A Feast of Words - Fall 2006 - Department of English - Virginia Tech
A Feast of Words - Fall 2006 - Department of English - Virginia Tech
A Feast of Words - Fall 2006 - Department of English - Virginia Tech
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The <strong>Department</strong> <strong>of</strong> <strong>English</strong> Newsletter<br />
A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong><br />
Number 28 <strong>Fall</strong> <strong>2006</strong><br />
In This Issue<br />
From the Chair ..........................................................2<br />
In Memoriam: Dr. Charles Modlin...........................3<br />
Spring Commencement <strong>2006</strong>...................................4<br />
New Faculty Pr<strong>of</strong>iles................................................8<br />
Graduate Student Conference..................................9<br />
Undergraduate Student Conference ........................9<br />
Representations <strong>of</strong> Race Symposium.....................10<br />
A Celebration <strong>of</strong> Students.......................................11<br />
A Tribute to Lucinda Roy.......................................12<br />
The Steger Award...................................................12<br />
<strong>2006</strong> <strong>Virginia</strong> High School Poetry Contest<br />
Winners...................................................................13<br />
Join the Conversation: You Can Make A<br />
Difference...............................................................14<br />
From the Distinguished Alumni Board:<br />
Lisa Marlene Derx ..................................................15<br />
Alumni Notes ..........................................................15<br />
Charles Modlin Memorial Scholarship<br />
Established ............................................................. 16<br />
www.english.vt.edu<br />
During her fi nal commencement ceremony as department chair, Lucinda Roy<br />
presents a diploma to Valencia Person.
From the Chair by Carolyn Rude<br />
Carolyn Rude assumed the position <strong>of</strong> department chair in May, when Lucinda Roy stepped down to pursue her<br />
creative writing and outreach projects. Carolyn joined the <strong>Virginia</strong> <strong>Tech</strong> faculty in 2003, after 22 years at Texas<br />
<strong>Tech</strong> University. At <strong>Virginia</strong> <strong>Tech</strong>, she served as the Director <strong>of</strong> Graduate Studies in <strong>English</strong> from 2004 to <strong>2006</strong>,<br />
and she led the development <strong>of</strong> the PhD proposal in Rhetoric and Writing, which was approved in May <strong>2006</strong>.<br />
The <strong>English</strong> <strong>Department</strong> has been expanding its identity over the past several years as it has defined specializations<br />
within the undergraduate <strong>English</strong> major, launched an MFA in Creative Writing, and proposed a PhD in<br />
Rhetoric and Writing. The PhD program will admit students for fall 2007.<br />
This expansion makes it clear that “<strong>English</strong>” has a complex identity. We have recognized and affirmed the<br />
traditional study <strong>of</strong> literature and language, but we have also embraced cultural studies, creative writing, composition,<br />
pr<strong>of</strong>essional writing, and rhetoric. We seem to know intuitively that <strong>English</strong> is important in aesthetics<br />
and academics, but those interests, which seem at odds with business and politics, are now yoked to them<br />
within our department.<br />
Our specializations within <strong>English</strong> Studies represent quite a lot <strong>of</strong> diversity, but to add to the complexity,<br />
they are also interdisciplinary. We study literature in its historical and political contexts and draw from psychology and philosophy to explain<br />
specific texts and to understand the role <strong>of</strong> literature in individual lives and in the world. Rhetoric, developed to enable citizens to<br />
participate in a democracy, inherently connects to the political and social world. Pr<strong>of</strong>essional writing moves <strong>English</strong> into business and the<br />
work <strong>of</strong> nonpr<strong>of</strong>its and government. Creative writing and composition know no limits for topics for stories, poems, plays, and essays. Our<br />
reach is wide.<br />
On the one hand, it is reassuring that <strong>English</strong> touches and influences all parts <strong>of</strong> our lives. That’s better than being on the margins as the<br />
world races on. But what is our center? What connects all these uses <strong>of</strong> <strong>English</strong>? What do we contribute to the university and its students, to<br />
the state and the public who help to fund the university, and to the world? How do we represent ourselves as we develop in multiple ways?<br />
These are questions we will ponder as we implement our programs.<br />
One thing that binds us is our common commitment to teaching and to our students. That value has not changed as we have moved in<br />
new directions. I have been reading the spring teaching evaluations. Across specializations, students are enthusiastic about course content,<br />
and they admire the knowledge <strong>of</strong> the faculty. They appreciate the interest and attention <strong>of</strong> the faculty. This excellence characterizes our<br />
department throughout all the teaching ranks, including our beginning teachers, the GTAs. In this department, excellence is average.<br />
Our use <strong>of</strong> words connects us. Whether we write stories or appeals, whether we read poems or proposals, we are engaged by our craft. We<br />
love using words well, we are charged and moved by exquisite, sometimes surprising, uses <strong>of</strong> words by others, and we admire the revelation<br />
<strong>of</strong> a fresh perspective on a problem as represented in a text. We are engaged by the power <strong>of</strong> words to articulate and shape feelings, beliefs,<br />
values, and actions. We use words - in the senses <strong>of</strong> creating great metaphors, getting at something inexpressible, discovering something<br />
we had not known before writing or reading, calling attention to a problem that had not been recognized, directing the energies <strong>of</strong> decision<br />
makers. Sometimes we use words by writing them, sometimes by invoking them, sometimes by reading and interpreting them.<br />
Our expansive directions confirm that our work, whatever the specialization, matters in the world. The stories we write define our culture<br />
and make it cohere. Because people study these stories in our classes, there’s a shared sense <strong>of</strong> values. The whole culture nods at a quotation<br />
from Shakespeare and understands, in a kind <strong>of</strong> shorthand, the meanings that it invokes. Our essays and proposals have the same kind<br />
<strong>of</strong> power in other contexts.<br />
We find our common roots in the liberal arts and the humanities, the studies that enable informed people to live together in freedom. Language<br />
allows us to explore nuance, ambiguity, and diversity, passion as well as rationality, the human experience on the most intimate and<br />
most grand scales. Language allows us to reason and to persuade. Our comprehensive <strong>English</strong> <strong>Department</strong> embraces all <strong>of</strong> these purposes.<br />
Before I became chair, the faculty and its leaders set the department on an ambitious course by imagining what “<strong>English</strong>” could mean<br />
in this university and beyond. We are moving in new directions while holding on to our common values. I celebrate our expansion, and I<br />
am optimistic about our future as a department as we declare the reach and power <strong>of</strong> <strong>English</strong> Studies in the world and in our lives. I am<br />
honored by the trust <strong>of</strong> the faculty in choosing me to be chair, and I am committed to continuing the work that has been started with such<br />
energy and vision.<br />
The world is a text. Read it. Write it.<br />
2 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>
In Memoriam: Dr. Charles Modlin by Hilbert H. Campbell<br />
Probably the thing that most people will<br />
remember about my good friend and colleague<br />
Charles Modlin, who died on January 1, <strong>2006</strong>, is<br />
his ability to make and keep friends. Although<br />
he was about as far from being a gladhander or<br />
backslapper as one could get, Charlie genuinely<br />
exemplified the term “good-natured.” Without<br />
any tint <strong>of</strong> condescension, flattery, or insincerity,<br />
he simply met people where he found<br />
them and treated them as equals and friends. I<br />
used to kid him about being the “friend to the<br />
friendless,” meaning that he would find a way<br />
to form friendships with people who otherwise<br />
had no friends. For example, I had a colleague<br />
at Marshall University in the 1960’s who was<br />
notorious for either pointedly ignoring or insulting<br />
his colleagues. I plead guilty to disliking<br />
him thoroughly. So I was quite surprised to<br />
learn, years later in talking to Charlie, that<br />
not only had he been the man’s friend when<br />
they both taught at West <strong>Virginia</strong> University<br />
but that they also had remained friends and<br />
correspondents through the intervening years.<br />
This is but one example <strong>of</strong> his determination<br />
to hold onto friends once made. I’ve never<br />
known anyone who tried harder to keep up<br />
contacts with friends from the past, ranging<br />
from his fourth-grade teacher to schoolmates,<br />
college friends, former neighbors or colleagues.<br />
Charlie’s friends also agree that he was completely<br />
unpretentious and that he reserved his<br />
