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A Feast of Words - Fall 2006 - Department of English - Virginia Tech

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The <strong>Department</strong> <strong>of</strong> <strong>English</strong> Newsletter<br />

A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong><br />

Number 28 <strong>Fall</strong> <strong>2006</strong><br />

In This Issue<br />

From the Chair ..........................................................2<br />

In Memoriam: Dr. Charles Modlin...........................3<br />

Spring Commencement <strong>2006</strong>...................................4<br />

New Faculty Pr<strong>of</strong>iles................................................8<br />

Graduate Student Conference..................................9<br />

Undergraduate Student Conference ........................9<br />

Representations <strong>of</strong> Race Symposium.....................10<br />

A Celebration <strong>of</strong> Students.......................................11<br />

A Tribute to Lucinda Roy.......................................12<br />

The Steger Award...................................................12<br />

<strong>2006</strong> <strong>Virginia</strong> High School Poetry Contest<br />

Winners...................................................................13<br />

Join the Conversation: You Can Make A<br />

Difference...............................................................14<br />

From the Distinguished Alumni Board:<br />

Lisa Marlene Derx ..................................................15<br />

Alumni Notes ..........................................................15<br />

Charles Modlin Memorial Scholarship<br />

Established ............................................................. 16<br />

www.english.vt.edu<br />

During her fi nal commencement ceremony as department chair, Lucinda Roy<br />

presents a diploma to Valencia Person.


From the Chair by Carolyn Rude<br />

Carolyn Rude assumed the position <strong>of</strong> department chair in May, when Lucinda Roy stepped down to pursue her<br />

creative writing and outreach projects. Carolyn joined the <strong>Virginia</strong> <strong>Tech</strong> faculty in 2003, after 22 years at Texas<br />

<strong>Tech</strong> University. At <strong>Virginia</strong> <strong>Tech</strong>, she served as the Director <strong>of</strong> Graduate Studies in <strong>English</strong> from 2004 to <strong>2006</strong>,<br />

and she led the development <strong>of</strong> the PhD proposal in Rhetoric and Writing, which was approved in May <strong>2006</strong>.<br />

The <strong>English</strong> <strong>Department</strong> has been expanding its identity over the past several years as it has defined specializations<br />

within the undergraduate <strong>English</strong> major, launched an MFA in Creative Writing, and proposed a PhD in<br />

Rhetoric and Writing. The PhD program will admit students for fall 2007.<br />

This expansion makes it clear that “<strong>English</strong>” has a complex identity. We have recognized and affirmed the<br />

traditional study <strong>of</strong> literature and language, but we have also embraced cultural studies, creative writing, composition,<br />

pr<strong>of</strong>essional writing, and rhetoric. We seem to know intuitively that <strong>English</strong> is important in aesthetics<br />

and academics, but those interests, which seem at odds with business and politics, are now yoked to them<br />

within our department.<br />

Our specializations within <strong>English</strong> Studies represent quite a lot <strong>of</strong> diversity, but to add to the complexity,<br />

they are also interdisciplinary. We study literature in its historical and political contexts and draw from psychology and philosophy to explain<br />

specific texts and to understand the role <strong>of</strong> literature in individual lives and in the world. Rhetoric, developed to enable citizens to<br />

participate in a democracy, inherently connects to the political and social world. Pr<strong>of</strong>essional writing moves <strong>English</strong> into business and the<br />

work <strong>of</strong> nonpr<strong>of</strong>its and government. Creative writing and composition know no limits for topics for stories, poems, plays, and essays. Our<br />

reach is wide.<br />

On the one hand, it is reassuring that <strong>English</strong> touches and influences all parts <strong>of</strong> our lives. That’s better than being on the margins as the<br />

world races on. But what is our center? What connects all these uses <strong>of</strong> <strong>English</strong>? What do we contribute to the university and its students, to<br />

the state and the public who help to fund the university, and to the world? How do we represent ourselves as we develop in multiple ways?<br />

These are questions we will ponder as we implement our programs.<br />

One thing that binds us is our common commitment to teaching and to our students. That value has not changed as we have moved in<br />

new directions. I have been reading the spring teaching evaluations. Across specializations, students are enthusiastic about course content,<br />

and they admire the knowledge <strong>of</strong> the faculty. They appreciate the interest and attention <strong>of</strong> the faculty. This excellence characterizes our<br />

department throughout all the teaching ranks, including our beginning teachers, the GTAs. In this department, excellence is average.<br />

Our use <strong>of</strong> words connects us. Whether we write stories or appeals, whether we read poems or proposals, we are engaged by our craft. We<br />

love using words well, we are charged and moved by exquisite, sometimes surprising, uses <strong>of</strong> words by others, and we admire the revelation<br />

<strong>of</strong> a fresh perspective on a problem as represented in a text. We are engaged by the power <strong>of</strong> words to articulate and shape feelings, beliefs,<br />

values, and actions. We use words - in the senses <strong>of</strong> creating great metaphors, getting at something inexpressible, discovering something<br />

we had not known before writing or reading, calling attention to a problem that had not been recognized, directing the energies <strong>of</strong> decision<br />

makers. Sometimes we use words by writing them, sometimes by invoking them, sometimes by reading and interpreting them.<br />

Our expansive directions confirm that our work, whatever the specialization, matters in the world. The stories we write define our culture<br />

and make it cohere. Because people study these stories in our classes, there’s a shared sense <strong>of</strong> values. The whole culture nods at a quotation<br />

from Shakespeare and understands, in a kind <strong>of</strong> shorthand, the meanings that it invokes. Our essays and proposals have the same kind<br />

<strong>of</strong> power in other contexts.<br />

We find our common roots in the liberal arts and the humanities, the studies that enable informed people to live together in freedom. Language<br />

allows us to explore nuance, ambiguity, and diversity, passion as well as rationality, the human experience on the most intimate and<br />

most grand scales. Language allows us to reason and to persuade. Our comprehensive <strong>English</strong> <strong>Department</strong> embraces all <strong>of</strong> these purposes.<br />

Before I became chair, the faculty and its leaders set the department on an ambitious course by imagining what “<strong>English</strong>” could mean<br />

in this university and beyond. We are moving in new directions while holding on to our common values. I celebrate our expansion, and I<br />

am optimistic about our future as a department as we declare the reach and power <strong>of</strong> <strong>English</strong> Studies in the world and in our lives. I am<br />

honored by the trust <strong>of</strong> the faculty in choosing me to be chair, and I am committed to continuing the work that has been started with such<br />

energy and vision.<br />

The world is a text. Read it. Write it.<br />

2 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>


In Memoriam: Dr. Charles Modlin by Hilbert H. Campbell<br />

Probably the thing that most people will<br />

remember about my good friend and colleague<br />

Charles Modlin, who died on January 1, <strong>2006</strong>, is<br />

his ability to make and keep friends. Although<br />

he was about as far from being a gladhander or<br />

backslapper as one could get, Charlie genuinely<br />

exemplified the term “good-natured.” Without<br />

any tint <strong>of</strong> condescension, flattery, or insincerity,<br />

he simply met people where he found<br />

them and treated them as equals and friends. I<br />

used to kid him about being the “friend to the<br />

friendless,” meaning that he would find a way<br />

to form friendships with people who otherwise<br />

had no friends. For example, I had a colleague<br />

at Marshall University in the 1960’s who was<br />

notorious for either pointedly ignoring or insulting<br />

his colleagues. I plead guilty to disliking<br />

him thoroughly. So I was quite surprised to<br />

learn, years later in talking to Charlie, that<br />

not only had he been the man’s friend when<br />

they both taught at West <strong>Virginia</strong> University<br />

but that they also had remained friends and<br />

correspondents through the intervening years.<br />

This is but one example <strong>of</strong> his determination<br />

to hold onto friends once made. I’ve never<br />

known anyone who tried harder to keep up<br />

contacts with friends from the past, ranging<br />

from his fourth-grade teacher to schoolmates,<br />

college friends, former neighbors or colleagues.<br />

Charlie’s friends also agree that he was completely<br />

unpretentious and that he reserved his<br />

contempt – and privately it could be fairly fierce<br />

– for any kind <strong>of</strong> pretentiousness.<br />

Charlie was born January 23, 1937, at Sistersville,<br />

W. Va. His father, Rev. H. Eugene<br />

Modlin, was a distinguished Methodist minister<br />

who was reassigned periodically to new<br />

locations, so Charlie grew up in various West<br />

<strong>Virginia</strong> cities and towns, including Fairmont,<br />

Montgomery, Clarksburg, and Huntington. He<br />

began college at Marshall in Huntington but<br />

soon transferred to West <strong>Virginia</strong> Wesleyan,<br />

where he not only completed his undergraduate<br />

studies (1958) but also met his wife <strong>of</strong> almost<br />

48 years, Marjorie McCullough <strong>of</strong> the Bronx,<br />

New York. He completed a Master’s degree at<br />

Michigan State University (1959) and began<br />

his doctoral work at Brown University. The<br />

responsibility for a young family, however (son<br />

Andy, daughter Greta), meant that his further<br />

graduate studies would be interrupted by periods<br />

<strong>of</strong> teaching as an instructor at West <strong>Virginia</strong><br />

