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<strong>TERRA</strong><br />

ANIMAL<br />

BEHAVIOUR<br />

IN ZOOS<br />

FLAMINGO SPECIAL<br />

1


CONTENT<br />

6<br />

Animal<br />

Behaviour in<br />

zoos<br />

Butterflies<br />

wonders<br />

14<br />

28<br />

Film or Digital<br />

The American<br />

Flamingo<br />

34<br />

22<br />

Spring in the<br />

cities:<br />

40<br />

Photographer<br />

Feature<br />

Barney Melton<br />

Urban insects<br />

2 3


44<br />

Product<br />

Review:<br />

Canon EF 85<br />

mm<br />

Unstable:<br />

Exhibition<br />

Review<br />

48<br />

NOTE FROM THE EDITOR<br />

Dear Reader,<br />

My passion in the last years for conservation biology<br />

and photography developed in me the ambition<br />

to be able to get to the public the important<br />

message about how important is to preserve our<br />

environment. And of course we can not preserve<br />

our environment if we do not know what is inside<br />

it. This is a compilation of many important biological<br />

events and creatures that I hope you find<br />

interesting.<br />

As well as interesting topics about our planet<br />

wildlife and conservation, there is a section dedicated<br />

to the art of photography per se and the<br />

techniques you could use in order to become a<br />

better photographer.<br />

I hope you enjoy the colourful sections this magazine<br />

has reserved for you and that every picture<br />

and text give you more reasons to be curious about exploring the world at your feet and the<br />

