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<strong>Autumn</strong> <strong>Fine</strong> <strong>Art</strong> <strong>Sale</strong><br />

Friday 16 & Saturday 17 November 2012<br />

Viewing:<br />

Sunday 11 November 11am - 4pm<br />

Monday 12 - Thursday 15 November 9am –<br />

4pm<br />

Limited viewing on sale days<br />

Please refer to the website or catalogue for<br />

running order of sales - two sales will run<br />

concurrently on both sale days.<br />

<strong>Glass</strong><br />

1<br />

A Pair of Brandy Balloons, early 19 th<br />

century, the ogee bowls on waisted<br />

stems and circular feet, 17cm high<br />

£200 - 300<br />

2<br />

A Pink and White Overlay Clear <strong>Glass</strong><br />

Scent Bottle and Stopper, circa 1860,<br />

of baluster form, with slice and wrythen<br />

cut bands, 11.5cm high; A Bohemian<br />

Green <strong>Glass</strong> Scent Bottle and<br />

Stopper, of ribbed and panel conical<br />

form, enamelled with flowerheads and<br />

scroll work, 17cm high; A Similar<br />

Smaller Scent Bottle and Stopper,<br />

11.5cm high; A White Overlay Blue<br />

<strong>Glass</strong> Scent Bottle and Stopper, with<br />

gilt decoration, 11.5cm high; A Blue<br />

<strong>Glass</strong> Scent Bottle and Stopper, with<br />

gilt decoration, 12cm; A Similar Ruby<br />

<strong>Glass</strong> Scent Bottle and Cover, 11.5cm<br />

high; and A Lilac <strong>Glass</strong> Scent Bottle<br />

and Stopper, with gilt decoration, 11.5cm<br />

high (7)<br />

£400 - 600<br />

3<br />

A Pair of Bohemian White Overlay<br />

Green <strong>Glass</strong> Lustres, circa 1870, the<br />

squat globular bowls with ogee rims and<br />

six circular raised panels, painted with<br />

flowersprays on a gilt cailhoute ground, on<br />

a knopped panel stem and circular socle<br />

with lappet shaped panels hung with<br />

prismatic spear drops and faceted buttons,<br />

30cm high<br />

£500 - 700<br />

4<br />

A Goblet, circa 1710, the ogee bowl on<br />

a heavy drop knop with air tear on a short<br />

cylindrical stem and folded foot, 19cm high<br />

See illustration<br />

£1000 - 1500<br />

5<br />

An Ale <strong>Glass</strong>, circa 1760, the pan<br />

topped slender funnel bowl engraved with<br />

hops and barley on a double series opaque<br />

twist stem and folded foot, 20.5cm high<br />

See illustration<br />

£400 - 600<br />

6<br />

A Wine <strong>Glass</strong>, circa 1740, the bell<br />

shape bowl on a plain stem and folded<br />

foot, 15cm high<br />

£120 - 180<br />

7<br />

An Ale <strong>Glass</strong>, circa 1740, the drawn<br />

trumpet bowl on plain stem and folded<br />

foot, 21cm high<br />

£150 - 200<br />

8<br />

A Set of Eight Cordial <strong>Glass</strong>es, mid<br />

18 th century, the bell shaped bowls on<br />

plain stems and folded feet, 12cm high<br />

£600 - 800


9<br />

A Set of Six Wine <strong>Glass</strong>es, circa 1770,<br />

the ogee bowls on knopped faceted stems,<br />

14.5cm high<br />

£500 - 700<br />

10<br />

A Pair of Ale Flutes, circa 1760, the<br />

rounded funnel bowls engraved with hops<br />

and barley on a double series opaque twist<br />

stems, 19.5cm high<br />

£400 - 600<br />

11<br />

A Baluster Wine <strong>Glass</strong>, circa 1720, the<br />

waisted bell bowl with solid base on a<br />

composite stem with ball and angular<br />

knops over a baluster with air tear on a<br />

folded foot, 16cm high<br />

£600 - 800<br />

12<br />

A Wine <strong>Glass</strong>, circa 1720, the waisted<br />

bell bowl with solid base on a plain stem<br />

with annulated basal knop and air tear on<br />

a domed folded foot, 15.5cm high<br />

£500 - 700<br />

13<br />

An Ale <strong>Glass</strong>, circa 1740, the rounded<br />

funnel bowl engraved with hops and<br />

barley on a plain stem and folded foot,<br />

19cm high<br />

£150 - 200<br />

14<br />

A Wine <strong>Glass</strong>, circa 1745, the drawn<br />

trumpet bowl engraved with a six-petalled<br />

rose and bud, the reverse with a thistle,<br />

on an hexagonal panelled stem, 16.5cm<br />

high<br />

**Purportedly one of two recorded. See<br />

Hartshorne (Albert) Old English <strong>Glass</strong>es,<br />

fig.360<br />

£400 - 600<br />

15<br />

An Ale <strong>Glass</strong>, circa 1800, the drawn<br />

trumpet bowl engraved with hops and<br />

barley on a plain stem and folded foot,<br />

15cm high; A Similar <strong>Glass</strong>, 15cm high;<br />

and A Similar Later <strong>Glass</strong>, with rounded<br />

bowl, 15.5cm high (3)<br />

£150 - 200<br />

16<br />

An Ale <strong>Glass</strong>, circa 1760, the rounded<br />

funnel bowl on an opaque gauze twist<br />

stem, 18.5cm high<br />

£180 - 250<br />

17<br />

A Mallet Decanter and Stopper, circa<br />

1810, with bull's eye knop and spiral<br />

moulding to the neck, 27.5cm high<br />

£300 - 400<br />

18<br />

A <strong>Glass</strong> Tumbler, mid-18 th century, of<br />

slightly flared bucket form, engraved<br />

SUCCESS To THE COAL TRADE within a<br />

husk oval cartouche hung with barley, the<br />

reverse with initials JB within a foliate oval<br />

cartouche, 9cm high<br />

£300 - 500<br />

19<br />

A <strong>Glass</strong> Tumbler, dated 1767, of<br />

slightly flared bucket form, engraved<br />

JANE-NICOLS 1767 and with hops and<br />

barley, the reverse with a butterfly, the<br />

base with later diamond engraved<br />

inscription 1867 M.Broadwill, 10cm high<br />

£200 - 300<br />

20<br />

An Ale <strong>Glass</strong>, circa 1760, the slender<br />

rounded funnel bowl on a double series<br />

opaque twist stem, 19.5cm high<br />

£150 - 200


21<br />

A Lynn Type Cordial <strong>Glass</strong>, circa<br />

1760, the ribbed rounded funnel bowl on<br />

a gauze twist stem and folded foot, 13cm<br />

high<br />

£300 - 400<br />

22<br />

A Wine or Mead <strong>Glass</strong>, circa 1740, the<br />

rounded cup bowl on plain stem and<br />

folded foot, 14.5cm high<br />

£200 - 300<br />

23<br />

A Triple Ring Neck Mallet Decanter<br />

and Stopper, circa 1800, with faceted<br />

knop and neck rings above panel<br />

shoulders engraved with two sailing ships<br />

at sea within an octagonal border inscribed<br />

HART REVENUE CUTTER, the reverse with<br />

a label inscribed BRANDY over an oval<br />

enclosing initials RG, 26cm high<br />

£300 - 500<br />

24<br />

A Mallet Decanter and A Stopper,<br />

circa 1770, with faceted neck over floral<br />

engraving to the shoulders, and ovolo and<br />

diamond band, basal fluting, 29.5cm high;<br />

and A Faceted Decanter and Stopper,<br />

with pouring spout and diamond and facet<br />

cutting, 23cm high (4)<br />

£150 - 200<br />

25<br />

A Triple Ring Neck Mallet Decanter,<br />

early 19 th century, engraved with a<br />

rose, thistle and shamrock, and with<br />

initials W.M.C., 18.5cm high<br />

£150 - 200<br />

26<br />

A <strong>Glass</strong> Mallet Decanter, circa 1740,<br />

the cylindrical neck with string ring over a<br />

straight sided octagonal body, 21cm high<br />

£300 - 400<br />

27<br />

A <strong>Glass</strong> Mallet Decanter, in George II<br />

style, the cylindrical neck with pouring<br />

spout over an octagonal straight sided<br />

body, 25cm high<br />

£200 - 300<br />

28<br />

A Set of Five Custard Cups, circa<br />

1800, the slender ovoid bowls with trailed<br />

handles on waisted stems and circular<br />

feet, 10cm high<br />

£100 - 150<br />

29<br />

A <strong>Glass</strong> Tumbler, circa 1780, of slightly<br />

flared bucket form engraved with marriage<br />

initials E/H/R over a floral spray, the<br />

reverse with anvil and blacksmith's tools<br />

below a husk border, 12.5cm high<br />

£200 - 300<br />

30<br />

A <strong>Glass</strong> Puzzle Tumbler, circa 1795, of<br />

slightly flared bucket form inscribed KING<br />

TINKER below a band of stylised flowers<br />

with a section of disguised piercing,<br />

12.5cm high<br />

**See Hartshorne (Albert) Old English<br />

<strong>Glass</strong>es, pg.332, fig.335<br />

£300 - 500<br />

31<br />

A <strong>Glass</strong> Tumbler, 19 th century, of<br />

slightly flared bucket form inscribed GOV<br />

FENNER and engraved with a sailing ship<br />

and paddle ship, the reverse with a thistle,<br />

with later diamond engraved inscription<br />

PPJC July 14 th 1842, 11cm high<br />

£150 - 200


32<br />

A <strong>Glass</strong> Goblet, dated 1775, the plain<br />

bucket bowl on a short stem enclosing a<br />

white metal circular plaque inscribed Willm<br />

Kirk Born March 11 1775, Frans Coates<br />

over entwined hearts, the reverse initialled<br />

WK on a foliate ground, on a circular foot,<br />

13cm high<br />

£180 - 250<br />

33<br />

A <strong>Glass</strong> Tumbler, late 18 th /early 19 th<br />

century, of slightly flared bucket form,<br />

the base initialled E.H, 11.5cm high; A<br />

Similar Beaker, initialled J.H., 12cm<br />

high; and Two Further Beakers, 11cm<br />

and 11.5cm (4)<br />

£120 - 180<br />

34<br />

A <strong>Glass</strong> Large Jug, 2 nd half 18 th<br />

century, of inverted baluster form with<br />

trailed ribbing to the neck above a<br />

panelled base and circular foot, 22.5cm<br />

high<br />

£300 - 400<br />

35<br />

A <strong>Glass</strong> Large Jug, 2nd half 18 th<br />

century, of baluster form with two trailed<br />

bands to the neck on a circular foot, 28cm<br />

high<br />

£300 - 400<br />

36<br />

A <strong>Glass</strong> Flattened Ring Flask,<br />

probably English, late 17 th century,<br />

with spiral trailed rim collar and four<br />

applied milled trails to the side, 16.5cm<br />

high<br />

£400 - 600<br />

37<br />

A Green Tinted <strong>Glass</strong> Ham Stand, 19 th<br />

century, of hollow bobbin form with<br />

folded rims, 19.5cm high<br />

£200 - 300<br />

38<br />

A <strong>Glass</strong> Water Jug, early 19 th century,<br />

the ribbed oval body with cylindrical neck<br />

and loop handle, 24cm high<br />

£200 - 300<br />

39<br />

A German/Bohemian Enamelled<br />

Kurfürstenhumpen, bearing the date<br />

1595, of swollen cylindrical form with a<br />

gilded band below the rim, enamelled with<br />

green and red dots and beading, the main<br />

body with a continuous frieze depicting<br />

Holy Roman Emperor enthroned (the dais<br />

dated 1595), flanked by four electors on<br />

his left side and three further electors on<br />

his right side, each titled to their state,<br />

including BRANDENBERG, PFALZ and<br />

TRIER, and COLLEN (Cologne), standing<br />

full length flanked by a lily-of-the-valley<br />

spray, and with multiple line inscriptions in<br />

white enamel to the base and below the<br />

rim, 27.5cm high<br />

**Provenance: Sotheby's, New Bond St,<br />

2.5.52, lot 8, purchased for £28<br />

£1000 - 1500<br />

40<br />

A Venetian Enamelled and Metal<br />

Mounted Scent Bottle, by Osvaldo<br />

Brussa, Murano, Venice, circa 1750,<br />

of round shouldered cylindrical shape, with<br />

silver gilt silver screw thread cap with nail<br />

punched decoration, the main body<br />

enamelled with a goldfinch perched on<br />

flowering jasmine flanked by blue comfrey,<br />

tulips, lily of the valley, hyacinths and<br />

other flowers beneath a tear drop shoulder<br />

band and beaded basal band, 9.2cm high<br />

**For similar examples see Von Saldern<br />

(Axel) & Klesse (Brigitte) 500 Jahre<br />

Glaskunst, pg.365 and Tate (Hugh) The<br />

Golden Age of Venetian <strong>Glass</strong>, pg.129.<br />

Also see Mariacher (Giovanni) Vetri Italiani<br />

del Rinascimento, pg.83 for a painting of<br />

Osvaldo Brussa holding a glass decorated<br />

with a finch similar to the present<br />

example.<br />

£800 - 1000


41<br />

A Saint Louis Clematis Weight, mid<br />

19 th century, the blue flower within six<br />

oval printies, diamond cut base, 8cm<br />

diameter<br />

£500 - 700<br />

British Ceramics<br />

42<br />

withdrawn<br />

43<br />

A Derby Porcelain Plate, circa 1887,<br />

painted by James Rouse Snr with a full<br />

spray of flowers on a mushroom ground<br />

within a shaped gilt border, inscribed to<br />

reverse Painted by James Rouse Senr,<br />

printed and impressed marks, 23cm<br />

diameter<br />

£400 - 600<br />

44<br />

An English Porcelain Plaque, mid 19 th<br />

century, painted by James Rouse Snr,<br />

with a spray of flowers in a vase standing<br />

on a marble slab, signed J Rouse Sen,<br />

22.5cm by 17.5cm, framed and glazed<br />

£1500 - 2000<br />

45<br />

A Royal Worcester Porcelain<br />

Cylindrical Vase, 1928, painted by<br />

Harry Stinton with highland cattle in a<br />

misty landscape above a gilt swelling base,<br />

signed, printed mark in puce, 10.5cm high<br />

£400 - 500<br />

46<br />

A Royal Worcester Porcelain Ovoid<br />

Vase, 1925, painted by Harry Davis with<br />

sheep in a highland landscape below a<br />

moulded and gilt strapwork and foliate<br />

shoulder and neck, signed, printed mark in<br />

puce, 13cm high<br />

£400 - 600<br />

47<br />

A Pair of Royal Worcester Porcelain<br />

Conical Vases, 1914 and 1915, painted<br />

by Harry Stinton with highland cattle in<br />

misty landscapes above a moulded foliate<br />

and gadroon border, on a circular foot,<br />

signed, printed marks in green, 11cm high<br />

£500 - 700<br />

48<br />

A Pair of Royal Worcester Comports,<br />

1934 and 1937, painted by Richard<br />

Sebright, with still lives of fruit on a mossy<br />

bank within a blue border, gilt with scrolls<br />

and strapwork and with white enamel<br />

beading, signed, printed marks in puce,<br />

21.5cm diameter<br />

£700 - 1000<br />

49<br />

A Pair of Royal Worcester Porcelain<br />

Circular Dishes, 1919 and 1926,<br />

painted by Richard Sebright, en suite to<br />

the previous lot, 23cm<br />

£400 - 600<br />

50<br />

A Pair of Royal Worcester Porcelain<br />

Square Dessert Dishes, 1920 and<br />

1921, painted by Richard Sebright, en<br />

suite to the previous lot, 20.5cm wide<br />

£300 - 500<br />

51<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1921, painted by Richard<br />

