Prints 2011 - Monnow Valley Arts Centre

P R I N T S 201 1a N d S e l e c T e d d R a w I N g SDrawings and Watercolours by Edward Ardizzone, Edgar Holloway,David Jones, John Piper and Graham SutherlandEtchings by Edgar Holloway, Samuel Palmer,Rembrandt van Rijn, Graham Sutherland and Leon UnderwoodEngravings and woodcuts by Reg Boulton, John Buckland Wright, Edward Gordon Craig,Albert Garrett and Eric GillLithographs by Edward Ardizzone, Barnett Freedman, Eric Ravillious,John Piper and Graham SutherlandLinocuts by Sir Kyffin WilliamsWOLSELEY FINE ARTS

This catalogue has been prepared in conjunction with the exhibition to be held atMonnow Valley Arts CentreMiddle Hunt HouseWalterstoneHereford HR2 0DY2–14 April 2011The London Original Print fairRoyal Academy of ArtsPiccadillyLondon W119–21 April 2011Please note that items may be ordered on receipt of this catalogueAll works are framed except where statedItems may be reserved but priority is given to firm ordersWorks can be despatched with carriage payable extra at costPayments may be made by cheque drawn on a UK bank, in Euros direct to our accountin the Netherlands, by VISA or Mastercard.Prices are subject to change without noticeE & OECatalogue written by Rupert OttenDesign by Helen SwansbournePrinted by Disc to Print, London NW6Catalogue number 73Front cover: Sir Kyffin Williams, The Farmer, his Dog and his Cottage, cat. no. 125Above: Leon Underwood, The Banjoist 1921, cat. no. 119Title page: Eric Ravillious, The High Street: Naturalist 1937, cat. no. 100Inside back cover: John Piper, Nant Francon Farm c. 1950, cat. no. 95Back cover: Graham Sutherland, Study for Suspended Form 1962, cat. no. 106

P R I N T S 201 1a N d S e l e c T e d d R a w I N g SEdward ArdizzoneReg BoultonJohn Buckland WrightEdward Gordon CraigBarnett FreedmanAlbert GarrettEric GillEdgar HollowayDavid JonesSamuel PalmerJohn PiperEric RavilliousRembrandt van RijnGraham SutherlandLeon UnderwoodSir Kyffin WilliamsWOLSELEY FINE ARTSMiddle Hunt House, Walterstone, Hereford HR2 0DYTel +44(0)1873 860525Email: info@wolseleyfinearts.comwww.wolseleyfinearts.comM M X I

EdWARd ARdIzzONE(1900–79)1Ardizzone was born in French Indo-Chinabut educated in England. His especial gift is tocapture in a few lines the humour and pathosof a human scene. His reputation was securedby writing and illustrating the Little Timseries of books from 1936 and as anillustrator. He was an official war artist andafter the war taught print making atCamberwell and the Royal College.1. Shelter Scene 1941Colour lithograph NAP 72, 65.5 × 99 cmInscribed Edward Ardizzone – Shelterscene and Published by the NationalGallery.£7502. The Model and Her Reflection 1955Lithograph NAP 33, 2nd editionprinted 1999, 25 × 36 cmNumbered from the edition of 75£47523. The Fair 1956Etching with aquatint NAP 66, 13.2 ×20.9 cmSigned and numbered 6/50£1,25023

44. St Paul’s School – The Nets c. 1964Lithograph NAP 43, 38.2 × 53.5 cmSigned and numbered 9/100£8505. Charterhouse – The Courtyard c. 1964Lithograph NAP 38, 35 × 53.5 cmSigned and inscribed artist’s proof£7006. The Old Chapel – Downside Schoolc. 1963Pencil, 25.3 × 36.2 cmStudio stamp£1,000563

7REg BOuLTON(born 1923)8Reg Boulton was born in London and studiedat the Bath Academy of Art and theCambridge Art School. He has lived andworked in Hereford for over 40 years and washead of arts and design at Hereford College ofEducation from 1966–78. He has contributedmany engravings to books, including notablyhis own book The Sculptures of Kilpeck, 1987.He is also an accomplished letter cutter andmany examples of his work can be seen at SirRoy Strong’s garden at The Laskett.7. Madley Satellite Terminal & HerefordLandscape 1978Engraving, 27 × 28 cmSigned, edition of 15£27598. Provencal Landscape 1995Engraving, 24 × 14 cmSigned, edition of 15£2259. Little Farm with Clouds 1982Copper engraving in colours,14.7 × 16.5 cmSigned, titled, edition of 15£2251010. Kilpeck Angel 1987Engraving hand coloured, 20 × 14 cmSigned, edition of 15£3004

