which contains, after beetles, more<br />
species of butterflies and moths than any<br />
other group of insects in the world with an<br />
estimated of 150,000 known species. The<br />
word Lepidoptera comes from the Greek<br />
word Lepidos which means “scale wings”<br />
and describes how the wing structure of<br />
this insect’s is constructed.<br />
Owl Butterfly (Caligo eurilochus)<br />
TAKE IN A VIEW<br />
YOU WILL NEVR<br />
FORGET...<br />
Close up of the wing of the Owl Butterfly (Caligo eurilochus)<br />
Their wings are covered<br />
by thousands of tiny scales<br />
overlapping in rows. Depending<br />
on the patterns in<br />
which they are distributed<br />
in the wing and their structure,<br />
scales are responsible<br />
for the butterflies unique<br />
bright colours. These scales<br />
are pigmented with melanin,<br />
responsible for the blacks<br />
and browns, but their microstructure<br />
and how the<br />
stacater light is the most<br />
important role in how the<br />
colour patterns of butterflies<br />
wings are created.<br />
6 7
“Their wings are covered by thousands of tiny scales<br />
overlapping in rows”.<br />
Butterflies can be found worldwide except<br />
on the Antarctica, and they come in a variety<br />
of sizes, the world’s smallest known species<br />
has a wingspan of just over half an inch while<br />
the largest known species can measure up to<br />
twelve inches from wingtip to wingtip. Their<br />
habitat can include places high in the mountains<br />
as well as sea level areas including environments<br />
hot, cold, dry, or moist as they are well<br />
adapted insects. Most butterfly species, however,<br />
are found in tropical areas, especially in<br />
tropical rainforests.<br />
Butterflies present a really interesting life cycle<br />
that includes a complete metamorphosis, this<br />
means that the butterfly changes completely<br />
from its early larval stage, as a caterpillar, until<br />
the final stage, when it becomes a beautiful and<br />
graceful butterfly. This life cycle has four define<br />
stages: egg, larva, pupa, and adult.<br />
Black Swallowtail (Papillio demodocus) caterpillar<br />
8 9
Butterfly eggs are really small, depending on<br />
the species they can be round, cylindrical or<br />
oval and they also vary in color. After mating,<br />
the female butterfly will attach the fertilized<br />
eggs to leaves or stems of plants that will also<br />
serve as a source of food for the larvae when<br />
they hatch.<br />
Once the caterpillar has hatched its main activity<br />
will revolve around eating and with a<br />
voracious appetite they eat almost constantly,<br />
this allows the caterpillar to grow considerably<br />
within a few days.<br />
As they grow their outer skin or exoskeleton<br />
does not grow or stretch along, instead its<br />
shedded in a process called molting and replaced<br />
by a new larger exoskeleton. Once they<br />
have reached about four or five molts they enter<br />
the next stage, pupa or chrysalis. The caterpillar<br />
attaches itself to a support, a wall or twig,<br />
and the exoskeleton splits open to reveal the<br />
chrysalis that hangs down until the transformation<br />
to butterfly is complete. Depending on the<br />
species, the pupal stage can last from just a few<br />
days more than a year.<br />
Close up of the Owl Butterfly (Caligo eurilochus) eyes and feeding tube<br />
Black Swallowtail (Papilio rumanzovia) mating<br />
Once the transformation is complete, the chrysalis<br />
splits and the adult butterfly emerges, it will then<br />
eventually mate and the life cycle will start over<br />
again. The average lifespan for an adult butterfly is<br />
20 to 40 days, however most adult butterflies will<br />
live only a week or two, although a few species could<br />
live as long as 18 months (when hibernate as adults)<br />
or as little as three or four days.<br />
Unlike caterpillars an adult butterfly only feed<br />
from various liquids they take through a tube-like<br />
tongue known as proboscis that uncoils to drink<br />
the liquid up and then coils up again into a spiral<br />
when the butterfly is not feeding. Most butterflies<br />
have a diet based on flower nectar from which<br />
they obtain sugars for energy, sodium and other<br />
minerals vital for its reproduction, however some<br />
species also include in their diet liquids from rotting<br />
fruit, trees exude, pollen, decaying flesh, dissolved<br />
minerals in wet sand or dirt or even animal dung.<br />
All of this variety in their diet is important especially<br />
for those species that can not obtain enough<br />
sodium from nectar, most times they get attracted<br />
by sodium in salt or even land on people attracted<br />
by the salt in human sweat.<br />
Butterflies senses are well developed, the antenna<br />
for example comes in many shapes and colours and<br />
are richly covered with sensory organs known as<br />
sensillae which help the butterfly to sense the air<br />
for wind and scents. Vision is also well developed<br />
too in butterflies and most species are sensitive<br />
to the ultraviolet spectrum, even though color vision<br />
has been demonstrated in only a few species.<br />
Sound as well can be sensed by some butterflies<br />
that have hearing organs and are also known to<br />
make stridulatory and clicking sounds.<br />
Wonderfully many butterflies are migratory<br />
and capable of long distance flights. This<br />
behaviour reflects the necessity to avoid adverse<br />
environmental conditions like cold weather and<br />
find warmer areas. Most migratory species like the<br />
painted lady, the red admiral, the common buckeye<br />
and cabbage butterfly fly relatively short distances<br />
with just a few hundred miles, while others such<br />
as the monarch can make incredible journeys and<br />
travel thousands of miles about 1,200 and 2,800.<br />
Precisely this marvelous migratory phenomenon of<br />
monarchs is consider as the world’s most spectacular<br />
and conspicuous long distance insect migration,<br />
and therefore has been one of the most studied<br />
and documented along many years not only to explain<br />
the behaviour but also because of the conservation<br />
implications and threats they have been<br />
facing during the years.<br />
10 11
This magnificent journey begins before the autumn<br />
cold sets in the northern United States and Canada<br />
heading south towards central Mexico forests,<br />
feeding on nectar along the way and traveling during<br />
the day as they use the sun to orient themselves.<br />
Once they arrive they hibernate till is time to fight<br />
back. Few of the original adults actually complete<br />
the trip home. Instead, the females mate and lay<br />
eggs along the way and their offspring finish this<br />
incredible journey.<br />
However there are several threats monarchs population<br />
face like habitat loss both in summer breeding<br />
areas and in overwintering areas due to extensively<br />
farming and tourism activities, global warming that<br />
disrupt their annual migration pattern, pesticides<br />
used on crops and introduction of invasive plants<br />
that decrease the availability of their primary food<br />
source, the milkweed plant. Sadly these threats are<br />
not exclusive to monarch butterflies, most of the<br />
known species of butterflies face one or more, if<br />
not all, of the same conservation problems monarch<br />
does, which threaten the existence of the species<br />
itself.<br />
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Monarch Butterfly (Danaus plexippus)<br />
Over the years without noticing it human population<br />
growth has increase the pressure over most<br />
of the habitats of this insects that are extremely<br />