Sebright, en suite to the previous lot,<br />

21.5cm diameter<br />

£600 - 800<br />

52<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1921, painted by Richard<br />

Sebright, en suite with the previous lot,<br />

21.5cm diameter<br />

£600 - 800


53<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1921, painted by Richard<br />

Sebright, en suite to the previous lot,<br />

21cm diameter<br />

£500 - 700<br />

54<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1921 and 1927, painted by<br />

Richard Sebright, en suite to the previous<br />

lot, 21.5cm diameter<br />

£600 - 800<br />

55<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1934, painted by Richard<br />

Sebright, en suite to the previous lot,<br />

21.5cm diameter<br />

£600 - 800<br />

56<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1921 and 1933, painted by<br />

Richard Sebright, en suite to the previous<br />

lot, 21.5cm diameter<br />

£300 - 500<br />

57<br />

A Royal Worcester Porcelain<br />

Twin-Handled Baluster Vase, mid 20 th<br />

century, painted by Horace Price with a<br />

still life of fruit on a mossy bank below a<br />

moulded and gilt harebell border, on a<br />

gadrooned circular socle, signed, printed<br />

marks in black, 18.5cm high<br />

£300 - 400<br />

58<br />

A Pair of Royal Worcester Porcelain<br />

Twin-Handled Urn Shaped Vases and<br />

Covers, 1904, painted by John Stinton<br />

with highland cattle in landscapes within<br />

moulded and gilt formal foliate borders, on<br />

circular socles and square bases, signed,<br />

printed marks in puce and green, 35cm<br />

high<br />

£1500 - 2000<br />

59<br />

A Royal Worcester Porcelain Large<br />

Ewer, 1895, of compressed globular form<br />

with scroll lip, the fluted neck with<br />

strapwork and foliage and with mermaid<br />

handle, on a circular socle, painted in<br />

colours with a spray of chrysanthemums<br />

on a blush ivory ground, printed mark in<br />

puce, 45cm high<br />

£400 - 600<br />

60<br />

A Pair of Royal Worcester Porcelain<br />

Figure Groups, 1919, each as a boy and<br />

girl in traditional costume beside a large<br />

urn, one holding a jug of water, the other<br />

with the boy playing a pipe, on rocky<br />

moulded bases picked out in green, ivory<br />

and gilding, shape nos.813, printed marks<br />

in puce, 17cm high<br />

£300 - 500<br />

61<br />

A Royal Worcester Porcelain Ewer,<br />

1911, painted by John Stinton, the tall<br />

spout with pierced latticework and<br />

moulded scrollwork, foliate sheathed<br />

handle and foot, painted with highland<br />

cattle in landscape, signed, printed mark in<br />

puce, 31cm high<br />

£1500 - 2000


62<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1912, painted by Harry Stinton<br />

with cattle beside a stream, within a gilt<br />

scrolling fruiting vine border, signed,<br />

printed mark in puce, 22.5cm diameter<br />

£700 - 1000<br />

63<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1912, painted by Harry Stinton,<br />

en suite with the previous lot, 22.7cm<br />

diameter<br />

£700 - 1000<br />

64<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1912, painted by Harry Stinton,<br />

en suite with the previous lot, 22.7cm<br />

diameter<br />

£700 - 1000<br />

65<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1912, painted by Harry Stinton,<br />

en suite with the previous lot, 22.7cm<br />

diameter<br />

£700 - 1000<br />

66<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1912, painted by Harry Stinton,<br />