contempt – and privately it could be fairly fierce<br />
– for any kind <strong>of</strong> pretentiousness.<br />
Charlie was born January 23, 1937, at Sistersville,<br />
W. Va. His father, Rev. H. Eugene<br />
Modlin, was a distinguished Methodist minister<br />
who was reassigned periodically to new<br />
locations, so Charlie grew up in various West<br />
<strong>Virginia</strong> cities and towns, including Fairmont,<br />
Montgomery, Clarksburg, and Huntington. He<br />
began college at Marshall in Huntington but<br />
soon transferred to West <strong>Virginia</strong> Wesleyan,<br />
where he not only completed his undergraduate<br />
studies (1958) but also met his wife <strong>of</strong> almost<br />
48 years, Marjorie McCullough <strong>of</strong> the Bronx,<br />
New York. He completed a Master’s degree at<br />
Michigan State University (1959) and began<br />
his doctoral work at Brown University. The<br />
responsibility for a young family, however (son<br />
Andy, daughter Greta), meant that his further<br />
graduate studies would be interrupted by periods<br />
<strong>of</strong> teaching as an instructor at West <strong>Virginia</strong><br />
University and at Western Kentucky University<br />
before he completed his Ph.D. in <strong>English</strong> at the<br />
University <strong>of</strong> Tennessee (1968).<br />
In 1968 Charlie began a long teaching career<br />
in the <strong>English</strong> department at <strong>Virginia</strong> <strong>Tech</strong>,<br />
continuing even after his normal retirement date<br />
to serve the department as scheduler and also<br />
to conduct for several years the department’s<br />
Study Abroad program, carefully planning each<br />
year to insure that the summers in England<br />
and Scotland would be exciting and enriching<br />
for his students. As an instructor <strong>of</strong> American<br />
literature and other subjects, such as folklore,<br />
Charlie was knowledgeable, personable, and<br />
approachable; but he was also an exacting<br />
teacher who did not seek an easy popularity.<br />
His greatest satisfaction as a pr<strong>of</strong>essor came<br />
mainly, I believe, from his contacts with the<br />
occasional undergraduate or graduate student<br />
who was willing to engage genuinely with a<br />
subject and wanted to go further with it. It was<br />
not unusual for such students to seek him out<br />
for independent study.<br />
Although Charlie’s dissertation area was<br />
Early American literature, he soon shifted<br />
his principal scholarly interest to Twentiethcentury<br />
American literature, and particularly<br />
to the seminal Ohio author Sherwood Anderson.<br />
I, <strong>of</strong> course, shared this keen interest in<br />
Anderson with Charlie over many years. We<br />
had the unparalleled advantages not only that<br />
Anderson lived in Southwest <strong>Virginia</strong> for the<br />
last fifteen years <strong>of</strong> his life but also that we met<br />
and became friends with his widow, Eleanor<br />
Copenhaver Anderson, who was an unfailing<br />
source <strong>of</strong> inspiration, information, and support<br />
for our studies over many years prior to her<br />
death in 1985.<br />
Going about his work without fanfare, Charlie<br />
became one <strong>of</strong> the two or three key Anderson<br />
scholars <strong>of</strong> our generation. In addition to<br />
publishing a great many informative articles, he<br />
edited two separate (and superb) collections <strong>of</strong><br />
Anderson’s correspondence, published a wellreceived<br />
edition <strong>of</strong> the author’s short stories<br />
and three additional books in collaboration with<br />
other Anderson scholars, and for sixteen years<br />
was the principal editor <strong>of</strong> the journal/newsletter<br />
devoted to Anderson, called The Winesburg<br />
Eagle and later The Sherwood Anderson Review.<br />
Among numerous other contributions,<br />
he was for twenty years the treasurer and most<br />
active trustee <strong>of</strong> the Sherwood Anderson literary<br />
estate; served for twenty-five years as a<br />
judge for the annual Sherwood Anderson short<br />
story contest; planned and administered an international<br />
conference on Anderson at <strong>Virginia</strong><br />
<strong>Tech</strong> in 1991; organized programs and panels<br />
devoted to Anderson at meetings <strong>of</strong> the American<br />
Literature Association and elsewhere; and<br />
for several years was one <strong>of</strong> the directors <strong>of</strong> the<br />
Sherwood Anderson Foundation. Appropriately<br />
enough, Charlie spent much time during<br />
the last year <strong>of</strong> his life helping the University <strong>of</strong><br />
Wisconsin Press get Pr<strong>of</strong>essor Walter Rideout’s<br />
definitive biography, Sherwood Anderson: A<br />
Writer in America, ready for publication, a task<br />
that illness prevented Rideout himself from doing.<br />
Volume One, with Charlie’s introduction,<br />
was published earlier this year, and Volume Two<br />
is soon to be published.<br />
Certainly one <strong>of</strong> the most prominent and<br />
meaningful strands <strong>of</strong> my own life has been<br />
my long, close, and productive association<br />
with Charlie. His affability and his tendency<br />
to “compartmentalize” some main aspects <strong>of</strong><br />
his life caused many people to think <strong>of</strong> him,<br />
I believe, as something <strong>of</strong> a one-dimensional<br />
personality. Those who knew him better, including<br />
myself, realized that he was much more<br />
complicated, truly remarkable – among other<br />
attributes – for intellect, humanity, and integrity.<br />
His relish for the Carter family or the Grand Ole<br />
Opry coexisted with a passion for Metropolitan<br />
Opera broadcasts. Through the years <strong>of</strong> my<br />
friendship with him, I was aware there were<br />
aspects <strong>of</strong> his character and personality that I<br />
was only glimpsing, if that. His family wrote<br />
in his obituary that he was a good man, and I<br />
certainly agree. But all I really know for sure<br />
about Charles Modlin is that he was the best<br />
friend I ever had.<br />
<strong>Fall</strong> <strong>2006</strong> 3
Spring Commencement <strong>2006</strong> by Dean Jerry Niles<br />
<strong>2006</strong>-2007 Scholarships<br />
George Burke Johnston Scholarship<br />
Amber Smith<br />
Hilbert Campbell Scholarship<br />
Kathleen Cooperstein<br />
Jenkins M. Robertson Scholarships<br />
Donald Cash, Katie Catalano, Leigh<br />
Johnston, Lisa McKittrick, Hali<br />
Plourde-Rogers, Therese Sell<br />
Joyce Gentry Smoot Scholarship<br />
Evan Chapple<br />
Knobler Scholarships<br />
Christine Bychowski, Therese Sell,<br />
Bonnie Short, Emily Sturgill, Sarah<br />
Violette<br />
Faculty Awards<br />
The Joyce Gentry Smoot Award for<br />
Outstanding Teaching<br />
Julie Mengert<br />
Diggs Teaching Scholar Award<br />
Jim Dubinsky<br />
State Council <strong>of</strong> Higher Education<br />
Outstanding Faculty Award<br />
Paul Sorrentino<br />
Wine Award<br />
Tom Gardner<br />
Sporn Award<br />
Paul Heilker<br />
Alumni Outstanding Teacher Award<br />
Fritz Oehlschlaeger<br />
Alumni Advising Award<br />
Jennifer Mooney<br />
CLAHS Award for Excellence in<br />
Research and Creative Scholarship<br />
Ernest Sullivan<br />
CLAHS Award for<br />
Outreach Excellence<br />
Mark Armstrong and Jane Wemhoener<br />
CLAHS Award for Excellence in<br />
Administration<br />
Lucinda Roy<br />
CLAHS Diversity Award<br />
<strong>Virginia</strong> Fowler<br />
Shaping a pr<strong>of</strong>essional life: Making good<br />
use <strong>of</strong> a liberal arts education<br />
Graduation day<br />
is a wonderful occasion<br />
to celebrate<br />
the personal accomplishment<br />
that<br />
has brought you to<br />
this point in time.<br />
It is also a time<br />
to express appreciation<br />
to family,<br />
friends, former<br />
and recent teachers,<br />
and the many others who have helped you<br />
reach your goal. As the joy and celebration <strong>of</strong><br />
graduation day recedes, your mind will return<br />
to the question <strong>of</strong> what’s next. Many <strong>of</strong> you<br />
have an idea <strong>of</strong> what that is – graduate school,<br />
careers as teachers, pr<strong>of</strong>essional or creative<br />
writers, or perhaps working in business in<br />
some capacity. Others <strong>of</strong> you may not be<br />
sure yet what your next opportunity will be<br />
and that is OK too, it will come.<br />
As you think about what is next, I am sure<br />
you will wonder what it is that will be asked<br />
<strong>of</strong> you, if you will be successful, and if you<br />
will enjoy what you will be immersed in.<br />
These are natural questions for one to ask at<br />
the beginning <strong>of</strong> your upcoming journey.<br />
Today, I’d like to attempt to help you<br />
with this reflective process by sharing with<br />
you some <strong>of</strong> my own reflections regarding<br />
this journey on which you are embarking. I<br />
started on a similar journey 40 years ago and<br />
I have almost completed it. I can assure you<br />
that I, as have your parents, have asked the<br />
same questions you are asking <strong>of</strong> yourself<br />
now, the primary ones being, “where is this<br />
journey going to take me and how will I find<br />
my way?”<br />
I would never presume to tell you how<br />
your journey should unfold. Only you can<br />
decide that. Rather my purpose is to <strong>of</strong>fer<br />
some advice that you might find useful<br />
while you are on this journey to “shaping<br />
your pr<strong>of</strong>essional life.” Yours will be very<br />
personalized. No one else has taken it. It<br />
will be unique to you and that is what makes<br />
