Autumn Fine Art Sale Glass
Autumn Fine Art Sale Glass
Autumn Fine Art Sale Glass
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<strong>Autumn</strong> <strong>Fine</strong> <strong>Art</strong> <strong>Sale</strong><br />
Friday 16 & Saturday 17 November 2012<br />
Viewing:<br />
Sunday 11 November 11am - 4pm<br />
Monday 12 - Thursday 15 November 9am –<br />
4pm<br />
Limited viewing on sale days<br />
Please refer to the website or catalogue for<br />
running order of sales - two sales will run<br />
concurrently on both sale days.<br />
<strong>Glass</strong><br />
1<br />
A Pair of Brandy Balloons, early 19 th<br />
century, the ogee bowls on waisted<br />
stems and circular feet, 17cm high<br />
£200 - 300<br />
2<br />
A Pink and White Overlay Clear <strong>Glass</strong><br />
Scent Bottle and Stopper, circa 1860,<br />
of baluster form, with slice and wrythen<br />
cut bands, 11.5cm high; A Bohemian<br />
Green <strong>Glass</strong> Scent Bottle and<br />
Stopper, of ribbed and panel conical<br />
form, enamelled with flowerheads and<br />
scroll work, 17cm high; A Similar<br />
Smaller Scent Bottle and Stopper,<br />
11.5cm high; A White Overlay Blue<br />
<strong>Glass</strong> Scent Bottle and Stopper, with<br />
gilt decoration, 11.5cm high; A Blue<br />
<strong>Glass</strong> Scent Bottle and Stopper, with<br />
gilt decoration, 12cm; A Similar Ruby<br />
<strong>Glass</strong> Scent Bottle and Cover, 11.5cm<br />
high; and A Lilac <strong>Glass</strong> Scent Bottle<br />
and Stopper, with gilt decoration, 11.5cm<br />
high (7)<br />
£400 - 600<br />
3<br />
A Pair of Bohemian White Overlay<br />
Green <strong>Glass</strong> Lustres, circa 1870, the<br />
squat globular bowls with ogee rims and<br />
six circular raised panels, painted with<br />
flowersprays on a gilt cailhoute ground, on<br />
a knopped panel stem and circular socle<br />
with lappet shaped panels hung with<br />
prismatic spear drops and faceted buttons,<br />
30cm high<br />
£500 - 700<br />
4<br />
A Goblet, circa 1710, the ogee bowl on<br />
a heavy drop knop with air tear on a short<br />
cylindrical stem and folded foot, 19cm high<br />
See illustration<br />
£1000 - 1500<br />
5<br />
An Ale <strong>Glass</strong>, circa 1760, the pan<br />
topped slender funnel bowl engraved with<br />
hops and barley on a double series opaque<br />
twist stem and folded foot, 20.5cm high<br />
See illustration<br />
£400 - 600<br />
6<br />
A Wine <strong>Glass</strong>, circa 1740, the bell<br />
shape bowl on a plain stem and folded<br />
foot, 15cm high<br />
£120 - 180<br />
7<br />
An Ale <strong>Glass</strong>, circa 1740, the drawn<br />
trumpet bowl on plain stem and folded<br />
foot, 21cm high<br />
£150 - 200<br />
8<br />
A Set of Eight Cordial <strong>Glass</strong>es, mid<br />
18 th century, the bell shaped bowls on<br />
plain stems and folded feet, 12cm high<br />
£600 - 800
9<br />
A Set of Six Wine <strong>Glass</strong>es, circa 1770,<br />
the ogee bowls on knopped faceted stems,<br />
14.5cm high<br />
£500 - 700<br />
10<br />
A Pair of Ale Flutes, circa 1760, the<br />
rounded funnel bowls engraved with hops<br />
and barley on a double series opaque twist<br />
stems, 19.5cm high<br />
£400 - 600<br />
11<br />
A Baluster Wine <strong>Glass</strong>, circa 1720, the<br />
waisted bell bowl with solid base on a<br />
composite stem with ball and angular<br />
knops over a baluster with air tear on a<br />
folded foot, 16cm high<br />
£600 - 800<br />
12<br />
A Wine <strong>Glass</strong>, circa 1720, the waisted<br />
bell bowl with solid base on a plain stem<br />
with annulated basal knop and air tear on<br />
a domed folded foot, 15.5cm high<br />
£500 - 700<br />
13<br />
An Ale <strong>Glass</strong>, circa 1740, the rounded<br />
funnel bowl engraved with hops and<br />
barley on a plain stem and folded foot,<br />
19cm high<br />
£150 - 200<br />
14<br />
A Wine <strong>Glass</strong>, circa 1745, the drawn<br />
trumpet bowl engraved with a six-petalled<br />
rose and bud, the reverse with a thistle,<br />
on an hexagonal panelled stem, 16.5cm<br />
high<br />
**Purportedly one of two recorded. See<br />
Hartshorne (Albert) Old English <strong>Glass</strong>es,<br />
fig.360<br />
£400 - 600<br />
15<br />
An Ale <strong>Glass</strong>, circa 1800, the drawn<br />
trumpet bowl engraved with hops and<br />
barley on a plain stem and folded foot,<br />
15cm high; A Similar <strong>Glass</strong>, 15cm high;<br />
and A Similar Later <strong>Glass</strong>, with rounded<br />
bowl, 15.5cm high (3)<br />
£150 - 200<br />
16<br />
An Ale <strong>Glass</strong>, circa 1760, the rounded<br />
funnel bowl on an opaque gauze twist<br />
stem, 18.5cm high<br />
£180 - 250<br />
17<br />
A Mallet Decanter and Stopper, circa<br />
1810, with bull's eye knop and spiral<br />
moulding to the neck, 27.5cm high<br />
£300 - 400<br />
18<br />
A <strong>Glass</strong> Tumbler, mid-18 th century, of<br />
slightly flared bucket form, engraved<br />
SUCCESS To THE COAL TRADE within a<br />
husk oval cartouche hung with barley, the<br />
reverse with initials JB within a foliate oval<br />
cartouche, 9cm high<br />
£300 - 500<br />
19<br />
A <strong>Glass</strong> Tumbler, dated 1767, of<br />
slightly flared bucket form, engraved<br />
JANE-NICOLS 1767 and with hops and<br />
barley, the reverse with a butterfly, the<br />
base with later diamond engraved<br />
inscription 1867 M.Broadwill, 10cm high<br />
£200 - 300<br />
20<br />
An Ale <strong>Glass</strong>, circa 1760, the slender<br />
rounded funnel bowl on a double series<br />
opaque twist stem, 19.5cm high<br />
£150 - 200
21<br />
A Lynn Type Cordial <strong>Glass</strong>, circa<br />
1760, the ribbed rounded funnel bowl on<br />
a gauze twist stem and folded foot, 13cm<br />
high<br />
£300 - 400<br />
22<br />
A Wine or Mead <strong>Glass</strong>, circa 1740, the<br />
rounded cup bowl on plain stem and<br />
folded foot, 14.5cm high<br />
£200 - 300<br />
23<br />
A Triple Ring Neck Mallet Decanter<br />
and Stopper, circa 1800, with faceted<br />
knop and neck rings above panel<br />
shoulders engraved with two sailing ships<br />
at sea within an octagonal border inscribed<br />
HART REVENUE CUTTER, the reverse with<br />
a label inscribed BRANDY over an oval<br />
enclosing initials RG, 26cm high<br />
£300 - 500<br />
24<br />
A Mallet Decanter and A Stopper,<br />
circa 1770, with faceted neck over floral<br />
engraving to the shoulders, and ovolo and<br />
diamond band, basal fluting, 29.5cm high;<br />
and A Faceted Decanter and Stopper,<br />
with pouring spout and diamond and facet<br />
cutting, 23cm high (4)<br />
£150 - 200<br />
25<br />
A Triple Ring Neck Mallet Decanter,<br />
early 19 th century, engraved with a<br />
rose, thistle and shamrock, and with<br />
initials W.M.C., 18.5cm high<br />
£150 - 200<br />
26<br />
A <strong>Glass</strong> Mallet Decanter, circa 1740,<br />
the cylindrical neck with string ring over a<br />
straight sided octagonal body, 21cm high<br />
£300 - 400<br />
27<br />
A <strong>Glass</strong> Mallet Decanter, in George II<br />
style, the cylindrical neck with pouring<br />
spout over an octagonal straight sided<br />
body, 25cm high<br />
£200 - 300<br />
28<br />
A Set of Five Custard Cups, circa<br />
1800, the slender ovoid bowls with trailed<br />
handles on waisted stems and circular<br />
feet, 10cm high<br />
£100 - 150<br />
29<br />
A <strong>Glass</strong> Tumbler, circa 1780, of slightly<br />
flared bucket form engraved with marriage<br />
initials E/H/R over a floral spray, the<br />
reverse with anvil and blacksmith's tools<br />
below a husk border, 12.5cm high<br />
£200 - 300<br />
30<br />
A <strong>Glass</strong> Puzzle Tumbler, circa 1795, of<br />
slightly flared bucket form inscribed KING<br />
TINKER below a band of stylised flowers<br />
with a section of disguised piercing,<br />
12.5cm high<br />
**See Hartshorne (Albert) Old English<br />
<strong>Glass</strong>es, pg.332, fig.335<br />
£300 - 500<br />
31<br />
A <strong>Glass</strong> Tumbler, 19 th century, of<br />
slightly flared bucket form inscribed GOV<br />
FENNER and engraved with a sailing ship<br />
and paddle ship, the reverse with a thistle,<br />
with later diamond engraved inscription<br />
PPJC July 14 th 1842, 11cm high<br />
£150 - 200
32<br />
A <strong>Glass</strong> Goblet, dated 1775, the plain<br />
bucket bowl on a short stem enclosing a<br />
white metal circular plaque inscribed Willm<br />
Kirk Born March 11 1775, Frans Coates<br />
over entwined hearts, the reverse initialled<br />
WK on a foliate ground, on a circular foot,<br />
13cm high<br />
£180 - 250<br />
33<br />
A <strong>Glass</strong> Tumbler, late 18 th /early 19 th<br />
century, of slightly flared bucket form,<br />
the base initialled E.H, 11.5cm high; A<br />
Similar Beaker, initialled J.H., 12cm<br />
high; and Two Further Beakers, 11cm<br />
and 11.5cm (4)<br />
£120 - 180<br />
34<br />
A <strong>Glass</strong> Large Jug, 2 nd half 18 th<br />
century, of inverted baluster form with<br />
trailed ribbing to the neck above a<br />
panelled base and circular foot, 22.5cm<br />
high<br />
£300 - 400<br />
35<br />
A <strong>Glass</strong> Large Jug, 2nd half 18 th<br />
century, of baluster form with two trailed<br />
bands to the neck on a circular foot, 28cm<br />
high<br />
£300 - 400<br />
36<br />
A <strong>Glass</strong> Flattened Ring Flask,<br />
probably English, late 17 th century,<br />
with spiral trailed rim collar and four<br />
applied milled trails to the side, 16.5cm<br />
high<br />
£400 - 600<br />
37<br />
A Green Tinted <strong>Glass</strong> Ham Stand, 19 th<br />
century, of hollow bobbin form with<br />
folded rims, 19.5cm high<br />
£200 - 300<br />
38<br />
A <strong>Glass</strong> Water Jug, early 19 th century,<br />
the ribbed oval body with cylindrical neck<br />
and loop handle, 24cm high<br />
£200 - 300<br />
39<br />
A German/Bohemian Enamelled<br />
Kurfürstenhumpen, bearing the date<br />
1595, of swollen cylindrical form with a<br />
gilded band below the rim, enamelled with<br />
green and red dots and beading, the main<br />
body with a continuous frieze depicting<br />
Holy Roman Emperor enthroned (the dais<br />
dated 1595), flanked by four electors on<br />
his left side and three further electors on<br />
his right side, each titled to their state,<br />
including BRANDENBERG, PFALZ and<br />
TRIER, and COLLEN (Cologne), standing<br />
full length flanked by a lily-of-the-valley<br />
spray, and with multiple line inscriptions in<br />
white enamel to the base and below the<br />
rim, 27.5cm high<br />
**Provenance: Sotheby's, New Bond St,<br />
2.5.52, lot 8, purchased for £28<br />
£1000 - 1500<br />
40<br />
A Venetian Enamelled and Metal<br />
Mounted Scent Bottle, by Osvaldo<br />
Brussa, Murano, Venice, circa 1750,<br />
of round shouldered cylindrical shape, with<br />
silver gilt silver screw thread cap with nail<br />
punched decoration, the main body<br />
enamelled with a goldfinch perched on<br />
flowering jasmine flanked by blue comfrey,<br />
tulips, lily of the valley, hyacinths and<br />
other flowers beneath a tear drop shoulder<br />
band and beaded basal band, 9.2cm high<br />
**For similar examples see Von Saldern<br />
(Axel) & Klesse (Brigitte) 500 Jahre<br />
Glaskunst, pg.365 and Tate (Hugh) The<br />
Golden Age of Venetian <strong>Glass</strong>, pg.129.<br />
Also see Mariacher (Giovanni) Vetri Italiani<br />
del Rinascimento, pg.83 for a painting of<br />
Osvaldo Brussa holding a glass decorated<br />
with a finch similar to the present<br />
example.<br />
£800 - 1000
41<br />
A Saint Louis Clematis Weight, mid<br />
19 th century, the blue flower within six<br />
oval printies, diamond cut base, 8cm<br />
diameter<br />
£500 - 700<br />
British Ceramics<br />
42<br />
withdrawn<br />
43<br />
A Derby Porcelain Plate, circa 1887,<br />
painted by James Rouse Snr with a full<br />
spray of flowers on a mushroom ground<br />
within a shaped gilt border, inscribed to<br />
reverse Painted by James Rouse Senr,<br />
printed and impressed marks, 23cm<br />
diameter<br />
£400 - 600<br />
44<br />
An English Porcelain Plaque, mid 19 th<br />
century, painted by James Rouse Snr,<br />
with a spray of flowers in a vase standing<br />
on a marble slab, signed J Rouse Sen,<br />
22.5cm by 17.5cm, framed and glazed<br />
£1500 - 2000<br />
45<br />
A Royal Worcester Porcelain<br />
Cylindrical Vase, 1928, painted by<br />
Harry Stinton with highland cattle in a<br />
misty landscape above a gilt swelling base,<br />
signed, printed mark in puce, 10.5cm high<br />
£400 - 500<br />
46<br />
A Royal Worcester Porcelain Ovoid<br />
Vase, 1925, painted by Harry Davis with<br />
sheep in a highland landscape below a<br />
moulded and gilt strapwork and foliate<br />
shoulder and neck, signed, printed mark in<br />
puce, 13cm high<br />
£400 - 600<br />
47<br />
A Pair of Royal Worcester Porcelain<br />
Conical Vases, 1914 and 1915, painted<br />
by Harry Stinton with highland cattle in<br />
misty landscapes above a moulded foliate<br />
and gadroon border, on a circular foot,<br />
signed, printed marks in green, 11cm high<br />
£500 - 700<br />
48<br />
A Pair of Royal Worcester Comports,<br />
1934 and 1937, painted by Richard<br />
Sebright, with still lives of fruit on a mossy<br />
bank within a blue border, gilt with scrolls<br />
and strapwork and with white enamel<br />
beading, signed, printed marks in puce,<br />
21.5cm diameter<br />
£700 - 1000<br />
49<br />
A Pair of Royal Worcester Porcelain<br />
Circular Dishes, 1919 and 1926,<br />
painted by Richard Sebright, en suite to<br />
the previous lot, 23cm<br />
£400 - 600<br />
50<br />
A Pair of Royal Worcester Porcelain<br />
Square Dessert Dishes, 1920 and<br />
1921, painted by Richard Sebright, en<br />
suite to the previous lot, 20.5cm wide<br />
£300 - 500<br />
51<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1921, painted by Richard<br />
Sebright, en suite to the previous lot,<br />
21.5cm diameter<br />
£600 - 800<br />
52<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1921, painted by Richard<br />
Sebright, en suite with the previous lot,<br />
21.5cm diameter<br />
£600 - 800
53<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1921, painted by Richard<br />
Sebright, en suite to the previous lot,<br />
21cm diameter<br />
£500 - 700<br />
54<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1921 and 1927, painted by<br />
Richard Sebright, en suite to the previous<br />
lot, 21.5cm diameter<br />
£600 - 800<br />
55<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1934, painted by Richard<br />
Sebright, en suite to the previous lot,<br />
21.5cm diameter<br />
£600 - 800<br />
56<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1921 and 1933, painted by<br />
Richard Sebright, en suite to the previous<br />
lot, 21.5cm diameter<br />
£300 - 500<br />
57<br />
A Royal Worcester Porcelain<br />
Twin-Handled Baluster Vase, mid 20 th<br />
century, painted by Horace Price with a<br />
still life of fruit on a mossy bank below a<br />
moulded and gilt harebell border, on a<br />
gadrooned circular socle, signed, printed<br />
marks in black, 18.5cm high<br />
£300 - 400<br />
58<br />
A Pair of Royal Worcester Porcelain<br />
Twin-Handled Urn Shaped Vases and<br />
Covers, 1904, painted by John Stinton<br />
with highland cattle in landscapes within<br />
moulded and gilt formal foliate borders, on<br />
circular socles and square bases, signed,<br />
printed marks in puce and green, 35cm<br />
high<br />
£1500 - 2000<br />
59<br />
A Royal Worcester Porcelain Large<br />
Ewer, 1895, of compressed globular form<br />
with scroll lip, the fluted neck with<br />
strapwork and foliage and with mermaid<br />
handle, on a circular socle, painted in<br />
colours with a spray of chrysanthemums<br />
on a blush ivory ground, printed mark in<br />
puce, 45cm high<br />
£400 - 600<br />
60<br />
A Pair of Royal Worcester Porcelain<br />
Figure Groups, 1919, each as a boy and<br />
girl in traditional costume beside a large<br />
urn, one holding a jug of water, the other<br />
with the boy playing a pipe, on rocky<br />
moulded bases picked out in green, ivory<br />
and gilding, shape nos.813, printed marks<br />
in puce, 17cm high<br />
£300 - 500<br />
61<br />
A Royal Worcester Porcelain Ewer,<br />
1911, painted by John Stinton, the tall<br />
spout with pierced latticework and<br />
moulded scrollwork, foliate sheathed<br />
handle and foot, painted with highland<br />
cattle in landscape, signed, printed mark in<br />
puce, 31cm high<br />
£1500 - 2000
62<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1912, painted by Harry Stinton<br />
with cattle beside a stream, within a gilt<br />
scrolling fruiting vine border, signed,<br />
printed mark in puce, 22.5cm diameter<br />
£700 - 1000<br />
63<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1912, painted by Harry Stinton,<br />
en suite with the previous lot, 22.7cm<br />
diameter<br />
£700 - 1000<br />
64<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1912, painted by Harry Stinton,<br />
en suite with the previous lot, 22.7cm<br />
diameter<br />
£700 - 1000<br />
65<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1912, painted by Harry Stinton,<br />
en suite with the previous lot, 22.7cm<br />
diameter<br />
£700 - 1000<br />
66<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1912, painted by Harry Stinton,<br />
en suite to the previous lot, 22.7cm<br />
£600 - 800<br />
67<br />
A Pair of Royal Worcester Porcelain<br />
Plates, 1912, painted by Harry Stinton,<br />
en suite with the previous lot, 22.7cm<br />
diameter<br />
£600 - 800<br />
68<br />
A Pair of Royal Worcester Porcelain<br />
Cake Stands, 1902, painted by Harry<br />
Davis with named views of Dunrobin<br />
Castle and Ben Lone, in shaped panels on<br />
a pale green ground with eight panels of<br />
foliage in gilt scroll and lattice cartouche,<br />
signed, printed marks, 22.5cm diameter<br />
£400 - 600<br />
69<br />
A Royal Worcester Porcelain<br />
Twin-Handled Ovoid Vase, 1910,<br />
painted by Harry Davis with a view of<br />
Bamburgh Castle below a foliate and leaf<br />
moulded trumpet neck, signed, titled in<br />
blue, printed mark in puce, shape 1109,<br />
23cm high<br />
£300 - 500<br />
70<br />
A Royal Worcester Porcelain Vase,<br />
1939, painted by Harry Stinton with<br />
highland cattle in a misty landscape,<br />
signed STINTON, printed mark in purple,<br />
10cm high<br />
**Although this piece is only signed<br />
Stinton it can be attributed to Harry<br />
Stinton as his brother John retired the<br />
previous year, 1938<br />
£250 - 350<br />
71<br />
A Pair of Royal Worcester Porcelain<br />
Trumpet Shape Vases, 1921, painted<br />
by Harry Stinton with highland cattle in<br />
misty landscapes within gilt borders,<br />
signed, printed marks in green, 23cm high<br />
£1000 - 1500<br />
72<br />
A Balleek Porcelain Circular Basket,<br />
late 19 th century, with arcaded border,<br />
the rusticated handle with foliate terminals<br />
in high relief, unmarked, 24cm wide<br />
£250 - 350
73<br />
A Pair of Ironstone Garden Seats, mid<br />
19 th century, of bombé hexagonal form<br />
pierced with cash symbols, printed and<br />
overpainted in colours with chinoiserie<br />
landscapes and foliage in panels on a<br />
yellow cell ground, 49cm high<br />
£300 - 400<br />
74<br />
A Measham Type Pottery Snuff-Taker<br />
Toby Jug, date 1891, typically applied<br />
and coloured with foliage, the base with<br />
oval panel inscribed A GIFT TO ALF WIGG<br />
1891, 24cm high See illustration<br />
£500 - 700<br />
75<br />
A Measham Type Pottery Mug, dated<br />
1887, of cylindrical form applied with<br />
stylised foliage and with a plaque inscribed<br />
NAVIGATION INN 1887, 10.5cm high; A<br />
Similar Mug, inscribed A PRESENT TO<br />
JOHN POPE 1889; and A Loving Cup,<br />
inscribed CAPTN SALT POLRAN …, 14cm<br />
high (3)<br />
£400 - 600<br />
76<br />
A Measham Bargeware Large Teapot<br />
and Cover, dated 1889, of baluster<br />
form, the domed cover with teapot knop,<br />
applied with two plaques inscribed MRS<br />
BRIDGWATERS TEAROOMS 1889, TIS<br />
VERY RARE TO HAVE SUCH A LOT SO<br />
QUENCH YOUR THIRST FROM OUR<br />
TEAPOT, on a treacle glaze ground,<br />
moulded and applied with scattered sprigs,<br />
30cm high<br />
£400 - 600<br />
77<br />
A George Jones Majolica Butterfly<br />
Box and Cover, circa 1870, the lid<br />
moulded and painted as a naturalistic<br />
butterfly on a bark and flower moulded<br />
shaped base, impressed mark and<br />
registration mark, 8cm high<br />
**Originally part of a dressing table set.<br />
See Bonham's London, 13.9.06, lot 88 for<br />
a similar example. Also see Karmason &<br />
Stacke Majolica, pg.102 for a similar<br />
example<br />
£600 - 1000<br />
78<br />
A Staffordshire Pottery Figure of The<br />
Elephant of Siam or The Fire Friend,<br />
mid 19 th century, depicting the royal<br />
elephant standing before a castle, the<br />
Prince Almansor at a window, on a gilt<br />
lined base, 16cm high<br />
**See Harding (A & N) Victorian<br />
Staffordshire Figures 1835-1875, Book I,<br />
pg.313 where the group is related to an<br />
1829 production at the Adelphi Theatre<br />
which is first known production with a live<br />
elephant on stage<br />
£200 - 300<br />
79<br />
A Spode Pearlware Basket, circa<br />
1825, of shaped oval form, printed in<br />
underglaze blue with the Italian pattern<br />
within a pierced border and scroll handles,<br />
on four feet, 27cm wide; A Rogers<br />
Pearlware Tivoli Pattern Dessert<br />
Plate, 21.5cm; A Pearlware Cowman<br />
Pattern Soup Plate, 25.5cm diameter; A<br />
Pearlware Plate, printed with a sailing<br />
ship, 25.5cm diameter; A Minton<br />
Pearlware Benevolent Cottages<br />
Pattern Side Plate, 16.5cm; A<br />
Pearlware Grecian Pattern Small<br />
Bowl, 18.5cm diameter; and A Small<br />
Oval Stand, printed with a shepherd and<br />
ruins, 20cm wide (7)<br />
£200 - 300
80<br />
A Spode Stone China Part Dinner<br />
Service, circa 1820, printed and<br />
overpainted in famille rose style enamels<br />
with figures and a sailing ship in a Chinese<br />
harbour within laub-und-bandelwerk<br />
panels and foliate and scroll borders,<br />
comprising a twin-handled soup tureen,<br />
cover and stand, a sauce tureen, cover<br />
and stand, a vegetable tureen, two<br />
rectangular dishes in sizes, six dinner<br />
plates and six soup plates, printed marks<br />
(21)<br />
£800 - 1200<br />
81<br />
A Copeland & Garrett New Fayence<br />
Footbath, circa 1840, of serpentine<br />
edge bombé form with two handles,<br />
printed with a broad vermicular band in<br />
green with blue floral devices, printed<br />
mark, 56cm wide<br />
£200 - 300<br />
82<br />
A Wedgwood Blue Jasper Portrait<br />
Plaque of Josiah Wedgwood, late<br />
18 th /19 th century, after a model by<br />
William Hackwood, modelled in high relief,<br />
impressed uppercase mark, inscribed in<br />
pencil January 3 1795, oval, 10.5cm by<br />
8.2cm, in a gilt metal frame mounted in a<br />
plush lined glazed giltwood and gesso<br />
frame<br />
**William Hackwood was one of the<br />
longest serving employees of Josiah<br />
Wedgwood, who described him as “an<br />
ingenious boy” when he was engaged by<br />
him in 1769, and in letters to Bentley<br />
discusses the fact that Hackwood initialled<br />
some of his plaques, and examples of the<br />
current plaque are to be found initialled<br />
WH<br />
£100 - 150<br />
83<br />
A Pearlware Coffee Pot and Cover,<br />
circa 1790, of wrythen fluted ovoid form,<br />
painted in famille rose style enamels with<br />
scattered sprays and sprigs of roses within<br />
a blue bell flower and red dot meander<br />
border, 26.5cm high; and A Pearlware<br />
Sauceboat, of fluted oval form with leaf<br />
sheathed handles painted in underglaze<br />
blue with a pagoda in landscape, 15cm<br />
long (2)<br />
£120 - 180<br />
84<br />
A Pratt Type Pottery Figure of a<br />
Recumbent Lion, circa 1790, with<br />
yellow mane, yellow, brown and ochre<br />
markings on a green washed base, 10.5cm<br />
wide<br />
£200 - 300<br />
85<br />
A Pair of English Delft Plates, possibly<br />
Vauxhall, circa 1760, painted in blue,<br />
green, yellow and ochre with a chinoiserie<br />
figure holding an umbrella in landscape,<br />
23cm diameter<br />
£300 - 500<br />
86<br />
A Pair of Staffordshire Salt Glazed<br />
Stoneware Oval Platters, circa 1760,<br />
moulded with lattice and basket work<br />
within scroll borders and ogee rims, 26cm<br />
wide; A Similar Larger Platter, 34cm<br />
wide; A Similar Circular Dish, with<br />
panels of geometric and scroll decoration<br />
within a pierced border, 18.5cm diameter;<br />
and A Similar Hexagonal Dish, with<br />
basket weave panel on a foliate ground<br />
within a pierced border and basket<br />
moulded rim, 21cm (5)<br />
**Provenance: pair of platters and circular<br />
dish ex Jonathan Horne Antiques Ltd<br />
£300 - 400
87<br />
A Coalport Porcelain Part Tea and<br />
Coffee Service, circa 1820, painted<br />
with flowersprays in shaped panels on<br />
broad pink border with gilt lattice within<br />
gadrooned rims, comprising seven<br />
teacups, eight coffee cups, eight saucers,<br />
two saucer dishes and a slop bowl, bear<br />
spurious Swansea marks (26)<br />
£200 - 300<br />
88<br />
A Coalport Porcelain D Shape Bough<br />
Pot, circa 1805, painted possibly in the<br />
studio of Thomas Baxter with a<br />
flowerspray on a lilac ground within a<br />
moulded and gilt rectangular panel flanked<br />
by fluted pilasters and two lilac panels with<br />
purple classical ornament, 22cm wide<br />
£300 - 400<br />
89<br />
An English Porcelain Tea and Coffee<br />
Service, probably Coalport, circa<br />
1800, painted in puce monochrome with<br />
sailing ships at sea within rectangular<br />
panels and gilt sprig borders, comprising<br />
an oval teapot, cover and stand, sucrier<br />
and cover, cream jug, twelve teacups,<br />
coffee cups and saucers, two bread and<br />
butter plates, and a slop bowl (45)<br />
£300 - 400<br />
90<br />
A Pair of Staffordshire Porcelain<br />
Twin-Handled Bread and Butter<br />
Plates, circa 1820, of shaped square<br />
form, painted in colours with children<br />
harvesting and a harvester and his<br />
daughter, in circular panels on a blue<br />
ground gilt with formal classical foliage,<br />
24cm wide<br />
£100 - 150<br />
91<br />
A Barr Flight & Barr Worcester<br />
Porcelain Oval Stand, circa 1810,<br />
painted in the manner of William<br />
Billingsley with a flower spray and<br />
scattered sprigs within a gilt line border,<br />
impressed mark, 25cm wide<br />
£80 - 120<br />
92<br />
A Chamberlains Worcester Porcelain<br />
Part Breakfast Service, circa 1810,<br />
painted in colours with the dragons in<br />
compartments pattern, comprising a<br />
muffin dish and cover, three breakfast<br />
cups and two saucers, custard cups and<br />
covers, two twin-handled rectangular<br />
dishes and a slop bowl (14)<br />
£300 - 400<br />
93<br />
A Chamberlains Worcester Porcelain<br />
Dessert Basket and Two Stands, circa<br />
1810, of lobed oval form, painted with a<br />
crest as a bust of a Roman legionnaire<br />
within gilt stiff leaves and harebells on a<br />
blue ground within arcaded pierced<br />
borders, script mark to one stand, the<br />
basket 27cm, the stands 28cm wide<br />
£300 - 400<br />
94<br />
A Pair of Staffordshire Porcelain Spill<br />
Vases, probably Charles Bourne, circa<br />
1825, of flared cylindrical form, painted<br />
with a spray of summer flowers on a gilt<br />
octagonal panel on a ground of classical<br />
ornament within beaded borders below a<br />
Greek key rim, 10cm high<br />
**The flower painting relates to marked<br />
Charles Bourne pieces<br />
£80 - 120
95<br />
An English Porcelain Fruit Cooler,<br />
Cover and Liner, circa 1810, of<br />
campana form with pineapple finial and<br />
scroll handles on a circular foot, painted<br />
with a continuous band of summer flowers<br />
within gilt gadrooned borders, 34cm high<br />
See illustration<br />
£400 - 600<br />
96<br />
A Rockingham Porcelain Centrepiece,<br />
circa 1830, of shaped oval form with twin<br />
shell and scroll handles, painted with a<br />
spray of summer flowers within a grey and<br />
gilt scroll border and moulded gadroon<br />
shell and scroll rim, on a pierced leaf<br />
sheath rectangular foot, unmarked, 41cm<br />
wide<br />
£100 - 150<br />
97<br />
A Rockingham Porcelain Figure of a<br />
Shepherdess, circa 1830, sitting<br />
holding a lamb under her right arm, a bowl<br />
in her left hand her hat before her on a<br />
flower sprigged mound base, incised<br />
number 44, impressed Rockingham<br />
Brameld, 11cm high<br />
**See Rice (DG) The Illustrated Guide to<br />
Rockingham Pottery and Porcelain, pl.160<br />
for a similar example<br />
£300 - 500<br />
98<br />
A Rockingham Porcelain Figure of a<br />
Turk, circa 1830, standing, wearing an<br />
orange and white turban, green cloak and<br />
gilt waistcoat, holding a flower sprig on a<br />
claret washed gilt scroll moulded base,<br />
incised 21/1 and inscribed in red CL.2,<br />
9.5cm high<br />
**See Rice (DG) The Illustrated Guide to<br />
Rockingham Pottery and Porcelain, pl.169<br />
for a similar example<br />
£300 - 400<br />
99<br />
A Rockingham Porcelain Vase,<br />
1831-1842, of baluster form with fluted<br />
flared neck and twin bird's mask handles<br />
on a leaf sheath and scroll quatrefoil foot,<br />
painted with a spray of summer flowers in<br />
a gilt cartouche on a blue ground gilt with<br />
a formal foliate and scroll motif within gilt<br />
borders, printed mark in puce, 27.5cm<br />
high<br />
£400 - 600<br />
100<br />
A Rockingham Porcelain Soup Tureen<br />
and Cover, circa 1830, of shaped oval<br />
form, with leaf and shell moulded scroll<br />
handles, printed and overpainted in<br />
colours with scattered flower sprigs within<br />
gadrooned borders on four oak leaf<br />
sheathed feet, unmarked, 34cm wide;<br />
Two Matching Circular Stands, griffin<br />
marks in red, 25cm diameter; and A Pair<br />
of Dinner Plates and A Pair of<br />
Matching Soup Plates, circa 1835,<br />
painted with flower sprigs within gilt scroll<br />
borders, puce griffin marks (8)<br />
£400 - 600<br />
101<br />
A Garniture of Three Rockingham<br />
Porcelain Hexagonal Vases and<br />
Covers, 1826-30, with rose knops,<br />
painted in pink, orange, green and<br />
underglaze blue with chinoiserie foliage in<br />
panels on a blue ground with further<br />
chinoiserie foliage, printed griffin mark in<br />
red and CL.6 in gilt, 36cm and 27cm high<br />
£2000 - 3000<br />
102<br />
A Nantgarw Porcelain Teacup and<br />
Saucer, circa 1820, with loop handle,<br />
painted in London with sprays of full blown<br />
roses within gilt dentil rims<br />
£150 - 250
103<br />
A Nantgarw Porcelain Trio, circa<br />
1820, painted with scattered pink roses<br />
and gilt seaweed on a sprig ground within<br />
line borders, comprising a coffee can,<br />
teacup and saucer<br />
£700 - 1000<br />
104<br />
A Nantgarw Porcelain Trio, circa<br />
1820, painted with a rose spray within a<br />
broad border of green and gilt stylised<br />
sprigs and red and gilt dot meander<br />
borders, comprising a coffee can, teacup<br />
and saucer<br />
£600 - 800<br />
105<br />
A Swansea Porcelain Plate, circa<br />
1820, painted in the style of Henry Morris<br />
with "single yellow rose" within a moulded<br />
scroll border, titled to reverse, 25cm<br />
diameter<br />
*A similar example of this mould can be<br />
seen in Jones (J) and Joseph (L) Swansea,<br />
p.162<br />
£200 - 300<br />
106<br />
A Nantgarw Porcelain Dessert Dish,<br />
circa 1820, of fluted square form,<br />
painted in the manner of Thomas Pardoe<br />
with scattered rose and convolvulus sprigs<br />
within a gilt line border, impressed mark,<br />
24.5cm wide<br />
**See Bonham's Bond Street, 18.4.12, lot<br />
283 for a pair of plates matching<br />
£200 - 300<br />
107<br />
A Nantgarw Porcelain Plate, circa<br />
1820, painted in London, probably in the<br />
Bradley workshop with a spray of summer<br />
flowers within a blue and gilt line border,<br />
the rim with five further spays of summer<br />
flowers and gilt dentil rim, impressed<br />
mark, 23.5cm diameter<br />
**See Sotheby's Olympia, 6.10.05, lot 176<br />
for a similar plate and Bonham's Bond<br />
Street, 3.10.12, lot 214 for an oval dish<br />
with similar decoration attributed to J<br />
Bradley & Co<br />
£1500 - 2000<br />
108<br />
A Nantgarw Porcelain Plate, circa<br />
1820, en suite to the previous lot,<br />
unmarked, 23.5cm diameter<br />
£1500 - 2000<br />
109<br />
A Swansea Porcelain Plate from the<br />
Gosford Castle Service, circa<br />
1815-17, of circular cruciform shape<br />
painted with a spray of flowers and buds<br />
within a gilt neo-classical border of urns<br />
and foliage, impressed mark, 23.5cm<br />
diameter, with original Gosford Castle<br />
Collection label inscribed 45<br />
**See Bonham's New Bond Street,<br />
13.1206, lot 404 for a plate from the same<br />
service and a discussion of the two<br />
Swansea services from Gosford Castle and<br />
the Marquess of Exeter where is it<br />
mentioned that the difference between the<br />
two services is that the Gosford Castle<br />
service is unmarked. However, this<br />
example has the impressed Swansea mark<br />
as well as the Gosford Castle paper label<br />
£1000 - 1500<br />
110<br />
A Swansea Porcelain Plate, circa<br />
1820, painted by William Pollard with a<br />
bouquet of flowers and strawberries within<br />
a gilt scroll and diaper border, the scroll<br />
moulded rim with gilt and green foliate<br />
scrolls, red stencil mark, 20.5cm diameter<br />
**See Christie's King Street, 13.12.01, lot<br />
689 for a similar example<br />
£1000 - 1500
111<br />
A Swansea Porcelain Trio, circa 1815,<br />
of “Paris fluted” form, painted with sprays<br />
and sprigs of flowers and with insects<br />
within gilt line borders, comprising coffee<br />
cup, teacup and saucer<br />
£400 - 600<br />
112<br />
A Swansea Porcelain Cabinet Cup,<br />
circa 1820, of bucket form with everted<br />
rim, scroll handle and three paw feet,<br />
painted possibly in the studio of Thomas<br />
Baxter with Venus and Cupid in a<br />
rectangular panel on a ground of gilt<br />
classical ornament, 11.5cm high<br />
£150 - 200<br />
113<br />
A Pinxton Porcelain Bute Shaped<br />
Teacup and Saucer, circa 1800,<br />
painted with landscape vignettes within<br />
gilt line borders, pattern no.218<br />
**See Sheppard (Barry) Pinxton Porcelain<br />
1795-1813, pg.107 for a discussion of this<br />
pattern and the attribution of pieces to<br />
various artists including William Billingsley<br />
£150 - 200<br />
114<br />
A Pinxton Porcelain Sauce Tureen,<br />
Cover and Stand, circa 1800, with<br />
entwined scroll handles, painted in colours<br />
with Chantilly sprig within a border of<br />
stylised yellow flowers, pink leaves and gilt<br />
lines and with blue rims, stand 24cm wide<br />
**See Gent (N D) The Patterns and<br />
Shapes of the Pinxton China Factory<br />
1796-1813, fig.210 for a similar shaped<br />
tureen<br />
£200 - 300<br />
115<br />
A Pinxton Porcelain Small Plate, circa<br />
1800, painted in colours and gilt with a<br />
panel border depicting insects,<br />
monochrome landscapes and pink rose<br />
swags, 18.5cm diameter<br />
**Provenance: Ex W D Johns Collection.<br />
See Gent (N D) Pinxton Porcelain, pg.22<br />
for a similar part service<br />
£700 - 900<br />
116<br />
A Pinxton Porcelain Teacup and<br />
Saucer, circa 1810, painted in colours<br />
with a view of Breadsall within circular<br />
panels with husk borders and with<br />
scattered sprigs, pattern no.174<br />
**See Gent (N D) Pinxton Porcelain, pg.61<br />
£300 - 400<br />
117<br />
A Pinxton Porcelain Tea Bowl and<br />
Saucer, circa 1800, of wrythen fluted<br />
form, painted with the Red Sprigg pattern;<br />
and A Similar Cream Jug, of fluted<br />
bucket form painted with gilt sprigs, 7cm<br />
high (3)<br />
**Both are variations on pattern no.1.<br />
See Gent (N D) The Patterns and Shapes<br />
of the Pinxton China Factory 1796-1813,<br />
pg.49 for a similar tea bowl and saucer<br />
£300 - 400<br />
118<br />
A Pinxton Porcelain Bough Pot and<br />
Cover, circa 1796, of D shape with scroll<br />
moulded bracket feet, gilt with scrolling<br />
foliage in oval panels hung with flowers on<br />
a green ground within gilt line and scroll<br />
borders, 17.5cm wide<br />
**See Gent (N D) Pinxton Porcelain,<br />
pg.82, fig.64<br />
£1000 - 1500
119<br />
A Pinxton Porcelain Teapot and<br />
Cover, circa 1800, of fluted oval form,<br />
painted and gilt with scattered sprigs<br />
within line borders and leaf and berry<br />
rims, teapot with painted pattern no.46,<br />
15.5cm high; and A Matched Oval<br />
Teapot Stand, 18cm wide (3)<br />
**See Gent (N D) The Patterns and<br />
Shapes of the Pinxton China Factory<br />
1796-1813, pg.56 for an identical teapot.<br />
£450 - 550<br />
120<br />
A Pinxton Porcelain Coffee Can, circa<br />
1800, of fluted form, painted with a<br />
beaded border hung with gilt swags on a<br />
ground of scattered sprigs, pattern no.314<br />
**See Gent (N D) Pinxton Porcelain, pg.69<br />
£350 - 450<br />
121<br />
A Pinxton Porcelain Teacup and<br />
Saucer, circa 1800, painted with<br />
landscape vignettes within gilt line<br />
borders, pattern no.218<br />
£350 - 450<br />
122<br />
A Pinxton Porcelain Kidney Shape<br />
Dish, circa 1800, painted in the manner<br />
of William Slater with a floral meander<br />
border and butterflies, 22.5cm wide<br />
**See Gent (N D) Pinxton Porcelain, pg.83<br />
£450 - 550<br />
123<br />
A Pinxton Porcelain Cream Jug, circa<br />
1810, of flattened baluster form, painted<br />
with one large and two small Chantilly<br />
sprigs within gilt line and meander<br />
borders, 14cm long<br />
**See Gent (N D) Pinxton Porcelain,<br />
pg.101, fig.119<br />
£250 - 350<br />
124<br />
A Pinxton Porcelain Bough Pot, circa<br />
1800, of D shape with scroll moulded<br />
bracket feet, painted with a landscape<br />
vignette within a gilt line and floral border,<br />
pattern no.218, 20cm wide<br />
£700 - 900<br />
125<br />
A Pinxton Porcelain Teacup and<br />
Saucer, circa 1800, of fluted form,<br />
painted in colours with spiggs within a<br />
beaded red border hung with gilt swags<br />
**See Gent (N D) The Patterns and<br />
Shapes of the Pinxton China Factory<br />
1796-1813, pg.69 for examples of the<br />
same pattern no.314<br />
£200 - 300<br />
126<br />
A Pinxton Porcelain Dessert Dish,<br />
circa 1810, of lobed oval form, painted in<br />
the Imari palette with a central foliate<br />
panel on a ground of further foliage and<br />
shaped panels, pattern no.355, 25.5cm<br />
wide<br />
£180 - 250<br />
127<br />
A Pair of Derby Biscuit Porcelain<br />
Figures of a Stag and Doe, late 18 th<br />
century, the recumbent animals lying<br />
before bocage, on rocky moulded bases<br />
applied with flowers, incised 3 mark, 10cm<br />
high; and A Bloor Derby Miniature<br />
Watering Can and Cover, circa 1830,<br />
encrusted with flowers, on a sea green<br />
ground, printed mark in iron red, 8cm high<br />
(3)<br />
£250 - 300
128<br />
A Derby Porcelain Part Tea Service,<br />
circa 1790, painted with named views in<br />
rectangular panels on a gilt seaweed<br />
ground within foliate borders, comprising<br />
teapot, cover and stand VIEW AT<br />
GLOUCESTER, NEAR STOURPORT,<br />
WORCESTERSHIRE and NEAR<br />
WORCESTER, a sucrier and cover NEAR<br />
DUMFRIESS, SCOTLAND and NEAR<br />
KESWICK, CUMBERLAND (sic), a milk jug<br />
NEAR PONTE FELITE, ITALY, two saucer<br />
dishes GATEWAY OF NAPLES and NEAR<br />
FARNHAM, SURRY (sic), and a slop bowl A<br />
VIEW NEAR NARNI, ITALY, painted marks<br />
and inscribed in blue (9)<br />
**Provenance: Sold by Christie, Manson &<br />
Woods, King Street, London, Friday<br />
February 10 th 1893, lot 68, the property of<br />
Mrs Boyd-Rochfort of Middleton Park<br />
£700 - 1000<br />
129<br />
A Derby Porcelain Figure of a<br />
Mansion House Dwarf, circa 1810, of<br />
traditional form, the corpulent figure<br />
standing wearing a wide brimmed hat<br />
inscribed with a poster for a sale of<br />
antiques and valuables and with a yellow<br />
jacket and floral and gilt waistcoat, on a<br />
flower encrusted mound base, incised<br />
No.227, 17.5cm high<br />
£150 - 200<br />
130<br />
A Derby Porcelain Campana Shaped<br />
Vase, circa 1790, painted in the manner<br />
of George Robertson with On the River<br />
Wye and On the River Severn in oval<br />
panels on a ground painted in turquoise,<br />
red and gilt with scrolling classical<br />
ornament and foliage, painted mark and<br />
titles in black and workman's number 11 in<br />
black and 42 in red, 17.5cm high<br />
£300 - 500<br />
131<br />
A Derby Porcelain Twin-Handled<br />
Campana Shaped Vase, circa 1810,<br />
painted in colours with In Leicestershire<br />
within a canted square panel within gilt<br />
line rims, painted mark and titled in red,<br />
17cm high<br />
£200 - 300<br />
132<br />
A Derby Porcelain Shaped Oval Dish,<br />
circa 1790, painted in blue, brown and<br />
gilt with a Viscount's coronet above the<br />
initials PHC within a laurel wreath and with<br />
three Chantilly sprigs within gilt line<br />
borders, painted mark in puce, 22.5cm<br />
wide<br />
£70 - 100<br />
133<br />
A Derby Porcelain Teacup and Saucer,<br />
circa 1780, painted possibly by Zachariah<br />
Boreman with a puce monochrome<br />
landscape in a circular panel within a gilt<br />
floral meander and ovolo borders, painted<br />
mark in puce<br />
**See Bradley (Gilbert) Derby Porcelain<br />
1750-1798, item 82 for a similar trio<br />
described as possibly Zachariah Boreman<br />
£300 - 500<br />
134<br />
A Derby Porcelain Guglet, late 18 th<br />
century, with garlic neck, painted in<br />
colours with flowersprays and scattered<br />
sprigs within gilt lined borders, 25cm high<br />
£400 - 600<br />
135<br />
A Derby Porcelain Sauceboat, circa<br />
1770, the interior painted in underglaze<br />
blue with chinoiserie flower sprays within a<br />
cell border, the exterior moulded with two<br />
floral panels and a third panel painted with<br />
a chinoiserie flower spray on a moulded<br />
scale ground within cell borders, 17cm<br />
long
**Ex Bernard Watney Collection, part lot<br />
1176 from the Phillips' Watney Collection<br />
Part III<br />
£100 - 150<br />
136<br />
A Derby Porcelain Teapot and Cover,<br />
circa 1765, of globular form with leaf<br />
moulded spout and tau handle, painted<br />
with sprays of flowers and with scattered<br />
sprigs, 11cm high<br />
£200 - 300<br />
137<br />
A Derby Porcelain Teapot and Cover,<br />
circa 1765, of globular form with turned<br />
knop, painted with flowersprays and<br />
scattered sprigs, 16cm high<br />
£200 - 300<br />
138<br />
A Derby Porcelain Basket, circa 1760,<br />
of shaped oval form with twin handles,<br />
painted in colours with exotic birds in<br />
landscape and with scattered sprigs, the<br />
exterior with yellow ground, 20cm wide<br />
£300 - 400<br />
139<br />
A Lowestoft Porcelain Teapot and<br />
Cover, circa 1785, painted in the<br />
manner of Thomas Curtis with a<br />
ribbon-tied bouquet of flowers and<br />
scattered sprigs below a foliate swag<br />
border, 15cm high<br />
£300 - 400<br />
140<br />
A Lowestoft Porcelain Sparrowbeak<br />
Jug, circa 1785, painted in the manner<br />
of Thomas Curtis with a spray of flowers<br />
within a foliate cartouche below a pink<br />
lattice border, 8.5cm high<br />
£200 - 300<br />
141<br />
A Caughley Porcelain Gadroon Boat,<br />
circa 1785, painted in enamels with<br />
flowersprays and a sprig within gilt line<br />
borders, impressed mark to foot rim,<br />
9.5cm long<br />
**See Bonham's New Bond Street,<br />
3.10.12, lot 174 for a similar example<br />
£100 - 150<br />
142<br />
A Champions Bristol Porcelain<br />
Sparrow Beak Jug, circa 1770, painted<br />
in colours with chinoiserie figures in a<br />
fenced garden, blue enamel cross and 7<br />
mark, 8.5cm high<br />
£150 - 250<br />
143<br />
A Champions Bristol Porcelain Butter<br />
Boat, circa 1770, of oval form with<br />
angular handle, moulded with fruit and<br />
flowers, painted in colours with a swag of<br />
flowers and scattered sprigs, blue enamel<br />
cross and 1 mark, 10cm long<br />
£150 - 250<br />
144<br />
A Champions Bristol Porcelain Sauce<br />
Boat, circa 1770, of ogee oval form<br />
moulded with feather scrolls, painted with<br />
flowersprays and scattered sprigs, bears<br />
crossed swords mark in underglaze blue,<br />
16.5cm long<br />
£200 - 300<br />
145<br />
A William Reid & Co Liverpool<br />
Porcelain Baluster Mug, circa 1760,<br />
the handle with scroll thumb piece,<br />
painted in underglaze blue, iron red and<br />
gilt with flowers and rockwork in a fenced<br />
garden below a panelled border, 12cm<br />
high<br />
**See Hillis (Maurice) Liverpool Porcelain<br />
1756-1804, pl.3.13 for a similar example<br />
£500 - 700
146<br />
A Chaffers Liverpool Porcelain<br />
Baluster Coffee Pot and Cover, circa<br />
1760, with ball knop and scroll handle,<br />
painted in colours with chinoiserie foliage<br />
within yellow and gilt arrowhead borders,<br />
19cm high<br />
£400 - 600<br />
147<br />
A Chaffers Liverpool Porcelain Teapot<br />
and Cover, circa 1760, of globular form,<br />
the domed cover with turned finial,<br />
painted in famille rose style enamels with<br />
peony and prunus, 12.5cm high<br />
**See Hillis (Maurice) Liverpool Porcelain<br />
1756-1804, pg.177 for a mug with related<br />
decoration300<br />
£250 - 350<br />
148<br />
A London Decorated Chinese<br />
Porcelain Slop Bowl, circa 1760,<br />
painted in colours with flowersprays,<br />
scattered sprigs and insects on a bianco<br />
sopra bianco ground, 14cm diameter<br />
£70 - 100<br />
149<br />
A First Period Worcester Porcelain<br />
Part Tea and Coffee Service, circa<br />
1775, of fluted form, painted with flower<br />
sprays and scattered sprigs within blue<br />
borders with gilt floral meander,<br />
comprising eight teacups, seven coffee<br />
cups and eight saucers, crescent mark in<br />
underglaze blue (23)<br />
£600 - 800<br />
150<br />
A First Period Worcester Porcelain<br />
Teapot and Cover, circa 1770, of<br />
globular form, printed in black and<br />
overpainted in colours with the Chinese<br />
Family pattern, 13.5cm high<br />
£200 - 300<br />
151<br />
A Chelsea Porcelain Strawberry Leaf<br />
Sauce Boat, Red Anchor period, circa<br />
1756, moulded with naturalistic leaves<br />
and branches picked out in colours and<br />
painted with scattered flowersprays and<br />
sprigs, red anchor mark, 16.5cm long<br />
£250 - 350<br />
152<br />
A Chelsea Porcelain Plate, Red<br />
Anchor period, circa 1756, painted in<br />
colours with bunches of grapes and berries<br />
and with scattered insects within a feather<br />
moulded border picked out in brown and<br />
blue, red anchor mark, 20.5cm diameter<br />
£150 - 250<br />
153<br />
A First Period Worcester Porcelain<br />
Partridge Tureen and Cover, circa<br />
1760, the naturalistically modelled and<br />
painted bird on a basket moulded base<br />
with applied shredded clay foliage, incised<br />
II, 16.5cm wide<br />
£800 - 1200<br />
Continental Ceramics<br />
154<br />
A Sèvres Porcelain Coffee Cup and<br />
Saucer, bears date mark for 1780,<br />
with a border of jewelled and gilt scrolling<br />
foliage within turquoise beadwork bands<br />
on a bleu de roi ground and gilt borders,<br />
painted marks in gilt<br />
£300 - 500<br />
155<br />
A Set of Twelve Saint Cloud Porcelain<br />
Cutlery Handles, mid 18 th century, for<br />
knives and forks, of pistol form painted in<br />
underglaze blue with scrolls, shells and<br />
foliage, steel blades and tines, the knives<br />
28cm, the forks 22cm long overall (24)<br />
£500 - 800
156<br />
A Meissen Porcelain Plate, circa 1745,<br />
painted in the style of C F Heroldt with<br />
European figures in a river landscape<br />
within a gilt scroll and shell cartouche, and<br />
with four similar smaller panels on a<br />
ground of Kakiemon style flowersprays,<br />
crossed swords mark in underglaze blue,<br />
24cm diameter<br />
**For a comparable plate from the King<br />
Frederik V of Denmark Service see<br />
Bonhams, New Bond Street, 24.11.10, lot<br />
80<br />
£3000 - 5000<br />
157<br />
A Meissen Porcelain Figure of a<br />
Shepherd, circa 1757, modelled by<br />
Johann Joachim Kaendler, standing<br />
wearing a yellow hat and flower sprigged<br />
jacket holding a lamb at his shoulder, his<br />
dog at his feet, on a scroll and flower<br />
moulded mound base, crossed swords<br />
mark in underglaze blue, 26.5cm high<br />
£2000 - 3000<br />
158<br />
A Meissen Porcelain Figure of a<br />
Shepherdess, circa 1757, wearing a<br />
salmon pink hat, puce bodice and green<br />
and yellow skirts sitting on a tree branch,<br />
a lamb at her feet, on a flower encrusted<br />
scroll moulded base, crossed swords mark,<br />
20cm high<br />
£2000 - 300<br />
159<br />
A Pair of Meissen Porcelain Teacups,<br />
circa 1735, painted in colours with<br />
European lovers in landscape within gilt<br />
scroll and shell panels, the interiors with<br />
flower sprigs within gilt scroll borders,<br />
crossed swords marks in underglaze blue,<br />
36 marks in gilt<br />
£350 - 450<br />
160<br />
A Meissen Porcelain Teacup and A<br />
Saucer, circa 1750-60, each painted<br />
with figures before buildings in landscape<br />
vignettes, crossed swords marks in<br />
underglaze blue<br />
£250 - 350<br />
161<br />
A Meissen Gold Ground Teacup and<br />
Saucer, circa 1750, painted in puce<br />
monochrome with flower sprigs, crossed<br />
swords mark in underglaze blue<br />
£400 - 600<br />
162<br />
A Meissen Porcelain Blanc de Chine<br />
Teapot and A Cover, circa 1745, with<br />
mask spout and tau handle moulded with<br />
fruiting branches, crossed swords mark in<br />
underglaze blue, 10.5cm high<br />
£400 - 500<br />
163<br />
A Meissen Porcelain Milk Jug, circa<br />
1740, with scroll moulded spout and tau<br />
handle, painted in the Kakiemon pallette<br />
with stylised foliage, crossed swords mark<br />
in underglaze blue, 9cm high<br />
£600 - 800<br />
164<br />
A Meissen Porcelain Spoon Tray, circa<br />
1735, of shaped oval form painted in<br />
colours with figures before a woodland<br />
cottage, within a gilt shell and scroll<br />
cartouche, the exterior with holzschnitt<br />
blumen, crossed swords mark in<br />
underglaze blue and gilt 2 mark, 17.5cm<br />
£700 - 1000
165<br />
A Meissen Figure of Julius Caesar,<br />
circa 1750, modelled by Johann Joachim<br />
Kaendler, emblematic of Rome from the<br />
Four Monarchies series, the bearded figure<br />
wearing a laurel wreath, breast plate,<br />
multi-coloured cuirass and pink lined green<br />
cloak, standing, a sword at his waist, the<br />
two-horned fabulous beast of dreadful<br />
strength sitting at his side, on a gilt scroll<br />
base, crossed swords mark in underglaze<br />
blue, 20cm high<br />
**The Four Monarchies are first mentioned<br />
in a 1753 inventory of Count Bruhl's<br />
Domestic Tableware, the Meissen factory<br />
work record includes B70 Julius Caesar,<br />
December 1766, one figure 11 inches<br />
high. See also the Pauls-Eisenbeiss<br />
Catalogue, pg.152-157. For a similar<br />
example see Christie's Amsterdam,<br />
30.10.01 <strong>Sale</strong>, lot 364<br />
£2000 - 3000<br />
166<br />
A Meissen Porcelain Figure of<br />
Alexander the Great, circa 1750,<br />
modelled by Johann Joachim Kaendler,<br />
emblematic of Greece from the Four<br />
Monarchies series, the standing figure<br />
wearing a plumed helmet, moulded breast<br />
plate, pink and gilt cuirass and yellow lined<br />
pink cloak, standing with his right arm<br />
raised, a sword at his hip and Cerberus at<br />
his side, on a scroll moulded base, crossed<br />
swords mark in underglaze blue to the<br />
reverse, 22cm high<br />
**For a similar figure see Christie's King<br />
Street, 31.3.08, European Ceramics &<br />
<strong>Glass</strong> <strong>Sale</strong>, lot 76<br />
£2000 - 3000<br />
167<br />
A Meissen Porcelain Cream Pot and<br />
Cover, circa 1750, of basket moulded<br />
squat baluster form with foliate knop, leaf<br />
sheathed spout and scroll handle, on three<br />
paw feet, painted in colours with flower<br />
sprays reserved in panels and with<br />
scattered sprigs, gilt line borders, crossed<br />
swords mark in underglaze blue, 12.5cm<br />
high<br />
£200 - 300<br />
168<br />
A Meissen Porcelain Dish, circa 1900,<br />
moulded in relief and gilt with a central<br />
foliate boss within a broad rim of shells<br />
and dolphins and ropetwist borders,<br />
crossed swords mark in underglaze blue,<br />
27cm diameter<br />
£150 - 200<br />
169<br />
A Pair of Meissen Porcelain Figural<br />
Candlesticks, late 19 th /early 20 th<br />
century, one modelled with a father and<br />
child, the other with a mother and child,<br />
each in loose drapes, on scroll moulded<br />
shaped circular bases painted with flowers<br />
and birds, crossed swords marks in<br />
underglaze blue, 32.5cm high<br />
£500 - 700
170<br />
A Matched Set of Three Meissen<br />
Porcelain Figures of the Continents,<br />
late 19 th /20 th century, after models by<br />
F E Meyer, Africa modelled as a<br />
blackamoor with an elephant's head<br />
headdress, feathered skirt and yellow lined<br />
blue cloak holding a parrot and sceptre, on<br />
a mound base moulded with a lion,<br />
America in feathered headdress, cloak and<br />
skirts holding a bow, a quiver of arrows at<br />
his hip, his left foot on a cornucopia, on a<br />
scroll moulded base moulded with an<br />
alligator, and Europe wearing an ermine<br />
lined claret cloak and flowered yellow<br />
skirts holding a sceptre and orb, a<br />
cornucopia, globe and books at her feet,<br />
on a scroll moulded base moulded with a<br />
horse, crossed swords marks, 14.5-16cm;<br />
and A Similar Figure of Ceres from a<br />
set of The Elements, a cornucopia and<br />
dragon at her side, on a scroll moulded<br />
base, crossed swords mark, 14cm high (4)<br />
£700 - 1000<br />
171<br />
A Meissen Porcelain Devisenkinder,<br />
late 19 th /early 20 th century, after the<br />
model by Michel Victor Acier, the naked<br />
figure sitting on a rocky outcrop holding a<br />
blanket of flowers, arrows at his feet, on a<br />
shaped triangular base inscribed Je<br />
decouvre tout, crossed swords mark in<br />
underglaze blue, 12.5cm high<br />
£200 - 300<br />
172<br />
A Meissen Porcelain Figure Group of a<br />
Goatherder and Goat, late 19 th /20 th<br />
century, after the model by Johann Carl<br />
Schönheit, he standing with a yellow<br />
jacket holding a fruiting grape vine to the<br />
back of the standing beast, on a chain<br />
moulded oval base, crossed swords mark<br />
in underglaze blue, 15cm high<br />
£250 - 350<br />
173<br />
A Meissen Porcelain Figure Group of<br />
the Drunken Silenus, late 19 th<br />
century, after the model by F E Meyer,<br />
the slumped figure on the back of an ass<br />
supported by a bacchic attendant, a<br />
loosely draped maiden feeding grapes to<br />
the ass, a cherub at the rear, on a scroll<br />
moulded mound base, crossed swords<br />
mark in underglaze blue, 21cm high<br />
£700 - 1000<br />
174<br />
A Meissen Porcelain Figure of a Girl,<br />
late 19 th /20 th century, allegorical of<br />
Spring from the Seasons, wearing 18 th<br />
century costume holding a hatful of<br />
flowers, seated on an upturned basket of<br />
flowers, on a scroll moulded base, crossed<br />
swords mark in underglaze blue, 11.5cm<br />
high<br />
£200 - 300<br />
175<br />
A Meissen Porcelain Figural Salt, late<br />
19 th /early 20 th century, as a girl in 18 th<br />
century costume holding a posy sitting on<br />
two baskets, on a scroll moulded mound<br />
base, crossed swords mark in underglaze<br />
blue, 12.5cm high<br />
£250 - 350<br />
176<br />
A Meissen Porcelain Figure Group,<br />
late 19 th /early 20 th century, as a girl in<br />
18 th century costume and a boy draped in<br />
a leopard skin, each sitting on a rocky<br />
outcrop, he holding a stick, a club at his<br />
feet, on a scroll moulded base, 13cm high<br />
£250 - 350
177<br />
A Meissen Porcelain Figure of Cupid,<br />
early 20 th century, as a dragon slayer,<br />
the winged figure wearing a helmet,<br />
armour and shield, a curled dragon at his<br />
feet, on a waisted circular socle, crossed<br />
swords mark in underglaze blue, 21.5cm<br />
high<br />
£250 - 350<br />
178<br />
A Pair of Meissen Porcelain<br />
Three-Branch Figural Candelabra,<br />
late 19 th century, representing Spring<br />
and Winter from a set of the Seasons,<br />
each with removable foliate and leaf<br />
encrusted sconces and branches on<br />
rusticated stems, Spring with a mother<br />
and child holding a posy and bird, Winter<br />
as a bearded man and seated child<br />
warming their hands over a fire, on ovolo<br />
moulded circular bases, crossed swords<br />
marks in underglaze blue, 35cm high<br />
£600 - 800<br />
179<br />
A Pair of Meissen Porcelain Figures of<br />
Gardeners, late 19 th /early 20 th<br />
century, both in 18 th century costume, he<br />
holding a flower posy, leaning on a spade<br />
and watering can, she holding a sickle and<br />
basket of flowers, on key moulded circular<br />
bases, crossed swords marks in<br />
underglaze blue, 19.5cm high<br />
£700 - 1000<br />
180<br />
A Meissen Porcelain Figure Group as<br />
Spring from the Seasons, late<br />
19 th /early 20 th century, the two figures<br />
in 18 th century dress, he holding a stick,<br />
she with flowers in her apron, a posy in<br />
her right hand, on scroll moulded base<br />
with a basket of flowers, crossed swords<br />
mark in underglaze blue, 15.5cm high<br />
£300 - 500<br />
181<br />
A Meissen Porcelain Figure Group of<br />
The Wine Growers, late 19 th /early<br />
20 th century, after the model by Michel<br />
Victor Acier, both in 18 th century dress, he<br />
holding a bottle and goblet, she with a<br />
basket of flowers and a posy, on a scroll<br />
moulded base with a basket of flowers,<br />
crossed swords mark in underglaze blue,<br />
16cm high<br />
£400 - 600<br />
182<br />
A Meissen Porcelain Figure of Cupid<br />
“Je Les Couronne”, late 19 th /early<br />
20 th century, the loosely draped figure<br />
holding a floral wreath over a pair of<br />
hearts, on a classical column and<br />
triangular base, crossed swords mark in<br />
underglaze blue, 14cm high<br />
£200 - 300<br />
183<br />
A Meissen Porcelain Figure of a Lady,<br />
20 th century, in 18 th century costume<br />
sitting at a spinet, on a moulded shaped<br />
rectangular base, crossed swords mark in<br />
underglaze blue, 12.5cm high<br />
£300 - 400<br />
184<br />
A Meissen Porcelain Crinoline Group,<br />
20 th century, after the model by Johann<br />
Joachim Kaendler, as a lady sitting at a<br />
rococo style table, a gentleman to her<br />
side, a pug dog at their feet, on a flower<br />
encrusted mound base, crossed swords<br />
mark in underglaze blue, 19cm high<br />
£800 - 1200
185<br />
An Outside Decorated Meissen<br />
Porcelain Figure Group, late 19 th<br />
century, of rustic lovers in 18 th century<br />
costume sitting before an architectural<br />
column, he placing a floral wreath over her<br />
head, a figure watching from behind, two<br />
sheep and a dog at their feet, on scroll<br />
moulded base, crossed swords mark in<br />
underglaze blue struck out, 23cm high<br />
£400 - 600<br />
186<br />
A Vienna Style Porcelain Goblet and<br />
Cover, circa 1900, the domed cover with<br />
floriform finial on a tapering cylindrical<br />
body and knopped circular socle, painted<br />
with "Bachusfest", on a gilt band and<br />
green ground gilt with bands of stiff leaf<br />
and ivy leaves and with white enamel<br />
jewelling, titled in red, stamped shield<br />
mark in underglaze blue, 29.5cm high<br />
£250 - 350<br />
187<br />
A Vienna Porcelain Cabinet Plate,<br />
circa 1900, painted with a bust portrait<br />
of a maiden in a red velvet cap and<br />
diaphanous dress, in a circular panel on a<br />
blue ground gilt with bands and formal<br />
classical foliage, indistinctly signed, shield<br />
mark, 24cm diameter<br />
£150 - 200<br />
188<br />
A Vienna Porcelain Cabinet Plate,<br />
circa 1900, painted by F Listner with<br />
LEBRUN, the half length portrait in a<br />
circular panel on a blue ground with gilt<br />
bands and scrolling classical foliage,<br />
signed, inscribed in black, shield mark in<br />
blue enamel, 24cm diameter<br />
£150 - 200<br />
189<br />
A Pair of “Vienna” Porcelain Cabinet<br />
Plates, late 19 th /early 20 th century,<br />
with bust portraits of GRAZIELLA and<br />
GLADIOLA within broad bleu de roi<br />
borders gilt with stylised formal foliage<br />
and with white enamel beading, one<br />
signed DOHL, shield marks in underglaze<br />
blue and titled in gilt, 24.5cm diameter<br />
£300 - 500<br />
190<br />
A Pair of Vienna Style Porcelain Vases<br />
and Covers, circa 1900, of slender<br />
baluster form, the domed covers with<br />
baluster finials, on circular socles and<br />
drum bases with moulded gadroon<br />
borders, painted with named classical<br />
scenes on a broad gilt band with raised<br />
lattice within bleu de roi borders gilt with<br />
formal foliage and swags, printed marks,<br />
52cm high<br />
£1000 - 1500<br />
191<br />
A German Painted Porcelain Plaque,<br />
Holy Family, after Del Sarto, 3rd<br />
quarter 19th century, 32cm by 26.5cm,<br />
inscribed verso in crayon Holy Family by<br />
Del Sarto Old Pinakothek, Munich, copied<br />
F A Thallmaier, Munich with impressed<br />
number 317, in a decorative gilt and gesso<br />
frame<br />
**<strong>Art</strong>ist probably Xaver Thallmaier Franz<br />
£2000 - 3000<br />
192<br />
A Carl Thieme, Potschappel Porcelain<br />
Figure Group, late 19 th /early 20 th<br />
century, as four figures in 18 th century<br />
dress, one playing the flute on an<br />
architectural base applied with a violin,<br />
books and a bottle, on a drum base hung<br />
with swags, painted mark in underglaze<br />
blue, 28cm high<br />
£300 - 500
193<br />
A Royal Dux Porcelain Figure of a<br />
Potter, 20 th century, the loosely draped<br />
figure sitting on a low wall decorating an<br />
urn, further pottery about him, on a<br />
moulded rectangular base, pink triangle<br />
patch mark, 19cm high<br />
£200 - 300<br />
194<br />
A Pair of Paris Porcelain Gilt Porcelain<br />
Rhyton Vases, early 19 th century, of<br />
trumpet form with stiff leaf bands and<br />
tooled with bacchic putti, with boar's mask<br />
terminal and acanthus leaf and foliate<br />
roundel support on a rectangular plinth<br />
applied in white bisque with a putto lying<br />
on a swag suspended from torches on a<br />
lattice ground, 30cm high<br />
£700 - 1000<br />
195<br />
A Pair of French Faience Jardinières,<br />
in 18 th century style, of fluted baluster<br />
form with mask handles, painted in colours<br />
with 18 th century figures in landscapes<br />
within leaf cartouche on a ground of<br />
scattered sprigs, 32cm high<br />
£400 - 600<br />
196<br />
A Gilt Metal Mounted Sèvres Style<br />
Porcelain Casket and Hinged Cover,<br />
late 19 th century, of shaped oval form,<br />