JOhN BuckLANd WRIghT(1897–1954)Buckland Wright was born in New Zealand but waseducated in Britain. From 1925–1939 he worked inBrussels and Paris before returning to England at theoutbreak of war. He worked for the Halcyon Press,Maastricht, from 1929 and for the Golden Cockerel Pressfrom 1936 and is best known as a sublime illustrator.After the war he was an important teacher of engravingtechniques and wrote a seminal book on the subject.The following prints come from JBWs own file copiesand are amongst the first prints JBW made while living inBelgium.1111. Danse 1927Wood engraving CBW L35, 12.3 × 9.2 cmTrial proof apart from edition of 30Titled and inscribed Not for sale and numbered 14£40012. Hindu Dancer 1928Wood engraving CBW L43, 12.1 × 9.3 cmTrial proof apart from edition of 30Titled and inscribed trial proof 1 Not for Sale andnumbered 15£40013. Vishnu 1928Wood engraving CBW L44, 12.2 × 9.3 cmTrial proof apart from edition of 30Titled and numbered 16£4501214. Susanna 1929Wood engraving CBW L45,20 × 15 cmTrial proof apart fromedition of 30Titled and numbered 20£50013145

15 16JOhN BuckLANd WRIghT (cont.)15. Dancers 1929Wood engraving CBW L51, 12 × 6 cmTrial proof apart from edition of 23Inscribed trial proof 2 and Not for sale andnumbered 24£50016. Café dansant No. 2 1930Wood engraving CBW L54, 21.6 × 28 cmTrial proof apart from edition of 30Titled and inscribed ep. d’essai c Not forsale and numbered 27£1,20017. Baigneuses Balinaises 1931Wood engraving CBW L60, 28 × 21.6 cmTrial proof apart from edition of 30Titled and inscribed trial proof andnumbered 28£1,20017618

18. Five Bathers 1931Wood engraving CBW L76, 15.2 × 15.2 cmTrial proof apart from edition of 29Titled and inscribed ep. d’artiste Not for Saleand numbered 38£75019. Baignade or the Bathing Pool 1932Wood engraving CBW L81, 20 × 15 cmSigned, titled and numbered 14/20£1,250Images for Endymion, Golden Cockerel Press 1947There were no published editions of any of theseengravings, only a few signed impressions areknown to exist. All these engravings come from theChristopher Sandford archive.20. Endymion: Tailpiece to Book 1 1944Wood engraving, 11 × 11 cmSigned, titled and dated£5001921. Diana Bathing 1944Wood engraving, 10.5 × 11 cmSigned, titled and dated£60022. Nymph & Grotto Book 1 1944Wood engraving, 7.5 × 11 cmSigned, titled and dated£40023. Venus and Adonis, Book 2 1945Wood engraving, 8.5 × 11 cmSigned, titled and dated£500202122 237

242526 27JOhN BuckLANd WRIghT (cont.)24. Endymion and Diana Book 2 1945Wood engraving, 7.5 × 11 cm£40025. Endymion and the Eagle Book 2 1944Wood engraving, 7.5 × 11 cmSigned, titled and dated£37526. Hymn to Pan 1 1944Wood engraving, 8 × 11 cmSigned, titled and dated£4502827. Hymn to Pan 4 1944Wood engraving, 7 × 11 cmSigned, titled and dated£37528. Endymion and the Naid, Book 2 1945Wood engraving, 13.5 × 11 cmSigned, titled and dated£60082929. Glaucus and Scilla 1945Wood engraving, 14 × 11 cm£600

In 1951 the Golden Cockerel Press published itsfirst book with colour wood engravings.Buckland Wright provided 11 engravingsprinted in 3 colours for Salmarcis andHermphroditus. There was no published editionof the engravings which are scarce. These comefrom the Sandford Archive.30. Hermphroditus in the Bathing Pool 1951Colour wood engraving, 19.8 × 12.2 cm£55031. Nymphs Teasing Youth 1951Colour wood engraving, 19.8 × 12.2 cm£50032. Salmarcis and Hermphroditus in the LilyPond 1951Colour wood engraving, 19.8 × 12.2 cmThis engraving was available only in theSpecial edition of the book£5503031 329