University and at Western Kentucky University<br />

before he completed his Ph.D. in <strong>English</strong> at the<br />

University <strong>of</strong> Tennessee (1968).<br />

In 1968 Charlie began a long teaching career<br />

in the <strong>English</strong> department at <strong>Virginia</strong> <strong>Tech</strong>,<br />

continuing even after his normal retirement date<br />

to serve the department as scheduler and also<br />

to conduct for several years the department’s<br />

Study Abroad program, carefully planning each<br />

year to insure that the summers in England<br />

and Scotland would be exciting and enriching<br />

for his students. As an instructor <strong>of</strong> American<br />

literature and other subjects, such as folklore,<br />

Charlie was knowledgeable, personable, and<br />

approachable; but he was also an exacting<br />

teacher who did not seek an easy popularity.<br />

His greatest satisfaction as a pr<strong>of</strong>essor came<br />

mainly, I believe, from his contacts with the<br />

occasional undergraduate or graduate student<br />

who was willing to engage genuinely with a<br />

subject and wanted to go further with it. It was<br />

not unusual for such students to seek him out<br />

for independent study.<br />

Although Charlie’s dissertation area was<br />

Early American literature, he soon shifted<br />

his principal scholarly interest to Twentiethcentury<br />

American literature, and particularly<br />

to the seminal Ohio author Sherwood Anderson.<br />

I, <strong>of</strong> course, shared this keen interest in<br />

Anderson with Charlie over many years. We<br />

had the unparalleled advantages not only that<br />

Anderson lived in Southwest <strong>Virginia</strong> for the<br />

last fifteen years <strong>of</strong> his life but also that we met<br />

and became friends with his widow, Eleanor<br />

Copenhaver Anderson, who was an unfailing<br />

source <strong>of</strong> inspiration, information, and support<br />

for our studies over many years prior to her<br />

death in 1985.<br />

Going about his work without fanfare, Charlie<br />

became one <strong>of</strong> the two or three key Anderson<br />

scholars <strong>of</strong> our generation. In addition to<br />

publishing a great many informative articles, he<br />

edited two separate (and superb) collections <strong>of</strong><br />

Anderson’s correspondence, published a wellreceived<br />

edition <strong>of</strong> the author’s short stories<br />

and three additional books in collaboration with<br />

other Anderson scholars, and for sixteen years<br />

was the principal editor <strong>of</strong> the journal/newsletter<br />

devoted to Anderson, called The Winesburg<br />

Eagle and later The Sherwood Anderson Review.<br />

Among numerous other contributions,<br />

he was for twenty years the treasurer and most<br />

active trustee <strong>of</strong> the Sherwood Anderson literary<br />

estate; served for twenty-five years as a<br />

judge for the annual Sherwood Anderson short<br />

story contest; planned and administered an international<br />

conference on Anderson at <strong>Virginia</strong><br />

<strong>Tech</strong> in 1991; organized programs and panels<br />

devoted to Anderson at meetings <strong>of</strong> the American<br />

Literature Association and elsewhere; and<br />

for several years was one <strong>of</strong> the directors <strong>of</strong> the<br />

Sherwood Anderson Foundation. Appropriately<br />

enough, Charlie spent much time during<br />

the last year <strong>of</strong> his life helping the University <strong>of</strong><br />

Wisconsin Press get Pr<strong>of</strong>essor Walter Rideout’s<br />

definitive biography, Sherwood Anderson: A<br />

Writer in America, ready for publication, a task<br />

that illness prevented Rideout himself from doing.<br />

Volume One, with Charlie’s introduction,<br />

was published earlier this year, and Volume Two<br />

is soon to be published.<br />

Certainly one <strong>of</strong> the most prominent and<br />

meaningful strands <strong>of</strong> my own life has been<br />

my long, close, and productive association<br />

with Charlie. His affability and his tendency<br />

to “compartmentalize” some main aspects <strong>of</strong><br />

his life caused many people to think <strong>of</strong> him,<br />

I believe, as something <strong>of</strong> a one-dimensional<br />

personality. Those who knew him better, including<br />

myself, realized that he was much more<br />

complicated, truly remarkable – among other<br />

attributes – for intellect, humanity, and integrity.<br />

His relish for the Carter family or the Grand Ole<br />

Opry coexisted with a passion for Metropolitan<br />

Opera broadcasts. Through the years <strong>of</strong> my<br />

friendship with him, I was aware there were<br />

aspects <strong>of</strong> his character and personality that I<br />

was only glimpsing, if that. His family wrote<br />

in his obituary that he was a good man, and I<br />

certainly agree. But all I really know for sure<br />

about Charles Modlin is that he was the best<br />

friend I ever had.<br />

<strong>Fall</strong> <strong>2006</strong> 3


Spring Commencement <strong>2006</strong> by Dean Jerry Niles<br />

<strong>2006</strong>-2007 Scholarships<br />

George Burke Johnston Scholarship<br />

Amber Smith<br />

Hilbert Campbell Scholarship<br />

Kathleen Cooperstein<br />

Jenkins M. Robertson Scholarships<br />

Donald Cash, Katie Catalano, Leigh<br />

Johnston, Lisa McKittrick, Hali<br />

Plourde-Rogers, Therese Sell<br />

Joyce Gentry Smoot Scholarship<br />

Evan Chapple<br />

Knobler Scholarships<br />

Christine Bychowski, Therese Sell,<br />

Bonnie Short, Emily Sturgill, Sarah<br />

Violette<br />

Faculty Awards<br />

The Joyce Gentry Smoot Award for<br />

Outstanding Teaching<br />

Julie Mengert<br />

Diggs Teaching Scholar Award<br />

Jim Dubinsky<br />

State Council <strong>of</strong> Higher Education<br />

Outstanding Faculty Award<br />

Paul Sorrentino<br />

Wine Award<br />

Tom Gardner<br />

Sporn Award<br />

Paul Heilker<br />

Alumni Outstanding Teacher Award<br />

Fritz Oehlschlaeger<br />

Alumni Advising Award<br />

Jennifer Mooney<br />

CLAHS Award for Excellence in<br />

Research and Creative Scholarship<br />

Ernest Sullivan<br />

CLAHS Award for<br />

Outreach Excellence<br />

Mark Armstrong and Jane Wemhoener<br />

CLAHS Award for Excellence in<br />

Administration<br />

Lucinda Roy<br />

CLAHS Diversity Award<br />

<strong>Virginia</strong> Fowler<br />

Shaping a pr<strong>of</strong>essional life: Making good<br />

use <strong>of</strong> a liberal arts education<br />

Graduation day<br />

is a wonderful occasion<br />

to celebrate<br />

the personal accomplishment<br />

that<br />

has brought you to<br />

this point in time.<br />

It is also a time<br />

to express appreciation<br />

to family,<br />

friends, former<br />

and recent teachers,<br />

and the many others who have helped you<br />

reach your goal. As the joy and celebration <strong>of</strong><br />

graduation day recedes, your mind will return<br />

to the question <strong>of</strong> what’s next. Many <strong>of</strong> you<br />