important for pollination and conservation of plant<br />
biodiversity. Now with the increasing and extensive<br />
use of herbicides and pesticides the life cycle of<br />
butterflies are being interrupted. Luckily thanks to<br />
the tracing and interests in research the monarch<br />
butterflies has got many conservation projects are<br />
starting to launch towards the regeneration of local<br />
flora and elimination of invasive species, use of less<br />
herbicides and pesticides and preservation of vast<br />
areas of forest that contains not only butterflies<br />
but other important fauna and flora essential to the<br />
ecological cycle of an area, and specially projects<br />
around educating people about this magnificent<br />
group of insects. Educational projects includes the<br />
construction of butterflies farms that usually holds<br />
a variety of butterflies species from around the<br />
world so people that does not have the opportunity<br />
can get close to admire their beauty and at the<br />
same time learn about their behaviours, habits and<br />
importance. Furthermore as the knowledge about<br />
butterflies increases the educational centers for the<br />
public are built over more and more areas so every<br />
time is more people around the world who gets to<br />
understand about the wonders of butterflies.<br />
For get more involved in things you can do or get<br />
to know about the conservation projects being<br />
held near your local area you can visit http://butterfly-conservation.org/<br />
a UK leading network of<br />
butterflies conservationists who are dedicated to<br />
educate and preserve butterflies habitats safe so<br />
future generations can also enjoy the rejoicing ons<br />
gets when seein a butterfly in the wild.<br />
http://www.wwt.org.uk/wetland-centres/slimbridge/<br />
12 13
ANIMAL<br />
BEHAVIOUR<br />
IN ZOOS<br />
Humanity has always been fascinated<br />
about wild animals, throughout<br />
history wild animals have been captured<br />
by as a form of reinforce people’s<br />
believe that they are dominant<br />
over animals and nature. Besides<br />
this, animals have been used by human<br />
as an entertainment, examples<br />
of this come from Ancient Rome<br />
where animals were forces to fight<br />
till modern day zoos, aquariums or<br />
circus.<br />
Nowadays there are over 100 zoos<br />
and wildlife collections around the<br />
word, not counting the small zoos<br />
that exists in distant parts of the<br />
world and that maybe not even<br />
been legal register. Ever since the<br />
appearance of zoos it has been<br />
a debate whether or not they are<br />
safe places to keep wild animals, but<br />
most important if this is necessary.<br />
Few zoos in the world provide quality<br />
care for their animals and place<br />
a high priority on animal welfare,<br />
however most of zoos do not provide<br />
adequate care for the animals<br />
and do not even think about their<br />
welfare and not even work towards<br />
educate people about conservation,<br />
although they will list these as justifications<br />
for keeping the zoo open.<br />
For most zoos, animals are a mere<br />
entertainment and easy money, just<br />
seeing an animal in a zoo does little<br />
to educate people. Keeping animals<br />
in confined areas, without the<br />
ability to pursue natural behaviours<br />
does nothing to educate except to<br />
to show certain characteristics.<br />
14 15
Wild animals needs large quantities of space in<br />
order to be healthy, so the ideal is that zoos<br />
provide as much space as they can to simulate<br />
their natural environment.However like said<br />
before even in large spaces of enclosure wild<br />
animals can develop this behavioural patterns,<br />
especially big mammals that in the wild would<br />
normally have a range of movement of thousand<br />
of miles. Leopards for example, a solitaire big<br />
cat known for moving thousands of miles they,<br />
can’t be in a small enclosures and even worst<br />
with another leopard.<br />
Like said before there are few zoos that try to<br />
provide a habitat as similar possible to the animal’s<br />
natural habitat, and provide for its behavioural<br />
and psychological needs. But even this good quality<br />
zoos and all of the effort to provide a natural<br />
environment, if the animals are not in their natural<br />
habitats is obvious they will not be capable<br />
of performing their natural behaviours. Most wild<br />
animals kept in captivity, even in big zoos, develop<br />
certain behavioural patterns that indicate their<br />
needs are not being met and their stress. These<br />
behaviours include pacing, bar-biting, circling, repetitive<br />
head-swaying, aggression, Coprophagia<br />
(Consuming and playing with excrement), excessive<br />
grooming, vomiting, frequent licking and<br />
self-mutilation.<br />
These are known as abnormal repetitive behaviour<br />
(ARB), and can vary depending on the animal<br />
and the circumstances, some can be seen as laid<br />
back and relaxed, like the pacing, and others can<br />
be really frantic, like twirl repeatedly or non stop<br />
biting. These neurotic and atypical behaviors occur<br />
as a result of boredom, depression, frustration, a<br />
lack of mental and physical enrichment, and removal<br />
from their natural habitat and social structures<br />
because in captivity, wild animals face challenges<br />
for which they’re not prepare, many things<br />
can be different even if the simulation of habitat is<br />
good, zoos normally keep wild animals from many<br />
parts of the world. So the climate, diet and the<br />
size and characteristics of the enclosure may be<br />
completely alien to the species as it exists in the<br />
wild. Furthermore animals are no longer able to<br />
have complete control over their environment because<br />
they no longer rely on themselves in order<br />
to obtain food or other physiological needs, but<br />
they rely on humans.<br />
As our knowledge is constantly increasing we now<br />
understand many things about animal behaviour it<br />
is important to address this knowledge into make<br />
people understand that keeping animals in captivity<br />
can, and does, cause immense mental suffering<br />
to the species. Sure people can argue about<br />
the importance of zoos to educate people about<br />
all of the different species of animals out there<br />
in the world. But even the best zoos can’t house<br />
an animal maximizing the they will have their own<br />
species behaviour and at the same time minimizing<br />
their stress and induced behaviours, because like<br />
it or not a setup environment will always be different<br />
from the habitat in which animals evolved.<br />
16 17
As our knowledge is constantly increasing we<br />
now understand many things about animal behaviour<br />
it is important to address this knowledge<br />
into make people understand that keeping<br />
animals in captivity can, and does, cause<br />
immense mental suffering to the species. Sure<br />
people can argue about the importance of<br />
zoos to educate people about all of the different<br />
species of animals out there in the world.<br />
But even the best zoos can’t house an animal<br />
maximizing the they will have their own species<br />
behaviour and at the same time minimizing<br />
their stress and induced behaviours, because<br />
like it or not a setup environment will<br />
always be different from the habitat in which<br />
animals evolved.<br />
So we should start looking forward into transform<br />
slowly our thinking, that we do not need zoos as<br />
much, and slowly transform our thinking that we<br />
do not need that animals to entertain us, instead<br />
we should look at animals as delicate species that<br />