EdWARd gORdON cRAIg(1872–1966)33Son of the actress Ellen Terry and the architectEdward Godwin, Edward Gordon Craig beganhis career as an actor. He was introduced to thepossibilities of using engraving to express hisideas for theatre design by William Nicholson.Craig was one of the most innovative of Britishengravers. All his prints are scarce as editionswere rarely completed. Collectors have longbeen fascinated by the Black Figures conceivedby Craig as designs for stage sets and costumesand later incorporated into the Cranach Presseditions of Hamlet printed in English andGerman 1928–30.3433. Cover Design for The Dome 1897Wood cut partially coloured, 12.7 × 9.6 cm£25034. Miss Ellen Terry as Ophelia 1898Proof woodcut, 24.5 × 15.5 cm£50035. Proof illustration to Gordon Craig’s Bookof Penny Toys 1899Proof hand-coloured woodcut, 12 × 15 cmEGC’s first book was published in 1899£4003536. Frontispiece illustration to Gordon Craig’sBook of Penny Toys 1899Proof woodcut with highlights in handcolouring, 10 × 7 cm£35037. Kensington Gardens 1901Woodcut, 12.5 × 14.9 cmSigned and numbered 3/18£4003638. Costume Design for Bethlehem 1903Woodcut, 16.7 × 12.9 cmIllustrated Concerning the Woodcuts ofGordon Craig, Print Collector Quarterly1922, page 406 and Woodcuts and SomeWords 1924, No. 21£4001038

39. Combat by Pyramid 1908Woodcut, 5.8 × 5.8 cmSigned, dated and numbered 38/120£25040. Briars near Florence c. 1908Wood engraving, 17 × 7 cmSigned with initials£40041. View over Florence 1908Wood engraving, 5.2 × 14.3 cmSigned with initialsLiterature: Woodcuts and Some Words,no. 49£4003739404111

4243 44 45EdWARd gORdON cRAIg (cont.)Black Figures42. Dancing Girl 1908Woodcut (Black Figures 66),26.9 × 6.6 cmPrinted by Helen and Edward Craigc. 1987 in an edition of about 10 only.£60043. Moses 1909Lithographic reproduction of originalwoodcut (Black Figures 64),26.6 × 9.6 cmInscribed by Emery Walker 1930,“very rare not for sale”£40044. Roman Actor 1907–8Woodcut (Black Figures 77),25.8 × 12.4 cmPrinted by Helen and Edward Craigc. 1987 in an edition of about 10 only.£60045. Priest 1907/9Woodcut (Black Figures 80),26.9 × 10 cmPrinted by Helen and Edward Craigc. 1987 in an edition of about 10 only.£60046. Worshipper 1907Woodcut (Black Figures 81), 26 × 6.8 cmPrinted by Helen and Edward Craigc. 1987 in an edition of about 10 only.£60047. Helena 1908Woodcut (Black Figures U-3),25.8 × 9.5 cmPrinted by Helen and Edward Craigc. 1987 in an edition of about 10 only.£60048. Pleader (Penitent) 1908Woodcut (Black Figures U-5),25.7 × 8 cmPrinted by Helen and Edward Craigc. 1987 in an edition of about 10 only.£60049. Orator (Acrobat) 1908Woodcut (Black Figures U-7),25.8 × 10 cmPrinted by Helen and Edward Craigc. 1987 in an edition of about 10 only.£60050. Mourner 1908Woodcut (Black Figures U-8),25.5 × 7.8 cmPrinted by Helen and Edward Craigc. 1987 in an edition of about 10 only.£5005012

46 47 48 4951. King Claudius and Queen Gertrude1910Woodcut, 24.8 × 15.1 cm (Black FiguresU-10)Printed by Helen and Edward Craigc. 1987 in an edition of about 10 only.£85052. King Claudius 1910Woodcut (Black Figures U-11),23.5 × 6.7 cmPrinted by Helen and Edward Craigc. 1987 in an edition of about 10 only.£75051 5213

