3 Organum CD releases - Brainwashed
3 Organum CD releases - Brainwashed
3 Organum CD releases - Brainwashed
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Section ::<br />
3<br />
Entries covered in section ::<br />
3:01 :: 3:17<br />
Discography last updated ::<br />
Artist(s) covered in section ::<br />
Section title ::<br />
Media format considered ::<br />
<strong>Organum</strong><br />
<strong>CD</strong> <strong>releases</strong><br />
October 2006<br />
Copyright ::<br />
<strong>CD</strong><br />
David Jackman © 2005, 2006
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::2<br />
Entry 3:01<br />
Submission<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Complacency :: CP<strong>CD</strong>9401<br />
Country :: Year USA :: 1994<br />
Edition<br />
2000 copies<br />
Tracks Cowl (5:56) :: The Expelled (3:17) :: Submission (10:04) :: Renunciate (18:25)<br />
Same tracks and track order as the original 1988 United Dairies vinyl LP Submission (see entry 2:06) but with<br />
completely new artwork by David Jackman. Booklet has colour outer-booklet and black & white inner-booklet<br />
images. Front cover image is derived from a 1930’s first aid manual. Background is thin alternating red and<br />
yellow radials. The <strong>CD</strong> is totally grey with no information. Credits given: As entry 2:06, with the following<br />
additional text: Musical & Graphic compositions © Copyright David Jackman 1994. Music Published by<br />
Matchless Recordings & Publishing 1994 (PRS & MCPS) England. Complacency P.O.Box 1452 Palatine IL<br />
60078 USA ·FAX 708-437-3040.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::3<br />
Entry 3:01<br />
Submission (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::4<br />
Entry 3:02<br />
Veil Of Tears<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Matchless Recordings :: MR<strong>CD</strong>24<br />
Country :: Year UK :: 1994<br />
Edition<br />
1500 copies<br />
Tracks<br />
Veil Of Tears (part 1) (14:46) :: Delta (14:56) :: Obon (4:48) :: Lamentations (7:47) :: Veil<br />
Of Tears (part 2) (14:43)<br />
Booklet artwork by David Jackman. Front: laughing men with fish, over alternating thin blue and cream sunburst<br />
radials. Back: hammer, chick and cats. Black & white inner-booklet image features a rabbit sitting on a set of<br />
false teeth, repeated five times (which was used as a T-shirt design, see entry 10:04). Note: Tracks 1 & 5 were<br />
recorded in 1990, the date on the <strong>CD</strong> sleeve is incorrect (see entry 7:21). Track 2 was engineered & mixed live<br />
by Ron Briefel. This fact was accidentally omitted from the sleeve notes (Apologies, Ron - D.J.). Credits given:<br />
Considerable information is presented on the back: Tracks 1 & 5 recorded 1992 with Michael Prime, Dinah<br />
Jane Rowe and David Jackman. Track 2 recorded live at Recommended Records, London 1990 with Roger<br />
Sutherland, Michael Prime, Dinah Jane Rowe and David Jackman. Track 3 recorded 1985 all sounds by David<br />
Jackman remixed 1994 by Robert Hampson and Jim O’Rourke. Track 4 recorded 1994 with Robert Hampson,<br />
David Jackman and with archive sound from 1985 by Philip and Richard Rupenus. All music compositions<br />
copyright David Jackman 1994. Music published by Matchless Recordings and Publishing (PRS & MCPS).<br />
Insert artwork David Jackman © 1994. Special thanks to British Railways and to Philip and Richard Rupenus.<br />
Layout and typesetting by Impetus. Published by Matchless Recordings and Publishing 1994.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::5<br />
Entry 3:02<br />
Veil Of Tears (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::6<br />
Entry 3:03<br />
Flayed | Crux<br />
Artist<br />
Eddie Prévost | <strong>Organum</strong><br />
Label :: Cat# Matchless Recordings :: MR<strong>CD</strong>27<br />
Country :: Year UK :: July 1995<br />
Edition<br />
1000 copies<br />
Tracks<br />
Flayed (19:54) (by Eddie Prévost) :: Crux (18:30) (by <strong>Organum</strong>)<br />
Black and white fold-out inlay card featuring the same cover images as the original Silent Records 1987 vinyl<br />
LP release (see entry 2:05) except without any text. Text-less sleeve design used on a T-shirt (see entry<br />
10:04). Inside the fold-out inlay is a short text by David Ilic dated May 1995. Important: The tray card text does<br />
not mention that Steven Stapleton was involved in the production and mix of Crux. In fact, the final shape of that<br />
piece was entirely due to Steven’s efforts. David Jackman offers his apologies to Steven for this unintended<br />