it so special. Your journey will be filled with<br />
travel down unknown paths, marked by a<br />
myriad <strong>of</strong> successes, failures, and surprises<br />
and loaded with emotional reactions <strong>of</strong> all<br />
kinds and intensities.<br />
To help you find your way, you can look<br />
to your liberal arts education for some<br />
navigational tools. Reflecting on my career,<br />
I have found that these tools were essential in<br />
helping me find my way to the place where<br />
I am now, as there is no way I could have<br />
ever envisioned this destination in 1967 when<br />
I started my journey. I want to highlight<br />
these tools today so that you might call on<br />
them more readily for direction during the<br />
vital parts <strong>of</strong> your journey. They are: 1) a<br />
commitment to inquiry, 2) a recognition <strong>of</strong><br />
the power <strong>of</strong> collaboration, and 3) the prudent<br />
use <strong>of</strong> intellectual autonomy. It is my<br />
contention that inquiry, collaboration, and<br />
intellectual autonomy are the fundamental<br />
building blocks for shaping your pr<strong>of</strong>essional<br />
life. Think for a moment if you will:<br />
• What was one <strong>of</strong> the most interesting<br />
problem-solving ventures you<br />
engaged in during your time at <strong>Virginia</strong><br />
<strong>Tech</strong>? It may have been a service learning<br />
project or an important writing task.<br />
How did you feel as you struggled with<br />
the problem and its solutions?<br />
• Think again about a time you were<br />
involved in a satisfying collaboration<br />
with one or more others while solving<br />
a good problem. How did that feel?<br />
What did you create? What were the<br />
contributions <strong>of</strong> the others? Did they<br />
help make your ideas better and enhance<br />
the outcome <strong>of</strong> the process?<br />
• Finally, think about times that you<br />
had the freedom to generate problems<br />
and select among choices on their solution.<br />
Did you feel empowered? Did<br />
that feeling <strong>of</strong> empowerment add to your<br />
self-confidence and generate feelings <strong>of</strong><br />
personal satisfaction?<br />
Let’s examine these three navigational<br />
tools that are promoted in a liberal education<br />
a little more closely and see how they<br />
might influence the shaping <strong>of</strong> your pr<strong>of</strong>es-<br />
4 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>
sional life.<br />
Inquiry, the first navigational tool, can take<br />
many forms and is highly adaptable to infinite<br />
situations. <strong>Virginia</strong> <strong>Tech</strong> and the <strong>English</strong> department<br />
have tried to provide a broad-based<br />
education that helped develop your powers<br />
<strong>of</strong> critical thinking and problem solving.<br />
These essential skills <strong>of</strong> inquiry are keys<br />
to leading a productive and fulfilling work<br />
life. An important part <strong>of</strong> life for humans is<br />
driven by their need to inquire. That is, life<br />
for the engaged individual is about having<br />
good problems to work on. In whatever area<br />
you choose to focus your energy, whether it<br />
is graduate school, pr<strong>of</strong>essional or creative<br />
writing, teaching, business or any number<br />
<strong>of</strong> others, the real challenge is framing your<br />
work into an infinite set <strong>of</strong> good problems.<br />
Human beings are happiest when they are<br />
engaged in problems that are interesting and<br />
important. Each time you teach a class that<br />
your students find useful or write a text that<br />
communicates clearly and effectively, for<br />
example, you are solving<br />
a good problem. Solving<br />
these kinds <strong>of</strong> problems<br />
increases our self-confidence<br />
and makes us feel<br />
worthwhile.<br />
There is an important<br />
corollary to keep in mind<br />
as you inquire and engage<br />
in solving good problems<br />
throughout your pr<strong>of</strong>essional<br />
life. That is, the<br />
most interesting and challenging<br />
problems are by<br />
far the most intimidating.<br />
Often your first reaction<br />
to a complex problem<br />
is to step back and tell<br />
yourself that it is too scary<br />
or difficult to engage and<br />
that avoidance is the more<br />
sensible response. From<br />
my own personal experience<br />
I must confess to you<br />
that the problems that I<br />
approached that generated<br />
the most fearful reaction<br />
and self doubt for me initially,<br />
resulted in the most personal growth in<br />
the end because I chose to engage them.<br />
Thus, when you come to junctions on your<br />
journey that represent new opportunities<br />
or problems that seem overwhelming and<br />
raise your levels <strong>of</strong> fear and self-doubt, fight<br />
your instinct to back away to a safe harbor<br />
– forge ahead, as you too will experience the<br />
greatest reward <strong>of</strong> all, personal growth. Have<br />
you had that same experience already? Has<br />
an opportunity presented itself to you that<br />
initially intimidated you? Did you engage it?<br />
If so, remember how you felt afterward.<br />
One <strong>of</strong> the features <strong>of</strong> good problems is<br />
that they <strong>of</strong>ten require that you collaborate<br />
with others. For most <strong>of</strong> us, undertaking really<br />
important problems can be overwhelming.<br />
We need support in a variety <strong>of</strong> ways.<br />
Think for a moment about some <strong>of</strong> the<br />
problems you have engaged. Was there a<br />
time when you were stuck or unsure that your<br />
thinking or work was satisfactory? It is in<br />
this state that collaborations are so essential.<br />
The new graduates join Lucinda Roy in singing her original<br />
composition "Hokie-Vice," sung to the tune <strong>of</strong> "Edelweiss."<br />
Commencement continued on page 6<br />
Special Awards<br />
Undergraduate<br />
The Creative Writing<br />
Fiction Award<br />
Timothy Edward Johnson<br />
The Creative Writing<br />
Poetry Award<br />
Jane Fuquay<br />
The Emily Morrison Prize<br />
for Poetry<br />
Timothy Lockridge<br />
The Sharon Messer Award<br />
Michael Honchock<br />
The Charles Martin Award<br />
for the Best Writing<br />
by a Graduating<br />
<strong>English</strong> Major<br />
<strong>Virginia</strong> Garnett<br />
The Robert H. Dedman, Jr.<br />
Prize for Excellence in Pr<strong>of</strong>essional<br />
Writing<br />
Christopher Bayne<br />
The Robert Chermside<br />
Award for Outstanding<br />
Work in Linguistics<br />
Samantha Dickerson, Lindsey<br />
Norris, Angela Schulz<br />
Graduate<br />
The Caroline Pace Chermside<br />
Award for the Best Thesis<br />
Edward Andrew Lautenschlager,<br />
Nita Newswander<br />
The Richard L. H<strong>of</strong>fman<br />
Award for Superior Teaching by a<br />
Graduate Teaching Assistant<br />
Matthew Beale, Kara Haggard<br />
The Poster Awards<br />
First Prize - Cheri Lemieux-Spiegel<br />
Honorable Mention - Emily Davis<br />
and Mimi McDonald<br />
<strong>Fall</strong> <strong>2006</strong> 5
Commencement continued from page 5<br />
Collaborations can be the source <strong>of</strong> additional<br />
ideas for you at critical times, validation<br />
when you are uncertain, and a source <strong>of</strong><br />
renewal when you begin to tire.<br />
As you collaborate with others, you can<br />
learn about yourself and help others grow.<br />
This reciprocity is a satisfying by-product<br />
<strong>of</strong> collaboration. Think about the collaborations<br />
that you have participated in during<br />
your years at <strong>Virginia</strong> <strong>Tech</strong>. Pick one that<br />
worked and gave you great satisfaction. Select<br />
another that was a source <strong>of</strong> frustration<br />
and disappointment. Why did one work and<br />
the other fail?<br />
I am willing to wager that in the good<br />
collaboration there was a group commitment<br />
to a mutual goal - each member was<br />
empowered to make unique contributions<br />
that were focused on that goal. Members<br />
<strong>of</strong> the collaboration valued contributions <strong>of</strong><br />
others and listened carefully to what each<br />
was saying. Moreover, group members provided<br />
emotional support for each other when<br />
the work entered its most difficult stages or<br />
when there were early failures. Finally, the<br />
satisfaction and sense <strong>of</strong> accomplishment<br />
was heightened because you were a part <strong>of</strong><br />
something that was much bigger than just<br />
you. If you had these feelings, you were<br />
experiencing a collaborative high. Learning<br />
to be an effective collaborator can provide<br />
you with opportunities for personal growth<br />
that are unimaginable as an individual working<br />
alone.<br />
The third navigational tool I mentioned<br />
is the prudent use <strong>of</strong> intellectual autonomy.<br />
While we are social beings at heart and<br />
benefit from collaborations, we are also<br />
strongly individualistic and seek and value<br />
intellectual autonomy in our work. To be<br />
effective in our pr<strong>of</strong>essional lives we need<br />
to have ownership in the problems we work<br />
on. This ownership grows out <strong>of</strong> our right to<br />
have choices about what we work on and how<br />
we do our work. Finding work environments<br />
that provide opportunities for collaboration<br />
Members <strong>of</strong> the faculty, including Katherine Soniat, retired department chair Johann Norstedt, Ginney<br />
Fowler, and Nikki Giovanni enjoy Dean Niles' remarks.<br />
but encourage your personal autonomy will<br />
be crucial in shaping a satisfying pr<strong>of</strong>essional<br />