the cover with a romantic scene of a<br />
shepherd and shepherdess in landscape,<br />
signed GEO.ROCHET in a gilt cartouche,<br />
on a bleu de roi ground gilt with emblems<br />
and sprigs, bears imitation SÈVRES and<br />
CHATEAU DE TUILLERIES marks, 25cm<br />
wide<br />
£300 - 400<br />
197<br />
A Gilt Metal Mounted Sèvres Style<br />
Pottery Twin-Handled Pedestal Bowl,<br />
late 19 th century, of circular form with<br />
scrolling leaf handles, decorated with 18 th<br />
century lovers in landscape within a gilt<br />
scrollwork cartouche, on a blue ground,<br />
the interior with sprays and bands of<br />
foliage, on a circular socle and shape<br />
square foot, signed POITEVRY, 26cm high<br />
£300 - 400<br />
198<br />
A Pair of Samson of Paris Porcelain<br />
Vases, late 19 th century, of slightly<br />
flared cylindrical form with trumpet neck,<br />
painted in famille rose enamels with birds<br />
in peony branches, 30cm high<br />
£300 - 500<br />
Oriental Ceramics & Works of <strong>Art</strong><br />
199<br />
A Chinese Terracotta Model of a<br />
Bactrian Camel, Tang type, standing on<br />
all fours with brown painted detail and<br />
with leaf painted saddle, on a rectangular<br />
integral plinth, 40cm high<br />
£800 - 1200<br />
200<br />
A Chinese Porcelain Ovoid Jar, mid<br />
17 th century, painted in underglaze blue<br />
with ogee panels of fruiting and flowering<br />
branches on a keywork ground within<br />
broad formal panelled borders and a<br />
foliate rim, 36cm high<br />
£600 - 1000
201<br />
A Pair of Chinese Porcelain Cylindrical<br />
Vases, Kangxi, with trumpet necks,<br />
painted in underglaze blue with panels of<br />
scrolling lotus, 13.5cm high; and A<br />
Chinese Porcelain Fluted Bowl,<br />
Kangxi, painted in underglaze blue with<br />
figures in interiors and landscape, bears<br />
apocryphal Chenghua reign mark, 11.5cm<br />
diameter (3)<br />
£400 - 600<br />
202<br />
A Chinese Porcelain Baluster Jar, 18 th<br />
century, painted in underglaze blue with<br />
phoenix amongst stylised fruiting branches<br />
within a cloud scroll border, 34cm high,<br />
with carved wood cover<br />
£400 - 600<br />
203<br />
A Chinese Porcelain Hexagonal<br />
Teapot and A Cover, Kangxi, painted in<br />
underglaze blue with maidens in fenced<br />
gardens, 11cm high<br />
£250 - 350<br />
204<br />
A Chinese Porcelain Square Section<br />
Baluster Vase, Kangxi, with re-entrant<br />
corners, painted in underglaze blue with<br />
foliage and rockwork, 27.5cm high; and A<br />
Chinese Porcelain Bulb Bowl, in<br />
Transitional style, painted in underglaze<br />
blue with figures in a mountainous<br />
landscape, 21cm diameter (2)<br />
£200 - 300<br />
205<br />
A Chinese Porcelain Large Dish,<br />
Kangxi period, painted in famille verte<br />
enamels with a central circular panel of<br />
flowering prunus within radiating lappet<br />
shaped panels of animals in landscape and<br />
flowering branches, the broad cell border<br />
with six panels of precious objects, mark in<br />
underglaze blue, 47cm diameter<br />
£1000 - 1500<br />
206<br />
A Chinese Porcelain Dragon Dish,<br />
Kangxi reign mark, painted in<br />
underglaze blue and yellow enamel with a<br />
five-clawed dragon chasing a flaming pearl<br />
amidst clouds and flames within a border<br />
of further dragons, the exterior with two<br />
further dragons above a leaf band, six<br />
character mark in underglaze blue, 36cm<br />
diameter<br />
**Reputedly bought from Bluetts and was<br />
valued for insurance by Roger Bluett in the<br />
1980's for £5,000<br />
£12000 - 18000<br />
207<br />
A Pair of Chinese Porcelain Conical<br />
Bowls in Ming Style, painted in<br />
underglaze blue with meandering foliage<br />
above a stiff leaf border, four character<br />
mark in cartouche in underglaze blue,<br />
15cm diameter<br />
£300 - 400<br />
208<br />
A Chinese Imari Porcelain Coffee<br />
Service, 18 th century, painted with a<br />
hare sitting on a lily pad and with a<br />
jardinière of foliage within a scroll and<br />
diaper border, comprising teapot and<br />
cover, milk jug, sugar bowl, three coffee<br />
cups, four saucers, one small saucer dish,<br />
one large saucer dish, and one slop bowl<br />
(13)<br />
£150 - 200
209<br />
A Pair of Chinese Porcelain Plates,<br />
mid 18 th century, painted in colours with<br />
a vase of flowers standing on a scroll and<br />
a pot of brushes within a foliate and cloud<br />
scroll cavetto, the rim with flowering and<br />
fruiting branches, 22.5cm diameter; A<br />
Chinese Porcelain Saucer Dish,<br />
Kangxi, painted in iron red and gilt with<br />
two maidens in a fenced garden within a<br />
broad moulded flowerhead border painted<br />
with birds amongst foliage, ogee rim,<br />
22.5cm diameter; and A Cantonese<br />
Porcelain Plate, typically painted with<br />
figures in interiors and birds amongst<br />
foliage in panels on a foliate ground, 22cm<br />
diameter (4)<br />
£200 - 300<br />
210<br />
A Chinese Porcelain Charger, mid 18 th<br />
century, painted in underglaze blue with<br />
bamboo, peony and prunus in an ogee<br />
panel within a broad border of four similar<br />
flower sprays and a foliate border, 38cm<br />
diameter<br />
£200 - 300<br />
211<br />
A Chinese Sang de Boeuf Glazed<br />
Vase, Qing Dynasty, probably 18 th<br />
century, of ovoid form with tall cylindrical<br />
neck, 36.5cm high<br />
£200 - 300<br />
212<br />
A Chinese Porcelain Oval Dish,<br />
Qianlong, painted in underglaze blue with<br />
a figure on a bridge before a pagoda in a<br />
mountainous landscape within diaper and<br />
cell borders, 37cm high; A Pair of Leaf<br />
Moulded Dishes, painted with river<br />
landscapes, 19.5cm wide; A Chinese<br />
Imari Saucer Dish, painted with foliage,<br />
21.5cm diameter; and Another, painted<br />
with panels of foliage, 22.5cm diameter<br />
(5)<br />
£400 - 600<br />
213<br />
A Pair of Chinese Porcelain Soup<br />
Plates, Qianlong period, painted in<br />
underglaze blue with a boy on a buffalo<br />
and other figures before a pagoda, within<br />
a diaper border, the rim with flowersprays<br />
and sprigs, 22cm diameter<br />
£200 - 300<br />
213A<br />
A Chinese Blue and White Porcelain<br />
Bottle Vase, bearing six character<br />
mark of Yongzheng, but probably<br />
Daoguang, painted in "heap and pile"<br />
technique with two five-clawed dragons<br />
writhing amongst scrolling peony<br />
blossoms, a narrow crashing wave band to<br />
the rim, the foot with eight quatrelobed<br />
florets, 39.2cm high<br />
**This vase is decorated in the "heap and<br />
pile" effect characteristic of earlier Ming<br />
Dynasty period pieces. The effect is<br />
achieved by hand-painted "dots" which<br />
result in a higher concentration of cobalt<br />
pigment. This vase clearly shows these<br />
almost "black" spots, particularly<br />
noticeable on the edges of the flowers and<br />
leaves. The vase exhibits an<br />
extraordinary control of the cobalt blue<br />
which is exceptionally finely painted<br />
throughout.<br />
£20000 - 30000<br />
214<br />
A Chinese Porcelain Punch Bowl,<br />
Qianlong, painted in famille rose type<br />
enamels with a continuous river landscape<br />
with figures at various pursuits, the<br />
interior with a spray of flowers within a<br />
floral meander border, 34.5cm diameter<br />
£1500 - 1800
215<br />
A Set of Eight Chinese Porcelain<br />
Octagonal Tea Plates, Qianlong,<br />
painted in famille rose enamels with a bird<br />
crest over a foliate swag hug oval<br />
cartouche, inscribed within a monogram<br />
within a floral meander border, 16cm<br />
diameter<br />
£400 - 600<br />
216<br />
A Pair of Chinese Porcelain Armorial<br />
Dishes, Qianlong, of lobed circular form,<br />
painted in famille rose enamels with the<br />
arms of Field of Stanstedbury in<br />
Hertfordshire, within a chain link border,<br />
the rim with scattered sprigs and<br />
arrowheads, 29cm diameter; and Two<br />
Plates, en suite, 23cm diameter (4)<br />
**See Howard (David Sanctuary) Chinese<br />
Armorial Porcelain, pg.423 for a matching<br />
plate<br />
£500 - 800<br />
217<br />
A Chinese Robin's Egg Glazed<br />
Cylindrical Brush Pot, 18 th /early 19 th<br />
century, carved in relief and glazed white<br />
with a butterfly flitting above blossoming<br />
prunus branches, 12.2cm high<br />
£400 - 600<br />
218<br />
A Chinese Porcelain Teapot and A<br />
Cover, Qianlong, of globular form,<br />
painted in famille rose enamels with a<br />
Chinese family in landscape, 13.5cm high;<br />
and A Similar Teapot and Cover,<br />
painted with a Chinese family on an<br />
underglaze blue cell ground, replacement<br />
silver spout, 15cm high (2)<br />
£70 - 100<br />
219<br />
A Pair of Chinese Porcelain Tureen<br />
Stands, Qianlong, of canted rectangular<br />
form, painted in famille rose enamels with<br />
peacocks amongst rockwork and foliage<br />
within a foliate meander border, 37cm<br />
wide<br />
£200 - 300<br />
220<br />
A Chinese Porcelain Silver Shaped<br />
Sauceboat, Qianlong, of lobed oval<br />
form, painted in famille rose enamels with<br />
birds amongst foliage and rockwork in a<br />
fenced garden within an arrowhead<br />
border, 24cm long<br />
£200 - 300<br />
221<br />
A Pair of Chinese Porcelain Baluster<br />
Vases, 19 th century, with pleated necks,<br />
fluted bodies and mythical beast handles,<br />
painted in famille rose enamels with exotic<br />
birds in a fenced garden, on a yellow<br />
ground within foliate borders with panels<br />
of further birds, 36cm high<br />
£700 - 1000<br />
222<br />
A Pair of Chinese Porcelain Famille<br />
Rose Vases, 19 th century, of slightly<br />
flared cylindrical form with waisted necks,<br />
enamelled with scroll panels of foliage on<br />
a foliate ground within formal borders,<br />
43cm high, mounted as electric table<br />
lamps<br />
£500 - 800<br />
223<br />
A Set of Six Chinese Porcelain<br />
Armorial Plates, late 19 th /early 20 th<br />
century, with central arms within a foliate<br />
and diaper border, 24.5cm diameter<br />
£200 - 300
224<br />
A Pair of Chinese Porcelain Large<br />
Hexagonal Vases, 19 th century, with<br />
mythical beast handles, painted in famille<br />
rose enamels with figures at various<br />
pursuits in landscapes, 50cm high<br />
£2500 - 3500<br />
225<br />
A Chinese Porcelain Pedestal Bowl,<br />
Jiaqing seal mark and probably of the<br />
period, of lobed oval form, painted in<br />
famille rose enamels with two maidens<br />
and a beast on a raft within an ogee panel<br />
within an iron red and gilt border of<br />
dragons chasing the flaming pearl, the<br />
exterior with a continuous river landscape<br />
with further maidens and beasts on rafts<br />
and with other figures and animals, six<br />
character seal mark in red, 27cm wide<br />
£600 - 800<br />
226<br />
A Chinese Wucai Porcelain Bowl,<br />
Daoguang mark, 1821-50 and of the<br />
period, finely painted with dragon and<br />
phoenix chasing the flaming pearl amongst<br />
foliage below a border with the eight<br />
Buddhistic emblems, six character seal<br />
mark in underglaze blue, 15cm diameter<br />
**Provenance: Acquired as a gift from<br />
friends in the 1940's or 1950's and thence<br />
by descent.<br />
£12000 - 18000<br />
227<br />
A Chinese Porcelain Chicken Bowl,<br />
Qianlong reign mark but probably not<br />
of the period, painted in famille rose<br />
enamels with chickens amongst rockwork<br />
and foliage, the interior with similar<br />
circular panel, six character seal mark in<br />
underglaze blue, 17.5cm diameter<br />
£200 - 300<br />
228<br />
A Chinese Porcelain Dish, Kangxi<br />
reign mark but later, painted in famille<br />
verte enamels with a central panel of carp<br />
amongst waves, on a ground of dragons<br />
chasing the flaming pearl within ruyi scroll<br />
borders and panelled lattice rim, six<br />
character mark in underglaze blue, 49.5cm<br />
diameter<br />
£200 - 300<br />
229<br />
A Chinese Porcelain Fish Bowl in<br />
Kangxi Style, painted in famille rose<br />
enamels with ribbon tied baskets of<br />
flowers in rectangular panels on a ground<br />
of stylised scrolling foliage within lattice<br />
and scroll borders, 29.5cm high<br />
£300 - 500<br />
230<br />
A Chinese Porcelain Baluster Vase,<br />
19 th century, the trumpet neck with<br />
folded inner rim and applied with mythical<br />
beast handles, painted in underglaze blue<br />
with birds and insects amongst foliage<br />
within formal scroll and lappet borders,<br />
62cm high<br />
£200 - 300<br />
231<br />
A Chinese Porcelain Kettle and Cover,<br />
late 19 th century, of cylindrical form with<br />
metal handle, painted in underglaze blue<br />
with eight immortals amongst clouds,<br />
26.5cm high; and A Similar Smaller<br />
Kettle, 22cm high (4)<br />
£300 - 400<br />
232<br />
A Chinese Porcelain Figure of<br />
Buddha, 19 th century, the seated figure<br />
with blue, turquoise and gilt headdress,<br />
green jacket and orange skirts picked out<br />
in gilt, on a lotus moulded waisted oval<br />
base, 32cm high<br />
£1800 - 2500
233<br />
A Chinese Porcelain Baluster Vase,<br />
19 th century, with flared neck and ring<br />
and mask handles, painted in famille verte<br />
enamels with figures and animals in<br />
landscapes within panels on a red cell<br />
ground with further foliage and objects<br />
within panelled diaper and cloud scroll<br />
borders, 61cm high<br />
£1000 - 1500<br />
234<br />
A Chinese Sang de Boeuf Bottle Vase,<br />
19 th century, 28.5cm high<br />
£200 - 300<br />
235<br />
A Chinese Blue Monochrome Glazed<br />
Bottle Vase, Qing dynasty, with<br />
wrythen lighter blue decoration, 46.5cm<br />
high<br />
£300 - 500<br />
236<br />
A Chinese Porcelain Baluster Vase, in<br />
Kangxi style, painted in famille noire<br />
enamels with birds perched in flowering<br />
prunus branches, 37cm high<br />
£600 - 800<br />
237<br />
A Cantonese Porcelain Baluster Vase,<br />
mid 19 th century, with trumpet neck and<br />
mythical beast handles, typically painted in<br />
famille rose enamels, with panels of<br />
figures in landscape and interiors, on a<br />
ground of birds, insects and scattered<br />
foliage, 62cm high<br />
£500 - 700<br />
238<br />
A Cantonese Porcelain Baluster Jar<br />
and Cover, mid 19 th century, with ball<br />
knop, typically painted in famille rose<br />
enamels with figures in landscape and<br />
interiors in panels on a foliate and insect<br />
ground, 63cm high, on a carved hardwood<br />
stand with octagonal marble inset panel<br />
within a beaded border over a foliate<br />
pierced frieze on cabriole legs with claw<br />
and feet tied by stretchers, 45cm high (3)<br />
£600 - 800<br />
239<br />
A Cantonese Porcelain Baluster Jar<br />
and Cover, mid 19 th century, the<br />
domed cover with conical knop and metal<br />
hinged collar and mount, typically painted<br />
in famille rose enamels with figures in<br />
landscapes and interiors in rectangular<br />
panels on a ground of birds, insects and<br />
scattered foliage, within gilt and foliate<br />
borders, 62cm high, on a George II style<br />
giltwood and gesso stand with four scroll<br />
supports tied by stretchers, 47cm high<br />
£2000 - 3000<br />
240<br />
A Cantonese Porcelain Bough Pot and<br />
Pierced Liner, mid 19th century, of<br />
flared canted square form with twin<br />
handles, typically painted in famille rose<br />
enamels with figures in interiors in panels<br />
on a foliate ground moulded and painted<br />
with scrolls amongst fruiting branches,<br />
22.5cm high<br />
£200 - 300<br />
241<br />
A Cantonese Porcelain Dish, mid 19 th<br />
century, typically painted in famille rose<br />
enamels with panels of figures in interiors<br />
and birds in branches on a scroll and<br />
foliate ground, 41.5cm diameter<br />
£300 - 400
242<br />
A Cantonese Porcelain Baluster Vase,<br />
mid 19 th century, the flared neck with<br />
frilled rim and applied with mythical<br />
beasts, typically painted in famille rose<br />
enamels with panels of figures in interiors<br />
and birds in branches on a foliate and<br />
scroll ground, 35.5cm high, carved<br />
hardwood stand<br />
£200 - 300<br />
243<br />
A Pair of Canton Porcelain Bottle<br />
Vases, mid 19 th century, painted in<br />
famille rose enamels with figures and<br />
precious objects on a ground of scattered<br />
flower sprigs below a scroll panelled<br />
border, 31.5cm high<br />
£300 - 500<br />
244<br />
A Chinese Duck Egg Blue Glazed<br />
Inkstand, 19 th /20 th century, modelled<br />
as a butterfly with two receptacles below<br />
its wings, 8.5cm wide<br />
£300 - 400<br />
245<br />
A Pair of Imari Porcelain Plates, early<br />
18 th century, typically painted with a<br />
jardinière of foliage in circular panel within<br />
a foliate and scroll border, 24.5cm<br />
diameter<br />
£200 - 300<br />
246<br />
An Imari Porcelain Circular Dish,<br />
early 18 th century, typically painted with<br />
a jardinière of foliage within a broad<br />
border of birds in branches, and scroll<br />
panels of mythical beasts and foliage,<br />
27.5cm diameter<br />
£200 - 300<br />
247<br />
An Imari Porcelain Barber's Bowl,<br />
18 th century, of traditional form, painted<br />
in typical colours with a jardinière of<br />
flowers in a fenced garden within a shaped<br />
border of quail and foliage, 27cm diameter<br />
£200 - 300<br />
248<br />
An Arita Porcelain Figure Group, in<br />
17 th century style, as a man and an oni<br />
arm wrestling, both wearing traditional<br />
costume picked out in underglaze blue, on<br />
a hardwood table base, 54cm wide overall<br />
£3000 - 5000<br />
249<br />
A Pair of Nabeshima Porcelain Dishes,<br />
in 17 th century style, of oval form<br />
painted in underglaze blue with carp<br />
amongst seaweed, the exterior with lotus<br />
and with comb foot, 21cm wide<br />
£1000 - 1500<br />
250<br />
A Pair of Nabeshima Shallow Dishes,<br />
in 17 th century style, painted with<br />
flowering lotus and butterflies, 11cm<br />
diameter<br />
£400 - 600<br />
251<br />
A Pair of Japanese Porcelain Tokkuri,<br />
19 th century, painted in colours with<br />
figures of warriors and birds in branches<br />
below a brocade border, seal marks, 19cm<br />
high<br />
£400 - 600<br />
252<br />
An Imari Porcelain Jar, Cover and<br />
Inner Cover, Meiji period, typically<br />
painted with dragons chasing the flaming<br />
pearl above waves, on a brocade ground<br />
with ogee panels of phoenix within scroll<br />
and panel borders, 30cm high<br />
£300 - 500
253<br />
A Pair of Satsuma Vases, Meiji period,<br />
of square section baluster form with loop<br />
and mask handles, typically painted with<br />
figures in landscape in panels within<br />
brocade borders, signed, 19cm high; and<br />
A Similar Dish, of shaped circular form,<br />
painted with figures in landscapes within<br />
brocade panels, signed, 15cm wide (3)<br />
£300 - 400<br />
254<br />
A Pair of Satsuma Earthenware<br />
Vases, signed Kinkozan, Meiji period,<br />
painted with chickens in landscape and<br />
birds in branches in rectangular panels, on<br />
a blue ground gilt with brocade and flower<br />
sprigs, four character mark, 12cm high<br />
£300 - 500<br />
255<br />
A Chinese Porcelain Snuff Bottle,<br />
Daoguang (1821-1850), of compressed<br />
oval form, painted in underglaze blue with<br />
a continuous scene of figures taking tea, a<br />
figure pushing a wheel chair by a horse,<br />
four character mark, 6cm (excluding<br />
associated stopper)<br />
£300 - 400<br />
256<br />
A Chinese Cloisonné Snuff Bottle,<br />
Qing Dynasty, of flattened rounded form,<br />
worked with repeat lotus blossoms, bats<br />
and shou medallions, bone stopper,<br />
bearing engraved four character mark of<br />
Qianlong, 6.7cm high<br />
£700 - 1000<br />
257<br />
Two Oriental Snuff Bottles, late Qing<br />
Dynasty, comprising an inside painted<br />
glass snuff bottle, decorated with four<br />
figures and an ape beneath rocks amongst<br />
inscriptions, smokey quartz stopper, 7cm<br />
high, and a Japanese cloisonné snuff<br />
bottle, worked with numerous flowerheads<br />
in subdued colours, cast seal mark, 7cm<br />
£250 - 350<br />
258<br />
A Chinese Blue and White Porcelain<br />
Snuff Bottle, 19th century, cylindrical,<br />
painted with a sky dragon over waves,<br />
8.2cm high<br />
£60 - 100<br />
259<br />
A Cantonese Enamel Circular Box and<br />
Cover, Qianlong, painted in famille rose<br />
enamels with birds amongst flowering<br />
branches in ogee panels on a green cell<br />
ground, 8cm diameter<br />
£150 - 250<br />
260<br />
A Pair of Cantonese Enamel Altar<br />
Candlesticks, 19 th century, with dished<br />
circular drip pans and baluster stems on<br />
ogee dished and bell bases, painted in<br />
famille rose enamels with figures in<br />
landscapes and interiors, birds in branches<br />
and ducks swimming, in shaped panels on<br />
a ground of foliage within formal borders,<br />
44cm high<br />
£400 - 600<br />
261<br />
A Chinese Jade and Hardwood Ruyi<br />
Sceptre in 18 th Century Style, set with<br />
three shaped plaques carved in relief with<br />
birds and animals amongst flowering<br />
branches, 50cm long<br />
£500 - 700
262<br />
A Chinese Jade Group, late 19 th /20 th<br />
century, as three birds perched on a<br />
gnarly prunus tree, one pecking a leaves,<br />
21cm high, hardwood stand<br />
£200 - 300<br />
263<br />
A Chinese Carved and Inscribed Jade<br />
Bowl, Qianlong mark and of the<br />
period, the pale celadon ogee bowl<br />
carved with a continuous mountain<br />
landscape, the domed cover inscribed with<br />
a poem dated 1746, six character seal<br />
mark to cover, 10cm diameter<br />
**Provenance: Bluett & Sons 1952<br />
£5000 - 7000<br />
264<br />
A Chinese Pale Jade Plaque as a Table<br />
Screen, 18 th /19 th century, of arched<br />
rectangular form, carved in relief with two<br />
deer and bats beside a fruiting tree and<br />
with incised and gilt script, the reverse<br />
with flowers and foliage, and with further<br />
script, 24cm by 18.5cm, hardwood stand<br />
**Provenance: Bluett & Sons 1958<br />
£5000 - 7000<br />
265<br />
A Chinese Jade Mountain in 18 th<br />
Century Style, the craggy peaks carved<br />
with a standing figure and with trees,<br />
14.5cm wide, with hardwood stand<br />
£400 - 600<br />
266<br />
A Chinese Soapstone Brush Washer,<br />
19 th century, as a flattened baluster vase<br />
flanked by two smaller vases, carved in<br />
high relief with peony and chrysanthemum<br />
amongst rockwork, 27.5cm high, later<br />
mounted as an electric lamp base on a<br />
hardwood plinth<br />
£200 - 300<br />
267<br />
A Chinese Marble Figure of Guanyin,<br />
Qing Dynasty, three-quarter length, her<br />
hair tied back, wearing flowing robes and<br />
a necklace, carrying a fish in a basket in<br />
her right hand, 53cm, hardwood stand<br />
£400 - 600<br />
268<br />
A Large Japanese Bronze Incense<br />
Burner, Cover and Stand, 19 th<br />
century, of wave moulded baluster form<br />
cast and pierced in high relief with<br />
dragons amid the waves within Greek key<br />
borders, 112cm high, on a circular<br />
hardwood stand with pierced keywork<br />
frieze, on four legs with paw feet tied by<br />
pierced stretchers See illustration<br />
£2000 - 3000<br />
269<br />
A Chinese Bronze Large Mirror,<br />
probably Ming in Tang style, the<br />
central circular boss within a circular panel<br />
with four mythical beasts on a ground of<br />
four phoenix within cloud scrolls and with<br />
broad plain border, 33.5cm diameter<br />
**Provenance: Lady Buchanan-Jardine of<br />
Jardine Matheson<br />
£300 - 500<br />
270<br />
A Chinese White Metal Scroll Weight,<br />
cast with calligraphy and tigers, bears<br />
stamped mark to reverse, 23cm; and A<br />
Similar Plaque, cast with Guanyin, 10cm<br />
high (2)<br />
£200 - 250<br />
271<br />
A Chinese Gilt Bronze Figure of<br />
Buddha, 17 th /18 th century, wearing<br />
flowing robes with foliate borders sitting<br />
crossed legged, 25cm high<br />
£300 - 500
272<br />
A Cantonese Boxwood Card Case, late<br />
19 th century, of rectangular form<br />
profusely carved with figures and pagodas<br />
amongst trees in landscape, 11cm high<br />
£200 - 300<br />
273<br />
Chinese School: Seated Portraits of<br />
an Emperor and Empress, Qing<br />
Dynasty, the Emperor wearing dragon<br />
robes and beads in a lion skin backed<br />
throne chair, upon a lotus carpet,<br />
inscription to the right hand side, painted<br />
area 154cm by 99cm, the Empress<br />
similarly seated with elaborate phoenix<br />
headdress, inscription on the left and right<br />
hand border<br />
£700 - 1000<br />
274<br />
A Chinese Scroll Painting, Qing<br />
Dynasty, painted with maidens playing<br />
musical instruments in a pagoda in<br />
landscape, 150cm by 58cm<br />
£200 - 300<br />
275<br />
A Chinese Embroidered Silk Summer<br />
Robe, late Qing Dynasty, worked with<br />
sprays of summer flowers and with<br />
roundels on a red ground within blue scroll<br />
borders<br />
£100 - 150<br />
276<br />
A Chinese Ivory Cylinder, 20 th<br />
century, of rectangular section with<br />
canted fluted corners, deeply carved with<br />
sinuous dragons amongst cloud scrolls<br />
within rectangular panels, 11cm high<br />
**With CITES A10 (non-transferable)<br />
licence no.504684/03<br />
£300 - 400<br />
277<br />
A Pair of Chinese Carved and Stained<br />
Ivory Figures of Dogs of Fo, 20 th<br />
century, each in typical pose, one with a<br />
brocade ball, the other with a pup, on<br />
lotus carved oval bases, incised marks,<br />
9.5cm high, hardwood stands<br />
**With CITES A10 (non-transferable)<br />
licence no.504684/02<br />
£400 - 600<br />
278<br />
A Chinese Ivory Carving, 20 th<br />
century, as buildings and figures on a<br />
meandering pathway amongst foliage, a<br />
fishing boat at its base, 18cm high<br />
**With CITES A10 (non-transferable)<br />
licence no.504684/01<br />
£150 - 200<br />
279<br />
An Indian Ivory Chess Set, mid 20 th<br />
century, the kings and queens carved as<br />
elephants with howdah, the remaining<br />
pieces as riders on horse and elephant<br />
back, on circular stand, the king 9cm high,<br />
cased<br />
**With CITES A10 (non-transferable)<br />
licence<br />
£250 - 350<br />
280<br />
A Cantonese Ivory Chess Set, mid<br />
20 th century, as standing figures in<br />
traditional costume, the king 10cm high, in<br />
a fitted chequer board box<br />
**With CITES A10 (non-transferable)<br />
licence<br />
£250 - 350
281<br />
A Chinese Rhinoceros Horn Libation<br />
Cup, 17th/18th century, as an open<br />
mallow blossom, externally carved in relief<br />
with flowering prunus, the prunus<br />
branches forming an openwood foot, fine<br />
colour and deep patination, 13cm wide,<br />
7.2cm high, 126g<br />
**Sold with Animal Health permission<br />
letter 078-12/13<br />
£25000 - 35000<br />
282<br />
A Chinese Rhinoceros Horn Libation<br />
Cup, 17th/early 18th century, as a<br />
lotus leaf, two lotus rhizomes forming the<br />
handle inhabited by a crab and water<br />
snail, on openwork foot, fine colour and<br />
lustrous patination, 13.5cm wide, 7cm<br />
high, 119g<br />
**Sold with Animal Health permission<br />
letter 077-12/13<br />
£25000 - 35000<br />
283<br />
A Chinese Carved Rhinoceros Horn<br />
"Twenty-Six Dragon" Libation Cup,<br />
17th century, of archaic "metal" flared<br />
hexagonal form, with leiwen narrow rim<br />
bands, main dissolving "dragon" girdle<br />
band against a ground of leiwen carved<br />
both internally and externally with<br />
twenty-six wrything dragons of varying<br />
sizes, on flared foot (of differing colour)<br />
carved with two character seal on the<br />
base, 11.3cm high, 16cm wide, 298g<br />
**Sold with Animal Health permission<br />
letter 076-12/13<br />
£70000 - 100000<br />
284<br />
A Chinese Carved Rhinoceros Horn<br />
Libation Cup, 17th/18th century,<br />
modelled as a duck complete with webbed<br />
feet, the head of the bird at one end,<br />
holding a trailing lotus blossom in its beak,<br />
with feathery and stylised lingzhi scroll<br />
plumage detail both internally and<br />
externally, 9cm long, 3.6cm high, 68g<br />
**Sold with Animal Health permission<br />
letter 093-12/13<br />
£35000 - 45000<br />
285<br />
A Pair of South East Asian Gilt Carved<br />
Stone Heads, in Archaic style, 26cm<br />
high, wooden bases<br />
£200 - 300<br />
286<br />
A Japanese Bronze Figure of a Bird,<br />
Meiji period, standing, its head turned to<br />
preen its wing feathers, tail feathers<br />
splayed, 9.5cm high<br />
£150 - 250<br />
287<br />
A Japanese Bronze and Ivory Figure<br />
of a Girl, Meiji period, in traditional<br />
flowing robes, her hair tied up, carrying a<br />
parasol, on a shaped hardwood base,<br />
21cm high<br />
£200 - 300<br />
288<br />
A Japanese Bronze Figure Group,<br />
Meiji period, as an elephant being<br />
attacked by two tigers, one on its back,<br />
one under its raised left leg, ivory tusks,<br />
seal mark, 39.5cm high<br />
£300 - 500
289<br />
A Pair of Japanese Bronze Large<br />
Elephant and Howdah Incense<br />
Burners, Meiji period (1868-1912),<br />
the exotic beasts standing four square<br />
with their trunks raised, each with a<br />
dragon and bead cast saddlecloth<br />
supporting a howdah in the form of a<br />
three-tier pagoda surmounted by a dragon<br />
and with scroll angles to the tiled roofs<br />
and with pierced windows, 119cm high<br />
**Provenance: Found in a Sheffield scrap<br />
yard after World War II<br />
£10000 - 15000<br />
290<br />
After Hiroshige: Trees in moonlit<br />
landscape; and Three Other<br />
Woodblock Prints, framed and glazed<br />
(4)<br />
£150 - 200<br />
291<br />
A Japanese Shibayama Page Turner,<br />
Meiji period, the handle formed as fish<br />
and an octopus, the blade inlaid with a<br />
butterfly and flowering branches, 41.5cm<br />
long<br />
£150 - 200<br />
292<br />
A Japanese Stag Antler Netsuke, 19 th<br />
century, modelled as a seated shi-shi,<br />
unsigned, 3.5cm long<br />
£150 - 200<br />
293<br />
A Japanese Ivory Netsuke, Meiji<br />
period, as a seated monkey drinking from<br />
a bowl, two character signature, 4cm high;<br />
A Netsuke, as a rat in a cloak, 6cm high;<br />
A Netsuke, as a seated kylin, 5.5cm high;<br />
An Ivory Plaque as a Netsuke, with a<br />
rickshaw, 3.5cm; An Ivory Two Case<br />
Inro, gilt with leaves, 4cm, with hardwood<br />
netsuke; and Two Cloisonné Enamel<br />
Miniature Vases (7)<br />
£150 - 200<br />
294<br />
A Japanese Ivory Okimono as an Old<br />
Man, early 20 th century, standing in<br />
traditional dress, holding the raised left<br />
hand of a small child at his feet, on a<br />
shaped base, two character signature,<br />
19.5cm high<br />
£250 - 300<br />
295<br />
A Japanese Ivory Okimono of a Man,<br />
early 20 th century, standing wearing<br />
traditional dress smoking a pipe, a<br />
rope-tied bundle of flowers at his feet, on<br />
a shaped oval base, signed, 20.5cm high<br />
£250 - 300<br />
296<br />
A Japanese Carved Ivory Okimono as<br />
a Fisherman, early 20 th century,<br />
standing in traditional dress, a large net<br />
over his left arm and right hand, on a<br />
rocky base with waves, on an oval plinth,<br />
two character signature, 21cm high<br />
£250 - 350<br />
297<br />
A Japanese Ivory Okimono as a<br />
Fisherman, early 20 th century,<br />
standing wearing traditional dress holding<br />
a rod in his left hand, a float in his right, a<br />
fish at his feet, a further fish in a basket at<br />
his side, on a shaped circular base, signed<br />
to a red lacquer tablet, 18cm high<br />
£250 - 300<br />
298<br />
A Japanese Ivory Okimono as a<br />
Fisherman, early 20 th century,<br />
standing in traditional garb pulling a net<br />
from the waves at his feet, on a shaped<br />
oval base, two character signature,<br />
21.5cm high<br />
£250 - 350
299<br />
An Ivory Okimono of a Fisherman,<br />
early 20 th century, standing in<br />
traditional garb holding a net, waves at his<br />
feet, on a shaped oval base, two character<br />
signature, 21cm high<br />
£250 - 350<br />
300<br />
A Japanese Ivory Okimono, Meiji<br />
period, as two figures standing on a rock,<br />
the fisherman holding a net and lighting<br />
the pipe of the second figure who is<br />
picking the other's pocket, a bird on his<br />
shoulder, on an oval base, two character<br />
mark to red tablet, 19.5cm high<br />
£250 - 350<br />
301<br />
A Pair of Chinese Ivory Figures of a<br />
Goddess, early 19 th century, each with<br />
a flaming halo, wearing flowing traditional<br />
costume with jewelled decoration sitting<br />
on the back of mythical beasts, one in gilt<br />
bronze, the other in carved hardwood,<br />
19cm and 17.5cm<br />
£3000 - 4000<br />
302<br />
A Japanese Ivory and Wood Okimono<br />
of a Millstone Maker, Meiji period, the<br />
seated figure holding a hammer in both<br />
hands, a millstone between his knees,<br />
further tools on a circular box at his side,<br />
red lacquer plaque with two character<br />
signature, 7.5cm high<br />
£300 - 400<br />
303<br />
A Japanese Ivory Okimono of a<br />
Potter, Meiji period, the seated figure<br />
with a vase on his potter's wheel, three<br />
further vases to his left hand side, red<br />
lacquer plaque with two character<br />
signature, 8.5cm high<br />
£400 - 600<br />
304<br />
A Japanese Ivory Okimono, early 20 th<br />
century, as a chick with inlaid eyes<br />
emerging from a broken egg, two<br />
character signature, 12cm long<br />
£250 - 400<br />
Works 0f <strong>Art</strong> & Miniatures<br />
305<br />
A Bronze Group of Two Horses, after<br />
the model by Pierre Jules Mene,<br />
standing on an oval mound base, bears<br />
inscription PIERRE JULES MENE, 40cm<br />
high<br />
£500 - 700<br />
306<br />
After Paul d'Aire: A French Bronze<br />
Figure of a Woodsman, early 20 th<br />
century, the standing figure with his left<br />
foot on a log holding an axe above his<br />
head, a bag at his feet, on a rocky<br />
moulded base, signed Paul d'Aire, 42,5cm<br />
high<br />
£300 - 500<br />
307<br />
A Pair of Bronze Figures, French, late<br />
19 th century, of a youth in a straw hat<br />
and animal skin playing a flute, and a<br />
maiden in loose fitting robes, each on<br />
stepped circular black marble bases,<br />
signed RICHARD, 32cm high<br />
£700 - 1000<br />
308<br />
A Bronze Bust of a Woman, 20 th<br />
century, reputedly Virginia Woolf, 38.5cm<br />
high<br />
£150 - 200
309<br />
After Ulpiano Fernandez-Checa y Saiz<br />
(Spanish, 1860-1916): A Gilt Bronze<br />
Figure Group of Two Horses Pulling a<br />
Chariot and Charioteer at Speed, on a<br />
rectangular base, signed U CHECA, 61cm<br />
long<br />
£500 - 700<br />
310<br />
A French Bronze Figure Group, after<br />
the model by Etienne Maurice<br />
Falconet (1760-1791), the two<br />
grappling figures on a circular base cast<br />
with a heart, a quiver of arrows and<br />
flowers, bears signature FALCONET, 44cm<br />
high, on a rouge marble base with brass<br />
plaque inscribed SOUVENIR DE 30 ANS DE<br />
COLLABORATION 1879-1909 BMP & CIE<br />
See illustration<br />
£1000 - 1500<br />
311<br />
A Pair of French Bronze Figures of<br />
Maidens, after a model by Mathurin<br />
Moreau (1822-1912), possibly<br />
allegorical of the Senses, both in loose<br />
flowing drapes, one holding a hand mirror,<br />
a mast on a fluted column at her side, the<br />
other holding an arrow, a quiver on a<br />
fluted column at her side, on shaped<br />
rectangular bases, signed<br />
MOREAU.MATH.SCPT, 46cm high<br />
£2500 - 3500<br />
312<br />
After Franz Iffland (German,<br />
1862-1935): A Pair of Bronze<br />
Figures of Ice Skaters, as a young boy<br />
and girl wearing fur-lined cloaks, on<br />
circular bases, indistinctly signed, mounted<br />
on circular serpentine pedestals, 23cm<br />
high<br />
£250 - 350<br />
313<br />
A French Gilt Bronze Figure of a<br />
Snake Charmer, after a model by<br />
Eugene Marioton (1857-1933), the<br />
standing figure wearing an animal skin loin<br />
cloth, a snake wrapped about his left arm,<br />
on a rectangular plinth with plaque<br />
inscribed FASCINATOR 1ER PRIX DE<br />
L'ECOLE DES BEAUX ARTS E MARIOTON,<br />
52cm high, on a rouge marble plinth<br />
£800 - 1200<br />
314<br />
A Bronze Model of the Colleoni<br />
Monument, after Andreo Verrochio<br />
and Alessandro Leopardi, 34.5cm high,<br />
on a rectangular marble plinth<br />
**This is a reduction of the life size bronze<br />
in the Campo Santi Giovanni E Paulo in<br />
Venice<br />
£300 - 500<br />
315<br />
A Bronze Figure of Un Pepere, cast<br />
from the model by Emil Thomasson,<br />
the standing figure in military uniform<br />
smoking a pipe leaning on a walking stick,<br />
on a titled mound base, stamped signature<br />
and inscribed FONDERI DEL HOVE<br />
BRUXELLES, 44cm<br />
£200 - 300<br />
316<br />
A French Bronze Figure of a Boy<br />
Piper, After Auguste Moreau<br />
(1855-1919), the scantily clad boy<br />
playing two pipes, standing on a mound<br />
base with a further pipe and tree stump,<br />
bears signature AUG.MOREAU, 70cm high,<br />
granite plinth<br />
£500 - 700
317<br />
A French Bronze Figure of a<br />
Barbarian, cast from a model by<br />
Henri Fugere (1872-1944), titled “Pro<br />
Aris et Focis”, the standing figure<br />
wearing a fur loin cloth drawing his sword<br />
from a scabbard, on a titled mound base,<br />
bears signature H FURGERE, 85cm high<br />
£1000 - 1500<br />
318<br />
A Pair of Gilt Bronze Figures of<br />
Dancers, probably Italian, late<br />
19 th /early 20 th century, in traditional<br />
Alpine costume, each standing on one leg<br />
playing the castanets, on mound bases,<br />
22cm high<br />
£400 - 600<br />
319<br />
Valentino Panciera Besarel (Italian<br />
182901902): A Carved Wood Figure<br />
of a Renaissance Youth, standing<br />
wearing a jerkin, carved with a lion holding<br />
a book inscribed PAS EVAN TIBI GELI MAR<br />
STA CE ME, on a ground of stylised<br />
flowerheads, standing holding a staff, on a<br />
circular base with scale border and<br />
octagonal architectural stand, signed<br />
V.BESAREL VENEZIA, 177cm high<br />
£2500 - 3500<br />
320<br />
A Pair of Parcel Gilt Bronze Figural<br />
Candlesticks, late 19 th century, shaped<br />
as a winged putto holding a foliate<br />
sheathed sconce aloft, hung with a floral<br />
swag on a cylindrical white marble column<br />
with gilt mounts, 32cm high<br />
**Ex Tennants, 24.11.04, lot 1503<br />
£400 - 600<br />
321<br />
A French Bronze Figural Lamp Base,<br />
late 19th century, as a loosely draped<br />
classical maiden holding a bunch of<br />
flowers standing before a fluted column,<br />
on a drum base and marble plinth, 55cm<br />
high, fitted for electricity<br />
£200 - 300<br />
322<br />
After Louis Auguste Moreau<br />
(1834-1917): A Pair of Bronze<br />
Figures of Cupids "Alerte", each loosely<br />
draped winged figure with a quiver of<br />
arrows, on holding a shield, standing on<br />
flower encrusted bases and waisted<br />
circular plinths, signed Aug.Moreau, 57cm<br />
high<br />
£1000 - 1500<br />
323<br />
An Austrian Cold Painted Bronze<br />
Figural Lamp, in the manner of Franz<br />
Bergman, as an Arab trader sitting in his<br />
bazaar stall holding a model of the sphinx<br />
and a vase, various other artefacts about<br />
him, a carpet on hung behind, 28.5cm<br />
high<br />
**For a matching example see Christie's<br />
South Kensington, 27.9.00, lot 348<br />
£2000 - 3000<br />
325<br />
A Dieppe Ivory Triptych Figure of a<br />
Queen, circa 1870, standing wearing a<br />
crown, lace ruff and beaded dress holding<br />
an orb in her left hand, the skirts opening<br />
to reveal figures in an interior flanked by<br />
two further figures in medieval style, 21cm<br />
high, on an ebonised turned wood stand<br />
£250 - 350
326<br />
A Dieppe Ivory Figure of a<br />
Fashionable Lady, late 19 th century,<br />
standing wearing a feathered hat and<br />
ribbon tied flowing dress holding a parasol,<br />
a hound on a lead at her side, on a circular<br />
wooden plinth with three bracket feet,<br />
20.5cm high overall<br />
£200 - 300<br />
327<br />
A Carved Limewood Head of a Man,<br />
probably 18 th century, with flowing hair<br />
and long beard, 33.5cm high<br />
£300 - 500<br />
328<br />
A Polychrome, Giltwood and Gesso<br />
Reliquary Bust of St Anastasia, in 17 th<br />
century style, the saint with long flowing<br />
hair and gilt dress with cylindrical<br />
armature, on a rectangular base with Latin<br />
inscription, 47cm high<br />
£300 - 400<br />
329<br />
A Patinated Mask of William<br />
Shakespeare, mounted on a polished<br />
slate panel in a wooden frame, 43.5cm by<br />
36cm overall<br />
£200 - 300<br />
330<br />
A Pair of Terracotta Figures of<br />
Children, late 19 th century, each<br />
standing wearing loose smocks, one with<br />
hands clasped in prayer, the other one<br />
crying over a broken jar, on circular bases,<br />
stamped V Braithwaite (?) Wagham, 73cm<br />
high<br />
£400 - 600<br />
331<br />
A Pair of Polychrome Cast Figures of<br />
Nubians, as a young man and woman<br />
scantily clad wearing turbans, each holding<br />
a leaf sheathed urn on their heads, on<br />
circular bases and foliate sheathed<br />
quatrefoil scroll bases, 230cm high<br />
£1000 - 1500<br />
332<br />
A Pair of German Carved Oak Figures,<br />
in Renaissance style, as Roman soldiers<br />
wearing helmets and armour, one carrying<br />
a shield, on panelled rectangular bases,<br />
72cm high<br />
£400 - 600<br />
333<br />
A 19th Century Marbled Plaster<br />
Figure of Hebe, after Canova, the<br />
standing goddess with her hair tied up<br />
with a floral wreath, her hands on her hips<br />
in loose flowing robes, on a circular base<br />
with marbled square plinth 269cm high<br />
£1000 - 1500<br />
334<br />
An Italian Marble Bust of a<br />
Neapolitan Fisherman, 19 th century,<br />
wearing a traditional cap and jacket, on a<br />
swept square socle, 85cm high; and A<br />
Serpentine Stand, the circular top on a<br />
wrythen carved and panel column and<br />
stepped circular and octagonal base,<br />
111cm high (2)<br />
£3000 - 4000<br />
335<br />
An Italian Marble Bust of Mercury,<br />
18 th century, wearing a winged helmet<br />
and loose robes, 62cm high; and A<br />
Marble Stand, with square top, plain<br />
cylindrical column, stepped circular base<br />
and square plinth, 104cm high (2)<br />
£1000 - 1500
336<br />
A French Porcelain Mounted Gilt<br />
Bronze Inkstand, late 19 th century,<br />
with foliate sockets and drip pans on leaf<br />
sheathed scroll branches applied with<br />
flowers, the shaped triangular platform<br />
with a bird perched on a tree stump<br />
flanked by two inkpots and covers painted<br />
with flowers on scroll feet, 20cm high<br />
£250 - 350<br />
337<br />
A Russian Lacquer Box and Cover,<br />
late 19 th century, of rounded rectangular<br />
form, the hinged cover painted with three<br />
figures taking tea about a table, printed<br />
marks, 15.5cm wide<br />
£300 - 400<br />
338<br />
A Gilt Metal Mounted Malachite Box<br />
and Hinged Cover, early 20 th century,<br />
of rounded rectangular form on paw feet,<br />
14.5cm wide<br />
£200 - 250<br />
339<br />
A Pair of Gilt Bronze Three-Light Wall<br />
Appliqués, in Louis XV style, 19th<br />
century, of leaf sheathed scroll form with<br />
scroll moulded sconces and rose pendant<br />
terminals, 59cm high<br />
£800 - 1200<br />
340<br />
A Pair of Venetian <strong>Glass</strong> Mounted<br />
Metal Three-Branch Candelabra, in<br />
18 th century style, the scroll branches<br />
with glass sockets and drip pans, entwined<br />
and surmounted by leafy fronds issuing<br />
from a flattened vase shaped column on<br />
rectangular bases, 68cm high<br />
£400 - 600<br />
341<br />
A Gilt Metal Mounted Pink Marble<br />
Lamp Base, of slender baluster form on<br />
knopped stem, paw feet and tricorn base,<br />
51cm high, mounted for electricity<br />
£150 - 200<br />
342<br />
A Pair of Gilt Metal Mounted Green<br />
Breccia Marble Lamp Bases, in Louis<br />
XV style, of baluster form with swan neck<br />
handles hung with foliate swags on<br />
circular socles and square bases, 46cm<br />
high, fitted for electricity, with shades<br />
£400 - 600<br />
343<br />
A Baroque Style Silver Plated<br />
Eight-Branch Electrolier, the vase stem<br />
applied with putto head caryatids, from a<br />
cylindrical body supporting eight outscroll<br />
branches with circular pans, with ring for<br />
suspension, 60cm high approx<br />
**Ex collection: Baroness Burton,<br />
Rangemoor House, Burton-on-Trent<br />
£300 - 500<br />
344<br />
A Pair of French Gilt Bronze<br />
Three-Light Candelabra, in Louis XIV<br />
style, with foliate sheathed sockets,<br />
circular drip pans, and scrolling branches<br />
issuing from a central column with<br />
flamiform finial hung swags, on an<br />
acanthus and husk moulded circular<br />
domed base, 33.5cm high<br />
**Provenance: Belonged to Primrose<br />
Dampier-Blackburn (nee Atkinson)<br />
£1500 - 2000
345<br />
A Pair of Victorian Brass<br />
Triple-Branch Girandoles, lozenge<br />
marked for 1879, with shell burst backs<br />
and looping branches from an urn, 34cm<br />
high; A Victorian Pair of Two-Branch<br />
Girandoles, en suite, 20cm high; and<br />
Two Modern Examples (6)<br />
£350 - 500<br />
346<br />
A Carved Oak Panel, probably 16 th<br />
century, of rectangular form, carved in<br />
high relief with a face beneath an ogee<br />
arch with shingle roof within a chamfered<br />
frame, 26cm by 28cm<br />
£150 - 250<br />
347<br />
A Polychrome Giltwood and Gesso<br />
Corner Wall Bracket, in early 18 th<br />
century style, the trefoil plinth on carved<br />
foliate scroll and mask stem and leaf and<br />
flower pendant terminal, 47cm high<br />
£250 - 350<br />
348<br />
A Giltwood and Gesso Cresting, 19th<br />
century, as an eagle, its wings<br />
outstretched perched on a burning<br />
column, 93cm wide<br />
£200 - 300<br />
349<br />
A White Marble Column, with grey<br />
marble square plinth, capital and foot, and<br />
with a bronze collar cast and pierced with<br />
berried leaves and rosettes, 108cm high<br />
£350 - 550<br />
350<br />
A Victorian Boulle Writing Slope, mid<br />
19th century, the domed top and hinged<br />
piano fall with scrolling foliage and<br />
latticework, with oval cartouche engraved<br />
with initials, opening to reveal an<br />
arrangement of compartments and a<br />
green velvet skiver, on a rectangular base,<br />
31cm wide<br />
£200 - 250<br />
351<br />
A Pair of Ashford Pietra Dura<br />
Campana Urns, circa 1850, inlaid in<br />
coloured marbles with a continuous band<br />
of flowers above a gadrooned base on a<br />
circular circle and rectangular stepped<br />
column inlaid with further flower sprays,<br />
32.5cm high<br />
£5000 - 8000<br />
352<br />
A Blue John Derbyshire Spa<br />
Centrepiece, circa 1850, with central<br />
trumpet shaped vase, issuing from a deep<br />
circular bowl on a turned circular foot,<br />
21cm high<br />
£3000 - 5000<br />
353<br />
A Gilt Metal Mounted Blue John<br />
Derbyshire Spa Urn, early 19 th<br />
century, with ovoid finial and disc shaped<br />
collar on swept shoulders and cupped<br />
shape body, on a circular circle and square<br />
column with stepped angles on slate<br />
plinths, 37cm high<br />
£3000 - 4000<br />
354<br />
A Blue John Derbyshire Spa Egg<br />
Shaped Ornament, 19 th century, 13cm<br />
high<br />
£500 - 700
355<br />
A Gilt Metal Mounted Specimen<br />
Marble Casket, early 20 th century, of<br />
rectangular form with geometric designs<br />
on four ball feet, 15cm wide<br />
£200 - 300<br />
356<br />
A Regency Boulle Lap Desk, of sloping<br />
rectangular form, the hinged fall with a<br />
dancing figure within foliate and scroll<br />
panels including two scenes for Aesop's<br />
Fables, 48cm wide<br />
£300 - 400<br />
357<br />
A Gilt Metal and <strong>Glass</strong> Twelve-Light<br />
Electrolier, with six wrythen scrolls on a<br />
hexagonal baluster stem and hexagonal<br />
plateau supporting the wrythen fluted<br />
branches with foliate sockets and circular<br />
drip pans hung with bead swags and<br />
faceted drops, stepped base and pendant<br />
terminal, approx 68cm high<br />
£200 - 300<br />
358<br />
A Steel and Brass Fire Curb, 19 th<br />
century, the central wrythen bar with<br />
foliate terminals and supported upon lion<br />
mask and paw feet flanked by recumbent<br />
lions on swept rectangular plinths with<br />
foliate and arcaded decoration, the curb<br />
with beaded borders, 148cm wide<br />
£400 - 600<br />
359<br />
A Suit of Armour, in 15 th century<br />
style, the crested helmet with pierced<br />
visor, on a wooden plinth, 189cm high<br />
overall<br />
£1000 - 1500<br />
360<br />
A Neo-Classical White Marble Panel,<br />
in 18 th century style, of vertical<br />
rectangular form, in relief with a ribbon<br />
tied fruit and foliate wreath and swag over<br />
two putti beside an urn of fruit, on a<br />
stepped rectangular plinth with fruit frieze<br />
within bevelled edges on a protruding<br />
canted rectangular base, 92cm by 76.5cm<br />
£400 - 600<br />
361<br />
A Regency Rosewood Collector's<br />
Cabinet, the hinged caddy top with brass<br />
swan neck carrying handle and plate,<br />
opening to reveal two lift-out trays with<br />
compartments, 21cm wide, with a small<br />
collection of shells<br />
£200 - 300<br />
362<br />
A George III Ivory and<br />
Mother-of-Pearl Inlaid Tea Caddy, of<br />
panelled oval form, the hinged cover with<br />
loop handle, the silver escutcheon and<br />
shield shaped plaque engraved WMC hung<br />
with a foliage swag above a tortoiseshell<br />
border, 12cm high; and A Similar<br />
Smaller Caddy, of rectangular form with<br />
domed cover, 13cm high (2)<br />
£500 - 800<br />
363<br />
A William IV Tortoiseshell Tea Caddy,<br />
of architectural form, the hinged pagoda<br />
cover with vacant silver cartouche opening<br />
to reveal two compartments with covers,<br />
on a shaped apron and bun feet, 20cm<br />
wide, with key<br />
£400 - 600
364<br />
A Victorian Walnut and Sample Wood<br />
Stationery Box, retailed by L<br />
Leuchars, 38 Piccadilly, London, of<br />
trapezoidal form, the hinged cover with<br />
patera within line borders and harebell<br />
angles, the base with roundels within line<br />
borders, opening to reveal five letter<br />
compartments, paper label, 20.5cm wide<br />
£150 - 250<br />
365<br />
A Victorian Toleware Tea Canister<br />
and Cover, of cylindrical form with<br />
sloping shoulders and domed cover,<br />
painted with a Chinese man in traditional<br />
costume within a gilt cartouche with<br />
scrollwork and Chinese characters below a<br />
gilt band with cartouche numbered 4,<br />
42cm high<br />
£200 - 300<br />
366<br />
A George III Mahogany and<br />
Crossbanded Tea Caddy, of rectangular<br />
form with quarter-veneered panels centred<br />
by yew ovals, the hinged cover with brass<br />
handle opening to reveal two removable<br />
tea canisters with sliding covers, 19.5cm<br />
wide<br />
£500 - 700<br />
367<br />
A Victorian Coromandel Travelling<br />
Dressing Case, mark for Thomas<br />
Whitehouse, London 1865, of rectangular<br />
form with vacant cartouche and secret<br />
drawer, opening to reveal ten silver<br />
mounted glass bottles, jars and boxes, and<br />
a lift-out tray, and with mother-of-pearl<br />
mounted penknife, button hook, two other<br />
implements and a pair of scissors, 30.5cm<br />
wide<br />
£250 - 350<br />
368<br />
A Late Regency Mother-of-Pearl<br />
Inlaid Tortoiseshell Tea Caddy, 2 nd<br />
quarter 19 th century, of bowfront form,<br />
inlaid with a flowerspray and sprig, the<br />
hinged pagoda cover opening to reveal<br />
two lidded compartments, on bun feet,<br />
20cm wide<br />
£700 - 1000<br />
369<br />
A Victorian Papier Mâché Gilt and<br />
Mother-of-Pearl Inlaid Tea Caddy, of<br />
shaped arched rectangular form, the<br />
cartouche caddy top with a spray of<br />
flowers within a Greek key and scroll<br />
borders, opening to reveal two<br />
compartments with rectangular covers, the<br />
body with floral swag and scattered sprigs<br />
on four trefoil feet, 23cm wide<br />
£300 - 400<br />
370<br />
A George III Paper Scroll Tea Caddy<br />
and Cover, of canted rectangular form,<br />
decorated with stylised flowerheads and<br />
scroll work within chevron banding, with<br />
inner cover, 14cm wide<br />
£300 - 500<br />
371<br />
A Sycamore Bowl, 18 th /19 th century,<br />
of circular form, 46cm diameter<br />
£150 - 200<br />
372<br />
A Pair of George III Mahogany<br />
Candlesticks, the foliate brass sconces<br />
on fluted stems with wrythen fluted bases<br />
on turned circular feet, 40cm high<br />
£300 - 400
373<br />
A Lead Lined Turned Mahogany<br />
Goblet and Cover, 19 th century, the<br />
domed cover with acorn finial over a<br />
turned squat baluster body, waisted<br />
column and stepped circular socle, 27cm<br />
high<br />
£150 - 200<br />
374<br />
A Pair of Turned Mahogany<br />
Adjustable Stands, 19 th century, the<br />
circular tops on turned baluster columns<br />
with screw fitting for adjustment and<br />
turned circular loaded bases, 20.5cm high<br />
unextended<br />
£250 - 350<br />
375<br />
A Bronze Model of Cleopatra's<br />
Needle, 19 th century, cast with<br />
hieroglyphs on a square mount and<br />
circular base, 100cm high; and One<br />
Volume Sartain (John) and Iwanoff<br />
(Michael) On the Antique Painting in<br />
Encaustic of Cleopatra - Discovered in<br />
1818 A Forgotten Picture, George<br />
Gebbie & Co, Philadelphia 1885, hard<br />
cover, with presentation inscription To M<br />
Le Prince from John Sartain with his<br />
respectful compliments Philadelphia<br />
September 20 th 1886 (2)<br />
**By repute given to the vendor by an<br />
associate of Whitley Partners, Hunslett,<br />
Leeds who made a replica of Cleopatra's<br />
Needle which went into a time capsule<br />
along with various other items including<br />
photographs by M Le Prince, and placed<br />
beneath Cleopatra's Needle when it was<br />
erected on the Embankment.<br />
£300 - 500<br />
376<br />
A Collection of Cast Plaster<br />
Medallions, taken from classical,<br />
medieval and later bronze originals, some<br />
with painted decoration in imitation of<br />
patination, various sizes, approximately<br />
120 in total, contained in two pine<br />
collector's cabinets, the cabinets 43.5cm<br />
wide<br />
£200 - 300<br />
377<br />
A Reverse Painted <strong>Glass</strong> Silhouette<br />
Country Sports Plaque, circa 1900,<br />
composed of nine conjoined ovals, each<br />
depicting a different country pursuit,<br />
including hunting, horse racing, cock<br />
fighting and shooting, within decorative<br />
leaf and trellis borders, in a modern<br />
Hogarth frame, 48.5cm by 60cm<br />
£500 - 800<br />
378<br />
A Rectangular Enamel Plaque, painted<br />
with an equestrian portrait of Prince<br />
Tomaso of Savoy-Carignan after Antony<br />
Van Dyke, 21.5cm by 17cm, framed<br />
£1000 - 1500<br />
379<br />
Henry Bone RA (1755-1834): James<br />
Walter Grimston, Earl Verulam, after<br />
William Owen, a bust length portrait<br />
miniature of the Earl wearing a white stock<br />
and fur lined robes, the reverse inscribed<br />
James Walter Grimston, Earl Verulam,<br />
London Oct 1819, painted by Henry Bone<br />
RA, enamel painter in ordinary to His<br />
Majesty and enamel painter to his RH The<br />
Prince Regent, after the original by W T<br />
Owen RA Bone, rectangular, 8.5cm by<br />
6cm, in original gilt bronze frame<br />
£800 - 1200
380<br />
An 18 th Century Turned Horn<br />
Two-Section Screw Thread Pounce<br />
Pot and Ink Pot, of vase shape, 10.5cm<br />
high; Five Horn Beakers, 18 th /19 th<br />
century, three with white metal rims and<br />
plain, two engraved with continuous fox<br />
hunting scenes and one named EJ Dunton,<br />
the largest 14cm high; and An Engraved<br />
Horn Folding Cup, 9cm extended (7)<br />
£200 - 300<br />
381<br />
A Coptic Textile Fragment, possibly<br />
5 th -7 th Century AD, worked in colours<br />
with a square and border of stylised<br />
roundels with arrowheads, the border<br />
hung with a pendant on a linen ground,<br />
approximately 38cm square, framed and<br />
glazed; An Egyptian Painted Wood<br />
Sarcophagus Fragment, possibly circa<br />
500BC, painted in colours with the four<br />
sons of Ra, 39.5cm by 10cm, perspex<br />
stand; and A Polychrome Wood Figure<br />
of a Seated Pharaoh, 43cm high (3)<br />
£300 - 400<br />
382<br />
English School (19 th century): A Bust<br />
Portrait Miniature of Robert Hyde<br />
Greg, wearing a black stock and jacket,<br />
on ivory, 9.2cm by 8.2cm, the frame<br />
variously inscribed to reverse Robert Hyde<br />
Greg on his wedding day 1825; A Wax<br />
Relief Bust Portrait of a Young Lady,<br />
with ringletted hair, 20cm by 16cm,<br />
framed and glazed, the sitter believed to<br />
be a member of the Hyde Greg family; A<br />
Pair of Silhouettes of a Lady and<br />
Gentleman, framed as one in a gilt floral<br />
frame, 14cm by 16cm overall, framed and<br />
glazed; A Silhouette of Young Lady,<br />
11cm by 8.5cm, framed and glazed; and A<br />
Small Quantity of Correspondence, by<br />
and relating to Robert Hyde Greg and also<br />
a clipping obituary from the Manchester<br />
Guardian (qty)<br />
£400 - 600<br />
383<br />
F…B… (18 th century): A Portrait<br />
Miniature of a Gentleman, his grey<br />
powdered hair en queue, wearing a scarlet<br />
jacket, circular, initialled FB 79, circular,<br />
3.3cm, in turned wood frame; and<br />
English School, circa 1790: A Portrait<br />
Miniature of a Young Woman, with<br />
brown coiffure enriched with pearls, oval,<br />
3cm, in turned wood oval frame (2)<br />
£150 - 250<br />
384<br />
English School, circa 1830: A Portrait<br />
Miniature of a Young Woman, plaited<br />
brown hair and blue eyes, wearing a<br />
diaphanous dress against a cloudy sky<br />
background, oval, 8cm, in gilt metal frame<br />
with another portrait miniature on the<br />
reverse of a young girl clasping a lamb;<br />
and Another, circa 1835, of a young<br />
gentleman with brown hair and blue eyes,<br />
wearing a blue jacket, oval, 6cm (2)<br />
£180 - 250<br />
385<br />
Three Decorative Miniatures, circa<br />
1900, all of ladies with elaborate<br />
powdered coiffures, one signed T Rhodes,<br />
and one in a faux tortoiseshell frame, all<br />
circular, the largest 7cm diameter<br />
£180 - 250<br />
386<br />
English School (early 19 th century): A<br />
Portrait Miniature of a Gentleman,<br />
with blue eyes, wearing a blue jacket with<br />
brass buttons against a green curtain<br />
drape, oil on copper panel, 12cm by<br />
9.5cm, in a decorative gilt and gesso<br />
frame<br />
£200 - 300
Watches<br />
400<br />
A Stainless Steel Diamond Set<br />
Automatic Centre Seconds Calendar<br />
Wristwatch, signed Rolex, Oyster<br />
Perpetual, model: Datejust,<br />
Superlative Chronometer Officially<br />
Certified, Ref: 16200, circa 2002,<br />
(calibre 3135) 31-jewel lever movement<br />
with hacking seconds and quick date<br />
change, adjusted to five positions and<br />
temperature, silvered dial with applied<br />
Roman numerals, screw down winding<br />
crown, screw back, diamond set bezel,<br />
serial number Y622468, Rolex stainless<br />
steel Jubilee bracelet with deployant clasp,<br />
36mm wide, with Rolex box and booklet<br />
£1200 - 1500<br />
401<br />
A Stainless Steel Automatic Calendar<br />
Centre Seconds Wristwatch, signed<br />
Rolex, Oyster Perpetual Date, Model:<br />
Submariner 1000ft=300m,<br />
Superlative Chronometer Officially<br />
Certified, Ref: 16610T, circa 2008,<br />
lever movement with hacking seconds and<br />
quick date change, black dial with applied<br />
luminous markers, date aperture beneath<br />
magnifying glass, protected screw down<br />
winding crown, rotating bezel, screw back,<br />
serial number Z484181, Rolex stainless<br />
steel oyster bracelet with fliplock<br />
deployant clasp, 43mm wide, with Rolex<br />
boxes, booklets and dated warranty<br />
paperwork<br />
£3000 - 3500<br />
402<br />
A Stainless Steel Calendar Centre<br />
Seconds Wristwatch, signed Rolex,<br />
Oysterdate, Precision, Ref: 6694,<br />
circa 1970, lever movement, blue dial<br />
with applied baton markers, screw down<br />
winding crown, screw back, serial number<br />
3595220, Rolex steel oyster bracelet with<br />
deployant clasp, 35mm wide<br />
£400 - 600<br />
403<br />
A Stainless Steel Calendar Alarm<br />
Wristwatch, signed Tag Heuer,<br />
model: Aquaracer 300 meters, circa<br />
2011, quartz movement, black dial with<br />
applied Arabic and baton markers,<br />
subsidiary dials for alarm and seconds,<br />
date aperture at 6, protected screw down<br />
crown, alarm button, rotating bezel, screw<br />
back numbered WAF111Z EWC2590, Tag<br />
Heuer stainless steel bracelet with<br />
deployant clasp, 42mm wide, with Tag<br />
Heuer boxes, instructions booklet and<br />
guarantee card dated 2011<br />
£300 - 500<br />
404<br />
A Rare Giant-Sized Second World War<br />
German Luftwaffe Aviator's<br />
Wristwatch, signed Laco, so called<br />
B-Uhr, circa 1941, frosted gilt finished<br />
lever movement signed Laco and<br />
numbered 15524, bimetallic balance with<br />
blued overcoil hairspring, original finished<br />
black coloured dial with luminous outer<br />
five minute markers and inner hour dial,<br />
blued steel luminous hands, large centre<br />
seconds hand, nickel plated case with<br />
snap-on back numbered H15524, band of<br />
the case numbered FL 23883, inner case<br />
back with full details and matching<br />
number, onion shaped winding crown,<br />
55mm wide<br />
**The German Air Ministry recognised the<br />
need for an accurate observer's watch to<br />
navigate and assist crews on long range<br />
flying missions. The watches are known as<br />
B-Uhrs (Beobachtungsuhr or observer's<br />
watch). The watches were tested by the<br />
Deutsche Versuchsanstalt fur Luftfahrt<br />
DVL Institute. From 1941 onwards they<br />
were classified with an FL number which<br />
stands for flight and control, the 23 stands<br />
for navigation, followed by the three digit<br />
DVL number. A well tested watch with a<br />
high quality movement, and arguably the<br />
most desirable WWII German aviator's<br />
watch on the market today.<br />
£1000 - 1500
405<br />
A Stainless Steel Automatic Calendar<br />
Centre Seconds Wristwatch, signed<br />
Rolex, Oyster Perpetual, Superlative<br />
Chronometer Officially Certified,<br />
model: Datejust, Ref: 16234, circa<br />
1995, lever movement with hacking<br />
seconds and quick date change, white dial<br />
with applied baton markers, screw down<br />
winding crown, screw back, serial number<br />
L733436, Rolex steel Jubilee bracelet with<br />
deployant clasp, 36mm wide, with Rolex<br />
box<br />
£1200 - 1500<br />
406<br />
An 18ct Gold Centre Seconds<br />
Wristwatch, signed International<br />
Watch Co, Schaffhausen, circa 1955,<br />
(calibre 89) lever movement, silvered dial<br />
with applied Arabic and baton markers,<br />
case with snap on back numbered inside<br />
1518952, 36mm wide<br />
£500 - 700<br />
407<br />
A 9ct Gold <strong>Art</strong> Deco Wristwatch,<br />
signed Rolex, Ref:813, 1929, lever<br />
movement signed Rolex Prima, timed to<br />