need our help and understanding rather than our<br />
indifference. We must understand that we are not<br />
the only one who inhabit the earth, we share this<br />
world with millions of different species and we<br />
must respect their space as much as we want our<br />
neighbours respect our spaces when we live in a<br />
community. The dynamics we have with animals<br />
should be the same as the ones we have with ourselves,<br />
but till we don’t understand that we can<br />
not control nature, we will continually to damage<br />
the habitats of thousand of species.<br />
18 19
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20 21
Spring in the cities:<br />
Urban insects<br />
CITIES as we know are the places where human population has had most of their development<br />
and are increasingly growing. Normally when talking about cities and its inhabitants people<br />
think about other people who lives inside the city skyscrapers and houses, but the truth is that there<br />
are much more diversity in our cities than we imagine. The term urban wildlife became popular<br />
over some years ago and it defines the all of the animals and plants that can live inside a city or an<br />
urban environment.<br />
Usually when thinking in urban wildlife what comes first to mind are birds and mammals, maybe reptiles<br />
and amphibians that had adapted themselves to the changes their habitats have gone through<br />
the development of cities. But what most of people forget about a special group of the animal kingdom<br />
that are the most well adapted to our urban environments, insects. They are supremely well<br />
adapted to city life, brownfields, parks, meadow, our gardens and even the inside our homes can be<br />
used by them as a foraging ground. Because cities and their constructions sometimes offer a warmer<br />
climate insects can come and go more easily around the year.<br />
22 23
Like for us winter can be tough for a small insect, but they incredible life cycle and adaptations have<br />
allowed the to synchronize their adult and reproductive stage with the beginning a warmer season,<br />
spring. So even when we do not see them during winter insects usually go through it in a resting<br />
stage, as eggs, larvae or as pupae. This strategies besides migration, for example the monarch butterfly,<br />
have allowed them to stay active even when temperatures drop below freezing, dragonflies<br />
larvae for example, called nymphs, are aquatic and can remain quite active feeding as much as they<br />
can during the winter period, as long as the water from ponds and streams does not freeze completely.<br />
Many other larvae of insects are hiding or even eating in micro-habitats like buried under<br />
the soil, under logs and inside them, rocks, pile of fallen leaves, near windowsills, eaves, and even<br />
inside attics of houses, all of this providing protections against cold air. Eggs usually are deposited in<br />
branches plants or near places where can found food once they complete their development, as well<br />
as pupae, eggs offer a safe and cover environments from the low temperatures. During this stage<br />
of their life cycle they hardly move but they are developing parts like wings or antennae that will be<br />
essential for their new adult stage.<br />
On the other hand some adults insects are known for their “hibernation” where they suspend their<br />
grow or development keeping a metabolic rate high enough to keep them alive, although the right<br />
term is diapause, many people compare this behaviour to the one that mammals and warm blooded<br />
animals has. The ladybug beetles for example congregate in big numbers during the fall and hide in<br />
a warm place, wasps as well seek shelter in the attics of houses or barns, bees though stay inside<br />
their hives or hollow trees and generate body heat by vibrating their wing muscles and consuming<br />
up to 15 Kg of stored honey.<br />
Insects are true survivors and when the temperatures start increasing welcoming the spring cities<br />
burst with a variety of insects that were waiting for winter to end. Eggs and pupae complete their<br />
development and the beautiful adults that emerge from the pupae are ready to mate. Spring brings<br />
with it flourishing life, with plants whose seeds were waiting to grow and with flowers everywhere<br />
offering insects vast sources of food you can see that they enjoy spring as much as we do.<br />
Is a well known fact that people in the cities enjoy when being outside and are near nature, that<br />
is why we plant seeds that we know will grow flowers, because their colours make us feel happy.<br />
In that sense our urban gardens and window boxes which we try to keep on bloom all year round<br />
provides insects with a varied, year-long supply of food. And is important that we keep doing that<br />
because our flowers or vegetables patches help insects avoid crops contaminated with herbicides<br />
or pesticides that could kill them. The increasing development of greener cities around the word is<br />
will be in the future very important in supporting insect diversity. The rise in urban beekeeping, for<br />
example, has led to an increase in urban colonies that is helping to maintain populations stable, due<br />
they don’t have to be in touch with harmful pesticides. Surely people are wondering why insects<br />
are so important, they are so tiny that people sometimes just forget about them. The truth is that<br />
without insects, we wouldn’t be here, because their role is vital to the survival of our crops, insects<br />
are one of the major pollinators out there, and thanks to their job plant species can survive and disperse<br />
their population. They are also the major source of food for many other species of birds, fish,<br />
amphibian and reptiles who sometimes depends solely from insects and their abundance to survive.<br />
24 25
Insects are there in our cities, making sure our gardens and parks stays pretty while they pollinate<br />
them, and most of the time we do not notice them because they can be hiding underneath a cherry<br />
flower, walking around the soil that covers our gardens or flying from one flower to another. Spring<br />
is the best season to see them in all their glory, so the best way to discover what is hidden in your<br />
urban area is just to walk around and get near to the flowers, maybe sit for a while in the grass and<br />
wait for the visit of a gentil ladybug or a shy beetle. Watch the while the flowers get all type of small<br />
visitors.<br />
Many studies have shown that increasing the amount of green spaces in our cities improve the<br />
quality of life of people and insects play an important role in the construction and spread of green<br />
spaces becauses as soon as there is a new plant growing there will be an insect near ready to spread<br />
pollen and attract other animals to the area. So don’t underestimate the power of this little creatures,<br />
with more than 900 thousand different species, and increasing every day, distributed around<br />
the word insects contribute with approximately 80% of the urban wildlife in our cities, and that just<br />
make them prettier. So embrace spring and go out there to find a colorful insect that will probably<br />
was just doing a hard job pollinating your garden flowers.<br />
26 27
Flamingo Distribution Map<br />
The American Flamingo<br />
THE<br />
AMERICAN<br />
FLAMINGO<br />
American Flamingo<br />
Greater Flamingo<br />
Lesser Flamingo<br />
Flamingos are part of the extravagant group of birds that can be rare jet at the same time<br />
extremely beautiful and interesting. Easily recognized because of its long legs and neck, curved beak and<br />