life. Intellectual autonomy can be exercised<br />
in many ways, including the selection <strong>of</strong> the<br />
problem you engage, shaping the problem,<br />
choosing your role in the problem-solving<br />
process and even selecting with whom you<br />
might work. You may not get to control all<br />
<strong>of</strong> these elements all <strong>of</strong> the time but you must<br />
have the right to have control over some <strong>of</strong><br />
them some <strong>of</strong> the time. Think about the times<br />
that you had the autonomy to select the paths<br />
you wanted to follow. Sometimes you made<br />
good choices and sometimes not so good.<br />
However, whether you made the right choices<br />
or wrong ones, I am certain that these choices<br />
were the source <strong>of</strong> personal growth because<br />
they were uniquely yours.<br />
As you continue on your journey to shape<br />
your pr<strong>of</strong>essional life there is another device<br />
you will need to guide your journey. You will<br />
need to carry a moral and ethical compass<br />
with you to help keep you on course.<br />
As you shape your pr<strong>of</strong>essional<br />
life, you will be faced<br />
with many opportunities to<br />
do the right thing, the wrong<br />
thing, or to equivocate. You<br />
will be challenged to choose the<br />
right path. How will you know<br />
which one is right? You have<br />
already faced these choices<br />
numerous times in your life.<br />
Most <strong>of</strong> the time these decisions<br />
impacted primarily on you or<br />
those closest to you. As you<br />
enter your work life, the moral<br />
and ethical decisions you make<br />
will not only affect you but the<br />
lives <strong>of</strong> many who are only<br />
indirectly connected to you, as<br />
for example, a student <strong>of</strong> yours,<br />
a reader <strong>of</strong> your text, a colleague,<br />
a client, or a consumer<br />
<strong>of</strong> a product <strong>of</strong> your company.<br />
There will be times when the<br />
morally right decision will not<br />
be the easiest one to make. You<br />
will be challenged. You will<br />
6 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>
think <strong>of</strong> numerous reasons to take the wrong<br />
path, reasons such as personal gain or the<br />
avoidance <strong>of</strong> conflict with colleagues or a<br />
supervisor that will encourage you to stray<br />
from your true course. However, as you are<br />
faced with such decisions time and time you<br />
will discover the lesson that one <strong>of</strong> my mentors<br />
taught me: “There is no right way to do<br />
the wrong thing.” Thus, at critical moments,<br />
ask yourself, “Am I on the right path or did I<br />
choose the one I am on because it is the one<br />
<strong>of</strong> least resistance?”<br />
Another point on your moral compass has<br />
to do with the acquisition <strong>of</strong> privilege. Today<br />
we are here to recognize your achievement <strong>of</strong><br />
graduating from this great university. I am<br />
certain this is only the beginning <strong>of</strong> many<br />
distinguished achievements for you. The<br />
question I ask is: Will you convert your<br />
accomplishment to the privilege and entitlement<br />
that <strong>of</strong>ten comes with distinguished<br />
achievement or will you use the privilege<br />
you accrue to assume more responsibility<br />
for others? It is another important choice<br />
you will have to make and the future <strong>of</strong> our<br />
global society depends on it. The easy choice<br />
is to use your achievements for your own<br />
personal gain or entitlement. It is a human<br />
tendency to enjoy the fruits <strong>of</strong> our labor but<br />
is that enough? I encourage you to consider<br />
that with the privilege that comes from your<br />
achievement, also comes increased responsibility<br />
on your part to help others have the<br />
opportunities to have a better life as well.<br />
Remember your university’s core value – Ut<br />
Prosim. It is a message that unites members<br />
<strong>of</strong> the Hokie Nation throughout the world.<br />
A third point on your moral compass<br />
should be caring. Caring is one <strong>of</strong> the most<br />
powerful <strong>of</strong> human emotions. Caring acts<br />
as a catalyst for action, action that makes the<br />
world a better place to live in. Caring comes<br />
in many forms. Think about the people<br />
in your life who are the most caring. My<br />
guess is that they are the ones who have been<br />
most influential in your personal history to<br />
this point. Thus, as you shape your pr<strong>of</strong>essional<br />
life, make sure that you care as well<br />
so that those who are affected by your work<br />
will benefit from<br />
the way you care.<br />
There can be numerous<br />
points on<br />
your moral compass<br />
to help you<br />
find your way and<br />
you will add many<br />
<strong>of</strong> your own points<br />
over the years.<br />
I have one last<br />
piece <strong>of</strong> advice to<br />
share with you and<br />
that is related to<br />
the state <strong>of</strong> being<br />
a beginner. While<br />
your graduation is<br />
a testament to your<br />
accomplishments<br />
thus far, you will<br />
soon enter the state<br />
<strong>of</strong> being a beginner.<br />
It is a state we have<br />
all been in, most <strong>of</strong><br />
us more than once.<br />
With a number <strong>of</strong><br />
colleagues I have<br />
spent a lot <strong>of</strong> time<br />
studying beginners<br />
in pr<strong>of</strong>essional settings<br />
and I want to<br />
pass on some understandings I have come to<br />
regarding the rights <strong>of</strong> beginners:<br />
• It is OK to make mistakes - your<br />
colleagues will expect it.<br />
• It is OK to disclose your anxieties<br />
and inadequacies to a trusted mentor.<br />
They will understand and they can help<br />
you cope with the most difficult times<br />
when you are experiencing feelings <strong>of</strong><br />
self-doubt and helplessness.<br />
• It is OK to take time to develop<br />
your knowledge and skills. Your new<br />
colleagues know that it takes a long time<br />
to become really competent.<br />
• It is OK to realize that even if you<br />
worked 24 hours a day you couldn’t<br />
accomplish all you want to do as a beginner.<br />
It is a fact <strong>of</strong> nature that it takes<br />
Director <strong>of</strong> First Year Composition Diana George poses with Richard L.<br />
H<strong>of</strong>fman Award winners Matthew Beale and Kara Haggard.<br />
beginners longer to do everything.<br />
• Finally it is OK to pretend to be<br />
a competent pr<strong>of</strong>essional in your field<br />
while you are a beginner. You are not being<br />
dishonest. All <strong>of</strong> us have conducted<br />
this same charade as we developed into<br />
competent pr<strong>of</strong>essionals.<br />
The journey to shaping a productive and<br />
satisfying pr<strong>of</strong>essional life is a great one.<br />
Savor it. But, don’t forget to keep your seat<br />
belt fastened because it gets pretty wild at<br />
times.<br />
Good luck and best wishes for a great<br />
journey.<br />
<strong>Fall</strong> <strong>2006</strong> 7
New Faculty Pr<strong>of</strong>iles<br />
Kelly Pender, Assistant Pr<strong>of</strong>essor, specialization in Rhetoric and Writing<br />
Kelly is thrilled to return to the Southeast after six years in the Midwest (four in Indiana at Purdue and two in Iowa City),<br />
especially since the April tornado that ripped through Iowa City missed her house by just a few blocks. She grew up in Monroe,<br />
North Carolina, near Charlotte, and earned degrees at the University <strong>of</strong> North Carolina and North Carolina State University.<br />
As a beginning master’s student at NCSU, she remembers the sophisticated doctoral student, Clare Dannenberg.<br />
Kelly is moving to Blacksburg with her husband, Matthew Vollmer, a fiction writer who will also teach in the department,<br />
and their 3 1/2 year-old son, Elijah.<br />
She is interested in non-fiction genres <strong>of</strong> all sorts: biography, autobiography, history, political essays, writing about food,<br />
documentaries, and more. She also likes hiking, swimming, and the outdoors in general.<br />
Kelly’s niche in Rhetoric and Writing is the history and theory <strong>of</strong> rhetoric. Particular interests are the history <strong>of</strong> invention in the classical period<br />
and theories <strong>of</strong> invention, especially as they relate or are judged according to arguments about ethics, politics, and subjectivity. A new project in<br />
rhetorical criticism concerns the rhetorics <strong>of</strong> “pathography,” i.e., the rhetorics <strong>of</strong> writing about illness. It springs from her interest in pathos. She<br />
has also done some work in the rhetoric <strong>of</strong> the disciplines and Writing Across the Curriculum.<br />
Kelly graduated from Purdue in December 2005 with “highest distinction” honors for her dissertation, Writing Beyond the Art/Chance Binary:<br />
The Ongoing Debate About <strong>Tech</strong>ne in Rhetoric and Composition. An article, “Kairos and the Subject <strong>of</strong> Expressive Discourse,” was published in<br />
Composition Studies in 2003.<br />
Katy Powell, Associate Pr<strong>of</strong>essor, specialization in Rhetoric and Writing<br />
After six years in technical editing and government consulting in Washington, D.C., I knew I wanted to change careers,<br />
but was having a difficult time justifying leaving a good salary for a graduate stipend. To help make the decision, I went to<br />
Montana to hike Glacier National Park. While on the continental divide I figured life was too short not to go for what you<br />