omission. The insert sleeve notes state that David Tibet has been a contributor to <strong>Organum</strong> music. This is<br />
incorrect. Tibet has not participated in any <strong>Organum</strong> recordings. Credits given: As with all Matchless <strong>CD</strong><br />
<strong>releases</strong> there is quite a lot of information presented on the back: Flayed features mainly Eddie Prévost on<br />
drums, general percussion and acme thunderer whistle. David Jackman added some bowed cymbals and<br />
electronic sounds. Crux features Andrew Chalk on bowed gong, David Jackman drone flute, bowed piano,<br />
Dinah Jane Rowe drone flute and Stephen (sic) Stapleton on chair. Flayed and Crux were produced by David<br />
Jackman and first released on an LP by Silent Records (USA) SR 8704A/B. Flayed copyright of Eddie Prévost<br />
© 1987. Crux copyright of David Jackman © 1987. Music published by Matchless Recordings and Publishing<br />
PRS/MCPS. Artwork by David Jackman © 1987. Notes by David Ilic © 1995. Published by Matchless<br />
Recordings and Publishing 1995. Along with the usual copyright warnings is written: Matchless Recordings and<br />
Publishing 2 Shetlock’s Cottages, Matching Tye, near Harlow, Essex, CM17 0QR, UK. Manufactured in the<br />
United Kingdom.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::7<br />
Entry 3:03<br />
Flayed | Crux (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::8<br />
Entry 3:04<br />
Desola<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Robot Records | Aeroplane Records :: RR-09 | AR-18<br />
Country :: Year USA/UK :: September 1995<br />
Edition<br />
1000 copies<br />
Tracks Desola Pt.1 (6:18) :: Shin-En (5:43) :: Desola Pt.2 (4:01)<br />
The <strong>CD</strong> is black with the words ‘ORGANUM DESOLA’ written with no break between the words and with<br />
regular spacing in a circular fashion round the disc. The disc is housed in a regular slimline <strong>CD</strong> slip-case. The<br />
insert has a uniform dark green front with the words ‘ORGANUM DESOLA’ printed in black type across the<br />
centre. The rear of the insert is plain black. The rear flap has the track titles, copyright and publishing<br />
information and the joint label address printed in white type on black. The spine has artist, title and catalogue<br />
number. Christoph Heemann contributed an accordian drone to Desola Pt.1.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::9<br />
Entry 3:05<br />
Kammer<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Aeroplane Recordings :: AR-25<br />
Country :: Year UK :: February 1997<br />
Edition<br />
990 copies<br />
Tracks Kammer (17:47)<br />
5” <strong>CD</strong> EP in white card gate-fold sleeve. The <strong>CD</strong> is housed in a black ‘inner-sleeve’ with clear plastic window.<br />
Generic sleeve used for <strong>CD</strong>-ROMs with title ‘ORGANUM KAMMER’ in a small circular stamp on top left of the<br />
front cover. The <strong>CD</strong> is light matt-grey with credit details written as a continuous text in light green around the<br />
edge (artist, track title, date, label and USA contact address). The track was recorded live on 2nd March 1996.<br />
Musicians were Emma O’bong, Michael Prime and David Jackman. A video recording was made of this<br />
performance.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::10<br />
Entry 3:06<br />
<strong>Organum</strong> Volume One<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Robot Records :: RR-17<br />
Country :: Year USA :: July 1998<br />
Edition<br />
500 copies<br />
Tracks Tower of Silence Pt.1 (2:18) :: Tower of Silence Pt.2 (7:11) :: Voice Of The Angel (3:46)<br />
:: Incarnate (4:44) :: Rasa (18:16) :: In Extremis Pt.1 (11:12) :: In Extremis Pt.2 (8:33)<br />
Booklet is printed solid black throughout. Traycard is printed solid black on both sides. Spines have, in white<br />
capitals on black, ORGANUM VOLUME ONE ROBOT RECORDS RR-17. Completely clear jewel-case. The disc is solid<br />
black with, in white capitals in a continuous circle around the disc: ORGANUM VOLUME ONE / TOWER OF SILENCE<br />
PT1 / TOWER OF SILENCE PT 2 / VOICE OF THE ANGEL / INCARNATE / RASA / IN EXTREMIS PT 1 / IN EXTREMIS PT 2.<br />
This collection is a reissue of the Tower Of Silence E.P. on L.A.Y.L.A.H. Antirecord from 1985 (see entry 2:01),<br />
the A-side of the In Extremis E.P. on L.A.Y.L.A.H. Antirecord, also from 1985 (see entry 2:02) and the<br />
<strong>Organum</strong> (B-side) of the 1987 United Dairies split LP A Missing Sense | Rasa (see entry 2:04).
