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The Mau in tl1e Red Suit<br />
.Joe Seal) and Paul Novotny<br />
SeajamS.1<strong>10</strong>11-2<br />
Tht:se nine sclei.:tions from jazz<br />
vc1crans Joe Sealy and Paul Novotny<br />
an: grown-up Christmas musii.:<br />
\\ ith a sense of wonder and dt!light.<br />
Simple. sophisticaced. heanreh<br />
and playful, they include Novotny's<br />
n.:visiting of' Howard Blake's theme<br />
lor the lilm "The Snowman" that<br />
has the gentle couch of snowllakes<br />
melting on your tongue. Sealy's<br />
arrangement of the traditional We<br />
Three Kings nicely complements<br />
his origmal The Dunes, which envisions<br />
1he three mysterious visitors<br />
in their dest:n travels, with<br />
strong Arabic and African flavours.<br />
Novotny's uplifting Good<br />
Folks more than once riffs on the<br />
bel()ved hymn Go Tell It 011 tlze<br />
Mo11111ai11. Among the collaborators<br />
arc Archie Alleyne, Mark Kelso,<br />
Walccd Abdulhamid. Debbie<br />
Fleming, and Molly Johnson who<br />
upplit:s lyrics for.a sexy. bluesy<br />
cold-weather song called It Started.<br />
A Ceremony of Carols<br />
The Toronto Children's Chorus<br />
Marquis 81327<br />
Fiftv Years of Christmas Music<br />
Chir of St. Simon-the-Apostle,<br />
Toronto<br />
lndependent<br />
(ww" .St-simon-the-apostle.ea)<br />
88<br />
Among this year·s standouts are<br />
two distinguished compilations from<br />
local choirs that feature children's<br />
voices. "A Ceremony of Carols''<br />
is mainly a reissue of previously<br />
released material, bui it goes to town<br />
wich a lineup of stirring 1raditional<br />
carols like Es is ei11 Ros' e111spnmge11<br />
and Noel 1<strong>10</strong>11vele1.<br />
Most of the 65-mimue recording<br />
is taken up with two major<br />
suites: John Rutter's Dancing Day<br />
(with invigorating harp accompaniment<br />
by Judy Loman) and Benjamin<br />
Briuen's A Ceremony of<br />
Carols. The choir performs these<br />
demanding pieces with a crystalclear<br />
diction and attention to dynamics.<br />
which is a1 the same time<br />
never sterile.<br />
Toronto's Choir of St. Simonthe-Apostle<br />
has accrued a century<br />
of performance in the English choral<br />
tradition. Unfortunately, the<br />
group. made up of men and boys<br />
for mos1 of its his1ory, has only<br />
been recording for hal r thal lime.<br />
In ''Fifty Years ofChrisunas Music",<br />
tht: ensemble presents 14<br />
works recorded at various periods.<br />
Recording qualities vary greatly<br />
from selection to selection, as one<br />
might expect. Howl;lvcr. the calibrt;<br />
of arrangemen1s and performance.<br />
as. well as the selection of<br />
unusual repertoirt: - including Provenal<br />
and medieval songs - makes<br />
this disc well wonh hearing.<br />
Concert Notes: The Toromo Children's<br />
Chorus presents ''Music for<br />
the Holiday Season" in Markham<br />
on <strong>December</strong> 11. In Toromo they<br />
perform "A Chorus Christmas"<br />
including Britten's Missa Brevis on<br />
<strong>December</strong> 18. Britten's A Ceremony<br />
of Carols will receive a number<br />
of performanct:s this month: Etobicoke<br />
Centennial Choir <strong>December</strong><br />
<strong>10</strong>: Uxbridge Chamber Choir <strong>December</strong><br />
11 (further afield listings);<br />
St. James Cathedral "Music at<br />
Midday" <strong>December</strong> 14 and the<br />
Amadeus Choir on <strong>December</strong> 18.<br />
Noel Pianissimo<br />
Duo Campion-Vachon<br />