en suite to the previous lot, 22.7cm<br />

£600 - 800<br />

67<br />

A Pair of Royal Worcester Porcelain<br />

Plates, 1912, painted by Harry Stinton,<br />

en suite with the previous lot, 22.7cm<br />

diameter<br />

£600 - 800<br />

68<br />

A Pair of Royal Worcester Porcelain<br />

Cake Stands, 1902, painted by Harry<br />

Davis with named views of Dunrobin<br />

Castle and Ben Lone, in shaped panels on<br />

a pale green ground with eight panels of<br />

foliage in gilt scroll and lattice cartouche,<br />

signed, printed marks, 22.5cm diameter<br />

£400 - 600<br />

69<br />

A Royal Worcester Porcelain<br />

Twin-Handled Ovoid Vase, 1910,<br />

painted by Harry Davis with a view of<br />

Bamburgh Castle below a foliate and leaf<br />

moulded trumpet neck, signed, titled in<br />

blue, printed mark in puce, shape 1109,<br />

23cm high<br />

£300 - 500<br />

70<br />

A Royal Worcester Porcelain Vase,<br />

1939, painted by Harry Stinton with<br />

highland cattle in a misty landscape,<br />

signed STINTON, printed mark in purple,<br />

10cm high<br />

**Although this piece is only signed<br />

Stinton it can be attributed to Harry<br />

Stinton as his brother John retired the<br />

previous year, 1938<br />

£250 - 350<br />

71<br />

A Pair of Royal Worcester Porcelain<br />

Trumpet Shape Vases, 1921, painted<br />

by Harry Stinton with highland cattle in<br />

misty landscapes within gilt borders,<br />

signed, printed marks in green, 23cm high<br />

£1000 - 1500<br />

72<br />

A Balleek Porcelain Circular Basket,<br />

late 19 th century, with arcaded border,<br />

the rusticated handle with foliate terminals<br />

in high relief, unmarked, 24cm wide<br />

£250 - 350


73<br />

A Pair of Ironstone Garden Seats, mid<br />

19 th century, of bombé hexagonal form<br />

pierced with cash symbols, printed and<br />

overpainted in colours with chinoiserie<br />

landscapes and foliage in panels on a<br />

yellow cell ground, 49cm high<br />

£300 - 400<br />

74<br />

A Measham Type Pottery Snuff-Taker<br />

Toby Jug, date 1891, typically applied<br />

and coloured with foliage, the base with<br />

oval panel inscribed A GIFT TO ALF WIGG<br />

1891, 24cm high See illustration<br />

£500 - 700<br />

75<br />

A Measham Type Pottery Mug, dated<br />

1887, of cylindrical form applied with<br />

stylised foliage and with a plaque inscribed<br />

NAVIGATION INN 1887, 10.5cm high; A<br />

Similar Mug, inscribed A PRESENT TO<br />

JOHN POPE 1889; and A Loving Cup,<br />

inscribed CAPTN SALT POLRAN …, 14cm<br />

high (3)<br />

£400 - 600<br />

76<br />

A Measham Bargeware Large Teapot<br />

and Cover, dated 1889, of baluster<br />

form, the domed cover with teapot knop,<br />

applied with two plaques inscribed MRS<br />

BRIDGWATERS TEAROOMS 1889, TIS<br />

VERY RARE TO HAVE SUCH A LOT SO<br />

QUENCH YOUR THIRST FROM OUR<br />

TEAPOT, on a treacle glaze ground,<br />

moulded and applied with scattered sprigs,<br />

30cm high<br />

£400 - 600<br />

77<br />

A George Jones Majolica Butterfly<br />

Box and Cover, circa 1870, the lid<br />

moulded and painted as a naturalistic<br />

butterfly on a bark and flower moulded<br />

shaped base, impressed mark and<br />

registration mark, 8cm high<br />

**Originally part of a dressing table set.<br />

See Bonham's London, 13.9.06, lot 88 for<br />

a similar example. Also see Karmason &<br />

Stacke Majolica, pg.102 for a similar<br />

example<br />

£600 - 1000<br />

78<br />

A Staffordshire Pottery Figure of The<br />

Elephant of Siam or The Fire Friend,<br />

mid 19 th century, depicting the royal<br />

elephant standing before a castle, the<br />

Prince Almansor at a window, on a gilt<br />

lined base, 16cm high<br />

**See Harding (A & N) Victorian<br />

Staffordshire Figures 1835-1875, Book I,<br />

pg.313 where the group is related to an<br />

1829 production at the Adelphi Theatre<br />

which is first known production with a live<br />

elephant on stage<br />

£200 - 300<br />

79<br />

A Spode Pearlware Basket, circa<br />

1825, of shaped oval form, printed in<br />

underglaze blue with the Italian pattern<br />

within a pierced border and scroll handles,<br />

on four feet, 27cm wide; A Rogers<br />

Pearlware Tivoli Pattern Dessert<br />

Plate, 21.5cm; A Pearlware Cowman<br />

Pattern Soup Plate, 25.5cm diameter; A<br />

Pearlware Plate, printed with a sailing<br />

ship, 25.5cm diameter; A Minton<br />

Pearlware Benevolent Cottages<br />

Pattern Side Plate, 16.5cm; A<br />

Pearlware Grecian Pattern Small<br />

Bowl, 18.5cm diameter; and A Small<br />

Oval Stand, printed with a shepherd and<br />

ruins, 20cm wide (7)<br />

£200 - 300


80<br />

A Spode Stone China Part Dinner<br />

Service, circa 1820, printed and<br />

overpainted in famille rose style enamels<br />

with figures and a sailing ship in a Chinese<br />

harbour within laub-und-bandelwerk<br />

panels and foliate and scroll borders,<br />

comprising a twin-handled soup tureen,<br />

cover and stand, a sauce tureen, cover<br />

and stand, a vegetable tureen, two<br />

rectangular dishes in sizes, six dinner<br />

plates and six soup plates, printed marks<br />

(21)<br />

£800 - 1200<br />

81<br />

A Copeland & Garrett New Fayence<br />

Footbath, circa 1840, of serpentine<br />

edge bombé form with two handles,<br />

printed with a broad vermicular band in<br />

green with blue floral devices, printed<br />

mark, 56cm wide<br />

£200 - 300<br />

82<br />

A Wedgwood Blue Jasper Portrait<br />

Plaque of Josiah Wedgwood, late<br />

18 th /19 th century, after a model by<br />

William Hackwood, modelled in high relief,<br />

impressed uppercase mark, inscribed in<br />

pencil January 3 1795, oval, 10.5cm by<br />

8.2cm, in a gilt metal frame mounted in a<br />

plush lined glazed giltwood and gesso<br />

frame<br />

**William Hackwood was one of the<br />

longest serving employees of Josiah<br />

Wedgwood, who described him as “an<br />

ingenious boy” when he was engaged by<br />

him in 1769, and in letters to Bentley<br />

discusses the fact that Hackwood initialled<br />

some of his plaques, and examples of the<br />

current plaque are to be found initialled<br />

WH<br />

£100 - 150<br />

83<br />

A Pearlware Coffee Pot and Cover,<br />

circa 1790, of wrythen fluted ovoid form,<br />

painted in famille rose style enamels with<br />

scattered sprays and sprigs of roses within<br />

a blue bell flower and red dot meander<br />

border, 26.5cm high; and A Pearlware<br />

Sauceboat, of fluted oval form with leaf<br />

sheathed handles painted in underglaze<br />

blue with a pagoda in landscape, 15cm<br />

long (2)<br />

£120 - 180<br />

84<br />

A Pratt Type Pottery Figure of a<br />

Recumbent Lion, circa 1790, with<br />

yellow mane, yellow, brown and ochre<br />

markings on a green washed base, 10.5cm<br />

wide<br />

£200 - 300<br />

85<br />

A Pair of English Delft Plates, possibly<br />

Vauxhall, circa 1760, painted in blue,<br />

green, yellow and ochre with a chinoiserie<br />

figure holding an umbrella in landscape,<br />

23cm diameter<br />

£300 - 500<br />

86<br />

A Pair of Staffordshire Salt Glazed<br />

Stoneware Oval Platters, circa 1760,<br />

moulded with lattice and basket work<br />

within scroll borders and ogee rims, 26cm<br />

wide; A Similar Larger Platter, 34cm<br />

wide; A Similar Circular Dish, with<br />

panels of geometric and scroll decoration<br />

within a pierced border, 18.5cm diameter;<br />

and A Similar Hexagonal Dish, with<br />

basket weave panel on a foliate ground<br />

within a pierced border and basket<br />

moulded rim, 21cm (5)<br />

**Provenance: pair of platters and circular<br />

dish ex Jonathan Horne Antiques Ltd<br />

£300 - 400


87<br />

A Coalport Porcelain Part Tea and<br />

Coffee Service, circa 1820, painted<br />

with flowersprays in shaped panels on<br />

broad pink border with gilt lattice within<br />

gadrooned rims, comprising seven<br />

teacups, eight coffee cups, eight saucers,<br />

two saucer dishes and a slop bowl, bear<br />

spurious Swansea marks (26)<br />

£200 - 300<br />

88<br />

A Coalport Porcelain D Shape Bough<br />

Pot, circa 1805, painted possibly in the<br />

studio of Thomas Baxter with a<br />

flowerspray on a lilac ground within a<br />

moulded and gilt rectangular panel flanked<br />

by fluted pilasters and two lilac panels with<br />

purple classical ornament, 22cm wide<br />

£300 - 400<br />

89<br />

An English Porcelain Tea and Coffee<br />

Service, probably Coalport, circa<br />

1800, painted in puce monochrome with<br />

sailing ships at sea within rectangular<br />

panels and gilt sprig borders, comprising<br />

an oval teapot, cover and stand, sucrier<br />

and cover, cream jug, twelve teacups,<br />

coffee cups and saucers, two bread and<br />

butter plates, and a slop bowl (45)<br />

£300 - 400<br />

90<br />

A Pair of Staffordshire Porcelain<br />

Twin-Handled Bread and Butter<br />

Plates, circa 1820, of shaped square<br />

form, painted in colours with children<br />

harvesting and a harvester and his<br />

daughter, in circular panels on a blue<br />

ground gilt with formal classical foliage,<br />

24cm wide<br />

£100 - 150<br />

91<br />

A Barr Flight & Barr Worcester<br />

Porcelain Oval Stand, circa 1810,<br />

painted in the manner of William<br />

Billingsley with a flower spray and<br />

scattered sprigs within a gilt line border,<br />

impressed mark, 25cm wide<br />

£80 - 120<br />

92<br />

A Chamberlains Worcester Porcelain<br />

Part Breakfast Service, circa 1810,<br />

painted in colours with the dragons in<br />

compartments pattern, comprising a<br />

muffin dish and cover, three breakfast<br />

cups and two saucers, custard cups and<br />

covers, two twin-handled rectangular<br />

dishes and a slop bowl (14)<br />

£300 - 400<br />

93<br />

A Chamberlains Worcester Porcelain<br />

Dessert Basket and Two Stands, circa<br />

1810, of lobed oval form, painted with a<br />

crest as a bust of a Roman legionnaire<br />

within gilt stiff leaves and harebells on a<br />

blue ground within arcaded pierced<br />

borders, script mark to one stand, the<br />

basket 27cm, the stands 28cm wide<br />

£300 - 400<br />

94<br />

A Pair of Staffordshire Porcelain Spill<br />

Vases, probably Charles Bourne, circa<br />

1825, of flared cylindrical form, painted<br />

with a spray of summer flowers on a gilt<br />

octagonal panel on a ground of classical<br />

ornament within beaded borders below a<br />

Greek key rim, 10cm high<br />

**The flower painting relates to marked<br />

Charles Bourne pieces<br />

£80 - 120


95<br />

An English Porcelain Fruit Cooler,<br />

Cover and Liner, circa 1810, of<br />

campana form with pineapple finial and<br />

scroll handles on a circular foot, painted<br />

with a continuous band of summer flowers<br />

within gilt gadrooned borders, 34cm high<br />

See illustration<br />

£400 - 600<br />

96<br />

A Rockingham Porcelain Centrepiece,<br />

circa 1830, of shaped oval form with twin<br />

shell and scroll handles, painted with a<br />

spray of summer flowers within a grey and<br />

gilt scroll border and moulded gadroon<br />

shell and scroll rim, on a pierced leaf<br />

sheath rectangular foot, unmarked, 41cm<br />

wide<br />

£100 - 150<br />

97<br />

A Rockingham Porcelain Figure of a<br />

Shepherdess, circa 1830, sitting<br />

holding a lamb under her right arm, a bowl<br />

in her left hand her hat before her on a<br />

flower sprigged mound base, incised<br />

number 44, impressed Rockingham<br />

Brameld, 11cm high<br />

**See Rice (DG) The Illustrated Guide to<br />

Rockingham Pottery and Porcelain, pl.160<br />

for a similar example<br />

£300 - 500<br />

98<br />

A Rockingham Porcelain Figure of a<br />

Turk, circa 1830, standing, wearing an<br />

orange and white turban, green cloak and<br />

gilt waistcoat, holding a flower sprig on a<br />

claret washed gilt scroll moulded base,<br />

incised 21/1 and inscribed in red CL.2,<br />

9.5cm high<br />

**See Rice (DG) The Illustrated Guide to<br />

Rockingham Pottery and Porcelain, pl.169<br />

for a similar example<br />

£300 - 400<br />

99<br />

A Rockingham Porcelain Vase,<br />

1831-1842, of baluster form with fluted<br />

flared neck and twin bird's mask handles<br />

on a leaf sheath and scroll quatrefoil foot,<br />

painted with a spray of summer flowers in<br />

a gilt cartouche on a blue ground gilt with<br />

a formal foliate and scroll motif within gilt<br />

borders, printed mark in puce, 27.5cm<br />

high<br />

£400 - 600<br />

100<br />

A Rockingham Porcelain Soup Tureen<br />

and Cover, circa 1830, of shaped oval<br />

form, with leaf and shell moulded scroll<br />

handles, printed and overpainted in<br />

colours with scattered flower sprigs within<br />

gadrooned borders on four oak leaf<br />

sheathed feet, unmarked, 34cm wide;<br />

Two Matching Circular Stands, griffin<br />

marks in red, 25cm diameter; and A Pair<br />

of Dinner Plates and A Pair of<br />

Matching Soup Plates, circa 1835,<br />

painted with flower sprigs within gilt scroll<br />

borders, puce griffin marks (8)<br />

£400 - 600<br />

101<br />

A Garniture of Three Rockingham<br />

Porcelain Hexagonal Vases and<br />

Covers, 1826-30, with rose knops,<br />

painted in pink, orange, green and<br />

underglaze blue with chinoiserie foliage in<br />

panels on a blue ground with further<br />

chinoiserie foliage, printed griffin mark in<br />

red and CL.6 in gilt, 36cm and 27cm high<br />

£2000 - 3000<br />

102<br />

A Nantgarw Porcelain Teacup and<br />

Saucer, circa 1820, with loop handle,<br />

painted in London with sprays of full blown<br />

roses within gilt dentil rims<br />

£150 - 250


103<br />

A Nantgarw Porcelain Trio, circa<br />

1820, painted with scattered pink roses<br />

and gilt seaweed on a sprig ground within<br />

line borders, comprising a coffee can,<br />

teacup and saucer<br />

£700 - 1000<br />

104<br />

A Nantgarw Porcelain Trio, circa<br />

1820, painted with a rose spray within a<br />

broad border of green and gilt stylised<br />

sprigs and red and gilt dot meander<br />

borders, comprising a coffee can, teacup<br />

and saucer<br />

£600 - 800<br />

105<br />

A Swansea Porcelain Plate, circa<br />