six positions for all climates, silvered dial<br />
with luminous Arabic numerals, seconds<br />
dial, blued steel luminous hands, curved<br />
rectangular case with hinged back and<br />
numbered 60731 813, stamped RWC Ltd,<br />
Glasgow import mark 1929, 27mm by<br />
43mm<br />
£500 - 700<br />
408<br />
A Lady's 18ct Gold Diamond Set<br />
Wristwatch, signed Omega, circa<br />
1990, quartz movement, gilt dial with<br />
applied Roman and dot markers, diamond<br />
set bezel, case back secured by four<br />
screws, Omega 18ct gold brick linked<br />
bracelet, 23mm wide, with Omega<br />
warranty card, purchase receipt and one<br />
spare bracelet link<br />
£700 - 900<br />
409<br />
An 18ct Gold Wristwatch, signed<br />
Rolex, Geneve, model: Cellini, ref:<br />
5112 circa 1995, lever movement, white<br />
dial with applied Roman numerals,<br />
snap-on back numbered W018026, Rolex<br />
strap and buckle stamped 750, 33mm<br />
wide, with Rolex boxes, guarantee and<br />
purchase receipt<br />
£800 - 1200<br />
410<br />
A Lady's Bi-Metal Automatic Centre<br />
Seconds Calendar Wristwatch, signed<br />
Omega, circa 2000, lever movement,<br />
white dial with applied Roman numerals,<br />
snap-on back, Omega bi-metal bracelet<br />
with concealed deployant clasp, 26mm<br />
wide, with Omega box<br />
£200 - 300<br />
411<br />
A Purse Watch, signed Movado,<br />
chronometre Ermeto, 1928, lever<br />
movement, silvered dial with applied<br />
Arabic numerals, sliding case with faux<br />
snake's skin outer, numbered 1198475,<br />
London import mark 1928, 49mm wide<br />
£200 - 300<br />
412<br />
A 9ct Gold <strong>Art</strong> Deco Wristwatch,<br />
signed Rolex, 1929, lever movement<br />
signed Rolex Prima, timed to six positions<br />
for all climates, signed silvered engine<br />
turned dial with Arabic numerals, seconds<br />
dial, tonneau shaped case with hinged<br />
back numbered 781 63155, stamped RWC<br />
Ltd, Glasgow import mark 1929, 22mm by<br />
35mm<br />
£300 - 400
413<br />
An 18ct Gold Centre Seconds<br />
Wristwatch, signed Omega, 1951,<br />
(calibre 283) lever movement numbered<br />
12077675, silvered quarter section dial<br />
with Arabic and applied dagger markers,<br />
case stamped Dennison and numbered<br />
385586, Birmingham 1951, Omega buckle<br />
stamped 9ct, 36mm wide<br />
£300 - 400<br />
414<br />
A 9ct Gold Tonneau Shaped<br />
Wristwatch, signed Rolex, Ref: 578,<br />
1926, 15-jewel lever movement signed<br />
Rolex Prima, timed to 6 positions for all<br />
climates, engine turned silvered dial with<br />
Arabic numerals, seconds, hinged back<br />
stamped RWC Ltd, Glasgow import mark<br />
1926, engraved inscription and numbered<br />
103807, 25mm wide<br />
£350 - 450<br />
415<br />
A Lady's Stainless Steel Centre<br />
Seconds Wristwatch, signed Rolex,<br />
Oyster, Precision, Ref: 5004, circa<br />
1950, lever movement adjusted to two<br />
positions, silvered dial with applied dagger<br />
markers, screw down winding crown and<br />
back, serial number 897819, Rolex steel<br />
spring loaded riveted bracelet with<br />
deployant clasp, 24mm wide<br />
£250 - 300<br />
416<br />
An 18ct Gold Automatic Calendar<br />
Wristwatch, signed Juvenia, circa<br />
1965, lever movement, silvered dial with<br />
baton markers, snap-on back, bracelet<br />
with clasp stamped 750, 34mm wide, with<br />
Juvenia box<br />
£600 - 800<br />
417<br />
An 18ct Gold Full Hunter Pocket<br />
Watch, signed Barraud & Lund,<br />
London, No.8684, 1862, lever<br />
movement, enamel dial with Roman<br />
numerals, seconds, cover with engraved<br />
crest, London 1862 and numbered 8684,<br />
50mm wide<br />
£600 - 800<br />
418<br />
An 18ct Gold Open Faced Pocket<br />
Watch, signed F Powell, Briggate,<br />
Leeds, 1868, lever movement, enamel<br />
dial with Roman numerals, subsidiary<br />
seconds, Chester 1868, 51mm wide<br />
£700 - 900<br />
419<br />
An 18ct Gold Open Faced Pocket<br />
Watch, 1873, lever movement, enamel<br />
dial with Roman numerals, subsidiary<br />
seconds, London 1873, 51mm wide<br />
£700 - 900<br />
420<br />
An 18ct Gold Half Hunting Cased<br />
Keyless Pocket Watch, signed Dent,<br />
61 Strand & 4 Royal Exchange,<br />
London 49794, 1897, lever movement,<br />
enamel dial with Roman numerals,<br />
subsidiary seconds, engraved inscription,<br />
London 1897, 51mm wide<br />
£800 - 1200<br />
421<br />
An 18ct Gold Open Faced<br />
Chronograph Keyless Pocket Watch,<br />
signed T R Russell, 18 Church Street,<br />
Liverpool, 1888, lever movement,<br />
enamel dial with Roman numerals,<br />
hallmarked 1888, 54mm wide<br />
£800 - 1200
422<br />
An 18ct Gold Open Faced Pocket<br />
Watch, retailed by Robert Rait & Co,<br />
261 Broadway, New York, 1879, gilt<br />
fusee lever movement, enamel dial with<br />
Roman numerals, seconds, Chester 1879,<br />
53mm wide<br />
£800 - 1200<br />
423<br />
An Unusual Full Hunting Cased 18ct<br />
Gold Minute Repeating Chronograph<br />
Pocket Watch, 1910, lever movement,<br />
repeating with two hammers striking two<br />
steel gongs, gilt dial with Arabic numerals,<br />
seconds dial, the unusual case Our Sailor<br />
King H.M. King George V on the front<br />
Beloved of His People H.M. King Edward<br />
VII on the back, band with scroll work and<br />
God Save The King, button to operate<br />
chronograph and the slide to operate<br />
repeater, cuvette depicting Britannia The<br />
British Empire Mourns Edward The<br />
Peacemaker, London import marks 1910,<br />
54mm wide<br />
£1500 - 2000<br />
424<br />
An 18ct Gold Open Faced<br />
Chronograph Pocket Watch, 1864,<br />
lever movement, enamel dial with Roman<br />
numerals, engine turned case with slide in<br />
the band to operate chronograph hand,<br />
cuvette with engraved inscription, London<br />
1864, 53mm wide<br />
£600 - 800<br />
425<br />
An 18ct Gold Open Faced Keyless<br />
Pocket Watch, signed Hewitt, 444<br />
Victoria Street, Grimsby, 1883, lever<br />
movement, enamel dial with Roman<br />
numerals, seconds, London 1883, 52mm<br />
wide<br />
£800 - 1200<br />
426<br />
An 18ct Gold Open Faced Keyless<br />
Pocket Watch, Harrison & Son,<br />
Darlington, 1889, lever movement,<br />
enamel dial with Roman numerals,<br />
subsidiary seconds, Chester 1889, 48mm<br />
wide, with a curb linked watch chain, links<br />
stamped 15 .625, 72.4g<br />
£1500 - 1800<br />
427<br />
An 18ct Gold Pocket Watch, signed C<br />
Harris, Cornhill, No.2693, 1824, fusee<br />
lever movement, enamel dial with Roman<br />
numerals, seconds, numbered 2693,<br />
maker's mark WW, London 1824, 50mm<br />
wide, together with chain stamped 9c,<br />
blood stone seal and ribbon stamped 9c<br />
and gun shaped watch key<br />
£800 - 1200<br />
428<br />
An 18ct Gold Pocket Watch, Inscribed<br />
"Presented by the Daughter of Robert<br />
Burns to Mr D McNaught Head of the<br />
Burns Society", signed C Williamsom,<br />
London, No.788, circa 1810, fusee<br />
movement with duplex escapement,<br />
diamond endstone, signed and numbered<br />
dust cover, gold coloured dial with applied<br />
Roman numerals, seconds, case cuvette<br />
with engraved presentation inscription,<br />
indistinct hallmarks, 54mm wide<br />
**The inscription on the cuvette reads,<br />
Her Father's Watch, presented to D<br />
McNaught LLD JP Kilmaurs by Mrs<br />
A.V.Burns Scott Adelaide Australia,<br />
Daughter of Mrs S.Burns Hutchinson,<br />
Daughter of James Glencairn Burns, Son of<br />
Robert Burns, The Poet, 25th Jany 1921.<br />
***See also lot 677 for items relating to<br />
this family<br />
£700 - 900
429<br />
A Gold Repousse Pair Cased Verge<br />
Pocket Watch, signed Robert Ward,<br />
Abchurch Lane, London, No.13899,<br />
1773, fusee movement, pierced pillars,<br />
enamel dial with Roman and Arabic<br />
numerals, signed and numbered dust<br />
cover, outer case with classical scene and<br />
bordered with scroll decoration, maker's<br />
mark DP, London 1773, 50mm wide<br />
£900 - 1200<br />
430<br />
A Gold Pair Cased Verge Pocket<br />
Watch, signed Fras Perigal, Bond<br />
Street, London, 392, 1780, fusee<br />
movement, enamel dial with Arabic<br />
numerals, beetle and poker hands,<br />
maker's mark IW, London 1780, 42mm<br />
wide<br />
£700 - 900<br />
431<br />
A Lady's Fan Shaped Enamel Fob<br />
Watch, circa 1900, cylinder movement,<br />
enamel dial with Roman numerals, blue<br />
and red enamel case depicting a lady with<br />
a basket to the front and a spray of floral<br />
work to the back, 38mm wide<br />
£350 - 550<br />
432<br />
A Twenty Dollar Coin Watch, signed<br />
Vacheron & Constantin, Geneve, circa<br />
1980, (calibre 1003) lever movement,<br />
adjusted to heat, cold and isochronism and<br />
five positions, gilt dial with Roman<br />
numerals, circular case, snap-on back<br />
stamped 18k 0.750 and numbered 4928<br />
386026, hinged within a United States of<br />
America $20 coin, the front with Lady of<br />
Liberty dated 1904, reverse with the<br />
bald-headed eagle, concealed button in<br />
the band to release front cover, 34mm<br />
wide<br />
£2000 - 2500<br />
433<br />
A Silver Pocket Chronometer, signed<br />
Morris Tobias, 31 Minories, London,<br />
No.338, 1827, gilt fusee movement with<br />
spring detent escapement signed, free<br />
sprung helical hairspring, diamond<br />
endstone, bimetallic balance with timing<br />
screws and weights, dial with Roman and<br />
Arabic numerals, seconds, case with<br />
engraved and chased decoration to the<br />
borders, and later engraved images and<br />
inscription of a bird, square and compass<br />
and Walter Fisher, stamped with maker's<br />
mark WIH, London 1827, 68mm wide<br />
£300 - 400<br />
434<br />
A Silver Pair Cased Pocket Watch,<br />
made for the Turkish Market, signed<br />
Edward Prior, London, 1839, verge<br />
movement numbered 55792, enamel dial<br />
with Turkish numerals, London 1839,<br />
53mm wide<br />
£200 - 300<br />
435<br />
A Silver Pair Cased Pocket Watch<br />
with Date Indication, verge movement<br />
inscribed R Northan, Hull, enamel dial with<br />
Arabic numerals, inner date ring with<br />
corresponding date hand, London 1794,<br />
53mm wide<br />
£200 - 250<br />
436<br />
An 18ct Gold Verge Pocket Watch,<br />
signed Thos Bailson, Beverley, circa<br />
1810, fusee movement, enamel dial with<br />
Roman numerals, engine turned back and<br />
ribbed sides, 47mm wide<br />
£400 - 500
437<br />
A Repeating Pocket Watch Dial and<br />
Movement, 19th Century, cylinder<br />
movement, two hammers striking onto two<br />
outer steel gongs, silvered engine turned<br />
dial with minute track bearing inscription<br />
Breguet, hour aperture, single hand,<br />
seconds, 50mm wide<br />
£300 - 400<br />
438<br />
Four Fob Seals, 19th Century, two set<br />
with cornelians, one with an amethyst, the<br />
fourth with chased decoration and stone<br />
missing<br />
£200 - 300<br />
439<br />
An 18ct Gold Fob Watch, lever<br />
movement, gilt dial with Roman numerals,<br />
London 1865, 42mm wide, with attached<br />
ribbon and 9ct gold locket<br />
£300 - 350<br />
440<br />
A 9ct Gold Half Hunting Cased Pocket<br />
Watch, 1926, lever movement, enamel<br />
dial with Roman numerals, seconds,<br />
stamped Dennison, Birmingham 1926,<br />
50mm wide, with a 9ct gold watch chain,<br />
39g<br />
£500 - 600<br />
441<br />
An 18ct Gold Pocket Watch, 1871,<br />
lever movement, enamel dial with Roman<br />
numerals, Chester 1871, 41mm wide,<br />
watch chain with links stamped 375, 31g<br />
£600 - 800<br />
442<br />
A Centre Seconds Pocket Watch,<br />
made for the Chinese Market, signed<br />
Bovet Fleurier, circa 1840, the<br />
elaborately chased lever movement<br />
signed, enamel dial with Roman numerals,<br />
centre seconds, white metal case with<br />
Chinese characters inside back cover,<br />
55mm wide<br />
£250 - 300<br />
Jewellery<br />
443<br />
A Hardstone Cameo Bangle, the cameo<br />
portrait depicts a lady adorned with<br />
jewellery, with a ruff neckpiece, within a<br />
frame of beading and scrollwork with<br />
cultured pearl decoration, on a plain half<br />
hinged bangle<br />
£500 - 800<br />
444<br />
A Late Victorian Coral and Diamond<br />
Brooch, the disk frame with ropework<br />
decoration, set with coral cabochons and<br />
rose cut diamonds, fringing from the base,<br />
with cabochon coral details, measures<br />
4.2cm by 8.3cm<br />
£500 - 700<br />
445<br />
A Pair of Coral Drop Earrings, set with<br />
cabochon coral in a scalloped edge and<br />
ropework frame, with three coral drops<br />
pendant from each, with hook fittings for<br />
pierced ears, drop length 5.8cm, in a fitted<br />
case<br />
£500 - 700<br />
446<br />
A Diamond Solitaire Ring, an old cut<br />
diamond in a white claw setting to a<br />
tapered shoulder plain polished shank,<br />
diamond weight 1.30 carat approximately,<br />
finger size K<br />
£1500 - 2000
447<br />
A Bug Brooch, the body comprises a step<br />
cut emerald and a cabochon moonstone,<br />
with rose cut diamond eyes, and the wings<br />
set with rose cut diamonds and split<br />
pearls, measures 3.2cm by 2.2cm, cased<br />
£400 - 600<br />
448<br />
A Diamond Cluster Ring, rose cut<br />
diamonds in collet settings, with claw<br />
fixtures, in an almost round formation,<br />
additional diamonds to the shoulders, on a<br />
shaped shank, total estimated diamond<br />
weight 2.00 carat approximately, finger<br />
size U<br />
£1500 - 2000<br />
449<br />
A Diamond Set Pendant, a bow motif<br />
set with rose cut diamonds suspends a<br />
lozenge shaped drop, comprising a rose<br />
cut diamond border around a blue and<br />
white enamelled central panel, depicting a<br />
cherub over a basket of flowers, with the<br />
inscription 'une seule me suffit', measures<br />
2.4cm by 5.5cm<br />
£400 - 600<br />
450<br />
A Cameo Bracelet, the carved shell<br />
panels carved to depict portraits of<br />
scholars, each in a plain frame, and chain<br />
linked, length 16.8cm<br />
£700 - 1000<br />
451<br />
A Victorian Diamond<br />
Brooch/Pendant, a tapered pendant<br />
loop to a pierced almost circular frame,<br />
with five pendant drops (the central one<br />
detached), set throughout with old cut and<br />
rose cut diamonds, in white claw settings,<br />
total estimated diamond weight 4.00 carat<br />
approximately, measures 3cm by 6.2cm<br />
**NB One drop detached<br />
£1500 - 2000<br />
452<br />
A Scottish Brooch, the shaped hoop set<br />
with agate panels and cabochons and<br />
quartz stones, in an engraved frame,<br />
measures 5.4cm by 6.7cm<br />
£500 - 700<br />
453<br />
A Diamond Three Stone Ring, the<br />
graduated old cut diamonds in white claw<br />
settings, to a yellow tapered shoulder plain<br />
polished shank, total diamond weight 2.10<br />
carat approximately, finger size N<br />
£1500 - 2000<br />
454<br />
A Pair of Diamond Cluster Earrings, a<br />
rose cut diamond within a border of<br />
smaller rose cuts, surmounted by another,<br />
total estimated diamond weight 2.00 carat<br />
approximately, with French clip fittings for<br />
pierced ears<br />
£700 - 1000<br />
455<br />
A Late Victorian Diamond Crescent<br />
Brooch, set with old cut and single cut<br />
diamonds, in white claw settings, on a<br />
yellow mount, total estimated diamond<br />
weight 1.50 carat approximately,<br />
measures 3.7cm by 3.6cm<br />
£600 - 800<br />
456<br />
A Pair of Emerald and Diamond Drop<br />
Earrings, an old cut diamond suspends a<br />
cluster of pear cut emeralds and old cut<br />
diamonds in yellow and white millegrain<br />
settings, total estimated diamond weight<br />
1.80 carat approximately, with French clip<br />
fittings for pierced ears, drop length 3.4cm<br />
£1500 - 2000
457<br />
A Serpent Bangle, the hollow yellow<br />
form hinged to flex in two places, the head<br />
and tail engraved, and the head set with a<br />
cabochon amethyst, cased<br />
£400 - 600<br />
458<br />
A Blue Stone, Diamond and Paste<br />
Brooch, of foliate form, with a step cut<br />
blue foil backed stone centrally, within a<br />
frame set throughout with table cut and<br />
rose cut diamonds and pastes, measures<br />
5.3cm by 3cm<br />
£400 - 600<br />
459<br />
A Diamond Cluster Ring, an old cut<br />
diamond within a border of eight smaller,<br />
in white rubbed over settings to a yellow<br />
shank, total diamond weight 2.00 carat<br />
approximately, finger size M<br />
£600 - 800<br />
460<br />
A Late Victorian Diamond Cross<br />
Brooch/Pendant, set with old cut<br />
diamonds in white claw settings, with a<br />
detachable diamond set suspension loop,<br />
total estimated diamond weight 2.25 carat<br />
approximately, measures 2.6cm by 4.5cm<br />
£200 - 300<br />
461<br />
A Coral Brooch and Pair of Earrings<br />
en suite, circa 1900, the red and white<br />
brooch of domed oval form, the earrings<br />
to depict a floral cluster suspending a<br />
cascade, brooch measures 5.5cm by<br />
4.2cm, earrings with hook fittings for<br />
pierced ears, drop length 5.4cm, in a fitted<br />
case<br />
£200 - 300<br />
462<br />
A Two Row Twisted Pearl Necklace,<br />
strung to a clasp of oblong form, a locket<br />
front enclosing plaited hair, within a<br />
border of seed pearls, length 48.5cm, and<br />
A Hair Bracelet, of plaited dark hair, with<br />
a similar clasp, length 17.5cm (2)<br />
**NB the pearls have not been tested<br />
£300 - 400<br />
463<br />
A Late Victorian Diamond Set Heart<br />
Pendant, set throughout with old cut<br />
diamonds in white claw settings, with a<br />
locket back containing hair, total estimated<br />
diamond weight 1.50 carat approximately,<br />
measures 1.6cm by 2.4cm, in a fitted case<br />
by London & Ryder of New Bond Street<br />
£400 - 600<br />
464<br />
A Victorian Locket Pendant, of oval<br />
form, entwined initials 'EIM' centrally, and<br />
set with turquoise, coral and pearl<br />
respectively, within a border with spaced<br />
alternating coral, turquoise and pearl, as is<br />
the pendant loop, measures 3cm by<br />
4.7cm, in a fitted case by London & Ryder<br />
of New Bond Street<br />
£400 - 600<br />
465<br />
An Early 20th Century Locket, the<br />
double sided heart shaped locket within a<br />
scrolling frame enamelled in pink green<br />
and white, with split pearls at intervals,<br />
plain to the reverse, measures 3.1cm by<br />
3.6cm<br />
£300 - 400
466<br />
A Jet Necklace, of graduated spherical<br />
beads, carved with leaf motifs, length<br />
76cm approximately, and A Pair of<br />
Earrings, a polished round jet cabochon<br />
suspends a tapered drop, carved with<br />
geometric designs and leaf motifs, with<br />
hinged hook fittings for pierced ears, drop<br />
length 8cm (2)<br />
£200 - 300<br />
467<br />
A Triple Row Cultured Pearl Choker,<br />
each row comprising 50 cultured pearls,<br />
with bar spacers, and a Victorian pearl and<br />
old cut and single cut diamond set swirl<br />
panel centrally, length 33cm<br />
£300 - 500<br />
468<br />
A Late Victorian Diamond and Pearl<br />
Brooch, of floral spray form, two floral<br />
clusters centred by pearls, and the spray<br />
set with rose cut diamonds throughout,<br />
further pearl detail to one side, total<br />
estimated diamond weight 2.00 carat<br />
approximately, measures 6.5cm by 3.9cm,<br />
in a fitted case by Skinner, Orchard Street,<br />
London<br />
£600 - 800<br />
469<br />
Royal Interest: A Locket<br />
Pendant/Brooch, depicting a shoulder<br />
length portrait of Queen Victoria in high<br />
relief, within a border of alternating scroll<br />
sections enamelled in blue with pearl<br />
details, and old cut diamonds in pointed<br />
yellow settings, a pearl suspended from<br />
the base held in a diamond set and blue<br />
enamelled cup, with locket back which<br />
opens to reveal an enclosed lock of hair,<br />
and an inscription 'Lady Victoria Alberta<br />
Leveson From Her Godmother Victoria R<br />
1867', measures 3.5cm by 5.8cm<br />
**NB the pearls have not been tested<br />
**Provenance: From the estate of Dr<br />
Helen Scott OBE<br />
£1000 - 1500<br />
470<br />
A Seed Pearl Brooch, Mid 19th<br />
Century, the pearls all threaded in a<br />
domed shape on a mother-of-pearl frame,<br />
measures 5cm in diameter, in a fitted case<br />
by Lambert of London<br />
£300 - 400<br />
471<br />
A Lava Cameo Bracelet, seven bust<br />
portraits in high relief in shades of beige,<br />
brown, white and black lava, each bezel<br />
set, and chain linked, length 17cm, width<br />
2.8cm<br />
£300 - 400<br />
472<br />
A Mourning Brooch, of circular form,<br />
with a locket front enclosing a lock of hair,<br />
within a border of black and white<br />
enamelling, to an outer rope twist frame,<br />
measures 2.7cm in diameter<br />
£200 - 300<br />
473<br />
A Victorian Cameo Brooch and A Pair<br />
of Earrings, the cameo depicting classical<br />
portraits, in oval frames, with rope twist<br />
and wavy decoration, the earrings on<br />
crescent shaped drops, with hook fittings<br />
for pierced ears, brooch measures 4.8cm<br />
by 5cm, earring drop length 4.5cm, cased<br />
£400 - 600<br />
475<br />
A Cultured Pearl Necklace, three rows<br />
of 48:51:55 knotted uniform pearls strung<br />
to a diamond and sapphire cluster clasp of<br />
floral design, length (of shortest strand)<br />
46cm<br />
£300 - 400
476<br />
A Five Stone Diamond Ring, the<br />
graduated old cut diamonds in white claw<br />
settings, to a yellow tapered shoulder plain<br />
polished shank, total estimated diamond<br />
weight 1.20 carat approximately, finger<br />
size K<br />
£400 - 600<br />
477<br />
A Pair of Diamond Earrings, the spray<br />
form set with round brilliant cut, baguette<br />
cut and single cut diamonds in white claw<br />
settings, total estimated diamond weight<br />
1.50 carat approximately, with post fittings<br />
for pierced ears<br />
£300 - 400<br />
478<br />
A Diamond Solitaire Ring, an old cut<br />
diamond to tapered diamond-set<br />
shoulders, in white claw settings on a<br />
yellow plain polished shank, total diamond<br />
weight 1.00 carat approximately, finger<br />
size N<br />
£600 - 800<br />
479<br />
A Diamond Hoop Brooch, the oval<br />
frame, with an open centre, to a white fine<br />
Greek key design inner border, with a<br />
frame of old cut diamonds in white<br />
millegrain settings to the outer, total<br />
estimated diamond weight 2.80 carat<br />
approximately, measures 2.8cm by 2.4cm,<br />
cased<br />
£1200 - 1500<br />
480<br />
An <strong>Art</strong> Deco Diamond and Paste<br />
Bracelet, of geometric links, set<br />
throughout with brilliant cut, baguette cut<br />
and single cut diamonds, total diamond<br />
weight 7.00 carat approximately, length<br />
18.8cm<br />
£1800 - 2200<br />
481<br />
A Pair of Diamond Two Stone<br />
Earrings, each with graduated old cut<br />
diamonds in white rubbed over settings,<br />
on yellow mounts, total diamond weight<br />
2.60 carat approximately, with French clip<br />
fittings for pierced ears<br />
£4000 - 6000<br />
482<br />
A Diamond Cluster Pendant on An 18<br />
Carat White Gold Chain, an emerald cut<br />
diamond spaced to a frame of round<br />
brilliant cut diamonds in white claw<br />
settings, on a twist link chain, total<br />
diamond weight 0.65 carat approximately,<br />
pendant drop length 1.7cm, chain length<br />
45cm<br />
£400 - 600<br />
483<br />
A Sapphire and Diamond Double Clip<br />
Brooch, circa 1930, each clip with a<br />
round mixed cut sapphire centrally within<br />
a border of old cut, brilliant cut and single<br />
cut diamonds, in white claw and millegrain<br />
settings, total estimated diamond weight<br />
3.50 carat approximately, measures 4.8cm<br />
by 2.6cm<br />
£500 - 800<br />
484<br />
A Diamond Solitaire Ring, a marquise<br />
cut diamond within a white four claw<br />
setting, to shoulders each channel set with<br />
trios of scissor cut diamonds, on a plain<br />
polished shank, finger size K<br />
The ring is accompanied by an Anchorcert<br />
report, number 1/22971-001, dated 23<br />
June 2011, which gives the diamond<br />
weight as 2.63ct, colour J, clarity VS2.<br />
£6000 - 8000
485<br />
A Diamond Solitaire Ring, the old<br />
brilliant cut diamond in a white eight claw<br />
raised setting, to a tapered shoulder plain<br />
polished shank, diamond weight 3.92<br />
carat, finger size K1/2<br />
£12000 - 15000<br />
486<br />
A Diamond Line Bracelet, the<br />
graduated round brilliant cut diamonds in<br />
white millegrain settings, total estimated<br />
diamond weight 4.00 carat approximately,<br />
length 18cm<br />
£3000 - 4000<br />
487<br />
A Diamond Three Stone Ring, the old<br />
cut diamonds in white claw settings, to a<br />
tapered shoulder plain polished shank,<br />
total diamond weight 1.80 carat<br />
approximately, finger size N<br />
£600 - 800<br />
488<br />
A Diamond Solitaire Ring, the round<br />
brilliant cut diamond in a white four claw<br />
setting, with a tapered baguette cut<br />
diamond on each shoulder, to a plain<br />
polished shank, principal diamond weight<br />
2.20 carat approximately, finger size P<br />
£7000 - 8000<br />
489<br />
A Pearl and Diamond Bracelet, a<br />
plaque with a central pearl within a cluster<br />
frame of old cut diamonds, to an outer<br />
undulating frame set with old cut and<br />
single cut diamonds, on a black velvet<br />
bracelet with diamond set end pieces, total<br />
estimated diamond weight 3.00 carat<br />
approximately, length 19cm<br />
£3500 - 4000<br />
490<br />
A Pair of Diamond and South Sea<br />
Cultured Pearl Drop Earrings, each<br />
comprises an old cut diamond stud<br />
suspending a baguette cut diamond, to<br />
three graduated cups set with diamonds,<br />
to a slightly oval pearl, total estimated<br />
diamond weight 1.80 carat approximately,<br />
with post fittings for pierced ears, drop<br />
length 4.8cm<br />
£1500 - 2000<br />
491<br />
A Diamond Brooch, of bar form, with<br />
four step cut diamonds centrally and old<br />
cut and single cut diamonds, in white claw<br />
and millegrain settings with pierced detail,<br />
total estimated diamond weight 1.20 carat<br />
approximately, length 5.4cm<br />
£600 - 800<br />
492<br />
A Diamond Brooch, of asymmetric form,<br />
comprised of round brilliant cut, baguette<br />
cut and single cut diamonds in white claw<br />
and channel settings, total estimated<br />
diamond weight 6.00 carat approximately,<br />
measures 3.7cm by 3.7cm<br />
£1500 - 2000<br />
493<br />
A Diamond and Sapphire Plaque<br />
Brooch, a rose cut diamond centrally,<br />
within a pierced and openwork frame set<br />
with smaller rose cuts, four oblong scissor<br />
cuts as details, in white claw settings total<br />
estimated diamond weight 1.20 carat<br />
approximately, measures 5.4cm by 2.2cm<br />
**NB one diamond deficient<br />
£300 - 400
494<br />
A Pair of 18 Carat White Gold<br />
Aquamarine and Diamond Earrings, a<br />
string of round brilliant cut diamonds in<br />
white claw settings suspends a briolette<br />
aquamarine in a diamond set cup, total<br />
diamond weight 0.25 carat approximately,<br />
with post fittings for pierced ears, drop<br />
length 4.7cm<br />
£400 - 600<br />
495<br />
An Emerald and Diamond Cluster<br />
Ring, a pear cut emerald within a border<br />
of tapered baguette cut diamonds, and an<br />
outer border of round brilliant cut<br />
diamonds in yellow claw settings, to a<br />
plain polished shank, total estimated<br />
diamond weight 1.10 carat approximately,<br />
finger size O<br />
£1000 - 1500<br />
496<br />
An Opal and Diamond Pendant, the<br />
polished oval opal of mainly green and<br />
blue tones within a scalloped white claw<br />
setting, to a pendant loop set with a round<br />
brilliant cut diamond, diamond weight 0.20<br />
carat approximately, measures 2.8cm by<br />
4.8cm<br />
£400 - 600<br />
497<br />
An 18 Carat White Gold Yellow<br />
Sapphire and Diamond Cluster Ring,<br />
the oval mixed cut sapphire within a<br />
border of round brilliant cut diamonds with<br />
a tapered baguette cut diamond at each<br />
corner, in white claw settings, to a tapered<br />
and lined shoulder plain polished shank,<br />
total diamond weight 0.75 carat<br />
approximately, finger size M<br />
£600 - 800<br />
498<br />
An 18 Carat White Gold Citrine and<br />
Diamond Cluster Ring, the oval cut<br />
citrine within a border of round brilliant cut<br />
diamonds, in white claw settings to a lined<br />
shoulder plain polished shank, total<br />
diamond weight 0.60 carat approximately,<br />
finger size M<br />
£700 - 1000<br />
499<br />
An 18 Carat Gold Bracelet, by Asprey<br />
& Co. Ltd., 1970, of large plaited loop<br />
links, alternating in yellow and white gold,<br />
length 19cm<br />
£2000 - 3000<br />
500<br />
A Peridot and South Sea Pearl<br />
Torsade, of multiple strands of faceted<br />
peridot beads, strung with South Sea<br />
pearls at intervals, to cupola end pieces,<br />
length 52cm<br />
£700 - 900<br />
501<br />
A Matching Emerald and Diamond<br />
Bracelet and Ring, each of asymmetric<br />
design with channels of step cut emeralds<br />
and triangular clusters of single cut<br />
diamonds, the bracelet with triangular<br />
textured sections, bracelet length 17cm,<br />
ring size P<br />
£2000 - 2500<br />
502<br />
An Emerald and Diamond Cluster<br />
Ring, the square step cut emerald within<br />
a border of eight spaced round brilliant cut<br />
diamonds, in white claw settings to a plain<br />
polished shank, total diamond weight 0.50<br />
carat approximately, finger size M<br />
£500 - 700
503<br />
An 18 Carat White Gold Emerald and<br />
Diamond Cluster Ring, the central step<br />
cut emerald in yellow claw settings, within<br />
a border of alternating round brilliant cut<br />
and tapered baguette cut diamonds in<br />
white claw settings, on a polished shank,<br />
with lined shoulders, total estimated<br />
diamond weight 0.75 carat approximately,<br />
finger size M1/2<br />
£700 - 1000<br />
504<br />
An 18 Carat White Gold Opal and<br />
Diamond Pendant, a triangular domed<br />
cabochon opal within a border of round<br />
brilliant cut diamonds, surmounted by a<br />
pendant bale set with tapered baguette<br />
cut and a round brilliant cut diamond, in<br />
claw settings, total estimated diamond<br />
weight 1.00 carat approximately,<br />
measures 2cm by 3.7cm<br />
£800 - 1000<br />
505<br />
A Pair of 18 Carat White Gold<br />
Diamond Solitaire Stud Earrings, the<br />
round brilliant cut diamonds in white four<br />
claw settings, total diamond weight 1.33<br />
carat approximately, with post fittings for<br />
pierced ears<br />
£1200 - 1500<br />
506<br />
A 14 Carat White Gold Amethyst and<br />
Diamond Ring, the oblong step cut<br />
amethyst in a white corner claw setting,<br />
flanked by triangular clusters of round<br />
brilliant cut diamonds in claw settings, to a<br />
plain polished shank, total estimated<br />
diamond weight 0.30 carat approximately,<br />
finger size N1/2<br />
£400 - 600<br />
507<br />
An Opal Triplet and Diamond Cluster<br />
Ring, the oval triplet within a border of<br />
round brilliant cut diamonds in white claw<br />
settings, to bark effect shoulders on a<br />
plain polished shank, total estimated<br />
diamond weight 0.80 carat approximately,<br />
finger size O<br />
£800 - 1000<br />
508<br />
A Jade and Diamond Bracelet, curved<br />
oblong jade panels in white claw settings<br />
spaced by squared links set with round<br />
brilliant cut diamonds, length 17cm, and A<br />
Jade and Diamond Pendant, an oblong<br />
jade panel with a row of round brilliant cut<br />
diamonds at each end, length 2.8cm<br />
£300 - 400<br />
509<br />
An Emerald and Diamond Necklace, of<br />
eleven clusters of oval cut emeralds within<br />
round brilliant cut diamonds, surmounted<br />
by trios of diamonds, alternated with<br />
emeralds, and all suspended from<br />
diamond set looped links, to plain polished<br />
swirl links either side, total diamond<br />
weight 7.00 carat approximately, length<br />
44cm<br />
£3000 - 5000<br />
510<br />
A Diamond Floral Spray Brooch, set<br />
throughout with brilliant cut, single cut<br />
and baguette cut diamonds, in white claw<br />
and channel settings, total estimated<br />
diamond weight 3.00 carat approximately,<br />
measures 6.3cm by 3.4cm<br />
£400 - 600
511<br />
An 18 Carat White Gold Cultured<br />
South Sea Pearl and Diamond<br />
Pendant, the pearl set within a double<br />
row swirl frame of round diamonds in<br />
white claw settings, total diamond weight<br />
0.35 carat approximately, measures 1.7cm<br />
by 1.9cm, on a fine trace link chain, length<br />
41cm<br />
£400 - 600<br />
512<br />
An Emerald and Diamond Cluster<br />
Ring, a step cut emerald in broad yellow<br />
claw settings, within a border of round<br />
brilliant cut diamonds, in white claw<br />
settings, total diamond weight 1.20 carat<br />
approximately, finger size R<br />
£1500 - 2000<br />
513<br />
An Emerald and Diamond Bombé<br />
Style Ring, a step cut emerald in a white<br />
four claw setting, over a pierced shaped<br />
mount set with round brilliant cut and<br />
modified baguette cut diamonds, to a plain<br />
polished shank, total diamond weight 1.80<br />
carat approximately, finger size L<br />
£600 - 800<br />
514<br />
An 18 Carat Gold Emerald and<br />
Diamond Cluster Ring, the step cut<br />
emerald in a yellow corner claw setting,<br />
within a spaced border of round brilliant<br />
cut diamonds in white claw settings, to a<br />
tapered shoulder plain polished shank,<br />
total diamond weight 0.80 carat<br />
approximately, finger size L<br />
£500 - 800<br />
515<br />
An Emerald and Diamond Triple<br />
Cluster Ring, the three oval mixed cut<br />
emeralds in yellow millegrain settings,<br />
within a border of round brilliant cut<br />
diamonds, in white fronted millegrain<br />
settings, to a yellow forked shoulder plain<br />
polished shank, total estimated diamond<br />
weight 1.00 carat approximately, finger<br />
size M<br />
£700 - 900<br />
516<br />
A Diamond Bracelet, the fancy links<br />
articulated, and set throughout with old<br />
cut and single cut diamonds, total<br />
diamond weight 3.00 carat approximately,<br />
length 19.4cm<br />
£1000 - 1500<br />
517<br />
A Diamond Cluster Ring, three rows of<br />
round brilliant cut diamonds in white claw<br />
settings, to a forked shoulder plain<br />
polished mount, total diamond weight 2.20<br />
carat approximately, finger size I1/2<br />
£800 - 1200<br />
518<br />
A Diamond Cluster Ring, circa 1970,<br />
set with an old cut diamond centrally of<br />
3.50 carat approximately, within a border<br />
of marquise cut and graduated baguette<br />
cut diamonds, in white claw settings to a<br />
forked shoulder shank, finger size J<br />
£5000 - 8000<br />
519<br />
A Diamond Solitaire Ring, the pear cut<br />
diamond in a white four claw setting, to a<br />
yellow tapered shoulder plain polished<br />
shank, diamond weight 1.05 carat<br />
approximately, finger size K<br />
£2000 - 3000
520<br />
A Pair of Cultured Pearl and Diamond<br />
Cluster Stud Earrings, each with a<br />
round cultured pearl within a spaced<br />
border of round brilliant cut and single cut<br />
diamonds, in white claw settings to a<br />
grooved frame, total diamond weight 0.60<br />
carat approximately, with post fittings for<br />
pierced ears<br />
£300 - 500<br />
521<br />
A Pair of <strong>Art</strong> Deco Style Diamond<br />
Drop Earrings, comprising a round<br />
brilliant cut diamond stud, which suspends<br />
a tapered baguette cut diamond, to a pear<br />
cut diamond suspended below, total<br />
diamond weight 5.50 carat approximately,<br />
with post fittings for pierced ears, drop<br />
length 3.3cm<br />
£5000 - 8000<br />
522<br />
An 18 Carat White Gold Moonstone<br />
and Diamond Pendant, a bow motif set<br />
with round brilliant cut diamonds,<br />
suspends an oval cabochon moonstone,<br />
measures 2.1cm by 3cm<br />
£400 - 600<br />
523<br />
A Moonstone Bracelet, a double row of<br />
graduated cabochon moonstones, to a<br />
fancy link bracelet, length 18cm<br />
£300 - 500<br />
524<br />
A Pair of 14 Carat White Gold<br />
Diamond Solitaire Stud Earrings, the<br />
round brilliant cut diamonds in four claw<br />
settings, total estimated diamond weight<br />
0.40 carat approximately, with screw post<br />
fittings for pierced ears<br />
£100 - 150<br />
525<br />
A Pink Sapphire and Diamond Ring,<br />
the cushion cut pink sapphire flanked by<br />
tiers of round brilliant cut diamonds, in<br />
white claw settings to a plain polished<br />
shank, total diamond weight 0.40 carat<br />
approximately, finger size M<br />
£400 - 600<br />
526<br />
A Gem Set Floral Spray Brooch,<br />
polished and textured white and yellow<br />
gold creates the flower and leaf spray<br />
motif, each flower set with a cabochon<br />
sapphire centrally, and mixed cut rubies<br />
and single cut diamonds at intervals, all in<br />
white claw settings, measures 6cm by<br />
3.4cm<br />
£250 - 350<br />
527<br />
A Cultured Pearl Necklace, the two<br />
rows of 58:61 uniform knotted cultured<br />
pearls to a 9 carat white gold sapphire and<br />
diamond cluster clasp, length (of shortest<br />
strand) 52cm<br />
£300 - 400<br />
528<br />
A Diamond Solitaire Ring, circa 1930,<br />
the old cut diamond in a white claw<br />
setting, to pointed shoulders set with<br />
single cut diamonds, on a plain polished<br />
mount, principal diamond weight 0.75<br />
carat approximately, finger size M<br />
£1000 - 1500<br />
529<br />
A Pair of Diamond Three Stone<br />
Earrings, the graduated round brilliant<br />
and old cut diamonds in white claw<br />
settings, total diamond weight 2.40 carat<br />
approximately, with post fittings for<br />
pierced ears<br />
£800 - 1200
530<br />
A Diamond Solitaire Ring, a round<br />
brilliant cut diamond with a baguette cut<br />
diamond to each shoulder, in white claw<br />
settings, to a plain polished mount,<br />
principal diamond weight 2.80 carat<br />
approximately, finger size L1/2<br />
£3000 - 4000<br />
531<br />
An <strong>Art</strong> Deco Sapphire and Diamond<br />
Bracelet, oblong step cut sapphires<br />
alternate with graduated pairs of old cut<br />
and single cut diamonds, in white<br />
millegrain articulated settings with<br />
engraved sides, to plain polished tramline<br />
links, total diamond weight 1.00 carat<br />
approximately, length 17.7cm<br />
£700 - 1000<br />
532<br />
A Diamond Eternity Ring, circa 1930,<br />
twenty old cut diamonds within white claw<br />
settings, to a flat sided shank, with<br />
engraved detail, total estimated diamond<br />
weight 2.00 carat approximately, finger<br />
size N1/2<br />
£500 - 700<br />
533<br />
An 18 Carat Gold Sapphire and<br />
Diamond Cluster Ring, an oval cut<br />
sapphire within a double border of round<br />
brilliant cut diamonds, in white claw<br />
settings, to a yellow tapered shoulder plain<br />
polished mount, total diamond weight 2.00<br />
carat approximately, finger size O1/2<br />
£1000 - 1500<br />
534<br />
A Diamond Cluster Ring, of unusual<br />
form, the domed centre set with round<br />
brilliant cut diamonds within an outer<br />
border of baguette cut diamonds<br />
alternating with pairs of tapered round<br />
brilliant cut diamonds, in white claw<br />
settings, to a forked shoulder plain<br />
polished shank, total estimated diamond<br />
weight 2.90 carat approximately, finger<br />
size P<br />
£1000 - 1500<br />
535<br />
An 18 Carat White Gold Sapphire and<br />
Diamond Cluster Ring, an oval mixed<br />
cut sapphire centrally, within a spaced<br />
border of square step cut diamonds, and<br />
an outer border of marquise cut diamonds<br />
and square step cut diamonds, in white<br />
claw settings to a tapered shoulder plain<br />
polished mount, total estimated diamond<br />
weight 2.40 carat approximately, finger<br />
size N1/2<br />
£1000 - 1500<br />
536<br />
A Diamond Plaque Brooch, an old cut<br />
diamond centrally, within a pierced<br />
geometric frame, set throughout with old<br />
cut and single cut diamonds, total<br />
diamond weight 1.80 carat approximately,<br />
measures 4.1cm by 1.6cm<br />
£800 - 1200<br />
537<br />
A Cased Set of Twenty-Five Lava<br />
Cameo Buttons, each with a portrait of a<br />
male or a female character, the case with<br />
enclosures holding button backs, case<br />
inner marked 'LONDON & RYDER 17, NEW<br />
BOND ST', and three smaller buttons and<br />
three smaller dress studs, similar<br />
**NB one button missing from the fitted<br />
case<br />
£1000 - 1500
538<br />
An Opal and Diamond Brooch, an oval<br />
cabochon opal within a frame and bar set<br />
with single cut and rose cut diamonds,<br />
total diamond weight 0.35 carat<br />
approximately, length 4.1cm<br />
£250 - 350<br />
539<br />
An 18 Carat White Gold Sapphire Line<br />
Bracelet, pairs of square step cut<br />
sapphires in broad claw articulated<br />
settings, length 17cm<br />
£500 - 700<br />
540<br />
A Late Victorian Tortoiseshell Pique<br />
Brooch and Earring Set, the circular<br />
brooch with scalloped shape design, and a<br />
pair of drop earrings with a sphere<br />
suspending a pointed drop, with similar<br />
design, brooch measures 4.1cm in<br />
diameter, earrings with hook fittings for<br />
pierced ears, drop length 5.9cm, cased<br />
£300 - 400<br />
541<br />
A Pair of Diamond and Pearl Earrings,<br />
circa 1910, an old cut diamond in a white<br />
six claw setting suspends a pear shaped<br />
drop set throughout with old cut diamonds<br />
which surrounds a pendant diamond and<br />
pearl, total estimated diamond weight 0.90<br />
carat approximately, with hook fittings for<br />
pierced ears, drop length 2.5cm, in a fitted<br />
case by The Goldsmiths and Silversmiths<br />
Company<br />
£500 - 800<br />
542<br />
An <strong>Art</strong> Deco Diamond Cluster Ring, of<br />
lozenge form, with three graduated old cut<br />
diamonds lengthways, within an open<br />
setting to a frame set with old cut<br />
diamonds throughout, in white claw and<br />
millegrain settings, total estimated<br />
diamond weight 1.10 carat approximately,<br />
finger size P<br />
£500 - 800<br />
543<br />
An Early 20th Century Diamond Three<br />
Stone Ring, the graduated old cut<br />
diamonds in white claw settings to a<br />
yellow forked shoulder plain polished<br />
shank, total diamond weight 3.60 carat<br />
approximately, finger size K<br />
£4000 - 6000<br />
544<br />
A Diamond Bar Brooch, circa 1930,<br />
nineteen old cut diamonds graduate along<br />
the bar, in white claw settings with pairs<br />
of tiny rose cut diamonds between each of<br />
the larger stones, in a millegrain edged<br />
frame, total diamond weight 9.20 carat<br />
approximately, length 9.5cm<br />
£3000 - 4000<br />
545<br />
An 18 Carat White Gold Diamond<br />
Solitaire Ring, the old cut diamond in a<br />
six claw setting, a baguette cut diamond<br />
inset to each shoulder, on a plain polished<br />
shank, principal diamond weight 2.50 carat<br />
approximately, finger size N<br />
£4000 - 5000<br />
546<br />
An <strong>Art</strong> Deco Cocktail Watch, lever<br />
movement, silvered dial with Arabic<br />
numerals, single cut diamond set bezel to<br />
chevron shaped diamond set links, on a<br />
plain polished white expanding link<br />
bracelet, total diamond weight 1.75 carat<br />
approximately, length 15.5cm<br />
£600 - 800
547<br />
An Early 20th Century Diamond<br />
Solitaire Ring, the old cut diamond in a<br />
white eight claw setting, to a tapered<br />
shoulder shank, diamond weight 3.00<br />
carat approximately, finger size M1/2<br />
£6000 - 8000<br />
548<br />
A Late Victorian Pendant, the stylised<br />
floral frame set with paste stones<br />
throughout, and suspended from a foliate<br />
style drop, also paste set, the cluster<br />
centred by a step cut peach coloured<br />
stone, measures 2.7cm by 4.9cm, on an<br />
18 carat white gold curb link chain, length<br />
41.5cm<br />
£300 - 400<br />
549<br />
An <strong>Art</strong> Deco Diamond Bracelet, of<br />
three panels each with an oblong pierced<br />
plaque, set with old cut diamonds, within a<br />
spaced outer frame, and linked by pairs of<br />
open oblong links, held by column trios<br />
with bands top and bottom, diamond set<br />
throughout, total estimated diamond<br />
weight 18.00 carat approximately, length<br />
18.5cm, width 2.3cm, cased by Rood<br />
**Provenance: given as a gift by John<br />
Player to his wife, Whatton Manor, Notts.<br />
£15000 - 18000<br />
550<br />
An 18 Carat White Gold Diamond<br />
Ring, an old cut diamond in a four claw<br />
setting, over diamond set V shaped under<br />
settings, with three graduated round<br />
brilliant cut diamonds channel set to each<br />
shoulder, on a plain polished shank, finger<br />
size N<br />
**The diamond is accompanied by a<br />
report from The Independent Diamond<br />
and Gem Research Laboratory, number<br />
848-2278, dated 02/08/2010, which states<br />
the carat to be 0.93, colour H, clarity SI1.<br />
£1000 - 1500<br />
551<br />
A Pair of Diamond Cluster Drop<br />
Earrings, each comprises an old cut<br />
diamond cluster surmounted by single cut<br />
diamonds, all in white millegrain settings,<br />
on a plain yellow bar drop, total estimated<br />
diamond weight 1.70 carat approximately,<br />
with hook fittings for pierced ears, drop<br />
length 5.7cm<br />
£600 - 800<br />
552<br />
A Diamond Ring, a round brilliant cut<br />
diamond flanked by a trio of smaller round<br />
brilliant cut diamonds on each side, in<br />
white claw settings, to a tapered shoulder<br />
plain polished shank, total diamond weight<br />
1.10 carat approximately, finger size M<br />
£600 - 800<br />
553<br />
An <strong>Art</strong> Deco Diamond Ring, the central<br />
old cut diamond with pairs of graduated<br />
baguette cut diamonds to each shoulder,<br />
in white claw settings on a plain polished<br />
shank, principal diamond weight 0.60 carat<br />
approximately, finger size L<br />
£700 - 1000<br />
554<br />
An Early 20th Century Diamond Three<br />
Stone Bar Brooch, three graduated old<br />
cut diamonds in white claw settings on a<br />
white knife edge bar brooch, total<br />
diamond weight 1.80 carat approximately,<br />
length 5.7cm<br />
£600 - 800<br />
555<br />
A Cultured Pearl Choker, the two rows<br />
of 47:51 pearls strung to an <strong>Art</strong> Deco split<br />
clasp, of two graduated fan shapes, set<br />
with old cut diamonds in a white pierced<br />
millegrain frame, length 39cm<br />
£300 - 400
556<br />
An Early 20th Century Aquamarine<br />
and Seed Pearl Pendant, the openwork<br />
pendant with a pear cut aquamarine<br />
centrally, and set with seed pearls<br />
throughout, another aquamarine<br />
suspended from the base, on a trace link<br />
chain, pendant measures 2.8cm by 7.3cm,<br />
chain length 44.5cm<br />
£500 - 700<br />
557<br />
An Aquamarine and Diamond<br />
Necklace, a modified step cut<br />
aquamarine in white corner claw settings,<br />
suspended from a string of marquise cut<br />
diamonds in white claw settings, split at<br />
the top to a fine white trace link chain,<br />
necklace length 40.5cm, drop length<br />
5.7cm<br />
£5000 - 7000<br />
558<br />
A Diamond and Enamel Pendant, of<br />
oval form with a scalloped edge,<br />
enamelled in blue, with diamonds inset, on<br />
a figaro link chain, pendant measures<br />
2.0cm by 3.8cm chain length 44.8cm<br />
£300 - 400<br />
559<br />
A Pair of Diamond and Cultured Pearl<br />
Earrings, a string of round brilliant cut<br />
diamonds in white rubbed over settings<br />
suspend a cultured South Sea pearl, total<br />
estimated diamond weight 1.60 carat<br />
approximately, with post fittings for<br />
pierced ears, drop length 4cm<br />
£2000 - 2500<br />
560<br />
A Pair of Amethyst and Diamond Drop<br />
Earrings, a string of diamond set leaf<br />
motifs chain linked to suspend a briolette<br />
amethyst in a diamond set cup, total<br />
estimated diamond weight 1.00 carat<br />
approximately, with post fittings for<br />
pierced ears, drop length 5.1cm<br />
£600 - 800<br />
561<br />
A Victorian Diamond Set Belt, two<br />
rows of white chain taper twice, and are<br />
set between with sixty-nine old cut<br />
diamonds at intervals, total estimated<br />
diamond weight 13.00 carat<br />
approximately, length 109.5cm<br />
£3000 - 4000<br />
562<br />
A Diamond Three Stone Ring, the<br />
graduated old cut diamonds in white claw<br />
settings, to a tapered shoulder plain<br />
polished shank, total diamond weight 2.30<br />
carat approximately, finger size L<br />
£1200 - 1800<br />
563<br />
A Diamond Solitaire Ring, the old<br />
brilliant cut diamond in a white claw<br />
setting to a tapered shoulder plain<br />
polished shank, diamond weight 2.80 carat<br />
approximately, finger size M<br />
£6000 - 8000<br />
564<br />
A Diamond Cluster Ring, circa 1930,<br />
an old cut diamond centrally within a<br />
border of eight smaller, in white millegrain<br />
settings, to a tapered shoulder plain<br />
polished shank, total diamond weight 1.10<br />
carat approximately, finger size R1/2<br />
£500 - 800
565<br />
A Diamond Solitaire Ring, the round<br />
brilliant cut diamond in a white eight claw<br />
setting, to a tapered shoulder plain<br />
polished shank, diamond weight 4.65 carat<br />
approximately, finger size O1/2<br />
£12000 - 15000<br />
566<br />
An <strong>Art</strong> Deco Amethyst and Diamond<br />
Bracelet, a central geometric form set<br />
with a elongated hexagonal amethyst and<br />
a square step cut amethyst to each side,<br />
within a frame of single cut diamonds,<br />
each end of the panel with hinged opening<br />
to attach to a fancy linked bracelet, set<br />
throughout with old cut and single cut<br />
diamonds, total estimated diamond weight<br />
2.50 carat approximately, length 17.8cm<br />
£3000 - 4000<br />
567<br />
An Aquamarine and Diamond Brooch,<br />
rose cut diamonds in a scroll motif<br />
suspend a pear cut aquamarine, the<br />
stones in white claw and collet settings,<br />
measures 3.3cm by 4cm, and A Pair of<br />
Earrings, the drops of similar style, the<br />
single cut diamonds and pear cut<br />
aquamarine in white millegrain settings,<br />
with screw on fittings, drop length 3.2cm<br />
(2)<br />
£300 - 400<br />
568<br />
York Interest: An 18 Carat Gold<br />
Mourning Ring, three bands of black<br />
enamel to a milled border, the central<br />
band picked out to read 'WM HOLDEN<br />
ESQ' OB 14 FEB 1809 Ae 71', finger size T<br />
£250 - 300<br />
569<br />
Three 18 Carat Gold Mourning Rings,<br />
each enamelled with black enamel to the<br />
outer band, each with inscription; 'IN<br />
MEMORY OF' to the outer shank, and<br />
engraved to the inner 'Mrs Anne Horsfall<br />
Ob 3 March 1832 At 77', 'IN MEMORY OF'<br />
to the outer shank, and engraved to the<br />
inner 'Sarah Wade Ob 23rd Aug 1817 At<br />
67' and 'HENRY WICKHAM ESQ OB 8 OCT<br />
1804 Ae 73'<br />
£300 - 500<br />
570<br />
An 18 Carat Gold Modern Ring, by<br />
Faberge, of domed band style, the head<br />
enamelled in blue, with V shaped details,<br />
and a diamond collet set centrally, to a<br />
plain polished shank, finger size N<br />
£500 - 800<br />
571<br />
An Emerald and Diamond Necklace, a<br />
pear cut emerald in a white rubbed over<br />
setting, suspended from a string of<br />
marquise cut diamonds in white claw<br />
settings, split at the top to a fine white<br />
trace link chain, necklace length 39cm,<br />
drop length 4.7cm<br />
£3500 - 4000<br />
572<br />
A Pair of 18 Carat Gold Emerald and<br />
Diamond Drop Earrings, a pear cut<br />
emerald in a yellow rubbed over setting<br />
within a frame of round brilliant cut<br />
diamonds suspended from a tapered drop<br />
of round brilliant cut diamonds, in white<br />
claw settings, with post fittings for pierced<br />
ears, drop length 2.9cm<br />
£800 - 1200<br />
573<br />
A Platinum Diamond Solitaire Ring,<br />
the round brilliant cut diamond in an eight<br />
claw setting, to a tapered shoulder plain<br />
polished shank, finger size L1/2
**Accompanied by GIA report number<br />
12472734, dated March 18, 2003, which<br />
gives the diamond weight as 0.71 carat,<br />
colour F, clarity SI1.<br />
£1500 - 2000<br />
574<br />
An 18 Carat Gold Diamond Cluster<br />
Ring, three baguette cut diamonds within<br />
a border of round brilliant cuts, in white<br />
claw settings, to a yellow tapered shoulder<br />
plain polished shank, total diamond weight<br />
2.00 carat approximately, finger size N1/2<br />
£600 - 800<br />
575<br />
An Emerald and Diamond Cluster<br />
Ring, an oval mixed cut emerald centres a<br />
border of round brilliant cut and marquise<br />
cut diamonds in white claw settings, to<br />
shoulders channel set with double rows of<br />
baguette cut diamonds, to a plain polished<br />
shank, total estimated diamond weight<br />
1.60 carat approximately, finger size P<br />
£1200 - 1500<br />
576<br />
A Diamond Three Stone Ring, three<br />
round brilliant cut diamonds in white claw<br />
settings to a yellow tapered shoulder plain<br />
polished shank, total diamond weight 2.00<br />
carat approximately, finger size T1/2<br />
£1500 - 1800<br />
577<br />
A Diamond Solitaire Ring, the round<br />
brilliant cut diamond inset into a chunky<br />
white plain polished shank, estimated<br />
diamond weight 1.00 carat approximately,<br />
finger size Q<br />
£1000 - 1500<br />
578<br />
A Strand of Pearls, of irregular shape<br />
knotted to an emerald and diamond<br />
cluster clasp, the mixed cut emeralds and<br />
old cut diamonds in white millegrain<br />
settings, length 47cm<br />
**NB the pearls have not been tested<br />
£400 - 600<br />
579<br />
A Diamond Ring, nine round brilliant cut<br />
diamonds arranged as a stylised cross, in<br />
white claw settings to a plain polished<br />
shank, total diamond weight 1.00 carat<br />
approximately, finger size N1/2<br />
£500 - 700<br />
580<br />
A Diamond Ring, the round brilliant cut<br />
diamond in a white four claw raised<br />
setting, with a marquise cut diamond on<br />
each shoulder, to a plain polished shank,<br />
principal diamond weight 1.25 carat<br />
approximately, finger size Q<br />
£1200 - 1800<br />
581<br />
A Diamond Solitaire Ring, the round<br />
brilliant cut diamond in a white four claw<br />
setting, to tapered shoulders set with<br />
calibré cut diamonds in channel settings,<br />
on a plain polished shank, finger size L<br />
The ring is accompanied by a report from<br />
The Independent Diamond and Gem<br />
Research Laboratory, number 828-1490,<br />
dated 14/02/2011, stating the diamond to<br />
be 1.00 carat, colour D, clarity VVS2.<br />
£5000 - 6000<br />
582<br />
A Diamond Two Stone Twist Ring, the<br />
old cut diamonds, in white claw settings,<br />
to a plain polished shank, total diamond<br />
weight 2.50 carat approximately, finger<br />
size K<br />
£2000 - 3000
583<br />
An Aquamarine and Diamond Clip,<br />
with oval cut aquamarines and round<br />
brilliant cut diamonds at the centre of a<br />
sunburst style frame, measures 3.7cm by<br />
3.5cm<br />
£600 - 800<br />
584<br />
A Moonstone and Diamond Bracelet,<br />
oval cabochon moonstones in white milled<br />
edge bezel settings, linked by pierced<br />
lozenge shapes each inset centrally with a<br />
brilliant cut diamond, length 19.7cm<br />
£1500 - 2000<br />
585<br />
A Pair of Diamond Solitaire Earrings,<br />
a round brilliant cut diamond in a white<br />
four claw setting, total estimated diamond<br />
weight 0.60 carat approximately, with post<br />
fittings for pierced ears<br />
£500 - 800<br />
586<br />
A Pink/Purple Tourmaline and<br />
Diamond Ring, the oval mixed cut<br />
tourmaline within a chunky setting pavé<br />
set with round brilliant cut diamonds, in<br />
white claw settings to a plain polished<br />
shank, total diamond weight 1.20 carat<br />
approximately, finger size Q<br />
£400 - 600<br />
587<br />
An <strong>Art</strong> Deco Style Brooch, of lozenge<br />
form, a round brilliant cut diamond in a<br />
white rubbed over setting centrally, within<br />
a pierced frame of round brilliant cut<br />
diamonds in yellow and white claw<br />
settings, total estimated diamond weight<br />
2.50 carat approximately, measures 4.3cm<br />
by 2.2cm<br />
£600 - 800<br />
588<br />
An 18 Carat Gold Waterfall Brooch,<br />
by Kutchinsky, set with brilliant cut and<br />
single cut diamonds and rubies, total<br />
estimated diamond weight 1.50 carat<br />
approximately, measures 4.5cm by 7.8cm<br />
£1500 - 2000<br />
589<br />
A Ruby and Diamond Double Clip<br />
Brooch, circa 1920, of scroll form, set<br />
throughout with brilliant cut, square cut<br />
and single cut diamonds, and round cut<br />
rubies, total estimated diamond weight<br />
4.00 carat approximately, measures 6.1cm<br />
by 2.7cm, cased<br />
£2000 - 3000<br />
590<br />
A Ruby Necklace, the two strands of<br />
graduated polished ruby beads, strung to<br />
V shaped end pieces, length 45cm<br />
**Accompanied by a report from The Gem<br />
Testing Laboratory of India, number<br />
I2363CA71631, dated 05/06/2012, which<br />
states natural ruby, with no indications of<br />
thermal enhancement, wax filled cavities<br />
seen (the stone tested being the central<br />
piece in the longer string)<br />
£400 - 600<br />
591<br />
An 18 Carat Gold Ruby and Diamond<br />
Spray Brooch, matt finished yellow gold<br />
stylised leaves with round brilliant cut<br />
rubies in yellow claw settings clustered to<br />
the centre and set at intervals, with a<br />
white ribbon motif set with single cut<br />
diamonds throughout, measures 3.2cm by<br />
4.7cm<br />
£300 - 400
592<br />
A Pair of Ruby and Diamond Earrings,<br />
each set with marquise cut rubies and<br />
round brilliant cut diamonds in yellow and<br />
white claw settings, around a patterned<br />
crossover panel, with post fittings for<br />
pierced ears<br />
£300 - 400<br />
593<br />
A Lady's 9 Carat Gold Wristwatch, by<br />
Bueche-Girod, lever movement, gilt dial<br />
with applied baton markers, bezel with<br />
thirty-two round brilliant cut diamonds,<br />
with integral rope twist effect bracelet,<br />
total diamond weight 0.80 carat<br />
approximately, length 17cm<br />
£800 - 1200<br />
594<br />
An 18 Carat Gold Ruby and Diamond<br />
Cocktail Ring, by Kutchinsky, nine<br />
marquise cut rubies and five round brilliant<br />
cut diamonds in an asymmetric<br />
arrangement, in white and yellow claw<br />
settings, to a lined shank, finger size I<br />
£400 - 600<br />
595<br />
An 18 Carat Gold Ruby and Diamond<br />
Brooch, of abstract form, set with oval<br />
cut rubies and old cut and round brilliant<br />
cut diamonds in yellow and white claw<br />
settings, total estimated diamond weight<br />
0.50 carat approximately, measures 4cm<br />
by 5.8cm<br />
£300 - 400<br />
596<br />
An 18 Carat Gold Ruby and Diamond<br />
Bracelet, by Kutchinsky, of a yellow<br />
textured swirling motif, set with series of<br />
round brilliant cut diamonds and mixed cut<br />
rubies, in white claw settings, total<br />
diamond weight 2.50 carat approximately,<br />
length 17cm<br />
£2000 - 3000<br />
597<br />
A Diamond and Ruby Ring, an old cut<br />
diamond in white claws within pairs of<br />
marquise cut rubies to a yellow twist<br />
shoulder plain polished shank, diamond<br />
weight 1.10 carat approximately, finger<br />
size O1/2<br />
£800 - 1000<br />
598<br />
A Platinum Ruby and Diamond Ring,<br />
the oval mixed cut ruby in yellow claw<br />
settings, flanked by tapered baguette cut<br />
diamonds to each shoulder, in white claw<br />
settings, to an engraved shank, finger size<br />
M<br />
£1000 - 1500<br />
599<br />
A Diamond Three Stone Ring, the<br />
graduated old cut diamonds in white claw<br />
settings to a yellow tapered shoulder plain<br />
polished shank, total diamond weight 0.85<br />
carat approximately, finger size J<br />
£300 - 400<br />
600<br />
A Squirrel Brooch, set throughout with<br />
old cut and rose cut diamonds and a ruby<br />
eye, with pink sapphire details, realistically<br />
modelled as a squirrel on a branch, total<br />
estimated diamond weight 2.50 carat<br />
approximately, measures 4.8cm by 4.7cm<br />
£700 - 1000<br />
601<br />
An <strong>Art</strong>s and Crafts Enamelled<br />
Pendant, possibly by James Cromar<br />
Watt, a bat design, surmounted by a<br />
curved panel set with rose cut diamonds,<br />
from a cabochon moonstone pendant loop,<br />
and suspending a panel with the word<br />
'SPERO', three cabochon moonstone drops<br />
from the base, enamelled throughout in<br />
tones of blue, green, turquoise and purple,<br />
measures 4.5cm by 8.2cm, in an unnamed<br />
fitted case
**Provenance: This belonged to the<br />
vendor's great-grandmother, and is<br />
believed to have been commissioned for<br />
her. She was from a family of Quaker<br />
bankers named Wakefield, and herself was<br />
a Lakeland artist<br />
***An example of similar technique can be<br />
found on page 41 of Pre-Raphaelite to <strong>Art</strong>s<br />
and Crafts Jewellery, Charlotte Gere &<br />
Geoffrey C. Munn, Antique Collector's Club<br />
£500 - 800<br />
602<br />
An Enamelled Pendant, depicting the<br />
Leeds coat of arms, with diamonds and<br />
rubies inset, and the motto 'PRO REGE ET<br />
LEGE', on a 9 carat gold figaro link chain,<br />
pendant measures 4.3cm by 5.5cm, chain<br />
length 55cm<br />
£600 - 800<br />
603<br />
Irish Interest: A Harp and Shamrock<br />
Brooch, the harp set with seed pearls and<br />
a ruby, a small shamrock with an old cut<br />
diamond centrally, and a larger shamrock<br />
with a sapphire centrally, measures 3.5cm<br />
by 2.2cm<br />
£250 - 300<br />
604<br />
A Sapphire and Diamond Full Eternity<br />
Ring, alternating round brilliant cut<br />
diamonds and square step cut sapphires in<br />
white claw and channel settings, the flat<br />
sided ring with engraved detail, total<br />
estimated diamond weight 2.25 carat<br />
approximately, finger size Q<br />
£700 - 1000<br />
605<br />
A Sapphire and Diamond Cluster<br />
Ring, an oval mixed cut sapphire in a<br />
yellow collet setting with channels of step<br />
cut diamonds to the shoulders, within a<br />
surround of pavé set round brilliant cut<br />
diamonds, to a plain polished shank, total<br />
estimated diamond weight 1.50 carat<br />
approximately, finger size N<br />
£500 - 700<br />
606<br />
An 18 Carat Gold Sapphire and<br />
Diamond Cluster Ring, the mixed<br />
cushion cut sapphire within a border of<br />
round brilliant cut diamonds, in yellow<br />
claw settings to a plain polished shank,<br />
total diamond weight 2.15 carat<br />
approximately, finger size O<br />
£2000 - 3000<br />
607<br />
An 18 Carat Gold Sapphire and<br />
Diamond Three Stone Ring, the<br />
cornflower blue oval mixed cut sapphire<br />
flanked by a round brilliant cut diamond on<br />
each shoulder, in white and yellow claw<br />
settings, to a yellow tapered shoulder<br />
shank, total estimated diamond weight<br />
0.50 carat approximately, finger size L1/2<br />
£400 - 600<br />
608<br />
A Sapphire and Diamond Five Stone<br />
Ring, alternating oval cut sapphires and<br />
old cut diamonds in white claw settings, to<br />
a tapered shoulder plain polished shank,<br />
total diamond weight 0.90 carat<br />
approximately, finger size P1/2<br />
£500 - 700<br />
609<br />
A Pair of <strong>Art</strong> Nouveau Cufflinks,<br />
depicting a maiden in ivory within a<br />
plique-a-jour frame, chain linked to<br />