wonders of nature you can enjoy!<br />

50<br />

How to:<br />

Do a cutout<br />

Sincerely,<br />

Maricela Rivera<br />

Editor<br />

Tintype courtesy of Barney Melton<br />

4 5


BUTTERFLY<br />

WONDERS<br />

Butterflies are among the most diverse,<br />

widespread and widely recognizable<br />

group of insects in the world, with about<br />

20,000 identified species and more being<br />

described every day. Alongside moths,<br />

butterflies are classified inside the a very<br />

large group of insects known as Lepidoptera<br />

which contains, after beetles, more<br />

species of butterflies and moths than any<br />

other group of insects in the world with an<br />

estimated of 150,000 known species. The<br />

word Lepidoptera comes from the Greek<br />

word Lepidos which means “scale wings”<br />

and describes how the wing structure of<br />

this insect’s is constructed.<br />

Owl Butterfly (Caligo eurilochus)<br />

TAKE IN A VIEW<br />

YOU WILL NEVR<br />

FORGET...<br />

Close up of the wing of the Owl Butterfly (Caligo eurilochus)<br />

Their wings are covered<br />

by thousands of tiny scales<br />

overlapping in rows. Depending<br />

on the patterns in<br />

which they are distributed<br />

in the wing and their structure,<br />

scales are responsible<br />

for the butterflies unique<br />

bright colours. These scales<br />

are pigmented with melanin,<br />

responsible for the blacks<br />

and browns, but their microstructure<br />

and how the<br />

stacater light is the most<br />

important role in how the<br />

colour patterns of butterflies<br />

wings are created.<br />

6 7


“Their wings are covered by thousands of tiny scales<br />

overlapping in rows”.<br />

Butterflies can be found worldwide except<br />

on the Antarctica, and they come in a variety<br />

of sizes, the world’s smallest known species<br />

has a wingspan of just over half an inch while<br />

the largest known species can measure up to<br />

twelve inches from wingtip to wingtip. Their<br />

habitat can include places high in the mountains<br />

as well as sea level areas including environments<br />

hot, cold, dry, or moist as they are well<br />

adapted insects. Most butterfly species, however,<br />

are found in tropical areas, especially in<br />

tropical rainforests.<br />

Butterflies present a really interesting life cycle<br />

that includes a complete metamorphosis, this<br />

means that the butterfly changes completely<br />

from its early larval stage, as a caterpillar, until<br />

the final stage, when it becomes a beautiful and<br />

graceful butterfly. This life cycle has four define<br />

stages: egg, larva, pupa, and adult.<br />

Black Swallowtail (Papillio demodocus) caterpillar<br />

8 9


Butterfly eggs are really small, depending on<br />

the species they can be round, cylindrical or<br />

oval and they also vary in color. After mating,<br />

the female butterfly will attach the fertilized<br />

eggs to leaves or stems of plants that will also<br />

serve as a source of food for the larvae when<br />

they hatch.<br />

Once the caterpillar has hatched its main activity<br />

will revolve around eating and with a<br />

voracious appetite they eat almost constantly,<br />

this allows the caterpillar to grow considerably<br />

within a few days.<br />

As they grow their outer skin or exoskeleton<br />

does not grow or stretch along, instead its<br />

shedded in a process called molting and replaced<br />

by a new larger exoskeleton. Once they<br />

have reached about four or five molts they enter<br />

the next stage, pupa or chrysalis. The caterpillar<br />

attaches itself to a support, a wall or twig,<br />

and the exoskeleton splits open to reveal the<br />

chrysalis that hangs down until the transformation<br />

to butterfly is complete. Depending on the<br />

species, the pupal stage can last from just a few<br />

days more than a year.<br />

Close up of the Owl Butterfly (Caligo eurilochus) eyes and feeding tube<br />

Black Swallowtail (Papilio rumanzovia) mating<br />

Once the transformation is complete, the chrysalis<br />

splits and the adult butterfly emerges, it will then<br />

eventually mate and the life cycle will start over<br />

again. The average lifespan for an adult butterfly is<br />

20 to 40 days, however most adult butterflies will<br />

live only a week or two, although a few species could<br />

live as long as 18 months (when hibernate as adults)<br />

or as little as three or four days.<br />

Unlike caterpillars an adult butterfly only feed<br />

from various liquids they take through a tube-like<br />

tongue known as proboscis that uncoils to drink<br />

the liquid up and then coils up again into a spiral<br />

when the butterfly is not feeding. Most butterflies<br />

have a diet based on flower nectar from which<br />

they obtain sugars for energy, sodium and other<br />

minerals vital for its reproduction, however some<br />

species also include in their diet liquids from rotting<br />

fruit, trees exude, pollen, decaying flesh, dissolved<br />

minerals in wet sand or dirt or even animal dung.<br />

All of this variety in their diet is important especially<br />

for those species that can not obtain enough<br />

sodium from nectar, most times they get attracted<br />

by sodium in salt or even land on people attracted<br />

by the salt in human sweat.<br />

Butterflies senses are well developed, the antenna<br />

for example comes in many shapes and colours and<br />

are richly covered with sensory organs known as<br />

sensillae which help the butterfly to sense the air<br />

for wind and scents. Vision is also well developed<br />

too in butterflies and most species are sensitive<br />

to the ultraviolet spectrum, even though color vision<br />

has been demonstrated in only a few species.<br />

Sound as well can be sensed by some butterflies<br />

that have hearing organs and are also known to<br />

make stridulatory and clicking sounds.<br />

Wonderfully many butterflies are migratory<br />

and capable of long distance flights. This<br />

behaviour reflects the necessity to avoid adverse<br />

environmental conditions like cold weather and<br />

find warmer areas. Most migratory species like the<br />

painted lady, the red admiral, the common buckeye<br />

and cabbage butterfly fly relatively short distances<br />

with just a few hundred miles, while others such<br />

as the monarch can make incredible journeys and<br />

travel thousands of miles about 1,200 and 2,800.<br />

Precisely this marvelous migratory phenomenon of<br />

monarchs is consider as the world’s most spectacular<br />

and conspicuous long distance insect migration,<br />

and therefore has been one of the most studied<br />

and documented along many years not only to explain<br />

the behaviour but also because of the conservation<br />

implications and threats they have been<br />

facing during the years.<br />

10 11


This magnificent journey begins before the autumn<br />

cold sets in the northern United States and Canada<br />

heading south towards central Mexico forests,<br />

feeding on nectar along the way and traveling during<br />

the day as they use the sun to orient themselves.<br />

Once they arrive they hibernate till is time to fight<br />

back. Few of the original adults actually complete<br />

the trip home. Instead, the females mate and lay<br />

eggs along the way and their offspring finish this<br />

incredible journey.<br />

However there are several threats monarchs population<br />

face like habitat loss both in summer breeding<br />

areas and in overwintering areas due to extensively<br />

farming and tourism activities, global warming that<br />

disrupt their annual migration pattern, pesticides<br />

used on crops and introduction of invasive plants<br />

that decrease the availability of their primary food<br />

source, the milkweed plant. Sadly these threats are<br />

not exclusive to monarch butterflies, most of the<br />

known species of butterflies face one or more, if<br />

not all, of the same conservation problems monarch<br />

does, which threaten the existence of the species<br />

itself.<br />

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Monarch Butterfly (Danaus plexippus)<br />

Over the years without noticing it human population<br />

growth has increase the pressure over most<br />

of the habitats of this insects that are extremely<br />

important for pollination and conservation of plant<br />

biodiversity. Now with the increasing and extensive<br />

use of herbicides and pesticides the life cycle of<br />

butterflies are being interrupted. Luckily thanks to<br />

the tracing and interests in research the monarch<br />

butterflies has got many conservation projects are<br />

starting to launch towards the regeneration of local<br />

flora and elimination of invasive species, use of less<br />

herbicides and pesticides and preservation of vast<br />

areas of forest that contains not only butterflies<br />

but other important fauna and flora essential to the<br />

ecological cycle of an area, and specially projects<br />

around educating people about this magnificent<br />

group of insects. Educational projects includes the<br />

construction of butterflies farms that usually holds<br />

a variety of butterflies species from around the<br />

world so people that does not have the opportunity<br />

can get close to admire their beauty and at the<br />

same time learn about their behaviours, habits and<br />

importance. Furthermore as the knowledge about<br />

butterflies increases the educational centers for the<br />

public are built over more and more areas so every<br />

time is more people around the world who gets to<br />

understand about the wonders of butterflies.<br />

For get more involved in things you can do or get<br />

to know about the conservation projects being<br />

held near your local area you can visit http://butterfly-conservation.org/<br />

a UK leading network of<br />

butterflies conservationists who are dedicated to<br />

educate and preserve butterflies habitats safe so<br />

future generations can also enjoy the rejoicing ons<br />

gets when seein a butterfly in the wild.<br />

http://www.wwt.org.uk/wetland-centres/slimbridge/<br />

12 13


ANIMAL<br />

BEHAVIOUR<br />

IN ZOOS<br />

Humanity has always been fascinated<br />

about wild animals, throughout<br />

history wild animals have been captured<br />

by as a form of reinforce people’s<br />

believe that they are dominant<br />

over animals and nature. Besides<br />

this, animals have been used by human<br />

as an entertainment, examples<br />

of this come from Ancient Rome<br />

where animals were forces to fight<br />

till modern day zoos, aquariums or<br />

circus.<br />

Nowadays there are over 100 zoos<br />

and wildlife collections around the<br />

word, not counting the small zoos<br />

that exists in distant parts of the<br />

world and that maybe not even<br />

been legal register. Ever since the<br />

appearance of zoos it has been<br />

a debate whether or not they are<br />

safe places to keep wild animals, but<br />

most important if this is necessary.<br />

Few zoos in the world provide quality<br />

care for their animals and place<br />

a high priority on animal welfare,<br />

however most of zoos do not provide<br />

adequate care for the animals<br />

and do not even think about their<br />

welfare and not even work towards<br />

educate people about conservation,<br />

although they will list these as justifications<br />

for keeping the zoo open.<br />

For most zoos, animals are a mere<br />

entertainment and easy money, just<br />

seeing an animal in a zoo does little<br />

to educate people. Keeping animals<br />

in confined areas, without the<br />

ability to pursue natural behaviours<br />

does nothing to educate except to<br />

to show certain characteristics.<br />

14 15


Wild animals needs large quantities of space in<br />

order to be healthy, so the ideal is that zoos<br />

provide as much space as they can to simulate<br />

their natural environment.However like said<br />

before even in large spaces of enclosure wild<br />

animals can develop this behavioural patterns,<br />

especially big mammals that in the wild would<br />

normally have a range of movement of thousand<br />

of miles. Leopards for example, a solitaire big<br />

cat known for moving thousands of miles they,<br />

can’t be in a small enclosures and even worst<br />

with another leopard.<br />

Like said before there are few zoos that try to<br />

provide a habitat as similar possible to the animal’s<br />

natural habitat, and provide for its behavioural<br />

and psychological needs. But even this good quality<br />

zoos and all of the effort to provide a natural<br />

environment, if the animals are not in their natural<br />

habitats is obvious they will not be capable<br />

of performing their natural behaviours. Most wild<br />

animals kept in captivity, even in big zoos, develop<br />

certain behavioural patterns that indicate their<br />

needs are not being met and their stress. These<br />

behaviours include pacing, bar-biting, circling, repetitive<br />

head-swaying, aggression, Coprophagia<br />

(Consuming and playing with excrement), excessive<br />

grooming, vomiting, frequent licking and<br />

self-mutilation.<br />

These are known as abnormal repetitive behaviour<br />

(ARB), and can vary depending on the animal<br />

and the circumstances, some can be seen as laid<br />

back and relaxed, like the pacing, and others can<br />

be really frantic, like twirl repeatedly or non stop<br />

biting. These neurotic and atypical behaviors occur<br />

as a result of boredom, depression, frustration, a<br />

lack of mental and physical enrichment, and removal<br />

from their natural habitat and social structures<br />

because in captivity, wild animals face challenges<br />

for which they’re not prepare, many things<br />

can be different even if the simulation of habitat is<br />

good, zoos normally keep wild animals from many<br />

parts of the world. So the climate, diet and the<br />

size and characteristics of the enclosure may be<br />

completely alien to the species as it exists in the<br />

wild. Furthermore animals are no longer able to<br />

have complete control over their environment because<br />

they no longer rely on themselves in order<br />

to obtain food or other physiological needs, but<br />

they rely on humans.<br />

As our knowledge is constantly increasing we now<br />

understand many things about animal behaviour it<br />

is important to address this knowledge into make<br />

people understand that keeping animals in captivity<br />

can, and does, cause immense mental suffering<br />

to the species. Sure people can argue about<br />

the importance of zoos to educate people about<br />

all of the different species of animals out there<br />

in the world. But even the best zoos can’t house<br />

an animal maximizing the they will have their own<br />

species behaviour and at the same time minimizing<br />

their stress and induced behaviours, because like<br />

it or not a setup environment will always be different<br />

from the habitat in which animals evolved.<br />

16 17


As our knowledge is constantly increasing we<br />

now understand many things about animal behaviour<br />

it is important to address this knowledge<br />

into make people understand that keeping<br />

animals in captivity can, and does, cause<br />

immense mental suffering to the species. Sure<br />

people can argue about the importance of<br />

zoos to educate people about all of the different<br />

species of animals out there in the world.<br />

But even the best zoos can’t house an animal<br />

maximizing the they will have their own species<br />

behaviour and at the same time minimizing<br />

their stress and induced behaviours, because<br />

like it or not a setup environment will<br />

always be different from the habitat in which<br />

animals evolved.<br />

So we should start looking forward into transform<br />

slowly our thinking, that we do not need zoos as<br />

much, and slowly transform our thinking that we<br />

do not need that animals to entertain us, instead<br />

we should look at animals as delicate species that<br />

need our help and understanding rather than our<br />

indifference. We must understand that we are not<br />

the only one who inhabit the earth, we share this<br />

world with millions of different species and we<br />

must respect their space as much as we want our<br />

neighbours respect our spaces when we live in a<br />

community. The dynamics we have with animals<br />

should be the same as the ones we have with ourselves,<br />

but till we don’t understand that we can<br />

not control nature, we will continually to damage<br />

the habitats of thousand of species.<br />

18 19


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20 21


Spring in the cities:<br />

Urban insects<br />

CITIES as we know are the places where human population has had most of their development<br />