1820, painted in the style of Henry Morris<br />

with "single yellow rose" within a moulded<br />

scroll border, titled to reverse, 25cm<br />

diameter<br />

*A similar example of this mould can be<br />

seen in Jones (J) and Joseph (L) Swansea,<br />

p.162<br />

£200 - 300<br />

106<br />

A Nantgarw Porcelain Dessert Dish,<br />

circa 1820, of fluted square form,<br />

painted in the manner of Thomas Pardoe<br />

with scattered rose and convolvulus sprigs<br />

within a gilt line border, impressed mark,<br />

24.5cm wide<br />

**See Bonham's Bond Street, 18.4.12, lot<br />

283 for a pair of plates matching<br />

£200 - 300<br />

107<br />

A Nantgarw Porcelain Plate, circa<br />

1820, painted in London, probably in the<br />

Bradley workshop with a spray of summer<br />

flowers within a blue and gilt line border,<br />

the rim with five further spays of summer<br />

flowers and gilt dentil rim, impressed<br />

mark, 23.5cm diameter<br />

**See Sotheby's Olympia, 6.10.05, lot 176<br />

for a similar plate and Bonham's Bond<br />

Street, 3.10.12, lot 214 for an oval dish<br />

with similar decoration attributed to J<br />

Bradley & Co<br />

£1500 - 2000<br />

108<br />

A Nantgarw Porcelain Plate, circa<br />

1820, en suite to the previous lot,<br />

unmarked, 23.5cm diameter<br />

£1500 - 2000<br />

109<br />

A Swansea Porcelain Plate from the<br />

Gosford Castle Service, circa<br />

1815-17, of circular cruciform shape<br />

painted with a spray of flowers and buds<br />

within a gilt neo-classical border of urns<br />

and foliage, impressed mark, 23.5cm<br />

diameter, with original Gosford Castle<br />

Collection label inscribed 45<br />

**See Bonham's New Bond Street,<br />

13.1206, lot 404 for a plate from the same<br />

service and a discussion of the two<br />

Swansea services from Gosford Castle and<br />

the Marquess of Exeter where is it<br />

mentioned that the difference between the<br />

two services is that the Gosford Castle<br />

service is unmarked. However, this<br />

example has the impressed Swansea mark<br />

as well as the Gosford Castle paper label<br />

£1000 - 1500<br />

110<br />

A Swansea Porcelain Plate, circa<br />

1820, painted by William Pollard with a<br />

bouquet of flowers and strawberries within<br />

a gilt scroll and diaper border, the scroll<br />

moulded rim with gilt and green foliate<br />

scrolls, red stencil mark, 20.5cm diameter<br />

**See Christie's King Street, 13.12.01, lot<br />

689 for a similar example<br />

£1000 - 1500


111<br />

A Swansea Porcelain Trio, circa 1815,<br />

of “Paris fluted” form, painted with sprays<br />

and sprigs of flowers and with insects<br />

within gilt line borders, comprising coffee<br />

cup, teacup and saucer<br />

£400 - 600<br />

112<br />

A Swansea Porcelain Cabinet Cup,<br />

circa 1820, of bucket form with everted<br />

rim, scroll handle and three paw feet,<br />

painted possibly in the studio of Thomas<br />

Baxter with Venus and Cupid in a<br />

rectangular panel on a ground of gilt<br />

classical ornament, 11.5cm high<br />

£150 - 200<br />

113<br />

A Pinxton Porcelain Bute Shaped<br />

Teacup and Saucer, circa 1800,<br />

painted with landscape vignettes within<br />

gilt line borders, pattern no.218<br />

**See Sheppard (Barry) Pinxton Porcelain<br />

1795-1813, pg.107 for a discussion of this<br />

pattern and the attribution of pieces to<br />

various artists including William Billingsley<br />

£150 - 200<br />

114<br />

A Pinxton Porcelain Sauce Tureen,<br />

Cover and Stand, circa 1800, with<br />

entwined scroll handles, painted in colours<br />

with Chantilly sprig within a border of<br />

stylised yellow flowers, pink leaves and gilt<br />

lines and with blue rims, stand 24cm wide<br />

**See Gent (N D) The Patterns and<br />

Shapes of the Pinxton China Factory<br />

1796-1813, fig.210 for a similar shaped<br />

tureen<br />

£200 - 300<br />

115<br />

A Pinxton Porcelain Small Plate, circa<br />

1800, painted in colours and gilt with a<br />

panel border depicting insects,<br />

monochrome landscapes and pink rose<br />

swags, 18.5cm diameter<br />

**Provenance: Ex W D Johns Collection.<br />

See Gent (N D) Pinxton Porcelain, pg.22<br />

for a similar part service<br />

£700 - 900<br />

116<br />

A Pinxton Porcelain Teacup and<br />

Saucer, circa 1810, painted in colours<br />

with a view of Breadsall within circular<br />

panels with husk borders and with<br />

scattered sprigs, pattern no.174<br />

**See Gent (N D) Pinxton Porcelain, pg.61<br />

£300 - 400<br />

117<br />

A Pinxton Porcelain Tea Bowl and<br />

Saucer, circa 1800, of wrythen fluted<br />

form, painted with the Red Sprigg pattern;<br />

and A Similar Cream Jug, of fluted<br />

bucket form painted with gilt sprigs, 7cm<br />

high (3)<br />

**Both are variations on pattern no.1.<br />

See Gent (N D) The Patterns and Shapes<br />

of the Pinxton China Factory 1796-1813,<br />

pg.49 for a similar tea bowl and saucer<br />

£300 - 400<br />

118<br />

A Pinxton Porcelain Bough Pot and<br />

Cover, circa 1796, of D shape with scroll<br />

moulded bracket feet, gilt with scrolling<br />

foliage in oval panels hung with flowers on<br />

a green ground within gilt line and scroll<br />

borders, 17.5cm wide<br />

**See Gent (N D) Pinxton Porcelain,<br />

pg.82, fig.64<br />

£1000 - 1500


119<br />

A Pinxton Porcelain Teapot and<br />

Cover, circa 1800, of fluted oval form,<br />

painted and gilt with scattered sprigs<br />

within line borders and leaf and berry<br />

rims, teapot with painted pattern no.46,<br />

15.5cm high; and A Matched Oval<br />

Teapot Stand, 18cm wide (3)<br />

**See Gent (N D) The Patterns and<br />

Shapes of the Pinxton China Factory<br />

1796-1813, pg.56 for an identical teapot.<br />

£450 - 550<br />

120<br />

A Pinxton Porcelain Coffee Can, circa<br />

1800, of fluted form, painted with a<br />

beaded border hung with gilt swags on a<br />

ground of scattered sprigs, pattern no.314<br />

**See Gent (N D) Pinxton Porcelain, pg.69<br />

£350 - 450<br />

121<br />

A Pinxton Porcelain Teacup and<br />

Saucer, circa 1800, painted with<br />

landscape vignettes within gilt line<br />

borders, pattern no.218<br />

£350 - 450<br />

122<br />

A Pinxton Porcelain Kidney Shape<br />

Dish, circa 1800, painted in the manner<br />

of William Slater with a floral meander<br />

border and butterflies, 22.5cm wide<br />

**See Gent (N D) Pinxton Porcelain, pg.83<br />

£450 - 550<br />

123<br />

A Pinxton Porcelain Cream Jug, circa<br />

1810, of flattened baluster form, painted<br />

with one large and two small Chantilly<br />

sprigs within gilt line and meander<br />

borders, 14cm long<br />

**See Gent (N D) Pinxton Porcelain,<br />

pg.101, fig.119<br />

£250 - 350<br />

124<br />

A Pinxton Porcelain Bough Pot, circa<br />

1800, of D shape with scroll moulded<br />

bracket feet, painted with a landscape<br />

vignette within a gilt line and floral border,<br />

pattern no.218, 20cm wide<br />

£700 - 900<br />

125<br />

A Pinxton Porcelain Teacup and<br />

Saucer, circa 1800, of fluted form,<br />

painted in colours with spiggs within a<br />

beaded red border hung with gilt swags<br />

**See Gent (N D) The Patterns and<br />

Shapes of the Pinxton China Factory<br />

1796-1813, pg.69 for examples of the<br />

same pattern no.314<br />

£200 - 300<br />

126<br />

A Pinxton Porcelain Dessert Dish,<br />

circa 1810, of lobed oval form, painted in<br />

the Imari palette with a central foliate<br />

panel on a ground of further foliage and<br />

shaped panels, pattern no.355, 25.5cm<br />

wide<br />

£180 - 250<br />

127<br />

A Pair of Derby Biscuit Porcelain<br />

Figures of a Stag and Doe, late 18 th<br />

century, the recumbent animals lying<br />

before bocage, on rocky moulded bases<br />

applied with flowers, incised 3 mark, 10cm<br />

high; and A Bloor Derby Miniature<br />

Watering Can and Cover, circa 1830,<br />

encrusted with flowers, on a sea green<br />

ground, printed mark in iron red, 8cm high<br />

(3)<br />

£250 - 300


128<br />

A Derby Porcelain Part Tea Service,<br />

circa 1790, painted with named views in<br />

rectangular panels on a gilt seaweed<br />

ground within foliate borders, comprising<br />

teapot, cover and stand VIEW AT<br />

GLOUCESTER, NEAR STOURPORT,<br />

WORCESTERSHIRE and NEAR<br />

WORCESTER, a sucrier and cover NEAR<br />

DUMFRIESS, SCOTLAND and NEAR<br />

KESWICK, CUMBERLAND (sic), a milk jug<br />

NEAR PONTE FELITE, ITALY, two saucer<br />

dishes GATEWAY OF NAPLES and NEAR<br />

FARNHAM, SURRY (sic), and a slop bowl A<br />

VIEW NEAR NARNI, ITALY, painted marks<br />

and inscribed in blue (9)<br />

**Provenance: Sold by Christie, Manson &<br />

Woods, King Street, London, Friday<br />

February 10 th 1893, lot 68, the property of<br />

Mrs Boyd-Rochfort of Middleton Park<br />

£700 - 1000<br />

129<br />

A Derby Porcelain Figure of a<br />

Mansion House Dwarf, circa 1810, of<br />

traditional form, the corpulent figure<br />

standing wearing a wide brimmed hat<br />

inscribed with a poster for a sale of<br />

antiques and valuables and with a yellow<br />

jacket and floral and gilt waistcoat, on a<br />

flower encrusted mound base, incised<br />

No.227, 17.5cm high<br />

£150 - 200<br />

130<br />

A Derby Porcelain Campana Shaped<br />

Vase, circa 1790, painted in the manner<br />

of George Robertson with On the River<br />

Wye and On the River Severn in oval<br />

panels on a ground painted in turquoise,<br />

red and gilt with scrolling classical<br />

ornament and foliage, painted mark and<br />

titles in black and workman's number 11 in<br />

black and 42 in red, 17.5cm high<br />

£300 - 500<br />

131<br />

A Derby Porcelain Twin-Handled<br />

Campana Shaped Vase, circa 1810,<br />

painted in colours with In Leicestershire<br />

within a canted square panel within gilt<br />

line rims, painted mark and titled in red,<br />

17cm high<br />

£200 - 300<br />

132<br />

A Derby Porcelain Shaped Oval Dish,<br />

circa 1790, painted in blue, brown and<br />

gilt with a Viscount's coronet above the<br />

initials PHC within a laurel wreath and with<br />

three Chantilly sprigs within gilt line<br />

borders, painted mark in puce, 22.5cm<br />

wide<br />

£70 - 100<br />

133<br />

A Derby Porcelain Teacup and Saucer,<br />

circa 1780, painted possibly by Zachariah<br />

Boreman with a puce monochrome<br />

landscape in a circular panel within a gilt<br />

floral meander and ovolo borders, painted<br />

mark in puce<br />

**See Bradley (Gilbert) Derby Porcelain<br />

1750-1798, item 82 for a similar trio<br />

described as possibly Zachariah Boreman<br />

£300 - 500<br />

134<br />

A Derby Porcelain Guglet, late 18 th<br />

century, with garlic neck, painted in<br />

colours with flowersprays and scattered<br />

sprigs within gilt lined borders, 25cm high<br />

£400 - 600<br />

135<br />

A Derby Porcelain Sauceboat, circa<br />

1770, the interior painted in underglaze<br />

blue with chinoiserie flower sprays within a<br />

cell border, the exterior moulded with two<br />

floral panels and a third panel painted with<br />

a chinoiserie flower spray on a moulded<br />

scale ground within cell borders, 17cm<br />

long


**Ex Bernard Watney Collection, part lot<br />

1176 from the Phillips' Watney Collection<br />

Part III<br />

£100 - 150<br />

136<br />

A Derby Porcelain Teapot and Cover,<br />

circa 1765, of globular form with leaf<br />

moulded spout and tau handle, painted<br />

with sprays of flowers and with scattered<br />

sprigs, 11cm high<br />

£200 - 300<br />

137<br />

A Derby Porcelain Teapot and Cover,<br />

circa 1765, of globular form with turned<br />

knop, painted with flowersprays and<br />

scattered sprigs, 16cm high<br />

£200 - 300<br />

138<br />

A Derby Porcelain Basket, circa 1760,<br />

of shaped oval form with twin handles,<br />

painted in colours with exotic birds in<br />

landscape and with scattered sprigs, the<br />

exterior with yellow ground, 20cm wide<br />

£300 - 400<br />

139<br />

A Lowestoft Porcelain Teapot and<br />

Cover, circa 1785, painted in the<br />

manner of Thomas Curtis with a<br />

ribbon-tied bouquet of flowers and<br />

scattered sprigs below a foliate swag<br />

border, 15cm high<br />

£300 - 400<br />

140<br />

A Lowestoft Porcelain Sparrowbeak<br />

Jug, circa 1785, painted in the manner<br />

of Thomas Curtis with a spray of flowers<br />

within a foliate cartouche below a pink<br />

lattice border, 8.5cm high<br />

£200 - 300<br />

141<br />

A Caughley Porcelain Gadroon Boat,<br />

circa 1785, painted in enamels with<br />

flowersprays and a sprig within gilt line<br />

borders, impressed mark to foot rim,<br />

9.5cm long<br />

**See Bonham's New Bond Street,<br />

3.10.12, lot 174 for a similar example<br />

£100 - 150<br />

142<br />

A Champions Bristol Porcelain<br />

Sparrow Beak Jug, circa 1770, painted<br />

in colours with chinoiserie figures in a<br />

fenced garden, blue enamel cross and 7<br />

mark, 8.5cm high<br />

£150 - 250<br />

143<br />

A Champions Bristol Porcelain Butter<br />

Boat, circa 1770, of oval form with<br />

angular handle, moulded with fruit and<br />

flowers, painted in colours with a swag of<br />

flowers and scattered sprigs, blue enamel<br />

cross and 1 mark, 10cm long<br />

£150 - 250<br />

144<br />

A Champions Bristol Porcelain Sauce<br />

Boat, circa 1770, of ogee oval form<br />

moulded with feather scrolls, painted with<br />

flowersprays and scattered sprigs, bears<br />

crossed swords mark in underglaze blue,<br />

16.5cm long<br />

£200 - 300<br />

145<br />

A William Reid & Co Liverpool<br />

Porcelain Baluster Mug, circa 1760,<br />

the handle with scroll thumb piece,<br />

painted in underglaze blue, iron red and<br />

gilt with flowers and rockwork in a fenced<br />

garden below a panelled border, 12cm<br />

high<br />

**See Hillis (Maurice) Liverpool Porcelain<br />

1756-1804, pl.3.13 for a similar example<br />

£500 - 700


146<br />

A Chaffers Liverpool Porcelain<br />

Baluster Coffee Pot and Cover, circa<br />

1760, with ball knop and scroll handle,<br />

painted in colours with chinoiserie foliage<br />

within yellow and gilt arrowhead borders,<br />

19cm high<br />

£400 - 600<br />

147<br />

