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Etta James - dianne spoto ackerman

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etta_82876758152_bk 11/21/05 11:13 AM Page 1<br />

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<strong>Etta</strong> <strong>James</strong> has literally lived the genre of the blues. Having endured traumas<br />

that most would have succumbed to,<strong>Etta</strong> not only fought life’s tragedies—she sang her<br />

way through them. Her voice was her salvation, a medium through which she rose up<br />

out of the chaos and wreckage of misfortune.And now that voice, filled with honesty,<br />

depth and earthiness, is a glorious medal of honor and a gift to her lucky listeners.<br />

Gutsy from the get-go, the child prodigy (born <strong>James</strong>etta Hawkins in Los Angeles in<br />

1938), was performing at age five in her family’s Baptist church, and singing on the<br />

local radio station soon after.When she scored her first record deal at age 16, <strong>James</strong>etta<br />

inverted her name to <strong>Etta</strong> <strong>James</strong> and joined Johnny Otis’ band, along with her female<br />

vocal group “The Peaches” (which, incidentally, was <strong>Etta</strong>’s nickname). Now, more than<br />

fifty years later,<strong>Etta</strong> enjoys massive success as a performer,recording artist,Rock & Roll<br />

Hall of Fame inductee, Grammy ® winner, and living legend.<br />

It’s true <strong>Etta</strong> reigned supreme as an R&B matriarch, blues vocalist and pop star, but her<br />

distinctive ballad interpretations must be given equal praise. On Love Songs, <strong>Etta</strong>’s<br />

astounding abilities as a vocal stylist have a chance to shine. Whether interpreting<br />

timeless standards by Harold Arlen, Cole Porter and George Gershwin, or modern classics<br />

by Otis Redding, <strong>Etta</strong> pours an arresting amount of soul, subtlety and finesse into<br />

every note.<br />

While <strong>Etta</strong> is usually expected to deliver raucous and rollicking blues (with erotic stage<br />

antics to match), on Love Songs <strong>Etta</strong> takes a step back and tenderly delivers a collection<br />

of romantic classics.Though she recorded most of these songs with a big band,<br />

the backdrop of horns and rhythm section are intricate and tasty yet never in the way,<br />

never too heavy, always leaving room for <strong>Etta</strong>’s delicate inflections.<br />

Miss Peaches’ voice has deepened significantly over the years, which only intensifies<br />

her beautiful ability to convey life’s sorrows, triumphs, hope and love. Hers is a husky<br />

contralto that has lived to tell the tale, her wisdom reflected in her finesse as an interpreter—whether<br />

bending a note, laying on thick vibrato, abstaining from it, soaring in<br />

volume, or diminishing to a whisper—<strong>Etta</strong> brings an element of delicious unpredictability<br />

to each song.That extraordinary skill, paired with the exquisite melodies and<br />

poetry of these timeless songs, make for essential listening.<br />

–Dianne Spoto<br />

82876 75815 2<br />

etta james<br />

love songs<br />

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front cover


etta_82876758152_bk 11/21/05 11:13 AM Page 2<br />

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1. At Last (3:01)<br />

M. Gordon – H. Warren<br />

Vocals: <strong>Etta</strong> <strong>James</strong> / Riley Hampton Orchestra Produced by Leonard Chess and Phil Chess<br />

Courtesy of MCA Records, Inc. a Division of UMG Recordings, Inc. / Originally released in 1960 courtesy of The<br />

Verve Music Group under license from Universal Music Enterprises.<br />

2. I've Been Lovin’ You Too Long (4:20)<br />

O. Redding – J. Butler<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Bass: Michael Rhodes Drums: Eddie Bayers Electric Guitar: Brent Rowan/Dann Huff/<br />

Josh Sklair Acoustic Guitar: Don Potter Keyboards: Barry Beckett/Steve Nathan Steel Guitar: Paul Franklin<br />

