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104 105 Galerie Jérôme Poggi Jerôme Poggi & Simon Poulain 2 Rue Beaubourg, 75004 Paris, França +33 9 84 38 87 74 s.poulain@galeriepoggi.com Galerie Jocelyn Wolff Jocelyn Wolff & Nasim Weiler & Eline Grignard 78 Rue Julien Lacroix, 75020 Paris +33 1 42 03 05 65 nasim.weiler@galeriewolff.com Galerie Karima Celestin Karima Célestin 25 Rue Sénac de Meilhan, 13001 Marseille +33 6 28 72 44 24 kc@karimacelestin.com Galerie Mario Mazzoli Mario Mazzoli & Tania Tonelli Potsdamer Straße 132, 10783 Berlin +49 30 75459560 info@galeriemazzoli.com Galerie Paris-Beijing Geoffroy Dubois 62 Rue de Turbigo, 75003 Paris +33 1 42 74 32 36 geoffroy@galerieparisbeijing.com Galerie Ron Mandos Ron Mandos Prinsengracht 282, 1016 HJ Amsterdam +31 20 3207036 info@ronmandos.nl J M Jousse Entreprise Gallery Philippe Jousse & Sophie Vigourous 6 rue Saint-Claude, 75003, Paris 01 53 82 10 18 art@jousse-entreprise.com Magician Space Qu Keije & Pan Baohui & Billy Tang Jiuxianqiao Road, Chaoyang, Beijing +86 1058405117 billytang@magician-space.com Marlborough Barcelona Violant Porcel Carrer d’Enric Granados, 68, 08008 Barcelona +34 934 67 44 54 vporcel@galeriamarlborough.com Marlborough Chelsea Max Levai & Pascal Spengemann & Aliza Hoffman 545 W 25th St, New York +1 212-463-8634 aliza@marlboroughchelsea.com Marlborough Contemporary Andrew Renton & Louisa Adam 6 Albemarle Street, London W1S, United Kingdom +44 20 7629 5161 la@marlboroughcontemporary.com R S T Rosenfeld Porcini Ian Rosenfeld & Dario Porcini & Chiara Gandini 36 Newman Street, London +44 20 7637 1133 chiara@rosenfeldporcini.com SMAC Gallery Marelize van Zyl 145 Sir Lowry Road, Woodstock, 7925 +27 (0)21 422 5100 info@smacgallery.com Sommer Contemporary Irit Fine Sommer & Chen-li Gal 13 Rothschild Blvd., Tel Aviv, 66881 +972 3 5166400 chenli@sommergallery.com tegenboschvanvreden Pietje Tegenbosch & Martin van Vreden bloemgracht 57, 1016 ke amsterdam +31 [0]20 320 67 68 info@tegenboschvanvreden.com W Z West Den Haag Marie-José Sondeijker Groenewegje 136, 2515 LR Den Haag +31 70 392 5359 info@westdenhaag.nl ZAK | BRANICKA Asia Zak Persons & Monika Branicka & Sofia Hauser Lindenstr. 35, D-10969 Berlin +49 30 611 07375 mail@zak-branicka.com Gallery Taik Persons Timothy Persons & Maya Byskov Lindenstraße 34, 10969 Berlin +49 30 28883370 berlin@gallerytaikpersons.com P ProjecteSD Silvia Dauder & Maria Pose Passatge de Mercader, 8, 08008 Barcelona +34 934 88 13 60 info@projectesd.com V Vitamin Creative Space Zhan Wei & Yan Chuan Room301, 29Hao, Heng Yi Jie, Chi Gang Xi Lu, Guangzhou, 510300 0086-20-84296760 mail@vitamincreativespace.com
106 107 Running in parallel to the Fair, LOOP Studies hosts an extensive program of discussions, talks and private meetings, aimed at creating synergy between international art professionals. The forum’s main goal is thus to provide a space to critically understand and collectively debate the ever-evolving Video Art practices, by merging experiences and coming to envision new methodologies. Having already explored the modalities of production, collaborative creation and diffusion of Video Art, this year’s edition of the Panels, “Beyond Objects? A Debate on Engaged Attitudes towards Collecting”, will then draw attention to collecting strategies, in this way coming full circle and providing a comprehensive insight into the full spectrum of the Moving Image art ecosystem. Indeed, while the global art scene constantly reshapes, the influence of collectors is reinforced as a result of their purchasing power, social skills and ability to detect artists that will later be recognized. Contextually, worldly positions coexist along unconventional, passionate and daring minds, for whom the practice of collecting respectively corresponds to mere speculative strategies or to directed philanthropic