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::11<br />
Entry 3:06<br />
<strong>Organum</strong> Volume One (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::12<br />
Entry 3:07<br />
Bird’s Wings Were Glued To Their Bodies And Their Feet Froze To<br />
The Ground<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Die Stadt :: DS-21<br />
Country :: Year Germany :: 1999<br />
Edition<br />
700 copies<br />
Tracks Bird’s Wings Were Glued To Their Bodies And Their Feet Froze To The Ground (47:45)<br />
Plain white <strong>CD</strong> with no text. 4-page booklet with the same black & white image of a military scrap yard repeated<br />
on each page. Tray insert text credits (highlights as original): mat fox robert hampson david jackman emma<br />
o’bong michael prime image iwm London. The single track is broken into 3 untitled parts with durations: 7:28,<br />
35:34 and 4:40.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::13<br />
Entry 3:07<br />
Bird’s Wings Were Glued To Their Bodies And Their Feet Froze To<br />
The Ground (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::14<br />
Entry 3:08<br />
<strong>Organum</strong> Volume Two<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Robot Records :: RR-18<br />
Country :: Year USA :: July 2000<br />
Edition<br />
500 copies<br />
Tracks Valley of Worms (20:07) :: Horii (12:48) ::<br />
Ich Reiste Weit Und Verweilte Fur Einigezeit In Tring (9:10)<br />
Label Press Release ::<br />
Meticulously remastered for truly maximum fidelity, includes material primarily culled from the 'In Extremis' and 'Horii'<br />
sessions (12" titles originally released on L.A.Y.L.A.H., 1985/86).. Track 1, 'Valley of Worms', includes the complete B-side<br />
(album version) of 'In Extremis' which features Jackman's collaborative work with The New Blockaders. This 20 minute piece<br />
is a massive eruption of relentless, burrowing atmospheres that are often disturbing as they are engaging. Track 2, 'Horii', is<br />
an alternate version (differing from the 12" release) which features Jackman's collaboration with Andrew Chalk. At over 12<br />
minutes, this piece offers a very bizarre melange of sputtering bowed percussion, homemade woodwinds and voice. Track<br />
3, 'Ich Reiste Weit Und Verweilte Fur Einigezeit In Tring', is a previously unreleased work from 1989 that capsules many of<br />
the (purely acoustic) compositional elements associated with the early L.A.Y.L.A.H. sessions. As with 'Volume One', these<br />
three dynamic compositions easily represent the raw beauty and intensity of the early <strong>Organum</strong> sound.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::15<br />
Entry 3:08<br />
<strong>Organum</strong> Volume Two (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::16<br />
Entry 3:09<br />
Ikon<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Robot Records | Siren Records :: RR-23 | SR-06<br />
Country :: Year USA / Japan :: 2001<br />
Edition<br />
500 copies<br />
Tracks Crawl (4:09) :: Great Light (2:42) :: Ikon (3:08) :: The Slaughter (4:18) :: Gleam (1:05)<br />
Reissue of the 1987 cassette LP (see entry 4:19) which was, in turn, reissued by Dom in 1989 (see entry 2:08).<br />
Label Press Release ::<br />
"Appearing only for a short time as a small edition cassette on Aeroplane (1987), and then later as a 12" EP (1989) on<br />
Christoph Heemann's Dom Bartwuchs label, 'Ikon' proved to be a monumental achievement in the <strong>Organum</strong> sound. Within<br />
the five compositions, Jackman combined self-made woodwind instruments along with vast droning environments to create<br />
spacious, haunting landscapes. These melodic undercurrents were paired with voice, percussive streams, and an<br />
assortment of textural elements that convey an incredibly eerie yet beautiful sense of space. Remastered and including an<br />
alternate mix of the title track, 'Ikon' is an awesome document of one of David Jackman's most important works. 16<br />
minutes."