want, so I quit my job and went to the University <strong>of</strong> Louisville for a degree in Rhetoric and Composition. I had a wonderful<br />
experience there as a student, and the faculty support confirmed my decision that teaching and researching composition would<br />
be rewarding. My first position was at Louisiana State University. Again I had a wonderful experience, supported by wonderful<br />
colleagues and challenged by very interesting students. In addition to teaching literacy, genre theory, and pedagogy, I also<br />
taught feminist autobiography and participated in the Women’s and Gender Studies program. After several years there, I had this nagging desire to<br />
return to <strong>Virginia</strong>. Again, I took a big hike to help in my decision - this time to the Grand Canyon. Since that physical challenge, I’ve been pursuing<br />
a position in my home state, not only to be closer to my family but also to give back to the place that raised me. I am thrilled to become part <strong>of</strong><br />
<strong>Virginia</strong> <strong>Tech</strong>, and to help develop its Ph.D. program. My husband, a writer from Missouri, loves <strong>Virginia</strong> too, and we’re very pleased to settle here,<br />
where hiking is right out our back door.<br />
Katy’s forthcoming book (University <strong>of</strong> <strong>Virginia</strong> press), Rhetorics <strong>of</strong> Displacement, is a study <strong>of</strong> the ways in which the people who were displaced<br />
by the Shenandoah Park project used words to represent their claims, needs, and attachment to the land.<br />
Introducing Steven Salaita by Ginney Fowler<br />
The <strong>Department</strong> is delighted to welcome this fall Dr. Steven Salaita, who joins us as an advanced assistant pr<strong>of</strong>essor <strong>of</strong><br />
American and Ethnic American Literatures. Steve is no stranger to this part <strong>of</strong> the country, having grown up in Bluefield,<br />
<strong>Virginia</strong>, which is still home to his parents. After completing his undergraduate work at Radford University, he entered<br />
the doctoral program in Native American Literature at the University <strong>of</strong> Oklahoma, where he received his Ph.D. in 2003.<br />
Although his primary focus at Oklahoma was Native American literature, he also studied Palestinian and Arab American<br />
literature. For the past three years, Steve has been an assistant pr<strong>of</strong>essor at the University <strong>of</strong> Wisconsin/Whitewater, where<br />
he has taught a range <strong>of</strong> courses in American and ethnic American literatures.<br />
Steve’s research primarily takes the form <strong>of</strong> literary criticism, but he is also drawn to the essay, particularly the political<br />
essay, and to creative non-fiction. Because his parents are both immigrants, he finds that his own writing, critical and<br />
creative, is preoccupied with themes <strong>of</strong> immigration, American-ness, dislocation, cultural multiplicity, xenophobia, and racialization. In terms <strong>of</strong><br />
research, <strong>2006</strong> has been an annus mirabilis for Steve, who will have three books published by year’s end: Anti-Arab Racism in the USA: Where It<br />
Comes from and What it Means for Politics Today (Pluto Press, UK); The Holy Land in Transit: Colonialism and the Quest for Canaan (Syracuse<br />
University Press); and Arab American Literary Fictions, Cultures, and Politics (Palgrave Macmillan).<br />
What does Steve do when he’s not working? He is an avid bike rider, so he’ll be able to reacquaint himself with some <strong>of</strong> the challenging bike trails<br />
here in the New River Valley. But few activities, he says, make him happier than reading and writing, both <strong>of</strong> which he does at a prodigious pace.<br />
He is also, I might add, a wonderful conversationalist who makes his research accessible and interesting to the non-specialist, a talent <strong>of</strong>ten hard to<br />
find. I myself have already enjoyed many lively and provocative conversations with Steve, who brings new areas <strong>of</strong> scholarship to the department<br />
and who we expect will play an important role in the shaping <strong>of</strong> our ethnic literature program. We are most pleased that he has joined our faculty.<br />
8 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>
Graduate Student Conference: With Pen in Hand <strong>2006</strong> by Tim Lockridge<br />
When Matt Beale, last year’s EGSO president, asked me to sit on the Graduate<br />
Student Conference planning committee, I agreed—and soon realized that<br />
I was largely unsure as to what an academic conference is, or how it should be<br />
planned. However, with the help <strong>of</strong> Matt, Cheri Lemiuex Spiegel, and Sarah<br />
Mitchem, I was soon fielding abstracts and arranging a schedule <strong>of</strong> what would<br />
become thirty student presentations—a number that made the <strong>2006</strong> installment<br />
<strong>of</strong> With Pen In Hand the largest and most successful to date.<br />
Outside participation at this year’s conference was particularly impressive,<br />
as we received a number <strong>of</strong> abstracts from beyond the <strong>Virginia</strong> <strong>Tech</strong> community<br />
and ultimately accepted presentations from students at SUNY, UNC-Greensboro,<br />
Central Washington University, and Radford. Panel topics included Pr<strong>of</strong>essional<br />
Communication, Critical Theory, Southern Writers, Postmodern Writers, and<br />
Feminist Theory.<br />
With the department’s introduction <strong>of</strong> the MFA in Creative Writing, this year’s<br />
conference also marked the addition <strong>of</strong> a Friday night poetry reading and Saturday<br />
Cheri Lemieux Spiegel presents a paper at the <strong>2006</strong> graduate<br />
student conference.<br />
afternoon fiction panels. The planning committee was initially concerned with the juxtaposition <strong>of</strong> scholarly and creative presentations, but<br />
all panels received consistent attendance and were regarded by the panelists as successful.<br />
Planning for the 2007 Conference is already underway as part <strong>of</strong> a larger movement that will shift EGSO from a solely social enterprise<br />
to a larger academic support network. Looking ahead, we hope to hold the conference at the Graduate Life Center and increase the number<br />
<strong>of</strong> presenters from neighboring universities. As graduate studies within the department continue to expand, we hope that EGSO can <strong>of</strong>fer<br />
something <strong>of</strong> a support framework for all <strong>English</strong> graduate students—not just the GTA population. As such, the conference stands as an<br />
excellent example <strong>of</strong> what graduate students can <strong>of</strong>fer to the university, and to each other.<br />
Crossing Divides: Undergraduate Research in the <strong>Department</strong> <strong>of</strong> <strong>English</strong> by Gena Chandler<br />
On Friday, March 31, <strong>2006</strong>, the <strong>English</strong> <strong>Department</strong> presented its<br />
first annual undergraduate student academic conference: Crossing the<br />
Divide: Criticism and Creativity in the <strong>English</strong> Writing Community.<br />
The Associate Dean for Undergraduate Academic Affairs, Mary Ann<br />
Lewis, provided the welcome and ushered in a full day <strong>of</strong> critical and<br />
creative exploration. Over 50 undergraduate students presented work in<br />
the areas <strong>of</strong> Literature, Language, and Culture; Critical Literary Theory;<br />
and Pr<strong>of</strong>essional and Creative Writing. Faculty, staff, parents, and<br />
other members <strong>of</strong> the University community were treated to a full day<br />
<strong>of</strong> critical and creative thought by undergraduate students, traversing a<br />
wide range <strong>of</strong> critical and creative interests in <strong>English</strong> studies. Papers<br />
examined topics ranging from Keats’ editing process in the poem “Bright<br />
Star” to Adorno and Horkheimer’s visions <strong>of</strong> culture. The conference<br />
was truly a collaborative project between students and faculty. Students<br />
from Eva Brumberger’s Designing Documents for Print class were responsible<br />
for the winning design <strong>of</strong> the conference program, and eight<br />
members <strong>of</strong> the <strong>English</strong> <strong>Department</strong> community were responsible for<br />
the conference’s planning: Gena E. Chandler (conference chair), Robin<br />
Allnut, Linda Anderson, Mikel Dimmick, Ginney Fowler, Lisa Leslie,<br />
Scott Perkins (undergraduate representative), and Karen Swenson. The<br />
conference was a resounding success and next year’s conference promises<br />
to be even more successful.<br />
<strong>Fall</strong> <strong>2006</strong> 9
Symposium on Race and Representation Encourages University-Community Partnerships<br />
by Katie <strong>Fall</strong>on<br />
On Monday, April 24, <strong>2006</strong>, the <strong>Department</strong><br />
<strong>of</strong> <strong>English</strong>’s new Center for the Study<br />
<strong>of</strong> Rhetoric in Society, in conjunction with<br />
the Office <strong>of</strong> Multicultural Affairs, sponsored<br />
a symposium focusing on “Representations<br />
<strong>of</strong> Race and the African-American Community.”<br />
The day-long event featured plenary<br />
and keynote addresses by nationally-known<br />
scholars; panels comprised <strong>of</strong> students, community<br />
leaders, and <strong>Virginia</strong> <strong>Tech</strong> faculty;<br />
opportunities for small group discussions;<br />
and a reading by poet Nikki Giovanni. The<br />
symposium was attended by more than one<br />
hundred <strong>Virginia</strong> <strong>Tech</strong> faculty, students, and<br />