BARNETT FREEdmAN(1901–58)Barnett Freedman studied at St. MartinsSchool of Art and later at the Royal College ofArt. He was an official war artist and teacherat the Ruskin School, Oxford, and the RCA.He was a well known printmaker, painter andillustrator.53. Jane Eyre: A Wreath of Rosebuds Cirledher Forehead 1940Proof colour lithograph, 22.5 × 11.5 cmPrinted by the Curwen Press£30053ALBERT gARRETT(1915–1983)55One of the 20th century’s most originalengravers, Garrett produced work that wasstrikingly modern for his time and almosttotally abstract. Garrett was influenced byStanley William Hayter and taught by JohnBuckland Wright and Gertrude Hermes. Hisinterest in optics and colour science resultedin the series of colour collaged works5454. The Thistle 1947Wood engraving V8, 10.8 × 10.7 cmSigned and numbered 5/30£30055. Bird Forms 1948Wood engraving V15, 10.7 × 7.3 cmSigned and numbered 23/30£30056. Bracy’s Dream 1949Wood engraving V27, 16.4 × 7.5 cmSigned and numbered 2/15£40057. Petrouchka 1951Wood engraving V47, 9.8 × 12.8 cmSigned and numbered 7/15£3001456 57

58. Calligraphy No. I 1968Wood engraving V110, 16 × 27.8 cmSigned and numbered 1/20£60059. Calligraphy No. II 1968Wood engraving V111, 16 × 27.8 cmSigned and numbered 1/20£6005860. Calligraphy No. III 1968Wood engraving V112, 16 × 27.8 cmSigned and numbered 1/20£600ERIc gILL(1882–1940)Gill was a major figure in British art in the20th century. With Epstein and Gaudier-Brzeska he reintroduced direct carving insculpture. He was a major designer of letterforms used both for carving inscriptions andfor type design and was the most importantwood engraver of the century. His work forthe Golden Cockerel and Cranach Presses isamongst his best.5961. The Philosophy of Art by JacquesMaritain translated by Rev. JohnO’Connor and published by the St.Dominic’s Press 1923Wood engravings by Eric Gill, St Michaeland the Dragon (P66) 1916 asfrontispiece and Animals All (P50) 1916as end piece. Wood engraving of TheHound of St. Dominic on cover byunknown hand. This book from thelibrary of Evan Gill containing somenotes in pencil and corrections. Thisbook is a seminal book in forming Gill’sphilosophies of making and religion.£650606115

ERIc gILL (cont.)62. The Fleuron: A Journal of Typography No.VII de luxe edition 193062Number 179 of 200 copies on handmadepaper and signed by Stanley Morison (theeditor), with tipped in specimens, platesand illustrations including a specimen ofGill’s typeface Perpetua signed by Gill.Bound in black cloth with original bookjacket 28.5 × 22.5 cm.This copy belonged to Evan Gill andcontains his book plate and two letters tohim, one signed by Stanley Morison on oneof the articles about Eric Gill’s typefacesand one from Douglas Cleverdon whosupervised the printing and is annotatedwith correction in pencil. The bookcontains many interesting articles.£70063. Standing Female Nude 1927Pencil, 27 × 20.5 cmSigned with initials and dated 28.2.27£2,75064. The Stations of the Cross 1914Fourteen proof wood engravingsindividually framedAll from the Roddy Graddige sale£1,750636416

656665. Gordian Gill 1924Copper engraving P280, 20 × 15 cmSigned and numbered 26/50£45066. St. Bernadette 1926Wood engraving P361, 10.5 × 8 cmSigned and numbered 44/50£4006767. Clothes as Houses 1930Wood engraving P715, 7.2 × 7.4 cmSigned, a proof apart from the editionof 10£8506868. Clothes as Churches and Town Halls 1930Wood engraving P717, 8.5 × 7.3 cmSigned, a proof apart from the editionof 10£85069. Clothes for Special Parts 1930Wood engraving P718, 6.7 × 7.2 cmSigned, a proof apart from the editionof 10£750697070. The Tyranny of Tailors 1930Wood engraving P719, 9.9 × 7.3 cmSigned, a proof apart from the editionof 10£95071. Trousers 1930Wood engraving P721, 8 × 7.4 cmSigned, a proof apart from the editionof 10£9507117