lozenge shaped links<br />
£1500 - 2000
610<br />
A 14 Carat Gold Brooch, by Hans<br />
Hansen, the triangular form of plain<br />
polished yellow gold, measures 6.8cm by<br />
4.6cm<br />
£400 - 500<br />
611<br />
A Sapphire Bracelet, by Child and<br />
Child, circa 1890-1899, assorted blue,<br />
yellow, white and a pale pink sapphire in<br />
yellow chain linked spectacle settings,<br />
length 16.5cm<br />
**NB three stones missing<br />
£300 - 500<br />
612<br />
A Pair of Cufflinks, by Cartier, Paris,<br />
each as a bar with a domed bloodstone at<br />
each end, within a hinged loop frame,<br />
cased by Cartier<br />
£500 - 800<br />
613<br />
An <strong>Art</strong>s and Crafts Buckle, set with foil<br />
backed and paste stones, in a beaded<br />
decorated frame, marked 'TB' measures<br />
4.7cm by 5.2cm<br />
£200 - 300<br />
614<br />
A Brooch, by Hans Hansen, circa<br />
1965, the form almost triangular in shape,<br />
numbered '114', measures 7.9cm by<br />
2.3cm<br />
£60 - 80<br />
615<br />
A Pair of Silver Enamelled Cufflinks,<br />
by Liberty & Co., the round disks<br />
enamelled in pale blue, pink and green,<br />
and chain linked to plain polished bars<br />
£200 - 300<br />
616<br />
An Opal Pendant, by Murrle Bennett<br />
& Co., the openwork <strong>Art</strong> Nouveau form<br />
set with a cabochon opal centrally and<br />
another suspended, measures 1.5cm by<br />
3.9cm<br />
£150 - 200<br />
617<br />
An <strong>Art</strong> Nouveau Style Pendant, of<br />
entwined form, set with a ruby and a<br />
pearl, and a houndstooth pearl suspended<br />
from the base, measures 2.6cm by 5.5cm<br />
£150 - 200<br />
618<br />
A Pair of 18 Carat White Gold Garnet<br />
and Diamond Drop Earrings, round<br />
brilliant cut and baguette cut diamonds<br />
form an <strong>Art</strong> Deco style drop, to a cushion<br />
cut garnet terminal, in white claw settings,<br />
total estimated diamond weight 1.10 carat<br />
approximately, with post fittings for<br />
pierced ears, drop length 3.8cm<br />
£700 - 1000<br />
619<br />
An 18 Carat White Gold Amethyst and<br />
Diamond Ring, the step cut amethyst<br />
flanked by a triangular cluster of ten round<br />
brilliant cut diamonds on each side, in<br />
white claw settings, to a tapered shoulder<br />
plain polished shank, total estimated<br />
diamond weight 0.50 carat approximately,<br />
finger size M1/2<br />
£600 - 800<br />
620<br />
An 18 Carat White Gold Kunzite and<br />
Diamond Ring, the oval cut kunzite<br />
flanked by two graduated rows of round<br />
brilliant cut diamonds on each shoulder, in<br />
white claw settings to a lined shoulder<br />
plain polished shank, total estimated<br />
diamond weight 0.50 carat approximately,<br />
finger size N<br />
£700 - 1000
621<br />
An 18 Carat Gold Amethyst and<br />
Diamond Collar, the half hinged collar of<br />
brushed finish, inset to the front with a<br />
cluster of single cut diamonds in white<br />
claw settings in a diamond shaped frame,<br />
three round brilliant cut diamonds inset to<br />
each side of the collar, and from the<br />
cluster suspends a trapezium cut<br />
amethyst, in a yellow claw setting<br />
£700 - 1000<br />
622<br />
An 18 Carat White Gold Aquamarine,<br />
Sapphire and Diamond Ring, the oval<br />
cut aquamarine within a part border of<br />
round brilliant cut diamonds, a baguette<br />
cut sapphire to each shoulder, in claw<br />
settings, to a pointed and lined shoulder<br />
shank, total estimated diamond weight<br />
0.50 carat approximately, finger size M<br />
£600 - 800<br />
623<br />
An Amethyst, Aquamarine and Ruby<br />
Necklace, comprising multiple strands of<br />
faceted beads, with briolette cut drops<br />
pendant, length 44cm<br />
£400 - 600<br />
624<br />
An Aquamarine and Diamond Cluster<br />
Ring, circa 1970, the square step cut<br />
aquamarine with truncated corners, within<br />
a spaced border and overset with round<br />
brilliant cut diamonds in white claw<br />
settings, to a plain polished shank, total<br />
diamond weight 1.10 carat approximately,<br />
finger size O<br />
£1000 - 1500<br />
625<br />
A Pair of Aquamarine, Pink<br />
Tourmaline and Diamond Drop<br />
Earrings, an oval cabochon tourmaline<br />
suspends alternating diamonds, and<br />
aquamarines, and an oval cut tourmaline,<br />
chain linked to a pink tourmaline and<br />
diamond cluster, all in white claw settings,<br />
total diamond weight 0.90 carat<br />
approximately, with post fittings for<br />
pierced ears, drop length 6.8cm<br />
£500 - 700<br />
626<br />
An 18 Carat White Gold Garnet and<br />
Diamond Pendant, a round mixed cut<br />
garnet within a border of round brilliant<br />
cut diamonds suspends two oval mixed cut<br />
garnets, in claw settings, drop length<br />
4.6cm<br />
£500 - 700<br />
627<br />
An Aquamarine and Diamond Three<br />
Stone Ring, the oblong step cut<br />
aquamarine in a white four claw setting<br />
flanked each side by a round brilliant cut<br />
diamond in a collet setting, to a plain<br />
polished shank, total diamond weight 0.20<br />
carat approximately, finger size N<br />
£400 - 500<br />
628<br />
A Multi Gemstone Necklace, of faceted<br />
moonstone, quartz, and garnet, with<br />
marcasite set panel decoration and fluorite<br />
drops pendant, length 45cm, drop length<br />
22cm<br />
£250 - 350<br />
629<br />
A Victorian Brooch, three mixed cut<br />
amethysts within a scrolling frame, with<br />
swags suspended to a pendant drop in<br />
similar style, also with an amethyst inset,<br />
measures 5.8cm by 8.5cm<br />
£300 - 400
630<br />
A Diamond Crescent Brooch, set<br />
throughout with three rows of old cut and<br />
rose cut diamonds, in white claw settings,<br />
total estimated diamond weight 1.50 carat<br />
approximately, measures 6cm (point to<br />
point)<br />
£500 - 700<br />
631<br />
A Pair of Cufflinks, with bar linked<br />
octagonal heads, set centrally with a<br />
brilliant cut diamond in an onyx surround,<br />
to a geometric white border<br />
£300 - 400<br />
632<br />
A Set of Dress Studs, all of hexagonal<br />
onyx form, with a single cut diamond<br />
centrally, within a white border, the<br />
cufflinks chain linked in a fitted case<br />
£600 - 800<br />
633<br />
An Amethyst and Seed Pearl Fringe<br />
Necklace, the oval cut amethysts in<br />
yellow claw settings, with seed pearl set<br />
detail, and knife wire drops set midway<br />
with a seed pearl to an amethyst terminal,<br />
length 41.5cm<br />
£500 - 700<br />
634<br />
An Opal and Diamond Pendant, a<br />
heart shaped cabochon opal in a white<br />
collet setting, within a border of round<br />
brilliant cut diamonds, in white claw<br />
settings, on a trace link chain, total<br />
diamond weight 0.90 carat approximately,<br />
measures 2.8cm by 4cm, chain length<br />
60cm<br />
£1000 - 1500<br />
635<br />
An 18 Carat White Gold Diamond<br />
Bombé Style Ring, five rows of round<br />
brilliant cut diamonds pavé set within a<br />
chunky mount, total diamond weight 1.30<br />
carat approximately, finger size N<br />
£600 - 800<br />
636<br />
A Diamond Solitaire Ring, by Bvlgari,<br />
the round brilliant cut diamond in a four<br />
claw setting, to a plain polished shank,<br />
finger size L, cased<br />
**The ring is accompanied by a report<br />
from Bvlgari, number 0015033 (undated),<br />
stating the diamond as 1.008 carat, colour<br />
F, clarity VS2, and a report from the GIA,<br />
number 11269568, dated September 20,<br />
2000, stating the diamond as 1.00 carat,<br />
colour F, clarity VS2.<br />
£5000 - 6000<br />
637<br />
A Three Colour Diamond Bracelet, the<br />
round brilliant cut diamonds in three hues<br />
- the white held in white collet settings,<br />
yellow tinted held in yellow collet settings<br />
and brown tinted held in rose gold<br />
settings, joined by white fancy links, total<br />
diamond weight 3.00 carat approximately,<br />
length 19.5cm<br />
£1000 - 1500<br />
638<br />
A Floral Spray Brooch, five clusters of<br />
demantoid garnets as flowers and three of<br />
citrines, each with a brilliant cut diamond<br />
centrally, within yellow leaf motifs, and<br />
white stems set with baguette cut and<br />
single cut diamonds, total estimated<br />
diamond weight 1.00 carat approximately,<br />
measures 4cm by 8cm<br />
£1800 - 2200
639<br />
An Early 20th Century Multi<br />
Gemstone Pendant, the square form<br />
comprising a round mixed cut pink topaz<br />
centrally, within a diamond set openwork<br />
frame, oval cut gemstones including;<br />
garnet, sapphire, citrine, peridot, ruby and<br />
emerald set at intervals, on a diamond set<br />
pendant loop, measures 4.3cm by 5.8cm<br />
£800 - 1200<br />
640<br />
An 18 Carat Gold Opal and Diamond<br />
Three Stone Ring, the oval cabochon<br />
opal flanked by an old cut diamond on<br />
each side in yellow claw settings, total<br />
estimated diamond weight 1.00 carat<br />
approximately, finger size M<br />
£1500 - 1800<br />
641<br />
An 18 Carat White Gold Peridot and<br />
Diamond Three Stone Ring, the oval<br />
cut peridot flanked by a round brilliant cut<br />
diamond in each shoulder, in white claw<br />
settings, total estimated diamond weight<br />
0.50 carat approximately, finger size M1/2<br />
£400 - 600<br />
642<br />
A 18 Carat Gold Opal and Diamond<br />
Cluster Ring, an oval cabochon opal<br />
within a border of round brilliant cut<br />
diamonds, in yellow and white claw<br />
settings, to a yellow tapered shoulder plain<br />
polished shank, total estimated diamond<br />
weight 0.50 carat approximately, finger<br />
size P<br />
£650 - 750<br />
643<br />
A Pair of Peridot and Diamond Drop<br />
Earrings, a floral cluster of round brilliant<br />
cut diamonds suspends diamond leaf<br />
detail, to a step cut peridot and round<br />
brilliant cut diamond cluster, total<br />
estimated diamond weight 1.30 carat<br />
approximately, post fittings for pierced<br />
ears, drop length 3.4cm<br />
£1500 - 2000<br />
644<br />
An 18 Carat Gold Millennium Cut<br />
Diamond Solitaire Ring, the diamond in<br />
a white corner claw setting, to a yellow<br />
tapered shoulder shank, diamond weight<br />
0.73 carat approximately, finger size I1/2<br />
£800 - 1000<br />
645<br />
A Graduated Diamond Five Stone<br />
Ring, the old cut diamonds in white claw<br />
settings, on a carved mount, to a yellow<br />
plain polished shank, total estimated<br />
diamond weight 1.50 carat approximately,<br />
finger size N1/2<br />
£500 - 800<br />
646<br />
A 9 Carat Gold Amethyst and<br />
Diamond Bangle, oval cut amethysts<br />
with pairs of tiny rose cut diamonds<br />
between each one, in yellow claw settings,<br />
on a scroll carved mount, to a plain<br />
polished bangle<br />
£300 - 400<br />
647<br />
A Diamond Solitaire Ring, the old cut<br />
diamond in a white eight claw setting, to a<br />
yellow plain polished shank, diamond<br />
weight 0.75 carat approximately, finger<br />
size M<br />
£500 - 700
648<br />
An 18 Carat White Gold Diamond<br />
Cross, the round brilliant cut diamonds in<br />
white claw settings, total estimated<br />
diamond weight 1.33 carat approximately,<br />
measures 2.1cm by 3.2cm, to a white<br />
suspension loop on an 18 carat white gold<br />
heyseed link chain, length 51cm<br />
£400 - 500<br />
649<br />
A Diamond Set Pin Brooch, set with old<br />
cut and brilliant cut diamonds throughout,<br />
total estimated diamond weight 1.40 carat<br />
approximately, length 5.5cm<br />
£500 - 700<br />
650<br />
An 18 Carat Gold Sapphire and<br />
Diamond Set Bangle, stamped 'VAN<br />
GOGH', retailed by Boucheron, the<br />
stylised pierced floral domed upper section<br />
set with alternating round brilliant cut<br />
sapphires and diamonds, to a back of<br />
stylised entwined textured foliate motifs,<br />
total diamond weight 1.60 carat<br />
approximately<br />
£2000 - 3000<br />
651<br />
A Sapphire and Diamond Necklace,<br />
five rows of graduated polished sapphire<br />
beads, with two diamond set oblong panel<br />
details, to V shaped end pieces, length<br />
35cm<br />
**Accompanied by an identification report<br />
from The Gem Testing Laboratory of India,<br />
number I1561CA69629, dated 09/03/2012,<br />
which states natural sapphire, with no<br />
indications of thermal enhancement (the<br />
stone tested being the central piece in the<br />
longest string)<br />
£1000 - 1200<br />
652<br />
A Sapphire and Diamond Necklace<br />
and Bracelet Set, series of marquise cut<br />
sapphires in yellow claw settings alternate<br />
with trios of lozenge shaped links, the<br />
central lozenges set with pairs of brilliant<br />
cut diamonds in channel settings, total<br />
estimated diamond weight 1.05 carat<br />
approximately, necklace length 40.5cm,<br />
bracelet length 18cm<br />
£1000 - 1500<br />
653<br />
A Pair of Moonstone, Sapphire and<br />
Diamond Drop Earrings, three<br />
cabochon moonstones alternate with oval<br />
cut sapphires, the moonstone terminal<br />
within a border of round brilliant cut<br />
diamonds, all in white claw settings, with<br />
post fittings for pierced ears, drop length<br />
6.7cm<br />
£600 - 800<br />
654<br />
A Diamond and Sapphire Half Eternity<br />
Ring, five scissor cut sapphires alternate<br />
with four emerald cut diamonds in white<br />
bezel settings to a plain polished shank,<br />
total estimated diamond weight 1.30 carat<br />
approximately, finger size L1/2<br />
£3000 - 5000<br />
655<br />
An 18 Carat White Gold Moonstone,<br />
Sapphire and Diamond Cluster Ring,<br />
the oval cabochon moonstone in a part<br />
border of round brilliant cut diamonds with<br />
a pear cut sapphire to each shoulder, in<br />
white claw settings to a tapered shoulder<br />
plain polished shank, finger size M1/2<br />
£600 - 800
656<br />
A Sapphire and Diamond Cluster<br />
Ring, the oval cut sapphire within a<br />
border of round brilliant cut diamonds, in<br />
white claw settings, to hooped shoulders<br />
on a lined polished shank, total diamond<br />
weight 2.50 carat approximately, finger<br />
size L1/2<br />
£1500 - 2000<br />
657<br />
An 18 Carat Gold Lady's Wristwatch,<br />
signed Piaget, lever movement, dial with<br />
applied baton markers, within a bezel set<br />
with thirty round brilliant cut diamonds in<br />
white claw settings, to a yellow triple open<br />
work rope design bracelet, total diamond<br />
weight 1.40 carat approximately, length<br />
17cm<br />
£1800 - 2200<br />
658<br />
An 18 Carat Gold Diamond and<br />
Sapphire Cocktail Ring, by<br />
Kutchinsky, a central round brilliant cut<br />
diamond within a border of eight assorted<br />
cut diamonds, to a double tiered border of<br />
sapphires, in white and yellow claw<br />
settings, on a grooved shoulder shank,<br />
total estimated diamond weight 1.35 carat<br />
approximately, finger size M<br />
£1500 - 2000<br />
659<br />
A Sapphire and Diamond Spray<br />
Brooch, the yellow polished and textured<br />
form set with round brilliant cut sapphires<br />
and old cut diamonds in claw settings,<br />
total diamond weight 1.20 carat<br />
approximately, measures 2cm by 4.9cm<br />
£600 - 800<br />
660<br />
A Pair of 18 Carat White Gold<br />
Diamond Solitaire Earrings, the round<br />
brilliant cut diamonds in white illusion and<br />
claw settings, total diamond weight 1.00<br />
carat approximately, with screw post<br />
fittings for pierced ears<br />
£400 - 600<br />
661<br />
An 18 Carat Gold Diamond Set<br />
Hexagonal Brooch/Pendant, of seven<br />
interlocking yellow hexagons each with an<br />
old cut diamond suspended, a diamond<br />
detail at intervals to the outer border, total<br />
diamond weight 1.20 carat approximately,<br />
measures 2.8cm by 2.8cm<br />
£400 - 600<br />
Foreign Silver & White Metal<br />
662<br />
A Pair of Continental White Metal<br />
Chambersticks, probably German,<br />
circa 1880, of shell form with hippocamp<br />
handles and foliate scroll sconces with bell<br />
form snuffers applied with fox mask clips<br />
and owl finials, all raised on cast paw feet,<br />
later presentation inscription, 19cm long,<br />
14oz 12dwt<br />
£200 - 300<br />
663<br />
An Italian Table Garniture, stamped<br />
Armando Possi, Firenze, 800,<br />
profusely cast and chased with openwork<br />
scrolls and leaf capped columns,<br />
comprising a dish and cover, two oval<br />
bowls and two covered tureens with liners,<br />
the tureens 32cm high, 11,580 grams<br />
£4000 - 6000
664<br />
A French Part Service of White Metal<br />
Flatware, various makers, circa<br />
1800-80, Fiddle pattern, comprising<br />
ninety-five table spoons and fifty-nine<br />
table forks, together with sundry<br />
teaspoons and plated flatware, 311oz<br />
weighable silver (qty)<br />
£3000 - 5000<br />
665<br />
A Chinese White Metal Bowl, maker's<br />
mark WO, circa 1890, the collet foot<br />
rising to a shaped circular body engraved<br />
with reserves of birds and flowers within<br />
landscapes, one with a vacant laurel<br />
cartouche beneath a stylised lotus petal<br />
rim, 19.5cm diameter, 14oz<br />
£300 - 500<br />
666<br />
A Pair of Russian Candlesticks,<br />
Fyeddor Ularov, St Petersburg, circa<br />
1820, assay master Alexander<br />
Yashinov, each with dodecagonal<br />
panelled urn nozzles and with sconces with<br />
everted anthemion rims, on panelled<br />
tapering stems from leaf decorated shaped<br />
square bases with chamfered angles,<br />
24cm high<br />
£1200 - 1800<br />
667<br />
A Russian Cloisonné Spoon, maker's<br />
mark CMB (?), circa 1900-10, of typical<br />
form with broad round bowl and twisted<br />
tapering stem, applied throughout with<br />
foliate enamel sprays, 15cm long, 1oz<br />
7dwt, in fitted case<br />
£200 - 300<br />
668<br />
A Pair of White Metal Pheasant Table<br />
Ornaments, 20th century, each<br />
standing with naturalistic detailed<br />
plumage, both stamped 835, 27.5cm and<br />
25cm long, combined weight 13oz<br />
£250 - 350<br />
Modern Silver<br />
668A<br />
An Elizabeth II Silver Horsehead<br />
Handled Walking Stick, Asprey,<br />
London 1997, as a bridled racehorse<br />
head, with wood shaft, 91.5cm long<br />
overall<br />
£500 - 700<br />
669<br />
A Pair of Elizabeth II Silver Filled<br />
Game Bird Table Ornaments, maker's<br />
mark BS, Birmingham 1995, one as a<br />
cock pheasant perched on a rock, the<br />
other of a grouse, each inscribed ESC<br />
(Copyright) 95, filled, 15cm and 14cm high<br />
£150 - 200<br />
670<br />
An Elizabeth II Silver Dessert Stand,<br />
Walker & Hall Ltd, Sheffield 1963, the<br />
spreading foot rising to a circular bowl<br />
with broad pierced openwork and<br />
engraved border with fruiting vines<br />
beneath a cast vine rim and twin loop<br />
handles, 42cm across, 41oz 13dwt<br />
£400 - 600<br />
671<br />
An Elizabeth II Silver Cock Pheasant<br />
Table Ornament, maker's mark H&L,<br />
London 1962, naturalistically modelled<br />
turning to the right, 38.5cm long, 22½oz<br />
£600 - 800
672<br />
A George VI Silver and Cold<br />
Enamelled Racehorse with Jockey Up<br />
Car Mascot, Goldsmiths &<br />
Silversmiths Co Ltd, London 1946, the<br />
standing horse with jockey up with red<br />
colours and yellow cap, the textured<br />
rectangular plateau base inscribed on<br />
three of the four edges DEVADAS, LADY<br />
SOLACE and BETTER STILL, screw thread<br />
mounting and hexagonal silver nut,<br />
15.2cm high overall<br />
£1200 - 1800<br />
672A<br />
A George V Silver Figure of a Pugilist,<br />
H Phillips, London 1935, in a boxing<br />
stance, on a textured rectangular plinth,<br />
stamped Phillips, Aldershot, 22cm high, 54<br />
1/2oz<br />
£1500 - 2000<br />
673<br />
An <strong>Art</strong> Deco Silver Four Piece Teaset,<br />
Ollivant & Botsford, London 1932, of<br />
flared circular form with stepped ebonised<br />
handles, domed covers and geometric<br />
carved ivory finials, 18cm high, 59oz<br />
16dwt all in<br />
£700 - 1000<br />
674<br />
A Pair of George V Silver<br />
Candlesticks, Hawksworth, Eyre & Co<br />
Ltd, Sheffield 1927, the nozzles<br />
Birmingham 1933, the circular bases<br />
rising to knopped flared stems with<br />
campana shaped sconces and detachable<br />
nozzles, foliate acanthus shell borders<br />
throughout, 32cm high, loaded<br />
£400 - 600<br />
675<br />
An <strong>Art</strong>s & Crafts Silver Cup, Manoah<br />
Rhodes & Son Ltd, London 1923, the<br />
planished spreading foot rising to a flared<br />
stem with twin pierced foliate openwork<br />
knops beneath a plain circular bowl, 30cm<br />
high, 24oz 10dwt<br />
**This cup bears similarities to the later<br />
work of Charles Boyton and may have<br />
been supplied to Rhodes by that firm.<br />
£400 - 600<br />
676<br />
A Pair of George V Silver Sauceboats,<br />
Sheffield 1922, of inverted helmet<br />
shape, acanthus sheathed C scroll handles,<br />
on three hoof feet, 18cm long, combined<br />
weight 19oz<br />
£250 - 350<br />
677<br />
Robert Burns Interest: A George V<br />
Silver Two-Handled Pedestal<br />
Presentation Cup, Birmingham 1916,<br />
of scrolled handled pedestal form, with<br />
inscription Presented Along With a Cheque<br />
by the Office-Bearers And Members of the<br />
Burns Federation to Duncan McNaught<br />
Esqr JP Glasgow 18 th January 1918, 18cm<br />
high, 14½oz; A Gilt Brass Pedestal<br />
Bust of Robert Burns, 19 th century, on<br />
square base, 12cm high; A 9ct Gold<br />
Presentation Medallion, to Agnes<br />
McNaught, Kilmaurs P School 1896-97, 8g;<br />
One Volume of Kilmaurs Parish and<br />
Burgh by D McNaught, published 1912;<br />
and Two Photographs of the Author<br />
(6)<br />
**Please refer to lot 428 for further history<br />
concerning the McNaught family and their<br />
relation to Robert Burns<br />
£300 - 400<br />
678<br />
A George V Silver Tray, Harrison<br />
Brothers & Howson, Sheffield 1914,<br />
of rounded rectangular form with<br />
gadrooned rim interspersed with acanthus<br />
capped shells and twin cast scroll handles,<br />
initialled, 65cm long, 101oz<br />
£1200 - 1800
679<br />
A George V Silver Cup and Cover,<br />
maker's mark HEB/FEB, Chester<br />
1911, the pedestal foot rising to a vase<br />
shaped body with twin reeded loop<br />
handles and domed cover with gadrooned<br />
baluster knop, inscribed The London<br />
Trotting Club .... , 52cm high, 76oz 1dwt<br />
£700 - 1000<br />
680<br />
A George V Silver Cup, Charles Stuart<br />
Harris, London 1910, the pedestal foot<br />
rising to a baluster body with twin leaf<br />
capped scroll handles, later inscribed The<br />
London Trotting Club ..., 29.5cm high,<br />
34oz 11dwt<br />
£300 - 500<br />
681<br />
An Edward VII Pistol-Handled Suite<br />
of Silver Flatware, Francis Higgins,<br />
London 1905, each piece engraved with<br />
gothic initial S, comprising eighteen table<br />
knives with steel blades, eighteen<br />
triple-tine table forks, eighteen dessert<br />
forks, nine dessert knives with steel<br />
blades, a carving knife and fork; and A<br />
Pair of Georgian Silver Sugar Tongs<br />
(qty)<br />
£500 - 700<br />
682<br />
An Edward VII Composite Thirteen<br />
Piece Silver Dressing Table Set,<br />
William Comyns, London 1905, each<br />
piece repoussé with classical figures<br />
beneath flaming urns and swags,<br />
comprising tray, hair brush, pair of clothes<br />
brushes, comb, large cut glass powder<br />
bowl and cover, trinket box and cover, two<br />
ointment jars and covers (London 1908),<br />
cotton wool jar and cover, shoe horn<br />
(London 1910), coat button hook (London<br />
1910) and hand mirror<br />
£500 - 700<br />
683<br />
A Set of Six Edward VII Menu<br />
Holders, Samuel Jacobs, London<br />
1903, each cast with a running fox with<br />
hinged mounts, initialled, 7.5cm long, 6oz<br />
14dwt, in fitted case<br />
£600 - 900<br />
Antique Silver<br />
684<br />
A Victorian Silver Gilt Bowl, Charles<br />
Stuart Harris, London 1899, the<br />
spreading foot rising to a circular bowl<br />
profusely pierced and chased with birds<br />
amidst scrolls and foliage, with twin vacant<br />
scroll cartouches, 20.5cm diameter, 20oz<br />
1dwt<br />
£400 - 600<br />
685<br />
A Late Victorian Silver Mounted Ivory<br />
and Rhinoceros Horn Page Turner,<br />
London 1899, with tusk tip handle, the<br />
silver ferrule engraved with a visor,<br />
rhinoceros horn blade, 40cm long overall,<br />
169g<br />
**Rhinoceros: CITES Appendix I Annex A<br />
With Animal Health permission letter<br />
100-12/13<br />
£300 - 400<br />
686<br />
A Pair of Late Victorian Two-Branch<br />
Three-Light Silver Table Candelabra,<br />
Hawksworth Eyre Ltd, Sheffield 1898,<br />
with campana urns and circular drip pans,<br />
on whiplashed branches from conforming<br />
candlestick knopped stems, on filled<br />
square bases with indented angles,<br />
converting to a four-branch five-light<br />
candelabrum 43.5cm high<br />
£2000 - 3000
687<br />
A Late Victorian Two-Handled Silver<br />
Cup, Charles Stuart Harris, London<br />
1896, in Charles II style, the bucket bowl<br />
with gadrooned girdle raised band, beaded<br />
S scroll handles, semi-gadrooned overall<br />
and with a William III Crown 1696 inset<br />
into the base, gilded interior, 9cm high,<br />
7½oz<br />
£120 - 180<br />
688<br />
A Pair of Victorian Silver Dessert<br />
Bowls, Martin, Hall & Co Ltd, London<br />
1894, oval, on four ball feet with deep<br />
wirework border applied with fruiting vine<br />
and wheatsheaf decoration beneath a<br />
gadrooned rim, 18.5cm long, 9oz 6dwt<br />
£300 - 500<br />
689<br />
A Victorian Silver Gilt Cream and<br />
Sugar Set, James Wakely & Frank<br />
Clarke Wheeler, London 1889,<br />
comprising pedestal circular sugar, helmet<br />
cream, six teaspoons and sugar tongs, all<br />
decorated with flowers, weighable silver<br />
9½ oz, in presentation case<br />
£300 - 400<br />
690<br />
A Pair of Victorian Silver Novelty<br />
Pepperettes, James Barclay Hennell<br />
for Robert Hennell & Sons, London<br />
1884, modelled as standing fighting cocks<br />
on foliate circular bases, 8.5cm high, 4oz<br />
8dwt<br />
£700 - 1000<br />
691<br />
A Victorian Silver Three Piece Teaset,<br />
Charles Boyton, London 1884, of<br />
globular form with ebonised scroll handle<br />
and domed cover with fluted button finial,<br />
foliate chased in Indian style throughout,<br />
in a fitted case, with a matching teaspoon<br />
and a pair of sugar tongs, the teapot,<br />
12cm high, 12oz all in<br />
£120 - 180<br />
692<br />
A Victorian Silver Kettle on Stand,<br />
Charles Stuart Harris, London 1881,<br />
retailer's stamp of Lambert, Coventry<br />
St, London, the three leaf capped shell<br />
and scroll feet supporting a circular burner<br />
and part fluted cape form kettle with<br />
wooden handle, domed cover with button<br />
finial, 33cm high, 56oz 13dwt all in<br />
£900 - 1100<br />
693<br />
A Victorian Silver Centrepiece Bowl<br />
Stand, Joseph Bradbury & Edward<br />
Bradbury, London 1872, as two<br />
entwining fruiting vine stocks with upper<br />
ring to support a bowl (now lacking), on a<br />
fruit, flower and scroll repoussé domed<br />
base on three outswept rocaille feet,<br />
29.5cm high, 39oz<br />
£350 - 550<br />
694<br />
A Victorian Silver Cup, Robert Harper<br />
& Son, London 1870, the pedestal foot<br />
rising to a campana shaped bowl with twin<br />
cast foliate scroll handles, chased with<br />
hare coursing through a woodland<br />
landscape, inscribed Presented to<br />
Frederick Gretton Esqre by members of<br />
the Newton Hunt, January 14th 1871,<br />
20cm high, 12oz 2dwt<br />
£200 - 300
695<br />
A Victorian Silver Mounted Claret Jug,<br />
Richards & Brown, London 1865, the<br />
star cut spreading foot rising to an ovoid<br />
body engraved with stars and scrolls<br />
within a diaperwork cut ground with cast<br />
vine handle and collar, the domed lipped<br />
cover with mechanical action for opening<br />
to the handle, 32cm high<br />
£700 - 900<br />
697<br />
A Victorian Scottish Silver Soup<br />
Ladle, J Muir Jr, Glasgow 1844, King's<br />
pattern single struck, 37cm long, 9oz<br />
13dwt<br />
£150 - 200<br />
698<br />
A Victorian Silver Kettle, Stand and<br />
Burner, Thomas, James & Nathaniel<br />
Creswick, Sheffield 1840, the three<br />
cast shell and scroll legs supporting a<br />
circular burner and pierced circular<br />
standing rising to a baluster pot with ivory<br />
turned handle and domed cover with cast<br />
foliate finial, engraved with C scrolls and<br />
trelliswork reserves, 35cm high, 54oz 4dwt<br />
all in<br />
£700 - 1000<br />
699<br />
A George IV Silver Bread Basket,<br />
Emes & Barnard, London 1825, the<br />
spreading foot rising to a part lobed<br />
acanthus and bulrush based circular bowl<br />
with cast shell and scroll acanthus rim and<br />
swing handle, initialled, 31cm diameter,<br />
34oz 16dwt<br />
£400 - 600<br />
700<br />
A George IV Provincial Silver Teapot,<br />
Barber, Cattle & North, York 1829,<br />
with town mark, of compressed girdled<br />
circular form with collet foot , leaf capped<br />
scroll handle and domed cover with large<br />
button finial, 13cm high, 20oz 7dwt all in<br />
£800 - 1200<br />
701<br />
A George IV Silver Fish Slice, maker's<br />
mark JT struck thrice, possibly Cape,<br />
circa 1820, Fiddle pattern with scimitar<br />
shaped pierced and foliage engraved<br />
blade, 30cm long, 5oz 12dwt<br />
£200 - 400<br />
702<br />
A George III and Later Part Service of<br />
Flatware, Thomas Wallis & Jonathan<br />
Hayne, London 1815, the forks<br />
William Eaton, London 1838 and<br />
various dates and makers, Old English<br />
pattern, crested, comprising two table<br />
spoons, twelve table forks, six dessert<br />
spoons, twelve dessert forks, and a<br />
basting spoon, 60oz 4dwt (33)<br />
£700 - 1000<br />
703<br />
A George III Silver Tray, maker's<br />
mark WB, London 1814, rounded<br />
rectangular, gadrooned rim and arched<br />
handles sheathed with acanthus, with<br />
central engraved armorial with lion crest,<br />
61cm wide, 89oz, in a fitted wood Sorley,<br />
Glasgow case with inner plaque MUDHOOK<br />
YACHT CLUB 11 th JULY 1913<br />
£700 - 900<br />
704<br />
A Set of Six George III Silver Table<br />
Spoons, three Wallis & Hayne,<br />
London 1811, three J McKay,<br />
Edinburgh 1818, Fiddle and Thread<br />
pattern, later crested, 22cm long, 15oz<br />
3dwt<br />
£200 - 300
705<br />
A Group of Four Georgian and Later<br />
Silver Toddy Ladles, two with coins<br />
inset into the centre of the bowls, each<br />
with twisted baleen handles, the longest<br />
39.5cm; and A Similar Cream Ladle,<br />
London 1799 (5)<br />
£200 - 300<br />
706<br />
A George III Silver Sugar Basket,<br />
Hester Bateman, London 1790, the<br />
shaped reeded navette pedestal foot rising<br />
to a conforming bright-cut engraved bowl<br />
with reeded rim and shaped swing handle,<br />
16cm, 6oz 7dwt<br />
£400 - 600<br />
707<br />
A George III Silver Circular Wine<br />
Tray, maker's mark HC, London 1788,<br />
centrally engraved with an armorial,<br />
moulded rim, on three reeded outswept<br />
feet, 30.5cm diameter, 28oz<br />
£600 - 800<br />
708<br />
A George III Silver Salver, Richard<br />
Rugg, London 1773, shaped circular<br />
with three pad feet and gadrooned rim,<br />
engraved with an armorial, 30cm<br />
diameter, 26oz 19dwt<br />
£600 - 900<br />
709<br />
A Pair of George III Corinthian<br />
Column Table Candlesticks, possibly<br />
John Carter II, London 1772, with<br />
concave and bead edged sconces (marked<br />
for John Winter & Co, Sheffield, no date<br />
letter), with pierced capitals and stop<br />
fluted stems, on weighted concave sided<br />
square bases embossed with urns amongst<br />
swags, 28cm high<br />
£600 - 900<br />
710<br />
A George III Silver Dish Cross,<br />
Burrage Davenport, London, circa<br />
1770, of typical form with cast openwork<br />
adjustable feet and pierced central boss,<br />
crested, 30.5cm long, 11oz 16dwt<br />
£300 - 500<br />
711<br />
A George III Silver Sugar Basket,<br />
Richard Morton & Co, Sheffield 1777,<br />
the pedestal beaded foot rising to a pale<br />
pierced vase shaped body with calyx<br />
chasing and beaded swing handle, with<br />
blue glass liner, 16cm high, 4oz 17dwt free<br />
£300 - 500<br />
712<br />
A Pair of George III Silver Waiters,<br />
Richard Rugg, London 1762, shaped<br />
circular with shell and scroll rim, each<br />
raised on three cast pad and scroll feet,<br />
20cm diameter, 21oz 6dwt<br />
£500 - 800<br />
713<br />
A George II Silver Coffee Pot, Thomas<br />
Whipham, London 1747, the moulded<br />
foot rising to a tucked-in cylindrical<br />
tapering body with ivory leaf capped scroll<br />
handle and domed cover with baluster<br />
finial, later chased with foliate C scrolls<br />
and fruit, 25cm high, 29oz 6dwt all in<br />
£800 - 1200<br />
714<br />
A George II Silver Coffee Pot, Thomas<br />
Whipham, London 1749, the moulded<br />
foot rising to a tucked-in cylindrical<br />
tapering body with ebonised leaf capped<br />
scroll handle and domed cover with acorn<br />
finial, later foliate chasing throughout,<br />
bearing a mid-19 th century armorial and<br />
baronial crest, 25cm high, 28oz 1dwt all in<br />
£800 - 1200
715<br />
A Good George II Silver Salver,<br />
Dennis Langton, London 1733, four<br />
leaf capped knurl feet supporting a shaped<br />
circular body with moulded rim, engraved<br />
with an armorial, initialled to the reverse<br />
and scratch weight 26-12, 28.5cm<br />
diameter, 25oz 11dwt<br />
£1000 - 1500<br />
716<br />
A George II Silver Cup and Cover,<br />
Richard Gurney & Thomas Cooke,<br />
London 1731, the spreading foot<br />
supporting a girdled vase shaped body<br />
with twin leaf capped scroll handles and<br />
domed cover with fruiting finial, later<br />
chased with Bacchic figures and fruiting<br />
vines throughout, later inscribed to foot,<br />
28cm high, 46oz 11dwt<br />
£400 - 700<br />
717<br />
A Good George I Silver Table Spoon,<br />
Andrew Archer, London 1719,<br />
Hanoverian pattern, engraved with an<br />
armorial, 20.5cm long; and Five Silver<br />
Table Spoons, various dates and<br />
makers, all Hanoverian pattern, 9oz<br />
19dwt<br />
£300 - 500<br />
718<br />
A William III Silver Dognose Spoon,<br />
Richard Colegate, Lewes, circa 1700,<br />
inscribed RC 1703, 18cm long, 1oz 5dwt<br />
£300 - 500<br />
719<br />
An Elizabethan Lion Sejant Spoon,<br />
Christopher Easton, Exeter, circa<br />
1600, the fig shaped bowl with tapering<br />
stem and cast lion sejant finial, inscribed<br />
to the reverse of the bowl I*E 1601, 17cm<br />
long, 18dwt<br />
£700 - 1000<br />
Objects of Vertu<br />
720<br />
A Set of Six "Staffordshire Enamels"<br />
Game Bird Painted Napkin Rings,<br />
20th century, each of concave sided<br />
cylindrical form, painted with blackgame,<br />
red-legged partridge, woodcock, snipe,<br />
cock pheasant and mallard, each initialled<br />
CH, within gilded rims, 4.3cm diameter, in<br />
original presentation box<br />
£100 - 150<br />
721<br />
A 9ct Gold Cigarette Case, maker's<br />
mark TWL, London 1935, plain<br />
rectangular with engine turned decoration<br />
throughout, 10.5cm long, 146 grams<br />
£1200 - 1800<br />
722<br />
A Russian Enamel Kovsh, possibly<br />
Nicholai Alexeyev, Moscow, circa<br />
1908-1926, with gilded interior, the<br />
exterior worked with stylised scrolling<br />
leaves and flowerheads, 9.6cm long; and<br />
An Associated Spoon, Moscow, with<br />
crown finial (2)<br />
£600 - 900<br />
723<br />
A Three Colour Gold Hinge-Lidded<br />
Box, circa 1820, the lid with bracketed<br />
thumb piece and central oval floral boss<br />
worked in high relief with rose blossoms<br />
and trailing stems against an engine<br />
turned ground, florets at the angles, 8cm<br />
wide, 88g<br />
£1400 - 1800<br />
724<br />
A Victorian 18ct Gold and Gem Set<br />
Propelling Pencil, Samson Mordan &<br />
Co, London, circa 1880, of telescopic<br />
form, the main body set with diamonds,<br />
rubies and emeralds in star effect mounts,<br />
on a suspension ring, 10.5cm long open<br />
£500 - 800
725<br />
withdrawn<br />
726<br />
An Aesthetic Movement Silver Gilt<br />
Scent Bottle, Henry William Dee,<br />
London 1877, of gourd outline, the<br />
borders and panels modelled as bamboo<br />
shoots and canes, spring loaded cover,<br />
7cm long<br />
£700 - 1000<br />
727<br />
A Victorian Silver Pocket Corkscrew<br />
and Knife, Atkin Bros, Sheffield 1872,<br />
in the form of an early cyclist's knife with a<br />
folding button hook, blade, hook/tyre pick<br />
and corkscrew, engraved J Coulthurst,<br />
Gargrave House and bearing a crest within<br />
a foliate engrave cartouche, 10.5cm closed<br />
£200 - 300<br />
728<br />
A William IV Silver Vinaigrette, John<br />
Bettridge, Birmingham 1830,<br />
rectangular with engine turned sides and<br />
cast foliate rim, initialled MEP, 4cm long;<br />
and Another, Nathaniel Mills,<br />
Birmingham 1828, rectangular with<br />
foliate cast cover and bright-cut engraved<br />
base, initialled, 3.5cm long (2)<br />
£250 - 400<br />
729<br />
A George III 18ct Gold Counter Box,<br />
London 1803, cylindrical, radial engine<br />
turned decoration, hinged lid, both<br />
sections with stamped mark IA and gold<br />
marks, 3.9cm high<br />
£500 - 700<br />
Prints<br />
730<br />
After Cecil Charles Windsor Aldin RBA<br />
(1870-1935)<br />
"For What we are About to Receive"<br />
Signed artist's proof, 81/100, inscribed<br />
verso, black and white etching, 24cm by<br />
16.5cm (pl)<br />
£150 - 200<br />
731<br />
Joseph Wolf and H..C..Richter (19 th<br />
century)<br />
"Greenland Falcon, Light Race Adult and<br />
Young, Falco Candicans"<br />
Inscribed, coloured stone lithograph, 53cm<br />
by 36cm<br />
**Sold with written history on the<br />
Greenland Falcon and the original invoice<br />
dated 17 September 1984<br />
***Provenance: Sotheran's, Sackville<br />
Street, Piccadilly, London<br />
£350 - 450<br />
Watercolours & Drawings<br />
732<br />
Circle of Joseph Mallord William<br />
Turner (19 th century)<br />
"The Mouth of the Avon, nr Bristol, seen<br />
from the Cliffs below Clifton"<br />
Inscribed verso, pencil and watercolour<br />
heightened with white, 22cm by 28.5cm<br />
**Exhibited at the Burlington House<br />
Exhibition, 1887 from the collection of W G<br />
Rawlinson Esq<br />
***Inscribed verso in a letter from Ann<br />
Dart, describing the artist when he stayed<br />
with her Uncle<br />
****Sold by Sotheby's 6 June 1951<br />
£600 - 700<br />
733<br />
Peter la Cave (fl.1769-1810)<br />
Gentleman on horseback, a dog nearby<br />
with two figures seated on a log<br />
Inscribed verso, pencil and watercolour,<br />
13cm by 20cm
**Provenance: Lyver and Boydell Galleries,<br />
Castle Street, Liverpool<br />
£300 - 400<br />
734<br />
Sir Thomas Lawrence RA<br />
(1769-1830)<br />
Portrait of Miss Croft, Aunt of Herbert<br />
Ryder;<br />
Portrait of a young man<br />
Both inscribed verso, pencil and light<br />
coloured wash, 21.5cm by 16cm and<br />
22.5cm by 19cm respectively (2)<br />
**Provenance: Paul Lemaire and Colnaghi,<br />
Pall Mall East, London; and Hibbert<br />
Brothers, Norfolk <strong>Art</strong> Galleries, Norfolk<br />
Street, Sheffield<br />
£800 - 1000<br />
735<br />
Richard Cosway (1742-1821)<br />
Portrait of an elegantly dressed lady, head<br />
and shoulders, wearing a cream lace dress<br />
Signed and dated 1789, pastel drawing,<br />
63.5cm by 48.5cm<br />
**Provenance: T H Gladwell, Gracechurch<br />
Street, London<br />
£2500 - 3000<br />
736<br />
William Callow RWS (1812-1908)<br />
"Beaugency on the Loire"<br />
Monogrammed, inscribed on the mount<br />
and verso, pencil and watercolour on<br />
tinted paper, 13.5cm by 25cm<br />
**Provenance: Walker Gallery, New Bond<br />
Street, London<br />
£300 - 400<br />
737<br />
Albert Goodwin RWS (1845-1932)<br />
"Ripon"<br />
Monogrammed and dated (18)86,<br />
inscribed, mixed media on tinted paper,<br />
15cm by 21cm<br />
£800 - 1000<br />
738<br />
Albert Goodwin RWS (1845-1932)<br />
Continental valley landscape<br />
Signed, indistinctly inscribed, pencil and<br />
watercolour, 16cm by 25cm<br />
£300 - 400<br />
739<br />
Thomas Miles Richardson Jnr RWS<br />
(1813-1890)<br />
"Ben Nevis"<br />
Initialled, dated 1852 and titled, pencil and<br />
watercolour heightened with white,<br />
18.5cm by 53cm<br />
£600 - 800<br />
740<br />
David Cox Jnr ARWS (1809-1885)<br />
"On the Steps, Haddon Hall, Derbyshire";<br />
"The Music Party, Haddon Hall,<br />
Derbyshire"<br />
Both signed, one dated 1857, the other<br />
indistinctly dated, inscribed verso, pencil<br />
and watercolour with scratching out, each<br />
36cm by 51cm (pair)<br />
**Provenance: <strong>Fine</strong> <strong>Art</strong> Society Ltd, New<br />
Bond Street, London, October 1961<br />
£1500 - 2000<br />
741<br />
James Orrock RI (1829-1913)<br />
“Warkworth”<br />
Signed and indistinctly dated, inscribed on<br />
the mount, pencil and watercolour with<br />
scratching out, 48cm by 74cm<br />
£600 - 800<br />
742<br />
Edmund Morison Wimperis RI<br />
(1835-1900)<br />
"A Quiet Evening"<br />
Signed and indistinctly dated, possibly<br />
1866, inscribed verso, pencil and<br />
watercolour with scratching out, 13.5cm<br />
by 25.5cm
**Provenance: Thomas Agnew & Sons,<br />
Exchange Street, Manchester<br />
£350 - 400<br />
743<br />
Edward Frederick Brewtnall RWS<br />
(1846-1902)<br />
Sheep grazing beside a country lane<br />
Signed, watercolour heightened with<br />
white, 12.5cm by 21cm<br />
£200 - 220<br />
744<br />
Henry Charles Fox RBA (1860-1929)<br />
Country lane with cattle beside a pond<br />
Signed and dated 1918, pencil and<br />
watercolour heightened with white, 36cm<br />
by 51cm<br />
£300 - 350<br />
745<br />
M...L...Riley (19 th /20 th century)<br />
“In England's Green and Pleasant Land”<br />
Signed, inscribed on the mount below,<br />
pencil and watercolour with wiping out,<br />
50cm by 73.5cm<br />
£300 - 400<br />
746<br />
Augustus Walford Weedon<br />
(1838-1908)<br />
Cattle on open moorland<br />
Signed, inscribed on the mount below,<br />
pencil and watercolour with wiping out,<br />
31cm by 49cm<br />
£250 - 300<br />
746A<br />
John James Bannatyne RSW<br />
(1835-1911)<br />
"Kilchurn Castle, Loch Awe"<br />
Signed, inscribed on the mount below,<br />
watercolour with scratching out, 39.5cm<br />
by 71cm<br />
£500 - 600<br />
747<br />
Beatrice E. Parsons (1870-1955)<br />
"A Wild Garden, St John's College, Oxford"<br />
Signed, inscribed verso, pencil and<br />
watercolour, 29.5cm by 22cm<br />
**Provenance: <strong>Art</strong>hur Greatorex Ltd,<br />
Grafton Street, London<br />
£500 - 800<br />
748<br />
Caroline Paterson Sharpe<br />
(1856-1911)<br />
“A Garden Walk”<br />
Signed, pencil and watercolour with wiping<br />
out, 39.5cm by 50.5cm<br />
£3000 - 4000<br />
749<br />
Henry E. Hobson (ex.1857-1866)<br />
Young woman and child beside a mountain<br />
stream<br />
Signed and dated 1869, pencil and<br />
watercolour heightened with white, 43cm<br />
by 33cm<br />
£250 - 300<br />
750<br />
Harry Tittensor (1887-1942)<br />
Two Dutch ladies beside white washed<br />
cottages<br />
Signed, pencil, watercolour and gouache<br />
heightened with white, 27cm by 24cm<br />
£280 - 350<br />
751<br />
<strong>Art</strong>hur Tucker RBA (1864-1929)<br />
Lakeland stream<br />
Signed, pencil and watercolour, 20cm by<br />
31cm<br />
£150 - 200<br />
752<br />
<strong>Art</strong>hur Tucker RBA (1864-1929)<br />
Lakeland tarn<br />
Signed, pencil and watercolour, 34.5cm by<br />
24.5cm<br />
£150 - 200
753<br />
Percy Lancaster RI, RBA, ARE, RCamA<br />
(1878-1951)<br />
"The Bracken Cart"<br />
Signed, pencil and watercolour, 33.5cm by<br />
49cm<br />
**Sold with the artist's original receipt<br />
dated 11 January 1949<br />
£300 - 500<br />
754<br />
Percy Lancaster RI, RBA, ARE, RCamA<br />
(1878-1951)<br />
"Loughrigg Tarn, Cumbria"<br />
Signed and indistinctly dated, inscribed<br />
verso, pencil and watercolour, 37cm by<br />
52cm<br />
£250 - 300<br />
755<br />
William Heaton Cooper RI<br />
(1903-1995)<br />
"Morning over Grasmere"<br />
Signed, inscribed verso and dated 1972,<br />
pencil and watercolour, 34cm by 50.5cm<br />
£1600 - 2000<br />
756<br />
Edward Horace Thompson<br />
(1879-1949)<br />
"Morning Clouds, Ullswater from the Foot<br />
of Claw-Fell";<br />
"Ullswater from Pooley Bridge"<br />
Signed and dated 1930, inscribed verso,<br />
pencil and watercolour, each 18cm by<br />
25.5cm (pair)<br />
£500 - 700<br />
757<br />
Frederick John Widgery (1861-1942)<br />
Moorland scene with sheep grazing<br />
amongst heather<br />
Signed, gouache heightened with white,<br />
24.5cm by 34.5cm<br />
£150 - 200<br />
758<br />
Frederick John Widgery (1861-1942)<br />
"Anstey's Cove, Torquay"<br />
Signed, inscribed, gouache heightened<br />
with white, 42.5cm by 57.5cm<br />
£300 - 400<br />
759<br />
Charles Dixon (1872-1934)<br />
Naval battle between English and French<br />
warships<br />
Signed and dated 1905, watercolour and<br />
gouache heightened with white with gum<br />
arabic, 51cm by 76cm<br />
£1500 - 2000<br />
760<br />
John Henry Mole VPRI (1814-1886)<br />
"Hazy Morning - Cockle Gatherers Waiting,<br />
Low Tide"<br />
Signed and dated 1874, inscribed verso,<br />
watercolour, 63cm by 101cm<br />
£3000 - 5000<br />
761<br />
Frank J. Egginton RCamA<br />
(1908-1990)<br />
"The Twelve Pins from Near Clifden,<br />
Connemara"<br />
Signed, pencil and watercolour, 35cm by<br />
52.5cm<br />
£500 - 700<br />
762<br />
H.. Donaldsworth (19 th /20 th century)<br />
“Leicester's Hospital and West Gate,<br />
Warwick”<br />
Signed, pencil and watercolour, 25.5cm by<br />
34.5cm<br />
£150 - 200
763<br />
Edwin St John (fl.1880-1920)<br />
Continental landscape with a castle on a<br />
rocky outcrop;<br />
Castle beside a river in a mountainous<br />
valley<br />
Both signed, pencil, watercolour and<br />
gouache, each 44.5cm by 29.5cm<br />
£300 - 400<br />
764<br />
Charles H. Poingdestre (1825-1905)<br />
Italian horse fair with figures<br />
Signed, pencil, watercolour and gouache<br />
heightened with white, 24.5cm by 35cm<br />
£700 - 900<br />
765<br />
Stephen Baghot de la Bere<br />
(1877-1927)<br />
"The King's Gateway"<br />
Signed and indistinctly dated, inscribed on<br />
a plaque and verso, watercolour and<br />
gouache heightened with white, 38cm by<br />
25.5cm<br />
**Provenance: The <strong>Fine</strong> <strong>Art</strong> Society Ltd,<br />
New Bond Street, London 1912<br />
£300 - 500<br />
766<br />
Augustus Osborne Lamplough<br />
(1877-1930)<br />
“Desert Hawks”<br />
Signed and dated 1914, inscribed on the<br />
mount below, pencil and watercolour,<br />
50cm by 72cm<br />
£400 - 600<br />
767<br />
H...J...R... (19 th century)<br />
"Esquimalt Harbour from Naval Club,<br />
Vancouver "HMS Triumph" in Harbour,<br />
Victoria, British Columbia";<br />
"Esquimalt Harbour from Inskip,<br />
Vancouver "HMS Triumph" in harbour,<br />
Victoria, British Columbia"<br />
Initialled, inscribed verso, pencil and<br />
watercolour heightened with white, each<br />
16cm by 45cm (pair)<br />
£400 - 500<br />
768<br />
Sir David Young Cameron RA, RSA,<br />
RWS, RSW, RE (1865-1945)<br />
"Kerrera"<br />
Signed, inscribed on the slip below, pencil<br />
and watercolour, 25.5cm by 32cm<br />
**Provenance: W.B. Simpson, St Vincent<br />
Street, Glasgow, stock no. B4226<br />
£400 - 600<br />
769<br />
Sir David Young Cameron RA, RSA,<br />
RWS, RSW, RE (1865-1945)<br />
"The Fortress, the Walls of Cairo"<br />
Signed, inscribed verso, pencil drawing on<br />
tinted paper, 20.5cm by 35cm<br />
**Exhibited at the Atkinson <strong>Art</strong> Gallery,<br />
County Borough of Southport, Festival<br />
Exhibition of Local <strong>Art</strong> Treasures, 2 June -<br />
30 September 1951<br />
***Provenance: Boydell Galleries, North<br />
John Street, Liverpool<br />
£300 - 400<br />
770<br />
Follower of Jean Baptiste Greuze<br />
(19 th century)<br />
Mother and children on a path, a dog<br />
nearby<br />
Gouache heightened with white, 15cm by<br />
10.5cm, unframed<br />
£180 - 200
771<br />
Robert Louis Raymond Duflos<br />
(b.1898)<br />
"Carnations"<br />
Signed, inscribed verso, pastel drawing,<br />
30.5cm by 31.5cm<br />
**Provenance: Stacey Marks Terminus<br />
Road, Eastbourne, Sussex, 2 October 1956<br />
stock no. D491<br />
£300 - 400<br />
772<br />
Paul Maze (1887-1979) French<br />
"Harbour in Brittany"<br />
Signed, inscribed verso, pencil and<br />
watercolour, 22.5cm by 22.5cm<br />
£600 - 800<br />
773<br />
Francesco Gamba (19 th century)<br />
Italian<br />
"The <strong>Art</strong> Collectors"<br />
Initialled, inscribed verso, pencil and<br />
watercolour, 33.5cm by 23.5cm<br />
£300 - 350<br />
774<br />
Guido Bach (1828-1905) German<br />
Young woman and child on the outskirts of<br />
Rome<br />
Signed, pencil and watercolour, 50cm by<br />
35cm<br />
£500 - 600<br />
775<br />
Louis Henri Deschamps (1846-1902)<br />
French<br />
“Toasting the Victor”<br />
Signed, pencil and watercolour heightened<br />
with white, 20cm by 16.5cm<br />
£300 - 400<br />
776<br />
....Dominguez (19 th century) Spanish<br />
“Reflections”<br />
Signed, inscribed on the mount below,<br />
pencil and watercolour, 53.5cm by 33cm<br />
£300 - 400<br />
777<br />
Filippo Indoni (1800-1884) Italian<br />
Falconer and young boy on stone steps<br />
Signed, inscribed on the mount below,<br />
pencil and watercolour, 73cm by 52cm<br />
£300 - 400<br />
778<br />
P. Theodor Flugel (19 th century)<br />
Tromp L'Oeil depicting a portrait of<br />
Rembrandt and other objects<br />
Pencil and watercolour, sepia, 26.5cm by<br />
36cm<br />
£300 - 400<br />
779<br />
Basil Bradley RWS (1842-1904)<br />
English and Gordon Setters seated<br />
amongst heather on a moor<br />
Signed and dated 1883, pencil and<br />
watercolour heightened with white,<br />
48.5cm by 34.5cm<br />
£300 - 500<br />
780<br />
<strong>Art</strong>hur A. Davis (fl.1877-1905)<br />
“Not Quite Certain”;<br />
“Resting at the Covert-Side”;<br />
“A Clinking Double”;<br />
“A Long Shot”<br />
All signed, some dated, pencil and<br />
watercolour heightened with white, each<br />
25.5cm by 36.5cm (4)<br />
£500 - 600
781<br />
Cecil Charles Windsor Aldin RBA<br />
(1870-1935)<br />
Study of two dogs<br />
Signed, pencil heightened with white, on<br />
ivorine, 9cm by 17.5cm<br />
£600 - 800<br />
782<br />
Caran-Rouse (20 th century)<br />
“Yeomanry, the Broadshire Hussars,<br />
Yorkshire Hussars”<br />
Signed and dated (19)12, inscribed,<br />
watercolour and gouache heightened with<br />
white on tinted paper, 35.5cm by 16.5cm<br />
£250 - 300<br />
783<br />
Richard Robjent (b.1937)<br />
"Peregrine Mobbed by Buzzards, Brora,<br />
Sutherland"<br />
Signed and dated 1985, inscribed verso,<br />
pencil and watercolour heightened with<br />
white, 55cm by 76.5cm<br />
**Provenance: William Marler Gallery,<br />
Dyer Street, Cirencester, Gloucestershire<br />
***Sold with the original invoice dated 11<br />
December 1985<br />
£800 - 1200<br />
784<br />
Richard Robjent (b.1937)<br />
"Pair of Golden Eagles and their Eaglet"<br />
Signed and dated 1981, inscribed verso,<br />
pencil and watercolour heightened with<br />
white, 56cm by 45.5cm<br />
**Sold with the original receipt from<br />
Bladon Gallery, Hurstbourne Tarrant,<br />
dated 29 March 1982<br />
£600 - 900<br />
785<br />
Richard Robjent (b.1937)<br />
Peregrine Falcon on a rocky outcrop<br />
Signed and dated 1981, inscribed verso,<br />
pencil, watercolour and gouache<br />
heightened with white, 53cm by 37.5cm<br />
**Sold with the original receipt from<br />
Ringstead Gallery dated 25 May 1981<br />
£500 - 700<br />
786<br />
Richard Robjent (b.1937)<br />
"Goshawk"<br />
Signed and dated 1982, inscribed verso,<br />
pencil and watercolour heightened with<br />
white, 16.5cm by 12.5cm<br />
**Sold with the original receipt<br />
£200 - 250<br />
787<br />
Richard Barrett Talbot Kelly<br />
(1896-1971)<br />
"Curlew (Seen from a Car)"<br />
Monogrammed, inscribed verso,<br />
watercolour, 27cm by 37cm<br />
£300 - 400<br />
788<br />
John Cyril Harrison (1898-1985)<br />
Lophoaetus Occipitaus - four studies on<br />
one sheet<br />
Signed, inscribed verso, bodycolour,<br />
grisaille, 47cm by 33.5cm<br />
**Sold with the original receipt<br />
£800 - 1200<br />
789<br />
Archibald Thorburn (1860-1935)<br />
"Red Deer in the Reay Forest"<br />
Dated 12 May (18)96, inscribed verso,<br />
watercolour and gouache on tinted paper,<br />
unfinished preparatory study, 19cm by<br />
17cm<br />
**Provenance: Tryon Gallery Ltd, Dover<br />
Street, London<br />
£600 - 800
790<br />
Archibald Thorburn (1860-1935)<br />
Study of a Red Deer hind and her fawn<br />
Dated November 5 (18)97, pencil and<br />
watercolour heightened with gouache on<br />
tinted paper, unfinished preparatory study,<br />
15cm by 19.5cm<br />
£500 - 700<br />
791<br />
George Edward Lodge (1860-1954)<br />
"Peregrine"<br />
Signed, inscribed verso, watercolour and<br />
gouache heightened with white, 49.5cm by<br />
73cm<br />
**Sold with original invoice from The<br />
Tryon Gallery dated 15 April 1980<br />
£3500 - 4000<br />
792<br />
Joseph Edward Southall RWS<br />
(1861-1944)<br />
"First Sketch for Portrait of Mrs W F<br />
Harvey, Birmingham 1921";<br />
Monogrammed and dated 31 III 1921,<br />
inscribed verso, pencil drawing, 34.5cm by<br />
24.5cm; together with:<br />
Scene in Venice<br />
Inscribed verso, black and white lithograph<br />
26.5cm by 41.5cm (2)<br />
£600 - 800<br />
793<br />
Emil Rochelle (19 th century)<br />
Portrait of a lady, head and shoulders,<br />
wearing a blue dress<br />
Portrait of a gentleman<br />
Both spuriously inscribed verso, pastel<br />
drawings, oval, each 33cm by 23.5cm, in<br />
giltwood frames with Prince of Wales<br />
plume crestings (pair)<br />
£500 - 800<br />
794<br />
Alex Brantingham Simpson RI<br />
(fl.1904-1931)<br />
<strong>Art</strong>ist seated in his studio beside his easel;<br />
“The Connoisseurs;<br />
“The Message”<br />
All signed, inscribed verso, pencil and<br />
watercolour heightened with white,<br />
26.5cm by 18cm, 17.5cm by 13cm and<br />
23cm by 14cm respectively (3)<br />
£400 - 600<br />
795<br />
Joseph Lionel Williams (c.1815-1877)<br />
“Sunday Morning in the Olden Time”<br />
Inscribed verso, watercolour and gouache<br />
heightened with white, 17cm by 28cm<br />
£400 - 600<br />
796<br />
Charles Edward Wilson (1853-1941)<br />
Young girl seated beside a stream<br />
Signed, pencil and watercolour heightened<br />
with white, 23cm by 32.5cm<br />
**Born in Whitwell, Sheffield and studied<br />
at the Sheffield School of <strong>Art</strong> and later at<br />
Godalming, Surrey. His early works were<br />
landscapes produced in the South<br />
Yorkshire and Derbyshire areas. He was<br />
influenced by Carlton Alfred Smith<br />
£4000 - 6000<br />
797<br />
Margaret Gillies RWS (1803-1887)<br />
"The Wounded Page, Brought Home to his<br />
Father's Hall"<br />
Inscribed verso, watercolour and gouache<br />
with gum arabic (shaped top), 42cm by<br />
53cm<br />
£250 - 300<br />
798<br />
Emily Eyres (c.1850-c.1910) after Sir<br />
Thomas Lawrence PRA<br />
“Pinkie”<br />
Inscribed on a plaque, pastel drawing,<br />
125cm by 87cm<br />
£800 - 1200
799<br />
Lucy Bentley-Smith (ex.1881-1914)<br />
"Dreaming of Fairyland"<br />
Monogrammed and dated 1881, pencil and<br />
watercolour heightened with white, 35cm<br />
by 27cm<br />
£300 - 400<br />
800<br />
Edwin Buckman (c.1841-1930)<br />
“A Scramble for the Ball”<br />
Signed and dated 1880, pencil and<br />
watercolour with scratching out, 41cm by<br />
75cm<br />
£300 - 400<br />
801<br />
Dorothy Margaret and Elizabeth Mary<br />
Alderson (1900-1992) (1900-1988)<br />
Hunter "Cloppety", with Thorp Perrow<br />
beyond<br />
Signed and dated 1954, inscribed on the<br />
mount, pencil and watercolour, 37cm by<br />
52.5cm; with<br />
The preparatory watercolour sketch for the<br />
work<br />
Signed and dated 1954, 18cm by 25.5cm,<br />
unframed (2)<br />
£350 - 450<br />
802<br />
Dorothy Margaret and Elizabeth Mary<br />
Alderson (1900-1992) (1900-1988)<br />
Hunter "Caroline", with Thorp Perrow<br />
beyond<br />
Signed and dated 1956, inscribed on the<br />
mount, pencil and watercolour, 37cm by<br />
53cm; with<br />
The preparatory watercolour sketch for the<br />
work<br />
Signed and dated 1956, 19.5cm by 26cm,<br />
unframed (2)<br />
£350 - 450<br />
803<br />
Dorothy Margaret and Elizabeth Mary<br />
Alderson (1900-1992) (1900-1988)<br />
Horses beside a pond in a parkland setting<br />
Signed and dated 1948, pencil and<br />
watercolour, 26cm by 38cm<br />
£500 - 600<br />
804<br />
George Fall (1848-1925)<br />
"Durham Cathedral"<br />
Signed, pencil and watercolour, 45.5cm by<br />
32.5cm<br />
**The work is illustrated on the back<br />
dustcover of Painters in the Northern<br />
Counties of England and Wales by<br />
Professor Dennis Child<br />
£300 - 400<br />
805<br />
Frederick (Fred) Lawson (1888-1968)<br />
"Church of St Ansterbert, Montreuil"<br />
Signed and dated 1910, inscribed verso,<br />
pencil and watercolour, 26.5cm by 31.5cm<br />
£350 - 400<br />
806<br />
Frederick (Fred) Lawson (1888-1968)<br />
French cathedral with a figure on<br />
horseback<br />
Signed and dated 1914, inscribed verso,<br />
pencil and watercolour, 25cm by 31.5cm<br />
£280 - 320<br />
807<br />
Frederick (Fred) Lawson (1888-1968)<br />
"Street in Dordrecht"<br />
Signed and dated 1913, inscribed verso,<br />
pencil and watercolour, 33cm by 24cm<br />
£150 - 200<br />
808<br />
Frederick (Fred) Lawson (1888-1968)<br />
"The Radcliffe Camera, Oxford"<br />
Signed and dated 1913, pencil and<br />
watercolour with wiping out, 28.5cm by<br />
26.5cm<br />
£250 - 300
809<br />
Frederick (Fred) Lawson (1888-1968)<br />
"Stream near Castle Bolton";<br />
"Castle Bolton looking West behind the<br />
Castle and Leading to the Old Lady Ann<br />
Clifford's Road"<br />
Both signed, one dated 1913, inscribed<br />
verso, pencil and watercolour, 25cm by<br />
35cm and 26.5cm by 36cm respectively<br />
(2)<br />
**Provenance: One with the Renoir<br />
Galleries Ltd, Crescent Road, Harrogate<br />
£250 - 300<br />
810<br />
Frederick (Fred) Lawson (1888-1968)<br />
"Castle Bolton from the North, the Roof of<br />
the Old Post Office in the Foreground,<br />
Taken from the Track to Apedale";<br />
"Rose Cottage, Castle Bolton"<br />
Both signed and one indistinctly dated,<br />
inscribed verso, pencil and watercolour<br />
with scratching out, 24.5cm by 33.5cm<br />
and 21cm by 25.5cm respectively (2)<br />
**Provenance: One with the Renoir<br />
Galleries Ltd, Crescent Road, Harrogate<br />
(one only)<br />
£300 - 500<br />
811<br />
Frederick (Fred) Lawson (1888-1968)<br />
"Entering Castle Bolton from the Carperby,<br />
Redmire Road";<br />
Farmyard with buildings<br />
Both signed, one dated 22 August 1959,<br />
the other inscribed verso, pencil and<br />
watercolour, 25cm by 30.5cm and 26cm<br />
by 31cm respectively (2)<br />
£300 - 400<br />
812<br />
Frederick (Fred) Lawson (1888-1968)<br />
"Castle Bolton, Yorkshire, painted from the<br />
North";<br />
"Trees in Winter, painted from the East<br />
Road from Castle Bolton towards<br />
Redmire";<br />
"<strong>Autumn</strong> Trees, Castle Bolton, painted<br />
from the Moor Road to the East of the<br />
Village"<br />
All signed, one dated 1938, inscribed<br />
verso, pencil and watercolour on tinted<br />
paper, 33cm by 38cm, 38cm by 48.5cm<br />
and 27cm by 38cm respectively (3)<br />
£350 - 450<br />
813<br />
Frederick (Fred) Lawson (1888-1968)<br />
"Richmond"<br />
Signed and dated 1934, inscribed, pencil,<br />
pen, ink and watercolour on coloured<br />
paper, 27.5cm by 37.5cm<br />
£150 - 200<br />
814<br />
Frederick (Fred) Lawson (1888-1968)<br />
"Marrick Priory"<br />
Signed and dated 1916, inscribed verso,<br />
pencil and watercolour heightened with<br />
white, 25.5cm by 33cm<br />
£250 - 350<br />
815<br />
Frederick (Fred) Lawson (1888-1968)<br />
Middleham Castle<br />
Signed, pencil and watercolour on tinted<br />
paper, 25.5cm by 35.5cm<br />
£150 - 250<br />
816<br />
Frederick (Fred) Lawson (1888-1968)<br />
Hawes Dairy<br />
Signed, inscribed verso, pencil and<br />
watercolour, 32.5cm by 37.5cm<br />
**Ex. collection Mrs Charles Sutcliffe<br />
£400 - 600
817<br />
Frederick (Fred) Lawson (1888-1968)<br />
Figures working at a sawmill<br />
Signed and dated 1 July 1931, pencil and<br />
watercolour, a preparatory unfinished<br />
sketch, 22cm by 24.5cm<br />
£200 - 300<br />
818<br />
Frederick (Fred) Lawson (1888-1968)<br />
"A Dales Limestone Outcrop with Animals<br />
Grazing"<br />
Signed and dated 1915, inscribed verso,<br />
pencil and watercolour with wiping out,<br />
26.5cm by 28.5cm<br />
£200 - 300<br />
819<br />
Frederick (Fred) Lawson (1888-1968)<br />
"Whitby"<br />
Signed and dated 1914, inscribed, pencil,<br />
pen, ink and watercolour, 26cm by 33cm<br />
£300 - 500<br />
820<br />
George Graham RSW, RI, ROI<br />
(resigned), RBA (1881-1949)<br />
Drover and cattle in a winter landscape;<br />
Cattle in a meadow, hills in the distance<br />
Both signed and dated 1915, pencil and<br />
watercolour heightened with white,<br />
24.5cm by 35cm and 24cm by 35cm<br />
respectively (2)<br />
£300 - 400<br />
821<br />
George Jackson (1898-1974)<br />
"Green Garth, Romanby"<br />
Signed, inscribed and dated 1949, pen and<br />
ink drawing, 28cm by 38cm unframed;<br />
with<br />
A collection of watercolour and pen and<br />
ink drawings by various artists including a<br />
self portrait by George Jackson<br />
Various sizes (a collection)<br />
£200 - 400<br />
822<br />
George Jackson (1898-1974)<br />
"Sketch of Fred Lawson, drawn at North<br />
Cottage, Ripon"<br />
Signed and inscribed, pencil, pen, ink and<br />
watercolour, a preparatory unfinished<br />
study, 56cm by 38cm, unframed<br />
£200 - 300<br />
823<br />
George Jackson (1898-1974)<br />
Interior scene with two seated gentlemen<br />
Pencil, pen, ink and watercolour, a<br />
preparatory unfinished study, 56cm by<br />
38cm, unframed<br />
£200 - 300<br />
824<br />
George Jackson (1898-1974)<br />
"Snow Scene from the back of Bishopton<br />
Grove, Ripon"<br />
Signed, inscribed verso, pencil and<br />
watercolour, 36.5cm by 44cm<br />
**From the George Jackson Estate<br />
October 1991, Phillip's Auction, Leeds<br />
£150 - 200<br />
825<br />
Henrietta Lister (1895-1959)<br />
"Castle Bolton in Winter"<br />
Inscribed verso, pencil and watercolour,<br />
27cm by 38cm<br />
£160 - 180<br />
826<br />
Edgar Thomas Wood (1860-1935)<br />
“Chickens, Hay”<br />
Signed and dated (19)28, inscribed verso,<br />
pencil and pastel, 31cm by 38cm<br />
£180 - 250
827<br />
Albert George Stevens (1863-1925)<br />
Children playing in a rocky stream,<br />
possibly Musgrave Woods, Whitby<br />
Signed, pencil and watercolour, 36cm by<br />
50.5cm<br />
£600 - 800<br />
828<br />
Circle of Albert George Stevens<br />
(19 th /20 th century)<br />
Robin Hood's Bay, nr Whitby<br />
Pencil and watercolour heightened with<br />
white, 32cm by 22cm<br />
£200 - 250<br />
829<br />
Joseph John Richard Bagshawe RBA<br />
(1870-1909)<br />
"The Pier End Whitby"<br />
Watercolour, 12cm by 17cm<br />
**Sold with a certificate of authenticity<br />
dated 14 October 1983, guaranteeing the<br />
work to be genuine, the picture being<br />
number 30 in the Walker Galleries 1983<br />
exhibition, forming part of the <strong>Art</strong>ist's<br />
Studio Collection; together with the<br />
original invoice and a copy of the original<br />
exhibition leaflet 15 - 22 October 1983 etc<br />