A Chaffers Liverpool Porcelain Teapot<br />

and Cover, circa 1760, of globular form,<br />

the domed cover with turned finial,<br />

painted in famille rose style enamels with<br />

peony and prunus, 12.5cm high<br />

**See Hillis (Maurice) Liverpool Porcelain<br />

1756-1804, pg.177 for a mug with related<br />

decoration300<br />

£250 - 350<br />

148<br />

A London Decorated Chinese<br />

Porcelain Slop Bowl, circa 1760,<br />

painted in colours with flowersprays,<br />

scattered sprigs and insects on a bianco<br />

sopra bianco ground, 14cm diameter<br />

£70 - 100<br />

149<br />

A First Period Worcester Porcelain<br />

Part Tea and Coffee Service, circa<br />

1775, of fluted form, painted with flower<br />

sprays and scattered sprigs within blue<br />

borders with gilt floral meander,<br />

comprising eight teacups, seven coffee<br />

cups and eight saucers, crescent mark in<br />

underglaze blue (23)<br />

£600 - 800<br />

150<br />

A First Period Worcester Porcelain<br />

Teapot and Cover, circa 1770, of<br />

globular form, printed in black and<br />

overpainted in colours with the Chinese<br />

Family pattern, 13.5cm high<br />

£200 - 300<br />

151<br />

A Chelsea Porcelain Strawberry Leaf<br />

Sauce Boat, Red Anchor period, circa<br />

1756, moulded with naturalistic leaves<br />

and branches picked out in colours and<br />

painted with scattered flowersprays and<br />

sprigs, red anchor mark, 16.5cm long<br />

£250 - 350<br />

152<br />

A Chelsea Porcelain Plate, Red<br />

Anchor period, circa 1756, painted in<br />

colours with bunches of grapes and berries<br />

and with scattered insects within a feather<br />

moulded border picked out in brown and<br />

blue, red anchor mark, 20.5cm diameter<br />

£150 - 250<br />

153<br />

A First Period Worcester Porcelain<br />

Partridge Tureen and Cover, circa<br />

1760, the naturalistically modelled and<br />

painted bird on a basket moulded base<br />

with applied shredded clay foliage, incised<br />

II, 16.5cm wide<br />

£800 - 1200<br />

Continental Ceramics<br />

154<br />

A Sèvres Porcelain Coffee Cup and<br />

Saucer, bears date mark for 1780,<br />

with a border of jewelled and gilt scrolling<br />

foliage within turquoise beadwork bands<br />

on a bleu de roi ground and gilt borders,<br />

painted marks in gilt<br />

£300 - 500<br />

155<br />

A Set of Twelve Saint Cloud Porcelain<br />

Cutlery Handles, mid 18 th century, for<br />

knives and forks, of pistol form painted in<br />

underglaze blue with scrolls, shells and<br />

foliage, steel blades and tines, the knives<br />

28cm, the forks 22cm long overall (24)<br />

£500 - 800


156<br />

A Meissen Porcelain Plate, circa 1745,<br />

painted in the style of C F Heroldt with<br />

European figures in a river landscape<br />

within a gilt scroll and shell cartouche, and<br />

with four similar smaller panels on a<br />

ground of Kakiemon style flowersprays,<br />

crossed swords mark in underglaze blue,<br />

24cm diameter<br />

**For a comparable plate from the King<br />

Frederik V of Denmark Service see<br />

Bonhams, New Bond Street, 24.11.10, lot<br />

80<br />

£3000 - 5000<br />

157<br />

A Meissen Porcelain Figure of a<br />

Shepherd, circa 1757, modelled by<br />

Johann Joachim Kaendler, standing<br />

wearing a yellow hat and flower sprigged<br />

jacket holding a lamb at his shoulder, his<br />

dog at his feet, on a scroll and flower<br />

moulded mound base, crossed swords<br />

mark in underglaze blue, 26.5cm high<br />

£2000 - 3000<br />

158<br />

A Meissen Porcelain Figure of a<br />

Shepherdess, circa 1757, wearing a<br />

salmon pink hat, puce bodice and green<br />

and yellow skirts sitting on a tree branch,<br />

a lamb at her feet, on a flower encrusted<br />

scroll moulded base, crossed swords mark,<br />

20cm high<br />

£2000 - 300<br />

159<br />

A Pair of Meissen Porcelain Teacups,<br />

circa 1735, painted in colours with<br />

European lovers in landscape within gilt<br />

scroll and shell panels, the interiors with<br />

flower sprigs within gilt scroll borders,<br />

crossed swords marks in underglaze blue,<br />

36 marks in gilt<br />

£350 - 450<br />

160<br />

A Meissen Porcelain Teacup and A<br />

Saucer, circa 1750-60, each painted<br />

with figures before buildings in landscape<br />

vignettes, crossed swords marks in<br />

underglaze blue<br />

£250 - 350<br />

161<br />

A Meissen Gold Ground Teacup and<br />

Saucer, circa 1750, painted in puce<br />

monochrome with flower sprigs, crossed<br />

swords mark in underglaze blue<br />

£400 - 600<br />

162<br />

A Meissen Porcelain Blanc de Chine<br />

Teapot and A Cover, circa 1745, with<br />

mask spout and tau handle moulded with<br />

fruiting branches, crossed swords mark in<br />

underglaze blue, 10.5cm high<br />

£400 - 500<br />

163<br />

A Meissen Porcelain Milk Jug, circa<br />

1740, with scroll moulded spout and tau<br />

handle, painted in the Kakiemon pallette<br />

with stylised foliage, crossed swords mark<br />

in underglaze blue, 9cm high<br />

£600 - 800<br />

164<br />

A Meissen Porcelain Spoon Tray, circa<br />

1735, of shaped oval form painted in<br />

colours with figures before a woodland<br />

cottage, within a gilt shell and scroll<br />

cartouche, the exterior with holzschnitt<br />

blumen, crossed swords mark in<br />

underglaze blue and gilt 2 mark, 17.5cm<br />

£700 - 1000


165<br />

A Meissen Figure of Julius Caesar,<br />

circa 1750, modelled by Johann Joachim<br />

Kaendler, emblematic of Rome from the<br />

Four Monarchies series, the bearded figure<br />

wearing a laurel wreath, breast plate,<br />

multi-coloured cuirass and pink lined green<br />

cloak, standing, a sword at his waist, the<br />

two-horned fabulous beast of dreadful<br />

strength sitting at his side, on a gilt scroll<br />

base, crossed swords mark in underglaze<br />

blue, 20cm high<br />

**The Four Monarchies are first mentioned<br />

in a 1753 inventory of Count Bruhl's<br />

Domestic Tableware, the Meissen factory<br />

work record includes B70 Julius Caesar,<br />

December 1766, one figure 11 inches<br />

high. See also the Pauls-Eisenbeiss<br />

Catalogue, pg.152-157. For a similar<br />

example see Christie's Amsterdam,<br />

30.10.01 <strong>Sale</strong>, lot 364<br />

£2000 - 3000<br />

166<br />

A Meissen Porcelain Figure of<br />

Alexander the Great, circa 1750,<br />

modelled by Johann Joachim Kaendler,<br />

emblematic of Greece from the Four<br />

Monarchies series, the standing figure<br />

wearing a plumed helmet, moulded breast<br />

plate, pink and gilt cuirass and yellow lined<br />

pink cloak, standing with his right arm<br />

raised, a sword at his hip and Cerberus at<br />

his side, on a scroll moulded base, crossed<br />

swords mark in underglaze blue to the<br />

reverse, 22cm high<br />

**For a similar figure see Christie's King<br />

Street, 31.3.08, European Ceramics &<br />

<strong>Glass</strong> <strong>Sale</strong>, lot 76<br />

£2000 - 3000<br />

167<br />

A Meissen Porcelain Cream Pot and<br />

Cover, circa 1750, of basket moulded<br />

squat baluster form with foliate knop, leaf<br />

sheathed spout and scroll handle, on three<br />

paw feet, painted in colours with flower<br />

sprays reserved in panels and with<br />

scattered sprigs, gilt line borders, crossed<br />

swords mark in underglaze blue, 12.5cm<br />

high<br />

£200 - 300<br />

168<br />

A Meissen Porcelain Dish, circa 1900,<br />

moulded in relief and gilt with a central<br />

foliate boss within a broad rim of shells<br />

and dolphins and ropetwist borders,<br />

crossed swords mark in underglaze blue,<br />

27cm diameter<br />

£150 - 200<br />

169<br />

A Pair of Meissen Porcelain Figural<br />

Candlesticks, late 19 th /early 20 th<br />

century, one modelled with a father and<br />

child, the other with a mother and child,<br />

each in loose drapes, on scroll moulded<br />

shaped circular bases painted with flowers<br />

and birds, crossed swords marks in<br />

underglaze blue, 32.5cm high<br />

£500 - 700


170<br />

A Matched Set of Three Meissen<br />

Porcelain Figures of the Continents,<br />

late 19 th /20 th century, after models by<br />

F E Meyer, Africa modelled as a<br />

blackamoor with an elephant's head<br />

headdress, feathered skirt and yellow lined<br />

blue cloak holding a parrot and sceptre, on<br />

a mound base moulded with a lion,<br />

America in feathered headdress, cloak and<br />

skirts holding a bow, a quiver of arrows at<br />

his hip, his left foot on a cornucopia, on a<br />

scroll moulded base moulded with an<br />

alligator, and Europe wearing an ermine<br />

lined claret cloak and flowered yellow<br />

skirts holding a sceptre and orb, a<br />

cornucopia, globe and books at her feet,<br />

on a scroll moulded base moulded with a<br />

horse, crossed swords marks, 14.5-16cm;<br />

and A Similar Figure of Ceres from a<br />

set of The Elements, a cornucopia and<br />

dragon at her side, on a scroll moulded<br />

base, crossed swords mark, 14cm high (4)<br />

£700 - 1000<br />

171<br />

A Meissen Porcelain Devisenkinder,<br />

late 19 th /early 20 th century, after the<br />

model by Michel Victor Acier, the naked<br />

figure sitting on a rocky outcrop holding a<br />

blanket of flowers, arrows at his feet, on a<br />

shaped triangular base inscribed Je<br />

decouvre tout, crossed swords mark in<br />

underglaze blue, 12.5cm high<br />

£200 - 300<br />

172<br />

A Meissen Porcelain Figure Group of a<br />

Goatherder and Goat, late 19 th /20 th<br />

century, after the model by Johann Carl<br />

Schönheit, he standing with a yellow<br />

jacket holding a fruiting grape vine to the<br />

back of the standing beast, on a chain<br />

moulded oval base, crossed swords mark<br />

in underglaze blue, 15cm high<br />

£250 - 350<br />

173<br />

A Meissen Porcelain Figure Group of<br />

the Drunken Silenus, late 19 th<br />

century, after the model by F E Meyer,<br />

the slumped figure on the back of an ass<br />

supported by a bacchic attendant, a<br />

loosely draped maiden feeding grapes to<br />

the ass, a cherub at the rear, on a scroll<br />

moulded mound base, crossed swords<br />

mark in underglaze blue, 21cm high<br />

£700 - 1000<br />

174<br />

A Meissen Porcelain Figure of a Girl,<br />

late 19 th /20 th century, allegorical of<br />

Spring from the Seasons, wearing 18 th<br />

century costume holding a hatful of<br />

flowers, seated on an upturned basket of<br />

flowers, on a scroll moulded base, crossed<br />

swords mark in underglaze blue, 11.5cm<br />

high<br />

£200 - 300<br />

175<br />

A Meissen Porcelain Figural Salt, late<br />

19 th /early 20 th century, as a girl in 18 th<br />

century costume holding a posy sitting on<br />

two baskets, on a scroll moulded mound<br />

base, crossed swords mark in underglaze<br />

blue, 12.5cm high<br />

£250 - 350<br />

176<br />

A Meissen Porcelain Figure Group,<br />

late 19 th /early 20 th century, as a girl in<br />

18 th century costume and a boy draped in<br />

a leopard skin, each sitting on a rocky<br />

outcrop, he holding a stick, a club at his<br />

feet, on a scroll moulded base, 13cm high<br />

£250 - 350


177<br />

A Meissen Porcelain Figure of Cupid,<br />

early 20 th century, as a dragon slayer,<br />

the winged figure wearing a helmet,<br />

armour and shield, a curled dragon at his<br />

feet, on a waisted circular socle, crossed<br />

swords mark in underglaze blue, 21.5cm<br />

high<br />

£250 - 350<br />

178<br />

A Pair of Meissen Porcelain<br />

Three-Branch Figural Candelabra,<br />

late 19 th century, representing Spring<br />

and Winter from a set of the Seasons,<br />

each with removable foliate and leaf<br />

encrusted sconces and branches on<br />

rusticated stems, Spring with a mother<br />

and child holding a posy and bird, Winter<br />

as a bearded man and seated child<br />

warming their hands over a fire, on ovolo<br />

moulded circular bases, crossed swords<br />

marks in underglaze blue, 35cm high<br />

£600 - 800<br />

179<br />

A Pair of Meissen Porcelain Figures of<br />

Gardeners, late 19 th /early 20 th<br />

century, both in 18 th century costume, he<br />

holding a flower posy, leaning on a spade<br />

and watering can, she holding a sickle and<br />

basket of flowers, on key moulded circular<br />

bases, crossed swords marks in<br />

underglaze blue, 19.5cm high<br />

£700 - 1000<br />

180<br />

A Meissen Porcelain Figure Group as<br />

Spring from the Seasons, late<br />

19 th /early 20 th century, the two figures<br />

in 18 th century dress, he holding a stick,<br />

she with flowers in her apron, a posy in<br />

her right hand, on scroll moulded base<br />

with a basket of flowers, crossed swords<br />

mark in underglaze blue, 15.5cm high<br />

£300 - 500<br />

181<br />

A Meissen Porcelain Figure Group of<br />

The Wine Growers, late 19 th /early<br />

20 th century, after the model by Michel<br />

Victor Acier, both in 18 th century dress, he<br />

holding a bottle and goblet, she with a<br />

basket of flowers and a posy, on a scroll<br />

moulded base with a basket of flowers,<br />

crossed swords mark in underglaze blue,<br />

16cm high<br />

£400 - 600<br />

182<br />

A Meissen Porcelain Figure of Cupid<br />

“Je Les Couronne”, late 19 th /early<br />

20 th century, the loosely draped figure<br />

holding a floral wreath over a pair of<br />

hearts, on a classical column and<br />

triangular base, crossed swords mark in<br />

underglaze blue, 14cm high<br />

£200 - 300<br />

183<br />

A Meissen Porcelain Figure of a Lady,<br />

20 th century, in 18 th century costume<br />

sitting at a spinet, on a moulded shaped<br />

rectangular base, crossed swords mark in<br />

underglaze blue, 12.5cm high<br />

£300 - 400<br />

184<br />

A Meissen Porcelain Crinoline Group,<br />

20 th century, after the model by Johann<br />

Joachim Kaendler, as a lady sitting at a<br />

rococo style table, a gentleman to her<br />

side, a pug dog at their feet, on a flower<br />

encrusted mound base, crossed swords<br />

mark in underglaze blue, 19cm high<br />

£800 - 1200


185<br />

An Outside Decorated Meissen<br />

Porcelain Figure Group, late 19 th<br />

century, of rustic lovers in 18 th century<br />