staff, as well as members <strong>of</strong> the New River<br />
Valley communities. The Center for the Study<br />
<strong>of</strong> Rhetoric in Society (CSRS), directed by Associate<br />
Pr<strong>of</strong>essor <strong>of</strong> <strong>English</strong> Kelly Belanger,<br />
was created “to advance the study <strong>of</strong> rhetoric<br />
and writing through projects and partnerships<br />
that promote the public good.” According<br />
to Belanger, the purpose <strong>of</strong> this symposium<br />
was to “open lines <strong>of</strong> communication and<br />
expand understanding about issues <strong>of</strong> race<br />
and language while creating a foundation for<br />
community-university partnerships that extend<br />
beyond the event itself.”<br />
After the program was opened by remarks<br />
from Provost Mark McNamee, Barbara<br />
Pendergrass, retired Dean <strong>of</strong> Students, and<br />
<strong>Department</strong> <strong>of</strong> <strong>English</strong> Chair Lucinda Roy, the<br />
morning session centered on Historical Representations<br />
<strong>of</strong> Race. The first plenary address,<br />
Panelists Tracey Patton and Jo Evans react to a question.<br />
Keith Gilyard delivers the keynote address<br />
at the Representations <strong>of</strong> Race and the African<br />
American Community symposium.<br />
“One Tall Order: Trust Production in the Face<br />
<strong>of</strong> History,” delivered by Catherine Prendergast,<br />
Associate Pr<strong>of</strong>essor <strong>of</strong> Writing Studies at<br />
the University <strong>of</strong> Illinois, analyzed the rhetoric<br />
<strong>of</strong> several Supreme Court decisions, including<br />
Brown vs. the Board <strong>of</strong> Education. The address<br />
was followed by a panel discussion that<br />
examined the ways trust can be produced or<br />
broken. In addition to Prendergast, the panel<br />
included Mary Bishop, a retired Roanoke<br />
Times reporter; Elaine Carter, Director <strong>of</strong> the<br />
Christiansburg Institute, Inc.; Fred D’Aguiar,<br />
Pr<strong>of</strong>essor <strong>of</strong> <strong>English</strong> and Co-Director <strong>of</strong> Creative<br />
Writing at <strong>Virginia</strong> <strong>Tech</strong>; Charles Johnson,<br />
owner <strong>of</strong> New Image Barber Shop and<br />
longtime Blacksburg resident; and Lisa Tabor,<br />
Center for Public Administration and Policy<br />
doctoral student. The panel was moderated<br />
by <strong>Virginia</strong> Fowler, <strong>Virginia</strong> <strong>Tech</strong> Pr<strong>of</strong>essor <strong>of</strong><br />
<strong>English</strong> and Director <strong>of</strong> Literature, Language,<br />
and Culture. Following the panel, groups <strong>of</strong><br />
audience members discussed issues raised<br />
throughout the morning, especially ways to<br />
rebuild broken trust and strengthen existing<br />
trust among people <strong>of</strong> different races.<br />
At the conclusion <strong>of</strong> the morning session,<br />
lunch was served and poet Nikki Giovanni<br />
read from her award-winning book Rosa.<br />
Following the reading, Ben Dixon, Vice<br />
President for Multicultural Affairs, presented<br />
the CSRS with a framed copy <strong>of</strong> <strong>Virginia</strong><br />
<strong>Tech</strong>’s Principles <strong>of</strong> Community for working<br />
towards making the campus environment more<br />
inclusive.<br />
The afternoon<br />
session focused<br />
on Representation<br />
<strong>of</strong> Race Today<br />
and began<br />
with the second<br />
plenary address,<br />
“Jim Crow on<br />
Fraternity Row:<br />
The Phenomenon<br />
<strong>of</strong> Blackface<br />
in the White<br />
Southern Fraternal<br />
Order,” by<br />
Tracey Patton,<br />
Associate Pr<strong>of</strong>essor<br />
<strong>of</strong> Communication and Journalism at<br />
the University <strong>of</strong> Wyoming. Patton’s presentation<br />
explored the ways that African Americans<br />
have been recently represented by members <strong>of</strong><br />
Southern fraternities. She showed slides <strong>of</strong><br />
images originally posted on fraternity websites<br />
<strong>of</strong> white members dressed in blackface. The<br />
panel discussion that followed, moderated by<br />
Kelly Belanger, included Muriel Best-Vinson,<br />
a tenth-grader at Christiansburg High School;<br />
Jo Evans, Chief <strong>of</strong> Staff for Delegate James<br />
M. Shuler; Penny Franklin, Chair <strong>of</strong> the<br />
Montgomery County School Board; Ellington<br />
Graves, Associate Director <strong>of</strong> <strong>Virginia</strong> <strong>Tech</strong>’s<br />
Race and Social Policy Research Center; and<br />
Giovanni Turner, a graduate student in the<br />
<strong>Department</strong> <strong>of</strong> <strong>English</strong>. In the subsequent<br />
small group discussions, topics ranged from<br />
the Duke lacrosse rape case to symbols such<br />
as the Confederate flag.<br />
The keynote address, delivered by Keith<br />
Gilyard, Distinguished Pr<strong>of</strong>essor <strong>of</strong> <strong>English</strong> at<br />
the Pennsylvania State University, summarized<br />
the day’s events and <strong>of</strong>fered suggestions for<br />
further conversations. Gilyard commented<br />
that research centers, like the CSRS, can<br />
play an important role in shaping the way<br />
race is talked about in our country. We at<br />
the CSRS hope the conversations started at<br />
“Representations <strong>of</strong> Race and the African-<br />
American Community” will continue, and that<br />
the campus-community partnerships formed at<br />
the event will flourish.<br />
10 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>
A Celebration <strong>of</strong> Students, March 30, <strong>2006</strong><br />
Leon Kok and Emily Reisinger entertained the guests with violin music<br />
during the celebration.<br />
Fred D'Aguiar and MFA student Tim Lockridge engage in<br />
a lively discussion. Entries from the fi rst grauate student<br />
Poster Awards competition are on the wall behind them.<br />
The Distinguished Alumni Board honored Dean Jerry<br />
Niles for his support <strong>of</strong> the <strong>English</strong> department.<br />
Guest enjoy the hors d'oeuvres as Lucinda Roy, <strong>Virginia</strong> Fowler, and Nikki<br />
Giovanni share a laugh.<br />
<strong>Fall</strong> <strong>2006</strong> 11
A Tribute to Lucinda Roy, <strong>Department</strong> Chair 2002-<strong>2006</strong> by Carolyn Rude<br />
Four years ago, Lucinda Roy assumed leadership <strong>of</strong> the <strong>Department</strong> <strong>of</strong> <strong>English</strong>. She was handed a 10% budget cut, which crippled some<br />
activities and compromised morale in the department. Furthermore, the university was being restructured, and the department was placed in<br />
a new college, without the familiar connections one counts on in running a large department.<br />
Instead <strong>of</strong> retreating because <strong>of</strong> the cut in resources and uncertainty, Lucinda led the department in bold new initiatives. Under her leadership,<br />
and with the members <strong>of</strong> the faculty,<br />
• The undergraduate curriculum was revised to give students coherent choices for various options in <strong>English</strong> Studies, and new courses<br />
were introduced.<br />
• A Master <strong>of</strong> Fine Arts in Creative Writing was proposed, and the first class enrolled last fall.<br />
• A PhD in Rhetoric and Writing has been approved and will admit students for next year.<br />
• The leaders and instructors in the composition program collaboratively write a custom textbook that creates consistency from section to<br />
section, that features the voices <strong>of</strong> <strong>Virginia</strong> <strong>Tech</strong> students, and that develops expertise among the teachers <strong>of</strong> composition as they work<br />
together each year on a new edition.<br />
• Through celebrations <strong>of</strong> student and faculty achievement, the department has gained visibility and respect in the university.<br />
• A Distinguished Alumni Board has been formed.<br />
• Diversity <strong>of</strong> the faculty has increased.<br />
• She has kept us laughing with her wit and positive outlook.<br />
Lucinda has tirelessly advocated for the department. There’s a well-known saying around campus that “you can’t say no to Lucinda.”<br />
People do say no, or they try to, but she comes right back with an even more persuasive argument. For all <strong>of</strong> her grand visions and strategic<br />
leadership, she remains committed to individuals and their well-being.<br />
While chair, Lucinda won a statewide award for outstanding teaching and a university award for administration.<br />
These are highlights <strong>of</strong> what Lucinda Roy has meant to the department and therefore to faculty and students in it. This department looks<br />
significantly different from the department <strong>of</strong> four years ago: it is ambitious, achieving, energized, exemplary.<br />
Lucinda has a research leave for the fall <strong>2006</strong> semester. She is working on a novel and other creative projects. She hopes to travel to Africa<br />
for an outreach project. An accomplished painter as well as writer, she will have some time to paint again.<br />
The department applauds Lucinda’s leadership and <strong>of</strong>fers its warmest wishes to her as she pursues her writing, painting, and outreach.<br />
The Steger Award<br />
Congratulations to Anhvu Buchanan, winner<br />
<strong>of</strong> the inaugural Steger Award! Buchanan, who<br />
graduated in May with a major in psychology<br />
and a minor in creative writing, won for his<br />
poem Mission Statement. He was presented the<br />
award by University Distinguished Pr<strong>of</strong>essor<br />
