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Volume 3 Issue 7 - April 1998

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OuR COVER: Beverley Johnston, percussionist extraordinaire<br />

After the first of two<br />

photo sessions with<br />

Beverley Johnston,<br />

photographer, Michael<br />

Shaw commented, a<br />

mixture of awe and<br />

disbelief in his voice,<br />

"she's always tapping on<br />

things, wherever she goes<br />

... she ne~er stops". If<br />

this constant attention to<br />

the resonance of the world<br />

is the secret of her<br />

flawless technique and<br />

disciplined vitality on<br />

stage, then may she keep<br />

tapping!<br />

Described by one<br />

reviewer as ".. . a whiz<br />

bang player with the soul<br />

of a poet ... " the poetry of<br />

Beverley Johnston 's<br />

performance is all in the<br />

· way she moves - precise<br />

but flexible, fast when<br />

necessary but never<br />

hurried. She is a<br />

performer who must be<br />

· seen as well as heard. Of<br />

course, what you hear is -<br />

well, out of this world. Her premiere<br />

performance of Christos Hatzis' Fertility<br />

Rites at February's "Collaborations"<br />

Concert was a virtuosic synchronization<br />

of Johnston on stage with a tape of Inuit<br />

throat singing and electronically<br />

PHOTOS: MICHAEL SHAW<br />

synthesized sounds.<br />

Her talent, now<br />

internationally recognized,<br />

has taken her to concert<br />

halls around the world -<br />

Alice Tully and Merkin<br />

Hall in New York, the<br />

Kennedy Center in<br />

Washington, D.C., and the<br />

1994 Commonwealth<br />

Games in Victoria. On<br />

Friday, <strong>April</strong> 24 she will<br />

add another to the list, the<br />

Weston Recital Hall at the<br />

Ford Centre for the<br />

Performing Arts. The<br />

featured work on the<br />

program is the premiere of<br />

a new work by Canadian<br />

composer, Peter Hatch,<br />

called Psionic lnteiference,<br />

in which she will wear a<br />

costume which will be her<br />

instrument It sounds like a<br />

metaphor for the way she<br />

lives her art.<br />

She will also be<br />

performing a program of<br />

music for flute and<br />

percussion with Carol Ann<br />

Savage, <strong>April</strong> 4 at Deer Park United, a<br />

fundraiser for the Schoolhouse Private<br />

School on St. Clair Avenue West.<br />

<strong>April</strong> 30 M ay 3<br />

Steeles Ave.<br />

I Parking l ot 38<br />

f FREE PARKING<br />

Founders<br />

Road Entrance<br />

-<br />

j ]<br />

walk<br />

t<br />

Winter College Dining Hall<br />

-\<br />

Park here<br />

THu. APRIL 30<br />

12 TO 8<br />

York University's Faculty of Fine Arts is renewing its stock of<br />

pianos and hosting a sale on campus in association with<br />

Kawai Canada Music Ltd. and Y.C Chau & Sons Pianos<br />

Inc. More than 100 pianos will be offered, including grands<br />

1and uprights - some new, others professionally refurbished -<br />

plus a wide selection of 88 note digital pianos. Instruments<br />

will be available in many sizes and finishes. Brand names<br />

include Kawai, Yamaha, Steinway, Heintzman, and others.<br />

Arrange an early appointment for better selection.<br />

FRI. MAY I<br />

10 TO 8<br />

SAT. MAY 2<br />

10 TO 6<br />

Sales & Delivery arranged through<br />

Y.C. Chau & Sons Pianos Inc.<br />

VISA, MasterCard, CIBC Financing available.<br />

fOR AN APPOINTMENT CALL:<br />

41 G-23G-BGG2<br />

Winters College Dining Hall, York University<br />

SuN. MAY 3<br />

4700 Keele Street at Steeles Avenue, Toronto.<br />

12 TO 6 Enter at Founders Road south off ofSteeles Avenue,<br />

one block west of Keele Street.<br />

Free parking in Parking Lot 3B.<br />

Follow signage to Sale.<br />

TORONTO'S ONLY COMPREHENSIVE MONTHLY CLASSICAL & CONTEMPORARY CONCERT LISTING SOURC~

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