Percussion: Terry McMillan Horns: Mike Haynes/Jim Horn/Sam Levine/Chris McDonald/Joe McGlohon<br />

Background Vocals: Vicki Hampton/Yvonne Hodges/Donna McElroy/Louis Nunley/John Wesley Ryles/<br />

Dennis Wilson/Curtis “Mr. Harmony” Young Produced by Barry Beckett for Beckett Productions • 1997 BMG Music<br />

3. There Is No Greater Love (5:19)<br />

I. Jones – M. Symes<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Guitar: Josh Sklair Piano: Cedar Walton Bass: Tony Dumas Drums: Ralph Penland Tenor<br />

Saxophone: Red Holloway Trombone: George Bohannon Trumpet: Ronnie Buttacavoli Flügelhorn: Ronnie Buttacavoli<br />

Arranged by Cedar Walton Produced by John Snyder Engineered by Jay Newland at Conway Recording Studios, Los<br />

Angeles, CA Assisted by Alan Mason / Richard McKernan Mixed by Jay Newland on February 27-March 3, 2001 at<br />

Conway Recording Studios, Los Angeles, CA Assisted by Richard McKernan/John Nelson • 2001 BMG Music<br />

4. He's Funny That Way (6:07)<br />

R. A. Whiting – C. Daniels<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Guitar: Josh Sklair Piano: Cedar Walton Bass: Tony Dumas Drums: Ralph Penland Tenor<br />

Saxophone: Red Holloway Trombone: George Bohannon Trumpet: Ronnie Buttacavoli Flügelhorn: Ronnie Buttacavoli<br />

Recorded on November 30, December 1-2, 2000; Additional recording on February 25-27, 2001 Arranged by<br />

Cedar Walton Produced by John Snyder Engineered by Jay Newland at Conway Recording Studios, Los Angeles, CA<br />

Assisted by Alan Mason/Richard McKernan Mixed by Jay Newland on February 27-March 3, 2001 at Conway<br />

Recording Studios, Los Angeles, CA Assisted by Richard McKernan/John Nelson • 2001 BMG Music<br />

5. I'll Take Care Of You (4:58)<br />

B. Benton<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Percussion: Donto <strong>James</strong> Drums: Donto <strong>James</strong> Bass: Sametto <strong>James</strong> Keyboards: Dave Mathews<br />

Trumpet: Tom Poole/Lee R. Thornburg Guitars: Bobby Murray Guitars, Dobro: Josh Sklair Harmonica: Jimmy “Z”<br />

Saxes: Jimmy “Z” Guitar and Octave Box Guitar: Leo Nocentelli Valve Trombone: Lee R. Thornburg Hammond B-<br />

3 Organ: Mike Finnigan Produced by <strong>Etta</strong> <strong>James</strong> Recorded at Fort Athens Studio, Riverside, CA Mixed at Record<br />

One, Sherman Oaks, CA • 1998 BMG Music<br />

6. Come Rain Or Come Shine (4:41)<br />

H. Arlen – J. Mercer<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Guitar: Josh Sklair Piano: Cedar Walton Bass: Tony Dumas Drums: Ralph Penland Tenor<br />

Saxophone: Red Holloway Trombone: George Bohannon Trumpet: Ronnie Buttacavoli Flügelhorn: Ronnie Buttacavoli<br />

Recorded on November 30, December 1-2, 2000; Additional recording on February 25-27, 2001 Arranged by<br />

Cedar Walton Produced by John Snyder Engineered by Jay Newland at Conway Recording Studios, Los Angeles,<br />

CA Assisted by Alan Mason/Richard McKernan Mixed by Jay Newland on February 27-March 3, 2001 at Conway<br />

Recording Studios, Los Angeles, CA Assisted by Richard McKernan/John Nelson<br />

2001 BMG Music<br />

7. My Man (5:11)<br />

C. Pollock – M. Yvain – A. Willemetz – J. Charles<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Guitar: Josh Sklair Piano: Cedar Walton Bass: Tony Dumas Drums: Ralph Penland Tenor<br />

