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Volume 10 Issue 4 - December 2004

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The Mau in tl1e Red Suit<br />

.Joe Seal) and Paul Novotny<br />

SeajamS.1<strong>10</strong>11-2<br />

Tht:se nine sclei.:tions from jazz<br />

vc1crans Joe Sealy and Paul Novotny<br />

an: grown-up Christmas musii.:<br />

\\ ith a sense of wonder and dt!light.<br />

Simple. sophisticaced. heanreh<br />

and playful, they include Novotny's<br />

n.:visiting of' Howard Blake's theme<br />

lor the lilm "The Snowman" that<br />

has the gentle couch of snowllakes<br />

melting on your tongue. Sealy's<br />

arrangement of the traditional We<br />

Three Kings nicely complements<br />

his origmal The Dunes, which envisions<br />

1he three mysterious visitors<br />

in their dest:n travels, with<br />

strong Arabic and African flavours.<br />

Novotny's uplifting Good<br />

Folks more than once riffs on the<br />

bel()ved hymn Go Tell It 011 tlze<br />

Mo11111ai11. Among the collaborators<br />

arc Archie Alleyne, Mark Kelso,<br />

Walccd Abdulhamid. Debbie<br />

Fleming, and Molly Johnson who<br />

upplit:s lyrics for.a sexy. bluesy<br />

cold-weather song called It Started.<br />

A Ceremony of Carols<br />

The Toronto Children's Chorus<br />

Marquis 81327<br />

Fiftv Years of Christmas Music<br />

Chir of St. Simon-the-Apostle,<br />

Toronto<br />

lndependent<br />

(ww" .St-simon-the-apostle.ea)<br />

88<br />

Among this year·s standouts are<br />

two distinguished compilations from<br />

local choirs that feature children's<br />

voices. "A Ceremony of Carols''<br />

is mainly a reissue of previously<br />

released material, bui it goes to town<br />

wich a lineup of stirring 1raditional<br />

carols like Es is ei11 Ros' e111spnmge11<br />

and Noel 1<strong>10</strong>11vele1.<br />

Most of the 65-mimue recording<br />

is taken up with two major<br />

suites: John Rutter's Dancing Day<br />

(with invigorating harp accompaniment<br />

by Judy Loman) and Benjamin<br />

Briuen's A Ceremony of<br />

Carols. The choir performs these<br />

demanding pieces with a crystalclear<br />

diction and attention to dynamics.<br />

which is a1 the same time<br />

never sterile.<br />

Toronto's Choir of St. Simonthe-Apostle<br />

has accrued a century<br />

of performance in the English choral<br />

tradition. Unfortunately, the<br />

group. made up of men and boys<br />

for mos1 of its his1ory, has only<br />

been recording for hal r thal lime.<br />

In ''Fifty Years ofChrisunas Music",<br />

tht: ensemble presents 14<br />

works recorded at various periods.<br />

Recording qualities vary greatly<br />

from selection to selection, as one<br />

might expect. Howl;lvcr. the calibrt;<br />

of arrangemen1s and performance.<br />

as. well as the selection of<br />

unusual repertoirt: - including Provenal<br />

and medieval songs - makes<br />

this disc well wonh hearing.<br />

Concert Notes: The Toromo Children's<br />

Chorus presents ''Music for<br />

the Holiday Season" in Markham<br />

on <strong>December</strong> 11. In Toromo they<br />

perform "A Chorus Christmas"<br />

including Britten's Missa Brevis on<br />

<strong>December</strong> 18. Britten's A Ceremony<br />

of Carols will receive a number<br />

of performanct:s this month: Etobicoke<br />

Centennial Choir <strong>December</strong><br />

<strong>10</strong>: Uxbridge Chamber Choir <strong>December</strong><br />

11 (further afield listings);<br />

St. James Cathedral "Music at<br />

Midday" <strong>December</strong> 14 and the<br />

Amadeus Choir on <strong>December</strong> 18.<br />

Noel Pianissimo<br />

Duo Campion-Vachon<br />