have an idea <strong>of</strong> what that is – graduate school,<br />

careers as teachers, pr<strong>of</strong>essional or creative<br />

writers, or perhaps working in business in<br />

some capacity. Others <strong>of</strong> you may not be<br />

sure yet what your next opportunity will be<br />

and that is OK too, it will come.<br />

As you think about what is next, I am sure<br />

you will wonder what it is that will be asked<br />

<strong>of</strong> you, if you will be successful, and if you<br />

will enjoy what you will be immersed in.<br />

These are natural questions for one to ask at<br />

the beginning <strong>of</strong> your upcoming journey.<br />

Today, I’d like to attempt to help you<br />

with this reflective process by sharing with<br />

you some <strong>of</strong> my own reflections regarding<br />

this journey on which you are embarking. I<br />

started on a similar journey 40 years ago and<br />

I have almost completed it. I can assure you<br />

that I, as have your parents, have asked the<br />

same questions you are asking <strong>of</strong> yourself<br />

now, the primary ones being, “where is this<br />

journey going to take me and how will I find<br />

my way?”<br />

I would never presume to tell you how<br />

your journey should unfold. Only you can<br />

decide that. Rather my purpose is to <strong>of</strong>fer<br />

some advice that you might find useful<br />

while you are on this journey to “shaping<br />

your pr<strong>of</strong>essional life.” Yours will be very<br />

personalized. No one else has taken it. It<br />

will be unique to you and that is what makes<br />

it so special. Your journey will be filled with<br />

travel down unknown paths, marked by a<br />

myriad <strong>of</strong> successes, failures, and surprises<br />

and loaded with emotional reactions <strong>of</strong> all<br />

kinds and intensities.<br />

To help you find your way, you can look<br />

to your liberal arts education for some<br />

navigational tools. Reflecting on my career,<br />

I have found that these tools were essential in<br />

helping me find my way to the place where<br />

I am now, as there is no way I could have<br />

ever envisioned this destination in 1967 when<br />

I started my journey. I want to highlight<br />

these tools today so that you might call on<br />

them more readily for direction during the<br />

vital parts <strong>of</strong> your journey. They are: 1) a<br />

commitment to inquiry, 2) a recognition <strong>of</strong><br />

the power <strong>of</strong> collaboration, and 3) the prudent<br />

use <strong>of</strong> intellectual autonomy. It is my<br />

contention that inquiry, collaboration, and<br />

intellectual autonomy are the fundamental<br />

building blocks for shaping your pr<strong>of</strong>essional<br />

life. Think for a moment if you will:<br />

• What was one <strong>of</strong> the most interesting<br />

problem-solving ventures you<br />

engaged in during your time at <strong>Virginia</strong><br />

<strong>Tech</strong>? It may have been a service learning<br />

project or an important writing task.<br />

How did you feel as you struggled with<br />

the problem and its solutions?<br />

• Think again about a time you were<br />

involved in a satisfying collaboration<br />

with one or more others while solving<br />

a good problem. How did that feel?<br />

What did you create? What were the<br />

contributions <strong>of</strong> the others? Did they<br />

help make your ideas better and enhance<br />

the outcome <strong>of</strong> the process?<br />

• Finally, think about times that you<br />

had the freedom to generate problems<br />

and select among choices on their solution.<br />

Did you feel empowered? Did<br />

that feeling <strong>of</strong> empowerment add to your<br />

self-confidence and generate feelings <strong>of</strong><br />

personal satisfaction?<br />

Let’s examine these three navigational<br />

tools that are promoted in a liberal education<br />

a little more closely and see how they<br />

might influence the shaping <strong>of</strong> your pr<strong>of</strong>es-<br />

4 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>


sional life.<br />

Inquiry, the first navigational tool, can take<br />

many forms and is highly adaptable to infinite<br />

situations. <strong>Virginia</strong> <strong>Tech</strong> and the <strong>English</strong> department<br />

have tried to provide a broad-based<br />

education that helped develop your powers<br />

<strong>of</strong> critical thinking and problem solving.<br />

These essential skills <strong>of</strong> inquiry are keys<br />

to leading a productive and fulfilling work<br />

life. An important part <strong>of</strong> life for humans is<br />

driven by their need to inquire. That is, life<br />

for the engaged individual is about having<br />

good problems to work on. In whatever area<br />

you choose to focus your energy, whether it<br />

is graduate school, pr<strong>of</strong>essional or creative<br />

writing, teaching, business or any number<br />

<strong>of</strong> others, the real challenge is framing your<br />

work into an infinite set <strong>of</strong> good problems.<br />

Human beings are happiest when they are<br />

engaged in problems that are interesting and<br />

important. Each time you teach a class that<br />

your students find useful or write a text that<br />

communicates clearly and effectively, for<br />

example, you are solving<br />

a good problem. Solving<br />

these kinds <strong>of</strong> problems<br />

increases our self-confidence<br />

and makes us feel<br />

worthwhile.<br />

There is an important<br />

corollary to keep in mind<br />

as you inquire and engage<br />

in solving good problems<br />

throughout your pr<strong>of</strong>essional<br />

life. That is, the<br />

most interesting and challenging<br />

problems are by<br />

far the most intimidating.<br />

Often your first reaction<br />

to a complex problem<br />

is to step back and tell<br />

yourself that it is too scary<br />

or difficult to engage and<br />

that avoidance is the more<br />

sensible response. From<br />

my own personal experience<br />

I must confess to you<br />

that the problems that I<br />

approached that generated<br />

the most fearful reaction<br />

and self doubt for me initially,<br />

resulted in the most personal growth in<br />

the end because I chose to engage them.<br />

Thus, when you come to junctions on your<br />

journey that represent new opportunities<br />

or problems that seem overwhelming and<br />

raise your levels <strong>of</strong> fear and self-doubt, fight<br />

your instinct to back away to a safe harbor<br />

– forge ahead, as you too will experience the<br />

greatest reward <strong>of</strong> all, personal growth. Have<br />

you had that same experience already? Has<br />

an opportunity presented itself to you that<br />

initially intimidated you? Did you engage it?<br />

If so, remember how you felt afterward.<br />

One <strong>of</strong> the features <strong>of</strong> good problems is<br />

that they <strong>of</strong>ten require that you collaborate<br />

with others. For most <strong>of</strong> us, undertaking really<br />

important problems can be overwhelming.<br />

We need support in a variety <strong>of</strong> ways.<br />

Think for a moment about some <strong>of</strong> the<br />

problems you have engaged. Was there a<br />

time when you were stuck or unsure that your<br />

thinking or work was satisfactory? It is in<br />

this state that collaborations are so essential.<br />

The new graduates join Lucinda Roy in singing her original<br />

composition "Hokie-Vice," sung to the tune <strong>of</strong> "Edelweiss."<br />

Commencement continued on page 6<br />

Special Awards<br />

Undergraduate<br />

The Creative Writing<br />

Fiction Award<br />

Timothy Edward Johnson<br />

The Creative Writing<br />

Poetry Award<br />

Jane Fuquay<br />

The Emily Morrison Prize<br />

for Poetry<br />

Timothy Lockridge<br />

The Sharon Messer Award<br />

Michael Honchock<br />

The Charles Martin Award<br />

for the Best Writing<br />

by a Graduating<br />

<strong>English</strong> Major<br />

<strong>Virginia</strong> Garnett<br />

The Robert H. Dedman, Jr.<br />

Prize for Excellence in Pr<strong>of</strong>essional<br />

Writing<br />

Christopher Bayne<br />

The Robert Chermside<br />

Award for Outstanding<br />

Work in Linguistics<br />

Samantha Dickerson, Lindsey<br />

Norris, Angela Schulz<br />

Graduate<br />

The Caroline Pace Chermside<br />

Award for the Best Thesis<br />

Edward Andrew Lautenschlager,<br />

Nita Newswander<br />

The Richard L. H<strong>of</strong>fman<br />

Award for Superior Teaching by a<br />

Graduate Teaching Assistant<br />

Matthew Beale, Kara Haggard<br />

The Poster Awards<br />

First Prize - Cheri Lemieux-Spiegel<br />

Honorable Mention - Emily Davis<br />

and Mimi McDonald<br />

<strong>Fall</strong> <strong>2006</strong> 5


Commencement continued from page 5<br />

Collaborations can be the source <strong>of</strong> additional<br />

ideas for you at critical times, validation<br />

when you are uncertain, and a source <strong>of</strong><br />

renewal when you begin to tire.<br />

As you collaborate with others, you can<br />

learn about yourself and help others grow.<br />

This reciprocity is a satisfying by-product<br />

<strong>of</strong> collaboration. Think about the collaborations<br />

that you have participated in during<br />

your years at <strong>Virginia</strong> <strong>Tech</strong>. Pick one that<br />

worked and gave you great satisfaction. Select<br />

another that was a source <strong>of</strong> frustration<br />

and disappointment. Why did one work and<br />

the other fail?<br />

I am willing to wager that in the good<br />

collaboration there was a group commitment<br />

to a mutual goal - each member was<br />

empowered to make unique contributions<br />

that were focused on that goal. Members<br />

<strong>of</strong> the collaboration valued contributions <strong>of</strong><br />

others and listened carefully to what each<br />

was saying. Moreover, group members provided<br />

emotional support for each other when<br />

the work entered its most difficult stages or<br />

when there were early failures. Finally, the<br />

satisfaction and sense <strong>of</strong> accomplishment<br />

was heightened because you were a part <strong>of</strong><br />

something that was much bigger than just<br />

you. If you had these feelings, you were<br />

experiencing a collaborative high. Learning<br />

to be an effective collaborator can provide<br />

you with opportunities for personal growth<br />

that are unimaginable as an individual working<br />

alone.<br />

The third navigational tool I mentioned<br />

is the prudent use <strong>of</strong> intellectual autonomy.<br />

While we are social beings at heart and<br />

benefit from collaborations, we are also<br />

strongly individualistic and seek and value<br />

intellectual autonomy in our work. To be<br />

effective in our pr<strong>of</strong>essional lives we need<br />

to have ownership in the problems we work<br />

on. This ownership grows out <strong>of</strong> our right to<br />

have choices about what we work on and how<br />

we do our work. Finding work environments<br />

that provide opportunities for collaboration<br />

Members <strong>of</strong> the faculty, including Katherine Soniat, retired department chair Johann Norstedt, Ginney<br />