colours, their name comes after the latin word “flama” that means flame because of their bright colourful<br />
red to pink and orange feathers. Thanks to their great adaptability this water birds can be found<br />
in various regions and habitats around the the word from the high cold andes to warm flat lands always<br />
in or near saline or alkaline lakes, lagoons or swamps where they feed.<br />
There are six known species of flamingos, four of them in the Americas and two in the Old World.<br />
Among this species the american flamingo also known as caribbean flamingo Phoenicopterus ruber ruber<br />
is one of the largest most colourful, and the only one that can be found in North America. Its habitat includes<br />
saline lagoons or shallow lakes of the Caribbean, the Yucatan Peninsula and the Galapagos Islands.<br />
The american flamingo feathers are bright pink to reddish and its black-tipped wings can have a wingspan<br />
of about five feet. With is pink legs and long neck reaches about 42 inches tall which comes handy when<br />
wading in deeper waters, as well as its webbed feet that help them to stand still on the mud. Like other<br />
flamingos its beak has a characteristic downward bend which has evolved and specialized according to<br />
their feeding requirements.<br />
AMERICAN FLAMINGO<br />
Yucatan Peninsula<br />
Caribbean<br />
Galapagos Islands<br />
American Flamingo<br />
Andean Flamingo<br />
Chilean Flamingo<br />
James’s Flamingo<br />
28 29
Flamingos are known for its unique adaptation<br />
to filter their food out of the water<br />
which is possible thanks to the two<br />
rows of lamellae or comb-like bristles<br />
lined inside its bill and along its tongue.<br />
The American flamingo rarely takes food<br />
from the surface, instead generally feeds<br />
with its whole head submerged underwater,<br />
where they swept it sideways<br />
while they start to walk slowly. With its<br />
bill held slightly open the flamingo uses<br />
its feet to help stir up the mud to then<br />
suck in and out the water through its<br />
bill to filter out huge quantities of small<br />
crustaceans, molluscs, aquatic insects,<br />
polychaete worms, seeds, microscopic<br />
organisms and algae. This fantastic system<br />
also allows them to discriminate<br />
what they eat or not based on its size,<br />
although beyond the size range of 1.5<br />
and 4.0 mm their discrimination capacity<br />
decrease. Studies show that this capacity<br />
may be connected to a specific anatomical<br />
feature of the jaw apparatus which<br />
allows their mandible to open the beak<br />
to a maximal size of about 4 mm for ingest<br />
their food.<br />
Additionally to the flamingos incredible feeding<br />
adaptation, many studies had also discovered that<br />
their diet is what determines most of its coloration<br />
due some of their food, especially algae, contains<br />
loads of carotenoids (beta carotene) reddish<br />
to orange pigments that can not be produced by<br />
animals but can be synthesized. These carotenoids<br />
are broken down in the flamingos liver by some<br />
enzymes into the pigments that are then deposited<br />
into the feathers, skin, and egg yolk.<br />
The levels of carotenoids in their food varies from<br />
one place to another in different parts of the word<br />
and this of course affects the saturation of color<br />
of the feathers, which is why American flamingos<br />
are usually bright red and orange, while lesser flamingos<br />
or andean flamingos tend to be more paler<br />
pink. This phenomena has also been observed<br />
comparing captive flamingos and wild ones, where<br />
if captive flamingos have not enough pigment content<br />
in their diet they tend to grow much paler<br />
feathers and loose with time the part of their<br />
bright coloration.<br />
On the other hand flamingos offsprings are white<br />
and gray for the first couple of years, and they do<br />
not show traces of carotenoids in their feathers,<br />
skin or blood, the coloration comes after some<br />
years with the constant consumption of carotenoids<br />
in their diet. This also explains why when we<br />
see a flamingo we might see that some of them<br />
have colors that seems brighter and others looks<br />
really pale even though they are the same species.<br />
As well as the other flamingos species, the American<br />
flamingo is a highly social species that lives in<br />
colonies ranging in size from a small dozen to very<br />
large colonies of hundred or thousands during the<br />
breeding season. Living in large colonies not only<br />
assures them to find a mate but also helps to<br />
avoid predators, maximize the food intake and use<br />
nesting sites more efficiently.<br />
Unlike other flamingo species, the American flamingo<br />
displays group courtship displays, this means<br />
that there are several behaviours like preening,<br />
marching, raising their wings or head turns in<br />
which the colonie takes part in spectacular synchrony.<br />
This happens when large colonies split into<br />
breeding groups of 15 or 50 birds that stay together<br />
during the breeding season and perform this<br />
synchronized rituals to each other to ensure that<br />
all members of the group have found a pair and are<br />
ready to mate at the same time.<br />
30 31
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Is usual as well that flamingos form strong pair bonds for life between males and females due both of<br />
them are involved in building the nest for the egg, and work as a team to keep it warm and safe. After<br />
the hatch they both stay together to feed the little flamingo with crop milk that they produce instead<br />
of regurgitated foods as other birds provide for their young.<br />
Because of the distribution of the American flamingo includes warm regions they do not have the need<br />
to migrate to warmer places, they are generally considered to be non-migratory, however they can<br />
be extremely nomadic. American flamingos can travel hundreds of kilometres in order to find enough<br />
food, so they do migrate when the distribution patterns of their food changes. Although this migratory<br />
behaviour has increased in recent years due the climate fluctuations, that not only changes their<br />
feeding patterns but also threatens their breeding due to the lack of resources. And even though they<br />
are still not an endangered species biologist are worried about the problems they are facing and the<br />
future ones due to hunting and habitat loss related to human activity, so every day they try to raise<br />
the public awareness by educating them about the importance of conserving this beautiful species. To<br />
support their conservation efforts every day new research is being held in order to understand better<br />
these dramatic unique birds, so get on board and help to spread the word.<br />
TAKE IN A VIEW<br />
YOU WILL NEVER<br />
FORGET...<br />
32 33
FILM OR<br />
DIGITAL?<br />
34 35
There is an increasing discussion around photographers of the world. Is digital or analogue<br />
photography better? Even though there are many arguments around it, we decide it to test the<br />
argument by ourselves. Using a medium format camera with a 120mm roll and 8 exposures we<br />
went to walk around the city of Nottingham and the well known Peak District National Park in<br />
the Wolfscote Dale area to take some photos to show you and compare both analogue and digital<br />
photography. So after taking the photographs, developing and digitized them here is our analysis<br />
about it.<br />
As is well known photography started solely as a chemical process and stayed like that for about<br />
150 years, but as years have passed by, technology and so photography have evolved and changed.<br />