and are increasingly growing. Normally when talking about cities and its inhabitants people<br />

think about other people who lives inside the city skyscrapers and houses, but the truth is that there<br />

are much more diversity in our cities than we imagine. The term urban wildlife became popular<br />

over some years ago and it defines the all of the animals and plants that can live inside a city or an<br />

urban environment.<br />

Usually when thinking in urban wildlife what comes first to mind are birds and mammals, maybe reptiles<br />

and amphibians that had adapted themselves to the changes their habitats have gone through<br />

the development of cities. But what most of people forget about a special group of the animal kingdom<br />

that are the most well adapted to our urban environments, insects. They are supremely well<br />

adapted to city life, brownfields, parks, meadow, our gardens and even the inside our homes can be<br />

used by them as a foraging ground. Because cities and their constructions sometimes offer a warmer<br />

climate insects can come and go more easily around the year.<br />

22 23


Like for us winter can be tough for a small insect, but they incredible life cycle and adaptations have<br />

allowed the to synchronize their adult and reproductive stage with the beginning a warmer season,<br />

spring. So even when we do not see them during winter insects usually go through it in a resting<br />

stage, as eggs, larvae or as pupae. This strategies besides migration, for example the monarch butterfly,<br />

have allowed them to stay active even when temperatures drop below freezing, dragonflies<br />

larvae for example, called nymphs, are aquatic and can remain quite active feeding as much as they<br />

can during the winter period, as long as the water from ponds and streams does not freeze completely.<br />

Many other larvae of insects are hiding or even eating in micro-habitats like buried under<br />

the soil, under logs and inside them, rocks, pile of fallen leaves, near windowsills, eaves, and even<br />

inside attics of houses, all of this providing protections against cold air. Eggs usually are deposited in<br />

branches plants or near places where can found food once they complete their development, as well<br />

as pupae, eggs offer a safe and cover environments from the low temperatures. During this stage<br />

of their life cycle they hardly move but they are developing parts like wings or antennae that will be<br />

essential for their new adult stage.<br />

On the other hand some adults insects are known for their “hibernation” where they suspend their<br />

grow or development keeping a metabolic rate high enough to keep them alive, although the right<br />

term is diapause, many people compare this behaviour to the one that mammals and warm blooded<br />

animals has. The ladybug beetles for example congregate in big numbers during the fall and hide in<br />

a warm place, wasps as well seek shelter in the attics of houses or barns, bees though stay inside<br />

their hives or hollow trees and generate body heat by vibrating their wing muscles and consuming<br />

up to 15 Kg of stored honey.<br />

Insects are true survivors and when the temperatures start increasing welcoming the spring cities<br />

burst with a variety of insects that were waiting for winter to end. Eggs and pupae complete their<br />

development and the beautiful adults that emerge from the pupae are ready to mate. Spring brings<br />

with it flourishing life, with plants whose seeds were waiting to grow and with flowers everywhere<br />

offering insects vast sources of food you can see that they enjoy spring as much as we do.<br />

Is a well known fact that people in the cities enjoy when being outside and are near nature, that<br />

is why we plant seeds that we know will grow flowers, because their colours make us feel happy.<br />

In that sense our urban gardens and window boxes which we try to keep on bloom all year round<br />

provides insects with a varied, year-long supply of food. And is important that we keep doing that<br />

because our flowers or vegetables patches help insects avoid crops contaminated with herbicides<br />

or pesticides that could kill them. The increasing development of greener cities around the word is<br />

will be in the future very important in supporting insect diversity. The rise in urban beekeeping, for<br />

example, has led to an increase in urban colonies that is helping to maintain populations stable, due<br />

they don’t have to be in touch with harmful pesticides. Surely people are wondering why insects<br />

are so important, they are so tiny that people sometimes just forget about them. The truth is that<br />

without insects, we wouldn’t be here, because their role is vital to the survival of our crops, insects<br />

are one of the major pollinators out there, and thanks to their job plant species can survive and disperse<br />

their population. They are also the major source of food for many other species of birds, fish,<br />

amphibian and reptiles who sometimes depends solely from insects and their abundance to survive.<br />

24 25


Insects are there in our cities, making sure our gardens and parks stays pretty while they pollinate<br />

them, and most of the time we do not notice them because they can be hiding underneath a cherry<br />

flower, walking around the soil that covers our gardens or flying from one flower to another. Spring<br />

is the best season to see them in all their glory, so the best way to discover what is hidden in your<br />

urban area is just to walk around and get near to the flowers, maybe sit for a while in the grass and<br />

wait for the visit of a gentil ladybug or a shy beetle. Watch the while the flowers get all type of small<br />

visitors.<br />

Many studies have shown that increasing the amount of green spaces in our cities improve the<br />

quality of life of people and insects play an important role in the construction and spread of green<br />

spaces becauses as soon as there is a new plant growing there will be an insect near ready to spread<br />

pollen and attract other animals to the area. So don’t underestimate the power of this little creatures,<br />

with more than 900 thousand different species, and increasing every day, distributed around<br />

the word insects contribute with approximately 80% of the urban wildlife in our cities, and that just<br />

make them prettier. So embrace spring and go out there to find a colorful insect that will probably<br />

was just doing a hard job pollinating your garden flowers.<br />

26 27


Flamingo Distribution Map<br />

The American Flamingo<br />

THE<br />

AMERICAN<br />

FLAMINGO<br />

American Flamingo<br />

Greater Flamingo<br />

Lesser Flamingo<br />

Flamingos are part of the extravagant group of birds that can be rare jet at the same time<br />

extremely beautiful and interesting. Easily recognized because of its long legs and neck, curved beak and<br />

colours, their name comes after the latin word “flama” that means flame because of their bright colourful<br />

red to pink and orange feathers. Thanks to their great adaptability this water birds can be found<br />

in various regions and habitats around the the word from the high cold andes to warm flat lands always<br />

in or near saline or alkaline lakes, lagoons or swamps where they feed.<br />

There are six known species of flamingos, four of them in the Americas and two in the Old World.<br />

Among this species the american flamingo also known as caribbean flamingo Phoenicopterus ruber ruber<br />

is one of the largest most colourful, and the only one that can be found in North America. Its habitat includes<br />

saline lagoons or shallow lakes of the Caribbean, the Yucatan Peninsula and the Galapagos Islands.<br />