Fowler, and Nikki Giovanni enjoy Dean Niles' remarks.<br />

but encourage your personal autonomy will<br />

be crucial in shaping a satisfying pr<strong>of</strong>essional<br />

life. Intellectual autonomy can be exercised<br />

in many ways, including the selection <strong>of</strong> the<br />

problem you engage, shaping the problem,<br />

choosing your role in the problem-solving<br />

process and even selecting with whom you<br />

might work. You may not get to control all<br />

<strong>of</strong> these elements all <strong>of</strong> the time but you must<br />

have the right to have control over some <strong>of</strong><br />

them some <strong>of</strong> the time. Think about the times<br />

that you had the autonomy to select the paths<br />

you wanted to follow. Sometimes you made<br />

good choices and sometimes not so good.<br />

However, whether you made the right choices<br />

or wrong ones, I am certain that these choices<br />

were the source <strong>of</strong> personal growth because<br />

they were uniquely yours.<br />

As you continue on your journey to shape<br />

your pr<strong>of</strong>essional life there is another device<br />

you will need to guide your journey. You will<br />

need to carry a moral and ethical compass<br />

with you to help keep you on course.<br />

As you shape your pr<strong>of</strong>essional<br />

life, you will be faced<br />

with many opportunities to<br />

do the right thing, the wrong<br />

thing, or to equivocate. You<br />

will be challenged to choose the<br />

right path. How will you know<br />

which one is right? You have<br />

already faced these choices<br />

numerous times in your life.<br />

Most <strong>of</strong> the time these decisions<br />

impacted primarily on you or<br />

those closest to you. As you<br />

enter your work life, the moral<br />

and ethical decisions you make<br />

will not only affect you but the<br />

lives <strong>of</strong> many who are only<br />

indirectly connected to you, as<br />

for example, a student <strong>of</strong> yours,<br />

a reader <strong>of</strong> your text, a colleague,<br />

a client, or a consumer<br />

<strong>of</strong> a product <strong>of</strong> your company.<br />

There will be times when the<br />

morally right decision will not<br />

be the easiest one to make. You<br />

will be challenged. You will<br />

6 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>


think <strong>of</strong> numerous reasons to take the wrong<br />

path, reasons such as personal gain or the<br />

avoidance <strong>of</strong> conflict with colleagues or a<br />

supervisor that will encourage you to stray<br />

from your true course. However, as you are<br />

faced with such decisions time and time you<br />

will discover the lesson that one <strong>of</strong> my mentors<br />

taught me: “There is no right way to do<br />

the wrong thing.” Thus, at critical moments,<br />

ask yourself, “Am I on the right path or did I<br />

choose the one I am on because it is the one<br />

<strong>of</strong> least resistance?”<br />

Another point on your moral compass has<br />

to do with the acquisition <strong>of</strong> privilege. Today<br />

we are here to recognize your achievement <strong>of</strong><br />

graduating from this great university. I am<br />

certain this is only the beginning <strong>of</strong> many<br />

distinguished achievements for you. The<br />

question I ask is: Will you convert your<br />

accomplishment to the privilege and entitlement<br />

that <strong>of</strong>ten comes with distinguished<br />

achievement or will you use the privilege<br />

you accrue to assume more responsibility<br />

for others? It is another important choice<br />

you will have to make and the future <strong>of</strong> our<br />

global society depends on it. The easy choice<br />

is to use your achievements for your own<br />

personal gain or entitlement. It is a human<br />

tendency to enjoy the fruits <strong>of</strong> our labor but<br />

is that enough? I encourage you to consider<br />

that with the privilege that comes from your<br />

achievement, also comes increased responsibility<br />

on your part to help others have the<br />

opportunities to have a better life as well.<br />

Remember your university’s core value – Ut<br />

Prosim. It is a message that unites members<br />

<strong>of</strong> the Hokie Nation throughout the world.<br />

A third point on your moral compass<br />

should be caring. Caring is one <strong>of</strong> the most<br />

powerful <strong>of</strong> human emotions. Caring acts<br />

as a catalyst for action, action that makes the<br />

world a better place to live in. Caring comes<br />

in many forms. Think about the people<br />

in your life who are the most caring. My<br />

guess is that they are the ones who have been<br />

most influential in your personal history to<br />

this point. Thus, as you shape your pr<strong>of</strong>essional<br />

life, make sure that you care as well<br />

so that those who are affected by your work<br />

will benefit from<br />

the way you care.<br />

There can be numerous<br />

points on<br />

your moral compass<br />

to help you<br />

find your way and<br />

you will add many<br />

<strong>of</strong> your own points<br />

over the years.<br />

I have one last<br />

piece <strong>of</strong> advice to<br />

share with you and<br />

that is related to<br />

the state <strong>of</strong> being<br />

a beginner. While<br />

your graduation is<br />

a testament to your<br />

accomplishments<br />

thus far, you will<br />

soon enter the state<br />

<strong>of</strong> being a beginner.<br />

It is a state we have<br />

all been in, most <strong>of</strong><br />

us more than once.<br />

With a number <strong>of</strong><br />

colleagues I have<br />

spent a lot <strong>of</strong> time<br />

studying beginners<br />

in pr<strong>of</strong>essional settings<br />

and I want to<br />

pass on some understandings I have come to<br />

regarding the rights <strong>of</strong> beginners:<br />

• It is OK to make mistakes - your<br />

colleagues will expect it.<br />

• It is OK to disclose your anxieties<br />

and inadequacies to a trusted mentor.<br />

They will understand and they can help<br />

you cope with the most difficult times<br />

when you are experiencing feelings <strong>of</strong><br />

self-doubt and helplessness.<br />

• It is OK to take time to develop<br />

your knowledge and skills. Your new<br />

colleagues know that it takes a long time<br />

to become really competent.<br />

• It is OK to realize that even if you<br />

worked 24 hours a day you couldn’t<br />

accomplish all you want to do as a beginner.<br />

It is a fact <strong>of</strong> nature that it takes<br />

Director <strong>of</strong> First Year Composition Diana George poses with Richard L.<br />

H<strong>of</strong>fman Award winners Matthew Beale and Kara Haggard.<br />

beginners longer to do everything.<br />

• Finally it is OK to pretend to be<br />

a competent pr<strong>of</strong>essional in your field<br />

while you are a beginner. You are not being<br />

dishonest. All <strong>of</strong> us have conducted<br />

this same charade as we developed into<br />

competent pr<strong>of</strong>essionals.<br />

The journey to shaping a productive and<br />

satisfying pr<strong>of</strong>essional life is a great one.<br />

Savor it. But, don’t forget to keep your seat<br />

belt fastened because it gets pretty wild at<br />

times.<br />

Good luck and best wishes for a great<br />

journey.<br />

<strong>Fall</strong> <strong>2006</strong> 7


New Faculty Pr<strong>of</strong>iles<br />

Kelly Pender, Assistant Pr<strong>of</strong>essor, specialization in Rhetoric and Writing<br />

Kelly is thrilled to return to the Southeast after six years in the Midwest (four in Indiana at Purdue and two in Iowa City),<br />

especially since the April tornado that ripped through Iowa City missed her house by just a few blocks. She grew up in Monroe,<br />

North Carolina, near Charlotte, and earned degrees at the University <strong>of</strong> North Carolina and North Carolina State University.<br />

As a beginning master’s student at NCSU, she remembers the sophisticated doctoral student, Clare Dannenberg.<br />

Kelly is moving to Blacksburg with her husband, Matthew Vollmer, a fiction writer who will also teach in the department,<br />

and their 3 1/2 year-old son, Elijah.<br />

She is interested in non-fiction genres <strong>of</strong> all sorts: biography, autobiography, history, political essays, writing about food,<br />

documentaries, and more. She also likes hiking, swimming, and the outdoors in general.<br />

Kelly’s niche in Rhetoric and Writing is the history and theory <strong>of</strong> rhetoric. Particular interests are the history <strong>of</strong> invention in the classical period<br />

and theories <strong>of</strong> invention, especially as they relate or are judged according to arguments about ethics, politics, and subjectivity. A new project in<br />

rhetorical criticism concerns the rhetorics <strong>of</strong> “pathography,” i.e., the rhetorics <strong>of</strong> writing about illness. It springs from her interest in pathos. She<br />

has also done some work in the rhetoric <strong>of</strong> the disciplines and Writing Across the Curriculum.<br />

Kelly graduated from Purdue in December 2005 with “highest distinction” honors for her dissertation, Writing Beyond the Art/Chance Binary:<br />

The Ongoing Debate About <strong>Tech</strong>ne in Rhetoric and Composition. An article, “Kairos and the Subject <strong>of</strong> Expressive Discourse,” was published in<br />

Composition Studies in 2003.<br />

Katy Powell, Associate Pr<strong>of</strong>essor, specialization in Rhetoric and Writing<br />

After six years in technical editing and government consulting in Washington, D.C., I knew I wanted to change careers,<br />

but was having a difficult time justifying leaving a good salary for a graduate stipend. To help make the decision, I went to<br />

Montana to hike Glacier National Park. While on the continental divide I figured life was too short not to go for what you<br />

want, so I quit my job and went to the University <strong>of</strong> Louisville for a degree in Rhetoric and Composition. I had a wonderful<br />

experience there as a student, and the faculty support confirmed my decision that teaching and researching composition would<br />

be rewarding. My first position was at Louisiana State University. Again I had a wonderful experience, supported by wonderful<br />

colleagues and challenged by very interesting students. In addition to teaching literacy, genre theory, and pedagogy, I also<br />

taught feminist autobiography and participated in the Women’s and Gender Studies program. After several years there, I had this nagging desire to<br />

return to <strong>Virginia</strong>. Again, I took a big hike to help in my decision - this time to the Grand Canyon. Since that physical challenge, I’ve been pursuing<br />

a position in my home state, not only to be closer to my family but also to give back to the place that raised me. I am thrilled to become part <strong>of</strong><br />