Nikki Giovanni and President Charles Steger<br />
at a ceremony in April. Developed through the<br />
efforts <strong>of</strong> Nikki Giovanni, the award celebrates<br />
the value <strong>of</strong> the arts at <strong>Virginia</strong> <strong>Tech</strong> and in<br />
the lives <strong>of</strong> its students. Buchanan received a<br />
$1,000 cash prize donated by President Steger,<br />
and a custom-designed sculpture.<br />
12 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>
All Write @Virgnia <strong>Tech</strong> <strong>2006</strong> by Ennis McCrery<br />
When we think about summer camp, that<br />
bastion <strong>of</strong> summer fun, certain images and<br />
memories instantly spring to mind: cookouts,<br />
bug bites, crafts, swimming, archery,<br />
and…creative writing?<br />
For the second year, the All Write @<strong>Virginia</strong><br />
<strong>Tech</strong> Creative Writing Camp sent out a<br />
call for young writers to bring their camping<br />
gear (in this case, a legal pad, pencil, and a<br />
few clever metaphors) and to set up camp<br />
on the <strong>Virginia</strong> <strong>Tech</strong> campus. The turnout<br />
was strong, with more than 70 kids between<br />
the ages <strong>of</strong> 8-18 participating, including<br />
many students who had attended the camp<br />
last summer.<br />
The young writers and their families were<br />
welcomed to campus by Nikki Giovanni,<br />
whose inspiring keynote address asked students,<br />
“What’s the story?” She encouraged<br />
students to look for the stories in their own<br />
lives and in the world around them, urging<br />
them to avoid taking things at face value. In<br />
addition, Giovanni spoke <strong>of</strong> the need for artists<br />
to trust their own voices and to embrace<br />
their own, unique perspectives.<br />
Campers exercised their creative voices<br />
in daily workshops with creative writing<br />
faculty, where they wrote fiction, poetry,<br />
and creative non-fiction pieces and learned<br />
to revise and refine their work. Following<br />
the workshops, students participated<br />
in theme-based specialty classes taught by<br />
faculty and MFA students. Topics for these<br />
classes included poetry self-portraits, writing<br />
and photography, blues poems, text and<br />
movement, writing and music, writing about<br />
animals, and writing and film.<br />
“One <strong>of</strong> the most valuable aspects <strong>of</strong> the<br />
camp is that it gives students the chance to<br />
work on the basics <strong>of</strong> creative writing in small<br />
groups,” said instructor Katie <strong>Fall</strong>on. “These<br />
small groups foster a sense <strong>of</strong> community<br />
among the students--each <strong>of</strong> my students<br />
worked on at least three collaborative pieces.<br />
A supportive creative writing community is<br />
important for writers <strong>of</strong> any age.” <strong>Fall</strong>on,<br />
who teaches freshman composition and<br />
creative writing courses to <strong>Virginia</strong> <strong>Tech</strong> students<br />
during the school year, found the young<br />
Nikki Giovanni signs autographs for campers after the keynote address.<br />
writers she worked with to be more open to<br />
collaboration than her college students, an<br />
experience she called “refreshing from an<br />
instructor’s perspective.” Also refreshing<br />
for <strong>Fall</strong>on was the kids’ energy and level <strong>of</strong><br />
engagement. “It was a challenge to keep up<br />
with them!” she said.<br />
For the young writers, the camp presented<br />
an opportunity to exercise their imaginations<br />
with more freedom than they are <strong>of</strong>ten<br />
allowed in their schools’ standardized, testdriven<br />
curricula. “It gave me a chance to<br />
open my mind a little more,” said Stuart,<br />
a rising third grader. Other students noted<br />
that they enjoyed being able to write about<br />
their own interests, rather than in response<br />
to specific assignments. “It was fun,” said<br />
a student in Robin Allnutt’s class <strong>of</strong> rising<br />
seventh and eighth graders.<br />
Campers shared their interests and creative<br />
work on the last day <strong>of</strong> camp at readings<br />
attended by friends and family. Following<br />
the readings, the writers and their guests<br />
celebrated the camp’s creative community<br />
at a pizza-and-cake reception.<br />
The week was an overwhelming success,<br />
thanks in part to generous scholarship<br />
donations from <strong>English</strong> faculty and local<br />
residents. The All Write staff would also<br />
like to thank <strong>English</strong> major Michelle Billman<br />
for producing a segment on the camp<br />
for WVTF.<br />
<strong>2006</strong> <strong>Virginia</strong> High School Poetry Contest Winners<br />
Sponsored by the <strong>English</strong> <strong>Department</strong><br />
Judge Tiffany Trent, Instructor <strong>of</strong> <strong>English</strong><br />
First Place: “the truth”<br />
Kelly Knapp<br />
Western Albemarle High School, Crozet<br />
Second Place: “Tattoo Followers”<br />
Mary E. Shreve<br />
Grayson County High School, Independence<br />
Third Place: “Behind a Curtained Window”<br />
Rutledge Long<br />
Episcopal High School, Alexandria<br />
<strong>Fall</strong> <strong>2006</strong> 13
Join the Conversation: You Can Make a Difference<br />
Your gift to the <strong>English</strong> <strong>Department</strong> is important to the students we serve. Your generosity assists us in providing scholarships<br />
for deserving and accomplished undergraduate and graduate students. In addition, your gifts help support student programs and<br />
activities that enhance curricular education.<br />
Please join the growing circle <strong>of</strong> alumni and friends who collectively are making a difference with a gift by visiting<br />
www.givingto.vt.edu (specify “<strong>English</strong> <strong>Department</strong>”) or by mailing in the form below.<br />
If you would like more information about assisting with our student scholarship and education programs through a bequest,<br />
estate/trust, or outright gift, please contact Tysus Jackson, Director <strong>of</strong> Development, College <strong>of</strong> Liberal Arts and Human Sciences<br />
at tysusj@vt.edu, direct 540-231-8734, or toll-free 866-261-4443.<br />
Thank you to the following alumni and friends for their recent gifts and pledges to the <strong>English</strong> <strong>Department</strong> (as <strong>of</strong> June 30, <strong>2006</strong>):<br />
Patrons $5,000+<br />
Alfred E. Knobler<br />
Sponsors $1,000+<br />
Anonymous<br />
Robert Arthur<br />
James & Carol Hoge<br />
Robert & Theresa Lazo<br />
Darrel T. Mason<br />
Lucinda Roy & Larry Jackson<br />
State Farm Companies Foundation<br />
Eileen P. Stoner<br />
Friends $250+<br />
Anonymous<br />
Frankie Bailey<br />
Heather Barker-Church<br />
James Beckner<br />
Earving Blythe<br />
Gerald Canaan<br />
Thomas & Carol Gemmell<br />
Friends, cont.<br />
Sandy Hagman<br />
William C. Hankla<br />
Donna Mitchell<br />
Marjorie Modlin<br />
Philip & Janet Morrison<br />
Carole Nickerson<br />
Johann Norstedt<br />
Robert Patzig<br />
Raliegh F. Seay, Jr.<br />
Donors $1 - $249<br />
Arthur Bales<br />
Jennifer Bay<br />
Jay Bland<br />
Jennifer L. Butlin<br />
Janet & Jimmy Buttram<br />
Lester Gerald Carter<br />
Albert & Leisa Ciaffone<br />
Jack E. Conn<br />
Clara Cox<br />
Donors, cont.<br />
Ty & Cynthia Davidson<br />
Lisa Derx<br />
Charles & Deborah Epes<br />
Marne & George<br />
DeVaughn<br />
Larry Elovich<br />
Brian T. Ferrenz<br />
Charles D. Fisher, Jr.<br />
Rex A. Gearheart<br />
Thomas & Carol Gemmell<br />
Nikki Giovanni<br />
Global Impact<br />
Sara Goodwin<br />
Cynthia Hamelmann<br />
Patty & Sandy Harmon<br />
Delores Hodge<br />
Lauren Smith Johnson<br />
David & Joann Jones<br />
Kim B. Kennedy<br />
Donors, cont.<br />
Nathan Kilgore<br />
Peter & Sugar Kipp<br />
Rachel Laudadio<br />
Dennis R. Mohr, II<br />
Joseph P. Monoski<br />
<strong>Virginia</strong> & Randy Morton<br />
Kelleigh N. Moyer<br />
Amy Musser Widner<br />
Jeremy Olson<br />
Patricia P. Olson<br />
James Owen<br />
Rebecca Ratliff<br />
Kimberly L. Richards-Thomas<br />
George Rhodes<br />
Beth Rossi<br />
Carolyn & Donald Rude<br />
Evelyn Rupp<br />
Robin Ruth<br />
David Rutkowski<br />
Donors, cont.<br />
John & Rita Schafer<br />
Angela M. Schneider<br />
Jean Skelton<br />
Ernest Sullivan<br />
Rebecca G. Taylor<br />
Peter & Vicki Thompson<br />
Sabrina Tuttle<br />
Paige & Richard Ware<br />
William & Kathleen Weikart<br />
Charles Wilson<br />
T. Guy Wilson<br />
Dale Winship<br />
Join the Con ver sa tion<br />
Yes, I want to join the conversation and make a difference for our students!<br />
Patrons (over $5,000) Sponsors (up to $5,000) Friends (up to $1,000) Donors (up to $250)<br />
Name: _________________________________________________________________________________________<br />
Address: ________________________________________________________________________________________<br />
City/State/Zip: ___________________________________________________________________________________<br />
Degree(s): _________________ E-mail: ___________________________ Phone: _____________________________<br />
Check enclosed, payable to VT Foundation<br />
memo line: <strong>English</strong> <strong>Department</strong><br />
Credit card: V M D AMEX<br />
Card #: _____________________________________<br />
Exp. Date: __________ Initials: ________________<br />
Please return to:<br />
<strong>Virginia</strong> <strong>Tech</strong> Foundation<br />
201 Pack Building (0336)<br />
Blacksburg, VA 24061<br />
A Matching Gift Form from my company is enclosed.<br />
I have included <strong>Virginia</strong> <strong>Tech</strong> in my will, trust, or estate<br />
plans.<br />