The american flamingo feathers are bright pink to reddish and its black-tipped wings can have a wingspan<br />

of about five feet. With is pink legs and long neck reaches about 42 inches tall which comes handy when<br />

wading in deeper waters, as well as its webbed feet that help them to stand still on the mud. Like other<br />

flamingos its beak has a characteristic downward bend which has evolved and specialized according to<br />

their feeding requirements.<br />

AMERICAN FLAMINGO<br />

Yucatan Peninsula<br />

Caribbean<br />

Galapagos Islands<br />

American Flamingo<br />

Andean Flamingo<br />

Chilean Flamingo<br />

James’s Flamingo<br />

28 29


Flamingos are known for its unique adaptation<br />

to filter their food out of the water<br />

which is possible thanks to the two<br />

rows of lamellae or comb-like bristles<br />

lined inside its bill and along its tongue.<br />

The American flamingo rarely takes food<br />

from the surface, instead generally feeds<br />

with its whole head submerged underwater,<br />

where they swept it sideways<br />

while they start to walk slowly. With its<br />

bill held slightly open the flamingo uses<br />

its feet to help stir up the mud to then<br />

suck in and out the water through its<br />

bill to filter out huge quantities of small<br />

crustaceans, molluscs, aquatic insects,<br />

polychaete worms, seeds, microscopic<br />

organisms and algae. This fantastic system<br />

also allows them to discriminate<br />

what they eat or not based on its size,<br />

although beyond the size range of 1.5<br />

and 4.0 mm their discrimination capacity<br />

decrease. Studies show that this capacity<br />

may be connected to a specific anatomical<br />

feature of the jaw apparatus which<br />

allows their mandible to open the beak<br />

to a maximal size of about 4 mm for ingest<br />

their food.<br />

Additionally to the flamingos incredible feeding<br />

adaptation, many studies had also discovered that<br />

their diet is what determines most of its coloration<br />

due some of their food, especially algae, contains<br />

loads of carotenoids (beta carotene) reddish<br />

to orange pigments that can not be produced by<br />

animals but can be synthesized. These carotenoids<br />

are broken down in the flamingos liver by some<br />

enzymes into the pigments that are then deposited<br />

into the feathers, skin, and egg yolk.<br />

The levels of carotenoids in their food varies from<br />

one place to another in different parts of the word<br />

and this of course affects the saturation of color<br />

of the feathers, which is why American flamingos<br />

are usually bright red and orange, while lesser flamingos<br />

or andean flamingos tend to be more paler<br />

pink. This phenomena has also been observed<br />

comparing captive flamingos and wild ones, where<br />

if captive flamingos have not enough pigment content<br />

in their diet they tend to grow much paler<br />

feathers and loose with time the part of their<br />

bright coloration.<br />

On the other hand flamingos offsprings are white<br />

and gray for the first couple of years, and they do<br />

not show traces of carotenoids in their feathers,<br />

skin or blood, the coloration comes after some<br />

years with the constant consumption of carotenoids<br />

in their diet. This also explains why when we<br />

see a flamingo we might see that some of them<br />

have colors that seems brighter and others looks<br />

really pale even though they are the same species.<br />

As well as the other flamingos species, the American<br />

flamingo is a highly social species that lives in<br />

colonies ranging in size from a small dozen to very<br />

large colonies of hundred or thousands during the<br />

breeding season. Living in large colonies not only<br />

assures them to find a mate but also helps to<br />

avoid predators, maximize the food intake and use<br />

nesting sites more efficiently.<br />

Unlike other flamingo species, the American flamingo<br />

displays group courtship displays, this means<br />

that there are several behaviours like preening,<br />

marching, raising their wings or head turns in<br />

which the colonie takes part in spectacular synchrony.<br />

This happens when large colonies split into<br />

breeding groups of 15 or 50 birds that stay together<br />

during the breeding season and perform this<br />

synchronized rituals to each other to ensure that<br />

all members of the group have found a pair and are<br />

ready to mate at the same time.<br />

30 31


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online<br />

PLAN YOUR VISIT<br />

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Book your tickets online<br />

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Daily walks, talks and activities<br />

Canoe Safari<br />

Is usual as well that flamingos form strong pair bonds for life between males and females due both of<br />

them are involved in building the nest for the egg, and work as a team to keep it warm and safe. After<br />

the hatch they both stay together to feed the little flamingo with crop milk that they produce instead<br />

of regurgitated foods as other birds provide for their young.<br />

Because of the distribution of the American flamingo includes warm regions they do not have the need<br />

to migrate to warmer places, they are generally considered to be non-migratory, however they can<br />

be extremely nomadic. American flamingos can travel hundreds of kilometres in order to find enough<br />

food, so they do migrate when the distribution patterns of their food changes. Although this migratory<br />

behaviour has increased in recent years due the climate fluctuations, that not only changes their<br />

feeding patterns but also threatens their breeding due to the lack of resources. And even though they<br />

are still not an endangered species biologist are worried about the problems they are facing and the<br />

future ones due to hunting and habitat loss related to human activity, so every day they try to raise<br />

the public awareness by educating them about the importance of conserving this beautiful species. To<br />

support their conservation efforts every day new research is being held in order to understand better<br />

these dramatic unique birds, so get on board and help to spread the word.<br />

TAKE IN A VIEW<br />

YOU WILL NEVER<br />

FORGET...<br />

32 33


FILM OR<br />

DIGITAL?<br />

34 35


There is an increasing discussion around photographers of the world. Is digital or analogue<br />

photography better? Even though there are many arguments around it, we decide it to test the<br />

argument by ourselves. Using a medium format camera with a 120mm roll and 8 exposures we<br />

went to walk around the city of Nottingham and the well known Peak District National Park in<br />

the Wolfscote Dale area to take some photos to show you and compare both analogue and digital<br />

photography. So after taking the photographs, developing and digitized them here is our analysis<br />

about it.<br />

As is well known photography started solely as a chemical process and stayed like that for about<br />

150 years, but as years have passed by, technology and so photography have evolved and changed.<br />

Before photography was something that not everyone could afford to to do alone, even if you<br />

had one of the old quicksnap automatic cameras, you still needed to somewhere to get your film<br />

developed and you had to wait at least 4 or 5 days to see the resulting pictures, everything was an<br />

expectation. On the other hand for a professional photographer was necessary to have knowledge<br />

in how to choose film, chemicals for develop the film and printing the image, so photography was<br />

not really accessible to everybody.<br />

With all of this advances in technology still there are photographers who like to go back to the days<br />

of analogue photography or even resist to use use digital photography. There are several points of<br />

view when it comes to decide whether if digital photography is better that analogue photography<br />

or vice versa. Many photographers argue that analogue photography is better that digital, some<br />

other think the other way around. The truth is digital photography could not exist if it were not for<br />

analogue photography and the history behind it.<br />

In the last years there has been an increasing interest of people in get to know more about analogue<br />

photography. It seems that digital photography is such a usual and common thing now that many<br />

people who wants something different and even more artistic tend to use some type of analogue<br />

photography into their work. Nowadays even exist applications that help your pictures look like if<br />

they were taken with a roll camera.<br />

But before any further discussion here are some points you need to know about each, digital and<br />

analogue photography:<br />

Images are captured on photographic film,<br />

made of layers of light-sensitive silver halide<br />

emulsion coated on a flexible base.<br />

Film is exposed to light in a camera, where<br />

a latent image is created.<br />

The image on the film is made visible by the<br />

immersion of it in a solution of chemicals<br />

known as developer.<br />

Images are captured with a number of photosensors<br />

inside the camera.<br />

The images can be directly downloaded<br />

to the computer and processed by special<br />

software.<br />

Prints are made by using a printer machine<br />

which fires tiny jets of coloured ink or dyes<br />

at paper.<br />

Digitised and colourised image from 120mm film<br />

Nowadays with the digital technology photography has become one of the most popular activities to<br />

people of all ages, since we can find cameras even in our phones and we do not need to take them to<br />

anyone to develop, pictures are visible at the very minute we take them. For photographers showing<br />

their work has become much easier thanks to internet, they can send images to clients via email, import<br />

images into a range of computer applications to create magazines, newsletters and much more.<br />