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::17<br />
Entry 3:09<br />
Ikon (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::18<br />
Entry 3:10<br />
Salute<br />
Artist<br />
<strong>Organum</strong> & The New Blockaders<br />
Label :: Cat# Robot :: RR-25<br />
Country :: Year USA :: July 2001<br />
Edition<br />
500 copies<br />
Tracks Salute Part 1 (3:00) :: Salute Part 2 (3:00) :: Salute Part 3 (3:00) :: Salute Part 4 (3:00) ::<br />
Salute Part 5 (3:00) :: Salute Part 6 (3:00) :: Salute Part 7 (3:00) :: Salute Part 8 (3:00)<br />
Pale blue <strong>CD</strong> with white text came in a clear jewel case (no booklet or tray card). Reissue of the cassette EP<br />
titled of the same name, first issues in 1984 on Frux Recordings and later in 1989 on Aeroplane with completely<br />
new artwork (see entry 4:20).<br />
Label Press Release ::<br />
Early collaborative material from 1984. Originally only available as a cassette (released initially by the UK's Frux label, then<br />
later on David Jackman's Aeroplane label) in very small editions. Salute is comprised of 8 parts and can be viewed as the<br />
first full-length collaboration between <strong>Organum</strong> and The New Blockaders following the release of the legendary 'Pulp' 7" in<br />
1983. These pivotal sessions, as the title suggests, were landmark recordings. The result was in essence an appreciative<br />
'salute' amongst the collaborators with respect to their individual as well as collective work. This remastered edition is a<br />
massive improvement in sound over the rare cassette versions. Not only do the intense tonal textures finally blaze through in<br />
their truly maximum form, but the <strong>CD</strong> edition also allows for an uninterrupted running program.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::19<br />
Entry 3:11<br />
Pulp<br />
Artist<br />
<strong>Organum</strong> & The New Blockaders<br />
Label :: Cat# Robot :: RR-26<br />
Country :: Year USA :: 2002<br />
Edition<br />
500 copies<br />
Tracks Pulp (2:59) :: Pulp (3:01) :: Pulp (2:55) :: Pulp (3:00) :: Pulp (3:0) ::<br />
Wrack (3:08) :: Wrack (3:09) :: Wrack (3:07) :: Wrack (3:04) ::<br />
Raze (1:35) :: Raze (1:34) :: no title (3:10)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::20<br />
Entry 3:11<br />
Pulp (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::21<br />
Entry 3:12<br />
Sphyx<br />
Artist<br />
<strong>Organum</strong> & The New Blockaders<br />
Label :: Cat# Robot :: RR-30<br />
Country :: Year USA :: 2003<br />
Edition<br />
700 copies :: digipack<br />
Tracks Aurora (16:32) :: Sphyx (7:33) :: Mutla (11:51) :: Aeo (5:42) :: Shining Star (2:43)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::22<br />
Entry 3:13<br />
Vacant Lights | Rara Avis<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Die Stadt :: DS62A (Disc 1) and DS62B (Disc 2)<br />
Country :: Year Germany :: 2004<br />
Edition<br />
600 copies :: gatefold digisleeve :: 1st 150 copies with poster<br />
Tracks :: <strong>CD</strong>1<br />
Tracks :: <strong>CD</strong>2<br />
Vacant Lights (Part 1) (17:00) :: Vacant Lights (Part 2) (15:17)<br />
Iuel (3:27) :: Wolf (4:07) :: Obon (Version) (4:42) :: Hibakusha (3:40) :: Rara Avis (3:44)<br />
Label Press Release ::<br />
Jochen Schwarz / DIE STADT is very delighted to announce the re-release of 'Vacant Lights' one of his all time favourite<br />
works by David Jackman, in combination with a second <strong>CD</strong> comprising of five unreleased or hard to find tracks entitled 'Rara<br />
Avis'. David Jackman, active since the late sixties as a member of THE SCRATCH ORCHESTRA and later with many solo<br />
works and under the name ORGANUM with changing line-up's, was supported on these recordings by some of the main<br />
collaborator's during this <strong>Organum</strong> phase: Dinah Jane Rowe, Jim O'Rourke, Eddie Prevost (AMM), Christoph Heemann<br />
(H.N.A.S.), Robert Hampson (Main) as players and Steven Stapleton (NWW) and Peter McGhee in the studio. Most of the<br />
recordings on these two <strong>CD</strong>'s show the more contemplative side of the ORGANUM sound, the main characteristic being<br />
Jackman's playing of various types of bamboo flutes some of which were actually made by David Jackman. The inside cover<br />