Saxophone: Red Holloway Trombone: George Bohannon Trumpet: Ronnie Buttacavoli Flügelhorn: Ronnie Buttacavoli<br />

Recorded on November 30, December 1-2, 2000; Additional recording on February 25-27, 2001 Arranged by<br />

Cedar Walton Produced by John Snyder Engineered by Jay Newland at Conway Recording Studios, Los Angeles, CA<br />

Assisted by Alan Mason/Richard McKernan Mixed by Jay Newland on February 27-March 3, 2001 at Conway<br />

Recording Studios, Los Angeles, CA Assisted by Richard McKernan/John Nelson<br />

2001 BMG Music<br />

8. Try A Little Tenderness (4:48)<br />

J. Campbell – R. Connelly – H. M. Woods<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Drums: Donto <strong>James</strong> Bass: Sametto <strong>James</strong> Electric and Acoustic Guitar: Josh Sklair<br />

Guitar (and solo): Bobby Murray Hammond B3 Organ: Mike Finnigan Percussion: Donto <strong>James</strong> Trumpet: Tom Poole<br />

Tenor Saxophone: Jimmy Z. Zavala Wurlitzer Electric Piano: David K. Mathews Valve Trombone: Lee R. Thornburg<br />

Produced by Donto <strong>James</strong> and Sametto <strong>James</strong> • 2000 BMG Music<br />

9. Teach Me Tonight (4:54)<br />

G. De Paul – S. Cahn<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Piano (solo): Cedar Walton Bass (solo): John Clayton Drums: Paul Humphrey Guitar (solo):<br />

Josh Sklair Tenor Saxophone (solo): Eddie Harris Trombone: Kraig Kilby Recorded and Mixed at Conway Recording<br />

Studios, Los Angeles, CA Arranged by Cedar Walton Produced by John Snyder • 1995 BMG Music<br />

10. Time After Time (4:23)<br />

S. Cahn – J. Styne<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Piano: Cedar Walton Bass: John Clayton Drums: Paul Humphrey Guitar (solo): Josh Sklair<br />

Tenor Saxophone (solo): Eddie Harris Trombone: Kraig Kilby Recorded and Mixed at Conway Recording Studios,<br />

Los Angeles, CA Produced by John Snyder • 1995 BMG Music<br />

11. I'll Be Seeing You (4:44)<br />

S. Fain – I. Kahal<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Piano: Cedar Walton Bass: Tony Dumas Drums: Ralph Penland Percussion: Ralph Penland<br />

Guitar: Josh Sklair Trumpet: Ronnie Buttacavoli Trombone: Kraig Kilby Tenor and Alto Sax: Red Holloway<br />

Recorded and Mixed at Ocean Way Recording Studios, Los Angeles, CA Produced by John Snyder<br />

1994 BMG Music<br />

12. My Funny Valentine (5:48)<br />

R. Rodgers – L. Hart<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Guitar (solo): Josh Sklair Trumpet: Ronnie Buttacavoli Recorded and Mixed at Conway Recording<br />

Studios, Los Angeles, CA Produced by John Snyder • 1995 BMG Music<br />

13. Body And Soul (4:15)<br />

F. Eyton – J. Green – E. Heyman – B. Sour<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Piano: Cedar Walton Bass: Tony Dumas Drums: Ralph Penland Percussion: Ralph Penland<br />

Guitar: Josh Sklair Trumpet: Ronnie Buttacavoli Flügelhorn: Ronnie Buttacavoli Trombone: Kraig Kilby Tenor and Alto<br />

Sax: Red Holloway Recorded and Mixed at: Ocean Way Recording Studios, Los Angeles, CA Produced by John Snyder<br />

1994 BMG Music<br />

14. The Man I Love (4:26)<br />

G. Gershwin – I. Gershwin<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Piano: Cedar Walton Bass: Tony Dumas Drums: Ralph Penland Percussion: Ralph Penland<br />