£200 - 300<br />
830<br />
Joseph John Richard Bagshawe RBA<br />
(1870-1909)<br />
Figure on a path approaching a half<br />
timbered house<br />
Pencil and coloured wash, a preparatory<br />
unfinished sketch, 16cm by 24.5cm; with<br />
Three further pencil studies<br />
All unframed, 15cm by 20.5cm; 14cm by<br />
23.5cm and 14cm by 24cm (4)<br />
**Provenance: Family of the artist<br />
£200 - 300<br />
831<br />
Circle of John Spence Ingall<br />
(19th/20th century)<br />
Eastern archway, possibly Tangier<br />
Indistinctly signed, watercolour and<br />
gouache heightened with white, 37cm by<br />
27cm<br />
£300 - 400<br />
832<br />
Rowland Henry Hill (1873-1952)<br />
Figures haymaking near a horse drawn<br />
cart<br />
Signed and dated 1927, pencil,<br />
watercolour and gouache heightened with<br />
white, 24.5cm by 28.5cm<br />
£500 - 700<br />
833<br />
Rowland Henry Hill (1873-1952)<br />
Figures on a path beside a bridge at<br />
Staithes<br />
Signed, pencil and watercolour heightened<br />
with white, 24.5cm by 34cm<br />
£400 - 600<br />
834<br />
Rowland Henry Hill (1873-1952)<br />
"Ugthorpe Windmill"<br />
Signed and dated 1935, inscribed verso,<br />
pencil, watercolour and gouache<br />
heightened with white, 26cm by 37.5cm<br />
£300 - 500<br />
835<br />
Rowland Henry Hill (1873-1952)<br />
Figures harvesting in a summer landscape<br />
Signed and dated 1938, pencil and<br />
watercolour heightened with white, with<br />
scratching out, 25.5cm by 34.5cm<br />
£300 - 500
836<br />
Rowland Henry Hill (1873-1952)<br />
Harvesting scene<br />
Signed twice and indistinctly dated, pencil,<br />
watercolour and gouache heightened with<br />
white, with scratching out, 22cm by 31cm<br />
£300 - 500<br />
837<br />
Rowland Henry Hill (1873-1952)<br />
East coast farm with chickens on a sunlit<br />
lane<br />
Signed and dated 1925, pencil and<br />
watercolour, 26.5cm by 37.5cm<br />
£400 - 600<br />
838<br />
Rowland Henry Hill (1873-1952)<br />
Street scene with figures<br />
Signed and dated 1929, pencil and<br />
watercolour heightened with white,<br />
17.5cm by 27cm<br />
£300 - 400<br />
839<br />
Rowland Henry Hill (1873-1952)<br />
Ellerby Hotel with chickens in the<br />
foreground<br />
Signed, pencil, watercolour and gouache<br />
heightened with white, 18.5cm by 22.5cm<br />
£400 - 600<br />
840<br />
Rowland Henry Hill (1873-1952)<br />
Country house with trees beside a drive<br />
Signed and dated 1938, pencil and<br />
watercolour heightened with white, 23cm<br />
by 32.5cm<br />
£200 - 300<br />
841<br />
Rowland Henry Hill (1873-1952)<br />
"A Bleak Moorland Crossroad with<br />
Shepherd and Sheep above Lealholm"<br />
Signed and dated 1923, inscribed verso,<br />
pencil and watercolour heightened with<br />
white, 23.5cm by 30cm<br />
£250 - 300<br />
842<br />
Rowland Henry Hill (1873-1952)<br />
"Runswick Bay"<br />
Signed and dated 1939, watercolour and<br />
gouache heightened with white, 19cm by<br />
27.5cm<br />
£400 - 600<br />
843<br />
Rowland Henry Hill (1873-1952)<br />
Figures on the beach at Runswick Bay<br />
Signed and inscribed verso, pencil,<br />
watercolour and gouache heightened with<br />
white, 25cm by 34.5cm<br />
£400 - 600<br />
844<br />
Rowland Henry Hill (1873-1952)<br />
Figures on a stone jetty at Staithes<br />
Signed, pencil and watercolour heightened<br />
with white, 24.5cm by 34cm<br />
£300 - 400<br />
845<br />
Rowland Henry Hill (1873-1952)<br />
Whitby Harbour<br />
Signed and dated 1934, watercolour and<br />
gouache heightened with white, 18cm by<br />
25cm<br />
£400 - 600<br />
846<br />
Rowland Henry Hill (1873-1952)<br />
Whitby Harbour from the hillside<br />
Signed and dated 1924, pencil,<br />
watercolour and gouache heightened with<br />
white, 18.5cm by 26.5cm<br />
£400 - 500
847<br />
William Roger Benner (1884-1964)<br />
Fishermen on a quayside<br />
Signed, pencil, watercolour and gouache<br />
heightened with white, 26cm by 35.5cm<br />
£250 - 350<br />
848<br />
Frank Rousse (fl.1897-1917)<br />
Whitby with figures and fishing boats in<br />
the foreground<br />
Signed, pencil and watercolour with wiping<br />
out, 17cm by 26.5cm<br />
£150 - 200<br />
849<br />
Frank Rousse (fl.1897-1917)<br />
Steam tug off a pier, with other fishing<br />
boats nearby<br />
Signed and dated (18)98, pencil,<br />
watercolour and gouache heightened with<br />
white, 21cm by 37cm<br />
£200 - 300<br />
850<br />
James William Booth RCamA<br />
(1867-1953)<br />
Haymaking<br />
Signed, pastel drawing, 24cm by 32cm<br />
£400 - 600<br />
851<br />
John Atkinson (1863-1924)<br />
Figure loading hay into a horse drawn cart<br />
Signed, pencil and watercolour heightened<br />
with white, 26.5cm by 36cm<br />
£300 - 400<br />
852<br />
John Atkinson (1863-1924)<br />
Figures with horses pulling a hay cart<br />
Signed, pencil, watercolour and gouache<br />
heightened with white, 19.5cm by 27cm<br />
£400 - 600<br />
853<br />
John Atkinson (1863-1924)<br />
Figures harvesting, a horse drawn cart<br />
nearby<br />
Signed, inscribed verso, pencil,<br />
watercolour and gouache heightened with<br />
white, 46.5cm by 37cm<br />
**Provenance: New English <strong>Art</strong> Galleries,<br />
High Street, Boroughbridge<br />
£600 - 800<br />
854<br />
John Atkinson (1863-1924)<br />
“Ugthorpe Windmill with the Village Roofs<br />
behind, Ugthorpe Moor, near Whitby”<br />
Signed, inscribed verso, watercolour and<br />
gouache heightened with white on Cox<br />
paper, 27cm by 38cm<br />
£300 - 400<br />
855<br />
Robert Leslie Howey (1900-1981)<br />
Fishing boats on the Esk, Whitby<br />
Signed, pencil, watercolour and gouache<br />
heightened with white, on tinted paper,<br />
21.5cm by 27cm<br />
£500 - 700<br />
856<br />
Robert Leslie Howey (1900-1981)<br />
Beach scene at low tide with figures<br />
beside a fishing boat<br />
Signed, pencil, watercolour and gouache<br />
heightened with white, 12cm by 16cm<br />
£400 - 500<br />
857<br />
Robert Leslie Howey (1900-1981)<br />
"Seaton Carew Beach"<br />
Signed, inscribed and dated 1977 verso,<br />
pencil, watercolour and gouache, possibly<br />
on tinted paper, 21.5cm by 27cm<br />
**Provenance: Bernhardt Gallery,<br />
Coniscliffe Road, Darlington<br />
£350 - 400
858<br />
Attributed to Mary Weatherill<br />
(1834-1913)<br />
View on the Esk, looking up to Whitby<br />
Harbour<br />
Bears an indistinct signature and<br />
inscription, pencil and watercolour<br />
heightened with white, with scratching<br />
out, 36cm by 63.5cm<br />
£1000 - 1200<br />
859<br />
Mary Weatherill (1834-1913)<br />
"At Lugano"<br />
Inscribed and dated 15 April 1889, pencil<br />
and watercolour, a preparatory sketch,<br />
15cm by 23.5cm<br />
£150 - 250<br />
860<br />
George Weatherill (1810-1890)<br />
"Whitby Harbour"<br />
Signed, inscribed verso, pencil and<br />
watercolour with wiping out, 10cm by<br />
17.5cm<br />
**Born in Staithes, his family were farmers<br />
but he became a clerk to a solicitor at<br />
Guisborough before moving to Whitby in<br />
1830. He worked in a bank until 1860<br />
when ill health forced him to retire. As an<br />
artist and an engraver he was largely self<br />
taught and he painted throughout his life<br />
and after his retirement relied on his art<br />
for a living. He exhibited at Suffolk Street<br />
and the Dudley Gallery from 1858-1873,<br />
specialising in coastal scenes and marine<br />
subjects, particularly along the Yorkshire<br />
coast. He also copied J.M.W. Turner very<br />
effectively and became known as the<br />
Turner of the North.<br />
£2500 - 3000<br />
861<br />
George Weatherill (1810-1890)<br />
“The Battery”<br />
Inscribed verso, pencil and watercolour<br />
with wiping out, 8cm by 14cm<br />
£1000 - 1200<br />
863<br />
George Weatherill (1810-1890)<br />
“The Esk above Ruswarp”;<br />
“The Esk below Ruswarp”<br />
One signed, the other indistinctly signed,<br />
pencil and watercolour with scratching out,<br />
8cm by 15cm and 8cm by 13cm<br />
respectively (2)<br />
£600 - 800<br />
865<br />
Attributed to A J Speedie<br />
"The Spa Ladder"<br />
Bears false initials, inscribed verso, pencil<br />
and watercolour, 6.5cm by 10cm<br />
£150 - 200<br />
866<br />
George Weatherill (1810-1890)<br />
“Whitby Abbey”<br />
Signed, pencil and watercolour with<br />
scratching out, 10.5cm by 19.5cm<br />
£1000 - 1500<br />
867<br />
George Weatherill (1810-1890)<br />
Fishing vessel beached at Sandsend<br />
Pencil and watercolour with scratching out,<br />
8.5cm by 13.5cm<br />
£1000 - 1500<br />
868<br />
George Weatherill (1810-1890)<br />
"Whitby Harbour"<br />
Signed, inscribed verso, pencil and<br />
watercolour with wiping out, 12cm by<br />
17cm; with<br />
Six pencil drawings by George and Richard<br />
Weatherill from their notebooks (various<br />
subjects)<br />
Various sizes (7)<br />
£1500 - 2000
869<br />
George Weatherill (1810-1890)<br />
"Shipping at Sunset"<br />
Inscribed verso, pencil and watercolour<br />
with scratching out, 11.5cm by 20cm<br />
**Provenance: Whitby Galleries,<br />
Baxtergate, Whitby stock no. S5423<br />
£2500 - 3000<br />
Oil Paintings<br />
870<br />
Follower of David Teniers II (18 th<br />
century)<br />
Interior of a forge, with figures at an anvil<br />
Oil on panel, 51cm by 65cm<br />
£2000 - 3000<br />
871<br />
Follower of Nicolaes Berchem<br />
(1620-1683)<br />
Four studies of a goat's head<br />
Inscribed verso, oil on canvas, 24cm by<br />
21cm<br />
£3000 - 5000<br />
872<br />
Follower of Johann Christian Vollerdt<br />
(18 th century) German<br />
Rhineland landscape with figures on a path<br />
Oil on canvas, 40cm by 56cm<br />
£500 - 800<br />
873<br />
Follower of Jean Baptiste Monnoyer<br />
(18 th century)<br />
Still life of flowers;<br />
Still life of flowers in a stone urn<br />
Oil on canvas, each 57cm by 44.5cm (pair)<br />
£1500 - 2500<br />
874<br />
Continental School (18 th century)<br />
"Flower Piece with Plums"<br />
Indistinctly inscribed verso, oil on canvas,<br />
33cm by 47.5cm<br />
**Provenance: E. Stacey Marks,<br />
Eastbourne <strong>Fine</strong> <strong>Art</strong>, Terminus Road,<br />
Eastbourne<br />
£400 - 600<br />
875<br />
Continental School (18 th /19 th<br />
century)<br />
Still life of flowers in a patterned vase,<br />
with fruit in the foreground<br />
Oil on canvas, 43cm by 34cm<br />
£200 - 250<br />
876<br />
Follower of Thomas Gainsborough RA<br />
(18 th /19 th century)<br />
Pastoral scene with figures and cattle<br />
beside a willow tree<br />
Indistinctly inscribed, oil on canvas, 54cm<br />
by 43cm<br />
£600 - 800<br />
877<br />
William Etty RA (1787-1849)<br />
Study of a female nude, from behind,<br />
standing in a pool by trees<br />
Inscribed verso, oil on board, 66cm by<br />
48cm<br />
**Etty was born in York the seventh child<br />
of a miller and baker. In 1798 he was<br />
apprenticed to a printer, and in 1807<br />
entered the Royal Academy Schools.<br />
Inspired by Rubens and Titian, he was<br />
best known for his nudes and historical<br />
paintings, but also painted landscapes and<br />
portraits<br />
£2000 - 3000<br />
878<br />
Follower of Sir Peter Lely<br />
(1618-1680)<br />
Portrait of Henrietta Maria, wife of Charles<br />
I<br />
Oil on panel, 41cm by 32cm<br />
£4000 - 6000
879<br />
Circle of John Riley (1646-1691)<br />
Portrait of "Francis Russell, Son of the<br />
Hon. Edwd Russell", half length, wearing<br />
period costume and armour with a<br />
powdered wig<br />
Inscribed, oil on canvas, oval, 63cm by<br />
51.5cm<br />
**Francis Russell was Governor of<br />
Barbados<br />
An attribution to John Greenhill has<br />
previously been suggested<br />
£2500 - 3000<br />
880<br />
Circle of Thomas Murray (1663-1735)<br />
Portrait of an elegantly dressed lady, half<br />
length, wearing period costume<br />
Inscribed on a plaque, oil on canvas, oval,<br />
76.5cm by 63cm<br />
£2500 - 3000<br />
881<br />
Follower of Johann Kerseboom (18 th<br />
century)<br />
Portrait of a gentleman, wearing period<br />
costume and red sash<br />
Oil on canvas, within a decorative painted<br />
spandrel with laurel leaf decoration,<br />
76.5cm by 63.5cm<br />
£700 - 800<br />
882<br />
Follower of Philippe Mercier (18 th<br />
century)<br />
Portrait of a fashionable lady in period<br />
costume wearing a lace ruff<br />
Oil on canvas, within a painted oval,<br />
79.5cm by 61cm<br />
£600 - 800<br />
883<br />
English School (18 th century)<br />
Portrait of an elegantly dressed<br />
gentleman, half length, wearing period<br />
costume and powdered wig<br />
Oil on canvas, 76cm by 64cm<br />
£1000 - 1500<br />
884<br />
Continental School (18 th /19 th<br />
century)<br />
Portrait of a gentleman, standing, three<br />
quarter length, wearing armour and a<br />
cream cloak decorated with an Order in<br />
the form of a black cross<br />
Oil on canvas, 103cm by 101cm<br />
£500 - 700<br />
885<br />
English School (18 th /19 th century)<br />
Portrait of a young man, half length,<br />
wearing a green coat and holding a<br />
pamphlet<br />
Oil on canvas, 76cm by 63cm<br />
£250 - 300<br />
886<br />
English School (early 19 th century)<br />
Portrait of a seated gentleman, wearing a<br />
green coat, a dog by his side<br />
Oil on canvas, 93cm by 69.5cm<br />
£400 - 500<br />
887<br />
Circle of John Crome (19 th century)<br />
Cattle on a lane beside a large oak tree<br />
Oil on canvas, 76.5cm by 63.5cm<br />
The painting previously had two old<br />
plaques attached to the frame "Old<br />
Crome" and the original title being "The<br />
Highwayman's Tree near Yarmouth"<br />
£700 - 900<br />
888<br />
John Brown (c.1812-c.1895)<br />
“Roadside Life”<br />
Signed, inscribed and dated 1863 verso,<br />
oil on canvas, 66cm by 81.5cm<br />
£1200 - 1500
889<br />
George Shalders (1826-1873)<br />
Scene in North Wales, with figures, cattle<br />
and sheep<br />
Signed and dated (18)59, inscribed on the<br />
frame, oil on canvas, 51cm by 76cm<br />
£1000 - 1500<br />
890<br />
Follower of William Shayer Snr (19 th<br />
century)<br />
Figures and horses beside a tree<br />
Inscribed on the original frame and verso,<br />
oil on canvas, 43cm by 61cm<br />
£300 - 400<br />
891<br />
Daniel Sherrin (1868-1940)<br />
"View near Canterbury"<br />
Signed, inscribed verso, oil on canvas,<br />
51cm by 76cm<br />
**Provenance: Coulter Galleries Ltd,<br />
Tadcaster Road, 20 September 1977, stock<br />
no. 473<br />
£300 - 500<br />
892<br />
Edward Henry Holder (fl.1864-1917)<br />
Lakeland landscape with trees beside a<br />
river<br />
Signed and dated 1888, oil on canvas,<br />
51cm by 76.5cm<br />
£500 - 700<br />
893<br />
F...Walters (19 th century)<br />
Highland landscape with a drover and<br />
sheep on a path<br />
Signed, oil on canvas, 51cm by 76cm<br />
£300 - 400<br />
894<br />
William Ward Gill (1823-1894)<br />
"A Spring Morning in Nesfield Woods"<br />
Indistinctly signed, inscribed verso, oil on<br />
board, 32cm by 50cm<br />
£200 - 300<br />
895<br />
Albert Dunnington (1860-1928)<br />
“The Norseman & Snowdrop passing<br />
Barton (Ship Canal) January 1 st 1894”;<br />
“The Old Aquaduct, Barton (in 1880)”<br />
Both signed and dated 1884, inscribed<br />
verso, oil on canvas, each 35.5cm by 51cm<br />
(pair)<br />
£800 - 1000<br />
896<br />
English School (19 th century)<br />
"The Ferry"<br />
Oil on paper laid on canvas, 20cm by<br />
28.5cm<br />
**Provenance: Thomas Agnew & Sons,<br />
Exchange Street, Manchester<br />
£200 - 300<br />
897<br />
W. Stuart Lloyd RBA (fl.1875-1929)<br />
"Evening on the River Buelt, Kent"<br />
Signed, inscribed on the original frame, oil<br />
on canvas, 55cm by 91cm<br />
£1000 - 1500<br />
898<br />
James Poole (1804-1886)<br />
Summer river landscape with figures<br />
fishing beside trees<br />
Signed, oil on canvas, 51cm by 76.5cm<br />
£800 - 1000<br />
899<br />
Robert John Hammond<br />
(fl.1879-1911)<br />
“Westmorland”<br />
Signed, inscribed on a plaque, also<br />
inscribed verso, oil on canvas, 41cm by<br />
61cm<br />
£300 - 400
900<br />
John Joseph Hughes (1820-1909)<br />
“Haymaking”<br />
Signed, inscribed on a plaque, oil on<br />
canvas, 33cm by 51cm<br />
£200 - 250<br />
901<br />
Charles Leaver (1860-1884)<br />
A Winter Landscape with chickens beside a<br />
gateway, a village beyond,<br />
Oil on canvas, 91.5cm by 135cm<br />
£2500 - 3500<br />
902<br />
John MacWhirter RA, HRSA, RI, RE<br />
(1839-1911)<br />
"<strong>Autumn</strong>"<br />
Oil on canvas, 76cm by 101.5cm, in a<br />
Barbizon style frame<br />
**Exhibited in Rome<br />
£2500 - 3000<br />
903<br />
John Falconar Slater (1857-1937)<br />
“Farmyard near Rothbury”<br />
Signed, indistinctly dated, inscribed on a<br />
plaque, oil on panel, 38cm by 53cm<br />
£200 - 250<br />
904<br />
Francis (Frank) Thomas Carter<br />
(1853-1934)<br />
Bamburgh Castle<br />
Signed, oil on canvas, 76.5cm by 63.5cm<br />
£600 - 700<br />
905<br />
Follower of William Collins (19 th<br />
century)<br />
Figures and horses on a beach<br />
Bears a signature, inscribed on the frame,<br />
oil on canvas, 46cm by 61cm<br />
£600 - 800<br />
906<br />
Hodgkin Dixon (ex.1904-1925)<br />
Coastal scene with a girl on a path<br />
Signed, indistinctly inscribed verso, oil on<br />
canvas, 69cm by 51cm<br />
£250 - 300<br />
907<br />
C...Sykes (20 th century)<br />
“Lady in Woodland, North of Cannes”<br />
Signed, inscribed verso, oil on canvas,<br />
61cm by 50.5cm<br />
£200 - 300<br />
908<br />
William Henry Pigott (1835-1901)<br />
Cattle grazing near the River Wye, Haddon<br />
Hall beyond<br />
Signed and dated (18)86, oil on canvas,<br />
98cm by 138cm<br />
£2000 - 3000<br />
909<br />
William Henry Pigott (1835-1901)<br />
"On the Longshaw Moors, Derbyshire"<br />
Signed and dated (18)75, inscribed verso,<br />
oil on canvas, 41cm by 61.5cm<br />
£700 - 900<br />
910<br />
William Henry Pigott (1835-1901)<br />
Highland cattle beside a loch<br />
Indistinctly signed, oil on canvas, 36cm by<br />
46cm<br />
£250 - 300<br />
911<br />
Attributed to Thomas Sidney Cooper<br />
RA and Thomas Creswick RA (19 th<br />
century)<br />
Farmyard scene in summer<br />
Oil on canvas, 95cm by 123cm<br />
£3000 - 5000
912<br />
William Gunning King (1853-1940)<br />
"Feeding the Calves";<br />
"The Vet"<br />
One signed and indistinctly dated, possibly<br />
1929, inscribed verso, oil on canvas,<br />
43.5cm by 51cm and 43.5cm by 47cm<br />
respectively (2)<br />
**Formerly the property of Bibby Animal<br />
Foods<br />
£1500 - 2000<br />
913<br />
William Woodhouse (1857-1939)<br />
Milkmaid with Jersey cow and goats on a<br />
sunlit cliff top<br />
Signed, oil on canvas, 71cm by 91.5cm<br />
**Provenance: Bond Street Galleries, 9<br />
New Bond Street, London<br />
£3000 - 5000<br />
914<br />
William Woodhouse (1857-1939)<br />
Ponies grazing beside a sunlit estuary<br />
Indistinctly signed, oil on canvas, 71cm by<br />
91.5cm<br />
£2000 - 3000<br />
915<br />
Henry Hillingford Parker (1858-1930)<br />
"The River Wey, Ripley, Surrey"<br />
Signed, inscribed verso, oil on canvas,<br />
32.5cm by 52.5cm<br />
**Provenance: Barry Keene Gallery,<br />
Thameside, Henley on Thames<br />
£1200 - 1500<br />
916<br />
Alfred de Breanski Snr (1852-1928)<br />
"Midday Sun";<br />
"The Evening Glow, Dolbadarn from<br />
Llanberis Lake, North Wales"<br />
Signed and inscribed verso, oil on canvas,<br />
each 51cm by 76.5cm (pair)<br />
£6000 - 8000<br />
917<br />
Alfred Fontville de Breanski Jnr<br />
(1877-c.1945)<br />
Highland loch scene at sunset<br />
Signed, oil on canvas, 31cm by 51cm<br />
£600 - 800<br />
918<br />
Charles Jones RCA (1836-1892)<br />
"The End of the Lane"<br />
Monogrammed, inscribed and dated 1889<br />
verso, oil on canvas, 118cm by 97cm<br />
**A London painter of sheep, cattle and<br />
deer in landscape settings, affectionately<br />
known as 'Sheep' Jones due to his skilful<br />
and realistic portrayal of them. He<br />
exhibited 1860-91 at the Royal Academy<br />
and 1861-83 at the British Institution. He<br />
also exhibited at Suffolk Street and the<br />
New Watercolour Society. He was a<br />
member of the Royal Cambrian Academy,<br />
Manchester and c.1890 was awarded a<br />
gold medal at the Crystal Palace.<br />
£7000 - 9000<br />
919<br />
Gertrude Mary Coventry (Mrs<br />
Robertson) (1886-1964)<br />
"Harvesting near Anstruther"<br />
Signed, inscribed verso, oil on canvas,<br />
46cm by 61cm<br />
**Provenance: T & R Annan & Sons Ltd,<br />
West Campbell Street, Glasgow<br />
***Sold with the original receipt<br />
£1200 - 1800<br />
920<br />
Charles Martin Powell (1775-1824)<br />
"Third Rate with Other Shipping"<br />
Signed, inscribed on a plaque and verso,<br />
oil on canvas, 18cm by 25cm<br />
**Provenance: David Messum, London<br />
Road, Beaconsfield, Buckinghamshire<br />
***Sold with the David Messum <strong>Fine</strong><br />
Painting catalogue of Marine and Other<br />
Paintings, summer 1975<br />
£1200 - 1500
921<br />
Follower of Thomas Buttersworth<br />
(19 th century)<br />
Dismasted vessel in rough seas off<br />
Dunstanburgh Castle, Northumberland<br />
Oil on panel, 37cm by 61.5cm<br />
£700 - 800<br />
922<br />
Walter Holmes (b.1936)<br />
Tall ship on the Tyne<br />
Signed, oil on board, 71cm by 91cm<br />
£400 - 600<br />
923<br />
Adolphus Knell (fl.1860-1890)<br />
Shipping in a calm, early morning;<br />
Hay barge and other boats on a river<br />
Both signed, oil on board, each 28cm by<br />
45cm (pair)<br />
£700 - 900<br />
924<br />
Henry Redmore (1820-1887)<br />
Fishing boats and other shipping off a<br />
coastline;<br />
Fishing boats and other shipping off a<br />
wooden jetty<br />
Both signed and dated 1884, oil on board,<br />
each 33cm by 54cm (pair)<br />
£4000 - 5000<br />
925<br />
Henry Redmore (1820-1887)<br />
Fishing boats and other shipping off a<br />
coastline<br />
Signed and indistinctly dated, inscribed<br />
verso, oil on canvas, 25cm by 38cm<br />
£2000 - 3000<br />
926<br />
John Falconer Slater (1857-1937)<br />
Beach scene at low tide<br />
Signed, oil on paper, 23.5cm by 33.5cm<br />
£300 - 400<br />
927<br />
George Edwards Hering (1805-1879)<br />
"The Bass Rock"<br />
Signed with the artist's initials and dated 7<br />
October 1863, inscribed verso, oil on<br />
panel, 19.5cm by 30.5cm<br />
£400 - 600<br />
928<br />
Circle of Georgina M. De L'Aubiniere<br />
(ex.1880-1905)<br />
Fishing boats in a calm with seabirds<br />
Oil on board, 24.5cm by 45cm<br />
£300 - 400<br />
929<br />
Henry Garland (ex.1880-1892)<br />
“Choosing a Quiet One”<br />
Signed, inscribed verso, oil on canvas,<br />
30.5cm by 46cm<br />
£400 - 500<br />
930<br />
Henry Scott (1911-1966)<br />
"The Tea Clipper Morning Star (One<br />
Thousand Five Hundred and Thirty Four<br />
Tons), Built 1854, Lost in 1879"<br />
Signed, inscribed verso, oil on canvas,<br />
35cm by 51cm<br />
**Provenance: MacConnal-Mason & Son<br />
Ltd, Duke Street, St James's, London<br />
£700 - 900<br />
931<br />
William Edward Webb (1862-1903)<br />
Harbour scene, Isle of Man<br />
Signed, oil on canvas, 56cm by 97cm<br />
**Provenance: Priory Gallery (RM & E<br />
James), Station Road, Bishops Cleeve,<br />
Cheltenham<br />
***Sold with the original invoice dated 29<br />
June 1993<br />
£6000 - 8000
932<br />
William Lionel Wyllie RA, RI, RE<br />
(1851-1931)<br />
"Chatham, 1900"<br />
Signed, inscribed on a plaque and verso,<br />
oil on canvas, 58cm by 121.5cm<br />
**Provenance: N.R. Omell, Duke Street, St<br />
James's, London, exhibition of Marine<br />
Paintings 17 th - 20 h Centuries<br />
***The painting features one of the<br />
battleships of the Majestic class, built in<br />
1895/96. The four-panelled vessel in the<br />
distance is either the Terrible or the<br />
Powerful as identified by E H H Archibald<br />
The Metal Fighting Ships<br />
£7000 - 10000<br />
933<br />
George Sherwood Hunter RBA<br />
(1850-1919)<br />
"Volendam"<br />
Initialled and dated 1892, oil on canvas,<br />
30cm by 46cm<br />
£1800 - 2000<br />
934<br />
Nan Hudson (1889-1957)<br />
"The College of Arms, Queen Victoria<br />
Street, City of London"<br />
Signed, inscribed on a plaque and verso,<br />
oil on canvas, 34cm by 43cm<br />
**Exhibited at the <strong>Fine</strong> <strong>Art</strong> Society, New<br />
Bond Street, London June 1999 stock<br />
no.1021<br />
£200 - 300<br />
935<br />
H...Baynes (19 th century)<br />
“Hampton Court Palace”<br />
Signed, inscribed verso, oil on canvas,<br />
45.5cm by 61cm<br />
£200 - 300<br />
936<br />
Frederick William Newton Whitehead<br />
(1853-1938)<br />
“Grays Cliff, Warwick”<br />
Signed, inscribed verso, oil on canvas,<br />
46cm by 35.5cm<br />
£400 - 500<br />
937<br />
Sir Gerald Hugh Tyrwhitt-Wilson<br />
(Lord Berners) (1883-1950)<br />
"Florentine Loggia"<br />
Signed Berners, inscribed verso, oil on<br />
board, 27cm by 41cm<br />
**Provenance: Alex Reid & Lefevre Ltd<br />
(The Lefevre Galleries), King Street, St<br />
James's, London<br />
£200 - 300<br />
938<br />
William Meadows (fl.1870-1895)<br />
Venetian canal scene with figures in a<br />
gondola;<br />
Backwater Venetian canal with figures in a<br />
gondola beside a bridge<br />
Both signed, oil on canvas, each 46cm by<br />
61.5cm (pair)<br />
£2000 - 3000<br />
939<br />
Circle of Felix Ziem (1821-1911)<br />
French<br />
"Venice"<br />
Bears a signature, inscribed, oil on canvas,<br />
89.5cm by 131cm
**Despite training to be an architect Ziem<br />
decided on his future as an artist following<br />
a visit to Italy in 1841 when he was<br />
captured by the beauty of Venice. He was<br />
known principally for his views of Venice,<br />
where he returned annually until 1892, but<br />
also painted in Constantinople, North<br />
Africa, Russia, the Middle East and North<br />
Africa as well as visiting London in 1849<br />
and 1852. Though his early work was<br />
strongly influenced by the Barbizon school,<br />
he developed an individual style, a misty<br />
treatment with a riot of rich colour. His<br />
seascapes won him several medals and a<br />
large following of collectors<br />
£5000 - 6000<br />
940<br />
James Salt (1850-1903)<br />
Venetian Capriccio;<br />
Fishing boats on a Venetian canal<br />
Both signed, oil on canvas (one laid<br />
down), each 36.5cm by 61cm (pair)<br />
£700 - 900<br />
941<br />
Eisman-Semenowsky (1857-1911)<br />
French<br />
Portrait of an Eastern girl, head and<br />
shoulders, wearing a cream dress and red<br />
waistcoat<br />
Signed and inscribed Paris, dated 1887, oil<br />
on panel, 35.5cm by 26.5cm<br />
**Ex. collection J.H. Frost<br />
£2000 - 2200<br />
942<br />
R....Moretti (19 th century) Italian<br />
"Confidences"<br />
Signed and inscribed Roma, also inscribed<br />
on a plaque attached to the frame, oil on<br />
canvas, 53cm by 38cm<br />
**Provenance: Hinson <strong>Fine</strong> Paintings,<br />
Sheffield and sold with a copy of the<br />
original invoice dated 27 February 1984<br />
£1000 - 1500<br />
943<br />
Attributed to L...Permenzel (19 th<br />
century)<br />
Children amongst Italianate ruins<br />
Signed, inscribed verso, oil on canvas,<br />
32cm by 38cm<br />
£300 - 500<br />
944<br />
Continental School (early 20 th<br />
century)<br />
Parisian street scene at night<br />
Oil on canvas, 35.5cm by 41cm<br />
**Oil sketch portrait of a gentleman verso<br />
£300 - 500<br />
945<br />
Albert Friedrich Schroder<br />
(1854-1939) German<br />
"The Solo";<br />
"The Toast"<br />
Both signed and inscribed, oil on canvas,<br />
each 50cm by 60cm (pair)<br />
£4500 - 5000<br />
946<br />
Casimir van den Daele (1818-1880)<br />
Gentleman and lady winding wool in an<br />
interior;<br />
Musical serenade, gentleman playing a<br />
violin beside a table<br />
Both signed and dated 1859 and 1860<br />
respectively, one inscribed verso, oil on<br />
panel, each 68cm by 92cm (pair)<br />
£2000 - 3000<br />
947<br />
Casimir van den Daele (1818-1880)<br />
"The Centre of Attention"<br />
Signed, oil on panel, 69cm by 91.5cm<br />
£800 - 1200
948<br />
Gennara Guglielmi (b.1804) Italian<br />
Interior scene with elegantly dressed<br />
ladies and gentlemen playing cards<br />
Signed, oil on canvas, 55cm by 82cm<br />
£800 - 1200<br />
949<br />
Attributed to Frederico Ballesio (19 th<br />
century) Italian<br />
Gentleman playing a piano in an interior<br />
With strengthened signature, inscribed<br />
Roma - Tivoli, oil on canvas, 45cm by<br />
63cm<br />
£700 - 1000<br />
950<br />
J...Breton (19 th century)<br />
The young sailor's return<br />
Signed, oil on canvas, 81cm by 109cm<br />
£1200 - 1500<br />
951<br />
Attributed to Gaetano Lodi<br />
(1830-1886)<br />
A difference of opinion;<br />
Lighting up<br />
Both signed, inscribed on plaques, oil on<br />
canvas, each 42cm by 53cm (pair)<br />
£600 - 800<br />
952<br />
Continental School (19 th century)<br />
Fishing boats and other shipping in a swell<br />
Indistinctly signed and dated, oil on panel,<br />
29cm by 43.5cm, unframed<br />
£700 - 900<br />
953<br />
A... de Groote (1892-1947) Dutch<br />
"Stadswal von Elburg"<br />
Signed and inscribed, oil on panel, 38cm<br />
by 30.5cm<br />
£200 - 300<br />
954<br />
Onorato Carlandi (1848-1939) Italian<br />
Sunlit wooded glade<br />
Signed and inscribed Roma, inscribed on<br />
the frame Et In Terra Pax, oil on canvas,<br />
81cm by 101cm<br />
£2000 - 2500<br />
955<br />
Peder Monsted (1859-1941) Danish<br />
"Tranquil Waters"<br />
Signed, indistinctly inscribed and dated<br />
1912, oil on canvas, 35cm by 49cm<br />
**Provenance: Priory Gallery (RM & E<br />
James), Station Road, Bishops Cleeve,<br />
Cheltenham<br />
***Sold with the original invoice dated 4<br />
July 2001<br />
£5000 - 7000<br />
956<br />
Alfred Edouard van Bylandt<br />
(1829-1890) Dutch<br />
“Spring Ploughing”<br />
Signed, inscribed verso, oil on canvas,<br />
51cm by 70cm<br />
£1000 - 1500<br />
957<br />
Benjamin Blake (c.1770-c.1830)<br />
Larder scene with dead game and sporting<br />
dogs;<br />
Larder scene with dead game, sporting<br />
dogs and a shotgun<br />
Oil on canvas, each 25.5cm by 20.5cm<br />
(pair)<br />
£600 - 800<br />
958<br />
Bessie Bamber (fl.1900-1910)<br />
Kitten seated beside a Japanese parasol;<br />
Kitten seated beside a muffin dish and<br />
cover<br />
Monogrammed, oil on milk glass, each<br />
9.5cm by 15.5cm (pair)<br />
£700 - 900
959<br />
Florence Mabel Hollams SWA (Mrs C L<br />
Fox) (1877-1963)<br />
"Golden Eagle", study of a hunter<br />
Signed and dated 1931, inscribed, oil on<br />
panel, 31cm by 43cm<br />
£400 - 600<br />
960<br />
Lionel Hamilton-Renwick<br />
(1919-2003)<br />
"Study for Portrait, Mill Reef, Newmarket"<br />
Signed, inscribed and dated 1983, oil on<br />
board, 36cm by 46cm<br />
**Provenance: <strong>Art</strong>hur Ackermann & Son<br />
Ltd, Old Bond Street, London<br />
£600 - 800<br />
961<br />
Circle of John Dalby (early 19 th<br />
century)<br />
“Penelope York's Hunters”<br />
Inscribed and dated 1837 on a plaque, oil<br />
on canvas, 64cm by 81cm<br />
£600 - 900<br />
962<br />
Attributed to Samuel Alken Jnr<br />
(1784-c.1825)<br />
Huntsmen on horseback with hounds and<br />
other figures in the distance;<br />
The Whipper-In on horseback with<br />
foxhounds<br />
Oil on canvas, laid down on board, each<br />
31cm by 39cm (pair)<br />
£2500 - 3000<br />
963<br />
James Barenger (1780-1831)<br />
"Mares and Foals near a Thatched Barn"<br />
Signed and dated 1816, inscribed verso,<br />
oil on canvas, 71.5cm by 91.5cm<br />
**Provenance: Ex. collection 2nd Baron<br />
Gretton, Stapleford Park, Leicestershire<br />
£5000 - 7000<br />
964<br />
H...Raoul Millais (1901-1991)<br />
Stags on a hillside<br />
Initialled, inscribed verso, oil on canvas,<br />
20.5cm by 25.5cm<br />
£500 - 700<br />
965<br />
Charles Cooper Henderson<br />
(1803-1877)<br />
The London to Louth mail coach on an<br />
open road<br />
Oil on canvas, 46cm by 76.5cm<br />
£1200 - 1500<br />
966<br />
George Edward Lodge (1860-1954)<br />
"Three Alternatives Strathgartney"<br />
Signed, inscribed verso, oil on canvas,<br />
36cm by 56cm<br />
**Provenance: <strong>Art</strong>hur Greatorex Ltd,<br />
Grafton Street, London; and Sotheby's, 23<br />
April 1991, lot 55<br />
£3000 - 4000<br />
967<br />
John Emms (1843-1912)<br />
Donkey and a dog beside a cottage<br />
Signed and dated (18)78, inscribed verso,<br />
oil on canvas, 31cm by 41cm<br />
£3000 - 3500<br />
968<br />
William Weekes (fl.1856-1909)<br />
"A Surprise"<br />
Initialled, inscribed on the frame below, oil<br />
on canvas, 51cm by 41cm<br />
£1000 - 1500<br />
969<br />
Colin Graeme Roe (1855-1910)<br />
Ponies and a foal in a moorland landscape<br />
Signed and dated 1901, oil on canvas,<br />
51cm by 76.5cm<br />
£1000 - 1200
970<br />
English School (19 th century)<br />
Portrait of a gentleman, head and<br />
shoulders, wearing military uniform<br />
Oil on canvas, 46cm by 36cm<br />
£500 - 600<br />
971<br />
Ernest Crofts RA (1847-1911)<br />
Soldiers on horseback, with the walking<br />
wounded nearby<br />
Signed, oil on canvas, 25cm by 45cm<br />
£600 - 900<br />
972<br />
William Duffield (1816-1863)<br />
Still life of a salmon in an earthenware<br />
bowl<br />
Signed, oil on canvas, 27cm by 22cm<br />
£600 - 800<br />
973<br />
Michelangelo Meucci (19 th century)<br />
Italian<br />
Hanging songbirds;<br />
Hanging songbirds<br />
Both signed, inscribed Firenze and dated<br />
1873, oil on panel, oval, each 21cm by<br />
17cm (pair)<br />
£500 - 700<br />
974<br />
John Bernard Munns RBSA, NSA<br />
(1869-1942)<br />
Still life of fruit on a blue and white dish,<br />
with an apple and a figurine<br />
Signed, oil on canvas, 41cm by 31cm<br />
£250 - 300<br />
975<br />
Frederick Victor Bailey (1919-1997)<br />
Still life of flowers in a vase, raspberries<br />
and blackcurrants nearby<br />
Signed, oil on panel, 64cm by 48cm<br />
**Provenance: Ex collection Thornton<br />
Collection, York<br />
£500 - 700<br />
976<br />
Frederick Victor Bailey (1919-1997)<br />
Still life of flowers and insects<br />
Signed, oil on panel, 77cm by 68cm<br />
**Provenance: Ex collection Thornton<br />
Collection, York<br />
£700 - 900<br />
977<br />
Owen Waters (1916-2004)<br />
"The Bure Valley at Saxthorpe"<br />
Signed, inscribed verso, oil on board,<br />
61cm by 91cm<br />
£800 - 1000<br />
978<br />
Daniel van der Putten (b.1949)<br />
"Morning Snow, Farthingstone,<br />
Northamptonshire"<br />
Signed, inscribed verso, oil on panel, 25cm<br />
by 35.5cm<br />
£1000 - 1200<br />
979<br />
Henry Stanier (fl.1847-1884, d.1892)<br />
Young man seated on a chair playing a<br />
lute<br />
Signed and dated 1861, oil on panel,<br />
28.5cm by 34.5cm<br />
£600 - 800<br />
980<br />
Edwin Hughes (fl.1872-1892)<br />
“Conversation Piece, Interior with Cavalier<br />
and Lady Standing before a Table”<br />
Signed and indistinctly dated, inscribed<br />
verso, oil on panel, 24cm by 20.5cm<br />
£250 - 300<br />
981<br />
S... Dawson (19 th century)<br />
Comforting Baby<br />
Signed, oil on canvas, 46cm by 61cm<br />
£400 - 600
982<br />
S... Dawson (19 th century)<br />
Interior scene with a girl knitting beside a<br />
fireplace, children nearby<br />
Signed, oil on canvas, 41cm by 61cm<br />
£300 - 500<br />
983<br />
Joseph Clark ROI (1834-1926)<br />
“Bedtime”<br />
Signed and dated 1890, oil on board,<br />
34cm by 25.5cm<br />
£600 - 700<br />
984<br />
Attributed to Joseph H. Barnes<br />
(fl.1867-1887)<br />
Children feeding ducks beside a pond<br />
Signed Barnes, oil on canvas, 61cm by<br />
51cm<br />
£500 - 700<br />
985<br />
R...Favelle (19 th century)<br />
“Crossing the Stream”<br />
Signed, inscribed verso, oil on panel, 21cm<br />
by 16cm<br />
**Provenance: Prestwich <strong>Fine</strong> <strong>Art</strong>,<br />
Manchester<br />
£500 - 600<br />
986<br />
William Woodhouse (1857-1939)<br />
"Happy Days"<br />
Signed, inscribed verso, oil on canvas,<br />
77.5cm by 64.5cm<br />
**Provenance: Iain Dodgson, Lower<br />
Church Street, Lancaster<br />
£2000 - 3000<br />
987<br />
George Sherwood Hunter RBA<br />
(fl.1855-1893)<br />
"The Angelus Volendam, North Holland"<br />
Signed and indistinctly dated, inscribed<br />
verso, oil on canvas, 105cm by 79.5cm, in<br />
its original exhibition gilded frame<br />
**Exhibited in Rome 1911 - The British<br />
Section of the Royal Commission<br />
International <strong>Fine</strong>-<strong>Art</strong>s Exhibition<br />
£600 - 800<br />
988<br />
Edwin Long RA (1829-1891)<br />
Study of a bearded Arab gentleman<br />
Monogrammed, oil on canvas, a<br />
preparatory unfinished study, 44cm by<br />
33.5cm<br />
£800 - 1200<br />
989<br />
W...E...Sticks (19 th century)<br />
“The Honeymoon, the Fourth Week”<br />
Signed and dated 1885, inscribed verso,<br />
oil on canvas, 36cm by 46cm<br />
£1000 - 1500<br />
990<br />
Alex Brantingham Simpson RI<br />
(fl.1904-1931)<br />
“The Bookworm”;<br />
Gentleman standing beside a window<br />
smoking a clay pipe<br />
Signed, one inscribed verso, oil on board,<br />
17cm by 22.5cm and 21.5cm by 14cm<br />
respectively (2)<br />
£400 - 600<br />
991<br />
Walter Dendy Sadler RBA<br />
(1854-1923)<br />
Garden scene with a gentleman seated at<br />
a table<br />
Signed, oil on canvas, 87cm by 123cm<br />
**Possibly the work exhibited at the Royal<br />
Academy entitled A Goodly Catch in 1884,<br />
no 1542
***Sold with a black and white engraving<br />
of the subject, signed by the artist and the<br />
printer James Dobi, published in 1901 by<br />
Lefvere & Son, St James's, London<br />
£3000 - 5000<br />
992<br />
William Mellor (1851-1931)<br />
“The Fairy Glen, Betws-y-Coed”<br />
Signed, inscribed on a plaque and verso,<br />
oil on canvas, 76cm by 127cm<br />
£1500 - 1800<br />
993<br />
George Graham RSW, RI, ROI<br />
(resigned), RBA (1881-1949)<br />
"Winter at Redmire"<br />
Signed and dated 1915, inscribed verso,<br />
oil on canvas, 61cm by 51cm<br />
£500 - 600<br />
994<br />
Reginald Grange Brundrit RA, ROI<br />
(1883-1960)<br />
"China Clay", scene at St Austell<br />
Signed, inscribed verso, oil on canvas,<br />
92cm by 122cm<br />
**The work was exhibited at the Royal<br />
Academy in 1961<br />
£800 - 1200<br />
995<br />
Reginald Grange Brundrit RA, ROI<br />
(1883-1960)<br />
Dales village, with cottages amongst trees<br />
Signed, oil on canvas, 46cm by 61cm<br />
£300 - 400<br />
996<br />
Reginald Grange Brundrit RA, ROI<br />
(1883-1960)<br />
"Helmsley Castle"<br />
Signed, indistinctly inscribed verso, oil on<br />
canvas, 51cm by 66.5cm<br />
£350 - 450<br />
997<br />
Reginald Grange Brundrit RA, ROI<br />
(1883-1960)<br />
"Near Grassington, Yorkshire"<br />
Signed, inscribed verso, oil on canvas,<br />
36cm by 46cm<br />
£250 - 300<br />
998<br />
<strong>Art</strong>hur A. Friedenson (1872-1955)<br />
"Morning - Middlebere Heath, Dorset"<br />
Signed and dated 1913, inscribed verso,<br />
oil on canvas, 46cm by 61.5cm<br />
£1500 - 2000<br />
999<br />
<strong>Art</strong>hur A. Friedenson (1872-1955)<br />
"Sunset after Rain"<br />
Signed and dated 1912, inscribed verso,<br />
oil on panel, 32.5cm by 40.5cm<br />
£600 - 800<br />
1000<br />
Kershaw Schofield (1872-1941)<br />
Sheep grazing in a sunlit meadow, possibly<br />
the Vale of York<br />
Signed, oil on canvas, 51cm by 76.5cm<br />
£1500 - 2000<br />
1001<br />
Stephen Frank Wasley (1848-1934)<br />
“Whitby Harbour from St Anne's, Staithes”<br />
Signed, oil on canvas, 61cm by 41.5cm<br />
£800 - 1000<br />
1002<br />
Augustus William Enness RBA<br />
(1876-1948)<br />
Whitby Harbour<br />
Signed and dated 1910, oil on canvas,<br />
31cm by 41cm<br />
£600 - 800
1003<br />
Richard Weatherill (1844-1923)<br />
Fishing boat entering Whitby Harbour with<br />
figures on a quayside<br />
Signed, oil on board, 23cm by 37cm<br />
£2500 - 3000<br />
1004<br />
Richard Weatherill (1844-1923)<br />
“Whitby from Upgang showing the Two<br />
Lime-Kiln there in 1853, before the East<br />
Pier Lighthouse was Built”<br />
Signed, inscribed verso, oil on board,<br />
17cm by 30.5cm<br />
£2500 - 3000<br />
1005<br />
Joseph Alfred Terry RBA (1872-1939)<br />
"The Old School"<br />
Signed and inscribed verso, oil on paper,<br />
25.5cm by 31.5cm<br />
£150 - 200<br />
1006<br />
James William Booth RCamA<br />
(1867-1953)<br />
Horses in a sunlit field<br />
Signed, oil on canvas, 69.5cm by 90.5cm<br />
£5000 - 7000<br />
1007<br />
Owen Bowen ROI, PRCamA<br />
(1873-1967)<br />
The Picnic, a country lane with a shepherd<br />
and sheep<br />
Signed, oil on canvas, 41cm by 61cm<br />
**The work is illustrated on the back<br />
dustcover of Painters in the Northern<br />
Counties of England and Wales by<br />
Professor Dennis Child<br />
£800 - 1000<br />
1008<br />
Owen Bowen ROI, PRCamA<br />
(1873-1967)<br />
Dales barn amongst trees<br />
Signed, oil on canvas board, 30.5cm by<br />
40.5cm<br />
£400 - 600<br />
1009<br />
Attributed to Owen Bowen ROI,<br />
PRCamA (1873-1967)<br />
Farmyard with chickens beside a barn<br />
Bears a signature, oil on canvas, 30.5cm<br />
by 40.5cm<br />
£300 - 400<br />
1010<br />
Joseph John Richard Bagshawe RBA<br />
(1870-1909)<br />
Coastal scene with rocks<br />
Inscribed verso, oil on board, 27cm by<br />
36cm<br />
**Provenance: Phillips & Sons, The Dower<br />
House, Cockham, Berkshire<br />
£200 - 300<br />
1011<br />
Mark Senior NPS (1862-1927)<br />
“Breton Lace Makers”<br />
Signed, inscribed, oil on canvas, 46.5cm<br />
by 51cm<br />
£3000 - 4000<br />
Contemporary <strong>Art</strong><br />
1012<br />
David Russell Anderson RSW<br />
(1884-1973)<br />
"The Seine"<br />
Signed, oil on canvas, 33cm by 43cm<br />
**Provenance: Exhibition at Bradford City<br />
<strong>Art</strong> Gallery & Museums, Cartwright Hall,<br />
Bradford, 11 January-11 February 1973<br />
no.12
***By descent from artist's family.<br />
David Anderson studied in Glasgow before<br />
moving to Paris in 1905 where he studied<br />
at the Ecole des Beaux <strong>Art</strong>s, Paris. He<br />
returned to a career in journalism and<br />
became the Editor in Chief of the<br />
Associated Scottish Newspapers based in<br />
Glasgow before retiring to Ilkley in 1946.<br />
£500 - 600<br />
1013<br />
David Russell Anderson RSW<br />
(1884-1973)<br />
Still Life with Apple<br />
Signed, oil on board, 35.5cm by 48.5cm<br />
£300 - 400<br />
1014<br />
David Russell Anderson RSW<br />
(1884-1973)<br />
Garelochhead, Scotland<br />
Oil on board, 62cm by 75cm<br />
£300 - 400<br />
1015<br />
David Russell Anderson RSW<br />
(1884-1973)<br />
"<strong>Art</strong>ist's Dining Room, Hope Street,<br />
Glasgow"<br />
Signed, inscribed on stretcher , oil on<br />
canvas, 45cm by 60cm<br />
£300 - 400<br />
1016<br />
Sue Atkinson (b.1949)<br />
"Winter's Day"<br />
Signed, mixed media on paper, 29cm by<br />
29cm<br />
**Provenance: Zillah Bell Gallery, Thirsk,<br />
North Yorkshire<br />
£200 - 300<br />
1017<br />
Edited by Bowness (Alan) with an<br />
introductory essay by Rosenthal (T.G)<br />
Ivon Hitchens, published by Lund<br />
Humphries, London 1973; Woolf<br />
(Virginia) Walter Sickert: a conversation,<br />
published by the Hogarth Press 1934;<br />
Dube-Heynig (Annemarie) Kirchner:<br />
Graphic work, Germany 1961; Kitching<br />
(<strong>Art</strong>hur) Pavements and People, Smith<br />
Settle, Otley 1987; Kitching (<strong>Art</strong>hur)<br />
Sea and Sand, Smith Settle, Otley 1988;<br />
Heron (Tom) Call it a day, Cornwall 1977<br />
(6)<br />
£120 - 180<br />
1018<br />
John Randall Bratby RA (1928-1992)<br />
"Seagull 2, Reid's Hotel, Funchal, Madeira"<br />
Signed, inscribed and dated Tuesday 26 th<br />
April 1983, pencil drawing, 25cm by 34cm<br />
£300 - 400<br />
1019<br />
Frederick Brill (1920-1984)<br />
"The Railway Viaduct" (Sandsend)<br />
Signed, dated 1958 and inscribed verso,<br />
pen and black ink preparatory/working<br />
sketch on paper, 50cm by 36cm<br />
**Brill did not generally sign his work.<br />
***Provenance: labelled Galerie de Seine,<br />
and City of Manchester <strong>Art</strong> Gallery label<br />
numbered 20990.<br />
£300 - 500<br />
1020<br />
Piers Browne (b.1942)<br />
"October in Walden, Wensleydale"<br />
Signed and indistinctly dated, oil on board,<br />
20cm by 52.5cm<br />
**Provenance: Bernhardt Gallery<br />
£300 - 400
1021<br />
After Marc Chagall (1887-1985)<br />
French/Russian<br />
"The Mountebanks"<br />
Original black and white lithographic print,<br />
inscribed verso, 31.5cm by 24.5cm<br />
**Provenance: William Weston Gallery, 7<br />
Royal Arcade, Albemarle Street, London<br />
***From the edition issued for: Chagall<br />
Vol 2 Sauret 1963 ref. Mourlot 395<br />
£1000 - 1200<br />
1022<br />
Jack Cudworth (b.1930)<br />
River landscape with a figure in a boat<br />
beside a bridge<br />
Signed, inscribed, oil on board, 26cm by<br />
36.5cm<br />
**Provenance: Walker Galleries, 6<br />
Montpellier Gardens, Harrogate<br />
£200 - 300<br />
1023<br />
Gordon Davies (1926-2007)<br />
"Barga, Early Morning"<br />
Signed and dated (19)77, inscribed and<br />
titled verso, oil on board, 22cm by 27cm<br />
**Provenance: King Street Galleries Ltd,<br />
17 King Street, St James's, London, stock<br />
no. 188, 21 st April 1978<br />
£250 - 300<br />
1024<br />
Maya Eventov (b.1964) Russian<br />
Lakeside Cottage<br />
Oil on board, 54.5cm by 74cm<br />
£250 - 350<br />
1025<br />
Margaret Firth (1898-1991)<br />
Still life of flowers in a vase, other objects<br />
nearby<br />
Signed, inscribed and dated 1984 verso,<br />
oil on board, 56cm by 66cm<br />
£150 - 200<br />
1026<br />
Dianne Elizabeth Flynn (b.1939)<br />
"Under the Parasol, Checka when Young"<br />
Signed, inscribed verso, oil on canvas,<br />
30.5cm by 40.5cm<br />
£300 - 500<br />
1027<br />
....Fowler (20 th century)<br />
Figures on a village lane beside cottages<br />
Oil on board, 25cm by 35.5cm<br />
£300 - 350<br />
1028<br />
Sir Terry Frost (1915-2003)<br />
Bow Movement (Kemp 16),<br />
Signed and dated (19)54, (there was no<br />
edition), printed by the artist, St Ives,<br />
black and white drypoint etching, 14cm by<br />
34cm (pl)<br />
£800 - 1200<br />
1029<br />
Robin Furness (b.1933)<br />
"Pines Shoot"<br />
Signed and dated (19)86, inscribed verso,<br />
watercolour and gouache, 45cm by 38cm<br />
£100 - 150<br />
1030<br />
Robin Furness (b.1933)<br />
"Chance of a Left and Right - One Down<br />
One to Go!"<br />
Signed and dated 1980, inscribed verso,<br />
oil on canvas board, 41cm by 51cm<br />
£300 - 350<br />
1031<br />
Michael Gibbison (b.1937)<br />
"At the Races"<br />
Signed, inscribed verso, watercolour and<br />
gouache heightened with white, 54.5cm by<br />
71.5cm<br />
**Provenance: Duncalfe Galleries,<br />
Harrogate & London<br />
£500 - 700
1032<br />
Michael Gibbison (b.1937)<br />
"Vivienne Westwood"<br />
Signed, inscribed and dated 1989 verso,<br />
watercolour and gouache, 61.5cm by<br />
53.5cm<br />
£600 - 800<br />
1033<br />
Michael Gibbison (b.1937)<br />
"Boy George"<br />
Signed, inscribed and dated 1989 verso,<br />
watercolour and gouache, 72.5cm by<br />
50.5cm<br />
£600 - 800<br />
1034<br />
Donald Grant (b.1942)<br />
Hunting scene with figures on horseback<br />
Signed, inscribed on a plaque, oil on<br />
canvas, 61cm by 91.5cm<br />
**Provenance: MacConnal-Mason & Son<br />
Ltd, 14 Duke Street, St James's, London<br />
£1500 - 2500<br />
1035<br />
Douglas Gray (b.1965)<br />
"Cobbles, Scarborough Harbour"<br />
Signed, inscribed verso, oil on board,<br />
29cm by 39cm<br />
£200 - 300<br />
1036<br />
Mark Halsey (b.1961)<br />
"Mandala"<br />
Signed limited edition artist proof No.1/25,<br />
46.5cm by 44cm<br />
£100 - 200<br />
1037<br />
After Rolf Harris (b.1930) Australian<br />
"Winter Sunrise"<br />
Signed limited edition 73/195, giclee paper<br />
and canvas board, 46cm by 68cm<br />
**Sold with certificate of authenticity<br />
£200 - 300<br />
1038<br />
Charles John Harrison RA (b.1945)<br />
Trompe L'Oeil of Talavera pottery and<br />
antique scissor snuffers<br />
Signed with the artist's initials, oil on<br />
board, 80cm by 54cm<br />
**Provenance: William Sissons Gallery<br />
£2000 - 3000<br />
1039<br />
... Helios (b.1959)<br />
"Casas junto al Rio (Estella)"<br />
Signed, oil on canvas, 45cm by 54cm<br />
£200 - 300<br />
1040<br />
Demelsa Houghton (20th/21st<br />
century)<br />
Nude Studies<br />
All three signed, inscribed on each<br />
stretcher verso with date July (20)03, oil<br />
on canvas, two 127cm by 46cm, one<br />
101cm by 33cm, unframed (3)<br />
£450 - 500<br />
1041<br />
Doug Hyde (b.1972)<br />
"Light of My Life"<br />
Signed artist's proof 10/40, inscribed with<br />
title in pencil, on giclee paper, 59cm by<br />
37.5cm<br />
**Sold with certificate of authenticity and<br />
Time of My Life booklet<br />
£200 - 300<br />
1042<br />
Vladan Ignatovic (b.1955)<br />
Yugoslavian<br />
Pattern VI<br />
Pair, oil on canvas, inscribed on one verso,<br />
both 28.5cm 33cm (2)<br />
£100 - 200
1043<br />
Barbara Jones (1912-1978)<br />
"Launching of the Holland Submarine<br />
No.1, at Barrow, 1901";<br />
"Marconi Transmitting the First Radio<br />
Signals from Cornwall to Newfoundland,<br />
1901";<br />
"Louis Bleriot flying the English Channel,<br />
1909"<br />
All signed, inscribed verso, pencil and<br />
watercolour, each 28cm by 40cm (3)<br />
**Produced for the series of A Half<br />
Century of Progress, commissioned by the<br />
Financial Times in 1950<br />
***Provenance: Abbott & Holder Ltd, 30<br />
Museum Street, London<br />
£2000 - 2500<br />
1044<br />
Jacob Kramer (1892-1962)<br />
Portrait study of a young woman<br />
Signed, pastel drawing on tinted paper,<br />
37.5cm by 31cm<br />
£300 - 400<br />
1045<br />
Jacob Kramer (1892-1962)<br />
Portrait study of a woman, her eyes closed<br />
Signed, pastel drawing on tinted paper,<br />
49cm by 40cm<br />
£300 - 400<br />
1046<br />
Philip Lambe (b.1961)<br />
White Magnolia<br />
Signed, oil on canvas, 49cm by 59cm<br />
£300 - 400<br />
1047<br />
Giuliana Lazzerini (20 th /21 st century)<br />
Italian<br />
"Ancient City"<br />
Signed, inscribed on a label verso, acrylic<br />
on card, 55cm by 55cm<br />
£400 - 600<br />
1048<br />
Giuliana Lazzerini (20 th /21 st century)<br />
Italian<br />
"Stairway to the Moon"<br />
Signed, inscribed verso, inkwash on card,<br />
54.5cm by 75cm<br />
£300 - 400<br />
1049<br />
After John Lennon (1940-1980)<br />
"Dada Mama" from the Bag One Suite<br />
1988<br />
Lithograph, stamped and numbered in<br />
pencil, inscribed 843/3000E Bruce McGaw<br />
Graphics publication 1988, 88cm by<br />
58.5cm<br />
£200 - 300<br />
1050<br />
After John Lennon (1940-1980)<br />
"Baby Grand" from the Bag One Suite<br />
1988<br />
Lithograph, stamped and numbered in<br />
pencil, inscribed 843/3000E, 87.5cm by<br />
58.5cm<br />
£200 - 300<br />
1051<br />
Alan Lowndes (1921-1978)<br />
Study of a green trawler towing a small<br />
boat<br />
Signed and dated 1962, oil on canvas<br />
board, 23.5cm by 29.5cm<br />
£2500 - 3000<br />
1052<br />
After Laurence Stephen Lowry RA<br />
(1887-1976)<br />
"Peel Park"<br />
Signed in pencil, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />
blindstamp, from an edition of 850,<br />
published by Venture Prints Ltd, a colour<br />
reproduction, 41cm by 78cm<br />
£700 - 900
1053<br />
After Laurence Stephen Lowry RA<br />
(1887-1976)<br />
"St Luke's, London"<br />
Signed in pencil, with Grove <strong>Fine</strong> <strong>Art</strong><br />
blindstamp, from an edition of 850, a<br />
colour reproduction, 64cm by 46.5cm<br />
£500 - 600<br />
1054<br />
After Laurence Stephen Lowry RA<br />
(1887-1976)<br />
"The Reference Library"<br />
Signed in pencil, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />
blindstamp, from an edition of 850, black<br />
and white reproduction, 26.5cm by 36cm<br />
**The work is taken from a pencil drawing<br />
£400 - 600<br />
1055<br />
After Laurence Stephen Lowry RA<br />
(1887-1976)<br />
"Two Brothers"<br />
Signed in pencil, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />
blindstamp, from an edition of 850,<br />
coloured reproduction, 63cm by 31.5cm<br />
£400 - 600<br />
1056<br />
After Laurence Stephen Lowry RA<br />
(1887-1976)<br />
"Three Men and a Cat"<br />
Signed in biro, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />
blindstamp, from an edition of 850,<br />
coloured reproduction, 27cm by 17.5cm<br />
£500 - 700<br />
1057<br />
After Laurence Stephen Lowry RA<br />
(1887-1976)<br />
"The Pond"<br />
Signed in pencil, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />
blindstamp, from an edition of 850,<br />
coloured reproduction, 45cm by 58cm<br />
£400 - 600<br />
1058<br />
John Mackie (b.1955)<br />
"Paysage Midi France"<br />
Signed and dated (19)86, inscribed verso,<br />
pastel drawing, 48cm by 63cm<br />
**Provenance: Duncalfe Galleries,<br />
Harrogate & London The <strong>Art</strong>ist's One Man<br />
Exhibition 1989<br />
***Exhibited at the Harrogate Festival<br />
Exhibition<br />
****Sold with a copy of the Festival<br />
Catalogue Cover 1989<br />
£800 - 900<br />
1059<br />
John Mackie (b.1955)<br />
"Restaurant Salses Village, France"<br />
Signed and dated (19)89, inscribed verso,<br />
oil on canvas, 51cm by 61cm<br />
**Exhibited at the Harrogate Festival<br />
Exhibition 1989<br />
***Provenance: Duncalfe Galleries,<br />
Harrogate, North Yorkshire<br />
£1000 - 1500<br />
1060<br />
John Mackie (b.1955)<br />
"Poppies near Elné, Perpignan"<br />
Signed and indistinctly dated, inscribed<br />
verso, oil on canvas, 66cm by 76cm<br />
£600 - 700<br />
1061<br />
John Mackie (b.1955)<br />
"Provence", harbour scene with figures<br />
and fishing boats<br />
Signed and dated (19)88, pastel drawing,<br />
48cm by 64cm<br />
£600 - 800<br />
1062<br />
John Mackie (b.1955)<br />
"Provence", sunlit avenue with figures and<br />
children<br />
Signed, pastel drawing, 49cm by 59.5cm<br />
£600 - 800
1063<br />
Tom McGuinness (1926-2006)<br />
Miner's Lamp<br />
Signed and dated (19)87, mixed media,<br />
24cm by 15cm<br />
£300 - 400<br />
1064<br />
Graham McKean (b.1962)<br />
The Clandestine Embrace<br />
The Kiss<br />
Both signed, pencil on paper, one 12.5cm<br />
by 11.5cm the other 10.5cm by 9.5cm<br />
£150 - 200<br />
1065<br />
John Milan (b.1968)<br />
Abstract cityscape<br />
Acrylic on board, 44cm by 89.5cm<br />
£200 - 300<br />
1066<br />
Adam Millen (20th/21st century)<br />
An Industrial Skyline<br />
Acrylic on board, 39.5cm by 65cm<br />
£100 - 200<br />
1067<br />
After Henry Moore OM, RA<br />
(1898-1986)<br />
"Sketchbook 1980"<br />
Limited facsimile edition, number C82/350;<br />
together with a Book written by Ann<br />
Garrould with a forward by Bernhard Baer<br />
and an Exhibition Catalogue published by<br />
the Berkeley Square Gallery, London, 14 th<br />
November - 7 th December, all contained<br />
within a specially made and presented<br />
box, overall size 27cm by 21cm<br />
**Provenance: CCA Galleries, Christie's<br />
Contemporary <strong>Art</strong>, 8 Dover Street, London<br />
***Sold with the original invoices, dated<br />
21 st April 1987<br />
£300 - 400<br />
1068<br />
Charles Murray (1894-1954)<br />
"Ben Avie, Scotland"<br />
Signed, inscribed verso, oil on board,<br />
41cm by 51cm<br />
**Provenance: Dennis Brown & Phillips<br />
Ltd, Leicester Galleries, London, exhibited<br />
March 1951 no.5<br />
£300 - 400<br />
1069<br />
Carlos Nadal (1917-1998) Spanish<br />
"La Plage"<br />
Signed and dated (19)79, inscribed verso,<br />
oil and mixed media on paper laid on<br />
canvas, 23.5cm by 28.5cm<br />
**Illustrated on page 128 Carlos Nadal, an<br />
English Perspective 2010<br />
***Sold with a certificate of authenticity<br />
and a book entitled Carlos Nadal<br />
(1917-1998) An English Perspective by<br />
John Duncalfe and published by the<br />
Tillington Press 2010<br />
£5000 - 7000<br />
1070<br />
Philip Naviasky (1894-1983)<br />
"Street Scene in North Africa"<br />
Signed, inscribed verso, oil on board,<br />
24cm by 31cm<br />
£150 - 200<br />
1071<br />
Alexandra Nechita (20th/21st<br />
century) Romanian/American<br />
"Narcissus and Echo"<br />
Lithograph, signed and dated (20)03,<br />
Idem Paris blindstamp, edition 104/195,<br />
51.5cm by 71.5cm<br />
£200 - 300
1072<br />
Gerald Norden (1912-2000)<br />
Trompe l'Oeil depicting a piece of blue<br />
paper inscribed "Not to be Shown to<br />
Persons of a Nervous Disposition"<br />
Signed and dated (19)91, oil on board,<br />
40.5cm by 30.5cm, unframed<br />
£300 - 350<br />
1073<br />
Kitty North (b.1963)<br />
"Cottage/Barn Grey Swirl"<br />
Signed, inscribed and dated 2001 verso,<br />
oil on canvas, 25cm by 35.5cm; and<br />
Path leading to a farmhouse<br />
Signed on the backing board verso, oil on<br />
canvas, 24cm by 30.5cm (2)<br />
£200 - 300<br />
1074<br />
Patrick Oliver (1933-2009)<br />
Abstract study<br />
Oil on canvas, 62cm by 119.5cm<br />
£250 - 350<br />
1075<br />
Patrick Oliver (1933-2009)<br />
"High Force"<br />
Signed, inscribed and dated 1990 verso,<br />
oil on canvas, 74cm by 142.5cm<br />
£800 - 1000<br />
1076<br />
Patrick Oliver (1933-2009)<br />
"Kinsdale"<br />
Signed, inscribed and dated (19)90 verso,<br />
oil on canvas, 74cm by 142.5cm<br />
£800 - 1000<br />
1077<br />
After Pablo Picasso (1881-1973)<br />
Musee Municipal D'<strong>Art</strong> Moderne Ceret,<br />
1958<br />
A poster for an exhibition, 66cm by<br />
48.5cm<br />
£200 - 300<br />
1078<br />
After Pablo Picasso (1881-1973)<br />
Spanish<br />
"Danseuse et Picador"<br />
Ex. inscribed in the margin in graphite<br />
180/500, monotone lithograph, labelled to<br />
verso The Redfern Gallery Ltd. 20 Cork<br />
Street, Burlington Gardens, Bond Street,<br />
London, W1 Title "Picador & Dancing<br />
Woman" <strong>Art</strong>ist PICASSO Purchaser<br />
M.G.Balme Esq., Date 20th February 1969,<br />
40cm by 52cm<br />
£600 - 900<br />
1079<br />
John Piper LG (1903-1992)<br />
"Stansfield, Suffolk"<br />
Signed artist's proof, limited edition<br />
98/100, published September 1987, colour<br />
screen print, 94cm by 53cm<br />
**Provenance: CCA Galleries, Christie's<br />
Contemporary <strong>Art</strong>, 8 Dover Street, London<br />
***Sold with a copy of the original invoice<br />
dated 9 th March 1987 and a John Piper<br />
Exhibition catalogue, Berkeley Square<br />
Gallery, 23a Bruton Street, London, 5 th<br />
December 2000, see item 40; and "The<br />
Complete Graphic Works, Catalogue<br />
Raisonne, 1923-1983", compiled and<br />
edited by Orde Levinson<br />
£800 - 1200<br />
1080<br />
After Lucien Pissarro (1863-1944)<br />
"In the Field, from the Queen of the<br />
Fishes"<br />
Original five-colour woodcut, 1897,<br />
monogrammed in the block, as published<br />
in the Pageant 1898, 14cm by 10cm<br />
**Provenance: William Weston Gallery, 7<br />
Royal Arcade, Albemarle Street, London<br />
****Sold with the original invoice dated<br />
28 th January 1988 and other original<br />
documents. From the 1st Book Eragny<br />
Press 1894<br />
£100 - 150
1081<br />
After Camille & Lucien Pissarro<br />
(1830-1903) (1863-1944)<br />
"La Becheuse, Woman Digging"<br />
Signed with the monograms of both<br />
artists, inscribed in pencil, limited edition<br />
woodcut print, 11/20, after a drawing by<br />
Camille Pissaro (circa 1895), 13.5cm by<br />
8.5cm<br />
**Provenance: William Weston Gallery, 7<br />
Royal Arcade, Albemarle Street, London<br />
***From the edition of 20 hand-printed<br />
proofs (rare). Sold with the original<br />
invoice dated 12 th May 1988 and insurance<br />
valuation<br />
£250 - 300<br />
1082<br />
...Principe (20th century)<br />
Two Edwardian ladies<br />
Signed, oil on canvas, 39cm by 29cm<br />
**Provenance: Marble Arch <strong>Art</strong> Gallery,<br />
Quebec Street, London<br />
£300 - 500<br />
1083<br />
Jose Manuel Reyes (b.1963) Spanish<br />
Still life of lemons<br />
Signed, oil on board, 44.5cm by 36.5cm<br />
£500 - 700<br />
1084<br />
Jose Manuel Reyes (b.1963) Spanish<br />
Still life of grapes<br />
Signed, oil on board, 44cm by 36cm<br />
£500 - 700<br />
1085<br />
Harold Riley (b.1934)<br />
Canal scene at dusk with shipping beside<br />
an old bridge<br />
Signed and dated (19)70, pastel drawing<br />
on tinted paper, 58.5cm by 49.5cm<br />
£600 - 800<br />
1086<br />
After Harold Riley (b.1934)<br />
"Rabbi and Child"<br />
Signed artist's proof, dated (19)70,<br />
numbered 1, black and white print, 56cm<br />
by 41cm<br />
£150 - 200<br />
1087<br />
Zdzislaw Ruszkowski (1907-1991)<br />
Polish<br />
Landscape in Greece (Melissia)<br />
Signed, oil on canvas, inscribed verso<br />
Melissia, 49cm by 69cm<br />
**Illustrated page 245, No.516,<br />
Ruszkowski A Catalogue Raisonne of his<br />
Paintings, by Michael Simonow, published<br />
1987<br />
***Provenance: Purchased by Mr and Mrs<br />
M G Balme from the artist in 1982.<br />
£2000 - 3000<br />
1088<br />
Joseph (Joe) Scarborough (b.1938)<br />
"The Return of Bill "Iron" Hague the British<br />
Heavyweight Boxer to Mexborough<br />
Station"<br />
Signed and dated (19)87, oil on canvas,<br />
76cm by 102cm<br />
**Sold with a typed story on the return of<br />
Bill "Iron" Hague after winning the British<br />
Heavyweight title in London in 1909. The<br />
picture depicts the Montague Arms,<br />
fairground, market hall and market place;<br />
with other written provenance relating to<br />
the historical element of the scene and<br />
various sketches by the artist etc
***Born in Sheffield, he is most famous<br />
for painting humorous scenes of Sheffield<br />
life. A face worker at the Thorpe Hesley<br />
colliery, he was inspired to paint by the<br />
contrast of the darkness of the mines and<br />
the lightness of the real world above the<br />
ground. In 1968 disenchantment with the<br />
pits led to numerous jobs - labourer,<br />
municipal park gardener and<br />
washer-upper. For years he pushed a<br />
handcart, packed with paintings round all<br />
his local pubs selling what he could in<br />
almost folkloric-like tradition, becoming at<br />
times like the characters he went on to<br />
portray in later scenes<br />
£2000 - 3000<br />
1089<br />
William Selby (b.1933)<br />
Ferrybridge Powerstation with coal barges<br />
on the River Aire<br />
Signed, pencil, felt tip pen and<br />
watercolour, 49.5cm by 70cm<br />
£300 - 400<br />
1090<br />
Margaret Shields (20th/21st century)<br />
Fairground<br />
Signed and dated (19)70, oil on board,<br />
44cm by 59cm<br />
£400 - 600<br />
1091<br />
Fletcher Sibthorp (b.1967)<br />
Bailadora y Caballo (Dancer and Stallion)<br />
Signed and numbered 267/295, limited<br />
edition gilcee print, 58cm by 74cm<br />
**Provenance: Buckingham <strong>Fine</strong> <strong>Art</strong><br />
£150 - 250<br />
1092<br />
Neil Simone (b.1947)<br />
Reflection of Whitby<br />
Signed, oil on board,36.5cm by 29cm<br />
£150 - 200<br />
1093<br />
Neil Simone (b.1947)<br />
"Cast Amid the Shadows"<br />
Signed, oil on board, 90cm by 75cm<br />
£300 - 400<br />
1094<br />
Neil Simone (b.1947)<br />
"Between the Tides"<br />
Signed, oil on board, 75cm by 60cm<br />
**Provenance: Creskeld Gallery, Pateley<br />
Bridge, North Yorkshire<br />
£200 - 400<br />
1095<br />
Neil Simone (b.1947)<br />
The disused signal box<br />
Signed, oil on board, 90cm by 75cm<br />
£300 - 400<br />
1096<br />
Neil Simone (b.1947)<br />
Milk churns by a stile,<br />
Signed, oil on board, 75.5cm by 90cm<br />
£300 - 400<br />
1097<br />
Derek Slater (20 th /21 st century)<br />
Two miners working underground<br />
Signed, oil on canvas, 91.5cm by 122cm<br />
£600 - 800<br />
1098<br />
D...Sloane (20 th /21 st century)<br />
Abstract landscape with trees and fields<br />
Signed, watercolour and gouache, 47.5cm<br />
by 47.5cm<br />
£80 - 100<br />
1099<br />
Ruskin Spear RA, PLG, ARCA(Lond)<br />