costume sitting before an architectural<br />

column, he placing a floral wreath over her<br />

head, a figure watching from behind, two<br />

sheep and a dog at their feet, on scroll<br />

moulded base, crossed swords mark in<br />

underglaze blue struck out, 23cm high<br />

£400 - 600<br />

186<br />

A Vienna Style Porcelain Goblet and<br />

Cover, circa 1900, the domed cover with<br />

floriform finial on a tapering cylindrical<br />

body and knopped circular socle, painted<br />

with "Bachusfest", on a gilt band and<br />

green ground gilt with bands of stiff leaf<br />

and ivy leaves and with white enamel<br />

jewelling, titled in red, stamped shield<br />

mark in underglaze blue, 29.5cm high<br />

£250 - 350<br />

187<br />

A Vienna Porcelain Cabinet Plate,<br />

circa 1900, painted with a bust portrait<br />

of a maiden in a red velvet cap and<br />

diaphanous dress, in a circular panel on a<br />

blue ground gilt with bands and formal<br />

classical foliage, indistinctly signed, shield<br />

mark, 24cm diameter<br />

£150 - 200<br />

188<br />

A Vienna Porcelain Cabinet Plate,<br />

circa 1900, painted by F Listner with<br />

LEBRUN, the half length portrait in a<br />

circular panel on a blue ground with gilt<br />

bands and scrolling classical foliage,<br />

signed, inscribed in black, shield mark in<br />

blue enamel, 24cm diameter<br />

£150 - 200<br />

189<br />

A Pair of “Vienna” Porcelain Cabinet<br />

Plates, late 19 th /early 20 th century,<br />

with bust portraits of GRAZIELLA and<br />

GLADIOLA within broad bleu de roi<br />

borders gilt with stylised formal foliage<br />

and with white enamel beading, one<br />

signed DOHL, shield marks in underglaze<br />

blue and titled in gilt, 24.5cm diameter<br />

£300 - 500<br />

190<br />

A Pair of Vienna Style Porcelain Vases<br />

and Covers, circa 1900, of slender<br />

baluster form, the domed covers with<br />

baluster finials, on circular socles and<br />

drum bases with moulded gadroon<br />

borders, painted with named classical<br />

scenes on a broad gilt band with raised<br />

lattice within bleu de roi borders gilt with<br />

formal foliage and swags, printed marks,<br />

52cm high<br />

£1000 - 1500<br />

191<br />

A German Painted Porcelain Plaque,<br />

Holy Family, after Del Sarto, 3rd<br />

quarter 19th century, 32cm by 26.5cm,<br />

inscribed verso in crayon Holy Family by<br />

Del Sarto Old Pinakothek, Munich, copied<br />

F A Thallmaier, Munich with impressed<br />

number 317, in a decorative gilt and gesso<br />

frame<br />

**<strong>Art</strong>ist probably Xaver Thallmaier Franz<br />

£2000 - 3000<br />

192<br />

A Carl Thieme, Potschappel Porcelain<br />

Figure Group, late 19 th /early 20 th<br />

century, as four figures in 18 th century<br />

dress, one playing the flute on an<br />

architectural base applied with a violin,<br />

books and a bottle, on a drum base hung<br />

with swags, painted mark in underglaze<br />

blue, 28cm high<br />

£300 - 500


193<br />

A Royal Dux Porcelain Figure of a<br />

Potter, 20 th century, the loosely draped<br />

figure sitting on a low wall decorating an<br />

urn, further pottery about him, on a<br />

moulded rectangular base, pink triangle<br />

patch mark, 19cm high<br />

£200 - 300<br />

194<br />

A Pair of Paris Porcelain Gilt Porcelain<br />

Rhyton Vases, early 19 th century, of<br />

trumpet form with stiff leaf bands and<br />

tooled with bacchic putti, with boar's mask<br />

terminal and acanthus leaf and foliate<br />

roundel support on a rectangular plinth<br />

applied in white bisque with a putto lying<br />

on a swag suspended from torches on a<br />

lattice ground, 30cm high<br />

£700 - 1000<br />

195<br />

A Pair of French Faience Jardinières,<br />

in 18 th century style, of fluted baluster<br />

form with mask handles, painted in colours<br />

with 18 th century figures in landscapes<br />

within leaf cartouche on a ground of<br />

scattered sprigs, 32cm high<br />

£400 - 600<br />

196<br />

A Gilt Metal Mounted Sèvres Style<br />

Porcelain Casket and Hinged Cover,<br />

late 19 th century, of shaped oval form,<br />

the cover with a romantic scene of a<br />

shepherd and shepherdess in landscape,<br />

signed GEO.ROCHET in a gilt cartouche,<br />

on a bleu de roi ground gilt with emblems<br />

and sprigs, bears imitation SÈVRES and<br />

CHATEAU DE TUILLERIES marks, 25cm<br />

wide<br />

£300 - 400<br />

197<br />

A Gilt Metal Mounted Sèvres Style<br />

Pottery Twin-Handled Pedestal Bowl,<br />

late 19 th century, of circular form with<br />

scrolling leaf handles, decorated with 18 th<br />

century lovers in landscape within a gilt<br />

scrollwork cartouche, on a blue ground,<br />

the interior with sprays and bands of<br />

foliage, on a circular socle and shape<br />

square foot, signed POITEVRY, 26cm high<br />

£300 - 400<br />

198<br />

A Pair of Samson of Paris Porcelain<br />

Vases, late 19 th century, of slightly<br />

flared cylindrical form with trumpet neck,<br />

painted in famille rose enamels with birds<br />

in peony branches, 30cm high<br />

£300 - 500<br />

Oriental Ceramics & Works of <strong>Art</strong><br />

199<br />

A Chinese Terracotta Model of a<br />

Bactrian Camel, Tang type, standing on<br />

all fours with brown painted detail and<br />

with leaf painted saddle, on a rectangular<br />

integral plinth, 40cm high<br />

£800 - 1200<br />

200<br />

A Chinese Porcelain Ovoid Jar, mid<br />

17 th century, painted in underglaze blue<br />

with ogee panels of fruiting and flowering<br />

branches on a keywork ground within<br />

broad formal panelled borders and a<br />

foliate rim, 36cm high<br />

£600 - 1000


201<br />

A Pair of Chinese Porcelain Cylindrical<br />

Vases, Kangxi, with trumpet necks,<br />

painted in underglaze blue with panels of<br />

scrolling lotus, 13.5cm high; and A<br />

Chinese Porcelain Fluted Bowl,<br />

Kangxi, painted in underglaze blue with<br />

figures in interiors and landscape, bears<br />

apocryphal Chenghua reign mark, 11.5cm<br />

diameter (3)<br />

£400 - 600<br />

202<br />

A Chinese Porcelain Baluster Jar, 18 th<br />

century, painted in underglaze blue with<br />

phoenix amongst stylised fruiting branches<br />

within a cloud scroll border, 34cm high,<br />

with carved wood cover<br />

£400 - 600<br />

203<br />

A Chinese Porcelain Hexagonal<br />

Teapot and A Cover, Kangxi, painted in<br />

underglaze blue with maidens in fenced<br />

gardens, 11cm high<br />

£250 - 350<br />

204<br />

A Chinese Porcelain Square Section<br />

Baluster Vase, Kangxi, with re-entrant<br />

corners, painted in underglaze blue with<br />

foliage and rockwork, 27.5cm high; and A<br />

Chinese Porcelain Bulb Bowl, in<br />

Transitional style, painted in underglaze<br />

blue with figures in a mountainous<br />

landscape, 21cm diameter (2)<br />

£200 - 300<br />

205<br />

A Chinese Porcelain Large Dish,<br />

Kangxi period, painted in famille verte<br />

enamels with a central circular panel of<br />

flowering prunus within radiating lappet<br />

shaped panels of animals in landscape and<br />

flowering branches, the broad cell border<br />

with six panels of precious objects, mark in<br />

underglaze blue, 47cm diameter<br />

£1000 - 1500<br />

206<br />

A Chinese Porcelain Dragon Dish,<br />

Kangxi reign mark, painted in<br />

underglaze blue and yellow enamel with a<br />

five-clawed dragon chasing a flaming pearl<br />

amidst clouds and flames within a border<br />

of further dragons, the exterior with two<br />

further dragons above a leaf band, six<br />

character mark in underglaze blue, 36cm<br />

diameter<br />

**Reputedly bought from Bluetts and was<br />

valued for insurance by Roger Bluett in the<br />

1980's for £5,000<br />

£12000 - 18000<br />

207<br />

A Pair of Chinese Porcelain Conical<br />

Bowls in Ming Style, painted in<br />

underglaze blue with meandering foliage<br />

above a stiff leaf border, four character<br />

mark in cartouche in underglaze blue,<br />

15cm diameter<br />

£300 - 400<br />

208<br />

A Chinese Imari Porcelain Coffee<br />

Service, 18 th century, painted with a<br />

hare sitting on a lily pad and with a<br />

jardinière of foliage within a scroll and<br />

diaper border, comprising teapot and<br />

cover, milk jug, sugar bowl, three coffee<br />

cups, four saucers, one small saucer dish,<br />

one large saucer dish, and one slop bowl<br />

(13)<br />

£150 - 200


209<br />

A Pair of Chinese Porcelain Plates,<br />

mid 18 th century, painted in colours with<br />

a vase of flowers standing on a scroll and<br />

a pot of brushes within a foliate and cloud<br />

scroll cavetto, the rim with flowering and<br />

fruiting branches, 22.5cm diameter; A<br />

Chinese Porcelain Saucer Dish,<br />

Kangxi, painted in iron red and gilt with<br />

two maidens in a fenced garden within a<br />

broad moulded flowerhead border painted<br />

with birds amongst foliage, ogee rim,<br />

22.5cm diameter; and A Cantonese<br />

Porcelain Plate, typically painted with<br />

figures in interiors and birds amongst<br />

foliage in panels on a foliate ground, 22cm<br />

diameter (4)<br />

£200 - 300<br />

210<br />

A Chinese Porcelain Charger, mid 18 th<br />

century, painted in underglaze blue with<br />

bamboo, peony and prunus in an ogee<br />

panel within a broad border of four similar<br />

flower sprays and a foliate border, 38cm<br />

diameter<br />

£200 - 300<br />

211<br />

A Chinese Sang de Boeuf Glazed<br />

Vase, Qing Dynasty, probably 18 th<br />

century, of ovoid form with tall cylindrical<br />

neck, 36.5cm high<br />

£200 - 300<br />

212<br />

A Chinese Porcelain Oval Dish,<br />

Qianlong, painted in underglaze blue with<br />

a figure on a bridge before a pagoda in a<br />

mountainous landscape within diaper and<br />

cell borders, 37cm high; A Pair of Leaf<br />

Moulded Dishes, painted with river<br />

landscapes, 19.5cm wide; A Chinese<br />

Imari Saucer Dish, painted with foliage,<br />

21.5cm diameter; and Another, painted<br />

with panels of foliage, 22.5cm diameter<br />

(5)<br />

£400 - 600<br />

213<br />

A Pair of Chinese Porcelain Soup<br />

Plates, Qianlong period, painted in<br />

underglaze blue with a boy on a buffalo<br />

and other figures before a pagoda, within<br />

a diaper border, the rim with flowersprays<br />

and sprigs, 22cm diameter<br />

£200 - 300<br />

213A<br />

A Chinese Blue and White Porcelain<br />

Bottle Vase, bearing six character<br />

mark of Yongzheng, but probably<br />

Daoguang, painted in "heap and pile"<br />

technique with two five-clawed dragons<br />

writhing amongst scrolling peony<br />

blossoms, a narrow crashing wave band to<br />

the rim, the foot with eight quatrelobed<br />

florets, 39.2cm high<br />

**This vase is decorated in the "heap and<br />

pile" effect characteristic of earlier Ming<br />

Dynasty period pieces. The effect is<br />

achieved by hand-painted "dots" which<br />

result in a higher concentration of cobalt<br />

pigment. This vase clearly shows these<br />

almost "black" spots, particularly<br />

noticeable on the edges of the flowers and<br />

leaves. The vase exhibits an<br />

extraordinary control of the cobalt blue<br />

which is exceptionally finely painted<br />

throughout.<br />

£20000 - 30000<br />

214<br />

A Chinese Porcelain Punch Bowl,<br />

Qianlong, painted in famille rose type<br />

enamels with a continuous river landscape<br />

with figures at various pursuits, the<br />

interior with a spray of flowers within a<br />

floral meander border, 34.5cm diameter<br />

£1500 - 1800


215<br />

A Set of Eight Chinese Porcelain<br />

Octagonal Tea Plates, Qianlong,<br />

painted in famille rose enamels with a bird<br />

crest over a foliate swag hug oval<br />

cartouche, inscribed within a monogram<br />

within a floral meander border, 16cm<br />

diameter<br />

£400 - 600<br />

216<br />

A Pair of Chinese Porcelain Armorial<br />

Dishes, Qianlong, of lobed circular form,<br />

painted in famille rose enamels with the<br />

arms of Field of Stanstedbury in<br />

Hertfordshire, within a chain link border,<br />

the rim with scattered sprigs and<br />

arrowheads, 29cm diameter; and Two<br />

Plates, en suite, 23cm diameter (4)<br />

**See Howard (David Sanctuary) Chinese<br />

Armorial Porcelain, pg.423 for a matching<br />

plate<br />

£500 - 800<br />

217<br />

A Chinese Robin's Egg Glazed<br />

Cylindrical Brush Pot, 18 th /early 19 th<br />

century, carved in relief and glazed white<br />

with a butterfly flitting above blossoming<br />

prunus branches, 12.2cm high<br />

£400 - 600<br />

218<br />

A Chinese Porcelain Teapot and A<br />

Cover, Qianlong, of globular form,<br />

painted in famille rose enamels with a<br />

Chinese family in landscape, 13.5cm high;<br />

and A Similar Teapot and Cover,<br />

painted with a Chinese family on an<br />

underglaze blue cell ground, replacement<br />

silver spout, 15cm high (2)<br />

£70 - 100<br />

219<br />

A Pair of Chinese Porcelain Tureen<br />

Stands, Qianlong, of canted rectangular<br />

form, painted in famille rose enamels with<br />

peacocks amongst rockwork and foliage<br />

within a foliate meander border, 37cm<br />

wide<br />

£200 - 300<br />

220<br />

A Chinese Porcelain Silver Shaped<br />

Sauceboat, Qianlong, of lobed oval<br />

form, painted in famille rose enamels with<br />

birds amongst foliage and rockwork in a<br />

fenced garden within an arrowhead<br />

border, 24cm long<br />

£200 - 300<br />

221<br />

A Pair of Chinese Porcelain Baluster<br />

Vases, 19 th century, with pleated necks,<br />

fluted bodies and mythical beast handles,<br />

painted in famille rose enamels with exotic<br />

birds in a fenced garden, on a yellow<br />

ground within foliate borders with panels<br />

of further birds, 36cm high<br />

£700 - 1000<br />

222<br />

A Pair of Chinese Porcelain Famille<br />

Rose Vases, 19 th century, of slightly<br />

flared cylindrical form with waisted necks,<br />

enamelled with scroll panels of foliage on<br />

a foliate ground within formal borders,<br />

43cm high, mounted as electric table<br />

lamps<br />

£500 - 800<br />

223<br />

A Set of Six Chinese Porcelain<br />

Armorial Plates, late 19 th /early 20 th<br />