<strong>Virginia</strong> <strong>Tech</strong>, and to help develop its Ph.D. program. My husband, a writer from Missouri, loves <strong>Virginia</strong> too, and we’re very pleased to settle here,<br />

where hiking is right out our back door.<br />

Katy’s forthcoming book (University <strong>of</strong> <strong>Virginia</strong> press), Rhetorics <strong>of</strong> Displacement, is a study <strong>of</strong> the ways in which the people who were displaced<br />

by the Shenandoah Park project used words to represent their claims, needs, and attachment to the land.<br />

Introducing Steven Salaita by Ginney Fowler<br />

The <strong>Department</strong> is delighted to welcome this fall Dr. Steven Salaita, who joins us as an advanced assistant pr<strong>of</strong>essor <strong>of</strong><br />

American and Ethnic American Literatures. Steve is no stranger to this part <strong>of</strong> the country, having grown up in Bluefield,<br />

<strong>Virginia</strong>, which is still home to his parents. After completing his undergraduate work at Radford University, he entered<br />

the doctoral program in Native American Literature at the University <strong>of</strong> Oklahoma, where he received his Ph.D. in 2003.<br />

Although his primary focus at Oklahoma was Native American literature, he also studied Palestinian and Arab American<br />

literature. For the past three years, Steve has been an assistant pr<strong>of</strong>essor at the University <strong>of</strong> Wisconsin/Whitewater, where<br />

he has taught a range <strong>of</strong> courses in American and ethnic American literatures.<br />

Steve’s research primarily takes the form <strong>of</strong> literary criticism, but he is also drawn to the essay, particularly the political<br />

essay, and to creative non-fiction. Because his parents are both immigrants, he finds that his own writing, critical and<br />

creative, is preoccupied with themes <strong>of</strong> immigration, American-ness, dislocation, cultural multiplicity, xenophobia, and racialization. In terms <strong>of</strong><br />

research, <strong>2006</strong> has been an annus mirabilis for Steve, who will have three books published by year’s end: Anti-Arab Racism in the USA: Where It<br />

Comes from and What it Means for Politics Today (Pluto Press, UK); The Holy Land in Transit: Colonialism and the Quest for Canaan (Syracuse<br />

University Press); and Arab American Literary Fictions, Cultures, and Politics (Palgrave Macmillan).<br />

What does Steve do when he’s not working? He is an avid bike rider, so he’ll be able to reacquaint himself with some <strong>of</strong> the challenging bike trails<br />

here in the New River Valley. But few activities, he says, make him happier than reading and writing, both <strong>of</strong> which he does at a prodigious pace.<br />

He is also, I might add, a wonderful conversationalist who makes his research accessible and interesting to the non-specialist, a talent <strong>of</strong>ten hard to<br />

find. I myself have already enjoyed many lively and provocative conversations with Steve, who brings new areas <strong>of</strong> scholarship to the department<br />

and who we expect will play an important role in the shaping <strong>of</strong> our ethnic literature program. We are most pleased that he has joined our faculty.<br />

8 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>


Graduate Student Conference: With Pen in Hand <strong>2006</strong> by Tim Lockridge<br />

When Matt Beale, last year’s EGSO president, asked me to sit on the Graduate<br />

Student Conference planning committee, I agreed—and soon realized that<br />

I was largely unsure as to what an academic conference is, or how it should be<br />

planned. However, with the help <strong>of</strong> Matt, Cheri Lemiuex Spiegel, and Sarah<br />

Mitchem, I was soon fielding abstracts and arranging a schedule <strong>of</strong> what would<br />

become thirty student presentations—a number that made the <strong>2006</strong> installment<br />

<strong>of</strong> With Pen In Hand the largest and most successful to date.<br />

Outside participation at this year’s conference was particularly impressive,<br />

as we received a number <strong>of</strong> abstracts from beyond the <strong>Virginia</strong> <strong>Tech</strong> community<br />

and ultimately accepted presentations from students at SUNY, UNC-Greensboro,<br />

Central Washington University, and Radford. Panel topics included Pr<strong>of</strong>essional<br />

Communication, Critical Theory, Southern Writers, Postmodern Writers, and<br />

Feminist Theory.<br />

With the department’s introduction <strong>of</strong> the MFA in Creative Writing, this year’s<br />

conference also marked the addition <strong>of</strong> a Friday night poetry reading and Saturday<br />

Cheri Lemieux Spiegel presents a paper at the <strong>2006</strong> graduate<br />

student conference.<br />

afternoon fiction panels. The planning committee was initially concerned with the juxtaposition <strong>of</strong> scholarly and creative presentations, but<br />

all panels received consistent attendance and were regarded by the panelists as successful.<br />

Planning for the 2007 Conference is already underway as part <strong>of</strong> a larger movement that will shift EGSO from a solely social enterprise<br />

to a larger academic support network. Looking ahead, we hope to hold the conference at the Graduate Life Center and increase the number<br />

<strong>of</strong> presenters from neighboring universities. As graduate studies within the department continue to expand, we hope that EGSO can <strong>of</strong>fer<br />

something <strong>of</strong> a support framework for all <strong>English</strong> graduate students—not just the GTA population. As such, the conference stands as an<br />

excellent example <strong>of</strong> what graduate students can <strong>of</strong>fer to the university, and to each other.<br />

Crossing Divides: Undergraduate Research in the <strong>Department</strong> <strong>of</strong> <strong>English</strong> by Gena Chandler<br />

On Friday, March 31, <strong>2006</strong>, the <strong>English</strong> <strong>Department</strong> presented its<br />

first annual undergraduate student academic conference: Crossing the<br />

Divide: Criticism and Creativity in the <strong>English</strong> Writing Community.<br />

The Associate Dean for Undergraduate Academic Affairs, Mary Ann<br />

Lewis, provided the welcome and ushered in a full day <strong>of</strong> critical and<br />

creative exploration. Over 50 undergraduate students presented work in<br />

the areas <strong>of</strong> Literature, Language, and Culture; Critical Literary Theory;<br />

and Pr<strong>of</strong>essional and Creative Writing. Faculty, staff, parents, and<br />

other members <strong>of</strong> the University community were treated to a full day<br />

<strong>of</strong> critical and creative thought by undergraduate students, traversing a<br />

wide range <strong>of</strong> critical and creative interests in <strong>English</strong> studies. Papers<br />

examined topics ranging from Keats’ editing process in the poem “Bright<br />

Star” to Adorno and Horkheimer’s visions <strong>of</strong> culture. The conference<br />

was truly a collaborative project between students and faculty. Students<br />

from Eva Brumberger’s Designing Documents for Print class were responsible<br />

for the winning design <strong>of</strong> the conference program, and eight<br />

members <strong>of</strong> the <strong>English</strong> <strong>Department</strong> community were responsible for<br />

the conference’s planning: Gena E. Chandler (conference chair), Robin<br />

Allnut, Linda Anderson, Mikel Dimmick, Ginney Fowler, Lisa Leslie,<br />

Scott Perkins (undergraduate representative), and Karen Swenson. The<br />

conference was a resounding success and next year’s conference promises<br />

to be even more successful.<br />

<strong>Fall</strong> <strong>2006</strong> 9


Symposium on Race and Representation Encourages University-Community Partnerships<br />

by Katie <strong>Fall</strong>on<br />

On Monday, April 24, <strong>2006</strong>, the <strong>Department</strong><br />

<strong>of</strong> <strong>English</strong>’s new Center for the Study<br />

<strong>of</strong> Rhetoric in Society, in conjunction with<br />

the Office <strong>of</strong> Multicultural Affairs, sponsored<br />

a symposium focusing on “Representations<br />

<strong>of</strong> Race and the African-American Community.”<br />

The day-long event featured plenary<br />

and keynote addresses by nationally-known<br />

scholars; panels comprised <strong>of</strong> students, community<br />

leaders, and <strong>Virginia</strong> <strong>Tech</strong> faculty;<br />

opportunities for small group discussions;<br />

and a reading by poet Nikki Giovanni. The<br />

symposium was attended by more than one<br />

hundred <strong>Virginia</strong> <strong>Tech</strong> faculty, students, and<br />

staff, as well as members <strong>of</strong> the New River<br />

Valley communities. The Center for the Study<br />

<strong>of</strong> Rhetoric in Society (CSRS), directed by Associate<br />

Pr<strong>of</strong>essor <strong>of</strong> <strong>English</strong> Kelly Belanger,<br />

was created “to advance the study <strong>of</strong> rhetoric<br />

and writing through projects and partnerships<br />

that promote the public good.” According<br />

to Belanger, the purpose <strong>of</strong> this symposium<br />

was to “open lines <strong>of</strong> communication and<br />

expand understanding about issues <strong>of</strong> race<br />

and language while creating a foundation for<br />

community-university partnerships that extend<br />

beyond the event itself.”<br />

After the program was opened by remarks<br />

from Provost Mark McNamee, Barbara<br />

Pendergrass, retired Dean <strong>of</strong> Students, and<br />

<strong>Department</strong> <strong>of</strong> <strong>English</strong> Chair Lucinda Roy, the<br />

morning session centered on Historical Representations<br />

<strong>of</strong> Race. The first plenary address,<br />

Panelists Tracey Patton and Jo Evans react to a question.<br />

Keith Gilyard delivers the keynote address<br />

at the Representations <strong>of</strong> Race and the African<br />

American Community symposium.<br />

“One Tall Order: Trust Production in the Face<br />

<strong>of</strong> History,” delivered by Catherine Prendergast,<br />

Associate Pr<strong>of</strong>essor <strong>of</strong> Writing Studies at<br />

the University <strong>of</strong> Illinois, analyzed the rhetoric<br />

<strong>of</strong> several Supreme Court decisions, including<br />

Brown vs. the Board <strong>of</strong> Education. The address<br />

was followed by a panel discussion that<br />

examined the ways trust can be produced or<br />

broken. In addition to Prendergast, the panel<br />

included Mary Bishop, a retired Roanoke<br />

Times reporter; Elaine Carter, Director <strong>of</strong> the<br />

Christiansburg Institute, Inc.; Fred D’Aguiar,<br />

Pr<strong>of</strong>essor <strong>of</strong> <strong>English</strong> and Co-Director <strong>of</strong> Creative<br />