7372EdgAR hOLLOWAY(1914–2008)Edgar Holloway was largely self taught. Hestarted etching when he was 15 years old andwas one of the youngest artists to have workaccepted in the national collections. He gaveup etching by 1947 and did not return to ituntil 1969. He is best known for the series ofself portraits spanning over 70 years. He alsoproduced many fine portraits to commissionand of family and friends.72. Self Portrait July 1932Pencil, 12.5 × 9.5 cmSigned and datedHolloway used this drawing to make anetching in 1992 Self Portrait No 23(M270)£1,25073. Self Portrait No 3 (The Beret) 1932Etching M53, 10.1 × 7.5 cmSigned, only 8 impressions£9001874 75

74. R N Kershaw Esq. CMG 1934Etching M84, 22.6 × 16.4 cmSigned and numbered 1/25Kershaw was a friend of T S Eliot andworked for the Bank of England£50075. T S Eliot 1934Etching M87, 24 × 16.5 cmSigned and numbered 59/75Eliot had been a banker but was adirector of Faber & Faber whenHolloway made this etching£60076. Frank V Morley 1934Etching M89, 22.9 × 22.3 cmSigned and numbered 2/25Morley was a director of Faber & Faberand the author of The Great North Road£5007677. Stephen Spender 1969Etching M160, 26.7 × 11.7 cmSigned and numbered 19/75Based on a drawing made in 1934. T SEliot introduced Holloway to Spender.£50078. Daisy Monica 1977Copper engraving M224, 20 × 14.6 cmSigned and numbered 27/50£45078 7719

EdgAR hOLLOWAY (cont.)79. Herbert Read in 1934 1978Copper engraving M232, 24 × 16.6 cmSigned and numbered 5/50After the etching made in 1934Holloway lived near Sir Herbert Read(1883–1968) in Parkhill Road,Hampstead at the time the originaletching was made.£35080. Henry Moore at 80 1978Copper engraving M233, 28 × 15.6 cmSigned and numbered 23/50£5507981. Virginia Woolf 1978Copper engraving M234, 20.3 × 15.2 cmSigned and numbered artist proof v/vapart from edition of 50£65082. David Jones 1979Copper engraving M237, 20.3 × 15.3 cmSigned and numbered 49/50£5002080 81

8283. The Airman II 1993Etching M271, 24.5 × 17.3 cmSigned and numbered 28/50The second plate of Holloway’s first paidcommission of Jack Flower made in 1933£4508384. Self Portrait No. 28 1998Etching M291, 27.9 × 20.2 cmSigned and numbered 23/50£50085. Greta Scacchi 2002Engraving M302, 19.9 × 15.1 cmSigned and numbered 2/25Holloway’s last portrait print£300848521

dAvId JONES(1895–1974)86David Jones was born in Brockley, SouthLondon. He studied at the Camberwell Schoolof Art from age 15 until he signed up as aprivate in WWI. After the war he continuedhis studies at the Westminster School,converted to Catholicism and met Eric Gill inDitchling where he lived from 1922–24. Heproduced his first engravings for the St.Dominic’s Press and from 1925 for theGolden Cockerel Press. He was a painter, poetand engraver.86. Letter to Petra Tegetmeier Xmas 1948Manuscript in ink, 25 × 20 cmOn reverse of a photograph of paintedinscriptions£15087. Letter to Desmond Chute August 1954Six-page letter in ink with two drawings,33 × 20 cmA very important letter covering Jones’sreaction to Chute’s reviews of TheAnathemeta and other matters£75088. Letter to Desmond Chute May 1956Two-page letter in ink, 33 × 20 cmThe letter discusses some theologicalmatters and the death of Betty (Gill)£250872288

89. Woman Looking Right c. 1948Pencil and watercolour, 51 × 37 cm(top left corner repaired)Provenance: The David Jones Estate£3,00090. Woman Looking Left c. 1948Pencil and watercolour, 56 × 36 cmProvenance: The David Jones Estate£3,50091. Roman Woman c. 1948Pencil and watercolour, 50 × 36 cm(some paper losses)Provenance: The David Jones Estate£3,500In these drawings of girls observed atMass, the profiles remind one of PetraGill89909123