Aoalekta 2 9818<br />

Guy Campion and Mario Vachon<br />

specialize in piano for four hands,<br />

and this disc is their dexterous tour<br />

1hrough 25 classic carols and coniemporary<br />

Christmas tunes. They<br />

open with five heartfelt and slightly<br />

jazzy renderings of old-fashioned<br />

c w<br />

m wO. •wW"ị lruHE\ w<br />

H no<br />

carols that might serve as accompaniment<br />

for an intimate Yuletide<br />

soiree a deux. But then they get<br />

frisky with the next ten pieces.<br />

whkh are done "in the style of"<br />

such composers as Ravel; Mendt:lssohn<br />

and Liszt. (Some of the<br />

bes1 are We<br />

Wish You a Merry<br />

Christmas a Ja Bach and the Gershwin-styled<br />

Let fr Snow! Let It<br />

Snow! Let It Snow.1). Then the duo<br />

settles down again, more or less.<br />

into ten more traditional renditions.<br />

Odd. but fun.<br />

A Winter's Night - The Best<br />

of Nettwerk Christmas<br />

Various artists<br />

Nettwerk 30379<br />

Maybe This Christmas Tree<br />

Various artists<br />

Nettwerk 30380<br />

Two compilations by contemporary<br />

Canadian artists. Although both include<br />

a few cheerful standards. the<br />

overall mood evokes the loneliness<br />

and disaffection of urban, post­<br />

Christian Christmas. "A Winter's<br />

Night" features such big names as<br />

Barenaked Ladies, Ron Sexsmith,<br />

Sarah Mclachlan, Avril Lavigne<br />

and Chantal Kreviasuk (the latter<br />

two collaborate on a plaintive and<br />

unadorned 0 Holy Night). Meryn<br />

Cadell performs a heartbreaking<br />

L ENl/OT•e.<br />

Cat Ct1rol; The Be Good Tanyas<br />

sing about a homeless man in Rudy,<br />

and Martina Sorbara leaves us<br />

wondering how cynically we should<br />

take her assertion that It's rile Most<br />

Wonderful Time of the Year.<br />

The title of ''Maybe This Christmas<br />

Tree" is a pun: it's the third<br />

in a series thal started with ''Maybe<br />

This Christmas". Except for<br />

Lisa Loeb, the artists are less well<br />

known: The Polyphonic Spree.<br />

Death Cab for Cutie. Jars.of Clay.<br />

Belasana and others. They give us<br />

songs of crowded sidewalks, intimate<br />

dinners and sparkly lights that<br />

may not hold a promise of peace<br />

or redemption, but at leas1 of a<br />

good 1ime. Pilaie's upbeat Fairytale<br />

of New York exemplifies this<br />

quality. Also of note: Polyphonic<br />

Spree· s faith fu 1-to-the-origi nal<br />

Happy Xmas (War Is Over).<br />

The Mario Lanza Christmas<br />

Album<br />

Mario Lanza<br />

Naxos Nostalgia 8.120720<br />

There's nothing ironic or cynical<br />

about this recording, whi(;h offers<br />

20 numbers originally laid down by<br />

the beloved Hollywood belter bet<br />

we en I 950 and 1952. The repertoire<br />

includes carols, religious<br />

standards like Ave Maria and some<br />

inspiring songs of the period like<br />

You 'II Never Walk Alone from the<br />

musical Carousel. Lanza's fullthroated<br />

and unabashed renditions<br />

of songs about guardian angels and<br />

rosaries. lushly backed up with full<br />

orchestra. chorus and a few church<br />

bells for good measure, reveal how<br />

much North American religious<br />

attitudes have changed in the past<br />

few decades. While many will flnd<br />

this recording unbearable, others<br />

will breathe a nostalgic sigh,<br />

Puer natus est<br />

Concerto Palatino; Studio de<br />

Musique ancienne de Mo11treal<br />

Christopher .Jackson<br />

ATMA Classique ACD 2 2311<br />

cn o M ,. --D- £ -CĒM - 8 _ £ _ R _1_2_0_0_4_-F ĒB - RU_A_R_Y_7_2_0_05

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