Writing at <strong>Virginia</strong> <strong>Tech</strong>; Charles Johnson,<br />

owner <strong>of</strong> New Image Barber Shop and<br />

longtime Blacksburg resident; and Lisa Tabor,<br />

Center for Public Administration and Policy<br />

doctoral student. The panel was moderated<br />

by <strong>Virginia</strong> Fowler, <strong>Virginia</strong> <strong>Tech</strong> Pr<strong>of</strong>essor <strong>of</strong><br />

<strong>English</strong> and Director <strong>of</strong> Literature, Language,<br />

and Culture. Following the panel, groups <strong>of</strong><br />

audience members discussed issues raised<br />

throughout the morning, especially ways to<br />

rebuild broken trust and strengthen existing<br />

trust among people <strong>of</strong> different races.<br />

At the conclusion <strong>of</strong> the morning session,<br />

lunch was served and poet Nikki Giovanni<br />

read from her award-winning book Rosa.<br />

Following the reading, Ben Dixon, Vice<br />

President for Multicultural Affairs, presented<br />

the CSRS with a framed copy <strong>of</strong> <strong>Virginia</strong><br />

<strong>Tech</strong>’s Principles <strong>of</strong> Community for working<br />

towards making the campus environment more<br />

inclusive.<br />

The afternoon<br />

session focused<br />

on Representation<br />

<strong>of</strong> Race Today<br />

and began<br />

with the second<br />

plenary address,<br />

“Jim Crow on<br />

Fraternity Row:<br />

The Phenomenon<br />

<strong>of</strong> Blackface<br />

in the White<br />

Southern Fraternal<br />

Order,” by<br />

Tracey Patton,<br />

Associate Pr<strong>of</strong>essor<br />

<strong>of</strong> Communication and Journalism at<br />

the University <strong>of</strong> Wyoming. Patton’s presentation<br />

explored the ways that African Americans<br />

have been recently represented by members <strong>of</strong><br />

Southern fraternities. She showed slides <strong>of</strong><br />

images originally posted on fraternity websites<br />

<strong>of</strong> white members dressed in blackface. The<br />

panel discussion that followed, moderated by<br />

Kelly Belanger, included Muriel Best-Vinson,<br />

a tenth-grader at Christiansburg High School;<br />

Jo Evans, Chief <strong>of</strong> Staff for Delegate James<br />

M. Shuler; Penny Franklin, Chair <strong>of</strong> the<br />

Montgomery County School Board; Ellington<br />

Graves, Associate Director <strong>of</strong> <strong>Virginia</strong> <strong>Tech</strong>’s<br />

Race and Social Policy Research Center; and<br />

Giovanni Turner, a graduate student in the<br />

<strong>Department</strong> <strong>of</strong> <strong>English</strong>. In the subsequent<br />

small group discussions, topics ranged from<br />

the Duke lacrosse rape case to symbols such<br />

as the Confederate flag.<br />

The keynote address, delivered by Keith<br />

Gilyard, Distinguished Pr<strong>of</strong>essor <strong>of</strong> <strong>English</strong> at<br />

the Pennsylvania State University, summarized<br />

the day’s events and <strong>of</strong>fered suggestions for<br />

further conversations. Gilyard commented<br />

that research centers, like the CSRS, can<br />

play an important role in shaping the way<br />

race is talked about in our country. We at<br />

the CSRS hope the conversations started at<br />

“Representations <strong>of</strong> Race and the African-<br />

American Community” will continue, and that<br />

the campus-community partnerships formed at<br />

the event will flourish.<br />

10 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>


A Celebration <strong>of</strong> Students, March 30, <strong>2006</strong><br />

Leon Kok and Emily Reisinger entertained the guests with violin music<br />

during the celebration.<br />

Fred D'Aguiar and MFA student Tim Lockridge engage in<br />

a lively discussion. Entries from the fi rst grauate student<br />

Poster Awards competition are on the wall behind them.<br />

The Distinguished Alumni Board honored Dean Jerry<br />

Niles for his support <strong>of</strong> the <strong>English</strong> department.<br />

Guest enjoy the hors d'oeuvres as Lucinda Roy, <strong>Virginia</strong> Fowler, and Nikki<br />

Giovanni share a laugh.<br />

<strong>Fall</strong> <strong>2006</strong> 11


A Tribute to Lucinda Roy, <strong>Department</strong> Chair 2002-<strong>2006</strong> by Carolyn Rude<br />

Four years ago, Lucinda Roy assumed leadership <strong>of</strong> the <strong>Department</strong> <strong>of</strong> <strong>English</strong>. She was handed a 10% budget cut, which crippled some<br />

activities and compromised morale in the department. Furthermore, the university was being restructured, and the department was placed in<br />

a new college, without the familiar connections one counts on in running a large department.<br />

Instead <strong>of</strong> retreating because <strong>of</strong> the cut in resources and uncertainty, Lucinda led the department in bold new initiatives. Under her leadership,<br />

and with the members <strong>of</strong> the faculty,<br />

• The undergraduate curriculum was revised to give students coherent choices for various options in <strong>English</strong> Studies, and new courses<br />

were introduced.<br />

• A Master <strong>of</strong> Fine Arts in Creative Writing was proposed, and the first class enrolled last fall.<br />

• A PhD in Rhetoric and Writing has been approved and will admit students for next year.<br />

• The leaders and instructors in the composition program collaboratively write a custom textbook that creates consistency from section to<br />

section, that features the voices <strong>of</strong> <strong>Virginia</strong> <strong>Tech</strong> students, and that develops expertise among the teachers <strong>of</strong> composition as they work<br />

together each year on a new edition.<br />

• Through celebrations <strong>of</strong> student and faculty achievement, the department has gained visibility and respect in the university.<br />

• A Distinguished Alumni Board has been formed.<br />

• Diversity <strong>of</strong> the faculty has increased.<br />

• She has kept us laughing with her wit and positive outlook.<br />

Lucinda has tirelessly advocated for the department. There’s a well-known saying around campus that “you can’t say no to Lucinda.”<br />

People do say no, or they try to, but she comes right back with an even more persuasive argument. For all <strong>of</strong> her grand visions and strategic<br />

leadership, she remains committed to individuals and their well-being.<br />

While chair, Lucinda won a statewide award for outstanding teaching and a university award for administration.<br />

These are highlights <strong>of</strong> what Lucinda Roy has meant to the department and therefore to faculty and students in it. This department looks<br />

significantly different from the department <strong>of</strong> four years ago: it is ambitious, achieving, energized, exemplary.<br />

Lucinda has a research leave for the fall <strong>2006</strong> semester. She is working on a novel and other creative projects. She hopes to travel to Africa<br />

for an outreach project. An accomplished painter as well as writer, she will have some time to paint again.<br />

The department applauds Lucinda’s leadership and <strong>of</strong>fers its warmest wishes to her as she pursues her writing, painting, and outreach.<br />

The Steger Award<br />

Congratulations to Anhvu Buchanan, winner<br />

<strong>of</strong> the inaugural Steger Award! Buchanan, who<br />

graduated in May with a major in psychology<br />

and a minor in creative writing, won for his<br />

poem Mission Statement. He was presented the<br />

award by University Distinguished Pr<strong>of</strong>essor<br />

Nikki Giovanni and President Charles Steger<br />

at a ceremony in April. Developed through the<br />

efforts <strong>of</strong> Nikki Giovanni, the award celebrates<br />

the value <strong>of</strong> the arts at <strong>Virginia</strong> <strong>Tech</strong> and in<br />

the lives <strong>of</strong> its students. Buchanan received a<br />

$1,000 cash prize donated by President Steger,<br />

and a custom-designed sculpture.<br />

12 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>


All Write @Virgnia <strong>Tech</strong> <strong>2006</strong> by Ennis McCrery<br />