Aoalekta 2 9818<br />
Guy Campion and Mario Vachon<br />
specialize in piano for four hands,<br />
and this disc is their dexterous tour<br />
1hrough 25 classic carols and coniemporary<br />
Christmas tunes. They<br />
open with five heartfelt and slightly<br />
jazzy renderings of old-fashioned<br />
c w<br />
m wO. •wW"ị lruHE\ w<br />
H no<br />
carols that might serve as accompaniment<br />
for an intimate Yuletide<br />
soiree a deux. But then they get<br />
frisky with the next ten pieces.<br />
whkh are done "in the style of"<br />
such composers as Ravel; Mendt:lssohn<br />
and Liszt. (Some of the<br />
bes1 are We<br />
Wish You a Merry<br />
Christmas a Ja Bach and the Gershwin-styled<br />
Let fr Snow! Let It<br />
Snow! Let It Snow.1). Then the duo<br />
settles down again, more or less.<br />
into ten more traditional renditions.<br />
Odd. but fun.<br />
A Winter's Night - The Best<br />
of Nettwerk Christmas<br />
Various artists<br />
Nettwerk 30379<br />
Maybe This Christmas Tree<br />
Various artists<br />
Nettwerk 30380<br />
Two compilations by contemporary<br />
Canadian artists. Although both include<br />
a few cheerful standards. the<br />
overall mood evokes the loneliness<br />
and disaffection of urban, post<br />
Christian Christmas. "A Winter's<br />
Night" features such big names as<br />
Barenaked Ladies, Ron Sexsmith,<br />
Sarah Mclachlan, Avril Lavigne<br />
and Chantal Kreviasuk (the latter<br />
two collaborate on a plaintive and<br />
unadorned 0 Holy Night). Meryn<br />
Cadell performs a heartbreaking<br />
L ENl/OT•e.<br />
Cat Ct1rol; The Be Good Tanyas<br />
sing about a homeless man in Rudy,<br />
and Martina Sorbara leaves us<br />
wondering how cynically we should<br />
take her assertion that It's rile Most<br />
Wonderful Time of the Year.<br />
The title of ''Maybe This Christmas<br />
Tree" is a pun: it's the third<br />
in a series thal started with ''Maybe<br />
This Christmas". Except for<br />
Lisa Loeb, the artists are less well<br />
known: The Polyphonic Spree.<br />
Death Cab for Cutie. Jars.of Clay.<br />
Belasana and others. They give us<br />
songs of crowded sidewalks, intimate<br />
dinners and sparkly lights that<br />
may not hold a promise of peace<br />
or redemption, but at leas1 of a<br />
good 1ime. Pilaie's upbeat Fairytale<br />
of New York exemplifies this<br />
quality. Also of note: Polyphonic<br />
Spree· s faith fu 1-to-the-origi nal<br />
Happy Xmas (War Is Over).<br />
The Mario Lanza Christmas<br />
Album<br />
Mario Lanza<br />
Naxos Nostalgia 8.120720<br />
There's nothing ironic or cynical<br />
about this recording, whi(;h offers<br />
20 numbers originally laid down by<br />
the beloved Hollywood belter bet<br />
we en I 950 and 1952. The repertoire<br />
includes carols, religious<br />
standards like Ave Maria and some<br />
inspiring songs of the period like<br />
You 'II Never Walk Alone from the<br />
musical Carousel. Lanza's fullthroated<br />
and unabashed renditions<br />
of songs about guardian angels and<br />
rosaries. lushly backed up with full<br />
orchestra. chorus and a few church<br />
bells for good measure, reveal how<br />
much North American religious<br />
attitudes have changed in the past<br />
few decades. While many will flnd<br />
this recording unbearable, others<br />
will breathe a nostalgic sigh,<br />
Puer natus est<br />
Concerto Palatino; Studio de<br />
Musique ancienne de Mo11treal<br />
Christopher .Jackson<br />
ATMA Classique ACD 2 2311<br />
cn o M ,. --D- £ -CĒM - 8 _ £ _ R _1_2_0_0_4_-F ĒB - RU_A_R_Y_7_2_0_05