The possibilities and accessibility we have now with digital photography are immense, you can even<br />

share the images with clients as you shoot. And this is just the start. Although this does not mean<br />

that things has gotten easier for photographers, now they have to learn about printers, technology,<br />

programs and stay as actualized as they can to keep up with the increasing industry, where everyday<br />

there is more competition.<br />

Prints are made by projecting the image<br />

from the film on light sensitised paper and<br />

the processing of it in a series of chemical<br />

baths.<br />

The developing and printing process is held<br />

inside a dark room to avoid extraneous<br />

light reaching the sensitised emulsions.<br />

36 37


ADVANTAGES OF DIGITAL PHOTOGRAPHY<br />

As you can see the process of getting an image is much more simpler and faster with analogue<br />

photography. Mostly because of this advantage of instant photography there are most professional<br />

photographers have switched to digital, although there are still some that keep using film. Digital<br />

cameras let you see the captured image within seconds of the exposure on their built-in LCD screen,<br />

or even before shooting with the Live View mode. If you know your camera settings well you can<br />

make use of the histogram displays to determine if the exposure is correct, and decide if you like to<br />

reshoot.<br />

Because images are captured as digital files and stored on removable media cards, unlike film, the<br />

cards are actually reusable. Once the files have been transferred to the computer, the images can<br />

be erased from the card and reuse it again. The images can also be copied and recopied without<br />

any loss of quality and even retouched several times without permanent damage to the original file<br />

(if use correctly the softwares).<br />

Nowadays all media like newspapers, magazines, books, and other printed materials as well as online<br />

resources use digital image files for their photographs. To meet this demand, most picture libraries<br />

only accept digital images. Although it is possible to scan film transparencies to create digital files,<br />

some people find it more practical to shoot digitally in the first place.<br />

ADVANTAGES OF ANALOGUE PHOTOGRAPHY<br />

First off analogue photography provides you with a lot more quality pictures than most digital camera<br />

can provide, the grain from film is not disturbing as in digital but rather pleasant. As film is was<br />

mainly developed to work under natural light condition you get much more richness of light in your<br />

images, and it does not blow out highlights as digital does. As well as dark areas are much more<br />

rich because with film you actually get a lot more texture of subjects in the image which gives the<br />

photography a lot more of character.<br />

There is a lot of time saving in post production of pictures, due that when you shoot in film cameras<br />

you have to know exactly what you want to get and set the exposure right which at the same time<br />

makes you a better photographer, because you learn to wait for the perfect composition and learn<br />

much more about manual focus.<br />

Can a lot more cheaper than digital, first because there is no need to change your camera, there are<br />

photographers that shoot incredible high quality pictures with cameras they have own during 10 or<br />

20 years. There is no need to get the newest camera. As well as fill is not as expensive nowadays,<br />

although this could change with the increasing popularity of analogue photography.<br />

THE CONCLUSION<br />

With our experience we can say that there are for sure certains advantages from both film and<br />

digital that suits perfectly for the needs of professional photographers. The great thing about digital<br />

photography is the ability to share fast your work to your clients, especially when you work under<br />

pressure of time. But we think that definitely film is still relevant for photographers today because it<br />

gives the opportunity to slow down and reinforce their knowledge and develop themselves better<br />

as photographers. But at the end is up to you to decide which one you like the best.<br />

38 39


Photographer<br />

Feature<br />

Barney Melton<br />

Original portraits<br />

Photography as we know it today has undergone<br />

through a series of changes, all of them involving<br />

unique processes that had allowed us to produced<br />

images repeatable. For Nottingham based commercial<br />

photographer Barney Melton who got his<br />

love for photography from his dad, also a commercial<br />

photographer and lecturer, the process in<br />

which we obtain images nowadays has lost somehow<br />

the sense of the one of a kind, of unrepeatable.<br />

This thought and and his love for traditional<br />

photography triggered his motivation to develop<br />

along with his father his most recent project: Original<br />

portraits.<br />

Original portraits aims to recover the special significance<br />

and “magic”, as they call it, of obtaining<br />

a one of a kind image with the use of traditional<br />

photographic methods rarely used today. There<br />

is a richness behind the process, explains Barney,<br />

the feeling and expectation you get<br />

while preparing each plate and while<br />

developing the picture is something<br />

that you don’t get with digital photography.<br />

Using a beautiful 1960’s English Ex-<br />

RAF 5x4 large format Technical Monorail<br />

camera made by MPP with a 70<br />

year old American Lens, Barney has<br />

been taking portraits of people living<br />

in Nottingham, every weekend for<br />

the last two years. Inside one of the<br />

exhibitions rooms of the well known<br />

Malt Cross pub, he and his dad installed<br />

every week a portable studio<br />

and darkroom ready to receive and<br />

photograph people of all ages who<br />

wanted to take with them a lasting<br />

and original memory. And with over<br />

500 portraits he is preparing a book<br />

and exhibition before he starts the<br />

second part of the project portraits<br />

using a 10x8 Kodak Eastman c.1916<br />

camera. “I never thought I will get<br />

that many people interested in the<br />

project and being photographed,<br />

the response of the people has been<br />

amazing, we have had the opportunity<br />

to meet so many great people<br />

and stories over this time is just been<br />

amazing”.<br />

Barney uses two different processes,<br />

the first one is the tintype, based on the wet plate<br />

collodion process used around 1851, but instead<br />

of glass he uses a sheet of metal previously coated<br />

with black paint and covers it with a thin layer<br />

of light sensitive emulsion (which he changes and<br />

proves every time) to then place the plate inside<br />

the camera. The second one is the positive paper<br />

in which he uses a special photographic light sensitive<br />

paper that once is processed in his portable<br />

darkroom yields a direct positive image, this means<br />

there is no negative involved.<br />

“Original portraits aims to recover<br />

the special significance and “magic”,<br />

as they call it, of obtaining a one of<br />

a kind image...”<br />

40 41


Having your picture taken is exciting, but you have<br />

to stay still till he triggers the camera, due the slow<br />

speed he uses in order to catch as much light as he<br />

can inside the camera. And as Barney explains you<br />

never really know how the picture is going look like<br />

until you see it appearing slowly in the developer.<br />

“Every portrait with the tintype is different like if<br />

they were sculpted, even if they are of the same<br />

person, each will have something unique, because<br />

sometimes the emulsion won’t react completely or<br />

can be times when there will be darker corners, is<br />

always an adventure. There are several portraits of<br />

my dad and I and all of them are different.”<br />

the plates I just love how unexpected and unique<br />

this process is”.<br />

Barney and Trevor truly believe that going back to<br />

the roots and revisiting the history of photography<br />

may help to find a way of re encounter the excitement<br />

and uniqueness that photography has to have<br />

especially in this modern times when everything is<br />

so rush and people don’t stop to look. So dare<br />

yourself and find ways to achieve make your photography<br />

unique and creative!<br />

Overall is noticeable when you see all the people<br />

that goes and wait to have their picture taken that<br />

Original Portraits projects is rescuing the value of<br />

the magical process that is involved with photography.<br />

“I think what I enjoy the most about doing this<br />

project is to see people’s reactions when they see<br />

their picture developing in front of them, and the<br />

feeling and excitement I get when I’m preparing<br />

42 43


Unstable<br />

Exhibition<br />

Review<br />

44 45


Unstable a photographic exhibitions part of the Format festival in Derby, one of the UK’s most important<br />