Guitar: Josh Sklair Trumpet: Ronnie Buttacavoli Flügelhorn: Ronnie Buttacavoli Trombone: Kraig Kilby Tenor and<br />

Alto Sax: Red Holloway Recorded and Mixed at Ocean Way Recording Studios, Los Angeles, CA Produced by<br />

John Snyder • 1994 BMG Music<br />

15. Night And Day (4:16)<br />

C. Porter<br />

Vocals: <strong>Etta</strong> <strong>James</strong> Piano: Cedar Walton Bass: John Clayton Drums: Paul Humphrey Tenor Saxophone (solo):<br />

Herman Riley Recorded and Mixed at Conway Recording Studios, Los Angeles, CA Arranged by Cedar Walton<br />

Produced by John Snyder • 1995 BMG Music<br />

2006 SONY BMG MUSIC ENTERTAINMENT / Originally released in 1960 Courtesy of The Verve Music Group under license from Universal Music<br />

Enterprises; 1994, 1995, 1997, 1998, 2000, 2001, 2006 BMG Music / Manufactured and Distributed in the U.S.A. by SONY BMG MUSIC ENTERTAINMENT /<br />

550 Madison Avenue, New York, NY 10022-3211 / Private Music and its logo are trademarks of BMG Music. / The RCA Victor Group is a Unit of SONY BMG<br />

MUSIC ENTERTAINMENT. Tmk(s) ® Registered. “RCA Victor” and its logo Tmk ® Registered. Marca Registrada RCA Trademark Management S.A. “RCA<br />

Victor Group” and its logo are trademarks of SONY BMG MUSIC ENTERTAINMENT. / “Legacy” and l Reg. U.S. Pat. & Tm. Off. Marca Registrada. /<br />

WARNING: All Rights Reserved. Unauthorized duplication is a violation of applicable laws. / Printed in the U.S.A. 82876 75815 2<br />

Compilation Produced by Barry Feldman<br />

Mastered by Joseph M. Palmaccio at<br />

Sony Music Studios, New York<br />

Project Director: Seth Rothstein<br />

Legacy A&R: Steve Berkowitz<br />

A&R Coordination: Jeremy Holiday<br />

Art Direction: Howard Fritzson<br />

Design: Fulya Yagiz<br />

Packaging Managers: Dianne Spoto and<br />

Athena Danalakis<br />

Photography: Peach Blossom photo:<br />

Tongro Image Stock;<br />

other photography: Kwaku Alston<br />

Special Thanks to Jeb Hart, Larry Hamby,<br />

Richard Sanders<br />

OTHER ETTA JAMES ALBUMS<br />

YOU WILL ENJOY<br />

Mystery Lady: Songs Of Billie Holiday<br />

(01005-82114-2)<br />

Live From San Francisco (01005-82128-2)<br />

Time After Time (01005-82128-2)<br />

Love’s Been Rough On Me (01005-82140-2)<br />

Life, Love & The Blues (01005-82162-2)<br />

Twelve Songs Of Christmas (01005-82166-2)<br />

Heart Of A Woman (01005-82180-2)<br />

Matriarch Of The Blues (01005-82205-2)<br />

Blue Gardenia (01934-11580-2)<br />

Burnin’ Down The House (01934-11633-2)<br />

Let’s Roll (01934-11646-2)<br />

Blues To The Bone (82876-60644-2)<br />

What are you going to listen to next?<br />

For a complete listing of titles from<br />

Legacy Recordings, please visit us at:<br />

legacyrecordings.com<br />

This Compact Disc was manufactured to meet<br />

critical quality standards. If you believe the<br />

disc has a manufacturing defect, please call<br />

our Quality Management Department at<br />

1-800-255-7514. New Jersey residents<br />

should call 856-722-8224.<br />

sony bmg music entertainment<br />

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