features one of the two collages by David Jackman that were used for the original LP sleeve. Cover design by Jonathan<br />
Coleclough. Edition of 600 copies in 4panel full color digisleeve. The first 150 copies incl. a poster with the artwork feat. on<br />
the back side of the original LP cover.<br />
VACANT LIGHTS: recorded live in the backyard of long-gone IPS Studio, Sherperd's Bush, London. Performed by Dinah<br />
Jane Rowe and David Jackman, with Steven Stapleton and Peter McGhee at the controls. Four recordings were made. Two<br />
survive and are presented on this <strong>CD</strong>. Originally released as an LP on Jon Carlson's Dom America label in the late 1980's,<br />
the <strong>CD</strong> version has been carefully re-mastered from the original reels. It was one of the easiest and most trouble-free<br />
<strong>Organum</strong> albums to make. Jane and I went to IPS on a sunny 20 August 1986, did the music in an hour and a half, went<br />
home. It was ordinary, a normal day.<br />
RARA AVIS is a short collection of five pieces, three of which have appeared on 7-inch singles: IUEL and WOLF on Dom<br />
America, HIBAKUSHA on Walter Robotka's Syntactic label. Jim O'Rourke added guitar to IUEL, Christoph Heemann put<br />
some microphone feedback into WOLF. OBON (VERSION), originally recorded way back at IPS, is one of four alternate<br />
mixes engineered years later by Robert Hampson and Mr. O'Rourke. RARA AVIS is a previously unused mix created by Jim<br />
circa 1991 from sounds made during the AURORA sessions of 1990. Extensively re-worked in 2003, it features Jim, Jane,<br />
Eddie Prevost and myself. At the time of writing, Jim and the others have not heard what is in effect a new piece.<br />
Alan Jones of RMS Studios, London, provided excellent and ever-patient help with the editing of the masters.<br />
My thanks to all who helped to create these works. David Jackman Sunday 23 May 2004
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::23<br />
Entry 3:13<br />
Vacant Lights | Rara Avis (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::24<br />
Entry 3:13<br />
Vacant Lights | Rara Avis (poster)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::25<br />
Entry 3:14<br />
Tinnitus Vu<br />
Artist<br />
<strong>Organum</strong> | Z’ev<br />
Label :: Cat# Touch :: Tone 19<br />
Country :: Year UK :: 2004<br />
Edition<br />
1000 copies :: digipack<br />
Tracks<br />
Tracks here<br />
Label Press Release ::<br />
17-minute EP recording, based on David Jackman source recordings. Z'EV writes: "Long long ago and far far away... holiday<br />
season 1999 & I was in London, & my dear friend Barbara took me to dinner at the house of her friend Olivia -- round the<br />
corner & down the block & Olivia had invited her friend David Jackman (aka <strong>Organum</strong>) there also -- and so we met. Fast<br />
forward... it's July 2003 & I'm in London again & will be here for a while so I see if I can hook up w/ Mr. Jackman again. Thus<br />
begins a search for the man himself -- thanks here to <strong>Brainwashed</strong> & Robot Records for facilitating this flow of info -- so we<br />
meet one Sunday afternoon in the hottest summer London has ever seen at the Crown & Greyhound for a bit of a chat. The<br />
next day Mr. Jackman is going into the studio to record some source for a new series of compositions & invites me by. There<br />
am I bright & early (but certainly not bushytailed) at 11 am in the morn (just about the middle of the night for me actually).<br />
But anyway. During the some breaks in his process we retire to a most delightful garden behind the studio & chit & chat &<br />
get around to a major congruence -- ie, our hearing -- or, in fact, our various lacks of it to be precise and go onto getting into<br />
details regarding the intricacies of our varying degrees of tinnitus. That was the impetus behind David offering to give me a<br />
copy of the session to dirty my hands w/ -- as I did. Anyway -- one treatment led to another & David came by for dinner & I<br />
played him some early results & it seems he was enthused. He came by for dinner again & he heard the initial 4 treatments<br />
& so began the talks about this actually becoming a collaborative project that would release product."