contemporary photography festivals nowadays, presented the work of five contemporary photographic<br />

artist. Unlike the concept of photography of representing a permanent record, all of the artist<br />

work showed a continuous state of change. Most of the work featured pictures that were unfixed as<br />

well as heat sensitive photographs.<br />

During the exhibition as visitors interact with the work the work keeps on transforming so it can be<br />

seen and feel at first hand, as visitors contribute to its destruction and experience the frustration of not<br />

being able to go back in time due the images disappear gradually from sight, at the end the works shifts<br />

the visitor understanding of the medium of photography as a record.<br />

Each of the five artists explored the loss of authenticity and how the photographic quality of an image<br />

can make it ephemeral instead of last forever.<br />

The exhibition displayed several techniques some of them know well and some others not so known<br />

but all them brought experimentation and something new to the well known process of photography<br />

and fixation. Among them they there were lumen prints, tintypes, cyanotypes & chemigrams, thermochromic<br />

ink over black and white photographs, anthotypes and transparencies.<br />

The experience itself of walk through the walls of the exhibition make one think about the ambiguous<br />

notion that even when light is the primary resource that creates a photography can be as well the thing<br />

that destroys it.<br />

A well recommended must see exhibition that let the visitor with a sense of the melancholy because<br />

reinforces the thought that in reality nothing ever stays the same, even something we thought could<br />

be forever changes and fades away. Furthermore this also relates with time and how momentary and<br />

sporadic something that give us excitement can be, how time can leave a mark and at the same time<br />

erase it from our memory or simple just changing completely and gradually one thing that we thought<br />

we knew for sure into nothing. Finally the work presented also a leaves in the visitors mind the metaphor<br />

as how important is to live in the present rather than rely or hold into the past too tight because it can<br />

fade away forever.<br />

Artists:<br />

Ky Lewis, Evanescent Growth, 2015.<br />

Jo Gane, Paul, 2011.<br />

Melanie King, Nothing Ever Stays The Same, 2015 - Preservation of memory, 2015<br />

Antony Carr, Lost moon, 2015.<br />

Nettie Edwards, Inedelieble Decay Inevitable, 2014 - How to loose ourselves and forget each other, 2014.<br />

46 47


EQUIPMENT REVIEW<br />

EQUIPMENT<br />

EQUIPMENT REVIEW<br />

REVIEW<br />

In this issue we will be talking about a good value lens with a great performance, the Canon EF<br />

85mm f/1.8 USM. A clear, light and practical medium telephoto lens ideal for portraiture but that<br />

can also be used for a variety of applications, that depending on the photographers preference, can<br />

include landscape, sports, interiors, close ups or texture photography.<br />

The Canon EF 85mm f/1.8 USM is a small and light yet extremely functional lens, don’t let its weight<br />

fools you, if you are looking for a good value and great performance in a small and light lens, this<br />

one is for you.<br />

Colour and bokeh<br />

All the images obtained with the Canon EF<br />

85mm f/1.8 USM are fantastic quality with a<br />

very good contrast and saturation of colours,<br />

saves time when post processing due little or<br />

no retouching of colours is needed.<br />

What I really like about this lens is the beautiful<br />

smooth backgrounds you can get, also known<br />

as bokeh, they blur away. Shallow depth of<br />

field. Sharp images<br />

A clear lens<br />

One of the advantages of the Canon EF 85mm<br />

f/1.8 USM is the full range of work you can do<br />

in different light conditions, even when dark or<br />

with poor light this lens really makes your pictures<br />

shine. The f/1.8 allows more light into your<br />

camera sensor and the fast focussing makes this<br />

lens perfect for interiors or indoors activities.<br />

Close ups and Macro<br />

The Canon EF 85mm f/1.8 USM is not suitable<br />

for macro shots, although you can get fairly<br />

close to an object you can not use it as a macro<br />

lens. But can be suitable for shapes or texture<br />

shoots or isolating pattern of a subject.<br />

Sharpness and focusing<br />

The beauty of this lens is that even with a shallow<br />

depth of field (f/1.8) you can still get very<br />

reasonable sharp images, and as you increase<br />

the f number the sharpness just get better and<br />

better. At its widest aperture the Canon EF<br />

85mm f/1.8 USM gives you sharpness, high contrast,<br />

no spherical aberration and accurate focus,<br />

while others lenses in the same conditions<br />

will produce much more defocused images.<br />

Besides great sharpness this lens is wonderful<br />

in terms of focusing, with its built in ultrasonic<br />

motor (USM ring). This soft ring make it really<br />

easy to handle when using manual focus and<br />

when using auto focus it is fast and quiet. Gently<br />

movements of the ring will get you a great<br />

picture.<br />

Favorite aspects and<br />

final veredict<br />

Every aspect of this lens is a plus and it definitely<br />

worths the money you spend on it. For<br />

being such a small and light lens you can take<br />

it everywhere and enjoy its applications, even<br />

better this lens is also brilliant for film.<br />

Overall the Canon EF 85mm f/1.8 USM is must<br />

have, because it will give you excellent quality<br />

photographies while you avoid the weight of a<br />

far more expensive lens.<br />

Portrait of a Harris Hawk (Parabuteo unicintus)<br />

Detail of feathers (Parabuteo unicintus)<br />

48 49


HOW TO...<br />

REFERENCES<br />

In this how to, you will learn how fast and easy can be to create a good quality<br />

cutout usig Photoshop CC. Just follow this simple steps:<br />

Ilar, J. (1998). Why It Is Important to understand animal behavior. 39 (1): 20-26.doi: 10.1093/<br />

ilar.39.1.20 This article appears in:Animal Well-being: Immune Function, Behavior, Morphology, and<br />

Psychoneuroimmunology<br />

Step 1:<br />

Once you photo is open a ready create<br />

a background copy with a new layer<br />

dragging with your mouse your actual<br />

background layer down to the create a<br />

new layer icon. After this, use this layer<br />

copy to do all your work.<br />

With the help of the quick selection<br />

tool, select the area that you want to<br />

be cut.<br />

Step 3:<br />

On the Photoshop toolbar click on select<br />

and then click on refine mask a box will<br />

appear in which you can select the background<br />

best suits for you to view your image<br />

and how much you need to refine it.<br />

Everyone has its own preferences but we<br />

recommend you to pick one depending<br />

on whether you can see a lot of the edge<br />

or not much, is usually better to choose a<br />

view that will let you see a lot of the edge<br />

of your cutout so you can refine it better,<br />

for most of the purposes overlay view<br />

works perfect.<br />

Step 2:<br />

When you are happy with your selection<br />

click the quick mask icon, and immediately<br />

you will see the result of your cutout.<br />

Don’t worry if you are not happy with<br />

your first selection and the resulting cutout<br />

because you can refine this selection.<br />

Move around the radius and for adjusting<br />

how sharp you want it to be and then<br />

play around with the edges adjustments,<br />

as you will be able to see how the image<br />

changes and get better. Finally click OK,<br />

and save it as a PNG without flattening<br />

the layers. You will get a clean cutout with<br />

a transparent background.<br />

Birkett LP, Newton-Fisher NE. (2011). How Abnormal Is the behaviour of captive, zoo-Living chimpanzees?<br />