(1911-1990)<br />
Interior scene with figures reading by<br />
lamplight<br />
Signed, inscribed on the mount below and<br />
verso, pastel drawing, 17cm by 22.5cm
**Provenance: The Parker Gallery<br />
£200 - 300<br />
1100<br />
Neil Spilman (b.1951)<br />
Winter landscape with farmer, collie and<br />
Landrover<br />
Signed, oil on canvas, 19.5cm by 34.5cm<br />
£100 - 200<br />
1101<br />
After MacKenzie Thorpe (b.1956)<br />
"'Golden Sheep"<br />
Colour print, signed in pencil with the<br />
artist's monogram, titled and numbered<br />
1191/2000, Washington Green blindstamp,<br />
27cm by 21cm<br />
**Sold with certificate of authenticity<br />
£60 - 80<br />
1102<br />
After MacKenzie Thorpe (b.1956)<br />
"Interflora"<br />
Colour print, signed in pencil, titled and<br />
numbered 204/850, Washington Green<br />
blindstamp, 42cm by 50cm<br />
**Sold with certificate of authenticity<br />
£80 - 120<br />
1103<br />
Godfrey Tonks (b.1948)<br />
"View from the Old Road Cala San Vicente"<br />
Signed, inscribed on label verso, pastel<br />
drawing, 41.5cm by 52.5cm<br />
£300 - 350<br />
1104<br />
Margaret Uttley (b.1965)<br />
"Dona"<br />
Signed, watercolour, 55cm by 71cm<br />
**Provenance: The Spiral Gallery, Settle,<br />
North Yorkshire<br />
£200 - 300<br />
1105<br />
Margaret Uttley (b.1965)<br />
"Warrendale Knotts"<br />
Signed, inscribed and dated (20)05,<br />
charcoal and pencil on paper, 56.5cm by<br />
57cm<br />
£100 - 150<br />
1106<br />
Hayward Veal (1913-1968)<br />
Australian<br />
Figures at a sunlit restaurant<br />
Signed, oil on canvas, 51cm by 51cm<br />
**The artist taught Rolf Harris to paint.<br />
Sold with a press cutting relating to this<br />
fact.<br />
£600 - 800<br />
1107<br />
Jonathan Armigel Wade (b.1960)<br />
"Farmers"<br />
Signed, inscribed verso, oil on board,<br />
50cm by 76.5cm<br />
£1000 - 1200<br />
1108<br />
Jonathan Armigel Wade (b.1960)<br />
"Homeland"<br />
Signed, inscribed verso, oil on board,<br />
32cm by 54cm<br />
£600 - 800<br />
1109<br />
Jonathan Armigel Wade (b.1960)<br />
"Crossing the Brook"<br />
Signed, inscribed verso, oil on board, oval,<br />
4cm by 6.5cm<br />
£200 - 300<br />
1110<br />
Alfred Wallis (1855-1942)<br />
Three yachts passing a lighthouse and<br />
dolphins (and Ship with five crew entering<br />
harbour with two lighthouses, verso)<br />
(double sided)<br />
Both signed, pencil and crayon on paper,<br />
25.5cm by 36.5cm
**It is believed that Wallis started to paint<br />
'for company' following the death of his<br />
wife, Susan, in 1922.<br />
Born into poverty he taught himself to<br />
draw and paint from memory on whatever<br />
surface he could find and sometimes using<br />
old boat paint he would depict mostly his<br />
knowledge of St. Ives and life at sea.<br />
The artists Ben Nicholson and Christopher<br />
Wood first saw Wallis' work in 1928 when<br />
he had been painting for just a few years.<br />
In 1943 Ben Nicholson said "using the<br />
materials nearest to hand is the motive<br />
and method of the first creative artist.<br />
Certainly his vision is a remarkable thing<br />
with an intensity and depth of experience<br />
which makes it much more than merely<br />
child-like".<br />
Wallis died in 1942, having spent the last<br />
few years of his life in the workhouse in<br />
Madron but living as a celebrity with his<br />
work exhibited in London.<br />
£6000 - 9000<br />
1111<br />
Vernon de Beauvoir Ward<br />
(1905-1985)<br />
"Portrait of a Lady", after the painting by<br />
Lord Leighton<br />
Signed and dated 1942, inscribed verso,<br />
oil on canvas board, 17.5cm by 14cm<br />
**Born in Hampstead, the son of artist<br />
Albert Ward. Studied art at the Slade<br />
School. Elected an associate of the Royal<br />
Society of British <strong>Art</strong>ist in 1926 and<br />
exhibited at the Royal Society and the<br />
Royal Institute of Oil Painters.<br />
£150 - 200<br />
1112<br />
Vernon de Beauvoir Ward<br />
(1905-1985)<br />
Two gulls on a beach<br />
Signed and indistinctly dated, oil on board,<br />
15cm by 18.5cm, unframed<br />
£500 - 600<br />
1113<br />
Vernon de Beauvoir Ward<br />
(1905-1985)<br />
"The Garden at Sudbrook - 1941"<br />
Signed, inscribed and dated verso, oil on<br />
board, 21.5cm by 15cm, unframed<br />
£300 - 400<br />
1114<br />
Vernon de Beauvoir Ward<br />
(1905-1985)<br />
"Sudbrook House"<br />
Signed, inscribed verso, oil on board,<br />
21.5cm by 15.5cm, unframed<br />
**It was at Sudbrook House the artist<br />
convalesced when he suffered a severe<br />
breakdown<br />
£300 - 400<br />
1115<br />
Vernon de Beauvoir Ward<br />
(1905-1985)<br />
"Seagulls, Looe Harbour"<br />
Inscribed verso, oil on board, 15cm by<br />
21.5cm, unframed<br />
£300 - 400<br />
1116<br />
William Edward Ware (1915-1997)<br />
"A Bend in the Road"<br />
Inscribed and titled on a plaque, oil on<br />
board, 38cm by 46cm<br />
£250 - 350<br />
1117<br />
Charles Wyatt Warren (1908-1993)<br />
Welsh mountainous landscape<br />
Signed, oil on board, 30cm by 76.5cm<br />
£500 - 600<br />
1118<br />
Lucy M. Wiles (1920-2008)<br />
Young black girl kneeling in a field, a pig<br />
nearby<br />
Signed, pencil and watercolour, 34.5cm by<br />
47.5cm<br />
£200 - 300
1119<br />
Norman Wilkinson CBE, PRI, ROI,<br />
RSMA, HRWS (1878-1971)<br />
Bamburgh Castle<br />
Signed, oil on canvas board, 30cm by<br />
40cm<br />
£500 - 700<br />
1120<br />
Norman Wilkinson CBE, PRI, ROI,<br />
RSMA, HRWS (1878-1971)<br />
St Paul's from the Thames<br />
Signed, oil on canvas board, 30cm by<br />
40cm<br />
£600 - 800<br />
1121<br />
Christopher Wood (b.1962)<br />
Wooded valley with hills beyond<br />
Signed with the artist's initials and dated<br />
1998, oil/acrylic on canvas, 91.5cm by<br />
86.5cm<br />
£500 - 700<br />
1122<br />
Theodore Zimmerman (b.1937)<br />
"Jersey"<br />
Signed and inscribed, pastel drawing,<br />
18.5cm by 15cm<br />
£300 - 350<br />
1123<br />
Doris Zinkeisen (1898-1991)<br />
"Costume Designed for Review worn by a<br />
Chorus of Eight Girls";<br />
"Costume Design used by a Chorus of<br />
Twenty Four Girls"<br />
Inscribed on the mount, pencil and<br />
watercolour heightened with white, each<br />
49.5cm by 35.5cm (pair)<br />
£300 - 400<br />
Decorative <strong>Art</strong> & Modern Design<br />
1124<br />
A William Moorcroft Macintyre Florian<br />
Ware Vase, circa 1902, tubelined with<br />
yellow flowers, on a blue ground, printed<br />
brown factory mark and green painted<br />
monogram and des, painted M1639 and B,<br />
10cm<br />
£300 - 500<br />
1125<br />
A William Moorcroft Leaf and Grape<br />
Pattern Vase, on a blue/green wash<br />
ground, impressed factory marks and H.M<br />
THE QUEEN, facsimile signature and green<br />
painted monogram, 15cm<br />
£250 - 350<br />
1126<br />
A William Moorcroft Pansy Pattern<br />
Vase, circa 1920's/30's, on a dark blue<br />
ground, impressed factory marks and 18,<br />
blue painted monogram, 15.5cm<br />
(restored)<br />
£120 - 180<br />
1127<br />
A William Moorcroft Pansy Pattern<br />
Vase, circa 1920's/30's, on a dark blue<br />
ground, impressed factory marks with<br />
POTTER TO H.M. THE QUEEN and<br />
facsimile signature, blue painted<br />
monogram, 15cm (restored)<br />
£150 - 200<br />
1128<br />
A Matched Pair of William Moorcroft<br />
Pomegranate Pattern Vases, on a blue<br />
ground, impressed factory mark and green<br />
painted signature, 20.5cm and 21cm<br />
£500 - 700
1129<br />
A William Moorcroft Leaf and Grape<br />
Pattern Vase, circa 1928-35, on a blue<br />
ground, impressed factory marks with<br />
facsimile signature and blue painted<br />
monogram, 22.5cm<br />
£250 - 350<br />
1130<br />
A William Moorcroft Macintyre<br />
Revived Cornflower Pattern Vase,<br />
circa 1910, against a mottled green/blue<br />
ground, brown printed Macintyre mark,<br />
green painted signature and impressed<br />
348, 15cm (restored rim)<br />
£400 - 600<br />
1131<br />
A William Moorcroft Eventide<br />
Landscape Pattern Vase, circa 1925,<br />
swollen form, blue painted monogram,<br />
impressed factory mark and 74, 13cm<br />
(foot rim chips)<br />
£350 - 450<br />
1132<br />
A William Moorcroft Flambé Orchid<br />
Pattern Vase, impressed factory marks,<br />
11.5cm<br />
£450 - 550<br />
1133<br />
A Walter Moorcroft Flambé Anemone<br />
Pattern Vase, impressed factory marks,<br />
facsimile signature and POTTER TO H.M<br />
THE QUEEN, 13cm<br />
£300 - 500<br />
1134<br />
A William Moorcroft Dawn Landscape<br />
Footed Bowl, circa 1928, matt glaze,<br />
chevron border, impressed factory marks<br />
and blue painted signature, 15cm high<br />
(restored)<br />
£300 - 400<br />
1135<br />
A William Moorcroft Moonlit Blue<br />
Landscape Pattern Vase, circa 1925,<br />
swollen shoulders, blue painted<br />
monogram, impressed factory mark and<br />
681, 9.5cm<br />
£400 - 600<br />
1136<br />
A William Moorcroft Flambé Leaf<br />
Pattern Squat Vase, impressed factory<br />
marks and POTTER TO H.M THE QUEEN,<br />
facsimile signature and blue painted<br />
signature, 15cm (restored)<br />
£200 - 300<br />
1137<br />
A William Moorcroft Moonlit Blue<br />
Landscape Pattern Dish, circa 1925,<br />
impressed factory marks and numbers,<br />
11cm diameter<br />
£250 - 350<br />
1138<br />
A Walter Moorcroft Flambé Anemone<br />
Pattern Vase, circa 1950, impressed<br />
factory marks and blue painted<br />
monogram, 22cm<br />
£300 - 500<br />
1139<br />
A Walter Moorcroft Anemone Pattern<br />
Vase, on a blue ground impressed factory<br />
marks and POTTER TO H.M THE QUEEN,<br />
blue painted monogram, 25cm<br />
£300 - 400<br />
1140<br />
A Walter Moorcroft Spring Flowers<br />
Pattern Ginger Jar and Cover, circa<br />
1947-57, on a blue/green wash ground,<br />
impressed factory marks and blue painted<br />
monogram, 16cm<br />
£150 - 250
1141<br />
A Modern Moorcroft Torridon Pattern<br />
Vase, designed by Philip Gibson,<br />
impressed and painted factory marks,<br />
impressed 2004 octagon, painted by Kerri<br />
Hopkinson, tubelined by Gillian Johnson,<br />
21cm<br />
£150 - 200<br />
1142<br />
A William Moorcroft Anemone<br />
Pattern Twin-Handled Vase, on a blue<br />
ground, impressed factory marks and H.M<br />
THE QUEEN, facsimile signature and green<br />
painted signature, 20cm<br />
£600 - 900<br />
1143<br />
A Pair of S Hancock & Sons<br />
Morrisware Vases, designed by<br />
George Cartlidge, model no.C17-6,<br />
tubeline decorated with flowers and foliage<br />
in shades of red, purple, green and blue<br />
on a mottled green ground, printed factory<br />
marks, green signature and C17-6, 30.5cm<br />
high<br />
£400 - 600<br />
1144<br />
A Sunflower Pottery Vase, by Sir<br />
Edmund Elton, the long neck with flaring<br />
pinched rim, applied with flowers and<br />
foliage in colours on a marbled green and<br />
salmon ground, painted Elton mark,<br />
17.5cm high<br />
£100 - 150<br />
1145<br />
A Miniature Stoneware Owl, by Alfred<br />
G Hopkins, glazed in tones of blues and<br />
browns, signed A G Hopkins 1928<br />
Lambeth, 7.5cm<br />
£100 - 200<br />
1146<br />
A Doulton Lambeth Stoneware Vase,<br />
by Hannah B Barlow, incised with stags<br />
and doe, within incised and applied<br />
borders, impressed factory marks and<br />
1881, incised artist's monogram and 271,<br />
impressed dO (Lizzie Marie Daintree),<br />
incised JN (Josephine E.Newnham) and<br />
HEH (Harriett E.Hibbut) 28cm<br />
£600 - 900<br />
1147<br />
A Doulton Lambeth Stoneware Vase,<br />
by Edith D.Lupton, with incised stylised<br />
foliate decoration, on a blue ground,<br />
impressed factory marks and 1888, incised<br />
artist's monogram, impressed h, incised pp<br />
and RB, 30cm<br />
£500 - 700<br />
1148<br />
A Royal Doulton Stoneware Vase, by<br />
Vera Huggins, painted with blue iris, on<br />
a green and blue ground, impressed<br />
factory marks, painted artist's monogram,<br />
impressed 9597 V16 and BW, incised LP<br />
and JH, 27cm<br />
£300 - 400<br />
1149<br />
A Royal Doulton Sung Vase, by<br />
Charles Noke, of lobed ovoid form,<br />
printed factory mark, painted script SUNG,<br />
incised 925, signed Noke, painted FM<br />
(Fred Moore) monogram, 18cm<br />
£600 - 900<br />
1150<br />
A Royal Doulton Chinese Jade<br />
Elephant Dish/Salt, by Harry Nixon and<br />
Charles Noke, modelled with an elephants<br />
head to each corner, veined green<br />
markings, printed factory mark and<br />
painted Noke Chinese Jade and HN<br />
monogram, impressed 1.1.29, 10cm by<br />
10cm, 4.5cm high<br />
£250 - 350
1151<br />
A Royal Doulton Figure "Pierrot",<br />
HN643, designed by Leslie Harradine,<br />
modelled as a female clown in black, red<br />
and white harlequin costume, green<br />
printed factory mark and green painted<br />
PieRRette Potted by Doulton & Co Hn.643,<br />
impressed numbers, 18cm<br />
£600 - 800<br />
1152<br />
A Royal Doulton Flambé Dolphin "The<br />
Leap", designed by Adrian Hughes, issued<br />
1983, printed factory marks, impressed<br />
numbers, 22.5cm<br />
£200 - 300<br />
1153<br />
A Wedgwood Fairyland Lustre Imps<br />
on a Bridge and Tree House Pattern<br />
2465 Vase, circa 1920s, pattern<br />
number Z4968, designed by Daisy<br />
Makeig-Jones, foot on a blue lustre<br />
ground, gilt Portland Vase mark, painted<br />
Z4968 and j, incised shape number 2465,<br />
42.5cm (restored chip to foot rim)<br />
£3000 - 5000<br />
1154<br />
A Wedgwood Fairyland Lustre Castle<br />
on a Road Pattern 2442 Vase, circa<br />
1920s, pattern number Z5125,<br />
designed by Daisy Makeig-Jones, gilt<br />
Portland Vase mark, painted Z5125 and i,<br />
19.5cm<br />
£3000 - 4000<br />
1155<br />
A Wedgwood Fairyland Lustre<br />
Torches Pattern 3177 Cylindrical<br />
Vase, circa 1920s, pattern number<br />
Z4968, designed by Daisy<br />
Makeig-Jones, foot on a blue lustre<br />
ground, gilt Portland Vase mark, painted<br />
Z4968 and i, incised shape number 3177,<br />
29cm<br />
See de Fountains (Una), Wedgwood<br />
Fairyland Lustre, New York, 1975, p.107,<br />
plate 18a for a similar vase<br />
£2000 - 3000<br />
1156<br />
A Wedgwood Fairyland Lustre<br />
Woodland Bridge and Poplar Trees<br />
Pattern Punch Bowl, circa 1920s,<br />
pattern number Z4968, designed by<br />
Daisy Makeig-Jones, gilt Portland Vase<br />
mark, painted Z4968 and i, 28cm (11")<br />
**See de Fountains (Una), Wedgwood<br />
Fairyland Lustre, New York, 1975, page<br />
112, plate 19 for a similar bowl<br />
£1500 - 2000<br />
1157<br />
A Wedgwood Fairyland Lustre Fairy<br />
Gondola Pattern Lily Tray, circa<br />
1920s, pattern number Z4968,<br />
designed by Daisy Makeig-Jones, gilt<br />
Portland Vase mark, 33cm (13")<br />
£1000 - 2000<br />
1158<br />
A Wedgwood Moonlight Fairyland<br />
Lustre Imps on a Bridge Pattern 3177<br />
Cylindrical Vase, circa 1920s, pattern<br />
number Z5462, designed by Daisy<br />
Makeig-Jones, gilt Portland Vase mark,<br />
painted Z5462 and i, incised shape<br />
number 3177, 29cm (restored foot)<br />
£800 - 1200<br />
1159<br />
A Wedgwood Fairyland Lustre<br />
Leapfrogging Elves and Elves on a<br />
Branch Pattern Antique Bowl, circa<br />
1920s, pattern number Z4968,<br />
designed by Daisy Makeig-Jones, gilt<br />
Portland Vase mark, painted Z4968 and T,<br />
12cm diameter<br />
£600 - 800
1160<br />
A Wedgwood Fairyland Lustre Castle<br />
on a Road and Bird in a Hoop Pattern<br />
Octagon Bowl, circa 1920s, pattern<br />
number Z5125, designed by Daisy<br />
Makeig-Jones, gilt Portland Vase mark,<br />
painted Z5125, 18.5cm<br />
£1200 - 1800<br />
1161<br />
A Wedgwood Fairyland Lustre Fairy in<br />
a Cage and Castle on a Road Pattern<br />
Octagon Bowl, circa 1920s, pattern<br />
number Z5125, designed by Daisy<br />
Makeig-Jones, gilt Portland Vase mark,<br />
painted Z5125, 23cm (9") (restored crack)<br />
£300 - 500<br />
1162<br />
Eric Ravilious for Wedgwood "Boat<br />
Race Day", 1975, An Earthenware<br />
Bowl, externally decorated with three<br />
panels depicting different stages of the<br />
race together with a fourth panel depicting<br />
a mermaid and crossed oars motif, the<br />
centre of the bowl decorated with an<br />
image of Piccadilly Circus at night, printed<br />
Designed by Eric Ravillious, WEDGWOOD<br />
MADE IN ENGLAND, painted in red<br />
CL6263, 12" diameter<br />
**The original Harvard bowl 14" was<br />
issued in 1938. In 1975 this 12" diameter<br />
bowl was reissued in a limited edition of<br />
200.<br />
£300 - 500<br />
1163<br />
A Clarice Cliff "Winston Churchill"<br />
Toby Jug, circa 1940, modelled as the<br />
First Sea Lord seated on a bulldog and<br />
holding a battleship, inscribed around the<br />
base with GOING INTO ACTION AND MAY<br />
GOD DEFEND THE RIGHT, printed Royal<br />
Staffordshire Pottery mark and Clarice<br />
Cliff, hand-painted No. 92, 29cm<br />
£500 - 800<br />
1164<br />
A Clarice Cliff Bizarre Blue Japan<br />
Pattern Dessert Set, comprising<br />
octagonal bowl and four side bowls,<br />
printed and impressed factory marks,<br />
octagonal bowl 22.5cm (5)<br />
£180 - 220<br />
1165<br />
A Clarice Cliff Blue Chinz Pattern<br />
Conical Sugar Sifter, printed factory<br />
marks, 14cm<br />
£200 - 300<br />
1166<br />
Edmund de Waal (b.1964): A<br />
Porcelain Bowl, celadon crackle with<br />
green glazed handles, impressed seal,<br />
21cm across<br />
**Purchased from a gallery in Beverley,<br />
East Yorkshire.<br />
£300 - 500<br />
1167<br />
Takeshi Yasuda (Japanese, b.1943):<br />
A Stoneware Charger, circa 1970's,<br />
ash glaze with slip decoration, unmarked,<br />
37cm wide<br />
£200 - 300<br />
1168<br />
Katharine Pleydell-Bouverie<br />
(1895-1985): A Stoneware Bowl,<br />
circa 1930's, ash celadon glaze,<br />
impressed KPB seal, 9cm<br />
£120 - 150<br />
1169<br />
Jim Malone (b.1946): A Porcelain<br />
Bowl, painted in blue with fish, impressed<br />
JM and Burnby Pottery seal, 17cm<br />
diameter<br />
£100 - 150
1170<br />
Jim Malone (b.1946): A Stoneware<br />
Bowl, ash glaze with nuka and brushwork<br />
decoration, impressed JM and Ainstable<br />
Pottery seal, 22cm diameter<br />
£100 - 150<br />
1171<br />
Jim Malone (b.1946): A Stoneware<br />
Bowl, tenmoku glaze with copper oxide<br />
decoration, impressed JM and Burnby<br />
Pottery seal, 25.5cm diameter<br />
£100 - 150<br />
1172<br />
Adam Frew (b.1981): A Porcelain<br />
Baluster Vase, painted with red roses on<br />
a glazed and unglazed body, impressed AF<br />
seal, 28cm with booklet<br />
£100 - 150<br />
1173<br />
Micki Schloessingk (British, b.1949):<br />
Two Stoneware Faceted Vases,<br />
unmarked, 14cm and 15cm; Two Others,<br />
one with M seal, 9cm and 13cm; and A<br />
Poole Pottery Ruskin Vase and Cover,<br />
designed by Karen R Ford for the V&A,<br />
glazed in red and mauve, printed marks<br />
and paper label, 33cm (5)<br />
£100 - 150<br />
1174<br />
A Dartington Pottery Harbour<br />
Stoneware Charger, impressed factory<br />
mark and inscribed SUMMER HOLIDAYS<br />
SUE FISHER 2011 240/871, 43cm<br />
£100 - 150<br />
1175<br />
René Lalique: Victoire No.1147 A<br />
Clear and Frosted <strong>Glass</strong> Car Mascot,<br />
moulded R Lalique France, mounted in a<br />
chromium plated metal mount from and<br />
stamped BREVES GALLERIES<br />
KNIGHTSBRIDGE S.W.3 PAT.No. 309301,<br />
26cm long<br />
**The vendor's great uncle Ernest Pearson<br />
was the chauffeur for Sir Thomas Willans<br />
Nussey, 1st Baronet (1868-1947) and Lady<br />
Nussey of Rushwood Hall, East Tanfield,<br />
North Yorkshire and was given the mascot.<br />
Thought to have been on an Austin 7 (YG<br />
1024) and photographed on a Daimler<br />
(KUM 520).<br />
£15000 - 20000<br />
1176<br />
A René Lalique Domremy Frosted and<br />
Blue Stained No.979 <strong>Glass</strong> Vase, ovoid<br />
form with short cylindrical neck and<br />
everted rim, moulded in relief with thistles,<br />
etched mark R Lalique France No.979,<br />
22cm<br />
£500 - 700<br />
1177<br />
A René Lalique Opalescent, Clear,<br />
Frosted <strong>Glass</strong> Piriac Vase, No. 1043,<br />
designed 1930, moulded around the base<br />
with a horizontal band of fish above<br />
waves, with everted rim, 18cm (scratched<br />
and chips)<br />
£400 - 600<br />
1179<br />
A René Lalique Poissons Opalescent<br />
<strong>Glass</strong> Bowl, the underside moulded in<br />
relief with spiralling fish, moulded R<br />
LALIQUE, 21cm<br />
£150 - 250
1180<br />
A René Lalique Lucerne No.1 Clear<br />
and Frosted <strong>Glass</strong> Plate, No. 10-3052,<br />
moulded with ears of wheat, etched<br />
R.LALIQUE, 31.5cm<br />
£100 - 150<br />
1181<br />
A Lalique Dampierre Clear and<br />
Frosted <strong>Glass</strong> Vase, moulded with a<br />
frieze of birds between leaves, engraved<br />
LALIQUE FRANCE, 12cm<br />
£200 - 300<br />
1182<br />
A Murano Sculpture, by Angeli e<br />
Diavoli, for Silvio Vigliaturo, abstract<br />
head in orange, yellow and blues, with<br />
silver insulation, labelled Angeli e Diavoli<br />
(arancio/argento) Vigliaturo Silvio Anno<br />
2000 N.Unico, signed Angeli e Diavoli and<br />
Vigliaturo, 62cm<br />
£400 - 600<br />
1183<br />
A Large Whitefriars Textured<br />
Drunken Bricklayer Vase, designed by<br />
Geoffrey Baxter, in meadow green,<br />
pat.no.9672, unmarked, 33.5cm<br />
£300 - 400<br />
1184<br />
An Isle of Wight Studio <strong>Glass</strong> Blue<br />
Fish/Lollipop Vase, by Timothy Harris,<br />
signed Timothy Harris Isle of Wight <strong>Glass</strong><br />
England 2009, and labelled, 23cm<br />
£150 - 200<br />
1185<br />
A Modern Stuart Akroyd <strong>Glass</strong> Bowl,<br />
banded in blue, purple, and pink with<br />
bubble cut decoration, signed Stuart<br />
Akroyd, 44.5cm<br />
£100 - 150<br />
1186<br />
Johann Philipp Ferdinand Preiss<br />
(German 1882-1943): "Sonny Boy"<br />
and "Hoop Girl", A Pair of Cold<br />
Painted Bronze and Tinted Ivory<br />
Figures, model numbers 1179 and 1123,<br />
modelled as a young girl with a hoop and<br />
a boy with book, on green onyx bases,<br />
both signed F Preiss, 21cm (2)<br />
**Literature: Shayo (Alberto) Ferdinand<br />
Preiss, <strong>Art</strong> Deco Sculptor The fire and the<br />
flame, Suffolk, 2005, p.130.<br />
£2000 - 3000<br />
1187<br />
Johann Philipp Ferdinand Preiss<br />
(German 1882-1943): "Flute Player",<br />
A Cold Painted Bronze and Tinted<br />
Ivory Figure, model number 1141,<br />
modelled as a striding male, on a green<br />
onyx and marble rectangular base, signed<br />
F Preiss, 45cm<br />
**Literature: Shayo (Alberto) Ferdinand<br />
Preiss, <strong>Art</strong> Deco Sculptor The fire and the<br />
flame, Suffolk, 2005, p.184.<br />
£3000 - 4000<br />
1188<br />
Demetre H Chiparus (Romanian,<br />
1888-1950): A Silvered Patina Bronze<br />
and Ivory Group, modelled as a girl<br />
leapfrogging a boy, on a stepped circular<br />
green onyx base, base engraved D H<br />
Chiparus, 26cm<br />
£3000 - 4000<br />
1189<br />
After D H Chiparus: "Feeding" A<br />
Patinated Bronze Group, modelled as a<br />
young woman kneeling feeding grapes to<br />
a parrot who rests on her outspread hand,<br />
signed in the cast D.H.CHIPARUS, on a<br />
rectangular base with plaque<br />
D.H.CHIPARUS, 33cm high, 47cm long<br />
£300 - 500
1190<br />
Josef Lorenzl (1892-1950): A Silvered<br />
and Cold-Painted Bronze Figure, circa<br />
1925, modelled as a dancer, standing on<br />
one leg, signed in cast LORENZL, on a<br />
black and green onyx base, 21.5cm<br />
(damaged)<br />
£200 - 300<br />
1191<br />
A French <strong>Art</strong> Deco Gilt and Silvered<br />
Spelter Figural Lamp, modelled as a<br />
young woman, with arms outstretched<br />
holding a frosted glass globe shade, on a<br />
stepped onyx base, the shade signed<br />
Müller Frères Lunéville, 42cm<br />
£200 - 300<br />
1192<br />
Charles Marsh Web (Nash) Gilbert<br />
(Australian, 1867-1925):<br />
A Bronze Nude Bust,<br />
Signed in the cast C M W Gilbert and<br />
dated 1916, 22cm<br />
**Australian sculptor Charles Web Gilbert<br />
began his career as a pastry chef.<br />
Encouraged by his skill in making cake<br />
decorations, he began to study fine art. He<br />
lived in London from 1914-20.<br />
£2000 - 3000<br />
1193<br />
Sir William Reid Dick (Scottish,<br />
1879-1961):<br />
A Group of Motherhood, the mother<br />
kissing the baby on her knee, plaster,<br />
unsigned, 26.5cm on an ebonised plinth<br />
**Bronze cast sold at Sotheby's, London,<br />
1st June 1994, lot 181.<br />
£400 - 600<br />
1194<br />
Constantin Meunier (Belgian,<br />
1831-1905):<br />
"Le Marteleur", circa 1890, plaster,<br />
signed C Meunier, 51cm (damages)<br />
£300 - 500<br />
1195<br />
An <strong>Art</strong> Nouveau Alabaster Bust of a<br />
Nude Maiden, emerging from a rock,<br />
with long wavy hair, numbered to verso<br />
4717 over 75, 34cm<br />
£200 - 300<br />
1196<br />
A 20th Century Bronze Abstract<br />
Geometrical Sculpture, cast as two<br />
crossing knots, unsigned, on a square<br />
slate base, 20cm<br />
£300 - 400<br />
1197<br />
Duncan MacGregor (b.1961): ,<br />
"Dancing Sails", A Bronze Sculpture,<br />
signed in cast DMAC and numbered 11/49,<br />
on a black marble base, 52cm in<br />
DeMontfort <strong>Fine</strong> <strong>Art</strong> packing crate<br />
£300 - 500<br />
1198<br />
Rolf Harris (b.1930) Australian<br />
"Intuition"<br />
A bronze sculpture, Edition No.32/595,<br />
signed in the bronze ROLF, stamped<br />
foundry mark and numbered 32/595,<br />
29cm boxed with certificate<br />
£300 - 500<br />
1199<br />
Peter Adderley (b.1965):<br />
"Pussy Galore"<br />
A Cold Cast Porcelain Sculpture, Edition<br />
No.4/195, signed in the cast Peter<br />
Adderley, and numbered in gold pen<br />
4/195, 38cm<br />
£100 - 150
1200<br />
Loet Vanderveen (Dutch, b.1921):<br />
"Cheetah Pair - 183", A Silvered<br />
Bronze Group, modelled as two cheetahs<br />
nose to nose, signed LOET 468/750, 35cm<br />
long with certificate<br />
£300 - 400<br />
1201<br />
Sir Eduardo Paolozzi (1924-2005)<br />
Elephant Prototype, for Nairn Floors<br />
Ltd, 1972, grey plastic moulded sculptural<br />
box, unmarked, 30cm high<br />
**The vendor's husband was the late<br />
Keith Powell. Keith was an industrial<br />
engineer/designer for the plastics industry,<br />
designing the first plastics toilet cistern.<br />
Later he did freelance work including the<br />
chimpanzee egg cups for P.G Tips.<br />
Through Doug Maxwell Ltd, he worked<br />
with Paolozzi to make his concept of the<br />
elephant possible to be moulded in<br />
plastics.<br />
The elephant was made in a numbered<br />
edition of 3000 for selected architects.<br />
£700 - 1000<br />
1202<br />
Sir Eduardo Luigi Paolozzi<br />
(1924-2005)<br />
Man's Head<br />
Signed and dated 1952 in pencil, from an<br />
unnumbered edition, published by the<br />
Redfern Gallery, colour lithograph, 51cm<br />
by 36cm<br />
(V&A catalogue, Miles, 4)<br />
£200 - 300<br />
1203<br />
"Pomegranate": A Framed Panel of<br />
Woven-Wool Fabric, by Morris & Co.,<br />
woven in red and green, with loose label<br />
MORRIS & COMPANY DECORATORS, LTD<br />
440, Oxford Street, London, W No 1/400<br />
Wool Pomegranate Tup Colours Red &<br />
Green Width 52 wicks Price 19/6 per yard<br />
PLEASE RETURN ALL PATTERNS 481, 4'<br />
(122cm) wide, 2' 1 1/2" (65cm) high<br />
(framed by Gallery 181)<br />
£300 - 500<br />
1204<br />
"Violet and Columbine": A Framed<br />
Panel of Woven-Wool Fabric, by<br />
Morris & Co., woven in pink and green,<br />
unmarked, 2' 8" (82cm) wide, 2'11 1/2"<br />
(90cm) high<br />
£200 - 300<br />
1205<br />
"Bird": A Pair of Jacquard<br />
Woven-Wool Fabric Curtains, designed<br />
by William Morris, woven in reds, pink and<br />
light green, 6' (183cm) wide, 81" (206cm)<br />
high<br />
**See Parry (Linda) William Morris,<br />
London 1996 (V&A Exhibition) p.270 in a<br />
different colour way.<br />
£200 - 300<br />
1206<br />
Omar Ramsden and Alwyn Carr: A<br />
Silver Five Piece Dressing<br />
Table/Brush Set, the backs with dog<br />
rose decoration and mounted with ball<br />
motifs to front and back, comprising<br />
mirror, pair of hair brushes, two clothes<br />
brushes, maker's mark RN & CR, London<br />
1910/13, length of mirror 33cm in a<br />
modern fitted box<br />
£1000 - 1500
1207<br />
Archibald Knox (1864-1933) for<br />
Liberty & Co., An English Pewter and<br />
Enamel Inkwell, Model No.0141, the<br />
square cover mounted with a lilac enamel<br />
panel, beaten effect base, stamped 9<br />
ENGLISH PEWTER 0141 MADE IN<br />
ENGLAND, 15cm square, 10cm high<br />
£350 - 450<br />
1208<br />
Archibald Knox (1864-1933) for<br />
Liberty & Co., A Pewter Inkwell, Model<br />
No.0141, embossed with stylised celtic<br />
motifs, stamped TUDRIC 0141, 15.5cm<br />
square, 8cm high<br />
£150 - 250<br />
1209<br />
Archibald Knox (1864-1933) for<br />
Liberty & Co., A Pewter Twin-Handled<br />
Vase, Model No.010, covered by stems<br />
honesty and verse FOR OLD TIMES SAKE,<br />
stamped TUDRIC 010, 20cm high<br />
£250 - 350<br />
1210<br />
A Pair of Ecclesiastical Brass<br />
Candlesticks, the sconces with trefoil<br />
gallery, on a spiral fluted stem and<br />
stepped circular base, unmarked, 52.5cm<br />
£100 - 150<br />
1211<br />
A Pair of W.A.S Benson Gilt Metal<br />
Two-Branch Wall Sconces, the arched<br />
stems with cast leaf decoration, both<br />
stamped to the back of a leaf BENSON and<br />
numbered 1 & 2 L, 41cm high<br />
**Literature: Hamerton (Ian) W.A.S<br />
Benson <strong>Art</strong>s and Crafts Luminary and<br />
Pioneer of Modern Design, Antique<br />
Collector's Club, page 258 plate 9<br />
No.1302.<br />
£500 - 700<br />
1212<br />
An Aesthetic Movement Mahogany<br />
Mantel Clock, by J W Benson, the case<br />
with turned pillars, mounted with floral<br />
embossed plaques, the eight day<br />
movement half hour striking on a gong<br />
stamped J.W.B 23039, with white enamel<br />
dial painted in blue with stylised Arabic<br />
numerals in double ring cartouches, signed<br />
J.W.BENSON 25. OLD Bond Street<br />
LONDON, 32.5cm<br />
£300 - 400<br />
1213<br />
An <strong>Art</strong>s & Crafts Mirror, the rectangular<br />
pewter frame, embossed with dragons and<br />
riveted decoration, mounted with six<br />
Ruskin pottery blue cabochons, unmarked,<br />
102cm by 68cm<br />
£400 - 600<br />
1214<br />
An <strong>Art</strong>s & Crafts Hammered Copper<br />
and Pewter Mantel Clock, with domed<br />
top above a 11cm pewter face with<br />
two-train movement signed D.C. Co.,<br />
riveted decoration, mounted with a plaque<br />
embossed with TEMPUS FUGIT, arched<br />
base, 46cm<br />
£300 - 500<br />
1215<br />
An <strong>Art</strong>s & Crafts Mirror, the oval beaten<br />
brass frame with four Ruskin pottery pink<br />
roundles within riveted mounts, unmarked,<br />
38cm by 29.5cm<br />
£100 - 200<br />
1216<br />
An <strong>Art</strong>s & Crafts Copper Cased Mantel<br />
Clock, of square form, with silvered dial,<br />
the case with embossed stylised roses and<br />
riveted design, domed top, unmarked,<br />
18cm<br />
£150 - 250
1217<br />
Scottish School: An <strong>Art</strong>s & Crafts<br />
Brass Mirror, circa 1900, the oval frame<br />
decorated with Celtic knotwork and<br />
embossed roundels, unmarked, 57cm by<br />
82cm<br />
£200 - 300<br />
1218<br />
A German Jugendstil Brass Lamp, in<br />
the style of Eichberg, the trefoil stand<br />
supporting a dome jewel inset shade,<br />
raised on a pierced base, unmarked, 48cm<br />
high<br />
£300 - 400<br />
1219<br />
A Jugendstil Oak and Metal Mounted<br />
Mantel Clock, arched top, over an<br />
embossed brass 14.5cm Arabic dial, above<br />
a variegated glass panel, with a German<br />
14 day striking movement, 36.5cm high<br />
£200 - 300<br />
1220<br />
A Pair of French <strong>Art</strong> Deco Frosted<br />
<strong>Glass</strong> "Basket of Flowers"<br />
Chandeliers, each with four moulded<br />
frosted floral glass shades, moulded<br />
signature Degue, 32cm in silvered metal<br />
frames suspended from chains with square<br />
ceiling covers, 75cm deep<br />
£300 - 500<br />
1221<br />
A Contemporary <strong>Art</strong>s & Crafts Silver<br />
Three-Piece Tea Service, by The Guild<br />
of Handicrafts, London 1988,<br />
comprising teapot, milk jug and sugar<br />
bowl, each with hammered footed ovoid<br />
bodies, teapot with rosewood handle and<br />
finial, maker's mark GofH, London 1988,<br />
teapot 17cm, milk jug 10cm, sugar bowl<br />
7.5cm, approx 37oz gross; and A<br />
Contemporary <strong>Art</strong>s & Crafts Silver<br />
Spoon, by The Guild of Handicrafts,<br />
London 1976, seal-top with fig-shaped<br />
hammered bowl, 15cm, 1oz (4)<br />
£1000 - 1500<br />
1222<br />
A Mappin & Webb Silver-Gilt Cruet,<br />
maker's mark MN & WB, Birmingham<br />
1972, with textured band, comprising a<br />
salt and pepper mill, open salt with blue<br />
glass liner and one spoon, by Deakin and<br />
Francis Ltd, mills 7cm, 7oz (cased)<br />
£350 - 450<br />
1223<br />
A Silver Egg Cup, designed by Sidney<br />
Beddall, plain polished with circular<br />
banded feet with light bark effect textured<br />
surface, Sheffield 1971, also impressed<br />
DESIGNED HAND MADE BY S.BEDDALL,<br />
5.5cm; Barbara Miles of Kendal Silver,<br />
comprising two spoons, candle snuffer and<br />
a pin tray, all with maker's mark,<br />
Edinburgh 1979,80,84 and 86, 6ozs.; and<br />
A Group of Keswick School of<br />
Industrial <strong>Art</strong>s and Borrowdale<br />
Staybrite Steel (qty)<br />
£150 - 200<br />
1224<br />
A Robert "Mouseman" Thompson Oak<br />
6' Open Bookcase, solid ends and<br />
panelled back, raised upstand, the upper<br />
section with four adjustable shelves, above<br />
an open lower section, with carved mouse<br />
signature, 84cm by 32cm by 183cm<br />
£1000 - 1500
1225<br />
A Robert "Mouseman" Thompson Oak<br />
4' Open Bookcase, solid ends and<br />
panelled back, raised upstand, three<br />
adjustable shelves, with carved mouse<br />
signature, 84cm by 25.5cm by 122cm<br />
£600 - 900<br />
1226<br />
A Robert "Mouseman" Thompson Oak<br />
4' Open Bookcase, solid ends and<br />
panelled back, raised upstand, four<br />
adjustable shelves, with carved mouse<br />
signature, 83cm by 26cm by 122cm<br />
£600 - 900<br />
1227<br />
A Robert "Mouseman" Thompson<br />
Panelled Oak Kneehole Dressing<br />
Table, with raised upstand above three<br />
graduating drawers to each side of the<br />
kneehole, on six octagonal feet, with<br />
carved mouse signature, 137cm wide,<br />
51cm deep, 74.5cm high<br />
£1500 - 2500<br />
1228<br />
A Robert "Mouseman" Thompson Oak<br />
Wing Mirror, the centre with an arched<br />
top, all with castellated top, with carved<br />
mouse signature, 79cm high, 119.5cm<br />
long<br />
£400 - 600<br />
1229<br />
A Robert "Mouseman" Thompson<br />
Panelled Oak Blanket Box, on four<br />
octagonal and block feet, with carved<br />
mouse signature, 137cm by 39cm, 46cm<br />
high with price list<br />
£700 - 1000<br />
1230<br />
A Robert "Mouseman" Thompson Oak<br />
Rocking Chair, with two lattice panel<br />
back, shaped arms, upholstered blue hide<br />
seat, with carved mouse signature, 96cm<br />
(circa 2002)<br />
£600 - 900<br />
1231<br />
A Pair of Robert "Mouseman"<br />
Thompson Oak Double Wall Light<br />
Brackets, semi-circular design with two<br />
upward facing brass electric light bulb<br />
holders, scalloped edges, with carved<br />
mouse signature, 31.5cm wide<br />
£150 - 250<br />
1232<br />
A Robert "Mouseman" Thompson<br />
Panelled Oak Blanket Box, on four<br />
octagonal and block feet, with carved<br />
mouse signature, 104.5cm by 39.5cm,<br />
46.5cm high<br />
£600 - 900<br />
1233<br />
A Robert "Mouseman" Thompson<br />
Burr Oak 6' Headboard, circa 1930's,<br />
with carved mouse signature, 170cm wide,<br />
93cm high (damaged)<br />
£250 - 300<br />
1234<br />
A Robert "Mouseman" Thompson Oak<br />
Octagonal Coffee Table, on cruciform<br />
base, with carved mouse signature, 48cm<br />
high<br />
£300 - 500<br />
1235<br />
A Robert "Mouseman" Thompson Oak<br />
Book Trough, with carved mouse<br />
signature, 45.5cm long<br />
£70 - 100
1236<br />
A Robert "Mouseman" Thompson<br />
Burr Oak Dish Top Stool, the burr<br />
adzed top on four octagonal legs joined by<br />
stretchers, with carved mouse signature,<br />
41cm by 29cm, 36.5cm high (good colour)<br />
£500 - 700<br />
1237<br />
A Pair of Robert "Mouseman"<br />
Thompson Triple Mice Bookends, each<br />
end carved with three mice, tooled finish,<br />
16.5cm (good colour)<br />
£1200 - 1800<br />
1238<br />
A Robert "Mouseman" Thompson Oak<br />
Mantel Clock, the circular dial with a<br />
carved elephant to each side, with carved<br />
mouse signature, 19cm high, 44cm wide<br />
£700 - 900<br />
1239<br />
Two Robert "Mouseman" Thompson<br />
Oak Ashtrays, of standard rectangular<br />
form, with carved mouse signatures, 10cm<br />
(good colour)<br />
£100 - 150<br />
1240<br />
A Robert "Mouseman" Thompson<br />
Carved Oak Yorkshire Rose, by Stan<br />
Dodds, with carved mouse signature,<br />
15cm<br />
**The late Stan Dodds worked at Kilburn<br />
from the late 1940's to 1993, aged 65, as<br />
a master carver. He carved on a<br />
commission basis, as well as for Malcolm<br />
"Foxman" Pipes and Wilf "Squirrelman"<br />
Hutchinson.<br />
£300 - 400<br />
1241<br />
A 1930's Robert "Mouseman"<br />
Thompson Oak Octagonal Coffee<br />
Table, the top with indented corners and<br />
carved tails, on a cruciform base, with<br />
carved mouse signature, 50cm high<br />
£500 - 700<br />
1242<br />
A Robert "Mouseman" Thompson Oak<br />
Ashtray, of standard rectangular form,<br />
with carved mouse signature, 11cm (good<br />
colour)<br />
£60 - 90<br />
1243<br />
A Robert "Mouseman" Thompson Oak<br />
Double Solid Seat Stool, on four<br />
octagonal legs joined by rails, with carved<br />
mouse signature, 85cm by 37cm, 41cm<br />
£300 - 500<br />
1244<br />
A Robert "Mouseman" Thompson Oak<br />
Table Lamp, of octagonal form on a<br />
square base, with carved mouse signature,<br />
30cm high (circa 1950's)<br />
£100 - 150<br />
1245<br />
A Robert "Mouseman" Thompson Oak<br />
3' Rectangular Coffee Table, on two<br />
octagonal legs, joined by a stretcher at<br />
floor level, with carved mouse signature,<br />
91cm by 37cm, 44cm high<br />
£250 - 350<br />
1246<br />
A Robert "Mouseman" Thompson Oak<br />
Monk's Chair, with curved back and<br />
shaped arms, over three lattice panels, on<br />
four octagonal legs joined by a cross<br />
stretcher, with carved mouse signature,<br />
80cm (2003)<br />
£600 - 900
1247<br />
A Robert "Mouseman" Thompson Oak<br />
Monk's Chair, with curved back and<br />
shaped arms, over three lattice panels, on<br />
four octagonal legs joined by a cross<br />
stretcher, with carved mouse signature,<br />
80cm (2003)<br />
£600 - 800<br />
1248<br />
A Robert "Mouseman" Thompson Oak<br />
Cow Stool, on three tapering octagonal<br />
legs, with carved mouse signature, 35.5cm<br />
£150 - 250<br />
1249<br />
A Robert "Mouseman" Thompson Oak<br />
Fruit Bowl, with tooled exterior, carved<br />
mouse signature to the interior, 27cm<br />
£200 - 300<br />
1250<br />
A Robert "Mouseman" Thompson<br />
Burr Oak Ronson Table Lighter, with<br />
carved mouse signature, 10cm long<br />
£150 - 200<br />
1251<br />
A Robert "Mouseman" Thompson Oak<br />
Cheese Board, with carved mouse<br />
signature on the board, 38cm<br />
£150 - 200<br />
1252<br />
A Robert "Mouseman" Thompson Oak<br />
3' Refectory Coffee Table, on two<br />
octagonal legs joined by a floor stretcher,<br />
with carved mouse signature, 91.5cm by<br />
38cm, 44.5cm high<br />
£350 - 450<br />
1253<br />
A Pair of Robert "Mouseman"<br />
Thompson Oak High Bar Stools, on<br />
four octagonal legs joined by stretchers,<br />
each with carved mouse signature, 72cm<br />
(one mouse damaged)<br />
£800 - 1200<br />
1254<br />
A Robert "Mouseman" Thompson Oak<br />
Cow Stool, on three tapering octagonal<br />
legs, with carved mouse signature, 35.5cm<br />
£100 - 150<br />
1255<br />
A Robert "Mouseman" Thompson Oak<br />
Fruit Bowl, with carved mouse signature<br />
to interior, 30cm diameter; and A Robert<br />
"Mouseman" Thompson Oak Nut<br />
Dish, with carved mouse signature to the<br />
exterior, 15cm (2)<br />
£150 - 250<br />
1256<br />
A Robert "Mouseman" Thompson Oak<br />
Book Trough, with carved mouse<br />
signature, 47cm long<br />
£200 - 300<br />
1257<br />
A Robert "Mouseman" Thompson Oak<br />
Octagonal Coffee Table, on cruciform<br />
base, with carved mouse signature, 47cm<br />
high<br />
£300 - 500<br />
1258<br />
A Robert "Mouseman" Thompson<br />
Bespoke Oak Table Lamp, square<br />
section with tooled finish, inscribed 1908,<br />
with carved mouse signature through a<br />
hole, 19cm (post 1975)<br />
£200 - 300
1259<br />
A Robert "Mouseman" Thompson Oak<br />
Book Trough, with carved mouse<br />
signature, 45cm long<br />
£70 - 100<br />
1260<br />
A Robert "Mouseman" Thompson Oak<br />
Fruit Bowl, with carved mouse signature<br />
to the exterior, 26cm diameter (damaged);<br />
A Pair of Robert "Mouseman"<br />
Thompson Oak Ashtrays, each with<br />
carved mouse signature, 10cm; and A<br />
Robert "Mouseman" Thompson Oak<br />
Horseshoe Pin Dish, with carved mouse<br />
signature, 12cm (4)<br />
£150 - 200<br />
1261<br />
A Pair of Robert "Mouseman"<br />
Thompson Oak Tongue and Groove<br />
Internal Doors, each with recessed<br />
carved mouse signature with front paws,<br />
75cm and 75.5cm wide, 195.5cm high; an<br />
Oak and Glazed Internal Door,<br />
unmarked, 76cm by 196cm; and A<br />
Quantity of Panelling and Door<br />
Frames (qty)<br />
**Removed from Brookside House,<br />
Kilburn, North Yorkshire.<br />
£600 - 900<br />
1262<br />
A Pair of Robert "Mouseman"<br />
Thompson Oak Pews, the back with<br />
sectional book shelf, the shaped ends with<br />
carved detail, the central foot with carved<br />
mouse signature, 148cm and 146cm wide,<br />
87cm high<br />
£600 - 900<br />
1263<br />
A Pair of Oak Pews, the back with full<br />
length book shelf, the shaped ends with<br />
carved decoration, solid seat, unmarked,<br />
151cm wide and 144cm wide, 87cm high<br />
£400 - 600<br />
1264<br />
A Thomas "Gnomeman" Whittaker<br />
Oak Bookcase, the raised back over four<br />
waterfall shelves, the end supports each<br />
carved with a monk's head, with carved<br />
gnome signature, 107cm wide, 25.5cm<br />
deep, 117.5cm high<br />
£400 - 600<br />
1265<br />
A Bob "Wrenman" Hunter Burr Oak 4'<br />
Refectory Coffee Table, on two carved<br />
octagonal legs joined by a stretcher, with<br />
recessed carved wren signature, 122cm by<br />
45.5cm, 44cm high<br />
£300 - 400<br />
1266<br />
A Bob "Wrenman" Hunter Oak<br />
Horseshoe Pin Dish, with carved wren<br />
signature, 17cm by 18cm, 9cm<br />
£100 - 150<br />
1267<br />
A Pair of Malcolm "Foxman" Pipes<br />
Oak 7' Benches, on three shaped<br />
supports joined by a stretcher, on sledge<br />
feet, 213cm long, 45.5cm high (water<br />
marks)<br />
£400 - 600<br />
1268<br />
An Old Mill Furniture Glazed Oak<br />
Illuminated Display Cabinet, with four<br />
panel mirror back and four adjustable<br />
glass shelves, recessed carved knight's<br />
head trademark, 91.5cm by 37cm, 183cm<br />
high<br />
£300 - 400
1269<br />
An Alan Grainger Acorn Industries<br />
Panelled Oak Linen Press, the upper<br />
section with two doors enclosing<br />
adjustable shelves, the lower section with<br />
two doors, with recessed carved acorn<br />
signature, 107cm wide, 52cm deep, 183cm<br />
high<br />
£400 - 600<br />
1270<br />
An Alan Grainger Acorn Industries<br />
Oak Refectory Table, on two shaped<br />
supports joined by a stretcher, with carved<br />
acorn signature, 198cm by 99cm, 74cm<br />
£400 - 600<br />
1271<br />
An Alan Grainger Acorn Industries<br />
Oak Rectangular Magazine Rack, with<br />
slatted sides, base and centre section<br />
joined by two shaped ends, with carved<br />
acorn signature, 54cm by 30cm, 41cm<br />
high<br />
£100 - 150<br />
1272<br />
A Set of Six Alan Grainger Acorn<br />
Industries Oak Four-Branch Light<br />
Fitments, chamfered detail, on octagonal<br />
columns, sconces facing upwards, with<br />
carved recessed acorn signature, 47cm<br />
and 48cm wide; and Another Alan<br />
Grainger Acorn Industries Oak<br />
Four-Branch Light Fitment, on an<br />
octagonal column, sconces facing<br />
downwards, with carved recessed acorn<br />
signature, 49cm all with oak octagonal<br />
brackets (7)<br />
£120 - 180<br />
1273<br />
An English Hardwood Furniture<br />
Fumed English Oak Hall Table and<br />
Mirror, by Nigel Dixon, the rectangular<br />
mirror with tassel ends and sloping top,<br />
85cm high and the table with single<br />
drawer over an undertier, carved with<br />
woodworm signature, 51cm by 40cm,<br />
68cm high (2)<br />
£150 - 250<br />
1274<br />
An English Hardwood Furniture<br />
Fumed English Oak Panelled Hanging<br />
Corner Cupboard, by Nigel Dixon, with<br />
carved interlinking motif, 74cm wide, 91cm<br />
high<br />
£150 - 250<br />
1275<br />
An English Hardwood Furniture<br />
Fumed English Oak Television<br />
Cabinet, by Nigel Dixon, the two doors<br />
opening to reveal open shelves, above a<br />
single drawer, carved with woodworm<br />
signature, 75cm by 42cm, 67cm high<br />
£200 - 300<br />
1276<br />
An English Hardwood Furniture<br />
Fumed English Oak Panelled Floor<br />
Corner Cupboard, by Nigel Dixon, with<br />
square hole decoration, carved woodworm<br />
signature, 82cm wide, 87cm high<br />
£200 - 300<br />
1277<br />
An English Hardwood Furniture<br />
Fumed English Oak Stool, by Nigel<br />
Dixon, carved with a celtic knot motif,<br />
carved with woodworm signature, 24cm<br />
high; and An English Hardwood<br />
Furniture Fumed English Oak Stool,<br />
by Nigel Dixon, on four octagonal legs<br />
joined by stretchers, carved with<br />
woodworm signature, 36cm high (2)<br />
£100 - 150
1278<br />
Gustav Stickley (American,<br />
1858-1942)<br />
An 5' Oak Bookcase (model 704)<br />
designed by Harvey Ellis,<br />
of architectural form, the rectangular top<br />
over double doors with divided and leaded<br />
glass panes, with four adjustable shelves<br />
to each side, above an arched rail and<br />
through tenon construction, signed to the<br />
interior with red decal featuring joiners'<br />
compasses around Als ik kan above Gustav<br />
Stickley, labelled to verso The name<br />
"CRAFTSMAN" is our registered TRADE<br />
MARK and identifies all our Furniture<br />
"CRAFTSMAN" No 704 (in pencil) Fin Cov<br />
shop (joiners' compasses) Als ik kan mark<br />
by Gustav Stickley in the CRAFTSMAN<br />
WORKSHOPS Eastwood New York NEW<br />
YORK CITY SHOWROOMS 29 West Thirty<br />
Forth Street, 152cm wide, 36cm deep,<br />
146cm high s<br />
£20000 - 30000<br />
1279<br />
Attributed to Sir Robert Lorimer<br />
An <strong>Art</strong>s & Crafts Oak 5' Table, the plain<br />
octagonal planked top with moulded edge,<br />
on eight octagonal legs joined by a<br />
chamfered stretcher with eight scroll feet,<br />
retailers label "Scott Morton & Co<br />
Murieston Road, Edinburgh", 152.5cm<br />
wide, 76cm high (split to top)<br />
**This table was designed for the<br />
University of Edinburgh, which holds<br />
drawings of the design<br />
£8000 - 12000<br />
1280<br />
A William Morris & Co Settee, circa<br />
1890, the mahogany frame bobbin<br />
decoration, with outward curving back<br />
uprights terminating with acorn finials, on<br />
six legs joined by bobbin H stretchers, on<br />
brass capped castors, originally<br />
upholstered in Morris tulip pattern fabric,<br />
141cm wide, 67cm deep, 87cm high<br />
(re-upholstered)<br />
**Based on the oak "Morris" armchair,<br />
designed by Philip Webb from a sketch by<br />
Warington Taylor, circa 1866 of a<br />
traditional type found in an old<br />
carpenter's, named Ephriam Colman,<br />
Herstmonceaux, Sussex.<br />
***Illustrated figure 1 and 2, page 6,<br />
Antique Collecting the Journal of The<br />
Antique Collectors' Club, November 1980,<br />
Vol. 15, No.6, A WILLIAM MORRIS SOFA<br />
by John Andrews.<br />
£1000 - 1500<br />
1281<br />
A Gothic Revival Oak Centre Table,<br />
the oval top with moulded edge, on four<br />
legs joined by a square section cross<br />
frame stretcher base, all with chamfered<br />
edges, unmarked, on castors, 90cm by<br />
130cm, 74cm high<br />
£300 - 500<br />
1282<br />
An <strong>Art</strong>s & Crafts Oak Glazed<br />
Bookcase, the overhanging top above a<br />
frieze mounted with two Ruskin blue<br />
glazed cabochons, above a pair of leaded<br />
glazed doors set with two enamel hearts<br />
surrounded by green/blue glass, enclosing<br />
three adjustable shelves, the lower section<br />
with slide over a single drawer, above an<br />
open undertier, label to verso TIMOTHY<br />
DAVIES COMPLETE HOUSE FURNISHER<br />
WALHAM GREEN SW, 86cm wide, 38cm<br />
deep, 183cm high<br />
£400 - 600<br />
1283<br />
An <strong>Art</strong>s & Crafts Oak Piano Stool, the<br />
rectangular seat with interwoven leather<br />
straps, brass tack fasteners, raised on four<br />
square section legs, unmarked, 61cm by<br />
31cm, 62cm high<br />
£100 - 150
1284<br />
A Stanley Webb Davies Walnut<br />
Bedroom Suite, with exposed<br />
construction and ebony detailing,<br />
comprising a Dressing Table, with two<br />
short drawers enclosed by two deep<br />
drawers, on solid end supports, signed<br />
with SWD monogram in a rectangular<br />
cartouche and dated 1935, craftsman's<br />
monogram for Bob Willet, 114cm by 55cm,<br />
79cm high; a Dressing Table Mirror, the<br />
bevelled plate in a shaped frame with chip<br />
decoration on a plinth base, signed with<br />
SWD monogram in a rectangular<br />
cartouche and dated 1935, craftsman's<br />
monogram for Bob Willet, 61cm high; a<br />
Chest-of-Drawers, with two short over<br />
three long drawers, signed with SWD<br />
monogram in a rectangular cartouche and<br />
dated 1934, craftsman's monogram for<br />
Bob Willet, 114cm by 52cm deep, 84cm<br />
high; a Bedside Cupboard, with open<br />
shelf above a fielded panelled door, signed<br />
with SWD monogram in a rectangular<br />
cartouche and dated 1935, craftsman's<br />
monogram for Herbert Marshall, 40cm by<br />
35.5cm, 80cm high; and A Bedstead,<br />
panelled head and foot board, signed with<br />
SWD monogram in a rectangular<br />
cartouche and dated 1935, craftsman's<br />
monogram for Herbert Marshall, 58" wide<br />
with walnut side rails and pegs (5)<br />
£1000 - 2000<br />
1285<br />
A Pair of Stanley Webb Davies Walnut<br />
Side Chairs, with three curved slat rails,<br />
drop-in seats, signed with SWD monogram<br />
in a rectangular cartouche and dated<br />
1935, craftsman's monogram for Ernest<br />
John Oldcorn, 91cm; a Walnut Low<br />
Elbow Chair, with three curved slat rails,<br />
drop-in seat, signed with SWD monogram<br />
in a rectangular cartouche and dated<br />
1935, craftsman's monogram for Ernest<br />
John Oldcorn, 71cm; a Walnut Side<br />
Chair, with three curved slats, carved<br />
decoration top rail, drop-in seat, signed<br />
with SWD monogram in a rectangular<br />
cartouche and dated 1937, craftsman's<br />
monogram for Ernest John Oldcorn, 90cm;<br />
and A Walnut Framed Mirror, with<br />
carved decoration, unmarked, 160cm by<br />
41cm (5)<br />
£300 - 500<br />
1286<br />
A Stanley Webb Davies Oak Coffee<br />
Table, with chip decoration, on four legs<br />
joined by a H stretcher, signed with SWD<br />
monogram in a rectangular cartouche,<br />
craftsman's monogram for Harry Jepson,<br />
and dated 1937, 46cm by 36cm, 45cm<br />
high<br />
£150 - 250<br />
1287<br />
A Stanley Webb Davies Walnut Work<br />
Cabinet, chip decoration, with fall front<br />
cupboard above an undertier, signed with<br />
SWD monogram in a rectangular<br />
cartouche and dated 1931, craftsman's<br />
monogram for Richard (Dick) Cloudsdale,<br />
40.5cm by 31cm, 63cm high<br />
£200 - 300
1288<br />
A Group of Stanley Webb Davies<br />
Items, comprising an Oak Oval Tray,<br />
with chip decoration, signed with SWD<br />
monogram in a square cartouche,<br />
craftsman's monogram for Richard (Dick)<br />
Cloudsdale and dated 1931, 35cm wide; a<br />
Similar Oak Hand Mirror, with chip<br />
decoration, unmarked, 28cm; a Pair of<br />
Walnut Clothes Brushes, unmarked,<br />
17cm and 21cm; a Walnut Table Lamp,<br />
of octagonal form, unmarked, 25cm; a<br />
Walnut Rectangular Hinged Trinket<br />
Box, unmarked, 14cm by 10.5cm, 5cm; a<br />
Walnut Letter Rack, with chip<br />
decoration, unmarked, 25cm by 11.5cm,<br />
16cm high; and A Walnut Open<br />
Cupboard, with fixed shelf, chip<br />
decoration, unmarked, 36cm by 26cm,<br />
32.5cm high (8)<br />
£200 - 300<br />
1289<br />
A Pair of <strong>Art</strong>hur W Simpson of Kendal<br />
Oak and Leather Armchairs, the curved<br />
nailed leather backs above shaped open<br />
arms, leather cushion seat and back, on<br />
square tapering front legs, unmarked,<br />
101cm high (varnished)<br />
£600 - 900<br />
1290<br />
<strong>Art</strong>hur W Simpson, Kendal<br />
(1857-1922): Two Oak Door Porters,<br />
with shaped terminals, partially labelled<br />
ARTHUR W. SIMPSON, 61cm; an Oak<br />
Planter, labelled ARTHUR W. SIMPSON<br />
(HUBERT SIMPSON) THE HANDICRAFTS<br />
KENDAL, 27.5cm; and A Walnut Planter,<br />
square tapering form, with rosewood<br />
handles and four feet, unmarked, 27cm<br />
(4)<br />
£200 - 300<br />
1291<br />
An <strong>Art</strong>s & Crafts Oak Tray, by <strong>Art</strong>hur<br />
W Simpson, the handles with carved<br />
floral decoration, with inset plaque <strong>Art</strong>hur<br />
W. Simpson The Handicrafts Kendal,<br />
numbered 7749, 67cm across handles<br />
£100 - 150<br />
1292<br />
An <strong>Art</strong> Deco Satinwood Five Piece<br />
Bedroom Suite, comprising a double<br />
door wardrobe, 122cm wide, 55cm deep,<br />
190cm high; a cupboard, with fitted<br />
interior, 84cm by 53cm, 153cm high; a<br />
dressing table, with shaped circular mirror<br />
over a central drawer, enclosed by three<br />
graduating drawers to each side, 123cm<br />
by 56cm, 157cm high; a bedside<br />
cupboard, with open section over two<br />
cupboard doors, 61cm by 46.5cm, 78cm<br />
high; and a headboard, with cloud shape<br />
top, 138cm wide (5)<br />
£500 - 700<br />
1293<br />
A Finn Juhl Teak Extending Dining<br />
Table, made by France & Son,<br />
Denmark, with two leaves, on four<br />
circular tapering legs, stamped made in<br />
denmark and fd, labelled FRANCE & SON<br />
DENMARK FF, 187cm by 100cm, 72.5cm<br />
high, leaves each 50cm wide<br />
£1000 - 1500<br />
1294<br />
A Pair of Danish Fritz Henningsen<br />
Beech Windsor Chairs, with double<br />
spindle backs, on shaped seats, on four<br />
legs joined by a stretcher, stamped<br />
DANMARK FH (in a circle) 86.5cm<br />
£200 - 300
1295<br />
A Danish Teak Extending Dining<br />
Table, designed by No Moller and<br />
made by Gudme, on two supports joined<br />
by a floor stretcher, stamped GUDME<br />
MOBELFABRIK GUDME MADE IN<br />
DENMARK FURNITURE MAKERS QUALITY<br />
CONTROL DANISH, 95cm by 161cm,<br />
73.5cm high leaf 48.5cm<br />
£200 - 300<br />
1296<br />
A 1960's Danish Teak Dining Room<br />
Suite, comprising an Extending Circular<br />
Table, on four tapering legs, stamped<br />
FREM ROJLE MADE IN DENMARK, 106cm<br />
diameter, 73.5cm high; and A Set of Six<br />
Chairs, with black vinyl seats, on three<br />
tapering legs, stamped FREM ROJLE MADE<br />
IN DENMARK, 70.5cm (7)<br />
£200 - 300<br />
1297<br />
A 1960's Rosewood Table, the shaped<br />
rectangular top on two chrome cylindrical<br />
support with two feet, unmarked, 200cm<br />
by 99cm, 73cm high<br />
£100 - 150<br />
1298<br />
A 1960's Rosewood and Chrome<br />
L-Shaped Desk, the rectangular top on<br />
two chrome supports above three drawers,<br />
fitted with a vanity panel, the side<br />
extension fitted with an open shelf section,<br />
sliding filing cupboard and drawers, on<br />
three chrome flat section legs, unmarked,<br />
top 200cm by 100cm, 73cm high (worn)<br />
£200 - 300<br />
1299<br />
A Modern Isamu Noguchi Coffee<br />
Table, the shaped triangular glass top<br />
2cm thick, on an ebonised birch base<br />
connected by a pin, unmarked, 90cm by<br />
124cm, 40cm high<br />
£150 - 200<br />
1300<br />
Eero Aarnio: A "Ball" (or Globe) Chair,<br />
white moulded polyester shell with red<br />
padded upholstery and cushions, on a<br />
white painted aluminium foot, 130cm high<br />
(restored)<br />
£600 - 900<br />
1301<br />
A Modern "Egg" Lounge Chair, after a<br />
design by Arne Jacobsen, red weave<br />
fabric upholstery, cast aluminium base<br />
with black plastic sabots, unmarked,<br />
105cm; and A Matching Ottoman, 41cm<br />
(2)<br />
£600 - 900<br />
1302<br />
A Modern Barcelona Console Table,<br />
with mirrored top, sides, back and front,<br />
two drawers with glass handles, on two<br />
chromium plated X legs, 101cm by 50cm,<br />
75.7cm high; and A Modern Barcelona<br />
Stool, with white leather upholstery, on<br />
two chromium plated X legs, unmarked,<br />
48.5cm high (2)<br />
£200 - 300<br />
1303<br />
A Modern Tan Leather Three Section<br />
Sofa, on chrome supports, labelled 12 #<br />
Gibb 27-Aug-2009 Tetrad Retro Designer<br />
Modular Leather Three Seater Sofa, 220cm<br />
wide<br />
£100 - 200<br />
1304<br />
A Saporiti Orange Leather Three<br />
Seater Sofa, on three black plastic bases,<br />
moulded Saporiti, 242cm wide<br />
£100 - 200
1305<br />
A Chromed Steel and Black Leather<br />
Barcelona Chair and Ottoman, after a<br />
design by Ludwig Mies van der Rohe,<br />
the chair of bent chromed flat steel, nine<br />
black leather straps to seat and back,<br />
upholstered with buttoned leather<br />
removable cushions, unmarked, 74cm and<br />
A Matching Ottoman, unmarked, 38cm<br />
£200 - 300<br />
1306<br />
A 1960's/70's Dining Room Suite,<br />
comprising a Table, with oval smokey<br />
glass top on a chrome base, unmarked,<br />
136cmby 99cm, 76.5cm high, and A Set<br />
of Five Swivel Chairs, with brown plastic<br />
backs, upholstered seats, on chrome<br />
bases, unmarked, 86.5cm high (6)<br />
£200 - 300<br />
1307<br />
A Set of Six 1970's Oak Dining Chairs,<br />
four upholstered in green vinyl and two in<br />
beige vinyl, some labelled Ben Chairs and<br />
dated 19 Jan 1971, 82cm<br />
£100 - 150<br />
1308<br />
A 1960's/70's Nathan Bent Ply Teak<br />
and <strong>Glass</strong> Coffee Table, in three<br />
sections with central adjustable bottle<br />
shelf, unmarked, 98cm wide, 46cm high<br />
£100 - 150<br />
1309<br />
A 1970's Beech and Brown Laminate<br />
Sideboard, the rectangular top over three<br />
drawers and two cupboard doors, on four<br />
feet, unmarked, 185cm by 43cm, 76cm<br />
high<br />
£100 - 150<br />
1310<br />
A 1960's/70's Beech Dressing Table,<br />
retailed by Garrards, with two drawers<br />
with stained fronts and chrome handles,<br />
on four splayed legs, 85cm by 52cm, 75cm<br />
high<br />
£150 - 200<br />
1311<br />
A Set of Six 1960's/70's Office Elbow<br />
Chairs, with rosewood arms, upholstered<br />
seats and backs, on a chrome frame, with<br />
four legs, moulded mark ANTOCKS LAIRN<br />
HIGH WYCOMBE ENDLAND, 74cm<br />
£100 - 150<br />
1312<br />
Douglas Arnold (b.1976): A Bent<br />
Birch Ply and Leather Sofa, with nailed<br />
brown leather seat and back, signed and<br />
dated 2001, 153cm wide, 87cm high<br />
£100 - 200<br />
1313<br />
A Set of Four Vitra Tom Vac Chairs,<br />
designed by Rod Arad, circa 2000,<br />
black plastic seats, on four chromium<br />
plated tubular steel legs, moulded Tom<br />
Vac Design Ron Arad, labelled LGA<br />
Nurnberg GS geprütte Sicherheit<br />
http://www.vitra.com 201214 Part<br />
no.44000100 00 0100 Delivery 42.200<br />
Vitra, 75.5cm<br />
£300 - 400<br />
Clocks & Barometers<br />
1315<br />
A Gilt Brass and Champleve Enamel<br />
Carriage Timepiece, circa 1900, with<br />
carrying handle, enamel dial with Roman<br />
numerals and surrounded by<br />
multi-coloured champleve enamel, single<br />
barrel movement with platform lever<br />
escapement, 16cm over handle, with later<br />
associated travelling case<br />
£200 - 300
1316<br />
A Gilt Brass Striking and Repeating<br />
Carriage Clock, circa 1890, with<br />
carrying handle and repeating button,<br />
enamel dial with Arabic numerals, twin<br />
barrel movement with platform lever<br />
escapement and striking on a gong, 19cm<br />
high over handle, with fitted travelling<br />
case<br />
£300 - 400<br />
1317<br />
A Gilt Brass Five Minute Repeating<br />
Carriage Clock, Examined by Barraud<br />
& Lunds, 41 Cornhill, London 4731,<br />
circa 1890, the corniche case with<br />
carrying handle and two repeat buttons,<br />
top oval viewing glass underside with 5<br />
min reptr and hour reptr written in red,<br />
enamel dial with Roman numerals, twin<br />
barrel movement with platform lever<br />
escapement and striking on a gong,<br />
movement backplate stamped patent<br />
safety roller and G.L.C 1994, 18cm high<br />
over handle<br />
**A similar five minute repeater clock is<br />
illustrated in Allix (Charles) Carriage<br />
Clocks, pg.197 and 198<br />
£800 - 1200<br />
1318<br />
An Unusual Brass Striking and<br />
Repeating Triple Calendar Alarm<br />
Carriage Clock, circa 1890, with<br />
carrying handle, dial with Roman and<br />
Arabic numerals, three apertures for<br />
day/month and date, alarm dial, twin<br />
barrel movement with platform lever<br />
escapement and striking on a bell, 17.5cm<br />
high<br />
£400 - 600<br />
1319<br />
A Gilt Brass Striking and Repeating<br />
Alarm Carriage Clock, stamped Henri<br />
Jacot, circa 1890, the gorge case with<br />
carrying handle and repeat button, enamel<br />
dial with Roman and Arabic numerals,<br />
alarm dial, twin barrel movement with<br />
platform lever escapement and striking on<br />
a gong, movement backplate stamped HJ<br />
for Henri Jacot and numbered 16985,<br />
17.5cm high over handle<br />
£500 - 700<br />
1320<br />
A Good Swiss Gilt Brass Grande<br />
Sonnerie Calendar Alarm Carriage<br />
Clock, signed J F Bautte & Cie,<br />
Geneve, circa 1860, the elaborately cast<br />
case with scroll and floral decoration,<br />
carrying handle and repeat button, back<br />
door with shuttered winding holes,<br />
underside with grande sonnerie selection<br />
lever grand sonnerie/silent/Petit sonnerie,<br />
enamel dial with Roman numerals and<br />
signed, two dials for date and alarm, twin<br />
barrel movement with platform lever<br />
escapement and striking on a bell, bottom<br />
of the movement backplate signed, 18cm<br />
high, with the original mahogany and<br />
brass stringing travelling case<br />
£2000 - 3000<br />
1321<br />
A Silver Travelling Alarm Clock,<br />
signed Boucheron, Paris, circa 1930,<br />
bark finished case with front and back<br />
opening doors, case inside rim signed and<br />
numbered 82321 9277, bark finished dial<br />
with applied baton and dot markers, alarm<br />
hand, lever movement, movement<br />
backplate signed and numbered 17336<br />
17736, 68mm wide<br />
£300 - 500
1322<br />
A Marine Chronometer Movement,<br />
signed Barraud, Cornhill, London,<br />
No.403, spring detent escapement with<br />
Arnold's type balance, free sprung helical<br />
hairspring, diamond endstone, silvered dial<br />
with Roman numerals and later inscribed<br />
Fletcher, London, Maker to the Admiralty,<br />
no.403, subsidiary seconds, in a later oak<br />
mantel clock case, movement circa 1810,<br />
dial and case later, 18cm high<br />
£200 - 300<br />
1323<br />
A Gilt Brass Champleve Enamel<br />
Striking Mantel Clock, circa 1890, with<br />