Before photography was something that not everyone could afford to to do alone, even if you<br />
had one of the old quicksnap automatic cameras, you still needed to somewhere to get your film<br />
developed and you had to wait at least 4 or 5 days to see the resulting pictures, everything was an<br />
expectation. On the other hand for a professional photographer was necessary to have knowledge<br />
in how to choose film, chemicals for develop the film and printing the image, so photography was<br />
not really accessible to everybody.<br />
With all of this advances in technology still there are photographers who like to go back to the days<br />
of analogue photography or even resist to use use digital photography. There are several points of<br />
view when it comes to decide whether if digital photography is better that analogue photography<br />
or vice versa. Many photographers argue that analogue photography is better that digital, some<br />
other think the other way around. The truth is digital photography could not exist if it were not for<br />
analogue photography and the history behind it.<br />
In the last years there has been an increasing interest of people in get to know more about analogue<br />
photography. It seems that digital photography is such a usual and common thing now that many<br />
people who wants something different and even more artistic tend to use some type of analogue<br />
photography into their work. Nowadays even exist applications that help your pictures look like if<br />
they were taken with a roll camera.<br />
But before any further discussion here are some points you need to know about each, digital and<br />
analogue photography:<br />
Images are captured on photographic film,<br />
made of layers of light-sensitive silver halide<br />
emulsion coated on a flexible base.<br />
Film is exposed to light in a camera, where<br />
a latent image is created.<br />
The image on the film is made visible by the<br />
immersion of it in a solution of chemicals<br />
known as developer.<br />
Images are captured with a number of photosensors<br />
inside the camera.<br />
The images can be directly downloaded<br />
to the computer and processed by special<br />
software.<br />
Prints are made by using a printer machine<br />
which fires tiny jets of coloured ink or dyes<br />
at paper.<br />
Digitised and colourised image from 120mm film<br />
Nowadays with the digital technology photography has become one of the most popular activities to<br />
people of all ages, since we can find cameras even in our phones and we do not need to take them to<br />
anyone to develop, pictures are visible at the very minute we take them. For photographers showing<br />
their work has become much easier thanks to internet, they can send images to clients via email, import<br />
images into a range of computer applications to create magazines, newsletters and much more.<br />
The possibilities and accessibility we have now with digital photography are immense, you can even<br />
share the images with clients as you shoot. And this is just the start. Although this does not mean<br />
that things has gotten easier for photographers, now they have to learn about printers, technology,<br />
programs and stay as actualized as they can to keep up with the increasing industry, where everyday<br />
there is more competition.<br />
Prints are made by projecting the image<br />
from the film on light sensitised paper and<br />
the processing of it in a series of chemical<br />
baths.<br />
The developing and printing process is held<br />
inside a dark room to avoid extraneous<br />
light reaching the sensitised emulsions.<br />
36 37
ADVANTAGES OF DIGITAL PHOTOGRAPHY<br />
As you can see the process of getting an image is much more simpler and faster with analogue<br />
photography. Mostly because of this advantage of instant photography there are most professional<br />
photographers have switched to digital, although there are still some that keep using film. Digital<br />
cameras let you see the captured image within seconds of the exposure on their built-in LCD screen,<br />
or even before shooting with the Live View mode. If you know your camera settings well you can<br />
make use of the histogram displays to determine if the exposure is correct, and decide if you like to<br />
reshoot.<br />
Because images are captured as digital files and stored on removable media cards, unlike film, the<br />
cards are actually reusable. Once the files have been transferred to the computer, the images can<br />
be erased from the card and reuse it again. The images can also be copied and recopied without<br />
any loss of quality and even retouched several times without permanent damage to the original file<br />
(if use correctly the softwares).<br />
Nowadays all media like newspapers, magazines, books, and other printed materials as well as online<br />
resources use digital image files for their photographs. To meet this demand, most picture libraries<br />
only accept digital images. Although it is possible to scan film transparencies to create digital files,<br />
some people find it more practical to shoot digitally in the first place.<br />
ADVANTAGES OF ANALOGUE PHOTOGRAPHY<br />
First off analogue photography provides you with a lot more quality pictures than most digital camera<br />
can provide, the grain from film is not disturbing as in digital but rather pleasant. As film is was<br />
mainly developed to work under natural light condition you get much more richness of light in your<br />
images, and it does not blow out highlights as digital does. As well as dark areas are much more<br />
rich because with film you actually get a lot more texture of subjects in the image which gives the<br />
photography a lot more of character.<br />
There is a lot of time saving in post production of pictures, due that when you shoot in film cameras<br />
you have to know exactly what you want to get and set the exposure right which at the same time<br />
makes you a better photographer, because you learn to wait for the perfect composition and learn<br />
much more about manual focus.<br />
Can a lot more cheaper than digital, first because there is no need to change your camera, there are<br />
photographers that shoot incredible high quality pictures with cameras they have own during 10 or<br />
20 years. There is no need to get the newest camera. As well as fill is not as expensive nowadays,<br />
although this could change with the increasing popularity of analogue photography.<br />
THE CONCLUSION<br />
With our experience we can say that there are for sure certains advantages from both film and<br />
digital that suits perfectly for the needs of professional photographers. The great thing about digital<br />
photography is the ability to share fast your work to your clients, especially when you work under<br />
pressure of time. But we think that definitely film is still relevant for photographers today because it<br />
gives the opportunity to slow down and reinforce their knowledge and develop themselves better<br />
as photographers. But at the end is up to you to decide which one you like the best.<br />
38 39
Photographer<br />
Feature<br />
Barney Melton<br />
Original portraits<br />
Photography as we know it today has undergone<br />
through a series of changes, all of them involving<br />
unique processes that had allowed us to produced<br />
images repeatable. For Nottingham based commercial<br />
photographer Barney Melton who got his<br />
love for photography from his dad, also a commercial<br />
photographer and lecturer, the process in<br />
which we obtain images nowadays has lost somehow<br />
the sense of the one of a kind, of unrepeatable.<br />
This thought and and his love for traditional<br />
photography triggered his motivation to develop<br />
