Volume 3 Issue 7 - April 1998
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OuR COVER: Beverley Johnston, percussionist extraordinaire<br />
After the first of two<br />
photo sessions with<br />
Beverley Johnston,<br />
photographer, Michael<br />
Shaw commented, a<br />
mixture of awe and<br />
disbelief in his voice,<br />
"she's always tapping on<br />
things, wherever she goes<br />
... she ne~er stops". If<br />
this constant attention to<br />
the resonance of the world<br />
is the secret of her<br />
flawless technique and<br />
disciplined vitality on<br />
stage, then may she keep<br />
tapping!<br />
Described by one<br />
reviewer as ".. . a whiz<br />
bang player with the soul<br />
of a poet ... " the poetry of<br />
Beverley Johnston 's<br />
performance is all in the<br />
· way she moves - precise<br />
but flexible, fast when<br />
necessary but never<br />
hurried. She is a<br />
performer who must be<br />
· seen as well as heard. Of<br />
course, what you hear is -<br />
well, out of this world. Her premiere<br />
performance of Christos Hatzis' Fertility<br />
Rites at February's "Collaborations"<br />
Concert was a virtuosic synchronization<br />
of Johnston on stage with a tape of Inuit<br />
throat singing and electronically<br />
PHOTOS: MICHAEL SHAW<br />
synthesized sounds.<br />
Her talent, now<br />
internationally recognized,<br />
has taken her to concert<br />
halls around the world -<br />
Alice Tully and Merkin<br />
Hall in New York, the<br />
Kennedy Center in<br />
Washington, D.C., and the<br />
1994 Commonwealth<br />
Games in Victoria. On<br />
Friday, <strong>April</strong> 24 she will<br />
add another to the list, the<br />
Weston Recital Hall at the<br />
Ford Centre for the<br />
Performing Arts. The<br />
featured work on the<br />
program is the premiere of<br />
a new work by Canadian<br />
composer, Peter Hatch,<br />
called Psionic lnteiference,<br />
in which she will wear a<br />
costume which will be her<br />
instrument It sounds like a<br />
metaphor for the way she<br />
lives her art.<br />
She will also be<br />
performing a program of<br />
music for flute and<br />
percussion with Carol Ann<br />
Savage, <strong>April</strong> 4 at Deer Park United, a<br />
fundraiser for the Schoolhouse Private<br />
School on St. Clair Avenue West.<br />
<strong>April</strong> 30 M ay 3<br />
Steeles Ave.<br />
I Parking l ot 38<br />
f FREE PARKING<br />
Founders<br />
Road Entrance<br />
-<br />
j ]<br />
walk<br />
t<br />
Winter College Dining Hall<br />
-\<br />
Park here<br />
THu. APRIL 30<br />
12 TO 8<br />
York University's Faculty of Fine Arts is renewing its stock of<br />
pianos and hosting a sale on campus in association with<br />
Kawai Canada Music Ltd. and Y.C Chau & Sons Pianos<br />
Inc. More than 100 pianos will be offered, including grands<br />
1and uprights - some new, others professionally refurbished -<br />
plus a wide selection of 88 note digital pianos. Instruments<br />
will be available in many sizes and finishes. Brand names<br />
include Kawai, Yamaha, Steinway, Heintzman, and others.<br />
Arrange an early appointment for better selection.<br />
FRI. MAY I<br />
10 TO 8<br />
SAT. MAY 2<br />
10 TO 6<br />
Sales & Delivery arranged through<br />
Y.C. Chau & Sons Pianos Inc.<br />
VISA, MasterCard, CIBC Financing available.<br />
fOR AN APPOINTMENT CALL:<br />
41 G-23G-BGG2<br />
Winters College Dining Hall, York University<br />
SuN. MAY 3<br />
4700 Keele Street at Steeles Avenue, Toronto.<br />
12 TO 6 Enter at Founders Road south off ofSteeles Avenue,<br />
one block west of Keele Street.<br />
Free parking in Parking Lot 3B.<br />
Follow signage to Sale.<br />
TORONTO'S ONLY COMPREHENSIVE MONTHLY CLASSICAL & CONTEMPORARY CONCERT LISTING SOURC~