four bevelled glass panels, multi-coloured<br />
champleve enamel borders, 3-1/4-inch<br />
enamel dial with Roman and Arabic<br />
numerals, twin barrel movement with<br />
striking on a gong, twin mercury tubed<br />
pendulum, 31cm high<br />
£600 - 800<br />
1324<br />
A Small Black Slate Striking Mantel<br />
Clock Combined with Calendars and<br />
Aneroid Barometer, circa 1880, arched<br />
case with inlaid malachite to the base,<br />
Roman numeral dial and two other dials<br />
for date/day of the week and aneroid<br />
barometer, 45cm high<br />
£200 - 300<br />
1325<br />
A French Ormolu Striking Mantel<br />
Clock, 19th century, with applied scroll<br />
and floral mounts, surmounted by a<br />
female figure kneeling, 4-1/2-inch enamel<br />
dial with Roman numerals and signed<br />
Lanfroy, serpentine date hand, twin barrel<br />
movement with outside countwheel<br />
striking on a gong, 51cm high<br />
£500 - 700<br />
1326<br />
A Gilt Brass Atmos Clock, Model:<br />
Embassy, signed Jaeger LeCoultre,<br />
circa 1975, with red and black faux<br />
marble panels, base with stop lever, dial<br />
with Roman chapter ring and visible<br />
balance wheel below, 22cm high, with<br />
Jaeger LeCoultre booklets<br />
£300 - 500<br />
1327<br />
A Champleve Enamel Striking Mantel<br />
Clock, circa 1880, decorated with<br />
multi-coloured champleve enamel panels<br />
and winged cherubs, 3-1/2-inch dial with<br />
Roman numerals, twin barrel movement<br />
striking on a gong, movement backplate<br />
stamped Japy Freres, 50cm high<br />
£100 - 1500<br />
1328<br />
A Porcelain Mounted Striking Mantel<br />
Clock with Garniture, circa 1890, with<br />
mask and swag leaf decoration, porcelain<br />
panels depicting ladies in costume,<br />
3-1/2-inch dial with Roman numerals, twin<br />
barrel movement with striking on a bell,<br />
movement backplate Japy Freres, 39cm<br />
high, with a pair of four-light candelabra,<br />
45cm high<br />
£600 - 800<br />
1329<br />
A Two Day Marine Chronometer Dial<br />
and Movement. in a later<br />
custom-made case, the later white<br />
metal case with concealed side carrying<br />
handles, engraved inscription to the side<br />
HM 1953, 4-inch silvered dial with Roman<br />
numerals signed Victor Kullberg Maker to<br />
the Admiralty the Indian & Italian<br />
Governments, 105 Liverpool Rd London N,<br />
No.9206, detent escapement, free sprung<br />
helical hairspring, 15cm wide<br />
£300 - 400
1330<br />
A French Gilt Metal and Porcelain<br />
Mounted Striking Mantel Clock, circa<br />
1890, surmounted by an urn finial and<br />
swag decoration, 4-inch dial with Roman<br />
numerals, twin barrel movement, 56cm<br />
high<br />
£500 - 700<br />
1331<br />
A Gilt Metal and White Marble<br />
Striking Mantel Clock with Garniture,<br />
circa 1890, the portico case with acorn<br />
finials, 3-1/2-inch enamel dial with Roman<br />
and Arabic numerals, twin barrel<br />
movement with outside countwheel<br />
striking on a bell, sunburst pendulum bob,<br />
32cm high, with a pair of three-light<br />
candelabra, 24cm high<br />
£300 - 500<br />
1332<br />
A Gilt Brass Atmos Clock, Model:<br />
Royale, circa 1970, the concealed case<br />
with hinged front door, silvered Roman<br />
numeral chapter ring, below with a visible<br />
balance wheel, 27cm high, with Jaeger<br />
LeCoultre fitted case and booklets<br />
£300 - 500<br />
1333<br />
A White Marble Striking Mantel Clock,<br />
circa 1890, with gilt bronze mounts and<br />
flanked by putti, 3-1/2-inch dial with<br />
Arabic numerals, twin barrel movement<br />
striking on a bell, 28cm high<br />
£300 - 400<br />
1334<br />
A French Gilt Metal and Porcelain<br />
Mounted Striking Mantel Clock, circa<br />
1890, with blue ground porcelain mounts<br />
depicting birds, flowers and putti, dial with<br />
Roman numerals, twin barrel movement<br />
striking on a bell, on a gilt wooden base,<br />
45cm high<br />
£500 - 700<br />
1335<br />
A French Gilt Metal Striking Mantel<br />
Clock, circa 1900, surmounted by an<br />
acorn finial and central column, marble<br />
base, 3-1/2-inch enamel dial with Arabic<br />
numerals, twin barrel movement striking<br />
on a bell, 57cm high<br />
£300 - 400<br />
1336<br />
An Electric Mantel Clock, signed<br />
Eureka Clock Ltd, London, Pat<br />
No.14614-1906, No.274, circular brass<br />
base, glazed dome, 4-inch enamel dial<br />
with Arabic numerals, movement with<br />
large visible balance wheel, 25cm high<br />
£300 - 500<br />
1337<br />
A White Marble Striking Mantel Clock,<br />
circa 1890, with applied gilt metal<br />
mounts and acanthus leaf border,<br />
3-1/2-inch enamel dial with Arabic<br />
numerals, twin barrel movement with<br />
outside countwheel striking on a bell,<br />
31cm high<br />
£300 - 400<br />
1338<br />
A Gilt Brass Atmos Clock, signed<br />
LeCoultre, No.164558, circa 1970,<br />
with five glazed panels, 5-inch silvered<br />
chapter ring with applied Arabic and<br />
dagger markers, central skeletonised view<br />
of the movement with large oscillating<br />
balance wheel beneath, spirit level to<br />
base, movement signed and numbered<br />
164558, 23.5cm high, with LeCoultre<br />
packaging, wall bracket and booklets<br />
£300 - 500
1339<br />
A French Gilt Metal and White Marble<br />
Striking Clock with Garniture, circa<br />
1890, with swag floral decoration and<br />
central columns, 4-inch enamel dial with<br />
Arabic numerals, twin barrel movement<br />
with outside countwheel striking on a bell,<br />
49cm high, with a pair of five-light<br />
candelabra, 41cm high<br />
£800 - 1200<br />
1340<br />
A Brass Skeleton Mantel Timepiece,<br />
circa 1880, single fusee movement with<br />
anchor escapement, 6-inch silvered dial<br />
with Roman numerals, raised on a marble<br />
base beneath a later glass dome, 42cm<br />
high<br />
£300 - 500<br />
1341<br />
A French Industrial Steam Hammer<br />
Striking Clock, circa 1890, the case<br />
with various valves and levers to the top,<br />
raised on black slate base, rectangular dial<br />
with applied Roman numerals, twin barrel<br />
movement striking on a bell, movement<br />
backplate stamped Medaille d'or CLT Btf<br />
SGDG Paris, 46cm high (with losses)<br />
£300 - 500<br />
1342<br />
A Gilt Brass Atmos Clock, signed<br />
Jaeger LeCoultre, No.435336, circa<br />
1980, case with five glass panels, 5-inch<br />
white chapter ring with applied Arabic and<br />
dagger markers, central skeletonised view<br />
of the movement with large oscillating<br />
balance wheel beneath, spirit level to<br />
base, movement signed and numbered<br />
435336, 24cm high<br />
£300 - 500<br />
1343<br />
A Walnut Wall Timepiece, Benjamin<br />
Harral, Barnsley, circa 1890, with side<br />
and bottom opening doors, 12-inch<br />
painted dial with Roman numerals, single<br />
fusee movement with anchor escapement,<br />
38cm wide<br />
£400 - 600<br />
1344<br />
A Mahogany Drop Dial Wall<br />
Timepiece, Henry Lee, Bolton, circa<br />
1860, circular top with side opening door,<br />
trunk with bottom door, 12-inch dial with<br />
Roman numerals, single fusee movement<br />
with anchor escapement, 54cm high<br />
£400 - 600<br />
1345<br />
A Mahogany Striking Wall Clock, Geo<br />
Priest, Norwich, circa 1800, the<br />
circular top case with carved sides, arched<br />
trunk door with canted corners, 14-inch<br />
painted dial with Roman numerals, twin<br />
weight driven movement with anchor<br />
escapement and rack striking on a bell,<br />
157cm high<br />
£800 - 1200<br />
1346<br />
An Unusual Mahogany Drop Dial Wall<br />
Timepiece, circa 1830, with side and<br />
bottom opening doors, carved side ears,<br />
brass inlaid trunk with pendulum window,<br />
12-inch painted dial with Roman numerals<br />
and unusual painted dial centre depicting<br />
the Order of the Oddfellows, single fusee<br />
movement with anchor escapement, 68cm<br />
high<br />
£500 - 700
1347<br />
A Mahogany Striking Wall Clock,<br />
Nathl Wegg, New Cross Rd, London,<br />
circa 1850, side and bottom opening<br />
doors, 12-inch convex painted dial with<br />
Roman numerals, twin fusee movement<br />
with anchor escapement and striking on a<br />
bell, 39cm high<br />
£800 - 1200<br />
1348<br />
A Mahogany Striking Wall Clock,<br />
signed Morath Bros, Liverpool, circa<br />
1860, the octagonal top with side opening<br />
door, trunk with pendulum window and<br />
flanked by floral and fruit carved ears,<br />
bottom door, 14-inch painted dial with<br />
Roman numerals, twin fusee movement<br />
with anchor escapement and striking on a<br />
gong, 83cm high<br />
£500 - 700<br />
1349<br />
A Mahogany Striking Wall Clock,<br />
Whittington, Manchester, circa 1870,<br />
applied acorn and leaf decorated bezel,<br />
side opening doors, 12-inch painted dial<br />
with Roman numerals, twin fusee<br />
movement with anchor escapement and<br />
striking on a bell, 39cm high<br />
£700 - 900<br />
1350<br />
An 8-inch Mahogany Alarm Wall<br />
Timepiece, 19th Century, with side and<br />
bottom opening doors, flame veneered<br />
trunk, 8-inch painted dial with Roman<br />
numerals and central alarm disc, single<br />
fusee movement with anchor escapement<br />
and alarm striking on a bell, 37cm high<br />
£500 - 700<br />
1351<br />
A Rosewood Drop Dial Striking Wall<br />
Clock, circa 1830, octagonal top with<br />
brass inlay and side opening doors,<br />
pendulum window to the front and bottom<br />
door, 14-inch dial with Roman numerals,<br />
twin fusee movement with anchor<br />
escapement and striking on a bell, 72cm<br />
high<br />
£500 - 700<br />
1352<br />
An Oak Striking Wall Clock, circa<br />
1850, with carved shell cresting, side<br />
opening doors, 14-inch dial with Roman<br />
numerals, twin fusee movement with<br />
anchor escapement and striking on a bell,<br />
movement backplate stamped JW Benson,<br />
103cm high<br />
£700 - 900<br />
1353<br />
A Japanned Bracket Clock with<br />
Passing Strike, Smyth, London, with<br />
inverted bell top, decorated in gilt against<br />
a cream background and with Oriental<br />
scenes, side carrying handles and viewing<br />
windows, 9-inch arched painted dial with<br />
Roman numerals, arch with fast/slow<br />
selection, single fusee movement with<br />
triangular shaped plates, anchor<br />
escapement and passing strike on a bell,<br />
56cm high, together with associated<br />
painted wall bracket<br />
£1000 - 1500<br />
1354<br />
A Mahogany Chiming Table Clock,<br />
retailed by Manoah Rhodes & Sons<br />
Ltd, Bradford, circa 1890, arched top,<br />
pierced side sound frets, 7-inch silvered<br />
dial with Roman numerals, arch with<br />
fast/slow and chime/silent selections, triple<br />
barrel movement quarter chiming with<br />
four hammers striking four gongs and a<br />
larger hammer striking a gong for the<br />
hours, movement backplate stamped W&H<br />
Sch, 42cm high<br />
£300 - 500
1355<br />
A Mahogany Striking Bracket Clock,<br />
circa 1830, arched case with applied<br />
floral and scroll mounts, gadroon<br />
decorated borders to the base, 9-1/2-inch<br />
painted dial with Roman numerals and<br />
later inscription Roskell Liverpool, twin<br />
fusee movement with anchor escapement<br />
and striking on a gong, 59cm high, with<br />
matching mahogany wall bracket, 24cm<br />
high<br />
£1200 - 1500<br />
1356<br />
A Regency Mahogany and Brass Clock<br />
Wall Bracket, nicely figured veneer with<br />
brass bound border, 26cm wide<br />
£250 - 300<br />
1357<br />
An Oak Chiming Table Clock, signed<br />
Russells Ltd, 18 Church St, Liverpool,<br />
circa 1890, the elaborate carved case<br />
with scroll and mask decoration<br />
throughout, side opening doors, engraved<br />
presentation plaque to the front, 8-inch<br />
arched brass dial with a Roman and Arabic<br />
chapter ring, arch with three dials for<br />
chime/silent, fast/slow and<br />
Whittington/Westminster, triple fusee<br />
movement with anchor escapement,<br />
chiming with eight hammer striking eight<br />
bells or four hammers striking four gongs<br />
and a further hammer striking a gong for<br />
the hours, 70cm high<br />
£800 - 1200<br />
1358<br />
An Ebonised Striking Table Clock,<br />
signed Thos Gibbons, Popes head<br />
Alley, London, circa 1750, the inverted<br />
bell top with carrying handle, side<br />
windows and pierced sound frets, 7-inch<br />
arched silvered brass dial with Roman and<br />
Arabic chapter ring, mock pendulum and<br />
date apertures, signed in the arch, twin<br />
fusee movement, converted to anchor<br />
escapement and striking on a bell,<br />
movement backplate engraved<br />
throughout, 53cm high over handle<br />
£1500 - 2000<br />
1359<br />
A Mahogany and Brass Inlaid Quarter<br />
Striking Table Clock, circa 1890, the<br />
caddy top with carrying handle, pierced<br />
side sound frets, raised on bracket feet,<br />
7-inch silvered dial with Roman numerals,<br />
twin barrel movement quarter striking with<br />
two hammers onto two gongs, 48cm high<br />
£300 - 400<br />
1360<br />
An Oak Thirty Hour Longcase Clock,<br />
signed Isaac Hadwen, Sedbergh,<br />
circa 1720, flat top pediment, trunk door<br />
with glazed lenticle, re-built plinth,<br />
10-1/2-inch square brass dial with chapter<br />
ring, date aperture, single hand, engraved<br />
inscriptions to corners man's presious<br />
hours/away like these do slip/observey<br />
emotions tipp/behold this hand, movement<br />
with anchor escapement and outside<br />
countwheel striking on a bell, later<br />
seatboard, 214cm high<br />
£800 - 1200
1361<br />
An Oak Thirty Hour Longcase Clock,<br />
signed Sagar, Skipton, circa 1780,<br />
swan neck pediment, arched trunk door,<br />
12-1/4-inch brass dial with silvered Roman<br />
and Arabic chapter ring, engraved floral<br />
decoration, date, moonphase aperture and<br />
signed, four pillar movement with outside<br />
countwheel striking on a bell, 213cm high<br />
£500 - 700<br />
1362<br />
A Walnut Eight Day Longcase Clock,<br />
case with swan neck pediment,<br />
crossbanded trunk door, 12-1/2-inch brass<br />
dial with Roman and Arabic chapter ring<br />
later bearing inscription Nicholson<br />
Whitehaven, lunar and date apertures,<br />
four pillar movement with anchor<br />
escapement and rack striking on a bell,<br />
dial and movement later, 232cm high<br />
£800 - 1200<br />
1363<br />
An Oak Eight Day Longcase Clock,<br />
swan neck pediment, side fluted inset<br />
columns, 12-inch square brass dial with<br />
Roman and Arabic silvered chapter ring,<br />
dial centre later bearing inscription Thos<br />
Lister, Halifax, four pillar movement with<br />
anchor escapement and rack striking on a<br />
bell, dial and movement later, 228cm high<br />
£600 - 700<br />
1364<br />
A Mahogany Eight Day Longcase<br />
Clock, Jas Brownbill, Liverpool, circa<br />
1800, swan neck pediment, gilt painted<br />
panels, flame veneered trunk door flanked<br />
by fluted columns, 14-inch arched painted<br />
dial with Roman and Arabic chapter ring,<br />
inner date ring, centre seconds, rolling<br />
moonphase, four pillar movement with<br />
attached falseplate stamped William<br />
Whitaker, deadbeat escapement and rack<br />
striking on a bell, 241cm high<br />
£700 - 900<br />
1365<br />
A Mahogany Eight Day Longcase<br />
Clock, signed Jno Leplastrier,<br />
Shadwell, circa 1790, arched pediment<br />
with three brass finials, stop brass fluted<br />
columns, flame arched trunk door, bracket<br />
feet, 12-inch one piece arched silvered dial<br />
with Roman and Arabic chapter, dial<br />
centre with seconds and date aperture,<br />
arch with strike/silent selection, five pillar<br />
movement with anchor escapement and<br />
rack striking on a bell, later seatboard,<br />
228cm high<br />
£800 - 1200<br />
1366<br />
A Mahogany Eight Day Longcase<br />
Clock, flat top pediment, Corinthian<br />
capped columns, inlaid arched trunk door,<br />
13-1/4-inch arched brass dial with Roman<br />
and Arabic chapter ring, inner date ring,<br />
seconds, arch with rolling moonphase and<br />
signed Hughe Stockelle, Newcastle, four<br />
pillar movement with anchor escapement<br />
and rack striking on a bell, dial and<br />
movement circa 1780, case possibly later,<br />
227cm high<br />
£700 - 900<br />
1367<br />
A Mahogany Chiming Longcase Clock,<br />
retailed by Maple & Co Ltd, London,<br />
circa 1890, case with broken arched<br />
pediment, glazed trunk door, bracket<br />
shaped feet, 12-inch dial with Arabic<br />
numerals, dial centre with scrollwork and<br />
seconds, chime/silent eight bells/four bells<br />
selection levers at 3, massive triple weight<br />
driven movement with deadbeat<br />
escapement, eight hammers chiming onto<br />
eight tubular bells and a further hammer<br />
striking a gong for the hours, 226cm high<br />
£1500 - 2000
1368<br />
A Month Going Walnut Longcase<br />
Clock, flat top pediment, glazed side<br />
windows, burr walnut veneered trunk<br />
door, 11-inch dial with silvered Roman<br />
chapter ring signed Edw Brookes, London,<br />
ringed winding holes and date aperture,<br />
seconds dial, five pillar movement with<br />
anchor escapement and outside<br />
countwheel striking on a bell, dial and<br />
movement circa 1690, case later, 211cm<br />
high<br />
£2500 - 3000<br />
1369<br />
A Good Mahogany Eight Day<br />
Longcase Clock, signed Wyke &<br />
Green, Liverpool, circa 1780, swan<br />
neck pediment, flame veneered trunk<br />
door, raised quatre form panel to the<br />
base, 13-inch arched brass dial with a<br />
silvered Roman and Arabic chapter ring,<br />
inner date ring, engraved floral centre with<br />
seconds and signed, arch with<br />
moonphase, four pillar movement with<br />
anchor escapement and rack striking on a<br />
bell, 249cm high<br />
£3000 - 4000<br />
1370<br />
A Mahogany Stick Barometer, Pratt,<br />
Askrigg, circa 1810, visible mercury<br />
tube, brass dial inscribed, 102cm high<br />
£500 - 700<br />
1371<br />
A Mahogany Stick Barometer, visible<br />
mercury tube, turned side columns, boxed<br />
cistern cover, paper dial painted with J<br />
Doughty Fecit, 96cm high<br />
£200 - 300<br />
1372<br />
A Mahogany Stick Barometer, signed<br />
J Croce, York, circa 1825, with visible<br />
mercury tube, silvered dial signed with<br />
vernier and thermometer tube, barber pole<br />
stringing, turned cistern cover, 92cm high<br />
£450 - 650<br />
1373<br />
A Rosewood Stick Barometer, signed<br />
Jackson, Scarborough, circa 1850,<br />
with carved top, concealed mercury tube<br />
with twin vernier ivory scale signed, turned<br />
cistern cover, 100cm high<br />
£500 - 700<br />
1374<br />
A Mahogany Stick Barometer, signed<br />
Cs Farelli, circa 1810, broken arched<br />
pediment, visible mercury tube, silvered<br />
dial with vernier scale signed,<br />
thermometer tube, inlaid stringing and<br />
turned cistern, 97cm high<br />
£300 - 400<br />
1375<br />
A Rosewood Wheel Barometer,<br />
signed B D G Battista, circa 1850, with<br />
swan neck pediment, hygrometer,<br />
thermometer tube, 8-inch silvered dial,<br />
spirit level signed, 97cm high<br />
£200 - 300<br />
1376<br />
A Satinwood 10-inch Wheel<br />
Barometer, signed A Corti, circa<br />
1810, swan neck pediment, hygrometer,<br />
thermometer, 10-inch silvered dial, spirit<br />
level signed, 107cm high<br />
£400 - 600
Rugs, Carpets & Tapestries<br />
1377<br />
Afshar Rug<br />
South East Persia<br />
The ivory field with columns of heraldic<br />
devices enclosed by indigo diamond<br />
borders and similar guard stripes, 200cm<br />
by 155cm<br />
£300 - 500<br />
1378<br />
Kouchan Kordi Rug<br />
Khorasan, North East Persia<br />
The compartmentalised field containing<br />
quartered guls enclosed by ivory borders<br />
of meandering vines, 196cm by 119cm<br />
£300 - 500<br />
1379<br />
Bergama Rug<br />
West Anatolia<br />
The rust field of stylised flowerheads<br />
around a mint green lozenge enclosed by<br />
ivory borders of serrated leaf and calyx<br />
design and mustard outer guard stripes,<br />
1st half 19th century, 150cm by 105cm<br />
£400 - 600<br />
1380<br />
Rare Jaff Kurd Rug<br />
Perisan/Iraqi Border Region<br />
The polychrome diamond lattice field of<br />
guls enclosed by stepped medallion<br />
borders, 220cm by 145cm<br />
£900 - 1200<br />
1381<br />
Jaff Kurd Bagface<br />
Persian/Iraqi Border Region<br />
The polychrome lattice field of latch hook<br />
guls enclosed by narrow ivory borders,<br />
67cm by 75cm<br />
£200 - 300<br />
1382<br />
Veramin Carpet<br />
Central Persia<br />
The indigo lattice field of flowerheads<br />
enclosed by rust borders of samovar<br />
motifs flanked by pale indigo guard<br />
stripes, 20cm by 148cm<br />
£400 - 600<br />
1383<br />
Anatolian Carpet<br />
Probably Pandirmar<br />
The cream field with an allover design of<br />
floral vines enclosed by similar meandering<br />
leafy vine borders flanked by rosette guard<br />
stripes, 340cm by 241cm<br />
£700 - 1000<br />
1384<br />
Good Ardabil Carpet<br />
North West Persia<br />
The ivory field with an angular lattice<br />
design containing columns of stepped<br />
medallions enclosed by crimson borders of<br />
flowerheads and meandering vines flanked<br />
by guard stripes, 335cm by 227cm<br />
£800 - 1200<br />
1385<br />
Narrow Heriz Runner<br />
Persian Azerbaijan<br />
The indigo field with a column of<br />
polychrome hooked medallions enclosed<br />
by ivory Harshang borders and<br />
meandering vine guard stripes, 463cm by<br />
93cm<br />
£600 - 900<br />
1386<br />
Mahal Carpet<br />
Sultanabad, West Persia<br />
The terracotta field with an allover design<br />
of large flowerheads and stylised vines<br />
enclosed by indigo spandrels and<br />
polychrome borders between double guard<br />
stripes, 370cm by 292cm<br />
£500 - 800
1387<br />
"Dragon Sileh"<br />
Probably North West Persia<br />
The compartmentalised field containing<br />
rows of stylised dragons enclosed by<br />
narrow borders of polychrome diamond<br />
motifs, 352cm by 257cm<br />
**This modern brocaded flatweave is an<br />
excellent copy of the highly collectable<br />
19th century Caucasian weavings<br />
£700 - 1000<br />
1388<br />
Kashan Carpet<br />
Central Persia<br />
The rust field of scrolling floral vines<br />
around a pole medallion framed by<br />
spandrels and indigo borders of<br />
meandering floral vines between triple<br />
guard stripes, 420cm by 330cm<br />
£500 - 800<br />
1389<br />
<strong>Fine</strong> Signed Hereke Carpet<br />
North East Anatolia<br />
The raspberry field richly decorated with<br />
an allover design of cloud bands,<br />
palmettes and leafy vines within floral<br />
borders flanked by guard stripes, 376cm<br />
by 280cm<br />
**The Ottoman Sultan Abdulmecit set up<br />
workshops for the production of weaving<br />
in the town of Hereke during the mid 19th<br />
century. The weavers, who were mainly<br />
Armenian, initially concentrated on the<br />
production of very fine quality silk rugs<br />
and it was only later during the last two<br />
decades of the 19th century that the royal<br />
workshops began producing fine large<br />
scale carpets knotted in wool. Early<br />
weavings were probably made exclusively<br />
for the Sultan's personal use. The design<br />
of this example is like many, based on<br />
classical 17th century pieces. It dates<br />
from the 1890's and is an excellent<br />
example of fine quality carpets made in<br />
the town. Such examples are now rare<br />
and collectable.<br />
£3000 - 5000<br />
1390<br />
Kashgai Rug<br />
South West Persia<br />
The madder stepped lozenge field with<br />
columns of polychrome heraldic devices<br />
framed by flowerhead spandrels and pale<br />
indigo borders of stylised boteh between<br />
lemon guard stripes, 328cm by 133cm<br />
£700 - 1000<br />
1391<br />
Heriz Carpet<br />
Persian Azerbaijan<br />
The terracotta field of stylised angular<br />
vines enclosed by indigo borders of<br />
samovar motifs and pale lemon guard<br />
stripes, 258cm by 192cm<br />
£650 - 950<br />
1392<br />
Unusual Isfahan Carpet<br />
Central Persia<br />
The terracotta field with an allover design<br />
of scrolling floral vines and flowers<br />
enclosed by mid blue borders of palmettes<br />
and meandering vines between double<br />
guard stripes, 340cm by 240cm<br />
£300 - 400<br />
1393<br />
Kurdish Runner<br />
Persian Kurdistan<br />
The indigo field with a column of linked<br />
medallions framed by serrated spandrels<br />
enclosed by ivory borders of stylised<br />
meandering vines and ice blue guard<br />
stripes, 380cm by 110cm<br />
£380 - 500
1394<br />
Heriz Carpet<br />
Persian Azerbaijan<br />
The rust field of angular vines around a<br />
cruciform medallion framed by spandrels<br />
and enclosed by deep indigo borders of<br />
polychrome flowerheads and serrated<br />
leaves between meandering vine guard<br />
stripes, 337cm by 252cm<br />
£600 - 900<br />
1395<br />
Tabriz Prayer Carpet<br />
Persian Azerbaijan<br />
The mid indigo field of scrolling vines<br />
beneath the Mihrab enclosed by borders of<br />
flowerheads and scrolling vines, 336cm by<br />
215cm (reduced)<br />
£300 - 500<br />
1396<br />
<strong>Fine</strong> and Unusual Nain Silk Rug with<br />
Wool Highlights<br />
Central Persia<br />
The ivory field depicting hunting scenes<br />
within a verdant landscape of trees and<br />
flowering plants enclosed by floral borders<br />
and similar guard stripes, 261cm by 152cm<br />
**Carpet production in Nain began<br />
relatively recently (during the 1940's).<br />
However, in the 1950's the town became<br />
famous for the quality of its production,<br />
often making finely knotted rugs piled in<br />
soft lustrous wool on a cotton foundation.<br />
Silk was frequently used to highlight small<br />
design features. This rug is interesting<br />
and highly unusual in that approximately<br />
90% of the rug is piled in silk and the<br />
small design features are knotted in wool.<br />
This would suggest that the rug was<br />
woven as a one-off special commission<br />
rather than a production piece.<br />
£1800 - 2500<br />
1397<br />
Good Ghom Carpet<br />
Central Persia<br />
The allover ivory lattice field of palmettes<br />
and vines enclosed by raspberry borders of<br />
leafy flowering plants between pale indigo<br />
rosette guard stripes, 320cm by 230cm<br />
£1500 - 2500<br />
1398<br />
Tabriz Carpet<br />
Persian Azerbaijan<br />
The cream field with an allover design of<br />
palmettes and scrolling serrated leaves<br />
enclosed by claret borders of similar<br />
design flanked by pale blue meandering<br />
vine guard stripes, 385cm by 305cm<br />
£1200 - 1800<br />
1399<br />
Kashan Carpet<br />
Central Persia<br />
The ivory field with an allover design of<br />
boteh enclosed by similar borders and<br />
meandering vine guard stripes, 377cm by<br />
277cm<br />
**Signed in several places<br />
£600 - 900<br />
1400<br />
Narrow Heriz Runner<br />
Persian Azerbaijan<br />
The rust field with a single column of<br />
hooked and cruciform medallions enclosed<br />
by narrow borders of cruciform motifs and<br />
mid indigo guard stripes, 340cm by 88cm<br />
£400 - 600<br />
1401<br />
Narrow Kashgai Runner<br />
South West Persia<br />
The deep indigo field of millefleur design<br />
around a column of ivory medallions<br />
framed by narrow ivory borders of<br />
polychrome octagons and boteh guard<br />
stripes, 321cm by 89cm
**The Kashgai tribe are prolific weavers<br />
but made few rugs in runner format.<br />
Narrow weavings such as this one are rare<br />
£300 - 500<br />
1401A<br />
Yazd Carpet<br />
South East Persia<br />
The raspberry field of scrolling floral vines<br />
around an ivory and indigo pole medallion<br />
framed by spandrels and enclosed by deep<br />
indigo borders of meandering vines and<br />
triple guard stripes, 453cm by 329cm<br />
£500 - 800<br />
1402<br />
Afghan Carpet<br />
Afghan Turkestan<br />
The madder field with columns of typical<br />
"elephant foot" medallions enclosed by<br />
compartmentalised sunburst borders and<br />
multiple minor borders between boteh<br />
guard stripes, 440cm by 350cm<br />
£300 - 500<br />
1403<br />
Ersari Carpet<br />
Emirate of Bukhara<br />
The madder field with three columns of<br />
"elephant foot" quartered guls enclosed by<br />
borders of stepped diamond motifs and<br />
barber pole guard stripes, 347cm by<br />
254cm<br />
£400 - 600<br />
1404<br />
A Good Brussels Tapestry, late<br />
17th/early 18th century<br />
Woven in silk and wool, depicting a<br />
huntsman sitting beneath a tree with his<br />
hound within a verdant wooded landscape,<br />
enclosed by rich borders of exotic birds<br />
fruits, leafy floral vines and plain indigo<br />
narrow outer borders, signed in the lower<br />
border EE Panmaker, 302cm by 196cm<br />
**The Panmaker family are recorded as<br />
weaving in Brussels from the mid<br />
seventeenth century until 1720. Evidently<br />
they used more than one variation of the<br />
spelling of the family name<br />
£8000 - 12000<br />
1405<br />
A Late 17th/Early 18th Century<br />
Flemish "Verdure" Tapestry<br />
Woven in silk and wool depicting a large<br />
leafy tree flanked by birds within a<br />
wooded landscape, the background with<br />
castles, houses and a bridge enclosed by<br />
borders of flowers plants and acanthus<br />
leaves and narrow plain minor borders,<br />
358cm by 271cm<br />
£4000 - 6000<br />
1406<br />
Senneh Rug<br />
Persian Kurdistan<br />
The deep indigo field with columns of<br />
boteh enclosed by madder borders of<br />
stylised flowerheads and serrated leaves<br />
between mid indigo borders, 145cm by<br />
112cm<br />
£300 - 500<br />
1407<br />
Good Veramin Carpet<br />
Central Persia<br />
The ivory field of lattice design containing<br />
palmettes and birds with pale indigo<br />
borders of stylised meandering vines and<br />
double guard stripes, 323cm by 215cm<br />
**Veramin carpets are comparatively rare.<br />
This is a fine example of weaving from this<br />
region<br />
£1500 - 2500
1408<br />
Good Isfahan Rug<br />
Central Persia<br />
The pale indigo field of large scrolling<br />
vines around a claret pole medallion<br />
framed by claret borders of palmettes and<br />
meadering leafy vines between ivory guard<br />
stripes, 171cm by 118cm<br />
**Woven on a silk foundation<br />
£500 - 800<br />
1409<br />
Isfahan Carpet<br />
Central Persia<br />
The ivory field of scrolling floral vines<br />
enclosed by similar borders and double<br />
meandering vine guard stripes, 310cm by<br />
210cm<br />
**Silk highlights<br />
£500 - 800<br />
1410<br />
Tabriz Carpet<br />
Persian Azerbaijan<br />
The brick red field of flowering vines<br />
around an indigo pole medallion framed by<br />
spandrels of urns issuing flowers and<br />
indigo borders of palmettes and<br />
meandering vines between ivory guard<br />
stripes, 390cm by 290cm<br />
£1000 - 1500<br />
1411<br />
Feraghan Kelleh<br />
West Persia<br />
The deep indigo Herati field enclosed by<br />
narrow ivory borders, 510cm by 200cm<br />
£1000 - 1500<br />
1412<br />
An Unusual Malayir Carpet<br />
West Persia<br />
The mid indigo field with columns of<br />
stylised boteh enclosed by madder borders<br />
of angular meandering vines and triple<br />
guard stripes, 475cm by 370cm<br />
£1400 - 1800<br />
1413<br />
Narrow Heriz Runner<br />
Persian Azerbaijan<br />
The abrashed madder field with a column<br />
of diamond medallions surrounded by<br />
stylised flowerheads and plants and<br />
enclosed by borders of meandering vines<br />
of stylised serrated leaves, 360cm by<br />
95cm<br />
£300 - 400<br />
1414<br />
Unusual Heriz Carpet<br />
Persian Azerbaijan<br />
The terracotta field with a complex allover<br />
reciprocal design of stylised fleur de lys<br />
enclosed by wide ivory borders of stylised<br />
samovar motifs and cloudbands between<br />
indigo guard stripes, 330cm by 240cm<br />
£400 - 600<br />
1415<br />
North West Persian Carpet<br />
Persian Azerbaijan<br />
The field with an allover design of large<br />
stylised flowerheads and angular floral<br />
vines enclosed by mushroom borders of<br />
stylised meandering vines and indigo<br />
boteh guard stripes, 340cm by 260cm<br />
£1000 - 1500<br />
1416<br />
Tafrish Rug<br />
Persian Kurdistan<br />
The ice blue field centred by a madder<br />
medallion framed by spandrels and ivory<br />
boteh borders, 193cm by 136cm<br />
£300 - 500<br />
1417<br />
Indian Carpet<br />
Probably Amritsar, Punjab<br />
The indigo field with a lattice of palmettes,<br />
flowerheads and serrated leaves enclosed<br />
by wide ivory borders of meandering vines<br />
between multiple guard stripes, 651cm by<br />
336cm<br />
£300 - 500
1418<br />
A Late 19th Century Six Panel<br />
Aubusson Screen<br />
Central France<br />
Each panel set in a moulded walnut frame<br />
depicting meandering polychrome floral<br />
vines within a narrow rococo border, each<br />
panel 172cm by 61cm<br />
£400 - 600<br />
1419<br />
Tabriz Carpet<br />
Persian Azerbaijan<br />
The coral field sparsely decorated with<br />
angular vines centred by a roundel<br />
medallion framed by spandrels and deep<br />
indigo borders between meandering vine<br />
guard stripes, 391cm by 280cm<br />
£300 - 500<br />
1420<br />
Beshir Rug<br />
Emirate of Bukhara<br />
The rust field with three columns of<br />
hooked guls enclosed by borders of<br />
octagons and ivory guard stripes, 245cm<br />
by 144cm<br />
£600 - 900<br />
1421<br />
Rare Signed Heriz Carpet<br />
Persian Azerbaijan<br />
The madder field of angular vines around<br />
an indigo cruciform medallion framed by<br />
spandrels and indigo borders of stylised<br />
flowers and meandering vines between ice<br />
blue guard stripes, 390cm by 290cm<br />
£800 - 1200<br />
1422<br />
Kashan Carpet<br />
Central Persia<br />
The ivory field with a lattice of leafy vines<br />
around a roundel medallion enclosed by<br />
floral borders, 425cm by 330cm<br />
£500 - 1000<br />
1423<br />
North West Persian Carpet, of<br />
unusual size<br />
Probably Persian Azerbaijan<br />
The deep indigo lattice field of angular<br />
vines enclosed by claret borders of stylised<br />
angular meandering vines between double<br />
guard stripes, 404cm by 341cm<br />
£800 - 1200<br />
1424<br />
<strong>Fine</strong> Ghom Silk Rug<br />
The ivory field depicting hunting scenes<br />
and flowering plants enclosed by pale<br />
lemon borders of animals, birds and<br />
flowers, the guard stripes with cartouches<br />
of calligraphic Persian poetry, 201cm by<br />
113cm<br />
**Provenance: Belonged to Primrose<br />
Dampier-Blackburn (nee Atkinson)<br />
£700 - 1000<br />
1425<br />
Kashan Carpet<br />
Central Persia<br />
The raspberry field of scrolling vines and<br />
palmettes around an indigo medallion<br />
framed by spandrels and indigo borders of<br />
meandering vines between double guard<br />
stripes<br />
341cm by 240cm<br />
£500 - 700<br />
1426<br />
Heriz Carpet<br />
Perisan Azerbaijan<br />
The claret field of angular vines and<br />
stylised flowerheads around a cruciform<br />
medallion framed by spandrels and wide<br />
indigo borders of samovar motifs between<br />
meandering vine guard stripes, 430cm by<br />
322cm<br />
£1000 - 1500
1427<br />
Tabriz Carpet<br />
Persian Azerbaijan<br />
The field with an allover design of leafy<br />
scrolling floral vines within similar<br />
meandering vine borders and ivory guard<br />
stripes, 338cm by 245cm<br />
£400 - 600<br />
1428<br />
A <strong>Fine</strong>ly Woven Chinese Silk Carpet<br />
The indigo field richly decorated with floral<br />
vines around an ivory and crimson<br />
medallion framed by spandrels and<br />
crimson borders of meandering vines,<br />
362cm by 278cm<br />
£3000 - 5000<br />
1429<br />
A <strong>Fine</strong> Large Isfahan Carpet<br />
The shaded terracotta field of scrolling<br />
vines and palmettes around a central<br />
medallion framed by spandrels and<br />
enclosed by mid indigo borders of boteh<br />
and meandering vines between double<br />
guard stripes, 622cm by 372cm<br />
**Provenance: Allerton Castle, North<br />
Yorkshire<br />
£2500 - 3500<br />
Garden Statuary<br />
1430<br />
withdrawn<br />
1431<br />
A Pair of Cast Iron Garden Urns, of<br />
semi-gadrooned campana form with loop<br />
handles and mask terminals, on flutes<br />
socles and square bases, 76cm high<br />
£200 - 300<br />
1432<br />
A Pair of Cast Iron Urns, of fluted squat<br />
campana form with egg and dart moulded<br />
borders, on square bases, 54cm diameter<br />
£200 - 300<br />
1433<br />
A Cast Iron Garden Urn, of<br />
semi-gadrooned campana form with<br />
gadrooned rim and loop handle, cast with<br />
a band of stylised foliage and strapwork,<br />
on a fluted circular base, 73cm high<br />
£150 - 200<br />
1434<br />
A Pair of Carved White Marble Table<br />
Supports, in Assyrian style, probably<br />
India, 20th century, each as a winged<br />
lion flanked by pilasters, 15cm by 41cm by<br />
74cm<br />
£150 - 250<br />
1435<br />
A Coalbrookdale Style Cast Iron<br />
Garden Bench, 20 th century, the curved<br />
back cast and pierced with scrolling leaves<br />
and flowers, with conforming end panels,<br />
wooden slatted seat, 123cm by 36cm by<br />
100cm (repainted)<br />
£300 - 500<br />
1436<br />
A Coalbrookdale Style Cast Iron<br />
Garden Bench, 20 th century, the curved<br />
back cast and pierced with scrolling leaves<br />
and flowers, with conforming end panels,<br />
wooden slatted seat, 123cm by 36cm by<br />
100cm (repainted)<br />
£300 - 500<br />
1437<br />
A Coalbrookdale Style Cast Iron<br />
Garden Bench, 20 th century, the curved<br />
back cast and pierced with scrolling leaves<br />
and flowers, with conforming end panels,<br />
wooden slatted seat, 123cm by 36cm by<br />
100cm (repainted)<br />
£300 - 500
1438<br />
A Coalbrookdale Style Cast Iron<br />
Garden Bench, 20 th century, the curved<br />
back cast and pierced with scrolling leaves<br />
and flowers, with conforming end panels,<br />
wooden slatted seat, 123cm by 36cm by<br />
100cm<br />
£300 - 500<br />
1439<br />
A 19th Century Carved Stone<br />
Sculpture, modelled as a Lion, his<br />
head turned to the left, on a moulded<br />
base, 153cm by 50cm by 120cm high<br />
**Provenance: Part of a grouping that<br />
looked down from their lofty perch atop<br />
the old Port Admiral Pub in Preston<br />
Lancashire. Erected in about 1854, and<br />
demolished in 1969. It's facade and<br />
architecture was a landmark, and the<br />
statues were a talking point for over 100<br />
years. However the sculptor of the statues<br />
remains unidentified. They had, until<br />
recently, been on display in a private<br />
garden in Lancashire for more than 30<br />
years; any damage sustained being prior<br />
to this time. Popular belief (unlikely), held<br />
the controversial nude lady to be Lady<br />
Hamilton. This statue, however, bears<br />
some resemblance in style to “the Greek<br />
slave” statue by Hiram Powers in the great<br />
exhibition of 1851.<br />
£1800 - 2500<br />
1440<br />
A 19th Century Carved Stone<br />
Sculpture of Napoleon, raised on a<br />
square section stepped base, the base<br />
76cm by 63cm, 230cm high<br />
**Provenance: Part of a grouping that<br />
looked down from their lofty perch atop<br />
the old Port Admiral Pub in Preston<br />
Lancashire. Erected in about 1854, and<br />
demolished in 1969. It's facade and<br />
architecture was a landmark, and the<br />
statues were a talking point for over 100<br />
years. However the sculptor of the statues<br />
remains unidentified. They had, until<br />
recently, been on display in a private<br />
garden in Lancashire for more than 30<br />
years; any damage sustained being prior<br />
to this time. Popular belief (unlikely), held<br />
the controversial nude lady to be Lady<br />
Hamilton. This statue, however, bears<br />
some resemblance in style to “the Greek<br />
slave” statue by Hiram Powers in the great<br />
exhibition of 1851.<br />
£3000 - 5000<br />
1441<br />
A 19th Century Carved Stone<br />
Sculpture of a Classical Nude Maiden,<br />
on circular base with carved tree stump,<br />
secured by a metal ring to the original<br />
coping stone, the base 117cm by 78cm,<br />
210cm high<br />
**Provenance: Part of a grouping that<br />
looked down from their lofty perch atop<br />
the old Port Admiral Pub in Preston<br />
Lancashire. Erected in about 1854, and<br />
demolished in 1969. It's facade and<br />
architecture was a landmark, and the<br />
statues were a talking point for over 100<br />
years. However the sculptor of the statues<br />
remains unidentified. They had, until<br />
recently, been on display in a private<br />
garden in Lancashire for more than 30<br />
years; any damage sustained being prior<br />
to this time. Popular belief (unlikely), held<br />
the controversial nude lady to be Lady<br />
Hamilton. This statue, however, bears<br />
some resemblance in style to "the Greek<br />
slave" statue by Hiram Powers in the great<br />
exhibition of 1851.<br />
£1800 - 2500
1442<br />
A Carved Stone and Composition<br />
Church Font, probably 19th century,<br />
of octagonal shaped form, each side<br />
carved with a gothic style tracery and birds<br />
above a carved frieze and moulded base<br />
on four marble effect columns, 63cm by<br />
63cm by 98cm<br />
£500 - 700<br />
1442A<br />
A Large Traditional Stone Trough, of<br />
rectangular form, 129cm by 81cm by<br />
35cm<br />
£150 - 250<br />
1442B<br />
A Traditional Stone Trough, of<br />
rectangular form, 69cm by 58cm by 32cm;<br />
and A Smaller Example, 61cm by 43cm<br />
by 33cm (2)<br />
£150 - 250<br />
1442C<br />
A Traditional Stone Trough, of<br />
rectangular form, 95cm by 67cm by 45cm<br />
£150 - 250<br />
1442D<br />
A Traditional Stone Trough, of<br />
rectangular form, 96cm by 68cm by 46cm<br />
£200 - 300<br />
1442E<br />
A Pair of Cast Metal Campana Shaped<br />
Garden Urns, of recent date, 71cm by<br />
80cm<br />
£200 - 300<br />
1442F<br />
A Pair of Cast Metal Garden Urns, with<br />
gadrooned bodies, acanthus scroll handles,<br />
raised on square section bases, 60cm<br />
(excluding handle) by 79cm<br />
£250 - 350<br />
1442G<br />
A Composition Stone Garden Urn, of<br />
circular form with egg and dart moulded<br />
edge and acanthus body with conforming<br />
base, raised on a circular pedestal, 66cm<br />
by 137cm<br />
£200 - 300<br />
1442H<br />
A Regency Style Painted Garden<br />
Bench, with wooden slats on scroll end<br />
metal supports, 181cm long; and A<br />
Smaller Example, 151cm long (2)<br />
£150 - 200<br />
Furniture<br />
1443<br />
An 18 th Century German Walnut<br />
Cabinet on Stand, the bold pediment<br />
above floral and leaf carved cupboard<br />
doors enclosing a fitted interior, the base<br />
with drawer above spiral turned supports,<br />
with conforming stretcher and raised on<br />
flattened bun feet, 130cm by 68cm by<br />
187cm<br />
£1000 - 1500<br />
1444<br />
A Dutch 18 th Century Style Walnut<br />
Commode, of bombé shaped form, the<br />
quarter-veneered top with moulded edge<br />
above four deep drawers, raised on ball<br />
and claw forefeet, 85cm by 50cm by 82cm<br />
£300 - 500<br />
1445<br />
An 19 th Century Biedermeier Walnut<br />
Secretaire Chest, the quarter-veneered<br />
moulded top above a secretaire drawer<br />
enclosing four small drawers flanked by<br />
spindle supports above two deep drawers,<br />
raised on flattened bun feet, 123cm by<br />
62cm by 92cm<br />
£300 - 500<br />
1446<br />
A North European Figured Walnut<br />
Secretaire à Abattant, late 19 th<br />
century, the frieze drawer above a fall<br />
front enclosing a green leather skiver and<br />
an arrangement of small drawers, the<br />
lower section fitted two cupboard doors,<br />
raised on a platform base with castors,<br />
106cm by 51cm by 155cm<br />
£500 - 700
1447<br />
A 19 th Century North European<br />
Walnut and Marquetry Side Cabinet,<br />
with later green marble top above a<br />
parquetry decorated drawer with<br />
secretaire drawer below enclosing and<br />
arrangement of six small drawers and<br />
pigeon holes, a further deep drawer<br />
below, all between canted stiles, raised on<br />
tapering legs with brass toes, 99cm by<br />
50cm by 127cm<br />
£300 - 500<br />
1448<br />
A 19 th Century North European<br />
Mahogany Centre Table, of serpentine<br />
shaped form with quarter-veneered top,<br />
carved and moulded edge above a shaped<br />
frieze, raised on acanthus scroll legs joined<br />
by an undertier and raised on castors,<br />
127cm by 91cm by 77cm<br />
£300 - 400<br />
1449<br />
An 18 th Century Continental Walnut,<br />
Plumwood and Tulipwood Serpentine<br />
Shaped Commode, the top and end<br />
panels quarter-veneered, above three<br />
deep drawers and shaped apron, raised on<br />
bracket feet, (restorations) 120cm by<br />
66cm by 88cm<br />
£5000 - 7000<br />
1450<br />
A French Walnut Semanier, 2 nd half<br />
19 th century, the staged top above a<br />
frieze drawer with six drawers below, all<br />
between fluted and turned supports, the<br />
right column acting as a lock, raised on a<br />
platform base with square form feet, 78cm<br />
by 55cm by 159cm<br />
£600 - 800<br />
1451<br />
A Mahogany and Marquetry Dutch<br />
Style Serving Table, 20th century,<br />
richly inlaid overall with trailing flowers,<br />
urns and leaves, the rectangular top and<br />
shaped gallery above two frieze drawers,<br />
raised on square tapering supports joined<br />
by a wavy shaped stretcher, 150cm by<br />
53cm by 98cm<br />
£800 - 1200<br />
1452<br />
Erard, late 19 th century: A 6'<br />
Rosewood Cased Grand Piano, raised<br />
on turned and fluted tapering legs with<br />
brass toes and castors; and A 1920's<br />
Walnut Music Seat, with green<br />
overstuffed seat, cabriole legs and pad<br />
feet (2)<br />
£400 - 600<br />
1453<br />
Challen (1930's): A 4'1” Baby Grand<br />
Piano, in polished mahogany case, raised<br />
on square tapering legs<br />
£300 - 500<br />
1454<br />
C Bechstein: A 6'6" Mahogany Cased<br />
Grand Piano, model no.101040?,<br />
raised on square tapering legs with brass<br />
toes and castors; and A 1930's Music<br />
Seat, with close-nailed and hinged<br />
overstuffed seat, 55cm by 43cm by 44cm<br />
(2)<br />
£1000 - 1500<br />
1455<br />
An Edwardian Walnut Revolving<br />
Piano Duet Stool, circa 1900,<br />
recovered in modern silk fabric, with<br />
conforming adjustable brass supports and<br />
turned tapering legs joined by a shaped<br />
understretcher, 90cm by 37cm by 51cm<br />
**See Andrews (John) Victorian and<br />
Edwardian Furniture, Page 250 pl.866<br />
£300 - 500
1456<br />
A Mahogany and Rosewood Duet<br />
Stool, stamped Gillows, Lancaster,<br />
late 19 th century, the close-nailed green<br />
leather overstuffed hinged seat above a<br />
fluted frieze with acanthus carved<br />
spandrels, raised on turned and carved<br />
supports and platform bases joined by a<br />
stretcher, 100cm by 44cm by 55cm<br />
£200 - 300<br />
1457<br />
An Edwardian Rosewood and<br />
Marquetry Writing Desk, stamped<br />
Gillow & Co, Lancaster, late 19 th<br />
century, the staged top with two small<br />
drawers and balustrade gallery above a<br />
green and gilt leather skiver, above two<br />
frieze drawers, raised on square tapering<br />
legs with leaf carved decoration joined by<br />
a shaped undertier, 107cm by 61cm by<br />
89cm<br />
£600 - 900<br />
1458<br />
A George IV Mahogany Breakfront<br />
Sideboard, in the manner of Gillows,<br />
2 nd quarter 19 th century, with single<br />
frieze drawer above an arched apron<br />
flanked by a deep cellaret drawer and<br />
cupboard door, raised on turned and<br />
reeded column supports and legs, 214cm<br />
by 70cm by 95cm<br />
£800 - 1000<br />
1459<br />
A Mahogany Washstand, in the<br />
manner of Gillows, 2 nd quarter 19 th<br />
century, with three-quarter shaped<br />
gallery above a frieze drawer, raised on<br />
square tapering supports joined by a<br />
shaped undertier, 107cm by 51cm by<br />
86cm<br />
£300 - 500<br />
1460<br />
A Pair of George III Mahogany Carver<br />
Chairs, bearing stamp of Gillows,<br />
early 19 th century, with carved top rail,<br />
carved and scrolled pierced splat and<br />
outswept arms with carved handgrips,<br />
velvet upholstered seats, fluted forelegs<br />
joined by an H stretcher, 58cm by 47cm<br />
by 96cm<br />
£500 - 800<br />
1461<br />
An Early Georgian Style Walnut,<br />
Feather Banded and Crossbanded<br />
Kneehole Desk, with secretaire drawer<br />
above an arrangement of six small<br />
drawers and small frieze drawer, all above<br />
an arched apron with cupboard door<br />
below, raised on bracket feet, 81cm by<br />
46cm by 80cm<br />
£700 - 1000<br />
1462<br />
A George III Satinwood and<br />
Mahogany Foldover Card Table, late<br />
18 th century, the top inlaid with<br />
segmented veneers, patera and kingwood,<br />
the green baize lined interior above a later<br />
inlaid frieze, raised on square tapering<br />
legs, 113cm by 47cm by 74cm<br />
£250 - 350<br />
1463<br />
A Victorian Figured Walnut and<br />
Marquetry Breakfront Credenza, mid<br />
19 th century, with grey veined Carrara<br />
marble top above two cupboard doors with<br />
arched mirror plates, flanked by serpentine<br />
shaped cupboard doors, raised on a plinth<br />
base, 153cm by 48cm by 90cm<br />
£600 - 800
1464<br />
A Pair of Gilt and Gesso Demi-Lune<br />
Console Tables, with rouge royale<br />
marble tops above a foliate frieze<br />
decorated with floral swags, raised on<br />
acanthus and stop fluted tapering legs<br />
joined by a shaped stretcher surmounted<br />
by an urn, 51cm by 28cm by 84cm<br />
£500 - 800<br />
1465<br />
A Gilt and Gesso Demi-Lune Console<br />
Table, with rouge royale marble top<br />
above a foliate frieze decorated with floral<br />
swags, raised on acanthus and stop fluted<br />
tapering legs joined by a shaped stretcher<br />
surmounted by an urn, 81cm by 40cm by<br />
85cm<br />
£400 - 600<br />
1466<br />
A Late George III Mahogany, Floral<br />
Marquetry and Tulipwood<br />
Crossbanded Sideboard, early 19 th<br />
century, of serpentine shaped form with<br />
a deep frieze drawer above a shaped<br />
apron and flanked by a deep cellaret door<br />
and cupboard door, raised on square<br />
tapering legs, 170cm by 70cm by 94cm<br />
£1500 - 2000<br />
1467<br />
A 19 th Century Gilt and Gesso Rococo<br />
Style Glazed Wall Cabinet, with central<br />
glazed door enclosing a velvet lined<br />
interior with two fixed shelves and C scroll<br />
brackets, flanked by canted sides, headed<br />
by a richly decorated pediment centred by<br />
a floral plume, 65cm by 40cm by 140cm<br />
£400 - 600<br />
1468<br />
A George III Mahogany Octagonal<br />
Wine Cooler, circa 1800, the hinged lid<br />
with floral patera above a brass bound<br />
body with carrying handles, raised on a<br />
stand with fluted frieze and four tapering<br />
fluted legs with carved spandrels and<br />
raised on castors, 85cm by 45cm by 75cm<br />
£900 - 1200<br />
1469<br />
A Regency Rosewood Inverted<br />
Breakfront Dwarf Bookcase, early<br />
19 th century, the pierced three-quarter<br />
brass gallery above hinged doors with<br />
acanthus carved scrolling supports,<br />
gathered silk doors with anthemion carved<br />
decoration above a conforming moulded<br />
base, 142cm by 38cm by 97cm<br />
£1500 - 2000<br />
1470<br />
A Late 17 th Century Olivewood and<br />
Oyster Veneered Straight Front Chest<br />
of Drawers, the moulded top with tracery<br />
stringing above two short and two long<br />
crossbanded drawers, raised on later<br />
turnip feet, 95cm by 60cm by 82cm<br />
£1500 - 2000<br />
1472<br />
A Regency Mahogany Secretaire<br />
Bookcase, early 19 th century, with<br />
lancet astragal glazed doors enclosing<br />
adjustable shelves, the chest with a deep<br />
secretaire drawer enclosing an<br />
arrangement of small drawers and pigeon<br />
holes with three drawers below, raised on<br />
turned feet, 107cm by 52cm by 228cm<br />
(possibly a marriage)<br />
£700 - 1000
1473<br />
A George IV Mahogany Secretaire<br />
Bookcase, 2 nd quarter 19 th century,<br />
the ovolo moulding above astragal glazed<br />
doors enclosing adjustable shelves, with a<br />
deep two-as-one secretaire drawer<br />
enclosing drawers and pigeon holes, three<br />
long drawers below, raised on turned feet,<br />
123cm by 58cm by 230cm<br />
£600 - 800<br />
1474<br />
A George II Figured Walnut and<br />
Featherbanded Chest on Stand, mid<br />
18 th century, the quarter-veneered<br />
hinged lid above two brass carrying side<br />
handles, the stand with two frieze<br />
drawers, raised on bracket feet, 115cm by<br />
56cm by 88cm<br />
£400 - 600<br />
1475<br />
A Late George III Mahogany<br />
Canterbury, early 19 th century, the<br />
four concave shaped dividers with profile<br />
shaped end supports, above two frieze<br />
drawers, raised on turned legs with brass<br />
toes and castors, 53cm by 37cm by 53cm<br />
£400 - 600<br />
1476<br />
A George III Mahogany Straight<br />
Front Chest of Drawers, late 18 th<br />
century with alterations, the moulded<br />
top above a pull-out brushing slide, two<br />
short over three long graduated drawers,<br />
all between blind fret stiles raised on<br />
bracket feet, 88cm by 55cm by 85cm<br />
£1000 - 1500<br />
1477<br />
A Late Victorian Oak and Ebony<br />
Banded Bookcase, circa 1880, with a<br />
bold ball surmounted cornice above four<br />
glazed doors enclosing adjustable shelves<br />
all between acanthus carved brackets, the<br />
base with a leaf carved edge above<br />
conforming cupboard doors, raised on a<br />
plinth base, 248cm by 54cm by 242cm<br />
£2000 - 3000<br />
1478<br />
A George III Mahogany Washstand,<br />
circa 1800, with two hinged leaves<br />
enclosing a fitted interior of compartments<br />
and an aperture for a wash bowl, a<br />
retractable ratchet mirror, two tambour<br />
doors below and frieze drawer, raised on<br />
square chamfered legs with castors, 91cm<br />
by 51cm by 86cm<br />
£250 - 350<br />
1479<br />
A Victorian Rococo Style Gilt and<br />
Gesso Console Table, late 19 th<br />
century, of serpentine shaped form, the<br />
modern pink marble above a richly<br />
decorated frieze, on scroll supports with<br />
acanthus decoration joined by a stretcher,<br />
90cm by 44cm by 102cm<br />
£400 - 600<br />
1480<br />
An Impressive Pair of Figured<br />
Walnut, Tulipwood Banded Floral<br />
Marquetry and Gilt Metal Mounted<br />
Pedestals, with staged tops above hinged<br />
cupboard doors inset with oval panels,<br />
raised on platform base, 28cm by 22cm by<br />
130cm<br />
£1500 - 2500
1481<br />
A George III Mahogany and Brass<br />
Bound Wine Cooler, circa 1800, of<br />
hexagonal shaped form with brass drop<br />
handles, raised on a moulded stand with<br />
three chamfered tapering legs with<br />
castors, 48cm by 41cm by 73cm<br />
£400 - 600<br />
1482<br />
Newton, Son & Berry (fl.1830-1838,<br />
London): Newton's New and<br />
Improved Terrestrial Globe<br />
Accurately from the Observations of<br />
the Most Esteemed Navigators and<br />
Travellers to the Present Time,<br />
manufactured by Newton, Son &<br />
Berry, 66 Chancery Lane, published<br />
February 2 nd 1832, a 16" diameter<br />
terrestrial library globe, with brass ring<br />
and four mahogany quadrant supports on<br />
turned support, with three splayed legs<br />
united by stretchers supporting a compass<br />
£800 - 1200<br />
1483<br />
A George IV Mahogany, Tulipwood<br />
and Rosewood Crossbanded Linen<br />
Press, 2 nd quarter 19 th century, the<br />
cavetto cornice above oval panelled doors,<br />
the interior with two sliding trays, four<br />
graduated drawers below, raised on<br />
gadrooned feet, 122cm by 52cm by 215cm<br />
£800 - 1200<br />
1484<br />
A Pair of Regency Mahogany Foldover<br />
Tea Tables, of demi-lune form above a<br />
rectangular gadrooned frieze flanked by<br />
later scrolled spandrels, raised on square<br />
tapering supports, quadripartite base and<br />
reeded legs with brass toes and castors,<br />
91cm by 45cm by 71cm (repairs)<br />
£2200 - 2800<br />
1485<br />
A Late Regency Rosewood Library<br />
Table, 2 nd quarter 19 th century, with<br />
red leather writing surface above two real<br />
and two sham drawers, raised on standard<br />
end supports joined by a stretcher with<br />
platform bases, cast paw feet and castors,<br />
112cm by 62cm by 73cm<br />
£400 - 600<br />
1486<br />
An Early Georgian Walnut Dining<br />
Chair, circa 1710, with shaped top rail<br />
and plain splat above a drop-in seat,<br />
raised on cabriole forelegs joined by a<br />
turned and wavy shaped stretcher, 50cm<br />
by 37cm by 105cm<br />
£300 - 400<br />
1487<br />
A George III Mahogany Tripod Table,<br />
late 18 th century, with flip top, turned<br />
vasiform support, raised on three cabriole<br />
legs with flattened pad feet, 80cm by<br />
71cm<br />
£1000 - 1500<br />
1488<br />
A Regency Mahogany and Gilt Metal<br />
Mounted Console Table, early 19 th<br />
century, the later rectangular top above a<br />
plain frieze with foliate mounts, raised on<br />
square tapering supports with Egyptian<br />
revival mounts terminating in feet, raised<br />
on a platform base, 117cm by 50cm by<br />
92cm<br />
£400 - 600<br />
1489<br />
A Pair of Regency Ebony and Brass<br />
Strung Canterburies, 2nd quarter 19 th<br />
century, each with a turned handle above<br />
four bobbin turned dividers with spindle<br />
supports joined by turned stretchers,<br />
raised on brass toes and castors, 41cm by<br />
35cm by 57cm<br />
£1200 - 1800
1490<br />
A Late George III Mahogany,<br />
Satinwood and Kingwood<br />
Crossbanded Sofa Table, early 19 th<br />
century, with two rounded drop leaves<br />
above two real and two sham drawers,<br />
raised on standard end supports with<br />
sabres legs, brass toes and castors, 97cm<br />
by 77cm by 70cm, with plate glass top<br />
£400 - 600<br />
1491<br />
A George III Mahogany Crossbanded<br />
and Boxwood Strung Sideboard, circa<br />
1800, of bowfront form fitted three frieze<br />
drawers above a shaped apron flanked by<br />
two deep cellaret drawers, raised on<br />
square tapering legs with spade feet,<br />
154cm by 65cm by 94cm<br />
£300 - 500<br />
1492<br />
A George III Mahogany Bureau<br />
Bookcase, mid 18 th century, the drawer<br />
with paper label of Philip Bell Cabinet<br />
Maker St Paul's Churchyard London, the<br />
bold cornice above moulded panel doors<br />
enclosing a fitted interior of shelves and<br />
pigeon holes above pull-out candleslides,<br />
the bureau with a fitted interior above two<br />
short and three long graduated drawers,<br />
raised on later bracket feet, 108cm by<br />
62cm by 218cm<br />
£2500 - 3500<br />
1493<br />
A Mahogany, Tulipwood Banded and<br />
Marquetry Side Table, late 19 th<br />
century, of serpentine shaped form, richly<br />
inlaid with trailing flowers, deep frieze<br />
drawer raised on square tapering legs,<br />
101cm by 46cm by 74cm<br />
£300 - 500<br />
1494<br />
A Victorian Rosewood and<br />
Polychrome Painted Writing Table,<br />
late 19 th century, the rectangular<br />
moulded top and floral painted border<br />
around a green and gilt leather writing<br />
surface, above two frieze drawers, raised<br />
on square tapering legs, brass toes and<br />
castors, 99cm by 61cm by 74cm<br />
£600 - 800<br />
1495<br />
A George II Style Carved Giltwood<br />
Console Table, late 19 th century, the<br />
rectangular verde antico marble above a<br />
richly decorated apron with scrolls and<br />
flowers centred by a vacant cartouche,<br />
raised on carved cabriole legs with shell<br />
carved knees terminating in paw feet with<br />
recessed castors, 145cm by 58cm by 68cm<br />
£1500 - 2000<br />
1496<br />
An Early Victorian Carved Mahogany<br />
Serving Table, mid 19 th century, the<br />
acanthus carved gallery back above a<br />
rectangular top and S shaped forelegs with<br />
scrolling toes and carved knees, raised on<br />
a platform base, 146cm by 56cm by<br />
122cm<br />
£400 - 600<br />
1497<br />
A George III Mahogany Bookcase,<br />
late 18 th century, with scrolled and<br />
gothic style fretwork pediment above a<br />
dentil frieze, glazed astragals enclosing<br />
two fixed shelves with a brushing slide<br />
below and two cupboard doors, raised on<br />
bracket feet, 134cm by 60cm<br />
£600 - 800
1498<br />
A Mahogany Ship's Surgeon's Chest,<br />
19 th century, the hinged lid opening to<br />
reveal a fitted interior of compartments<br />
above a sham drawer and sliding drawer<br />
below with two removable brass<br />
candlestands, six drawers below and a<br />
cupboard door, the sides with heavy brass<br />
carrying handles, 84cm by 51cm by 100cm<br />
£1000 - 1500<br />
1499<br />
A George III Style Mahogany<br />
Partners' Desk, late 19 th century, inset<br />
a green and gilt leather skiver above an<br />
arrangement of ten drawers to each side,<br />
raised on a platform base with castors,<br />
168cm by 37cm by 77cm<br />
£600 - 800<br />
1500<br />
A Rare George III Mahogany Rise<br />
and Fall Commode/Chest, early 19 th<br />
century, of serpentine shaped form, the<br />
hinged lid with two sham drawers opening<br />
to reveal a commode with pottery liner,<br />
65cm by 50cm by 85cm<br />
£300 - 500<br />
1501<br />
A George III Mahogany Serpentine<br />
Front Chest of Drawers, late 18 th<br />
century, the top drawer fitted a brushing<br />
slide, compartments and sliding toilet<br />
mirror, two deep drawers below and<br />
shaped apron, raised on bracket feet,<br />
110cm by 59cm by 81cm<br />
**Purchased from Dolphin Antiques,<br />
London, with original invoice<br />
£1000 - 1500<br />
1502<br />
A Regency Mahogany Breakfront<br />
Sideboard, 2 nd quarter 19 th century,<br />
with elegant brass spindle gallery above a<br />
plain frieze and deep drawer flanked by<br />
cupboard doors fitted lion mask loop<br />
handles, raised on turned legs, 174cm by<br />
65cm by 131cm (including rail)<br />
£250 - 350<br />
1503<br />
A Mahogany Linen Press, 2 nd quarter<br />
19 th century, the moulded cornice above<br />
a plain frieze and cupboard doors<br />
enclosing five sliding trays, the chest of<br />
two short over three long drawers, raised<br />
on bracket feet, 125cm by 58cm by 224cm<br />
£550 - 750<br />
1504<br />
A George III Mahogany and Ebony<br />
Strung Secretaire Bookcase, late 18 th<br />
century, with swan neck pediment above<br />
astragal glazed doors enclosing three<br />
adjustable shelves, above a deep<br />
secretaire drawer fitted pigeon holes and<br />
small drawers, two cupboard doors below<br />
with shelves and a deep cellaret drawer,<br />
raised on bracket feet, 110cm by 57cm by<br />
260cm<br />
£600 - 800<br />
1505<br />
A William IV Rosewood Chiffonier,<br />
2 nd quarter 19 th century, the<br />
superstructure centred by a shell above a<br />
shelf with turned reeded supports, a<br />
ovolo shaped drawer above cupboard<br />
doors flanked by turned tapering column<br />
supports enclosing an adjustable shelf,<br />
raised on carved paw feet, 99cm by 48cm<br />
by 120cm<br />
£500 - 700
1506<br />
A Victorian Mahogany Wellington<br />
Chest, mid 19 th century, the staged top<br />
above eight graduated drawers, raised on<br />
a moulded plinth base, 59cm by 44cm by<br />
145cm<br />
£500 - 700<br />
1507<br />
A Victorian Mahogany Wellington<br />
Chest, mid 19 th century, the staged top<br />
above eight graduated drawers, raised on<br />
a moulded plinth base, 63cm by 47cm by<br />