along with his father his most recent project: Original<br />
portraits.<br />
Original portraits aims to recover the special significance<br />
and “magic”, as they call it, of obtaining<br />
a one of a kind image with the use of traditional<br />
photographic methods rarely used today. There<br />
is a richness behind the process, explains Barney,<br />
the feeling and expectation you get<br />
while preparing each plate and while<br />
developing the picture is something<br />
that you don’t get with digital photography.<br />
Using a beautiful 1960’s English Ex-<br />
RAF 5x4 large format Technical Monorail<br />
camera made by MPP with a 70<br />
year old American Lens, Barney has<br />
been taking portraits of people living<br />
in Nottingham, every weekend for<br />
the last two years. Inside one of the<br />
exhibitions rooms of the well known<br />
Malt Cross pub, he and his dad installed<br />
every week a portable studio<br />
and darkroom ready to receive and<br />
photograph people of all ages who<br />
wanted to take with them a lasting<br />
and original memory. And with over<br />
500 portraits he is preparing a book<br />
and exhibition before he starts the<br />
second part of the project portraits<br />
using a 10x8 Kodak Eastman c.1916<br />
camera. “I never thought I will get<br />
that many people interested in the<br />
project and being photographed,<br />
the response of the people has been<br />
amazing, we have had the opportunity<br />
to meet so many great people<br />
and stories over this time is just been<br />
amazing”.<br />
Barney uses two different processes,<br />
the first one is the tintype, based on the wet plate<br />
collodion process used around 1851, but instead<br />
of glass he uses a sheet of metal previously coated<br />
with black paint and covers it with a thin layer<br />
of light sensitive emulsion (which he changes and<br />
proves every time) to then place the plate inside<br />
the camera. The second one is the positive paper<br />
in which he uses a special photographic light sensitive<br />
paper that once is processed in his portable<br />
darkroom yields a direct positive image, this means<br />
there is no negative involved.<br />
“Original portraits aims to recover<br />
the special significance and “magic”,<br />
as they call it, of obtaining a one of<br />
a kind image...”<br />
40 41
Having your picture taken is exciting, but you have<br />
to stay still till he triggers the camera, due the slow<br />
speed he uses in order to catch as much light as he<br />
can inside the camera. And as Barney explains you<br />
never really know how the picture is going look like<br />
until you see it appearing slowly in the developer.<br />
“Every portrait with the tintype is different like if<br />
they were sculpted, even if they are of the same<br />
person, each will have something unique, because<br />
sometimes the emulsion won’t react completely or<br />
can be times when there will be darker corners, is<br />
always an adventure. There are several portraits of<br />
my dad and I and all of them are different.”<br />
the plates I just love how unexpected and unique<br />
this process is”.<br />
Barney and Trevor truly believe that going back to<br />
the roots and revisiting the history of photography<br />
may help to find a way of re encounter the excitement<br />
and uniqueness that photography has to have<br />
especially in this modern times when everything is<br />
so rush and people don’t stop to look. So dare<br />
yourself and find ways to achieve make your photography<br />
unique and creative!<br />
Overall is noticeable when you see all the people<br />
that goes and wait to have their picture taken that<br />
Original Portraits projects is rescuing the value of<br />
the magical process that is involved with photography.<br />
“I think what I enjoy the most about doing this<br />
project is to see people’s reactions when they see<br />
their picture developing in front of them, and the<br />
feeling and excitement I get when I’m preparing<br />
42 43
Unstable<br />
Exhibition<br />
Review<br />
44 45
Unstable a photographic exhibitions part of the Format festival in Derby, one of the UK’s most important<br />
contemporary photography festivals nowadays, presented the work of five contemporary photographic<br />
artist. Unlike the concept of photography of representing a permanent record, all of the artist<br />
work showed a continuous state of change. Most of the work featured pictures that were unfixed as<br />
well as heat sensitive photographs.<br />
During the exhibition as visitors interact with the work the work keeps on transforming so it can be<br />
seen and feel at first hand, as visitors contribute to its destruction and experience the frustration of not<br />
being able to go back in time due the images disappear gradually from sight, at the end the works shifts<br />
the visitor understanding of the medium of photography as a record.<br />
Each of the five artists explored the loss of authenticity and how the photographic quality of an image<br />
can make it ephemeral instead of last forever.<br />
The exhibition displayed several techniques some of them know well and some others not so known<br />
but all them brought experimentation and something new to the well known process of photography<br />
and fixation. Among them they there were lumen prints, tintypes, cyanotypes & chemigrams, thermochromic<br />
ink over black and white photographs, anthotypes and transparencies.<br />
The experience itself of walk through the walls of the exhibition make one think about the ambiguous<br />
notion that even when light is the primary resource that creates a photography can be as well the thing<br />
that destroys it.<br />
A well recommended must see exhibition that let the visitor with a sense of the melancholy because<br />
reinforces the thought that in reality nothing ever stays the same, even something we thought could<br />
be forever changes and fades away. Furthermore this also relates with time and how momentary and<br />
sporadic something that give us excitement can be, how time can leave a mark and at the same time<br />
erase it from our memory or simple just changing completely and gradually one thing that we thought<br />
we knew for sure into nothing. Finally the work presented also a leaves in the visitors mind the metaphor<br />
as how important is to live in the present rather than rely or hold into the past too tight because it can<br />
fade away forever.<br />
Artists:<br />
Ky Lewis, Evanescent Growth, 2015.<br />
Jo Gane, Paul, 2011.<br />
Melanie King, Nothing Ever Stays The Same, 2015 - Preservation of memory, 2015<br />
Antony Carr, Lost moon, 2015.<br />
Nettie Edwards, Inedelieble Decay Inevitable, 2014 - How to loose ourselves and forget each other, 2014.<br />
46 47
EQUIPMENT REVIEW<br />
EQUIPMENT<br />
EQUIPMENT REVIEW<br />
REVIEW<br />
In this issue we will be talking about a good value lens with a great performance, the Canon EF<br />
85mm f/1.8 USM. A clear, light and practical medium telephoto lens ideal for portraiture but that<br />
can also be used for a variety of applications, that depending on the photographers preference, can<br />
include landscape, sports, interiors, close ups or texture photography.<br />
The Canon EF 85mm f/1.8 USM is a small and light yet extremely functional lens, don’t let its weight<br />
fools you, if you are looking for a good value and great performance in a small and light lens, this<br />
one is for you.<br />
Colour and bokeh<br />
All the images obtained with the Canon EF<br />
85mm f/1.8 USM are fantastic quality with a<br />
very good contrast and saturation of colours,<br />
saves time when post processing due little or<br />
no retouching of colours is needed.<br />
What I really like about this lens is the beautiful<br />