When we think about summer camp, that<br />

bastion <strong>of</strong> summer fun, certain images and<br />

memories instantly spring to mind: cookouts,<br />

bug bites, crafts, swimming, archery,<br />

and…creative writing?<br />

For the second year, the All Write @<strong>Virginia</strong><br />

<strong>Tech</strong> Creative Writing Camp sent out a<br />

call for young writers to bring their camping<br />

gear (in this case, a legal pad, pencil, and a<br />

few clever metaphors) and to set up camp<br />

on the <strong>Virginia</strong> <strong>Tech</strong> campus. The turnout<br />

was strong, with more than 70 kids between<br />

the ages <strong>of</strong> 8-18 participating, including<br />

many students who had attended the camp<br />

last summer.<br />

The young writers and their families were<br />

welcomed to campus by Nikki Giovanni,<br />

whose inspiring keynote address asked students,<br />

“What’s the story?” She encouraged<br />

students to look for the stories in their own<br />

lives and in the world around them, urging<br />

them to avoid taking things at face value. In<br />

addition, Giovanni spoke <strong>of</strong> the need for artists<br />

to trust their own voices and to embrace<br />

their own, unique perspectives.<br />

Campers exercised their creative voices<br />

in daily workshops with creative writing<br />

faculty, where they wrote fiction, poetry,<br />

and creative non-fiction pieces and learned<br />

to revise and refine their work. Following<br />

the workshops, students participated<br />

in theme-based specialty classes taught by<br />

faculty and MFA students. Topics for these<br />

classes included poetry self-portraits, writing<br />

and photography, blues poems, text and<br />

movement, writing and music, writing about<br />

animals, and writing and film.<br />

“One <strong>of</strong> the most valuable aspects <strong>of</strong> the<br />

camp is that it gives students the chance to<br />

work on the basics <strong>of</strong> creative writing in small<br />

groups,” said instructor Katie <strong>Fall</strong>on. “These<br />

small groups foster a sense <strong>of</strong> community<br />

among the students--each <strong>of</strong> my students<br />

worked on at least three collaborative pieces.<br />

A supportive creative writing community is<br />

important for writers <strong>of</strong> any age.” <strong>Fall</strong>on,<br />

who teaches freshman composition and<br />

creative writing courses to <strong>Virginia</strong> <strong>Tech</strong> students<br />

during the school year, found the young<br />

Nikki Giovanni signs autographs for campers after the keynote address.<br />

writers she worked with to be more open to<br />

collaboration than her college students, an<br />

experience she called “refreshing from an<br />

instructor’s perspective.” Also refreshing<br />

for <strong>Fall</strong>on was the kids’ energy and level <strong>of</strong><br />

engagement. “It was a challenge to keep up<br />

with them!” she said.<br />

For the young writers, the camp presented<br />

an opportunity to exercise their imaginations<br />

with more freedom than they are <strong>of</strong>ten<br />

allowed in their schools’ standardized, testdriven<br />

curricula. “It gave me a chance to<br />

open my mind a little more,” said Stuart,<br />

a rising third grader. Other students noted<br />

that they enjoyed being able to write about<br />

their own interests, rather than in response<br />

to specific assignments. “It was fun,” said<br />

a student in Robin Allnutt’s class <strong>of</strong> rising<br />

seventh and eighth graders.<br />

Campers shared their interests and creative<br />

work on the last day <strong>of</strong> camp at readings<br />

attended by friends and family. Following<br />

the readings, the writers and their guests<br />

celebrated the camp’s creative community<br />

at a pizza-and-cake reception.<br />

The week was an overwhelming success,<br />

thanks in part to generous scholarship<br />

donations from <strong>English</strong> faculty and local<br />

residents. The All Write staff would also<br />

like to thank <strong>English</strong> major Michelle Billman<br />

for producing a segment on the camp<br />

for WVTF.<br />

<strong>2006</strong> <strong>Virginia</strong> High School Poetry Contest Winners<br />

Sponsored by the <strong>English</strong> <strong>Department</strong><br />

Judge Tiffany Trent, Instructor <strong>of</strong> <strong>English</strong><br />

First Place: “the truth”<br />

Kelly Knapp<br />

Western Albemarle High School, Crozet<br />

Second Place: “Tattoo Followers”<br />

Mary E. Shreve<br />

Grayson County High School, Independence<br />

Third Place: “Behind a Curtained Window”<br />

Rutledge Long<br />

Episcopal High School, Alexandria<br />

<strong>Fall</strong> <strong>2006</strong> 13


Join the Conversation: You Can Make a Difference<br />

Your gift to the <strong>English</strong> <strong>Department</strong> is important to the students we serve. Your generosity assists us in providing scholarships<br />

for deserving and accomplished undergraduate and graduate students. In addition, your gifts help support student programs and<br />

activities that enhance curricular education.<br />

Please join the growing circle <strong>of</strong> alumni and friends who collectively are making a difference with a gift by visiting<br />

www.givingto.vt.edu (specify “<strong>English</strong> <strong>Department</strong>”) or by mailing in the form below.<br />

If you would like more information about assisting with our student scholarship and education programs through a bequest,<br />

estate/trust, or outright gift, please contact Tysus Jackson, Director <strong>of</strong> Development, College <strong>of</strong> Liberal Arts and Human Sciences<br />

at tysusj@vt.edu, direct 540-231-8734, or toll-free 866-261-4443.<br />

Thank you to the following alumni and friends for their recent gifts and pledges to the <strong>English</strong> <strong>Department</strong> (as <strong>of</strong> June 30, <strong>2006</strong>):<br />

Patrons $5,000+<br />

Alfred E. Knobler<br />

Sponsors $1,000+<br />

Anonymous<br />

Robert Arthur<br />

James & Carol Hoge<br />

Robert & Theresa Lazo<br />

Darrel T. Mason<br />

Lucinda Roy & Larry Jackson<br />

State Farm Companies Foundation<br />

Eileen P. Stoner<br />

Friends $250+<br />

Anonymous<br />

Frankie Bailey<br />

Heather Barker-Church<br />

James Beckner<br />

Earving Blythe<br />

Gerald Canaan<br />

Thomas & Carol Gemmell<br />

Friends, cont.<br />

Sandy Hagman<br />

William C. Hankla<br />

Donna Mitchell<br />

Marjorie Modlin<br />

Philip & Janet Morrison<br />

Carole Nickerson<br />

Johann Norstedt<br />

Robert Patzig<br />

Raliegh F. Seay, Jr.<br />

Donors $1 - $249<br />

Arthur Bales<br />

Jennifer Bay<br />

Jay Bland<br />

Jennifer L. Butlin<br />

Janet & Jimmy Buttram<br />

Lester Gerald Carter<br />

Albert & Leisa Ciaffone<br />

Jack E. Conn<br />

Clara Cox<br />

Donors, cont.<br />

Ty & Cynthia Davidson<br />

Lisa Derx<br />

Charles & Deborah Epes<br />

Marne & George<br />

DeVaughn<br />

Larry Elovich<br />

Brian T. Ferrenz<br />

Charles D. Fisher, Jr.<br />

Rex A. Gearheart<br />

Thomas & Carol Gemmell<br />

Nikki Giovanni<br />

Global Impact<br />

Sara Goodwin<br />

Cynthia Hamelmann<br />

Patty & Sandy Harmon<br />

Delores Hodge<br />

Lauren Smith Johnson<br />

David & Joann Jones<br />

Kim B. Kennedy<br />

Donors, cont.<br />

Nathan Kilgore<br />

Peter & Sugar Kipp<br />

Rachel Laudadio<br />

Dennis R. Mohr, II<br />

Joseph P. Monoski<br />

<strong>Virginia</strong> & Randy Morton<br />

Kelleigh N. Moyer<br />

Amy Musser Widner<br />

Jeremy Olson<br />

Patricia P. Olson<br />

James Owen<br />

Rebecca Ratliff<br />

Kimberly L. Richards-Thomas<br />

George Rhodes<br />

Beth Rossi<br />

Carolyn & Donald Rude<br />

Evelyn Rupp<br />

Robin Ruth<br />

David Rutkowski<br />

Donors, cont.<br />

John & Rita Schafer<br />

Angela M. Schneider<br />

Jean Skelton<br />

Ernest Sullivan<br />

Rebecca G. Taylor<br />

Peter & Vicki Thompson<br />

Sabrina Tuttle<br />

Paige & Richard Ware<br />

William & Kathleen Weikart<br />

Charles Wilson<br />

T. Guy Wilson<br />

Dale Winship<br />

Join the Con ver sa tion<br />

Yes, I want to join the conversation and make a difference for our students!<br />

Patrons (over $5,000) Sponsors (up to $5,000) Friends (up to $1,000) Donors (up to $250)<br />

Name: _________________________________________________________________________________________<br />

Address: ________________________________________________________________________________________<br />

City/State/Zip: ___________________________________________________________________________________<br />

Degree(s): _________________ E-mail: ___________________________ Phone: _____________________________<br />

Check enclosed, payable to VT Foundation<br />

memo line: <strong>English</strong> <strong>Department</strong><br />

Credit card: V M D AMEX<br />

Card #: _____________________________________<br />

Exp. Date: __________ Initials: ________________<br />

Please return to:<br />

<strong>Virginia</strong> <strong>Tech</strong> Foundation<br />

201 Pack Building (0336)<br />

Blacksburg, VA 24061<br />

A Matching Gift Form from my company is enclosed.<br />

I have included <strong>Virginia</strong> <strong>Tech</strong> in my will, trust, or estate<br />

plans.<br />

Please send me in for ma tion about the <strong>Virginia</strong> <strong>Tech</strong><br />