148cm<br />
£400 - 600<br />
1508<br />
A Mahogany Cheval Mirror, circa<br />
1820, the rectangular plate between<br />
standard supports with brass candle<br />
sconces and gadrooned turned handles,<br />
raised on splayed legs with Regency<br />
shaped knees terminating in brass toes<br />
and castors, 95cm by 74cm by 171cm<br />
£700 - 1000<br />
1509<br />
A Regency Rosewood and Brass<br />
Inlaid Sofa Table, early 19 th century,<br />
the two rounded drop leaves above two<br />
real and two sham drawers, raised on C<br />
scroll end supports, platform bases with<br />
anthemion scrolling toes and recessed<br />
castors, 100cm by 70cm by 73cm<br />
**Ex Tennants, 15.5.92 lot 579<br />
£2800 - 3500<br />
1510<br />
A Victorian Walnut, Ebony and Floral<br />
Marquetry Jardinière Stand, 3 rd<br />
quarter 19 th century, of hexagonal<br />
shaped form with removable circular lid,<br />
above C scroll carved supports and<br />
quadripartite base, raised on leaf carved<br />
feet with scrolling toes and castors, 61cm<br />
by 54cm by 74cm<br />
£250 - 300<br />
1511<br />
A Victorian Figured Walnut<br />
Canterbury/Whatnot, 3 rd quarter 19 th<br />
century, with pierced gallery, acanthus S<br />
scroll shaped supports above five fret<br />
carved dividers and single drawer, raised<br />
on turnip feet with brass toes and castors,<br />
75cm by 45cm by 124cm<br />
£450 - 650<br />
1512<br />
A George III Mahogany Bureau<br />
Bookcase, circa 1800, with a dentil and<br />
arcaded cornice above astragal glazed<br />
doors enclosing three adjustable shelves<br />
above four small drawers, the fall<br />
enclosing an attractive fitted interior,<br />
above two short and three long graduated<br />
drawers, raised on ogee bracket feet,<br />
112cm by 60cm by 233cm<br />
£900 - 1200<br />
1513<br />
A Victorian Rosewood and Floral<br />
Marquetry Trumpet Shaped Work<br />
Table, mid 19 th century, of octagonal<br />
shaped form above a tapering body, raised<br />
on acanthus carved cabriole legs, 43cm by<br />
43cm by 74cm<br />
£300 - 400<br />
1514<br />
A Regency Mahogany Sofa Table, 2 nd<br />
quarter 19 th century, with two rounded<br />
drop leaves above two real and two sham<br />
drawers, raised on reeded supports joined<br />
by a turned understretcher with splayed<br />
legs, brass toes and castors, 89cm by<br />
62cm by 75cm<br />
£500 - 800
1515<br />
A Mahogany and Rosewood<br />
Crossbanded Tripod Table, 2 nd<br />
quarter 19 th century, of rectangular<br />
canted form, raised on a turned support<br />
with acanthus carved cabriole legs and<br />
scrolling toes, 51cm by 49cm by 74cm<br />
£200 - 300<br />
1516<br />
A Regency Penwork Games/Work<br />
Table, early 19 th century, with brass<br />
plaque MADE BY TYRRELL, 2 GREEK<br />
STREET, SOHO, LONDON, with foliate<br />
decorated top about a chequerboard with<br />
frieze drawer and gathered fabric work<br />
box below, between shaped supports,<br />
raised on a turned stem and triform base<br />
inlaid with ivory, 53cm by 53cm by 74cm<br />
£700 - 1000<br />
1517<br />
A George II Style Mahogany Tripod<br />
Table, of unusual size, the moulded top<br />
above a turned and part wrythen spindle<br />
support, raised on cabriole legs with<br />
flattened pad feet, 28cm by 54cm<br />
£700 - 1000<br />
1518<br />
A George III Style Mahogany<br />
Serpentine Front Chest, the moulded<br />
top above four long graduated drawers<br />
fitted with later brasses, raised on bracket<br />
feet (19 th century with alterations), 109cm<br />
by 60cm by 101cm<br />
£350 - 550<br />
1519<br />
A George III Mahogany, Boxwood<br />
and Tulipwood Crossbanded<br />
Serpentine Front Chest of Drawers,<br />
late 18 th century, the four graduated<br />
drawers between canted stiles, raised on<br />
bracket feet, 102cm by 57cm by 83cm<br />
£800 - 1000<br />
1520<br />
A George II Style Mahogany Tripod<br />
Table, the circular pie crust edge and<br />
moulded top above a fluted acanthus<br />
carved support, raised on three cabriole<br />
legs with scrolling toes, 58cm by 70cm<br />
£500 - 700<br />
1521<br />
A George III Brass Bound Mahogany<br />
Peat Bucket, late 18 th century, the<br />
ribbed body of coopered construction, with<br />
arched brass carrying handle, 37cm by<br />
40cm (excluding handle)<br />
£800 - 1200<br />
1522<br />
A George III Mahogany and Boxwood<br />
Strung Wine Cooler, circa 1800, of<br />
octagonal shaped form, the segmented<br />
veneered top inlaid with oval patera, brass<br />
carrying side handles, raised on a<br />
conforming base with square tapering legs<br />
and castors, 43cm by 43cm by 72cm<br />
£300 - 500<br />
1523<br />
A George III Mahogany Serpentine<br />
Front Chest of Drawers, late 18 th<br />
century, with reeded edge above four<br />
deep drawers all between reeded cluster<br />
supports, 115cm by 58cm by 101cm<br />
£800 - 1200<br />
1524<br />
A Victorian Burr Maple and Ebony<br />
Strung Wardrobe, late 19 th century, of<br />
breakfront form, with bold cornice above<br />
two mirror doors enclosing six sliding<br />
drawers, flanked by conforming wings,<br />
raised on a platform base, 130cm by 64cm<br />
by 215cm<br />
£600 - 800
1525<br />
A Victorian Burr Maple Two Door<br />
Wardrobe, late 19 th century, the<br />
domed cornice above mirror doors<br />
enclosing hanging space and a shelf,<br />
raised on a platform base, 123cm by 65cm<br />
by 213cm<br />
£300 - 500<br />
1526<br />
A George III Style Satinwood and<br />
Tulipwood Banded Wardrobe, late<br />
19 th century, of serpentine shaped form,<br />
with arched pediment above two central<br />
cupboard doors inlaid with oval patera<br />
enclosing four sliding trays, two short over<br />
two long drawers below flanked by<br />
cupboard doors enclosing hanging space,<br />
242cm by 82cm by 222cm<br />
£1000 - 1500<br />
1527<br />
A Regency Mahogany Secretaire<br />
Bookcase, early 19 th century, the<br />
moulded domed pediment above astragal<br />
glazed doors enclosing three adjustable<br />
shelves, the chest with a deep drawer<br />
enclosing satinwood veneered drawers and<br />
pigeon holes, with three graduated<br />
drawers below, raised on splayed bracket<br />
feet, 106cm by 53cm by 234cm<br />
£800 - 1200<br />
1528<br />
withdrawn<br />
1529<br />
A George III Mahogany Straight<br />
Front Chest of Drawers, late 18 th<br />
Century, with fluted frieze drawer above<br />
two short and three long drawers, all<br />
between canted fluted stiles, raised on<br />
bracket feet, 106cm by 56cm by 91cm<br />
*The chest has similar features to Mayhew<br />
and Ince, with the fluted frieze drawer and<br />
canted angles headed by oval rosette<br />
patera. For a similar example see Christie's<br />
sale 7561, 18 June 2008, lot 159<br />
£700 - 1000<br />
1530<br />
A Victorian Mahogany Three-Tier<br />
Serving Trolley, mid 19 th century, of<br />
rectangular form, with turned and fluted<br />
column supports, raised on turnip feet<br />
with brass toes and castors, 121cm by<br />
49cm by 115cm<br />
£500 - 700<br />
1531<br />
A George II Mahogany Tripod Table,<br />
mid 18 th century, the circular two piece<br />
top above a bird cage platform, raised on<br />
a turned gun barrel support with three<br />
cabriole legs, flattened pad feet and<br />
castors, 90cm by 73cm<br />
£600 - 800<br />
1532<br />
A Victorian Mahogany Hall Seat, mid<br />
19 th century, with turned spindle back<br />
support, shaped and pierced S scroll end<br />
supports joined by a turned stretcher with<br />
fret carved apron, 107cm by 39cm by<br />
62cm<br />
£800 - 1000<br />
1533<br />
A George IV Mahogany, Satinwood<br />
Banded and Ebony Strung Pembroke<br />
Table, 2 nd quarter 19 th century, with<br />
two rounded drop leaves above a single<br />
frieze drawer and opposing sham drawer,<br />
raised on turned tapering legs with brass<br />
toes and castors, 106cm by 55cm by 75cm<br />
£400 - 600
1534<br />
An Irish George III Mahogany and<br />
Brass Bound Peat Bucket, late 18 th<br />
century, probably Dublin, of staved<br />
construction, the swing carrying handle<br />
with riveted T shape supports, the base<br />
stamped D 6085, 34cm by 40cm<br />
(excluding handle)<br />
£1000 - 1500<br />
1535<br />
A Mahogany Display Cabinet, mid 19 th<br />
century, the ovolo cornice above arched<br />
astragal glazed doors, the stand with two<br />
frieze drawers, raised on turned and<br />
reeded tapering legs, 99cm by 50cm by<br />
158cm<br />
£500 - 700<br />
1536<br />
A Mahogany Breakfront Bookcase,<br />
mid 19 th century, the pierced<br />
three-quarter brass gallery above later<br />
glazed doors enclosing adjustable shelves,<br />
all between turned column supports,<br />
raised on flattened bun feet, 199cm by<br />
46cm by 95cm<br />
£600 - 800<br />
1537<br />
A George II Style Carved Mahogany<br />
Dressing Stool, 19 th century, recovered<br />
with modern check fabric, carved seat rail,<br />
raised on cabriole legs with carved knees,<br />
acanthus carved spandrels, claw and ball<br />
feet, 47cm by 61cm by 44cm<br />
£250 - 350<br />
1538<br />
A William & Mary Floral Marquetry<br />
and Oyster Veneered Olivewood<br />
Cabinet, late 17 th century, the moulded<br />
cornice and pulvinated frieze drawer over<br />
two cupboard doors enclosing an<br />
arrangement of small drawers around a<br />
central cupboard, raised on later stand<br />
(altered) with square cut cabriole legs,<br />
98cm by 50cm by 137cm<br />
**Ex Tennants, 18.7.03, lot 1070<br />
£2000 - 3000<br />
1539<br />
A Regency Style Rosewood and Brass<br />
Inlaid Foldover Card Table, the baize<br />
lined interior above a central rectangular<br />
tablet, raised on a lyre shaped support<br />
with Regency shaped legs and castors,<br />
92cm by 46cm by 74cm<br />
**Ex Tennants, April 2003, lot 1398<br />
£400 - 600<br />
1540<br />
An 19th Century Carved Centre Table,<br />
with circular marble top above a foliate<br />
carved frieze with four oval medallions,<br />
raised on C scroll acanthus carved legs<br />
headed with ram's head figural masks,<br />
80cm by 80cm<br />
£1000 - 1500<br />
1541<br />
Conchology Interest: A Victorian<br />
Figured Walnut Wellington Display<br />
Cabinet, mid 19 th century, the fretwork<br />
pierced gallery above a glazed door<br />
enclosing eleven sliding velvet lined trays<br />
with a large collection of assorted sea<br />
shells, 76cm by 40cm by 139cm<br />
£2000 - 3000<br />
1542<br />
A Pair of Early Georgian Style<br />
Polychrome Painted Pine Dummy<br />
Boards, 19 th century, decorated as a<br />
young male in frogged coat and female in<br />
costume, 102cm high<br />
£600 - 800
1543<br />
A George III Mahogany, Boxwood<br />
and Ebony Strung Wine Cooler, circa<br />
1800, of oval form with brass carrying<br />
handles, lead lined interior, raised on a<br />
stand with fluted tapering legs, block feet,<br />
brass toes and castors, 71cm by 52cm by<br />
55cm<br />
£1000 - 1500<br />
1544<br />
A William IV Rosewood Breakfront<br />
Dwarf Bookcase, 2 nd quarter 19 th<br />
century, stamped James Winter, 101<br />
Wardour Street, the central glazed doors<br />
flanked by adjustable shelves and<br />
acanthus carved column supports,<br />
platform base, 156cm by 42cm by 100cm<br />
**James Winter, furniture broker,<br />
appraiser and undertaker, 1823-1840, see<br />
Directory of English Furniture 1660-1840,<br />
pg 992<br />
£800 - 1200<br />
1545<br />
A Pair of Late 19 th Century Scagliola<br />
Cylindrical Columns, with circular grey<br />
and white Carrara marble tops, raised on<br />
moulded platform bases, the pedestal top<br />
33cm wide, 113cm high<br />
£800 - 1200<br />
1546<br />
A Late George III Mahogany<br />
Lancashire Linen Chest, early 19 th<br />
century, with hinged lid enclosing a<br />
candle box with drawers above an<br />
arrangement of three sham and five real<br />
drawers all between reeded stiles, raised<br />
on bracket feet, 164cm by 56cm by 106cm<br />
£500 - 700<br />
1547<br />
A George III Mahogany Serving<br />
Table, late 18 th century, of rectangular<br />
form with blind fret carved frieze, raised<br />
on square tapering legs with pierced<br />
spandrels, 181cm by 89cm by 89cm<br />
£4000 - 6000<br />
1548<br />
A George III Mahogany and Brass<br />
Bound Bucket, early 19th century, of<br />
tapering staved construction with brass<br />
carrying handle and removable liner, 32cm<br />
by 34cm<br />
£300 - 400<br />
1549<br />
A Victorian Walnut and Floral<br />
Marquetry Pier Cabinet, mid 19 th<br />
century, of rectangular form, with an<br />
arched glazed door flanked by gilt caryatid<br />
mounts, raised on a shaped platform base,<br />
76cm by 33cm by 105cm<br />
£400 - 600<br />
1550<br />
A Walnut, Boxwood and Crossbanded<br />
Dressing Table, the quarter veneered<br />
top above two and one long drawer, raised<br />
on inverted cup tapering legs joined by a<br />
shaped stretcher, 70cm by 44cm by 71cm<br />
£2000 - 3000<br />
1551<br />
A Late George III Mahogany,<br />
Satinwood Crossbanded and Ebony<br />
Strung Sideboard, early 19 th century,<br />
of bowfront form above an arrangement of<br />
five drawers around a shaped kneehole,<br />
raised on square tapering legs with spade<br />
feet, 119cm by 56cm by 86cm<br />
£750 - 950
1552<br />
A Victorian Rosewood Chess Top<br />
Tripod Table, mid 19 th century, the<br />
circular thumb moulded top raised on a<br />
turned vasiform support with three<br />
acanthus carved cabriole legs with<br />
scrolling toes, 48cm by 66cm<br />
£250 - 350<br />
1553<br />
A George IV Mahogany and<br />
Satinwood Crossbanded Linen Press,<br />
2 nd quarter 19 th century, the dentil<br />
cornice above cupboard doors enclosing<br />
hanging space and a sliding tray, above<br />
two short and two long graduated drawers<br />
on splayed bracket forefeet, 126cm by<br />
61cm by 195cm<br />
£900 - 1200<br />
1554<br />
An Early 18 th Century Oak Sideboard<br />
Dresser, the moulded top above three<br />
frieze drawers, raised on profile cut<br />
forelegs, 225cm by 45cm by 78cm<br />
(alterations)<br />
£1000 - 1500<br />
1555<br />
An Early 18 th Century Joined Oak<br />
Sideboard Dresser, with geometric<br />
moulded drawers flanked by two fielded<br />
cupboard doors, raised on stile feet,<br />
180cm by 46cm by 85cm (repairs)<br />
£1000 - 1500<br />
1556<br />
An Oak Dresser with Rack, 18th<br />
century, the bold cornice above a shaped<br />
frieze and three shelves, the base with<br />
three crossbanded drawers, raised on<br />
turned spindle forelegs with block feet,<br />
210cm by 48cm by 196cm<br />
£600 - 800<br />
1557<br />
An Oak and Walnut Enclosed Dresser,<br />
with an arrangement of seven deep<br />
drawers around a fielded panel door<br />
flanked by canted pilasters, raised on a<br />
moulded base, 145cm by 53cm by 79cm<br />
(restorations)<br />
£600 - 800<br />
1558<br />
A George III Oak Enclosed Dresser<br />
and Rack, late 18 th century, the fixed<br />
shelves with iron cup hooks, the base with<br />
three drawers above two fielded cupboard<br />
doors, raised on bracket feet, 181cm by<br />
70cm by 220cm<br />
£1000 - 1500<br />
1559<br />
A George III Oak and Mahogany<br />
Crossbanded Open Dresser and Rack,<br />
probably West Midlands, late 18 th<br />
century, the bold cornice above two fixed<br />
shelves, small niches and two cupboard<br />
doors, above an arrangement of four<br />
frieze drawers, the base with three deep<br />
drawers above a wavy shaped apron with<br />
cabriole forelegs and pad feet, 200cm by<br />
54cm by 215cm<br />
£1200 - 1800<br />
1560<br />
An 18 th Century Oak and Pine<br />
Enclosed Dresser and Rack, the bold<br />
cornice above three fixed shelves with iron<br />
cup hooks, the base with six drawers<br />
around two cupboard doors, raised on<br />
reeded stiles, 154cm by 53cm by 222cm<br />
£800 - 1200
1561<br />
An 18 th Century Oak Enclosed Dresser<br />
and Rack, the dentil wavy shaped apron<br />
above three fixed shelves, the base with<br />
an arrangement of seven drawers around<br />
a cupboard door, all between fluted<br />
column supports, raised on bracket feet,<br />
180cm by 48cm by 225cm<br />
£600 - 800<br />
1562<br />
An Oak Cupboard, 17 th century in<br />
part, with two frieze drawers above two<br />
geometric moulded cupboard doors<br />
enclosing a fixed shelf, raised on stile feet,<br />
125cm by 60cm by 122cm<br />
£300 - 500<br />
1563<br />
A George III Oak Straight Front<br />
Chest of Drawers, late 18 th century,<br />
with two short over three long graduated<br />
drawers, all between fluted canted stiles,<br />
raised on ogee bracket feet, 114cm by<br />
55cm by 81cm<br />
£300 - 500<br />
1564<br />
A Joined Oak Settle, 18 th century in<br />
part, with carved and fielded back support<br />
above downswept arms and boarded seat,<br />
raised on square supports joined by a<br />
peripheral understretcher, 107cm by 44cm<br />
by 110cm<br />
£250 - 350<br />
1565<br />
An Oak Joint Stool, the moulded top<br />
above a fluted frieze and shaped<br />
moulding, raised on ring turned gun barrel<br />
legs joined by a peripheral understretcher,<br />
45cm by 30cm by 49cm<br />
£200 - 300<br />
1566<br />
An Early 18 th Century Oak Chest on<br />
Stand, with two short over three long<br />
graduated drawers, the stand with three<br />
frieze drawers above an arched apron,<br />
raised on later inverted cup turned legs<br />
with wavy shaped stretcher, 90cm by<br />
50cm by 149cm<br />
£600 - 800<br />
1567<br />
An 18 th Century Joined Oak and<br />
Mahogany Crossbanded<br />
Housekeeper's Cupboard, the bold<br />
cornice above arched fielded panels<br />
between canted columns, the lower<br />
section with two sham and four real<br />
drawers, raised on bracket feet all<br />
between fluted stiles, 145cm by 52cm by<br />
195cm<br />
£400 - 600<br />
1568<br />
An 18 th Century Joined Oak Cwpwrdd<br />
Deuddarn, with carved initials IAW? and<br />
dated 1715 above inverted cup finials, two<br />
small cupboard doors below above two<br />
large fielded panel cupboard doors<br />
between moulded stiles, 126cm by 65cm<br />
by 175cm<br />
£300 - 500<br />
1569<br />
A 17 th Style Oak Refectory Table, of<br />
four plank construction with cleated ends<br />
above a lunette carved frieze, raised on<br />
turned gun barrel supports joined by a<br />
peripheral understretcher, 169cm by 80cm<br />
by 76cm<br />
£1200 - 1800
1570<br />
A George III Oak and Mahogany<br />
Crossbanded Free-Standing Corner<br />
Cupboard, late 18 th century, the dentil<br />
cornice above triple fielded panel doors<br />
enclosing two fixed shelves, the base with<br />
two cupboard doors, raised on bracket<br />
feet, 214cm by 115cm by 50cm<br />
£500 - 800<br />
1571<br />
A Late 17 th Century Joined Oak<br />
Writing Table, with a two-as-one frieze<br />
drawer, raised on turned and block legs<br />
joined by a turned stretcher, 82cm by<br />
57cm by 73cm<br />
£300 - 500<br />
1572<br />
A George II Oak Side Table, mid 18th<br />
century, the moulded top with re-entrant<br />
corners above a deep frieze drawer and<br />
wavy shaped apron, raised on cabriole<br />
forelegs with trefid pad feet, 78cm by<br />
49cm by 73cm (restorations)<br />
£300 - 400<br />
1573<br />
A 19 th Century French Oak Gothic<br />
Revival Cabinet, carved with three<br />
religious figures and central cupboard<br />
door, with tracery carving to the side<br />
panels, raised on carved supports with<br />
three fielded panels below, 102cm by<br />
56cm by 136cm; and An Associated<br />
Similar Wall Panel, of six carved panels<br />
with gothic tracery, carved column support<br />
headed by foliate carved pediment, 90cm<br />
by 100cm (2)<br />
£300 - 500<br />
1574<br />
An Oak Straight Front Chest of<br />
Drawers, late 17 th century, with<br />
geometric moulded drawers, raised on bun<br />
feet, 91cm by 45cm by 86cm<br />
£600 - 800<br />
1575<br />
A Late 17 th Century Joined Oak Chest,<br />
with hinged lid above geometric moulded<br />
panels with applied decoration above a<br />
two-as-one frieze drawer, raised on stile<br />
feet, 92cm by 49cm by 66cm<br />
£450 - 550<br />
1576<br />
A 16 th Century Joined Oak Counter<br />
Table/Chest, with hinged boarded lid,<br />
shaped end supports and trestle bases,<br />
92cm by 60cm by 78cm<br />
£400 - 600<br />
1577<br />
A 17 th Century Walnut Candlestand,<br />
the octagonal shaped top inlaid with a star<br />
burst, raised on a spiral turned support<br />
and shaped base with flattened bun feet,<br />
27cm by 93cm<br />
£350 - 450<br />
1578<br />
A George III Oak and Mahogany<br />
Crossbanded Straight Front Chest of<br />
Drawers, late 18 th century, the<br />
moulded top above two short and three<br />
long graduated drawers, all between blind<br />
fret canted stiles, raised on ogee bracket<br />
feet, 100cm by 53cm by 84cm<br />
£700 - 900<br />
1579<br />
A J Brett & Co Ltd: An Oak Drummond<br />
Seat/Bench, in 18 th century style,<br />
modern, with shaped top rail, lozenge<br />
shaped back support, downswept arms<br />
and squab cushion above a slatted seat<br />
with pierced and shaped spandrels, raised<br />
on square form legs with block feet, with<br />
brass plate numbered 7, 237cm by 50cm<br />
by 105cm; and A Pair of Armchairs, en<br />
suite, 88cm by 55cm by 69cm (3)<br />
£600 - 800
1580<br />
An Oak Six-Seater Gateleg Table,<br />
early 18 th century in part, with two<br />
rounded drop leaves above a double<br />
gateleg with spindle supports joined by a<br />
peripheral understretcher, 98cm by 110cm<br />
extended by 71cm<br />
£300 - 500<br />
1581<br />
A Carved Oak Serving Table, the<br />
rectangular top of six-plank construction<br />
with an egg and dart carved edge above a<br />
richly carved fluted frieze with carved<br />
spandrels, raised on turned legs joined by<br />
a peripheral understretcher, 267cm by<br />
67cm by 95cm<br />
**By repute from Haigh Hall, Wigan<br />
£600 - 800<br />
1582<br />
An Oak and Elm Child's Armchair, with<br />
triple reeded splat support, downswept<br />
arms above a boarded seat and wavy<br />
shaped side panels, raised on plain stiles,<br />
32cm by 31cm by 55cm<br />
£300 - 500<br />
1583<br />
A Dutch Oak Extending Dining Table,<br />
of rectangular form with cleated ends,<br />
above a plain frieze with shaped<br />
spandrels, raised on baluster legs headed<br />
by fluted panels and joined by a flat<br />
stretcher, 127cm by 80cm by 76cm<br />
£300 - 500<br />
1584<br />
A 17 th Century Style Small Oak Chest,<br />
the hinged lid above a stop-fluted carved<br />
frieze, raised on shaped end supports,<br />
68cm by 29cm by 48cm<br />
£300 - 400<br />
1585<br />
A 19 th Century English Ash Cricket<br />
Table, with circular thumb moulded edge,<br />
raised on three spindle turned supports<br />
joined by a stretcher, 44cm by 68cm<br />
£300 - 500<br />
1586<br />
An Edwardian Satinwood, Burrwood,<br />
Tulipwood and Polychrome Painted<br />
Circular Occasional Table, circa 1900,<br />
the segmented top above a floral<br />
decorated frieze with husks and ribbon<br />
tied motifs, raised on tapering legs, 59cm<br />
by 68cm<br />
£250 - 350<br />
1587<br />
An Edwardian Satinwood, Tulipwood<br />
Banded and Marquetry Demi-Lune<br />
Display Cabinet, circa 1900, the top<br />
with segmented veneers above a richly<br />
decorated frieze of putti within a<br />
landscape, a glazed door enclosing two<br />
fixed shelves, raised on square tapering<br />
legs with spade feet, 92cm by 45cm by<br />
122cm<br />
£350 - 550<br />
1588<br />
A Sheraton Revival Satinwood and<br />
Polychrome Painted Bowfront<br />
Wardrobe, late 19 th century, the<br />
moulded cornice above two small<br />
cupboard doors and two large doors<br />
painted overall with classical figures, husks<br />
and garlands, the sides painted with<br />
musical trophies, raised on shaped bracket<br />
feet, 135cm by 60cm by 225cm<br />
£800 - 1200<br />
1589<br />
A Pair of Early 20 th Century Kingwood<br />
and Satinwood Banded Two-Tier<br />
Étagères, the top tier with a pierced<br />
brass gallery and acorn finials, the<br />
undertier with X frame supports, raised on<br />
castors, 37cm by 37cm by 63cm
**By repute purchased from Mallets in<br />
1980's<br />
£400 - 600<br />
1590<br />
A Pair of Edwardian Satinwood and<br />
Marquetry Occasional Tables, early<br />
20 th century, the quarter-veneered tops<br />
inlaid with oval patera above a husk<br />
decorated frieze, raised on square tapering<br />
legs with spade feet joined by a cross<br />
stretcher, 51cm by 40cm by 76cm<br />
£600 - 800<br />
1591<br />
An Edwardian Satinwood and<br />
Marquetry Bijouterie Table, early 20 th<br />
century, the hinged glazed lid, raised on<br />
square tapering legs with spade feet<br />
joined by an understretcher, 62cm by<br />
43cm by 74cm<br />
£300 - 500<br />
1592<br />
A George III Style Mahogany<br />
Breakfront Bookcase, circa 1900,<br />
labelled Wylie & Lockhead Ltd, 45<br />
Buchanan Street, Glasgow, the swan neck<br />
pediment above a dentil and blind fret<br />
carved frieze, astragal glazed doors<br />
flanked by conforming wings enclosing<br />
adjustable shelves, the base with four<br />
cupboard doors, raised on carved bracket<br />
feet, 190cm by 46cm by 240cm<br />
£3000 - 5000<br />
1593<br />
A Shapland & Petter of Barnstable<br />
<strong>Art</strong>s & Crafts Wardrobe, circa 1900,<br />
the bold cornice with stylised spandrels<br />
and hammered copper roundels above a<br />
central mirror door flanked by two hinged<br />
doors inlaid with stylised flowers, above<br />
two deep drawers, 176cm by 58cm by<br />
221cm; A Matching Dressing Table,<br />
with a centre sunk hinged mirror flanked<br />
by superstructure drawers with cupboard<br />
doors below above a deep drawers, 122cm<br />
by 60cm by 175cm; and A Matching<br />
4'6" Bedstead, the bold cornice above a<br />
marquetry panel and slatted sides with<br />
confirming footboard (3)<br />
£1000 - 1500<br />
1594<br />
An Edwardian Satinwood and<br />
Polychrome Painted Occasional<br />
Table, circa 1900, richly painted with<br />
flower garlands and ribbon tied motifs,<br />
raised on square tapering legs joined by a<br />
shaped stretcher, 68cm by 65cm by 46cm<br />
£250 - 350<br />
1595<br />
An Edwardian Satinwood and<br />
Polychrome Painted Bijouterie Table,<br />
circa 1900, richly painted with flower<br />
garlands and ribbon tied motifs, the glazed<br />
hinged lid and raised on square tapering<br />
legs with spade feet joined by a shaped<br />
undertier, 61cm by 41cm by 71cm<br />
£300 - 500<br />
1596<br />
An Edwardian Satinwood and<br />
Polychrome Painted Display Cabinet,<br />
circa 1900, of breakfront form, richly<br />
painted with floral swags and ribbon tied<br />
motifs, the upper section with a glazed<br />
door enclosing silk lined interior, the lower<br />
section with a frieze drawer above a<br />
cupboard door, raised on square tapering<br />
legs with spade feet, 109cm by 40cm by<br />
191cm<br />
£1200 - 1800
1597<br />
An Early 20 th Century Green,<br />
Polychrome Painted and Parcel Gilt<br />
Wardrobe, with egg and dart moulded<br />
pediment above two cupboard doors richly<br />
painted with Adam style urns, flower<br />
garlands and ribbons, the interior with a<br />
shelf and hanging space, raised on a fluted<br />
frieze with turned and fluted legs, 130cm<br />
by 58cm by 218cm; A Dressing Table,<br />
with triptych mirror above an arrangement<br />
of five drawers above an arched apron,<br />
raised on acanthus moulded and fluted<br />
tapering legs, 107cm by 54cm by 173cm;<br />
A Straight Front Chest of Drawers, of<br />
two short over three long graduated<br />
drawers, 84cm by 47cm by 77cm; A Pot<br />
Cupboard, the frieze drawer above a<br />
cupboard door, raised on fluted legs, 37cm<br />
by 36cm by 79cm; and A Bedroom<br />
Chair, with pierced splat, caned seat and<br />
fluted legs, 43cm by 40cm by 92cm, all en<br />
suite (5)<br />
£700 - 1000<br />
1598<br />
An Edwardian Mahogany, Satinwood<br />
Banded and Ebony Strung Bijouterie<br />
Table, circa 1900, the glazed hinged lid<br />
enclosing a green velvet lined interior,<br />
raised on square tapering legs and shaped<br />
undertier centred by a rectangular tablet,<br />
63cm by 41cm by 74cm<br />
£200 - 300<br />
1599<br />
An Edwardian Adams Revival<br />
Breakfront Display Cabinet, early 20 th<br />
century, labelled Robson & Sons Ltd,<br />
Newcastle upon Tyne, the dentil moulded<br />
cornice above a central tablet carved with<br />
garlands and a ram's head, two glazed<br />
cupboard doors enclosing two plate glass<br />
shelves, all between fluted column<br />
pilasters, 167cm by 43cm by 173cm<br />
£1500 - 2000<br />
1600<br />
An Edwardian Mahogany, Satinwood<br />
and Boxwood Strung Sideboard,<br />
stamped Warings, circa 1900, with<br />
galleried back above two pedestals with<br />
cupboard doors flanking two bowfront<br />
drawers, raised on square tapering legs<br />
with spade feet, 167cm by 59cm by 125cm<br />
£300 - 500<br />
1601<br />
An Edwardian Mahogany Breakfront<br />
Display Cabinet, early 20 th century,<br />
the moulded and inlaid cornice above a<br />
glazed door with Adam's style moulding,<br />
enclosing a silk lined interior with two<br />
shelves, flanked by concave and glazed<br />
side panels, with a cupboard door below,<br />
raised on splayed bracket feet, 112cm by<br />
200cm by 40cm<br />
£800 - 1200<br />
1602<br />
An Edwardian Satinwood and<br />
Boxwood Strung Dressing Table, circa<br />
1900, of kidney shaped form, the top<br />
quarter-veneered with a shaped gallery<br />
and acorn moulded finials, above an<br />
arrangement of five drawers, raised on<br />
carved slender fluted legs with castors<br />
joined by a shaped stretcher, 141cm by<br />
62cm by 101cm<br />
£400 - 600<br />
1603<br />
An Edwardian Satinwood and<br />
Polychrome Painted Triptych<br />
Dressing Table Mirror, circa 1900, of<br />
serpentine shaped form with two drawers<br />
decorated with husks, with central arched<br />
mirror plate flanked by two shaped<br />
marginal plates, 69cm by 25cm by 107cm<br />
£400 - 600
1604<br />
A Set of Four Edwardian Rosewood,<br />
Parquetry and Marquetry Nesting<br />
Tables, early 20 th century, each of<br />
rectangular form with moulded edge, the<br />
top inlaid with flowers and a bird, raised<br />
on turned spindle supports with platform<br />
bases, the largest 59cm by 40cm by 71cm<br />
£600 - 800<br />
1605<br />
An Edwardian Satinwood and Floral<br />
Marquetry Display Cabinet, circa<br />
1900, the arched moulded pediment<br />
above astragal glazed doors enclosing<br />
shelves, all between canted corners, two<br />
frieze drawers above cupboard doors<br />
between canted panels, raised on bracket<br />
feet, 160cm by 42cm by 220cm<br />
£1200 - 1800<br />
1606<br />
A Mahogany and Floral Marquetry<br />
Kidney Shape Desk, early 20 th<br />
century, with brown and gilt leather<br />
skiver above a frieze drawer flanked by<br />
eight graduated drawers, raised on square<br />
tapering legs, 105cm by 52cm by 74cm<br />
£700 - 1000<br />
1607<br />
A Pair of Carved Satinwood<br />
Hepplewhite Style Armchairs, late<br />
19 th century, with acanthus carved frame<br />
and splat with carved hand grips, modern<br />
squab cushions above caned seats, raised<br />
on flower carved and fluted tapering legs,<br />
54cm by 45cm by 97cm<br />
£450 - 650<br />
1608<br />
A Regency Rosewood and Brass<br />
Inlaid Circular Breakfast Table, early<br />
19 th century, the crossbanded top with<br />
foliate inlay, raised on a square tapering<br />
support, gadrooned socle, quadripartite<br />
base with four sabre legs, brass toes and<br />
castors, 127cm by 70cm<br />
£500 - 800<br />
1609<br />
A Late George III Mahogany<br />
Satinwood Banded Breakfast Table,<br />
early 19 th century, of broad oval form,<br />
raised on a turned support with four<br />
splayed reeded legs with brass toes and<br />
castors, 183cm by 122cm by 69cm<br />
£400 - 600<br />
1610<br />
A Scottish Regency Mahogany Double<br />
Pedestal Dining Table, of rectangular<br />
rounded form, raised on a turned and<br />
lappet carved supports with reeded sabre<br />
legs, brass toes and castors, 300cm<br />
extended by 167cm by 72cm<br />
£1500 - 2000<br />
1611<br />
A Figured Walnut, Tulipwood,<br />
Rosewood and Floral Marquetry<br />
Breakfast Table, in the manner of<br />
George Blake & Co, the<br />
quarter-veneered top richly inlaid with<br />
trailing flowers, on an ebony stand, raised<br />
on a triform base with conforming inlay,<br />
scrolling toes and castors, 135cm by 70cm<br />
£1200 - 1800<br />
1612<br />
A George III Mahogany, Ebony and<br />
Boxwood Strung D Shape Dining<br />
Table, circa 1800, with plain frieze,<br />
raised on square tapering legs with brass<br />
toes and castors, with three additional<br />
leaves, 108cm by 75cm by 271cm<br />
extended (alterations)<br />
£500 - 700
1613<br />
A Victorian Mahogany Triple Pillar<br />
Extending Dining Table, mid 19 th<br />
century, the centre section extending on<br />
a pull-out frame, raised on turned tapering<br />
supports, quatrapartite base with scrolling<br />
toes and castors, with one additional leaf,<br />
298cm extended by 122cm by 72cm<br />
£1500 - 2000<br />
1613A<br />
A William IV Mahogany Extending<br />
Dining Table, the moulded top on lotus<br />
carved baluster legs with castors, including<br />
four additional leaves (two original and<br />
two later), 348cm extended by 140cm by<br />
73cm<br />
£1500 - 2000<br />
1614<br />
A Regency Mahogany and<br />
Crossbanded Dining Table, 2 nd<br />
quarter 19 th century, of broad<br />
rectangular form, raised on a platform<br />
support with turned and part wrythen<br />
support, quadripartite base, four reeded<br />
legs with Regency knees terminating in<br />
brass paw feet and castors, 183cm by<br />
119cm by 71cm<br />
£900 - 1200<br />
1615<br />
A Set of Eight Mahogany Chippendale<br />
Style Dining Chairs, circa 1900, the<br />
acanthus carved top rail above a C scroll<br />
splat, upholstered in modern red and gold<br />
striped fabric, raised on cabriole forelegs<br />
with scrolling toes, including two carvers,<br />
single chairs 65cm by 46cm by 110cm, the<br />
carvers 60cm by 50cm by 100cm<br />
£1600 - 2000<br />
1616<br />
A Set of Six Regency Rosewood and<br />
Brass Inlaid Dining Chairs, early 19 th<br />
century, with curved top rail and C scroll<br />
splat, cream overstuffed drop-in seats,<br />
acanthus carved spandrels above sabre<br />
legs, 38cm by 42cm by 82cm<br />
£500 - 700<br />
1617<br />
A Set of Eight Hepplewhite Style<br />
Mahogany Dining Chairs, late 19 th<br />
century, the shaped top rail above a<br />
pierced splat and overstuffed close nailed<br />
seat, raised on square tapering legs joined<br />
by an H stretcher, including two carvers,<br />
single chairs 48cm by 43cm by 96cm, the<br />
carvers 58cm by 46cm by 100cm<br />
£500 - 700<br />
1618<br />
A Set of Six George III Mahogany<br />
Ladderback Dining Chairs, late 18 th<br />
century, the curved splats centred by<br />
carved flowerheads and trailing husks,<br />
later recovered in close-nailed fabric,<br />
raised on reeded tapering forelegs, 56cm<br />
by 50cm by 94cm<br />
£400 - 600<br />
1619<br />
A Set of Seven Regency Mahogany<br />
Dining Chairs, circa 1820, with reeded<br />
uprights, drop-in seats, raised on splayed<br />
reeded forelegs joined by H stretchers,<br />
47cm by 38cm by 88cm, including one<br />
carver 49cm by 40cm by 85cm<br />
£300 - 500
1620<br />
A Set of Twelve Mahogany<br />
Chippendale Style Dining Chairs, with<br />
acanthus carved top rail, gothic tracery<br />
pierced splat and modern close-nailed<br />
overstuffed seat, raised on square<br />
chamfered legs joined by an H stretcher,<br />
54cm by 40cm by 96cm, including two<br />
carvers<br />
£2000 - 3000<br />
1621<br />
A Set of Eight Late George III<br />
Mahogany Dining Chairs, early 19 th<br />
century, with curved top rail, pierced<br />
splat and drop-in seat, upholstered in<br />
floral silk damask, raised on square<br />
tapering legs joined by an H stretcher,<br />
48cm by 36cm by 93cm, including two<br />
carvers, 52cm by 38cm by 93cm<br />
£500 - 700<br />
1622<br />
A Set of Five George III Mahogany<br />
and Boxwood Strung Dining Chairs,<br />
early 19 th century, the reeded splat<br />
centred by a rectangular tablet, with green<br />
velvet overstuffed seat, raised on square<br />
tapering legs joined by an H stretcher,<br />
51cm by 42cm by 84cm; and A Similar<br />
George III Mahogany and Boxwood<br />
Strung Carver Chair, with reeded<br />
uprights and arm supports above a pink<br />
upholstered overstuffed seat, raised on<br />
square tapering legs joined by an H<br />
stretcher, 50cm by 45cm by 86cm (6)<br />
£300 - 500<br />
1623<br />
A Harlequin Set of Seven Rosewood<br />
Dining Chairs, 2 nd quarter 19 th<br />
century, with curved top rails above<br />
horizontal splats decorated with a roundel<br />
and flowerheads, with modern caned<br />
seats, raised on turned reeded tapering<br />
forelegs, 39cm by 39cm by 82cm<br />
£300 - 500<br />
1624<br />
A Set of Twelve Chippendale Style<br />
Carved Mahogany Dining Chairs,<br />
early 20 th century, upholstered in brown<br />
close-nailed leather, with blind fretted<br />
carved frame of flowerheads and a pierced<br />
splat, raised on cabriole forelegs with claw<br />
and ball feet, 58cm by 43cm by 97cm,<br />
including two carvers, 63cm by 46cm by<br />
98cm<br />
£2000 - 3000<br />
1625<br />
A Set of Twelve Late George III<br />
Mahogany Dining Chairs, early 19 th<br />
century, the curved top rail and reeded<br />
splat above close nailed leather seats,<br />
raised on square tapering legs joined by<br />
an H stretcher, single 50cm by 43cm by<br />
86cm, including two carvers 53cm by<br />
47cm by 86cm<br />
£800 - 1200<br />
1626<br />
A Harlequin Set of Eight Mahogany<br />
Hepplewhite Style Dining Chairs, the<br />
shield shape back supports with husk<br />
decorated pierced splats above floral<br />
needlework overstuffed seats, raised on<br />
fluted tapering forelegs joined by an H<br />
stretcher, 53cm by 46cm by 96cm, the<br />
carvers 56cm by 49cm by 97cm<br />
£400 - 600<br />
1627<br />
A Set of Six Regency Mahogany and<br />
Ebony Strung Dining Chairs, early<br />
19th century, with anthemion back<br />
supports between reeded uprights and<br />
brown velvet upholstered drop-in seats,<br />
raised on sabre forelegs, 40cm by 40cm by<br />
86cm, including one carver, 46cm by 42cm<br />
by 87cm; and A Later Single and<br />
Carver Chair (8)<br />
£400 - 600
1628<br />
A Set of Six George III Mahogany<br />
Dining Chairs, 3 rd quarter 18 th<br />
century, the curved top rail above a<br />
pierced splat with red leather drop-in seat,<br />
raised on fluted legs joined by an H<br />
stretcher, 50cm by 38cm by 91cm<br />
£600 - 800<br />
1629<br />
A Set of Six Victorian Carolean Style<br />
Dining Chairs, late 19 th century, the<br />
caned back support and seat with carved<br />
top rail between spiral twist supports, with<br />
conforming front rail, raised on block feet,<br />
48cm by 39cm by 119cm<br />
£400 - 600<br />
1630<br />
A Chinese Ming Style Hardwood<br />
Southern Official Hat Armchair, the<br />
curved top rail above carved spandrels,<br />
the back support carved with a rectangular<br />
panel, with wavy shaped arms and<br />
boarded seat, raised on goose neck front<br />
posts joined by a stretcher, the chair<br />
possibly reduced in height, 70cm by 58cm<br />
by 80cm<br />
**See Wang Shixiang Classic Chinese<br />
Furniture, pg.96, pl.52<br />
£300 - 500<br />
1631<br />
A West Indian Carved Hardwood<br />
Davenport, 3 rd quarter 19 th century,<br />
decorated overall with acanthus carved<br />
scrolls, the hinged leather writing surface<br />
and sliding upper section above shaped<br />
carved supports, the cupboard door<br />
enclosing satinwood veneered drawers,<br />
raised on carved block feet with castors,<br />
55cm by 64cm by 90cm<br />
£800 - 1200<br />
1632<br />
A 19 th Century Japanese Elm,<br />
Parquetry and Bamboo Side Cabinet,<br />
with two hinged doors richly inlaid with<br />
mother-of-pearl and ivory depicting figures<br />
in a landscape, the interior fitted with<br />
adjustable shelves and four oak drawers<br />
with recessed brass handles, 123cm by<br />
50cm by 90cm<br />
£1500 - 2000<br />
1633<br />
A South-East Asian Elm and Brass<br />
Bound Chest, probably Korean, late<br />
19 th century, with decorative metalwork<br />
throughout and drop side handles, a<br />
hinged top drawer opening a reveal a<br />
sliding drawer, 110cm by 49cm by 90cm<br />
£700 - 1000<br />
1634<br />
An Early 19th Century Chinese Black<br />
Lacquer Cabinet on Stand, richly<br />
painted overall in gold depicting Chinese<br />
landscapes, with brass carrying side<br />
handles, the interior fitted with an<br />
arrangement of drawers, columns and<br />
sliding grille doors, all above two deep<br />
drawers, the stand with a gilt decorated<br />
frieze and decorative pierced apron, raised<br />
on square form legs with horseshoe feet,<br />
99cm by 50cm by 170cm<br />
**Illustrated in Antique Collector, April<br />
1955<br />
Provenance: The Drawing Room, Riverside<br />
House, Twickenham, Middlesex, the<br />
residence of the Honourable Mrs Basil<br />
Ionides<br />
£3000 - 4000<br />
1635<br />
A Chinese Hardwood Circular Plant<br />
Stand, early 20 th century, with moulded<br />
top above pierced decorative brackets,<br />
humpback supports and scrolling toes<br />
joined by a circular undertier, 32cm by<br />
123cm<br />
£200 - 300
1636<br />
A Mid 19 th Century Carved Blackwood<br />
Open Armchair, probably Bombay,<br />
foliate carved overall with outswept hand<br />
grips above a later drop-in seat, raised on<br />
carved cabriole forelegs with scrolling toes,<br />
85cm by 60cm by 97cm<br />
£280 - 350<br />
1637<br />
A Louis XVI Style Mahogany and Gilt<br />
Metal Mounted Circular Table<br />
Ambulant, circa 1900, with frieze<br />
drawer and apron decorated with putto,<br />
flower garlands and ribbon tied motifs,<br />
raised on slender cabriole legs with gilt<br />
foliate mounts and sabots, 80cm by 75cm<br />
£250 - 350<br />
1638<br />
A Victorian Ebonised Boulle and Metal<br />
Mounted Meuble d'Appui, 3 rd quarter<br />
19 th century, with black marble top<br />
above an inlaid frieze drawer and panelled<br />
door inlaid with cut brass, raised on plinth<br />
base with gilt foliate mounts, 76cm by<br />
38cm by 109cm<br />
£400 - 600<br />
1639<br />
A French Walnut Armoire, of large<br />
proportions, the moulded pediment<br />
above brass grille doors enclosing three<br />
shelves with a deep drawer below, above<br />
a wavy shaped apron, raised on cabriole<br />
forelegs with scrolling toes, 100cm by<br />
70cm by 264cm<br />
£600 - 800<br />
1640<br />
A French Louis XV Kingwood and<br />
Parquetry Podruse, late 19 th century,<br />
with two hinged compartments around a<br />
central folding mirror with pull-out writing<br />
slide below and two drawers, raised on<br />
slender cabriole legs with gilt metal<br />
sabots, 82cm by 52cm by 74cm<br />
£400 - 600<br />
1641<br />
A Victorian Figured Walnut Louis XV<br />
Style Table à Écrire, late 19 th century,<br />
with porcelain oval panels depicting<br />
classical figures, with superstructure top<br />
and central cupboard door above a<br />
serpentine shaped writing surface, with<br />
single frieze drawer, raised on slender<br />
cabriole legs, 75cm by 55cm by 122cm<br />
£500 - 700<br />
1642<br />
A Louis XV/Transitional Style<br />
Mahogany and Gilt Metal Mounted<br />
Vitrine, early 20 th century, of<br />
serpentine shape form, the rouge marble<br />
top with pierced brass gallery above a<br />
concave glazed door enclosing fixed<br />
shelves, raised on slender cabriole legs,<br />
68cm by 34cm by 139cm<br />
£250 - 350<br />
1643<br />
A Louis XV Style Kingwood and Floral<br />
Marquetry Serpentine Shaped Vitrine,<br />
late 19 th century, the staged top with<br />
later green marble above a central glazed<br />
door enclosing shelves flanked by concave<br />
sides, raised on stout cabriole forelegs,<br />
86cm by 50cm by 165cm<br />
£450 - 650
1644<br />
A Victorian Figured Walnut,<br />
Tulipwood Banded and Gilt Mounted<br />
Credenza, mid 19 th century, of<br />
serpentine shaped breakfront form, with<br />
arched glazed cupboard doors enclosing<br />
shelves flanked by two wings with open<br />
shelves, the platform base with egg and<br />
dart moulding, 193cm by 40cm by 94cm<br />
£1200 - 1800<br />
1645<br />
A Louis XV Style Kingwood and Floral<br />
Marquetry Meuble d'Appui, the<br />
moulded breche d'alep marble top above<br />
richly inlaid cupboard doors, raised on<br />
slender cabriole legs with gilt foliate<br />
mounts and sabots, 63cm by 34cm by<br />
82cm<br />
£300 - 500<br />
1646<br />
An 18 th Century Style Satinwood,<br />
Kingwood and Purple Heart Breakfast<br />
Table, of recent date, the twin drop<br />
leaves above a single frieze drawer with<br />
green baize lined ratchet writing surface,<br />
above brass grill doors with green<br />
gathered silk, raised on square legs with<br />
block feet and castors, 66cm by 54cm by<br />
74cm<br />
£600 - 800<br />
1647<br />
A Louis XV Style Mahogany, Floral<br />
Marquetry and Gilt Metal Mounted<br />
Vitrine, 20 th century, the central glazed<br />
door enclosing two adjustable shelves,<br />
flanked by six small niches with parquetry<br />
panels, the lower section of serpentine<br />
form fitted a frieze drawer, raised on<br />
slender cabriole legs with gilt foliate<br />
mounts and sabots, 108cm by 42cm by<br />
178cm<br />
£1200 - 1800<br />
1648<br />
A Louis XV Style Kingwood and Floral<br />
Marquetry Petit Bombé Commode,<br />
late 19 th century, the brocatelle violette<br />
marble top above deep drawers, raised on<br />
slender cabriole legs with gilt foliate<br />
mounts and sabots, 70cm by 40cm by<br />
84cm<br />
£400 - 600<br />
1649<br />
A Louis XV Style Rosewood,<br />
Tulipwood, Parquetry and Gilt Metal<br />
Mounted Table à Ouverage, late 19 th<br />
century, of serpentine shaped form above<br />
a frieze drawer stamped E J BOHMAN,<br />
raised on slender cabriole legs with gilt<br />
foliate mounts and sabots, 64cm by 46cm<br />
by 76cm<br />
£1000 - 1500<br />
1650<br />
A Late 19 th Century Rosewood, Floral<br />
Marquetry and Gilt Metal Mounted<br />
Vitrine, of serpentine shaped form with<br />
pierced brass gallery above a central<br />
glazed door and sides enclosing shelves,<br />
all between canted stiles with foliate<br />
mounts and sabots, raised on slender<br />
cabriole legs, 80cm by 40cm by 144cm<br />
£450 - 650<br />
1651<br />
A 20 th Century Kingwood and Brass<br />
Inlaid Bureau Bookcase, the upper<br />
section with glazed doors above two frieze<br />
drawers, the cylinder desk enclosing a red<br />
leather writing surface and frieze drawer<br />
below, raised on fluted tapering legs<br />
joined by a shaped stretcher, the<br />
underside signed Schlussel, 74cm by 48cm<br />
by 166cm<br />
£500 - 700
1652<br />
A Louis XVI Style Kingwood,<br />
Parquetry, Boxwood Strung and<br />
Brass Mounted Vides Poches, 19 th<br />
century, of rectangular rounded form<br />
with hinged side panel, raised on lyre end<br />
supports, the bottom tier with a pierced<br />
brass gallery raised on splayed legs, the<br />
underside with paper label LEEDS CITY<br />
ART GALLERY AND TEMPLE NEWSAM<br />
HOUSE EXHIBITON, 74cm by 34cm by<br />
72cm<br />
**Provenance: By repute from the estate<br />
of the late Primrose Dampier-Blackburn<br />
(nee Atkinson)<br />
£600 - 800<br />
1653<br />
A 20 th Century Walnut, Tulipwood<br />
Banded and Gilt Metal Mounted<br />
Meuble d'Appui, with breche marble<br />
breakfront top above a frieze drawer with<br />
gilt foliate swag mounts, above a central<br />
cupboard door flanked by convex glazed<br />
cupboard doors, 140cm by 53cm by<br />
104cm<br />
£1000 - 1500<br />
1654<br />
A Louis XV/Transitional Style<br />
Mahogany and Gilt Metal Mounted<br />
Table en Chiffonier, circa 1900, of<br />
kidney shaped form, with Siena marble top<br />
above a frieze drawer, raised on fluted<br />
tapering legs with paw feet, 52cm by<br />
32cm by 76cm<br />
£400 - 600<br />
1655<br />
A French 2 nd Empire Mahogany and<br />
Gilt Metal Mounted Writing Table, 3 rd<br />
quarter 19 th century, with modern red<br />
and gilt leather writing surface above an<br />
arrangement of five drawers with foliate<br />
mounts, flanked by opposing sham<br />
drawers, raised on square tapering legs<br />
headed by caryatid mounts, 140cm by<br />
76cm by 77cm<br />
£1000 - 1500<br />
1656<br />
A French Louis XVI Vernis Martin<br />
Style Mahogany, Tulipwood and Gilt<br />
Metal Mounted Vitrine, early 20 th<br />
century, the glazed upper section<br />
containing two adjustable shelves, raised<br />
on stop-fluted column supports above a<br />
mirror back, the lower section of<br />
breakfront form, fitted secretaire drawer<br />
decorated with classical figures and<br />
enclosing a leather writing surface and<br />
small drawers, raised on fluted supports<br />
joined by a shaped undertier, 86cm by<br />
40cm by 206cm<br />
£1500 - 2500<br />
1657<br />
A Late 19th Century Gilt Pier <strong>Glass</strong>,<br />
the rococo and C scroll frame with stylised<br />
flowers, 136cm by 64cm<br />
£500 - 700<br />
1658<br />
A Regency Style Gilt and Gesso Pier<br />
<strong>Glass</strong>, 19 th century, with ball<br />
surmounted frieze above a rectangular<br />
plate flanked by triple cluster columns with<br />
leaf cast capitals, 172cm by 75cm<br />
£300 - 400<br />
1659<br />
A 19 th Century Gilt and Gesso Wall<br />
Mirror, the rectangular plate within a<br />
moulded frame flanked by trailing husks<br />
surmounted by a shaped pediment, 120cm<br />
by 65cm<br />
£200 - 300
1660<br />
A Regency Gilt and Gesso Triptych<br />
Overmantel Mirror, 2 nd quarter 19 th<br />
century, the three rectangular bevelled<br />
glass plates flanked by moulded pilasters,<br />
the floral decorated frieze surmounted by<br />
anthemion finials and griffins, 140cm by<br />
90cm<br />
£450 - 650<br />
1661<br />
A Walnut and Parcel Gilt Pier <strong>Glass</strong>,<br />
with shaped apron and frieze with<br />
acanthus C scroll ears surmounted by a<br />
bird, 110cm by 54cm<br />
£300 - 400<br />
1662<br />
A Victorian Gilt and Gesso<br />
Overmantel Mirror, late 19 th century,<br />
the central bevelled and arched mirror<br />
plate within beaded moulding flanked by<br />
marginal plates and a rockwork frame<br />
headed by a decorative plume and a<br />
musical trophy, 157cm by 105cm<br />
£1000 - 1500<br />
1663<br />
An 18 th Century Gilt and Gesso Oval<br />
Pier <strong>Glass</strong>, of rococo form, with<br />
flowerhead moulded frame headed by a<br />
decorative plume, 100cm by 169cm<br />
£600 - 800<br />
1664<br />
A 19 th Century Gilt and Gesso Oval<br />
Wall Mirror, the central oval bevelled<br />
glass flanked by marginal plates divided by<br />
flowerhead and leaf decorated spandrels<br />
within a beaded frame, 13cm by 82cm<br />
£300 - 500<br />
1665<br />
An Italian Carved Giltwood Picture<br />
Frame, richly decorated with acanthus S<br />
scrolls, containing a later rectangular<br />
mirror plate, 92cm by 78cm<br />
£400 - 600<br />
1666<br />
A George II Style Gilt and Gesso Pier<br />
<strong>Glass</strong>, with later rectangular bevelled<br />
glass plate, within a rockwork frame<br />
headed by a C scroll acanthus plume,<br />
108cm by 60cm<br />
£300 - 400<br />
1667<br />
A Late 17 th Century Oyster Veneered<br />
Cushion Shaped Wall Mirror, with later<br />
rectangular plate, 65cm by 57cm<br />
£600 - 800<br />
1668<br />
A Regency Gilt and Gesso Pier <strong>Glass</strong>,<br />
early 19 th century, with egg and dart<br />
moulded cornice above an acanthus leaf<br />
frieze, with spiral and floral decorated<br />
moulded columns centred by a rectangular<br />
bevelled glass plate, and carved eagle<br />
above, 161cm by 77cm by 10cm<br />
£700 - 1000<br />
1669<br />
An 18th Century Swedish Carved Gilt<br />
and Gesso Pier <strong>Glass</strong>, late 18th<br />
century, the rectangular plate below an<br />
anthemion moulded frieze and ball<br />
surmounted pediment, all between reeded<br />
pilasters surmounted by a winged griffin,<br />
127cm by 58cm<br />
£700 - 1000
1670<br />
A William IV Gilt and Gesso<br />
Overmantel Mirror, 2 nd quarter 19 th<br />
century, the rectangular plate flanked by<br />
lappet moulded pilasters headed by an<br />
acanthus plume, 138cm by 110cm<br />
£600 - 800<br />
1671<br />
An Impressive Victorian Gilt and<br />
Gesso Overmantel Mirror, 3 rd quarter<br />
19 th century, the oval plate within a<br />
gadrooned and strapwork moulded frame<br />
with marginal plates below, flanked by<br />
pilaster supports, 163cm by 202cm<br />
£600 - 800<br />
1672<br />
A 19 th Century French Gilt and Gesso<br />
Pier <strong>Glass</strong>, the two shaped plates within<br />
moulded borders and a flat frame with<br />
applied strapwork ornament surmounted<br />
by pierced scrolling cresting, on a<br />
conforming base, 225cm by 98cm<br />
**Ex Tennants, 20.7.06, lot 844<br />
£600 - 800<br />
1673<br />
An Impressive Victorian Gilt and<br />
Gesso Overmantel Mirror, 3 rd quarter<br />
19 th century, the rectangular arched<br />
plate within a moulded acanthus and a<br />
jewelled strapwork frame surmounted by<br />
acanthus scroll cresting, 241cm by 200cm<br />
£1500 - 2000<br />
1674<br />
A Pair of Carved Giltwood Open<br />
Armchairs, late 19th/early 20th<br />
century, later recovered in floral silk,<br />
acanthus carved and reeded frame with<br />
overstuffed seat, raised on carved and<br />
stop-fluted legs, 71cm by 55cm by 92cm;<br />
and A Pair of Carved Giltwood Side<br />
Chairs, with padded back supports, above<br />
fluted column splats, overstuffed seats and<br />
raised on conforming stop-fluted legs,<br />
45cm by 38cm by 85cm (4)<br />
£300 - 500<br />
1675<br />
An Early 20 th Century Brown Leather<br />
Day Bed, with close nailed padded back<br />
support and overstuffed seat, raised on<br />
carved legs with gadrooned feet, 180cm<br />
by 80cm by 76cm<br />
£700 - 1000<br />
1676<br />
A Carved Mahogany Open Armchair,<br />
late 19 th century, upholstered in<br />
close-nailed red leather with padded back<br />
support and overstuffed seat, the<br />
downswept arms with scrolling leaf carved<br />
hand grips, raised on conforming forelegs<br />
with castors, 51cm by 50cm by 106cm<br />
£400 - 600<br />
1677<br />
A Pair of Early 20 th Century Carved<br />
Mahogany Easy Chairs, upholstered in<br />
brown close-nailed leather, with velvet<br />
squab cushions, with acanthus carved arm<br />
supports, raised on carved cabriole<br />
forelegs with ball and claw feet, 60cm by<br />
68cm by 87cm<br />
£600 - 800
1678<br />
A Set of Six George III Style<br />
Mahogany Dining Chairs, of recent<br />
date, upholstered in gold floral silk<br />
damask, with padded back support and<br />
overstuffed seat on blind fretted carved<br />
chamfered forelegs with block feet, 59cm<br />
by 50cm by 100cm<br />
**Labelled Reproduced from original in 10<br />
Downing Street, London, England, by kind<br />
permission of the Rt Hon Sir Harold<br />
Wilson, Prime Minister 1975<br />
£800 - 1200<br />
1679<br />
A Victorian Walnut Framed Settee, 3 rd<br />
quarter 19 th century, upholstered in<br />
cream silk brocade, with rounded arm<br />
supports and overstuffed seat, raised on<br />
turned forelegs with brass toes and<br />
castors, 120cm by 70cm by 90cm; and A<br />
Victorian Button Back Armchair,<br />
upholstered to match, raised on turned<br />
forelegs with castors, 60cm by 56cm by<br />
86cm (2)<br />
£400 - 600<br />
1680<br />
A Victorian Two-Seater Settee, 3 rd<br />
quarter 19 th century, upholstered in<br />
yellow button back velvet, with rounded<br />
arm supports and overstuffed seat, raised<br />
on turned forelegs with brass toes and<br />
castors, 120cm by 57cm by 92cm; and A<br />
Victorian Armchair, covered in floral<br />
pink dralon, with rounded arm supports<br />
and overstuffed seat, raised on ring turned<br />
forelegs, 60cm by 60cm by 85cm (2)<br />
£300 - 500<br />
1681<br />
A Victorian Walnut Framed<br />
Two-Seater Sofa, 3 rd quarter 19 th<br />
century, upholstered in button silk<br />
damask with rounded arm supports and<br />
overstuffed seat, on turnip carved forelegs<br />
with brass toes and castors, the forelegs<br />
stamped 4264, 122cm by 59cm by 76cm<br />
£350 - 500<br />
1682<br />
A Victorian Carved Rosewood Scroll<br />
End Settee, mid 19 th century,<br />
upholstered in modern cream and gold<br />
button back striped fabric, the squab<br />
cushion above a moulded seat rail, raised<br />
on lappet carved legs with brass toes and<br />
castors, 122cm by 64cm by 88cm<br />
£300 - 500<br />
1683<br />
A Carved Mahogany Double Cane<br />
Bergère Settee, early 20 th century,<br />
recovered in modern floral fabric, with<br />
carved frame, squab cushions and<br />
overstuffed seat, raised on acanthus<br />
carved forelegs with ball and claw feet,<br />
156cm by 70cm by 79cm; and A Pair of<br />
Armchairs, en suite, 58cm by 64cm by<br />
82cm (3)<br />
£500 - 700<br />
1684<br />
A 17 th Century Style Anglo-Dutch<br />
Walnut Three-Seater Settee, early<br />
20 th century, recovered in green floral<br />
needlework fabric, with cane triple back<br />
support, C scroll splats, and spiral turned<br />
supports with downswept arms, 140cm by<br />
55cm by 125cm<br />
£400 - 600
1685<br />
A George III Padouk Westmorland<br />
Open Armchair, with double spindle back<br />
support, curved armrests and supports<br />
above a green velvet drop-in seat, raised<br />
on a platform base with castors, 56cm by<br />
44cm by 92cm; and A Similar George<br />
III Mahogany Westmorland Chair,<br />
with double spindle back support, curved<br />
armrests and supports above a caned<br />
seat, raised on sledge bases with castors,<br />
56cm by 48cm by 87cm (2)<br />
£500 - 700<br />
1686<br />
A Laburnum Westmorland Open<br />
Armchair, with double row spindle back<br />
support, outswept arms with chamfered<br />
handgrips, green velvet drop-in seat,<br />
raised on chamfered forelegs with shaped<br />
spandrels, 60cm by 54cm by 93cm<br />
£250 - 350<br />
1687<br />
A George III Style Wingback<br />
Armchair, 19 th century, upholstered in<br />
green velvet with square squab cushion,<br />
on square supports with brass toes and<br />
castors, 55cm by 68cm by 110cm<br />
£300 - 500<br />
1688<br />
A Victorian Walnut Framed<br />
Conversation Settee, 3 rd quarter 19 th<br />
century, recovered in red and cream<br />
check fabric, the overstuffed button<br />
support and carved frame above<br />
overstuffed seats, raised on stout cabriole<br />
legs with scrolling toes and castors, 102cm<br />
by 93cm<br />
£400 - 600<br />
1689<br />
A Pair of 19th Century Open<br />
Armchairs, recovered in modern blue<br />
button back fabric, with foliate C scroll top<br />
rail and padded arms with scrolled hand<br />
grips, overstuffed seat, raised on carved<br />
cabriole forelegs scrolling toes, 60cm by<br />
55cm by 83cm; and A Victorian<br />
Footstool, upholstered to match, 37cm<br />
by 30cm (3)<br />
£400 - 600<br />
1690<br />
A Louis XV Style Carved Giltwood and<br />
Gesso Settee, late 19 th century, the<br />
padded back support, arms and seat<br />
upholstered in green silk, the acanthus<br />
carved frame centred by shell, raised on<br />
cabriole forelegs with scrolling toes, 141cm<br />
by 56cm by 98cm; and A Pair of<br />
High-Back Salon Chairs, en suite, with<br />
padded back support and overstuffed<br />
seats, 52cm by 44cm by 93cm (3)<br />
£500 - 800<br />
1691<br />
A Pair of Louis XV Style Giltwood and<br />
Gesso Fauteuils, late 19 th century,<br />
upholstered in green silk with padded back<br />
support, overstuffed arms and seat, with<br />
acanthus carved moulded frame centred<br />
by a shell, raised on cabriole forelegs with<br />
scrolling toes, 63cm by 60cm by 100cm<br />
£400 - 600<br />
1692<br />
A Pair of Louis XVI Style Beechwood<br />
Fauteuils, late 19 th century, recovered<br />
in pink leaf design fabric, acanthus carved<br />
frame, padded back support, arms and<br />
overstuffed seat, raised on fluted legs with<br />
castors, 63cm by 56cm by 105cm<br />
£400 - 600
1693<br />
An Early 20 th Century Carved<br />
Giltwood Neo-Classical Style Settee,<br />
upholstered in yellow floral silk damask,<br />
with griffin head and lyre shaped pierced<br />
splat above an overstuffed seat, padded<br />
arms terminating in caryatid hand grips,<br />
above a carved and beaded frame, raised<br />
on square tapering legs with carved feet,<br />
130cm by 58cm by 91cm; and A Pair of<br />
Open Armchairs, en suite, 58cm by<br />
54cm by 92cm (3)<br />
£1000 - 1500<br />
1694<br />
An 18 th Century Style Wing Back<br />
Chair, upholstered in orange and floral<br />
needlework fabric, with flared sides, arm<br />
supports and squab cushion above a plain<br />
seat, raised on anthemion carved forelegs<br />
with pad feet, 64cm by 52cm by 110cm<br />
£800 - 1200<br />
1695<br />
An Elegant Wingback Chair of Small<br />
Proportions, probably 18 th century,<br />
recovered in floral needlework fabric, with<br />
outswept arms and squab cushion, raised<br />
on cabriole forelegs with carved hoof feet,<br />
74cm by 42cm by 120cm<br />
£600 - 800<br />
1696<br />
A George II Style Mahogany Double<br />
Humpback Settee, upholstered in pink<br />
floral damask with rounded arm supports,<br />
overstuffed seat and conforming scatter<br />
cushions, raised on anthemion carved legs<br />
with block feet, formerly raised on castors<br />
and stretchers, 260cm by 86cm by 94cm<br />
£1000 - 1500<br />
1697<br />
An Early 18 th Century Style Walnut<br />
Wingback Armchair, upholstered in<br />
worn green velvet, the back support with<br />
the Chigi family of Siena coat of arms, with<br />
rounded flared sides and arm supports<br />
above a squab cushion, with S scroll front<br />
rail and scrolling toes, 90cm by 48cm by<br />
137cm<br />
**Ex Tennants- lot 1619- 20.04.2005<br />
£500 - 700<br />
1698<br />
A George III Mahogany Library<br />
Armchair, late 18 th century, recovered<br />
in green velvet fabric, carved reeded<br />
frame raised on chamfered legs joined by<br />
a chamfered understretcher, 67cm by<br />
57cm by 97cm<br />
£1000 - 1500<br />
1699<br />
A George III Wingback Chair, early<br />
19 th century, upholstered in brown<br />
close-nailed leather, with rounded arm<br />
supports above a squab cushion, raised on<br />
square tapering legs formerly raised on<br />
castors, 50cm by 50cm by 117cm<br />
£500 - 700<br />
1700<br />
A Regency Black Japanned<br />
Four-Seater Settee, early 19 th<br />
century, with single canework back<br />
support and sides, downswept arms,<br />
turned legs and supports, with worn<br />
purple silk overstuffed seat, 185cm by<br />
68cm by 80cm<br />
£700 - 1000
1701<br />
A George IV Mahogany Settee, 2 nd<br />
quarter 19 th century, upholstered in<br />
pink floral damask with overstuffed seat,<br />
carved arm grips, turned supports and<br />
conforming legs with brass toes and<br />
castors, 193cm by 60cm by 87cm<br />
**Ex Tennants, 16.5.87, lot 410<br />
£900 - 1200<br />
For full terms and conditions please refer to<br />
our website:<br />
www.tennants.co.uk<br />
This listing is for guide purposes only and is<br />
not definitive – lots may be added, altered or<br />
withdrawn at any time before the sale.<br />
Tennants Auctioneers<br />
Harmby Road<br />
Leyburn<br />
DL8 5SG<br />
Tel: 01969 623780<br />
E-mail: enquiry@tennants-ltd.co.uk<br />
updated and amended 14/11/2012