smooth backgrounds you can get, also known<br />
as bokeh, they blur away. Shallow depth of<br />
field. Sharp images<br />
A clear lens<br />
One of the advantages of the Canon EF 85mm<br />
f/1.8 USM is the full range of work you can do<br />
in different light conditions, even when dark or<br />
with poor light this lens really makes your pictures<br />
shine. The f/1.8 allows more light into your<br />
camera sensor and the fast focussing makes this<br />
lens perfect for interiors or indoors activities.<br />
Close ups and Macro<br />
The Canon EF 85mm f/1.8 USM is not suitable<br />
for macro shots, although you can get fairly<br />
close to an object you can not use it as a macro<br />
lens. But can be suitable for shapes or texture<br />
shoots or isolating pattern of a subject.<br />
Sharpness and focusing<br />
The beauty of this lens is that even with a shallow<br />
depth of field (f/1.8) you can still get very<br />
reasonable sharp images, and as you increase<br />
the f number the sharpness just get better and<br />
better. At its widest aperture the Canon EF<br />
85mm f/1.8 USM gives you sharpness, high contrast,<br />
no spherical aberration and accurate focus,<br />
while others lenses in the same conditions<br />
will produce much more defocused images.<br />
Besides great sharpness this lens is wonderful<br />
in terms of focusing, with its built in ultrasonic<br />
motor (USM ring). This soft ring make it really<br />
easy to handle when using manual focus and<br />
when using auto focus it is fast and quiet. Gently<br />
movements of the ring will get you a great<br />
picture.<br />
Favorite aspects and<br />
final veredict<br />
Every aspect of this lens is a plus and it definitely<br />
worths the money you spend on it. For<br />
being such a small and light lens you can take<br />
it everywhere and enjoy its applications, even<br />
better this lens is also brilliant for film.<br />
Overall the Canon EF 85mm f/1.8 USM is must<br />
have, because it will give you excellent quality<br />
photographies while you avoid the weight of a<br />
far more expensive lens.<br />
Portrait of a Harris Hawk (Parabuteo unicintus)<br />
Detail of feathers (Parabuteo unicintus)<br />
48 49
HOW TO...<br />
REFERENCES<br />
In this how to, you will learn how fast and easy can be to create a good quality<br />
cutout usig Photoshop CC. Just follow this simple steps:<br />
Ilar, J. (1998). Why It Is Important to understand animal behavior. 39 (1): 20-26.doi: 10.1093/<br />
ilar.39.1.20 This article appears in:Animal Well-being: Immune Function, Behavior, Morphology, and<br />
Psychoneuroimmunology<br />
Step 1:<br />
Once you photo is open a ready create<br />
a background copy with a new layer<br />
dragging with your mouse your actual<br />
background layer down to the create a<br />
new layer icon. After this, use this layer<br />
copy to do all your work.<br />
With the help of the quick selection<br />
tool, select the area that you want to<br />
be cut.<br />
Step 3:<br />
On the Photoshop toolbar click on select<br />
and then click on refine mask a box will<br />
appear in which you can select the background<br />
best suits for you to view your image<br />
and how much you need to refine it.<br />
Everyone has its own preferences but we<br />
recommend you to pick one depending<br />
on whether you can see a lot of the edge<br />
or not much, is usually better to choose a<br />
view that will let you see a lot of the edge<br />
of your cutout so you can refine it better,<br />
for most of the purposes overlay view<br />
works perfect.<br />
Step 2:<br />
When you are happy with your selection<br />
click the quick mask icon, and immediately<br />
you will see the result of your cutout.<br />
Don’t worry if you are not happy with<br />
your first selection and the resulting cutout<br />
because you can refine this selection.<br />
Move around the radius and for adjusting<br />
how sharp you want it to be and then<br />
play around with the edges adjustments,<br />
as you will be able to see how the image<br />
changes and get better. Finally click OK,<br />
and save it as a PNG without flattening<br />
the layers. You will get a clean cutout with<br />
a transparent background.<br />
Birkett LP, Newton-Fisher NE. (2011). How Abnormal Is the behaviour of captive, zoo-Living chimpanzees?<br />
PLoS ONE 6: e20101. doi:10.1371/journal.pone.0020101<br />
Rendón, M. A., A. Garrido, J. M. Ramírez, M. Rendón-Martos, and J. A. Amat. (2001). Despotic<br />
establishment of breeding colonies of greater flamingos, Phoenicopterus ruber, in southern Spain.<br />
Behav Ecol Sociobiol 50:55–60.<br />
Fox, D. L. (1962). Metabolic fractionation, storage and display of carotenoid pigments by flamingoes.<br />
Comparative Biochemistry and Physiology.6:1–24<br />
Fox, D. L. A. A. Wolfson and J. W. McBeth. (1969). Metabolism of the B-carotene in the American<br />
Flamingo, Phoenicopterus ruber. Comp. Biochem. Physiol. 29: 1223 to 1229.<br />
Zweers, G, F. De Jong and H. Berkhoudt. (1995). Filter feeding in flamingos (Phoenicopterus ruber.<br />
The Condor 97:1297-324<br />
Swihart, S. L (1967). “Hearing in butterflies”. Journal of Insect Physiology 13 (3): 469–472.<br />
Hirota, Tadao; Yoshiomi, Yoshiomi (2004). “Color discrimination on orientation of femaleEurema<br />
hecabe (Lepidoptera: Pieridae)”. Applied Entomology and Zoology 39 (2): 229–233.<br />
DEVRIES, P. J. and WALLA, T. R. (2001), Species diversity and community structure in neotropical<br />
fruit-feeding butterflies. Biological Journal of the Linnean Society, 74: 1–15.<br />
Wassenaar, L.I.; Hobson, K.A. (1998). “Natal origins of migratory monarch butterflies at wintering<br />
colonies in Mexico: new isotopic evidence”. Proc. Natl. Acad. Sci. U.S.A. 95(26): 15436–9.<br />
Prum, Ro; Quinn, T; Torres, Rh (Feb 2006). “Anatomically diverse butterfly scales all produce structural<br />
colours by coherent scattering” (FREE FULL TEXT). The Journal of experimental biology 209 (Pt<br />
4): 748–65.<br />
Gibo, David L. 1972. “Hibernation sites and temperature tolerance of two species ofVespula and<br />
one species of Polistes.” New York Entomological Society, 80: 105-108.<br />
Kelsey, Paul M. 1968. “Hibernation and winter withdrawal.” The Conservationist, Oct.-Nov.<br />
Palmer, E. Laurence. 1957. “Insect life in winter.” Nature Magazine, January.<br />
50 51
Technical data<br />
Butterflies Wonders<br />
Owl Butterfly (Caligo eurilochus)<br />
ISO 400<br />
50 mm Macro<br />
1/25<br />
f/7.1<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
Butterflies Wonders<br />
Black Swallowtail<br />
(Papilio rumanzovia)<br />
ISO 800<br />
40 mm<br />
1/60<br />
f/6.4<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
Butterflies Wonders<br />
Monarch Butterfly<br />
(Danaus plexippus)<br />
ISO 800<br />
50 mm Macro<br />
1/80<br />
f/5.0<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
Butterflies Wonders<br />
Owl Butterfly (Caligo eurilochus)<br />
ISO 100<br />
65 mm Macro<br />
1/160<br />
f/16<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
Butterflies Wonders<br />
Citrus Swallowtail<br />
(Papillio demodocus)<br />
ISO 1000<br />
50 mm Macro<br />
1/50<br />
f/8.0<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
*Not Marked<br />
Butterflies Wonders<br />
Wing of Butterfly close up<br />
ISO 800<br />
50 mm Macro<br />
1/50<br />
f/10<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
*Not Marked<br />
Butterflies Wonders<br />
Pupae<br />
ISO 1000<br />
50 mm Macro<br />
1/50<br />
f/8.0<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
Butterflies Wonders<br />
Owl Butterfly wing<br />
(Caligo eurilochus)<br />
ISO 1000<br />
50 mm Macro<br />
1/50<br />
f/8.0<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
52 53
Spring in the Cities: Urban<br />