efforts. For the latter category, collecting does offer opportunities for economic investments, but it also entails the possibility for enriched and new ways of approaching life’s experiences. While attempting to navigate the skepticism caused by a market that very often reduces artworks to collectibles stripped bare of any cultural value, this discussion will then aim to outline the profile of the ‘engaged, involved and committed collector’. Specific attention will be drawn to Moving Image practices that, by enjoying a temporal and ephemeral quality, are naturally subjected to specific, and yet sometimes controversial norms. The debate will accordingly explore the consistently wide constellation of collecting attitudes, by privileging those that, to different extents, lead to the production of contents; the processes related with the evolution of those same practices in both the institutional and the private realm; the practical issues inherent to the very nature of Films and Videos, as well as the specificity of their market and legal regulations. The three-day program of the Professional meetings will then expand the discussion, through a series of closed door conversations, articulated around LOOP 2015’s driving themes: ‘What about Collecting Video Art?’ and ‘Beyond the Image: Sound’. The specificities of Sound Art will also be discussed. LOOP PANELS ‘BEYOND OBJECTS? A DEBATE ON ENGAGED ATTITUDES TOWARDS COLLECTING’ WEDNESDAY 3 18.30h | OPENING SESSION – Cercle del Liceu ‘VÍDEO-RÉGIMEN. Coleccionistas en la era audiovisual’: Exhibition Opening and conversation This exhibition puts together a series of videos by international artists, from private collections in Spain. The idea for the project stem from the stringent necessity to put into value the work of Spanish collectors committed to the moving image, as well as from the need to investigate its repercussion on contemporary culture. Indeed, the audiovisual nature of Film and Video implies new modalities of production, distribution and preservation, not only influencing the medium’s status as a collectible, but also giving birth to a novel typology of spectators and, therefore, to new forms of reception. Curator Carles Guerra in conversation with Spanish collector Emilio Pi THURSDAY 4 10.00h – 11.30h | PANEL DISCUSSION ‘A BRIGHT FUTURE? The Engaged, Involved and Committed Collector’ When thinking about collecting strategies, two very different profiles can readily be outlined for collectors: that of ‘Prosumers’ and that of ‘Consumers’. Although very often sharing an innate inclination for investment, or indicating possibly overlapping approaches. Prosumers tend to be devoted patrons of the arts, generally responding to specific political, historical or social agendas, while Consumers are more likely driven by commercial purposes and thus by the trends dictated by the market. By paying specific attention to the collecting of Video Art, the aim of this session will be to explore the existence and agency of the Post-Objective/ engaged collector, to assess his role in the contemporary art market and to ultimately outline the essential resolutions to support and develop the medium’s recognition. LOOP Committee Members Haro Cumbusyan, Jean-Conrad and Isabelle Lemaître in conversation with Alain Servais. 14.00h – 15.30h | ARTIST TALK LUNCH WITH…Bernhard Leitner When LOOP was founded in 2003, Video Art did not have as wide an audience as today – and interested collectors were only a few. A parallel can then be drawn with Sound as an art medium, that similarly slowly evolved to become one of the most important feature in contemporary art, since the dawning of the Twentieth Century.
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Page 20 and 21: 40 41 MICHAL HELFMAN % 2013, 8’ 1
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