PLoS ONE 6: e20101. doi:10.1371/journal.pone.0020101<br />

Rendón, M. A., A. Garrido, J. M. Ramírez, M. Rendón-Martos, and J. A. Amat. (2001). Despotic<br />

establishment of breeding colonies of greater flamingos, Phoenicopterus ruber, in southern Spain.<br />

Behav Ecol Sociobiol 50:55–60.<br />

Fox, D. L. (1962). Metabolic fractionation, storage and display of carotenoid pigments by flamingoes.<br />

Comparative Biochemistry and Physiology.6:1–24<br />

Fox, D. L. A. A. Wolfson and J. W. McBeth. (1969). Metabolism of the B-carotene in the American<br />

Flamingo, Phoenicopterus ruber. Comp. Biochem. Physiol. 29: 1223 to 1229.<br />

Zweers, G, F. De Jong and H. Berkhoudt. (1995). Filter feeding in flamingos (Phoenicopterus ruber.<br />

The Condor 97:1297-324<br />

Swihart, S. L (1967). “Hearing in butterflies”. Journal of Insect Physiology 13 (3): 469–472.<br />

Hirota, Tadao; Yoshiomi, Yoshiomi (2004). “Color discrimination on orientation of femaleEurema<br />

hecabe (Lepidoptera: Pieridae)”. Applied Entomology and Zoology 39 (2): 229–233.<br />

DEVRIES, P. J. and WALLA, T. R. (2001), Species diversity and community structure in neotropical<br />

fruit-feeding butterflies. Biological Journal of the Linnean Society, 74: 1–15.<br />

Wassenaar, L.I.; Hobson, K.A. (1998). “Natal origins of migratory monarch butterflies at wintering<br />

colonies in Mexico: new isotopic evidence”. Proc. Natl. Acad. Sci. U.S.A. 95(26): 15436–9.<br />

Prum, Ro; Quinn, T; Torres, Rh (Feb 2006). “Anatomically diverse butterfly scales all produce structural<br />

colours by coherent scattering” (FREE FULL TEXT). The Journal of experimental biology 209 (Pt<br />

4): 748–65.<br />

Gibo, David L. 1972. “Hibernation sites and temperature tolerance of two species ofVespula and<br />

one species of Polistes.” New York Entomological Society, 80: 105-108.<br />

Kelsey, Paul M. 1968. “Hibernation and winter withdrawal.” The Conservationist, Oct.-Nov.<br />

Palmer, E. Laurence. 1957. “Insect life in winter.” Nature Magazine, January.<br />