SAmuEL PALmER(1805–1881)Palmer was an English landscape painter,etcher and print maker. He is one of thefounding figures of romanticism and is amajor influence on 20th century neoromanticartists such as Tanner, Griggs,Piper and Sutherland.9292. The Early Ploughman (The MorningSpread upon the Mountains) 1861Etching eighth state of nine (Lister 9),13 × 19.5 cm image, sheet 17.3 × 25.2cmProbably as issued by the Art Union ofLondon 1865£2,00093. The Bellman 1879Etching seventh and final state(Lister 11), 16.5 × 23 .2 cm image,sheet 19 × 25 cmPrinted posthumously and initialedlower left in pencil by Short, Hardieand Griggs£5,0009394 . The Lonely Tower 1880Etching on wove paper fifth state ofsix, Lister 12, 20 × 25.3 cmSigned in pencil, inscribed ‘Trial Proof’with ‘Private A.H.P. Press’ embossedstamp lower left£10,0002494

9699JOhN PIPER(1903–1992)Piper had a long career as a painter, print makerand illustrator and lived in both England andWales. He studied at Richmond School of Art andthe Royal College of Art. After a period ofabstraction he developed his own unique style as aneo-romantic artist. He was an official war artist.95. Nant Francon Farm c. 1950Mixed media, 36 × 53.5 cmSigned and titled, also on reverseProvenance: Leicster Galleries, AustinDesmond 1999, Private Collection£25,000Illustrated inside back cover96. Church Facade c. 1970Ink, pastel, watercolour wash, 59.5 × 40 cmSigned lower right and inscribed For TonyBartl 10 ii 74£7,4009797. Dryslwyn Castle 1953Lithograph Levinson 82, 37.7 × 53.2 cmA proof aside from the edition of 70, signed£1,30098. Bethesda Baptist Chapel, Swansea 1966Lithograph Levinson 172, 60.2 × 82.4 cmSigned and numbered 12/75£1,40099. Swansea Chapel 1966Lithograph Levinson 175, 69.3 × 51.6 cmSigned and numbered 49/75£1,2509825

ERIc RAvILLIOuS(1903–1942)Eric Ravillious tudied at Eastbourne School ofArt and the RCA. He was an engraver,illustrator and painter. He was appointed anofficial war artist in 1940 but died on patrolin 1942.100. The High Street: Naturalist 1937Proof colour lithograph, 17.5 × 14 cmPrinted by the Curwen Press£400Illustrated on title pageREmBRANdT vAN RIJN(1606–1669)Rembrandt produced some 375 etchingsduring his lifetime including many selfportraits.The prints were editioned from theoriginal plates well into the 19th century.101101. Sheet of Studies: Head of the Artist, aBeggar Couple, Heads of an Old Manand an Old Woman c. 1632Etching second and final state (B, Holl,363; H 90), 10 × 10.4 cmAn 18th-century impression of this rareprint on laid paper with Arms ofAmsterdam watermark with goodmargins all around£11,500102. Self Portrait with Saskia 1636Etching (B,Holl 19, H 144) 3rd and finalstate, 10.5 × 9.5 cmA late impression with good margins£6,00010226

gRAhAm SuThERLANd(1903–1980)Sutherland studied at Goldsmith’s College. Hisearly work as a print maker and landscape artistis inspired by Samuel Palmer and is neoromanticin style. He was an official war artist.After the war his style evolved and colour usewas enhanced by his frequent visits to the Southof France where he lived from 1955.103. Tree Forms on an Estuary 1945Gouache, watercolour and pencil, 26 × 20cmSigned with initials upper right and datedCertificate of authenticity from KathleeenSutherland dated Oct 11 1981£12,500104. Landscape with Vines 1949Gouache, pastel and ink, 16 × 16 cmSigned upper rightCertificate of authenticity from KathleenSutherland dated 10 March 1980£5,000103105. Study for a Form on a Pedestal 1953Pastel gouache and ink, 28 × 21 cmDated lower rightCertificate from Kathleen Sutherland datedOct 11 1981£8,000104 10527

gRAhAm SuThERLANd (cont.)106. Study for Suspended Form 1962Gouache, pastel and pencil squared upfor transfer, 37 × 19.5 cmCertificate from Kathleen Sutherlanddated 7.2.1981£12,000Illustrated on back cover107107. Saint David’s Rocks 1969Pencil, ink and watercolour on sketchbook paper with centre crease, 15 × 24cmCertificate from Kathleen Sutherlanddated Oct 11 1981£4,800108. Study of Outcrop near St. David’s 1970Pencil, watercolour and gouache, 17.2 ×22 cmCertificate from Kathleen Sutherlanddated 8 April 1988£4,000109. Articulated Forms 1950Lithograph Tassi 54, 30 × 58 cmSigned and numbered 34/60£1,50010828109