century, with central arms within a foliate<br />

and diaper border, 24.5cm diameter<br />

£200 - 300


224<br />

A Pair of Chinese Porcelain Large<br />

Hexagonal Vases, 19 th century, with<br />

mythical beast handles, painted in famille<br />

rose enamels with figures at various<br />

pursuits in landscapes, 50cm high<br />

£2500 - 3500<br />

225<br />

A Chinese Porcelain Pedestal Bowl,<br />

Jiaqing seal mark and probably of the<br />

period, of lobed oval form, painted in<br />

famille rose enamels with two maidens<br />

and a beast on a raft within an ogee panel<br />

within an iron red and gilt border of<br />

dragons chasing the flaming pearl, the<br />

exterior with a continuous river landscape<br />

with further maidens and beasts on rafts<br />

and with other figures and animals, six<br />

character seal mark in red, 27cm wide<br />

£600 - 800<br />

226<br />

A Chinese Wucai Porcelain Bowl,<br />

Daoguang mark, 1821-50 and of the<br />

period, finely painted with dragon and<br />

phoenix chasing the flaming pearl amongst<br />

foliage below a border with the eight<br />

Buddhistic emblems, six character seal<br />

mark in underglaze blue, 15cm diameter<br />

**Provenance: Acquired as a gift from<br />

friends in the 1940's or 1950's and thence<br />

by descent.<br />

£12000 - 18000<br />

227<br />

A Chinese Porcelain Chicken Bowl,<br />

Qianlong reign mark but probably not<br />

of the period, painted in famille rose<br />

enamels with chickens amongst rockwork<br />

and foliage, the interior with similar<br />

circular panel, six character seal mark in<br />

underglaze blue, 17.5cm diameter<br />

£200 - 300<br />

228<br />

A Chinese Porcelain Dish, Kangxi<br />

reign mark but later, painted in famille<br />

verte enamels with a central panel of carp<br />

amongst waves, on a ground of dragons<br />

chasing the flaming pearl within ruyi scroll<br />

borders and panelled lattice rim, six<br />

character mark in underglaze blue, 49.5cm<br />

diameter<br />

£200 - 300<br />

229<br />

A Chinese Porcelain Fish Bowl in<br />

Kangxi Style, painted in famille rose<br />

enamels with ribbon tied baskets of<br />

flowers in rectangular panels on a ground<br />

of stylised scrolling foliage within lattice<br />

and scroll borders, 29.5cm high<br />

£300 - 500<br />

230<br />

A Chinese Porcelain Baluster Vase,<br />

19 th century, the trumpet neck with<br />

folded inner rim and applied with mythical<br />

beast handles, painted in underglaze blue<br />

with birds and insects amongst foliage<br />

within formal scroll and lappet borders,<br />

62cm high<br />

£200 - 300<br />

231<br />

A Chinese Porcelain Kettle and Cover,<br />

late 19 th century, of cylindrical form with<br />

metal handle, painted in underglaze blue<br />

with eight immortals amongst clouds,<br />

26.5cm high; and A Similar Smaller<br />

Kettle, 22cm high (4)<br />

£300 - 400<br />

232<br />

A Chinese Porcelain Figure of<br />

Buddha, 19 th century, the seated figure<br />

with blue, turquoise and gilt headdress,<br />

green jacket and orange skirts picked out<br />

in gilt, on a lotus moulded waisted oval<br />

base, 32cm high<br />

£1800 - 2500


233<br />

A Chinese Porcelain Baluster Vase,<br />

19 th century, with flared neck and ring<br />

and mask handles, painted in famille verte<br />

enamels with figures and animals in<br />

landscapes within panels on a red cell<br />

ground with further foliage and objects<br />

within panelled diaper and cloud scroll<br />

borders, 61cm high<br />

£1000 - 1500<br />

234<br />

A Chinese Sang de Boeuf Bottle Vase,<br />

19 th century, 28.5cm high<br />

£200 - 300<br />

235<br />

A Chinese Blue Monochrome Glazed<br />

Bottle Vase, Qing dynasty, with<br />

wrythen lighter blue decoration, 46.5cm<br />

high<br />

£300 - 500<br />

236<br />

A Chinese Porcelain Baluster Vase, in<br />

Kangxi style, painted in famille noire<br />

enamels with birds perched in flowering<br />

prunus branches, 37cm high<br />

£600 - 800<br />

237<br />

A Cantonese Porcelain Baluster Vase,<br />

mid 19 th century, with trumpet neck and<br />

mythical beast handles, typically painted in<br />

famille rose enamels, with panels of<br />

figures in landscape and interiors, on a<br />

ground of birds, insects and scattered<br />

foliage, 62cm high<br />

£500 - 700<br />

238<br />

A Cantonese Porcelain Baluster Jar<br />

and Cover, mid 19 th century, with ball<br />

knop, typically painted in famille rose<br />

enamels with figures in landscape and<br />

interiors in panels on a foliate and insect<br />

ground, 63cm high, on a carved hardwood<br />

stand with octagonal marble inset panel<br />

within a beaded border over a foliate<br />

pierced frieze on cabriole legs with claw<br />

and feet tied by stretchers, 45cm high (3)<br />

£600 - 800<br />

239<br />

A Cantonese Porcelain Baluster Jar<br />

and Cover, mid 19 th century, the<br />

domed cover with conical knop and metal<br />

hinged collar and mount, typically painted<br />

in famille rose enamels with figures in<br />

landscapes and interiors in rectangular<br />

panels on a ground of birds, insects and<br />

scattered foliage, within gilt and foliate<br />

borders, 62cm high, on a George II style<br />

giltwood and gesso stand with four scroll<br />

supports tied by stretchers, 47cm high<br />

£2000 - 3000<br />

240<br />

A Cantonese Porcelain Bough Pot and<br />

Pierced Liner, mid 19th century, of<br />

flared canted square form with twin<br />

handles, typically painted in famille rose<br />

enamels with figures in interiors in panels<br />

on a foliate ground moulded and painted<br />

with scrolls amongst fruiting branches,<br />

22.5cm high<br />

£200 - 300<br />

241<br />

A Cantonese Porcelain Dish, mid 19 th<br />

century, typically painted in famille rose<br />

enamels with panels of figures in interiors<br />

and birds in branches on a scroll and<br />

foliate ground, 41.5cm diameter<br />

£300 - 400


242<br />

A Cantonese Porcelain Baluster Vase,<br />

mid 19 th century, the flared neck with<br />

frilled rim and applied with mythical<br />

beasts, typically painted in famille rose<br />

enamels with panels of figures in interiors<br />

and birds in branches on a foliate and<br />

scroll ground, 35.5cm high, carved<br />

hardwood stand<br />

£200 - 300<br />

243<br />

A Pair of Canton Porcelain Bottle<br />

Vases, mid 19 th century, painted in<br />

famille rose enamels with figures and<br />

precious objects on a ground of scattered<br />

flower sprigs below a scroll panelled<br />

border, 31.5cm high<br />

£300 - 500<br />

244<br />

A Chinese Duck Egg Blue Glazed<br />

Inkstand, 19 th /20 th century, modelled<br />

as a butterfly with two receptacles below<br />

its wings, 8.5cm wide<br />

£300 - 400<br />

245<br />

A Pair of Imari Porcelain Plates, early<br />

18 th century, typically painted with a<br />

jardinière of foliage in circular panel within<br />

a foliate and scroll border, 24.5cm<br />

diameter<br />

£200 - 300<br />

246<br />

An Imari Porcelain Circular Dish,<br />

early 18 th century, typically painted with<br />

a jardinière of foliage within a broad<br />

border of birds in branches, and scroll<br />

panels of mythical beasts and foliage,<br />

27.5cm diameter<br />

£200 - 300<br />

247<br />

An Imari Porcelain Barber's Bowl,<br />

18 th century, of traditional form, painted<br />

in typical colours with a jardinière of<br />

flowers in a fenced garden within a shaped<br />

border of quail and foliage, 27cm diameter<br />

£200 - 300<br />

248<br />

An Arita Porcelain Figure Group, in<br />

17 th century style, as a man and an oni<br />

arm wrestling, both wearing traditional<br />

costume picked out in underglaze blue, on<br />

a hardwood table base, 54cm wide overall<br />

£3000 - 5000<br />

249<br />

A Pair of Nabeshima Porcelain Dishes,<br />

in 17 th century style, of oval form<br />

painted in underglaze blue with carp<br />

amongst seaweed, the exterior with lotus<br />

and with comb foot, 21cm wide<br />

£1000 - 1500<br />

250<br />

A Pair of Nabeshima Shallow Dishes,<br />

in 17 th century style, painted with<br />

flowering lotus and butterflies, 11cm<br />

diameter<br />

£400 - 600<br />

251<br />

A Pair of Japanese Porcelain Tokkuri,<br />

19 th century, painted in colours with<br />

figures of warriors and birds in branches<br />

below a brocade border, seal marks, 19cm<br />

high<br />

£400 - 600<br />

252<br />

An Imari Porcelain Jar, Cover and<br />

Inner Cover, Meiji period, typically<br />

painted with dragons chasing the flaming<br />

pearl above waves, on a brocade ground<br />

with ogee panels of phoenix within scroll<br />

and panel borders, 30cm high<br />

£300 - 500


253<br />

A Pair of Satsuma Vases, Meiji period,<br />

of square section baluster form with loop<br />

and mask handles, typically painted with<br />

figures in landscape in panels within<br />

brocade borders, signed, 19cm high; and<br />

A Similar Dish, of shaped circular form,<br />

painted with figures in landscapes within<br />

brocade panels, signed, 15cm wide (3)<br />

£300 - 400<br />

254<br />

A Pair of Satsuma Earthenware<br />

Vases, signed Kinkozan, Meiji period,<br />

painted with chickens in landscape and<br />

birds in branches in rectangular panels, on<br />

a blue ground gilt with brocade and flower<br />

sprigs, four character mark, 12cm high<br />

£300 - 500<br />

255<br />

A Chinese Porcelain Snuff Bottle,<br />

Daoguang (1821-1850), of compressed<br />

oval form, painted in underglaze blue with<br />

a continuous scene of figures taking tea, a<br />

figure pushing a wheel chair by a horse,<br />

four character mark, 6cm (excluding<br />

associated stopper)<br />

£300 - 400<br />

256<br />

A Chinese Cloisonné Snuff Bottle,<br />

Qing Dynasty, of flattened rounded form,<br />

worked with repeat lotus blossoms, bats<br />

and shou medallions, bone stopper,<br />

bearing engraved four character mark of<br />

Qianlong, 6.7cm high<br />

£700 - 1000<br />

257<br />

Two Oriental Snuff Bottles, late Qing<br />

Dynasty, comprising an inside painted<br />

glass snuff bottle, decorated with four<br />

figures and an ape beneath rocks amongst<br />

inscriptions, smokey quartz stopper, 7cm<br />

high, and a Japanese cloisonné snuff<br />

bottle, worked with numerous flowerheads<br />

in subdued colours, cast seal mark, 7cm<br />

£250 - 350<br />

258<br />

A Chinese Blue and White Porcelain<br />

Snuff Bottle, 19th century, cylindrical,<br />

painted with a sky dragon over waves,<br />

8.2cm high<br />

£60 - 100<br />

259<br />

A Cantonese Enamel Circular Box and<br />

Cover, Qianlong, painted in famille rose<br />

enamels with birds amongst flowering<br />

branches in ogee panels on a green cell<br />

ground, 8cm diameter<br />

£150 - 250<br />

260<br />

A Pair of Cantonese Enamel Altar<br />

Candlesticks, 19 th century, with dished<br />

circular drip pans and baluster stems on<br />

ogee dished and bell bases, painted in<br />

famille rose enamels with figures in<br />

landscapes and interiors, birds in branches<br />

and ducks swimming, in shaped panels on<br />

a ground of foliage within formal borders,<br />

44cm high<br />

£400 - 600<br />

261<br />

A Chinese Jade and Hardwood Ruyi<br />

Sceptre in 18 th Century Style, set with<br />

three shaped plaques carved in relief with<br />

birds and animals amongst flowering<br />

branches, 50cm long<br />

£500 - 700


262<br />

A Chinese Jade Group, late 19 th /20 th<br />

century, as three birds perched on a<br />

gnarly prunus tree, one pecking a leaves,<br />

21cm high, hardwood stand<br />

£200 - 300<br />

263<br />

A Chinese Carved and Inscribed Jade<br />

Bowl, Qianlong mark and of the<br />

period, the pale celadon ogee bowl<br />

carved with a continuous mountain<br />

landscape, the domed cover inscribed with<br />

a poem dated 1746, six character seal<br />

mark to cover, 10cm diameter<br />

**Provenance: Bluett & Sons 1952<br />

£5000 - 7000<br />

264<br />

A Chinese Pale Jade Plaque as a Table<br />

Screen, 18 th /19 th century, of arched<br />

rectangular form, carved in relief with two<br />

deer and bats beside a fruiting tree and<br />

with incised and gilt script, the reverse<br />

with flowers and foliage, and with further<br />

script, 24cm by 18.5cm, hardwood stand<br />

**Provenance: Bluett & Sons 1958<br />

£5000 - 7000<br />

265<br />

A Chinese Jade Mountain in 18 th<br />

Century Style, the craggy peaks carved<br />

with a standing figure and with trees,<br />

14.5cm wide, with hardwood stand<br />

£400 - 600<br />

266<br />

A Chinese Soapstone Brush Washer,<br />

19 th century, as a flattened baluster vase<br />

flanked by two smaller vases, carved in<br />

high relief with peony and chrysanthemum<br />

amongst rockwork, 27.5cm high, later<br />

mounted as an electric lamp base on a<br />

hardwood plinth<br />

£200 - 300<br />

267<br />

A Chinese Marble Figure of Guanyin,<br />

Qing Dynasty, three-quarter length, her<br />

hair tied back, wearing flowing robes and<br />

a necklace, carrying a fish in a basket in<br />

her right hand, 53cm, hardwood stand<br />

£400 - 600<br />

268<br />

A Large Japanese Bronze Incense<br />

Burner, Cover and Stand, 19 th<br />

century, of wave moulded baluster form<br />

cast and pierced in high relief with<br />

dragons amid the waves within Greek key<br />

borders, 112cm high, on a circular<br />

hardwood stand with pierced keywork<br />

frieze, on four legs with paw feet tied by<br />

pierced stretchers See illustration<br />

£2000 - 3000<br />

269<br />

A Chinese Bronze Large Mirror,<br />

probably Ming in Tang style, the<br />

central circular boss within a circular panel<br />

with four mythical beasts on a ground of<br />

four phoenix within cloud scrolls and with<br />

broad plain border, 33.5cm diameter<br />

**Provenance: Lady Buchanan-Jardine of<br />

Jardine Matheson<br />

£300 - 500<br />

270<br />

A Chinese White Metal Scroll Weight,<br />

cast with calligraphy and tigers, bears<br />

stamped mark to reverse, 23cm; and A<br />

Similar Plaque, cast with Guanyin, 10cm<br />

high (2)<br />

£200 - 250<br />

271<br />

A Chinese Gilt Bronze Figure of<br />

Buddha, 17 th /18 th century, wearing<br />

