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Volume 9 Issue 10 - July/August 2004

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AF estival Tour, Part II<br />

by Allan Pulker<br />

In the June issue (still available online at www.thewholenote.com) we<br />

"visited" the Montreal Baroque Festival, Grand River Baroque Festival,<br />

the Toronto International Chamber Music Festival, the· Great<br />

Canadian Town Band Festival, Music at Sharon, the Brott Summer<br />

Festival, the Huntsville Festival of the Arts, Festival de<br />

Lanaudiere, the Westben Festival, the Elora Festival and the Festival<br />

of the Sound. While some of these will have already taken place by the<br />

time you rend this, the last seven will be continuing well into the summer,<br />

so make sure to consult our festival listings, commencing onpage<br />

47, for the many events that they have to offer.<br />

Stratford Summer Music tival: the Axelrod, the Molinari,<br />

Our summer festival "tour" be- the St. Lawrence, the Creaking<br />

gins with one of the newer arrivals Tree and the Festival's own resion<br />

the scene, Stratford Summer dent "Festival Quartet."<br />

Music, founded in 2001 by its The Axelrod Quartet which incurrent<br />

"artistic producer," John eludes two Canadians, violist Ste-<br />

Miller, a former executive director ven Dann and violinist Marc Deaf<br />

the Canadian Music Centre and strube will perform, in four conoutgoing<br />

administrator of the certs, all of Beethoven's early<br />

Glenn Gould Foundation. In its quartets, on four Stradivarius inthree<br />

short years of existence, the struments donated to the Srnithsofestival<br />

has grown to the point that nian Institution by American pubit<br />

now offers two weeks packed lisher and philanthropist, Herbert<br />

with an amazing variety of con- Axelrod ·<br />

certs by some of the best musi- Miller has cleverly woven in<br />

cians from Canada and abroad. two related elements. First, the<br />

I asked Miller the "secret" of Festival String Quartet will per~<br />

his festival's phenomenal growth. form Felix Mendelssohn's Double<br />

In part, he acknowledged, it is be- Quartet/Octet with·the Axelrod<br />

cause. of the Festival's location in Quartet's fourth concert, also on a<br />

Stratford, where the Stratford The- set of instruments made by one<br />

atre Festival draws 40,000 visitors luthier, Xiaodong Guan, who<br />

a week during the summer and learned his craft in China but now<br />

shares its formidable box-0ffice lives and works in Stratford. The<br />

service and marketing clout with bows used for this concert will be<br />

his festival. He mentioned that he Yamaha Music's highly regarded<br />

was just finishing the planning for carbon fibre bows. Second, Monhis<br />

2005 festival so that it would treal's Molinari Quartet will per- ·<br />

be ready for inclusion in the Strat- form all eight quartets by Canadian<br />

ford Festival visitors' guide, a mil- composer R. Murray Schafer,<br />

lion copies of which will be print- providing a counterpoint to the<br />

ed and distributed, and that 40,000 Axelrod's focus on Beethoven and<br />

copies of his brochure are inserted sending a message to living Canain<br />

theatre festival programs. dian composers of the benefit of<br />

Perhaps the more important in- creating a body of work in a pargredient,<br />

however, is that the pro- ticular genre, which, Miller pointgramming<br />

of his festivals is inno- ed out, gives a composer "status<br />

vative, organically although not and credibility."<br />

obsessively thematic, and strongly Other highlights of the festival<br />

anchored in the local community. will be the Organ Academy Master<br />

This summer one of the Festi- classes given by John Longhurst,<br />

val' s prevailing themes is music . senior organist a the Mormon Tabfor<br />

stringed instruments. Canadian emacle in Salt Lake City, the After<br />

violin virtuosos, James Ehnes and Theatre Cabarets, the Mexican folk<br />

Andrew Chung, will give the two music group, Son de Madera, the<br />

"Maureen Forrester Canadian Art- Ukrainian Bandurist Chorus, the<br />

ist Concerts" on <strong>July</strong> 21 and <strong>July</strong> Perth County Pipe Band and the<br />

28 respectively, while Canadian Harry Somers Lecture, which will<br />

virtuoso fiddler, Ashley Mclsaac, be given by COC opera house arwith<br />

his band and "Steerage," an chitect, A.J. Diamond with soensemble<br />

of Celtic rockers, will prano, Leslie Fagan.<br />

perfqrm the evening of Monday<br />

Returning for a moment to the<br />

<strong>July</strong> 26. A virtual cornucopia of<br />

'subject of locally produced<br />

string quartets will be a major<br />

stringed instruments, a recent com-<br />

drawing card of this summer's fes-<br />

12 WWW. THEWHO LENOTE.COM<br />

munication from the Sweetwater<br />

Festival - September 24-26 in<br />

Owen Sound - drew attention to<br />

the fact that instruments.made by<br />

luthiers living in Grey and Bruce<br />

Counties will be used in that festival.<br />

In recent years a number of<br />

highly skilled luthiers has settled in<br />

that part of the province, having<br />

established reputations and connections<br />

with their markets in the major<br />

urban centres where professional<br />

musicians work and teach, and<br />

are making instruments that are<br />

good enough for professional players<br />

but more affordable than the<br />

Mill-Race Festival<br />

of Traditional Folk Music<br />

The Mill-Race Festival is unique<br />

among Ontario music festivals.<br />

The core of the programming is<br />

the folk mush; and dance traditions<br />

of the British Isles but a good<br />

number of other elements are<br />

worked in as well. Artistic Director,<br />

Brad McEwan, has travelled a<br />

lot in the United Kingdom and attended<br />

a good many local festivals.<br />

"I like the fesJivals there," he told<br />

me, "the way they.are integrated<br />

into the communities and make use<br />

of the resources that are available,<br />

such as town squares for performance<br />

venues." Similarly the Mill­<br />

Race Festival will present its musicians<br />

in downtown Cambridge's<br />

civic square, its fanners' market<br />

(one of the oldest in the province)<br />

and the ruins of an old mill which<br />

Molinari Quartet<br />

instruments of the great 17th and<br />

18th century Italian makers.<br />

The Sweetwater Festival is one<br />

of two we'll look at more closely<br />

in September. The other is the<br />

Colours of Music Festival in Barrie<br />

(www.coloursofrnusic.ca.),<br />

Sept 24 to Oct 9. Its 36 concerts<br />

feature some remarkable musicians,<br />

some local, like the Elmer<br />

Iseler Singers and the Penderecki<br />

Quartet, some, from Great Britain<br />

and Europe making their first Canadian<br />

performance - names like<br />

The Onyx Brass Quintet, Johannes<br />

Unger, and Vento Chiaro.<br />

make a natural stone amphitheatre.<br />

Among the various living folk music·traditions<br />

represented at the festival<br />

will be from the north of<br />

England, which will be represented<br />

by Brian Peters. Other traditions<br />

that can be experienced at the<br />

Mill-Race Festival are from Cuba,<br />

China, the Peruvian Andes, Cajun<br />

and Aboriginal. While patrons are<br />

invited to make cash contributions,<br />

there are no tickets or price of admission.<br />

Music at Port Milford<br />

Three of Ontario's summer music<br />

festivals are summer music schools<br />

located on the shores of two of the<br />

Great Lakes. Faculty perform for<br />

the benefit of their students arid an<br />

audience drawn from the local<br />

community and the readership of<br />

Jul Y 1 - S EPT 7 <strong>2004</strong>

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