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::26<br />
Entry 3:14<br />
Tinnitus Vu (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::27<br />
Entry 3:15 Tocsin -6 Thru +2<br />
Artist<br />
<strong>Organum</strong> | Z’ev<br />
Label :: Cat# Die Stadt :: DS77<br />
Country :: Year Germany :: 2005<br />
Edition<br />
600 copies<br />
Tracks Tocsin –6 (Z'ev) (4:08) :: Tocsin –5 (Z'ev) (3:57) :: Tocsin –4 (Z'ev) (3:25) ::<br />
Tocsin –3 (Z'ev) (3:33) :: Tocsin –2 (Z'ev) (4:28) :: Tocsin –1 (Z'ev) (4:03) ::<br />
Tocsin 0 (Z'ev) (3:38) :: Tocsin +1 (Jackman) (14:54) :: Tocsin +2 (Jackman) (7:13)<br />
Label Press Release ::<br />
Following their maxi <strong>CD</strong> 'Tinnitus Vu' on Touch in 2004 'Tocsin' is the first full length album produced together by these two<br />
renowned sound artists. Whereas 'Tinnitus Vu' was mostly the result of Z'ev reworking material by Jackman, 'Tocsin' is the<br />
result of the artists agreeing to meet and work together in the studio. They created and recorded sounds from a piano (which<br />
can be found at RMS Studios London) and a stainless steel instrument (built by Z'ev circa 1989), over the course of several<br />
hours. They then took the recordings home, and after a period of each one mixing these sounds by themselves came up<br />
with what can be heard on this <strong>CD</strong>. Two distinct sets of work which formed this multilayered and fascinating album. Graphic<br />
design: David Jackman. Graphics engineer: Jonathan Coleclough. Edition of 600 copies in full colour 4-panel digisleeve.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::28<br />
Entry 3:15<br />
Tocsin -6 Thru +2 (cont’d)
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::29<br />
Entry 3:16<br />
Die Hennen Zähne<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Die Stadt :: DS57/DS66<br />
Country :: Year Germany :: December 2005<br />
Edition<br />
600 copies in gloss-finish miniature 3” digipack<br />
Tracks Die Kralle (2:53) :: Die Hennen Zähne (5:18) :: Maus (7:13) :: Kazi (2:54)<br />
Label Press Release ::<br />
A four track 3” (mini) <strong>CD</strong> combining the never released two 10inch's 'Maus' (DS57) and 'Die Hennen Zähne'<br />
(DS66). 'Die Hennen Zähne' opens with 'Die Kralle' actually a David Jackman track from his archive recorded in<br />
the early 1980's. Next is the title track 'Die Hennen Zähne', a joyful noise not unlike some of the TNB/<strong>Organum</strong><br />
material incl. the sound of broken glass and Tibetan horns, best to be experienced LOUD. 'Maus' is the centre<br />
piece of this mini album and typical 'old school' <strong>Organum</strong>. The album closes with the more quiet and haunting<br />
'Kazi', a live improvisation featuring collaborator's Michael Prime and Emma O'Bong. Digipack. 600 copies.<br />
Total playing time: 18:18 min.
Section 03 :: <strong>Organum</strong> :: <strong>CD</strong>’s Page 3::30<br />
Entry 3:17<br />
Sanctus<br />
Artist<br />
<strong>Organum</strong><br />
Label :: Cat# Robot :: RR-35<br />
Country :: Year USA :: December 2005<br />
Edition<br />
600 copies<br />
Tracks<br />
Sanctus I :: Sanctus II :: Sanctus III :: Sanctus IV<br />
Label Press Release ::<br />
The first album in a proposed trilogy of new material. Sanctus represents the new architecture of the <strong>Organum</strong><br />
sound. Recorded utilizing an implicit graphic score, the album is comprised of four discrete parts, each a variant<br />
of the others. These are not parts as in a movement or continuation of the composition, but rather four distinct<br />
audio canvases that represent a continuum of the elements at large. Composed in the spirit of the early<br />
<strong>Organum</strong> material, David Jackman has resurrected the drone-based, percussive turbulence of earlier years<br />
with a distinct new form of compositional systems. These new systems are scored for grand piano, Hammond<br />
organ, tower bell, and gong. While each element retains its distinct acoustic quality, the whole of each piece<br />
resonates the art of its totality. The results convey an ecstatic sense of presence, vast expanse, and, ultimately,<br />
infinitude.<br />
Note that the trilogy of release was cancelled at the request of David Jackman.