brochure. - Mills College Art Museum

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Giovanni Benedetto Castiglione’s etching of the Sorceress/Melancholia captures the fear of witchcraft that plagued Europe in the mid-17th century. This piece is different from his many favorite Biblical paintings. In this work, Castiglione incorporated a large concern of witchcraft and his passion of introducing animals. —Jennifer Doan 26
Giovanni Benedetto Castiglione (Italy, 1609–1664) Sorceress / Melancholia, ca. 1650 Etching on paper 8 ¾ x 12 ½ inches Collection Mills College Art Museum Museum Purchase Susan L. Mills Fund, 1961.6 27
Page 2 and 3: This catalogue is published on the
Page 4 and 5: Section 1 During both World Wars I
Page 6 and 7: Illustrated by Ludwig Hohlwein duri
Page 8 and 9: Cardinal Mercier (U.S. Food Adminis
Page 10 and 11: In this work, the traditional image
Page 12 and 13: This piece titled, How Much… (War
Page 14 and 15: Unknown Become a Nurse— World War
Page 16 and 17: This poster illustrates the ways in
Page 18 and 19: Henri Matisse’s print symbolizes
Page 20 and 21: Berenice Abbott (United States, 189
Page 22 and 23: Photograph taken by Imogen Cunningh
Page 24 and 25: Section 2 Several of the works in t
Page 28 and 29: Drawing from Life at the Royal Acad
Page 30 and 31: Reading Woman is an etching on pape
Page 32 and 33: Tempête du Coeur is demonstrative
Page 34 and 35: Section 3 This group of objects is
Page 36 and 37: American Square Medallion, White La
Page 38 and 39: French Jacket/vest of sky blue broc

brochure. - Mills College Art Museum

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