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Eventually all these things came<br />
together and I discovered the<br />
rhythm of my environment. You<br />
hear it in my music and you hear it<br />
in the choral works I wrote, such<br />
as Hockey Night in Canada, and<br />
others in which I use common<br />
speech. When I became interested<br />
in music theatre, I would write my<br />
own text. I found my own way to<br />
choose words and phrases that<br />
articulate well.<br />
STEENHUISEN: How did your<br />
career develop?<br />
WEINZWEIG: I had a very<br />
slow development because<br />
compositidn was not taught at the<br />
University of Toronto. I was on<br />
my own. I'd only had one year as<br />
a student of a composer and that<br />
was with Bernard Rogers at<br />
Eastman. That was it. I'm<br />
almost a self-.ffiade composer, I<br />
simply learned from other composers.<br />
I would say that it was a<br />
slow career. I think it took me<br />
longer as a composer.<br />
STEENHUISEN: Wasn't that<br />
the reality of the time?<br />
WEINZWEIG: No, that was<br />
me. ·For example, Jean Coulthard<br />
was a contemporary. She traveled<br />
abroad and managed to get lessons<br />
with about eight or nine different<br />
composers, such as Darius<br />
Milhaud, Vaughan Williams, and<br />
Bart6k. I had none of that. I<br />
couldn't afford to travel. I think<br />
the generation of composers after .<br />
me developed much earlier than I<br />
did, and developed their craft<br />
much earlier than I did.<br />
STEENHUISEN: So you've<br />
seen things flourish. ..<br />
WEINZWEIG: Yeah. I tell you,<br />
generations of composers that<br />
grew up in this country, from the<br />
60's, 80's and today, they reveal a<br />
fine craft, and they've written<br />
many fine works that deserve more<br />
than just a premiere. There's also<br />
evidence of composers being<br />
influenced by other Canadian<br />
composers. I 'would say that Jean<br />
Papineau-Couture influenced a<br />
number of composers in Quebec.<br />
Certainly Murray Schafer has had<br />
an influence on other composers,<br />
and Harry Somers as well.<br />
There's a tradition developing in<br />
the creative work and I want to see<br />
more of a performance tradition<br />
develop. I think Canadians,have<br />
to realize that we do have a<br />
tradition. It's not very long, but<br />
we have it, and it's there for us.<br />
JAZZ&BAND<br />
number of people who attend festival<br />
performances never see the inside<br />
of a jazz club the rest of the<br />
year. The clubs are the backbone<br />
of jazz in Toronto; astonishing<br />
numbers of really fine musicians<br />
by Jim Galloway can be found in any given week<br />
Summertime, and the festival sea- contributiro.g to the very active club<br />
son goes on its merry way with the programme. If you are wary of<br />
Beaches Festival in <strong>July</strong> and jumping in at the deep end, look<br />
Markham .jn <strong>August</strong>. Does any- for a name you recognise, perhaps<br />
body know of any other city that someone you enjoyed at one of the<br />
has four jazz festivals within a couple 'festivals - but just do it! And then,<br />
of months? Not to mention the fes- having ventured out for something<br />
tivals in the surrounding area which familiar, venture back out and hear<br />
includejazz intheirprogramming. someone you don't know. They<br />
A look at the listings shows just might open your ears to a different<br />
how extensive that is - Dave Young, style of the music - who knows,<br />
Terry Clarke, Kevin Turcotte & you might just enjoy it.<br />
:Bernie Senensky at the Festival Of Bottom line is that if you like<br />
The Sound, Lorne Lofsky at the this music called jazz you should<br />
Kincardine Summer Music Fes- support it, not just take it for granted<br />
iival and Phil Nimmons at Strat- until next year's festivals roll<br />
ford Music, to name only a few. around_. Listening to your CD col-<br />
There was a time when summer lection - or your old LPs may be<br />
was a 'down' season for jazz _ a great, but there is something about<br />
few gigs at the c.N.E. but not much hearing live music that simply can-<br />
. else. Then, the festival phenomenon not be reproduced.<br />
-- making summer high season for The jazz audience, like the clasat<br />
least some musicians, even the sical, is minute by comparison with<br />
opportunity for a few of them to pop music where the pressun: t?·<br />
tour across Canada. (Meanwhile, . pander. to lowest comm.on denom1-<br />
of course the c .N.E. dwindled to nators mcreases all the tIIDe. A coua<br />
handful' ~f engagements, ensur- pie of hours in a jaz~ club might<br />
ing that playing jazz, along with well cost less than a .. mght at a not.~<br />
acting and selling refrigerators in so-g~eat sui_nmer blockbuster<br />
the Arctic remains a hazardous way movie and give you a pleasant opto<br />
pay th~ rent.<br />
portunity to int~ract with some other<br />
In the glow of all the festival fire- people. . .<br />
works: let us not forget there is still ~y the time yo~ read this, I shall<br />
a strong local club scene worthy of ?e m ~scon~, Switzerland, follo':"<br />
support. For all of you who come. m~ a httle.b1t ?f the Eur~pean Clfout<br />
for the stars at festival time I cu1t, runmng mto old fnends and<br />
suggest this: go out to a local jdz.z. perhaps finding something new to<br />
club at least once before the end of enjoy· Happy listening and ?on't<br />
September. As I mentioned last ~org~t - ma~e some of your hstenmonth,<br />
Iamquitecertainthatahuge mg hve music.<br />
DAVID JENSEN<br />
Harpsichord Maker<br />
CUSTOM MADE HARPSICHORDS, VIRGINALS & CLAVICHORDS<br />
Repairs, Restorations, Tuning and Regulation since 1976<br />
(905) 973-1314 & (905) 529-2527<br />
www.harpsichord-man.com harpsichordman@hotmail.com<br />
Free Jazz Concerts<br />
Saturdays, 8pm<br />
Island Club, Ontario Place<br />
Jun·e 8th -<br />
Rick Shadrach Lazar & Montuno Police<br />
June 15th -<br />
I<br />
Bi ll King's Saturday Nite Fish Fry<br />
June 22nd -<br />
Swi.ng Shift Bfg Band<br />
June 29th -<br />
Kirk MacDonald Quintet<br />
<strong>July</strong> 6th -<br />
Shirley Eikhard<br />
<strong>July</strong> 13th -<br />
Michael Pickett Band<br />
<strong>July</strong> 20th -<br />
Kalabash ><br />
<strong>July</strong> 27th -<br />
Absolute Faith Orchestra<br />
<strong>August</strong> 3rd -<br />
George Gallus Sextet<br />
<strong>August</strong> <strong>10</strong>th -<br />
Jim Galloway & Friends<br />
www.jazz.fm<br />
(416) 599-5299<br />
Bay Bloor Radio<br />
Barrymore<br />
Furniture<br />
]"11y 1 - Septe mber 7 <strong>2002</strong><br />
www.thewholenote.com<br />
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