110 111112 113110. Interior of a Wood A 1967Lithograph Tassi 76, sheet 25.5 × 17.5cm, image 13.6 × 9.8 cmSigned and numbered ii/xxv£500111. Interior of a Wood B 1967Lithograph Tassi 77, sheet 25.5 × 17.5cm, image 13.6 × 9.7 cmSigned and numbered ii/xxv£500112. Interior of a Wood C 1967Lithograph Tassi 78, sheet 25.5 × 17.5cm, image 13.6 × 9.7 cmSigned and numbered ii/xxv£500113. Organic Form 1967Lithograph Tassi 79, sheet 25.5 × 17.5cm, image 12.3 × 9.2 cmSigned and numbered ii/xxv£50029

gRAhAm SuThERLANd (cont.)114. Organic Form 1977Lithograph in colour (Not in Tassi),29.2 × 21 cmDated on the stone and with the studiostamp and the stamp of the printers 2RC,Rome£750114115. Field of Rocks with a Candle 1974Etching and aquatint Tassi 142, 41 × 32.5 cmSigned and inscribed H.C apart from theedition of 50£1,000116. Studies for Three Organic Forms I 1968Three lithographs (Not in Tassi) eachapprox. 69.5 × 50 cmOne in black, one in green and black, onein yellow and blackTwo signed, one unsignedSet £2,250 or individually £1,000 forsigned work and £650 for unsigned117. Vase with Exotic Fruit 1971Lithograph Tassi 118, 56.5 × 77 cmInscribed “pour Abel le brave. et bonnesanté bientôt – ses amies Graham etKatherine Sutherland”. No publishededition, only a few prints exist£1,25011530116 117

LEON uNdERWOOd(1890–1975)Leon Underwood attended the Slade School ofArt. He was an important painter, sculptor,engraver and expert on African Art. He ran hisown art school known as the Brook GreenSchool and many well known artists passedthrough its doors and were influenced byUnderwood’s approach.118. St. Sebastian 1921Etching, 11.8 × 8 cmSigned and dated and numbered 23 (of 25)£750119. The Banjoist 1921Etching, 20.5 × 15.8 cmSigned and numbered no.3 (of 35)£900Illustrated on inside front cover120. The Three Graces 1921Etching, 19.3 × 14 cmSigned and dated and numbered 5/14under mount£850118 121121. Self Portrait with Easel 1922White line etching, 12.3 × 7.5 cmSigned and dated. A very rare impressionof a scarce print£1,400122. Granny Ashdown 1922Etching, 23.5 × 14.8 cmSigned and dated. Edition not declaredapproximately 15£1,100120 12231

123125126127124SIR kYFFIN WILLIAmS(1918–2006)Kyffin Williams was born on Anglesey and isidentified as one of the most significant Welshpainters of the 20th century. He trained at theSlade School of Art and taught art at HighgateSchool from 1944–73 before returning toAnglesey. In addition to painting, KyffinWilliams was a proficient print maker. Thesesix linocuts were bequeathed to GwasgGregynog, the press originally started by theDavies sisters, and have been editioned bythem posthumously and printed by GerardO’Shea on handmade Griffen Mill paper.123. Venice c. 2002Linocut, 24.5 × 30.5 cmNumbered 48/100£375124. Rhosgadfan c. 1981Two-colour linocut, 27.7 × 35.7 cmNumbered 48/100£400128125. The Farmer, his Dog and his CottageTwo-colour linocut, 22 × 29.5 cmNumbered 48/100£450Also illustrated on front cover126. Welsh BlacksTwo-colour linocut, 25 × 30 cmNumbered 48/100£450127. The Villages of Carmel and CesareaLinocut, 17.5 × 35 cmNumbered 48/100£400128. Hunting the FoxLinocut, 26.5 × 34.5 cmNumbered 48/100£40032

John Piper, Nant Francon Farm c. 1950. Cat. no. 95