Insects<br />
Hive Bee (Apis mellifera)<br />
ISO 250<br />
40 mm<br />
1/320<br />
f/7.1<br />
Cambridge botanical gardens<br />
Cambridge<br />
Spring in the Cities: Urban<br />
Insects<br />
Bee on flower of Chrry tree<br />
(Prunus sp.)<br />
ISO 200<br />
50 mm Macro<br />
1/160<br />
f/16<br />
The University of Nottingham<br />
Nottinghamshire<br />
Spring in the Cities: Urban<br />
Insects<br />
Siberian Squill (Scilla siberica)<br />
ISO 250<br />
40 mm<br />
1/320<br />
f/16<br />
Cambridge botanical gardens<br />
Cambridge<br />
Spring in the Cities: Urban<br />
Insects<br />
Florew Beetle visiting a cherry<br />
tree (Prunus sp.)<br />
ISO 100<br />
50 mm Macro<br />
1/320<br />
f/7.1<br />
The University of Nottingham<br />
Nottinghamshire<br />
Spring in the Cities: Urban<br />
Insects<br />
Ladybug (Coccinellidae)<br />
ISO 400<br />
50 mm Macro<br />
1/60<br />
f/8.0<br />
Cambridge botanical gardens<br />
Cambridge<br />
Cambridge Botanical garden<br />
Advert<br />
Slender palm lily<br />
(Cordyhne stricta)<br />
ISO 500<br />
50 mm Macro<br />
1/100<br />
f/8.0<br />
Cambridge botanical gardens<br />
Cambridge<br />
Spring in the Cities: Urban<br />
Insects<br />
Cherry tree with bees visiting<br />
(Prunus sp.)<br />
ISO 100<br />
50 mm Macro<br />
1/320<br />
f/7.1<br />
The University of Nottingham<br />
Nottinghamshire<br />
The American Flamingo<br />
American Flamingo<br />
(Phoenicopterus ruber)<br />
ISO 160<br />
400 mm<br />
1/640<br />
f/7.1<br />
WWT Slimbridge Wetlands<br />
Slimbridge<br />
*Not Marked<br />
54 55
The American Flamingo<br />
American Flamingo<br />
(Phoenicopterus ruber)<br />
ISO 160<br />
400 mm<br />
1/1000<br />
f/5.6<br />
WWT Slimbridge Wetlands<br />
Slimbridge<br />
The American Flamingo<br />
American Flamingo<br />
(Phoenicopterus ruber)<br />
ISO 160<br />
17 mm<br />
1/250<br />
f/16<br />
WWT Slimbridge Wetlands<br />
Slimbridge<br />
The American Flamingo<br />
American Flamingo<br />
(Phoenicopterus ruber)<br />
ISO 160<br />
400 mm<br />
1/1000<br />
f/5.6<br />
WWT Slimbridge Wetlands<br />
Slimbridge<br />
Doncanster Zoo<br />
Wallaby (Macropus sp)<br />
ISO 640<br />
171 mm<br />
1/500<br />
f/6.3<br />
Doncaster Zoo<br />
Yorkshire<br />
The American Flamingo<br />
American Flamingo<br />
(Phoenicopterus ruber)<br />
ISO 250<br />
400 mm<br />
1/200<br />
f/16<br />
WWT Slimbridge Wetlands<br />
Slimbridge<br />
Peak District Advert<br />
ISO 320<br />
40 mm<br />
1/80<br />
f/11<br />
Padley George<br />
Peak Dsitrict National Park<br />
Derbyshire<br />
The American Flamingo<br />
American Flamingo<br />
(Phoenicopterus ruber)<br />
ISO 160<br />
400 mm<br />
1/800<br />
f/5.6<br />
WWT Slimbridge Wetlands<br />
Slimbridge<br />
Butterflies Wonders<br />
ISO 640<br />
50 mm Macro<br />
1/125<br />
f/5.6<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
56 57
WWT Slimbridge Wetlands<br />
Advert<br />
Ruddy Shelduck<br />
(Tandorna ferruginea)<br />
ISO 200<br />
251 mm<br />
1/250<br />
f/5.6<br />
WWT Slimbridge Wetlands<br />
Slimbridge<br />
Birds of Prey Centre Advert<br />
Red Kite (Milvus milvus)<br />
ISO 500<br />
400 mm<br />
1/640<br />
f/7.1<br />
International Birds of prey centre<br />
Newent<br />
Gloucestershire<br />
How to...<br />
ISO 800<br />
40 mm Macro<br />
1/320<br />
f/9.0<br />
Stratford Upon-Avon Butterfly<br />
Farm<br />
Warwickshire<br />
Birds of Prey Centre Advert<br />
Red Kite (Milvus milvus)<br />
ISO 500<br />
149 mm<br />
1/320<br />
f/7.1<br />
International Birds of prey centre<br />
Newent<br />
Gloucestershire<br />
Birds of Prey Centre Advert<br />
Lanner Falcon (Falco biarmicus)<br />
ISO 200<br />
400 mm<br />
1/320<br />
f/5.6<br />
International Birds of prey centre<br />
Newent<br />
Gloucestershire<br />
Birds of Prey Centre Advert<br />
Bird Expert<br />
ISO 320<br />
400 mm<br />
1/160<br />
f/7.1<br />
International Birds of prey centre<br />
Newent<br />
Gloucestershire<br />
*Not Marked<br />
Birds of Prey Centre Advert<br />
Great Horned Owl<br />
(Bubo Virginianus)<br />
ISO 320<br />
400 mm<br />
1/160<br />
f/7.1<br />
International Birds of prey centre<br />
Newent<br />
Gloucestershire<br />
ISO 200<br />
Nottingham city center<br />
Nottinghamshire<br />
58 59
ISO 200<br />
Wolfscote Dale<br />
Peak District<br />
Unstable Exhibition Review<br />
ISO 800<br />
40 mm<br />
1/80<br />
f/5.6<br />
Format Exhibition<br />
Derbyshire<br />
*Not Marked<br />
ISO 200<br />
Wolfscote Dale<br />
Peak District<br />
Fotographer Feature<br />
Tintypes<br />
ISO 1250<br />
40 mm<br />
1/500<br />
f/6.3<br />
Malt Cross Nottingham<br />
Nottinghamshire<br />
Unstable Exhibition Review<br />
ISO 800<br />
40 mm<br />
1/80<br />
f/5.6<br />
Format Exhibition<br />
Derbyshire<br />
Fotographer Feature<br />
Barney taking a picture<br />
ISO 1250<br />
40 mm<br />
1/30<br />
f/4.0<br />
Malt Cross Nottingham<br />
Nottinghamshire<br />
Unstable Exhibition Review<br />
ISO 800<br />
40 mm<br />
1/80<br />
f/5.6<br />
Format Exhibition<br />
Derbyshire<br />
Fotographer Feature<br />
Photo wash<br />
ISO 1250<br />
40 mm<br />
1/200<br />
f/4.0<br />
Malt Cross Nottingham<br />
Nottinghamshire<br />
*Not Marked<br />
60 61
Fotographer Feature<br />
Barney fixing a tintype<br />
ISO 1250<br />
17 mm<br />
1/100<br />
f/4.5<br />
Malt Cross Nottingham<br />
Nottinghamshire<br />
Animal behaviour in Zoos<br />
Enclousure of polar bear<br />
(Ursus maritimus)<br />
ISO 320<br />
29 mm<br />
1/400<br />
f/10<br />
Doncaster Zoo<br />
Yorkshire<br />
Fotographer Feature<br />
Barney taking a portrait<br />
ISO 1250<br />
35 mm<br />
1/125<br />
f/4.0<br />
Malt Cross Nottingham<br />
Nottinghamshire<br />
Animal behaviour in Zoos<br />
Enclousure of Amur Leopard<br />
ISO 640<br />
17 mm<br />
1/500<br />
f/10<br />
Doncaster Zoo<br />
Yorkshire<br />
Animal behaviour in Zoos<br />
King vulture (Sarcoramphus papa)<br />
ISO 500<br />
297 mm<br />
1/800<br />
f/5.6<br />
Doncaster Zoo<br />
Yorkshire<br />
Animal behaviour in Zoos<br />
Amur Leopard presenting pasing<br />
behaviour (Panthera pardus)<br />
ISO 640<br />
26 mm<br />
1/250<br />
f/9.0<br />
Doncaster Zoo<br />
Yorkshire<br />
Animal behaviour in Zoos<br />
Lemurs<br />
ISO 320<br />
171 mm<br />
1/200<br />
f/6.3<br />
Doncaster Zoo<br />
Yorkshire<br />
Animal behaviour in Zoos<br />
Amur Leopard with pasing behaviour<br />
(Panthera pardus)<br />
ISO 640<br />
198 mm<br />
1/400<br />
f/6.3<br />
Doncaster Zoo<br />
Yorkshire<br />
62 63
Front cover<br />
Yellow Mangoose<br />
(Cynictis penicillata)<br />
ISO 320<br />
183 mm<br />
1/800<br />
f/7.1<br />
Doncaster Zoo<br />
Yorkshire<br />
How to<br />
Canon 85mm Lens<br />
ISO 100<br />
40 mm<br />
1/200<br />
f/20<br />
The University of Nottigham<br />
Nottinghamshire<br />
Front cover<br />
Amerincan Flamingo<br />
(Phoenicopterus ruber)<br />
ISO 160<br />
400 mm<br />
1/800<br />
f/5.6<br />
WWT Slimbridge Wetlands<br />
Slimbridge<br />
How to<br />
Canon 85mm Lens<br />
ISO 100<br />
40 mm<br />
1/200<br />
f/20<br />
The University of Nottigham<br />
Nottinghamshire<br />
Back cover<br />
ISO 160<br />
17 mm<br />
1/250<br />
f/10<br />
Padley George<br />
Peak Dsitrict National Park<br />
Derbyshire<br />
How to<br />
Harris Hawk<br />
(Parabuteo unicinctus)<br />
ISO 200<br />
85 mm<br />
1/2500<br />
f/2.5<br />
Ruddington<br />
Nottinghamshire<br />
Back cover<br />
Golden eagle (Aquila chrysaetos)<br />
ISO 200<br />
85 mm<br />
1/200<br />
f/6.3<br />
Ruddington<br />
Nottinghamshire<br />
How to<br />
Wing of a Harris Hawk<br />
(Parabuteo unicinctus)<br />
ISO 200<br />
85 mm<br />
1/320<br />
f/6.3<br />
Ruddington<br />
Nottinghamshire<br />
64 65
GUESS THE SPECIES<br />
Maricela Rivera 4228284<br />
Profesional Techniques in the field C14204<br />
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