50 51


Technical data<br />

Butterflies Wonders<br />

Owl Butterfly (Caligo eurilochus)<br />

ISO 400<br />

50 mm Macro<br />

1/25<br />

f/7.1<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

Butterflies Wonders<br />

Black Swallowtail<br />

(Papilio rumanzovia)<br />

ISO 800<br />

40 mm<br />

1/60<br />

f/6.4<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

Butterflies Wonders<br />

Monarch Butterfly<br />

(Danaus plexippus)<br />

ISO 800<br />

50 mm Macro<br />

1/80<br />

f/5.0<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

Butterflies Wonders<br />

Owl Butterfly (Caligo eurilochus)<br />

ISO 100<br />

65 mm Macro<br />

1/160<br />

f/16<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

Butterflies Wonders<br />

Citrus Swallowtail<br />

(Papillio demodocus)<br />

ISO 1000<br />

50 mm Macro<br />

1/50<br />

f/8.0<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

*Not Marked<br />

Butterflies Wonders<br />

Wing of Butterfly close up<br />

ISO 800<br />

50 mm Macro<br />

1/50<br />

f/10<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

*Not Marked<br />

Butterflies Wonders<br />

Pupae<br />

ISO 1000<br />

50 mm Macro<br />

1/50<br />

f/8.0<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

Butterflies Wonders<br />

Owl Butterfly wing<br />

(Caligo eurilochus)<br />

ISO 1000<br />

50 mm Macro<br />

1/50<br />

f/8.0<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

52 53


Spring in the Cities: Urban<br />

Insects<br />

Hive Bee (Apis mellifera)<br />

ISO 250<br />

40 mm<br />

1/320<br />

f/7.1<br />

Cambridge botanical gardens<br />

Cambridge<br />

Spring in the Cities: Urban<br />

Insects<br />

Bee on flower of Chrry tree<br />

(Prunus sp.)<br />

ISO 200<br />

50 mm Macro<br />

1/160<br />

f/16<br />

The University of Nottingham<br />

Nottinghamshire<br />

Spring in the Cities: Urban<br />

Insects<br />

Siberian Squill (Scilla siberica)<br />

ISO 250<br />

40 mm<br />

1/320<br />

f/16<br />

Cambridge botanical gardens<br />

Cambridge<br />

Spring in the Cities: Urban<br />

Insects<br />

Florew Beetle visiting a cherry<br />

tree (Prunus sp.)<br />

ISO 100<br />

50 mm Macro<br />

1/320<br />

f/7.1<br />

The University of Nottingham<br />

Nottinghamshire<br />

Spring in the Cities: Urban<br />

Insects<br />

Ladybug (Coccinellidae)<br />

ISO 400<br />

50 mm Macro<br />

1/60<br />

f/8.0<br />

Cambridge botanical gardens<br />

Cambridge<br />

Cambridge Botanical garden<br />

Advert<br />

Slender palm lily<br />

(Cordyhne stricta)<br />

ISO 500<br />

50 mm Macro<br />

1/100<br />

f/8.0<br />

Cambridge botanical gardens<br />

Cambridge<br />

Spring in the Cities: Urban<br />

Insects<br />

Cherry tree with bees visiting<br />

(Prunus sp.)<br />

ISO 100<br />

50 mm Macro<br />

1/320<br />

f/7.1<br />

The University of Nottingham<br />

Nottinghamshire<br />

The American Flamingo<br />

American Flamingo<br />

(Phoenicopterus ruber)<br />

ISO 160<br />

400 mm<br />

1/640<br />

f/7.1<br />

WWT Slimbridge Wetlands<br />

Slimbridge<br />

*Not Marked<br />

54 55


The American Flamingo<br />

American Flamingo<br />

(Phoenicopterus ruber)<br />

ISO 160<br />

400 mm<br />

1/1000<br />

f/5.6<br />

WWT Slimbridge Wetlands<br />

Slimbridge<br />

The American Flamingo<br />

American Flamingo<br />

(Phoenicopterus ruber)<br />

ISO 160<br />

17 mm<br />

1/250<br />

f/16<br />

WWT Slimbridge Wetlands<br />

Slimbridge<br />

The American Flamingo<br />

American Flamingo<br />

(Phoenicopterus ruber)<br />

ISO 160<br />

400 mm<br />

1/1000<br />

f/5.6<br />

WWT Slimbridge Wetlands<br />

Slimbridge<br />

Doncanster Zoo<br />

Wallaby (Macropus sp)<br />

ISO 640<br />

171 mm<br />

1/500<br />

f/6.3<br />

Doncaster Zoo<br />

Yorkshire<br />

The American Flamingo<br />

American Flamingo<br />

(Phoenicopterus ruber)<br />

ISO 250<br />

400 mm<br />

1/200<br />

f/16<br />

WWT Slimbridge Wetlands<br />

Slimbridge<br />

Peak District Advert<br />

ISO 320<br />

40 mm<br />

1/80<br />

f/11<br />

Padley George<br />

Peak Dsitrict National Park<br />

Derbyshire<br />

The American Flamingo<br />

American Flamingo<br />

(Phoenicopterus ruber)<br />

ISO 160<br />

400 mm<br />

1/800<br />

f/5.6<br />

WWT Slimbridge Wetlands<br />

Slimbridge<br />

Butterflies Wonders<br />

ISO 640<br />

50 mm Macro<br />

1/125<br />

f/5.6<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

56 57


WWT Slimbridge Wetlands<br />

Advert<br />

Ruddy Shelduck<br />

(Tandorna ferruginea)<br />

ISO 200<br />

251 mm<br />

1/250<br />

f/5.6<br />

WWT Slimbridge Wetlands<br />

Slimbridge<br />

Birds of Prey Centre Advert<br />

Red Kite (Milvus milvus)<br />

ISO 500<br />

400 mm<br />

1/640<br />

f/7.1<br />

International Birds of prey centre<br />

Newent<br />

Gloucestershire<br />

How to...<br />

ISO 800<br />

40 mm Macro<br />

1/320<br />

f/9.0<br />

Stratford Upon-Avon Butterfly<br />

Farm<br />

Warwickshire<br />

Birds of Prey Centre Advert<br />

Red Kite (Milvus milvus)<br />

ISO 500<br />

149 mm<br />

1/320<br />

f/7.1<br />

International Birds of prey centre<br />

Newent<br />

Gloucestershire<br />

Birds of Prey Centre Advert<br />

Lanner Falcon (Falco biarmicus)<br />

ISO 200<br />

400 mm<br />

1/320<br />

f/5.6<br />

International Birds of prey centre<br />

Newent<br />

Gloucestershire<br />

Birds of Prey Centre Advert<br />

Bird Expert<br />

ISO 320<br />

400 mm<br />

1/160<br />

f/7.1<br />

International Birds of prey centre<br />

Newent<br />

Gloucestershire<br />

*Not Marked<br />

Birds of Prey Centre Advert<br />

Great Horned Owl<br />

(Bubo Virginianus)<br />

ISO 320<br />

400 mm<br />

1/160<br />

f/7.1<br />

International Birds of prey centre<br />

Newent<br />

Gloucestershire<br />

ISO 200<br />

Nottingham city center<br />

Nottinghamshire<br />

58 59


ISO 200<br />

Wolfscote Dale<br />

Peak District<br />

Unstable Exhibition Review<br />

ISO 800<br />

40 mm<br />

1/80<br />

f/5.6<br />

Format Exhibition<br />

Derbyshire<br />

*Not Marked<br />

ISO 200<br />

Wolfscote Dale<br />

Peak District<br />

Fotographer Feature<br />

Tintypes<br />

ISO 1250<br />

40 mm<br />

1/500<br />

f/6.3<br />

Malt Cross Nottingham<br />

Nottinghamshire<br />

Unstable Exhibition Review<br />

ISO 800<br />

40 mm<br />

1/80<br />

f/5.6<br />

Format Exhibition<br />

Derbyshire<br />

Fotographer Feature<br />

Barney taking a picture<br />

ISO 1250<br />

40 mm<br />

1/30<br />

f/4.0<br />

Malt Cross Nottingham<br />

Nottinghamshire<br />

Unstable Exhibition Review<br />

ISO 800<br />

40 mm<br />

1/80<br />

f/5.6<br />

Format Exhibition<br />

Derbyshire<br />

Fotographer Feature<br />

Photo wash<br />

ISO 1250<br />

40 mm<br />

1/200<br />

f/4.0<br />

Malt Cross Nottingham<br />

Nottinghamshire<br />

*Not Marked<br />

60 61


Fotographer Feature<br />

Barney fixing a tintype<br />

ISO 1250<br />

17 mm<br />

1/100<br />

f/4.5<br />

Malt Cross Nottingham<br />

Nottinghamshire<br />

Animal behaviour in Zoos<br />

Enclousure of polar bear<br />

(Ursus maritimus)<br />

ISO 320<br />

29 mm<br />

1/400<br />

f/10<br />

Doncaster Zoo<br />

Yorkshire<br />

Fotographer Feature<br />

Barney taking a portrait<br />

ISO 1250<br />

35 mm<br />

1/125<br />

f/4.0<br />

Malt Cross Nottingham<br />

Nottinghamshire<br />

Animal behaviour in Zoos<br />

Enclousure of Amur Leopard<br />

ISO 640<br />

17 mm<br />

1/500<br />

f/10<br />

Doncaster Zoo<br />

Yorkshire<br />

Animal behaviour in Zoos<br />

King vulture (Sarcoramphus papa)<br />

ISO 500<br />

297 mm<br />

1/800<br />

f/5.6<br />

Doncaster Zoo<br />

Yorkshire<br />

Animal behaviour in Zoos<br />

Amur Leopard presenting pasing<br />

behaviour (Panthera pardus)<br />

ISO 640<br />

26 mm<br />

1/250<br />

f/9.0<br />

Doncaster Zoo<br />

Yorkshire<br />

Animal behaviour in Zoos<br />

Lemurs<br />

ISO 320<br />

171 mm<br />

1/200<br />

f/6.3<br />

Doncaster Zoo<br />

Yorkshire<br />

Animal behaviour in Zoos<br />

Amur Leopard with pasing behaviour<br />

(Panthera pardus)<br />

ISO 640<br />

198 mm<br />

1/400<br />

f/6.3<br />

Doncaster Zoo<br />

Yorkshire<br />

62 63


Front cover<br />

Yellow Mangoose<br />

(Cynictis penicillata)<br />

ISO 320<br />

183 mm<br />

1/800<br />

f/7.1<br />

Doncaster Zoo<br />

Yorkshire<br />

How to<br />

Canon 85mm Lens<br />

ISO 100<br />

40 mm<br />

1/200<br />

f/20<br />

The University of Nottigham<br />

Nottinghamshire<br />

Front cover<br />

Amerincan Flamingo<br />

(Phoenicopterus ruber)<br />

ISO 160<br />

400 mm<br />

1/800<br />

f/5.6<br />

WWT Slimbridge Wetlands<br />

Slimbridge<br />

How to<br />

Canon 85mm Lens<br />

ISO 100<br />

40 mm<br />

1/200<br />

f/20<br />

The University of Nottigham<br />

Nottinghamshire<br />

Back cover<br />

ISO 160<br />

17 mm<br />

1/250<br />

f/10<br />

Padley George<br />

Peak Dsitrict National Park<br />

Derbyshire<br />

How to<br />

Harris Hawk<br />

(Parabuteo unicinctus)<br />

ISO 200<br />

85 mm<br />

1/2500<br />

f/2.5<br />

Ruddington<br />

Nottinghamshire<br />

Back cover<br />

Golden eagle (Aquila chrysaetos)<br />

ISO 200<br />

85 mm<br />

1/200<br />

f/6.3<br />

Ruddington<br />

Nottinghamshire<br />

How to<br />

Wing of a Harris Hawk<br />

(Parabuteo unicinctus)<br />

ISO 200<br />

85 mm<br />

1/320<br />

f/6.3<br />

Ruddington<br />

Nottinghamshire<br />

64 65


GUESS THE SPECIES<br />

Maricela Rivera 4228284<br />

Profesional Techniques in the field C14204<br />

66

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