å¸¶ä½ å¼µé夢æ³çè¬è½ç¿ è - Jan von Holleben
å¸¶ä½ å¼µé夢æ³çè¬è½ç¿ è - Jan von Holleben
å¸¶ä½ å¼µé夢æ³çè¬è½ç¿ è - Jan von Holleben
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PHOTOGRAPHY ART<br />
風 格 攝 影<br />
PHOTOGRAPHY ART<br />
還 記 得 小 時 候 做 過 什 麼 夢 嗎 ? | <strong>Jan</strong> <strong>von</strong> <strong>Holleben</strong> 帶 你 張 開 夢 想 的 萬 能 翅 膀<br />
傳 承 自 父 親 的 攝 影 魔 法<br />
dpi<br />
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www.photodebut.org.<br />
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dpi: Please tell us how you got involved with the photographic<br />
world? Who inspired you to become a photographer?<br />
My father studied photography and eventually became<br />
Director of Photography at a German Television Station.<br />
In his early years, before he started working with moving<br />
images, he produced a lot of very exciting photography<br />
which was rather personal and non commercial. He experimented<br />
a lot with the technologies of photography<br />
and his work was always on display at home. I was fascinated<br />
by the magic of it and was keen on learning more<br />
about it, I wanted to become the wizard’s apprentice and<br />
learn everything about the medium, tell stories, work with<br />
people and make even greater magic! With the age of<br />
13 I got my first camera and started shooting. For the next<br />
10 years I spent an enormous amount of time, energy and<br />
money on documenting not only my entire environment<br />
and my friends, but also learning the trade, the techniques<br />
and the secrets of photography. I researched and enjoyed<br />
many great photographers and tried to understand<br />
their visual voices. I assisted a commercial photographer<br />
for 3 years and learned the technical skills and how to run<br />
a business. He was a brilliant commercial photographer<br />
and teacher. For him: No idea or commission was too difficult<br />
or impossible.<br />
Age 23 I went to University in England and studied: ‘History<br />
and Theory of Photography’ .. that was it.. I was lost and<br />
found in photography.<br />
After that I moved to London and started working in<br />
photography as picture editor in a photo-agency, photographic<br />
director for a magazine and later on at an exciting<br />
agency for photographers and creatives. I set up<br />
my own photographers collective: www.photodebut.org.<br />
From my very first day in the UK I already did smaller editorial<br />
commissions.. and over the years they became more<br />
and more.<br />
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dpiWhen did your current photographic style begin?<br />
How did you come about it?<br />
During my Assisting Years (20-23 years old) and at University<br />
I tried everything in photography I could think of..<br />
and then, suddenly.. I was fed up with all techniques.<br />
I wanted to reduce everything.. just work on my ideas<br />
and my visual grammar. I picked up a snapshot camera<br />
and started shooting without looking through the view<br />
finder… just guessing the picture.. I did this for a year..<br />
and just worked very hard on the editing of the images<br />
afterwards. .. that was an amazing practice and trained<br />
me in distancing myself from my work. Then I started<br />
looking through the viewfinder again… and I found a<br />
style which I liked.. but still needed to work on it for another<br />
3 years until I really understood what I was doing<br />
and why I was doing it. It became a very personal and<br />
emotional journey (All these years I kept working with<br />
4x5inch cameras, 6x7 and Digital alongside my own<br />
snapshot-camera experiments… I didn’t feel confident<br />
enough to test my newly discovered style on editorial,<br />
commercial or test shoots)<br />
按 下 快 門 前 的 自 我 思 辯<br />
dpi<br />
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dpiWhat elements of a picture do you care the most<br />
about when you take it?<br />
It’s the entire image as a whole. I neglect the technicalities<br />
(as I can rely on them anyway). I just think: THE PIC-<br />
TURE and the VIEWER. I think with every image I do: Does<br />
this picture work for someone else? Do they understand<br />
what I want to say? Would I understand this picture if<br />
someone else would have show it to me? … Why does it<br />
not work just yet.. ahhh .. that’s how it works.<br />
And then I have a new picture!<br />
關 於 「 飛 翔 之 夢 」 系 列 作 品<br />
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dpiRegarding your ‘Dreams of Flying’ Series: What’s<br />
your main motive for this series?<br />
It is that the idea of ‘Childhood’ is always a joint experience<br />
between grown ups and children. Children do not<br />
know what it means: Childhood - they are in the middle<br />
of it and don’t really care about it. Grown ups have<br />
purely nostalgic memories of that time of which they are<br />
no longer part of.<br />
It is also about the amazing time of life when everything<br />
is free and amazing and great and new and everything<br />
is possible. I believe that we don’t need to loose that<br />
freedom when we grow up. We can still keep it. Just in<br />
a different frame work... BUT WE CAN KEEP IT FREE and<br />
AMAZING and can learn something new every day and<br />
have adventures every day!<br />
dpi<br />
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1530<br />
逃 出 技 術 的 牢 籠<br />
dpi<br />
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2023<br />
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03<br />
04<br />
02<br />
05<br />
02 Wir werden immer grösser stuck<br />
03 Dreams of FlyingThe Superman<br />
04 Dreams of FlyingThe Strong Men<br />
05 Dreams of FlyingThe Tarzan and <strong>Jan</strong><br />
64 dpi | 2007<br />
dpi | 2007<br />
65
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