Legacy Society and how I may consider including<br />

<strong>Virginia</strong> <strong>Tech</strong> as part <strong>of</strong> my charitable bequest or estate<br />

plans.<br />

14 www.givingto.vt.edu<br />

A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>


From the Distinguished Alumni Board: Lisa Marlene Derx<br />

Are <strong>English</strong> majors made or born? In my case – well – a little <strong>of</strong> both.<br />

As I was the middle <strong>of</strong> five children born within six years, my mother was<br />

pleased to find even before I turned two that I could entertain myself quite<br />

well if handed a book or magazine. That early exposure to the printed<br />

page gave way to a childhood filled with reading. In those halcyon<br />

days, my mother would drop us <strong>of</strong>f at the county library every Friday<br />

for an hour or two. Summer was especially enjoyable, as, freed from<br />

the schedule <strong>of</strong> school, I spent hours and hours <strong>of</strong> the hot days reading<br />

book after book, never tiring, never reaching surfeit. Once, I overheard my parents debating<br />

whether I was reading too quickly to retain any knowledge <strong>of</strong> what I read. Shortly after, they<br />

called me into the kitchen and questioned me about the latest book I had read through in one<br />

day. Happily, I passed the pop quiz and was allowed to read unfettered ever more.<br />

Yet, despite my love <strong>of</strong> reading, when it came time to select a major, I chose Education.<br />

Reading and writing were fun to me, so, <strong>of</strong> course, it didn’t seem serious enough for my major.<br />

The year I entered <strong>Virginia</strong> <strong>Tech</strong>, I was required to take only one quarter <strong>of</strong> Honors <strong>English</strong><br />

– we were on trimesters then – and that was it for my college career. Thanks to Pr<strong>of</strong>essor Jim<br />

Owens, I enjoyed the class immensely. So, while registering for class for the next term, I randomly<br />

selected an <strong>English</strong> class - American Literature <strong>of</strong> the 19 th Century for Winter Quarter<br />

1984, taught by Nancy Metz.<br />

January through March in Blacksburg was cold and so dreary that year, but Dr. Metz kept<br />

the class lively with close readings and debates about books written centuries before. So it was<br />

while reading and discussing works like Sister Carrie by Theodore Dreiser and The Prairie by<br />

James Fenimore Cooper that I began to understand that I needed to be an <strong>English</strong> major. Dr.<br />

Metz taught us to analyze, to probe, to dig deeper for meaning. These lessons, I realized, could<br />

be applied to any endeavor, and I soon changed my major to <strong>English</strong>.<br />

I have never regretted my decision to spend those years studying <strong>English</strong>. The glory <strong>of</strong> my<br />

junior year at <strong>Virginia</strong> <strong>Tech</strong> was Dr. Metz introducing me to Middlemarch, a novel that enriches<br />

my life even now. So, it is perhaps fitting to finish this story with the words <strong>of</strong> George Eliot,<br />

who said, “What we have been makes us what we are.” What I am, always, is an <strong>English</strong> Major,<br />

thanks to happenstance <strong>of</strong> birth and the inspired teaching <strong>of</strong> Dr. Metz.<br />

Alumni Notes<br />

Marion Stafford Butterworth (B.A.<br />

1979) is a freelance writer and the editor<br />

<strong>of</strong> Washington Home and Garden magazine.<br />

She recently retired as an associate<br />

editor at Harris Publications. Marion<br />

lives in Clifton, VA.<br />

Peter J. Donahue (M.A. 1990) won the<br />

Langum Prize for Historical Fiction in<br />

recognition <strong>of</strong> his debut novel, Madison<br />

House.<br />

Michael Germana (B.A. 1994, M.A.<br />

2000) has accepted a tenure-track position<br />

at West <strong>Virginia</strong> University in Morgantown,<br />

WV. He earned his Ph.D. from the<br />

University <strong>of</strong> Iowa.<br />

Debra (Debbi) Cartwright Meade<br />

(B.A. 1977, M.S. 1994) is the director<br />

<strong>of</strong> advertising for The Roanoke Times in<br />

Roanoke, VA.<br />

Allan Wolf (B.A. 1985, M.A. 1988) is a<br />

writer in Asheville, NC. His recent novel<br />

in verse, New Found Land, which tells<br />

the story <strong>of</strong> the Lewis and Clark expedition,<br />

was chosen as an ALA Best Book<br />

for Young Adults and an IRA Children's<br />

Book Award Notable. His most recent<br />

book, Immersed in Verse: An Informative,<br />

Slightly Irreverent & Totally Tremendous<br />

Guide to Living the Poet's Life, was published<br />

in April by Lark Press and was a<br />

Children's Book <strong>of</strong> the Month selection.<br />

We Want To Hear From You!<br />

Our newsletter will continue to feature ar ti cles and notes about our <strong>English</strong> De part ment alumni/alum nae. We would ap pre ci ate in for -<br />

ma tion about what you have been doing since leaving <strong>Virginia</strong> <strong>Tech</strong>. Please send material to feast<strong>of</strong>words@vt.edu or A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>,<br />

<strong>Department</strong> <strong>of</strong> <strong>English</strong>, 323 Shanks Hall (0112), <strong>Virginia</strong> <strong>Tech</strong>, Blacksburg, VA 24061.<br />

Name: ______________________________________________________________________________________________________<br />

Degree/Year:_______________________________________________ Email: ___________________________________________<br />

Home Address: _______________________________________________________________________________________________<br />

___________________________________________________________________________________________________________<br />

Occupation/Title: _____________________________________________________________________________________________<br />

Pr<strong>of</strong>essional Duties: ___________________________________________________________________________________________<br />

___________________________________________________________________________________________________________<br />

Recent Awards, Grants, Hon ors, Etc.: _____________________________________________________________________________<br />

___________________________________________________________________________________________________________<br />

Most Influential Pr<strong>of</strong>essor or Instructor: ___________________________________________________________________________<br />

Other News and/or Story Idea: ___________________________________________________________________________________<br />

___________________________________________________________________________________________________________<br />

___________________________________________________________________________________________________________<br />

<strong>Fall</strong> <strong>2006</strong> 15


Charles Modlin Memorial Study Abroad Scholarship Established<br />

A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong><br />

323 Shanks Hall (0112), <strong>Virginia</strong> <strong>Tech</strong><br />

Blacksburg, VA 24061<br />

Main Office Phone: (540) 231-6501<br />

Fax: (540) 231-5692<br />

E-Mail: feast<strong>of</strong>words@vt.edu<br />

http://www.english.vt.edu<br />

Contributors:<br />

Hilbert H. Campbell, Gena Chandler,<br />

Katie <strong>Fall</strong>on, Ginney Fowler, Tim<br />

Lockridge, Ennis McCrery, Jerry Niles,<br />

Carolyn Rude<br />

The <strong>Department</strong> <strong>of</strong> <strong>English</strong> is honored to announce the Charles Modlin Memorial Study Abroad<br />

Scholarship, a resource that will support two <strong>English</strong> majors or minors every year in their efforts<br />

to study abroad. This memorial scholarship is established by the friends, family, colleagues and<br />

students <strong>of</strong> Charles Modlin, who contributed so much - and so selflessly - to providing study abroad<br />

opportunities to our students. Charlie was known for his caring and untiring support <strong>of</strong> our students<br />

on campus and abroad, and he was particularly concerned that international programs remain viable<br />

for students <strong>of</strong> all financial backgrounds. Remembering Charlie in this way is especially fitting.<br />

The scholarship fund will support two <strong>English</strong> majors or minors with $500 each for study<br />

abroad during this coming year, and we hope to continue this support to two new students every<br />

year. Your contributions, in memory <strong>of</strong> Charlie and in support <strong>of</strong> our students, may be given to<br />

Jane Wemhoener (<strong>Department</strong> <strong>of</strong> <strong>English</strong>) on behalf <strong>of</strong> the scholarship fund. Checks should be<br />

written to the <strong>Virginia</strong> <strong>Tech</strong> Foundation, and designated for use <strong>of</strong> the Charles Modlin Memorial<br />

Study Abroad Scholarship, <strong>Department</strong> <strong>of</strong> <strong>English</strong>.<br />

Editing and Design:<br />

Lynn Robinson<br />

Special thanks to:<br />

Nancy Metz, Carolyn Rude, Cheryl<br />

Ruggiero<br />

A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong> welcomes and<br />

encourages contributions from readers;<br />

please send them to the above address or<br />

e-mail them to feast<strong>of</strong>words@vt.edu.<br />

VT/004800/0906/4.1M/260556<br />

<strong>Virginia</strong> <strong>Tech</strong><br />

<strong>Department</strong> <strong>of</strong> <strong>English</strong><br />

323 Shanks Hall (0112)<br />

Blacksburg, VA 24061<br />

Non-Pr<strong>of</strong>it Org.<br />

U.S. Postage<br />

PAID<br />

Blacksburg, VA 24060<br />

Permit No. 28<br />

16 A <strong>Feast</strong> <strong>of</strong> <strong>Words</strong>

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