Please send me in for ma tion about the <strong>Virginia</strong> <strong>Tech</strong><br />
Legacy Society and how I may consider including<br />
<strong>Virginia</strong> <strong>Tech</strong> as part <strong>of</strong> my charitable bequest or estate<br />
plans.<br />
14 www.givingto.vt.edu<br />
A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>
From the Distinguished Alumni Board: Lisa Marlene Derx<br />
Are <strong>English</strong> majors made or born? In my case – well – a little <strong>of</strong> both.<br />
As I was the middle <strong>of</strong> five children born within six years, my mother was<br />
pleased to find even before I turned two that I could entertain myself quite<br />
well if handed a book or magazine. That early exposure to the printed<br />
page gave way to a childhood filled with reading. In those halcyon<br />
days, my mother would drop us <strong>of</strong>f at the county library every Friday<br />
for an hour or two. Summer was especially enjoyable, as, freed from<br />
the schedule <strong>of</strong> school, I spent hours and hours <strong>of</strong> the hot days reading<br />
book after book, never tiring, never reaching surfeit. Once, I overheard my parents debating<br />
whether I was reading too quickly to retain any knowledge <strong>of</strong> what I read. Shortly after, they<br />
called me into the kitchen and questioned me about the latest book I had read through in one<br />
day. Happily, I passed the pop quiz and was allowed to read unfettered ever more.<br />
Yet, despite my love <strong>of</strong> reading, when it came time to select a major, I chose Education.<br />
Reading and writing were fun to me, so, <strong>of</strong> course, it didn’t seem serious enough for my major.<br />
The year I entered <strong>Virginia</strong> <strong>Tech</strong>, I was required to take only one quarter <strong>of</strong> Honors <strong>English</strong><br />
– we were on trimesters then – and that was it for my college career. Thanks to Pr<strong>of</strong>essor Jim<br />
Owens, I enjoyed the class immensely. So, while registering for class for the next term, I randomly<br />
selected an <strong>English</strong> class - American Literature <strong>of</strong> the 19 th Century for Winter Quarter<br />
1984, taught by Nancy Metz.<br />
January through March in Blacksburg was cold and so dreary that year, but Dr. Metz kept<br />
the class lively with close readings and debates about books written centuries before. So it was<br />
while reading and discussing works like Sister Carrie by Theodore Dreiser and The Prairie by<br />
James Fenimore Cooper that I began to understand that I needed to be an <strong>English</strong> major. Dr.<br />
Metz taught us to analyze, to probe, to dig deeper for meaning. These lessons, I realized, could<br />
be applied to any endeavor, and I soon changed my major to <strong>English</strong>.<br />
I have never regretted my decision to spend those years studying <strong>English</strong>. The glory <strong>of</strong> my<br />
junior year at <strong>Virginia</strong> <strong>Tech</strong> was Dr. Metz introducing me to Middlemarch, a novel that enriches<br />
my life even now. So, it is perhaps fitting to finish this story with the words <strong>of</strong> George Eliot,<br />
who said, “What we have been makes us what we are.” What I am, always, is an <strong>English</strong> Major,<br />
thanks to happenstance <strong>of</strong> birth and the inspired teaching <strong>of</strong> Dr. Metz.<br />
Alumni Notes<br />
Marion Stafford Butterworth (B.A.<br />
1979) is a freelance writer and the editor<br />
<strong>of</strong> Washington Home and Garden magazine.<br />
She recently retired as an associate<br />
editor at Harris Publications. Marion<br />
lives in Clifton, VA.<br />
Peter J. Donahue (M.A. 1990) won the<br />
Langum Prize for Historical Fiction in<br />
recognition <strong>of</strong> his debut novel, Madison<br />
House.<br />
Michael Germana (B.A. 1994, M.A.<br />
2000) has accepted a tenure-track position<br />
at West <strong>Virginia</strong> University in Morgantown,<br />
WV. He earned his Ph.D. from the<br />
University <strong>of</strong> Iowa.<br />
Debra (Debbi) Cartwright Meade<br />
(B.A. 1977, M.S. 1994) is the director<br />
<strong>of</strong> advertising for The Roanoke Times in<br />
Roanoke, VA.<br />
Allan Wolf (B.A. 1985, M.A. 1988) is a<br />
writer in Asheville, NC. His recent novel<br />
in verse, New Found Land, which tells<br />
the story <strong>of</strong> the Lewis and Clark expedition,<br />
was chosen as an ALA Best Book<br />
for Young Adults and an IRA Children's<br />
Book Award Notable. His most recent<br />
book, Immersed in Verse: An Informative,<br />
Slightly Irreverent & Totally Tremendous<br />
Guide to Living the Poet's Life, was published<br />
in April by Lark Press and was a<br />
Children's Book <strong>of</strong> the Month selection.<br />
We Want To Hear From You!<br />
Our newsletter will continue to feature ar ti cles and notes about our <strong>English</strong> De part ment alumni/alum nae. We would ap pre ci ate in for -<br />
ma tion about what you have been doing since leaving <strong>Virginia</strong> <strong>Tech</strong>. Please send material to feast<strong>of</strong>words@vt.edu or A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>,<br />
<strong>Department</strong> <strong>of</strong> <strong>English</strong>, 323 Shanks Hall (0112), <strong>Virginia</strong> <strong>Tech</strong>, Blacksburg, VA 24061.<br />
Name: ______________________________________________________________________________________________________<br />
Degree/Year:_______________________________________________ Email: ___________________________________________<br />
Home Address: _______________________________________________________________________________________________<br />
___________________________________________________________________________________________________________<br />
Occupation/Title: _____________________________________________________________________________________________<br />
Pr<strong>of</strong>essional Duties: ___________________________________________________________________________________________<br />
___________________________________________________________________________________________________________<br />
Recent Awards, Grants, Hon ors, Etc.: _____________________________________________________________________________<br />
___________________________________________________________________________________________________________<br />
Most Influential Pr<strong>of</strong>essor or Instructor: ___________________________________________________________________________<br />
Other News and/or Story Idea: ___________________________________________________________________________________<br />
___________________________________________________________________________________________________________<br />
___________________________________________________________________________________________________________<br />
<strong>Fall</strong> <strong>2006</strong> 15
Charles Modlin Memorial Study Abroad Scholarship Established<br />
A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong><br />
323 Shanks Hall (0112), <strong>Virginia</strong> <strong>Tech</strong><br />
Blacksburg, VA 24061<br />
Main Office Phone: (540) 231-6501<br />
Fax: (540) 231-5692<br />
E-Mail: feast<strong>of</strong>words@vt.edu<br />
http://www.english.vt.edu<br />
Contributors:<br />
Hilbert H. Campbell, Gena Chandler,<br />
Katie <strong>Fall</strong>on, Ginney Fowler, Tim<br />
Lockridge, Ennis McCrery, Jerry Niles,<br />
Carolyn Rude<br />
The <strong>Department</strong> <strong>of</strong> <strong>English</strong> is honored to announce the Charles Modlin Memorial Study Abroad<br />
Scholarship, a resource that will support two <strong>English</strong> majors or minors every year in their efforts<br />
to study abroad. This memorial scholarship is established by the friends, family, colleagues and<br />
students <strong>of</strong> Charles Modlin, who contributed so much - and so selflessly - to providing study abroad<br />
opportunities to our students. Charlie was known for his caring and untiring support <strong>of</strong> our students<br />
on campus and abroad, and he was particularly concerned that international programs remain viable<br />
for students <strong>of</strong> all financial backgrounds. Remembering Charlie in this way is especially fitting.<br />
The scholarship fund will support two <strong>English</strong> majors or minors with $500 each for study<br />
abroad during this coming year, and we hope to continue this support to two new students every<br />
year. Your contributions, in memory <strong>of</strong> Charlie and in support <strong>of</strong> our students, may be given to<br />
Jane Wemhoener (<strong>Department</strong> <strong>of</strong> <strong>English</strong>) on behalf <strong>of</strong> the scholarship fund. Checks should be<br />
written to the <strong>Virginia</strong> <strong>Tech</strong> Foundation, and designated for use <strong>of</strong> the Charles Modlin Memorial<br />
Study Abroad Scholarship, <strong>Department</strong> <strong>of</strong> <strong>English</strong>.<br />
Editing and Design:<br />
Lynn Robinson<br />
Special thanks to:<br />
Nancy Metz, Carolyn Rude, Cheryl<br />
Ruggiero<br />
A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong> welcomes and<br />
encourages contributions from readers;<br />
please send them to the above address or<br />
e-mail them to feast<strong>of</strong>words@vt.edu.<br />
VT/004800/0906/4.1M/260556<br />
<strong>Virginia</strong> <strong>Tech</strong><br />
<strong>Department</strong> <strong>of</strong> <strong>English</strong><br />
323 Shanks Hall (0112)<br />
Blacksburg, VA 24061<br />
Non-Pr<strong>of</strong>it Org.<br />
U.S. Postage<br />
PAID<br />
Blacksburg, VA 24060<br />
Permit No. 28<br />
16 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>