flowing robes with foliate borders sitting<br />

crossed legged, 25cm high<br />

£300 - 500


272<br />

A Cantonese Boxwood Card Case, late<br />

19 th century, of rectangular form<br />

profusely carved with figures and pagodas<br />

amongst trees in landscape, 11cm high<br />

£200 - 300<br />

273<br />

Chinese School: Seated Portraits of<br />

an Emperor and Empress, Qing<br />

Dynasty, the Emperor wearing dragon<br />

robes and beads in a lion skin backed<br />

throne chair, upon a lotus carpet,<br />

inscription to the right hand side, painted<br />

area 154cm by 99cm, the Empress<br />

similarly seated with elaborate phoenix<br />

headdress, inscription on the left and right<br />

hand border<br />

£700 - 1000<br />

274<br />

A Chinese Scroll Painting, Qing<br />

Dynasty, painted with maidens playing<br />

musical instruments in a pagoda in<br />

landscape, 150cm by 58cm<br />

£200 - 300<br />

275<br />

A Chinese Embroidered Silk Summer<br />

Robe, late Qing Dynasty, worked with<br />

sprays of summer flowers and with<br />

roundels on a red ground within blue scroll<br />

borders<br />

£100 - 150<br />

276<br />

A Chinese Ivory Cylinder, 20 th<br />

century, of rectangular section with<br />

canted fluted corners, deeply carved with<br />

sinuous dragons amongst cloud scrolls<br />

within rectangular panels, 11cm high<br />

**With CITES A10 (non-transferable)<br />

licence no.504684/03<br />

£300 - 400<br />

277<br />

A Pair of Chinese Carved and Stained<br />

Ivory Figures of Dogs of Fo, 20 th<br />

century, each in typical pose, one with a<br />

brocade ball, the other with a pup, on<br />

lotus carved oval bases, incised marks,<br />

9.5cm high, hardwood stands<br />

**With CITES A10 (non-transferable)<br />

licence no.504684/02<br />

£400 - 600<br />

278<br />

A Chinese Ivory Carving, 20 th<br />

century, as buildings and figures on a<br />

meandering pathway amongst foliage, a<br />

fishing boat at its base, 18cm high<br />

**With CITES A10 (non-transferable)<br />

licence no.504684/01<br />

£150 - 200<br />

279<br />

An Indian Ivory Chess Set, mid 20 th<br />

century, the kings and queens carved as<br />

elephants with howdah, the remaining<br />

pieces as riders on horse and elephant<br />

back, on circular stand, the king 9cm high,<br />

cased<br />

**With CITES A10 (non-transferable)<br />

licence<br />

£250 - 350<br />

280<br />

A Cantonese Ivory Chess Set, mid<br />

20 th century, as standing figures in<br />

traditional costume, the king 10cm high, in<br />

a fitted chequer board box<br />

**With CITES A10 (non-transferable)<br />

licence<br />

£250 - 350


281<br />

A Chinese Rhinoceros Horn Libation<br />

Cup, 17th/18th century, as an open<br />

mallow blossom, externally carved in relief<br />

with flowering prunus, the prunus<br />

branches forming an openwood foot, fine<br />

colour and deep patination, 13cm wide,<br />

7.2cm high, 126g<br />

**Sold with Animal Health permission<br />

letter 078-12/13<br />

£25000 - 35000<br />

282<br />

A Chinese Rhinoceros Horn Libation<br />

Cup, 17th/early 18th century, as a<br />

lotus leaf, two lotus rhizomes forming the<br />

handle inhabited by a crab and water<br />

snail, on openwork foot, fine colour and<br />

lustrous patination, 13.5cm wide, 7cm<br />

high, 119g<br />

**Sold with Animal Health permission<br />

letter 077-12/13<br />

£25000 - 35000<br />

283<br />

A Chinese Carved Rhinoceros Horn<br />

"Twenty-Six Dragon" Libation Cup,<br />

17th century, of archaic "metal" flared<br />

hexagonal form, with leiwen narrow rim<br />

bands, main dissolving "dragon" girdle<br />

band against a ground of leiwen carved<br />

both internally and externally with<br />

twenty-six wrything dragons of varying<br />

sizes, on flared foot (of differing colour)<br />

carved with two character seal on the<br />

base, 11.3cm high, 16cm wide, 298g<br />

**Sold with Animal Health permission<br />

letter 076-12/13<br />

£70000 - 100000<br />

284<br />

A Chinese Carved Rhinoceros Horn<br />

Libation Cup, 17th/18th century,<br />

modelled as a duck complete with webbed<br />

feet, the head of the bird at one end,<br />

holding a trailing lotus blossom in its beak,<br />

with feathery and stylised lingzhi scroll<br />

plumage detail both internally and<br />

externally, 9cm long, 3.6cm high, 68g<br />

**Sold with Animal Health permission<br />

letter 093-12/13<br />

£35000 - 45000<br />

285<br />

A Pair of South East Asian Gilt Carved<br />

Stone Heads, in Archaic style, 26cm<br />

high, wooden bases<br />

£200 - 300<br />

286<br />

A Japanese Bronze Figure of a Bird,<br />

Meiji period, standing, its head turned to<br />

preen its wing feathers, tail feathers<br />

splayed, 9.5cm high<br />

£150 - 250<br />

287<br />

A Japanese Bronze and Ivory Figure<br />

of a Girl, Meiji period, in traditional<br />

flowing robes, her hair tied up, carrying a<br />

parasol, on a shaped hardwood base,<br />

21cm high<br />

£200 - 300<br />

288<br />

A Japanese Bronze Figure Group,<br />

Meiji period, as an elephant being<br />

attacked by two tigers, one on its back,<br />

one under its raised left leg, ivory tusks,<br />

seal mark, 39.5cm high<br />

£300 - 500


289<br />

A Pair of Japanese Bronze Large<br />

Elephant and Howdah Incense<br />

Burners, Meiji period (1868-1912),<br />

the exotic beasts standing four square<br />

with their trunks raised, each with a<br />

dragon and bead cast saddlecloth<br />

supporting a howdah in the form of a<br />

three-tier pagoda surmounted by a dragon<br />

and with scroll angles to the tiled roofs<br />

and with pierced windows, 119cm high<br />

**Provenance: Found in a Sheffield scrap<br />

yard after World War II<br />

£10000 - 15000<br />

290<br />

After Hiroshige: Trees in moonlit<br />

landscape; and Three Other<br />

Woodblock Prints, framed and glazed<br />

(4)<br />

£150 - 200<br />

291<br />

A Japanese Shibayama Page Turner,<br />

Meiji period, the handle formed as fish<br />

and an octopus, the blade inlaid with a<br />

butterfly and flowering branches, 41.5cm<br />

long<br />

£150 - 200<br />

292<br />

A Japanese Stag Antler Netsuke, 19 th<br />

century, modelled as a seated shi-shi,<br />

unsigned, 3.5cm long<br />

£150 - 200<br />

293<br />

A Japanese Ivory Netsuke, Meiji<br />

period, as a seated monkey drinking from<br />

a bowl, two character signature, 4cm high;<br />

A Netsuke, as a rat in a cloak, 6cm high;<br />

A Netsuke, as a seated kylin, 5.5cm high;<br />

An Ivory Plaque as a Netsuke, with a<br />

rickshaw, 3.5cm; An Ivory Two Case<br />

Inro, gilt with leaves, 4cm, with hardwood<br />

netsuke; and Two Cloisonné Enamel<br />

Miniature Vases (7)<br />

£150 - 200<br />

294<br />

A Japanese Ivory Okimono as an Old<br />

Man, early 20 th century, standing in<br />

traditional dress, holding the raised left<br />

hand of a small child at his feet, on a<br />

shaped base, two character signature,<br />

19.5cm high<br />

£250 - 300<br />

295<br />

A Japanese Ivory Okimono of a Man,<br />

early 20 th century, standing wearing<br />

traditional dress smoking a pipe, a<br />

rope-tied bundle of flowers at his feet, on<br />

a shaped oval base, signed, 20.5cm high<br />

£250 - 300<br />

296<br />

A Japanese Carved Ivory Okimono as<br />

a Fisherman, early 20 th century,<br />

standing in traditional dress, a large net<br />

over his left arm and right hand, on a<br />

rocky base with waves, on an oval plinth,<br />

two character signature, 21cm high<br />

£250 - 350<br />

297<br />

A Japanese Ivory Okimono as a<br />

Fisherman, early 20 th century,<br />

standing wearing traditional dress holding<br />

a rod in his left hand, a float in his right, a<br />

fish at his feet, a further fish in a basket at<br />

his side, on a shaped circular base, signed<br />

to a red lacquer tablet, 18cm high<br />

£250 - 300<br />

298<br />

A Japanese Ivory Okimono as a<br />

Fisherman, early 20 th century,<br />

standing in traditional garb pulling a net<br />

from the waves at his feet, on a shaped<br />

oval base, two character signature,<br />

21.5cm high<br />

£250 - 350


299<br />

An Ivory Okimono of a Fisherman,<br />

early 20 th century, standing in<br />

traditional garb holding a net, waves at his<br />

feet, on a shaped oval base, two character<br />

signature, 21cm high<br />

£250 - 350<br />

300<br />

A Japanese Ivory Okimono, Meiji<br />

period, as two figures standing on a rock,<br />

the fisherman holding a net and lighting<br />

the pipe of the second figure who is<br />

picking the other's pocket, a bird on his<br />

shoulder, on an oval base, two character<br />

mark to red tablet, 19.5cm high<br />

£250 - 350<br />

301<br />

A Pair of Chinese Ivory Figures of a<br />

Goddess, early 19 th century, each with<br />

a flaming halo, wearing flowing traditional<br />

costume with jewelled decoration sitting<br />

on the back of mythical beasts, one in gilt<br />

bronze, the other in carved hardwood,<br />

19cm and 17.5cm<br />

£3000 - 4000<br />

302<br />

A Japanese Ivory and Wood Okimono<br />

of a Millstone Maker, Meiji period, the<br />

seated figure holding a hammer in both<br />

hands, a millstone between his knees,<br />

further tools on a circular box at his side,<br />

red lacquer plaque with two character<br />

signature, 7.5cm high<br />

£300 - 400<br />

303<br />

A Japanese Ivory Okimono of a<br />

Potter, Meiji period, the seated figure<br />

with a vase on his potter's wheel, three<br />

further vases to his left hand side, red<br />

lacquer plaque with two character<br />

signature, 8.5cm high<br />

£400 - 600<br />

304<br />

A Japanese Ivory Okimono, early 20 th<br />

century, as a chick with inlaid eyes<br />

emerging from a broken egg, two<br />

character signature, 12cm long<br />

£250 - 400<br />

Works 0f <strong>Art</strong> & Miniatures<br />

305<br />

A Bronze Group of Two Horses, after<br />

the model by Pierre Jules Mene,<br />

standing on an oval mound base, bears<br />

inscription PIERRE JULES MENE, 40cm<br />

high<br />

£500 - 700<br />

306<br />

After Paul d'Aire: A French Bronze<br />

Figure of a Woodsman, early 20 th<br />

century, the standing figure with his left<br />

foot on a log holding an axe above his<br />

head, a bag at his feet, on a rocky<br />

moulded base, signed Paul d'Aire, 42,5cm<br />

high<br />

£300 - 500<br />

307<br />

A Pair of Bronze Figures, French, late<br />

19 th century, of a youth in a straw hat<br />

and animal skin playing a flute, and a<br />

maiden in loose fitting robes, each on<br />

stepped circular black marble bases,<br />

signed RICHARD, 32cm high<br />

£700 - 1000<br />

308<br />

A Bronze Bust of a Woman, 20 th<br />

century, reputedly Virginia Woolf, 38.5cm<br />

high<br />

£150 - 200


309<br />

After Ulpiano Fernandez-Checa y Saiz<br />

(Spanish, 1860-1916): A Gilt Bronze<br />

Figure Group of Two Horses Pulling a<br />

Chariot and Charioteer at Speed, on a<br />

rectangular base, signed U CHECA, 61cm<br />

long<br />

£500 - 700<br />

310<br />

A French Bronze Figure Group, after<br />

the model by Etienne Maurice<br />

Falconet (1760-1791), the two<br />

grappling figures on a circular base cast<br />

with a heart, a quiver of arrows and<br />

flowers, bears signature FALCONET, 44cm<br />

high, on a rouge marble base with brass<br />

plaque inscribed SOUVENIR DE 30 ANS DE<br />

COLLABORATION 1879-1909 BMP & CIE<br />

See illustration<br />

£1000 - 1500<br />

311<br />

A Pair of French Bronze Figures of<br />

Maidens, after a model by Mathurin<br />

Moreau (1822-1912), possibly<br />

allegorical of the Senses, both in loose<br />

flowing drapes, one holding a hand mirror,<br />

a mast on a fluted column at her side, the<br />

other holding an arrow, a quiver on a<br />

fluted column at her side, on shaped<br />

rectangular bases, signed<br />

MOREAU.MATH.SCPT, 46cm high<br />

£2500 - 3500<br />

312<br />

After Franz Iffland (German,<br />

1862-1935): A Pair of Bronze<br />

Figures of Ice Skaters, as a young boy<br />

and girl wearing fur-lined cloaks, on<br />

circular bases, indistinctly signed, mounted<br />

on circular serpentine pedestals, 23cm<br />

high<br />

£250 - 350<br />

313<br />

A French Gilt Bronze Figure of a<br />

Snake Charmer, after a model by<br />

Eugene Marioton (1857-1933), the<br />

standing figure wearing an animal skin loin<br />

cloth, a snake wrapped about his left arm,<br />

on a rectangular plinth with plaque<br />

inscribed FASCINATOR 1ER PRIX DE<br />

L'ECOLE DES BEAUX ARTS E MARIOTON,<br />

52cm high, on a rouge marble plinth<br />

£800 - 1200<br />

314<br />

A Bronze Model of the Colleoni<br />

Monument, after Andreo Verrochio<br />

and Alessandro Leopardi, 34.5cm high,<br />

on a rectangular marble plinth<br />

**This is a reduction of the life size bronze<br />

in the Campo Santi Giovanni E Paulo in<br />

Venice<br />

£300 - 500<br />

315<br />

A Bronze Figure of Un Pepere, cast<br />

from the model by Emil Thomasson,<br />

the standing figure in military uniform<br />

smoking a pipe leaning on a walking stick,<br />

on a titled mound base, stamped signature<br />

and inscribed FONDERI DEL HOVE<br />

BRUXELLES, 44cm<br />

£200 - 300<br />

316<br />

A French Bronze Figure of a Boy<br />

Piper, After Auguste Moreau<br />

(1855-1919), the scantily clad boy<br />

playing two pipes, standing on a mound<br />

base with a further pipe and tree stump,<br />

bears signature AUG.MOREAU, 70cm high,<br />

granite plinth<br />

£500 - 700


317<br />

A French Bronze Figure of a<br />

Barbarian, cast from a model by<br />

Henri Fugere (1872-1944), titled “Pro<br />

Aris et Focis”, the standing figure<br />

wearing a fur loin cloth drawing his sword<br />

from a scabbard, on a titled mound base,<br />

bears signature H FURGERE, 85cm high<br />

£1000 - 1500<br />

318<br />

A Pair of Gilt Bronze Figures of<br />

Dancers, probably Italian, late<br />

19 th /early 20 th century, in traditional<br />

Alpine costume, each standing on one leg<br />

playing the castanets, on mound bases,<br />

22cm high<br />

£400 - 600<br />

319<br />

Valentino Panciera Besarel (Italian<br />

182901902): A Carved Wood Figure<br />

of a Renaissance Youth, standing<br />

wearing a jerkin, carved with a lion holding<br />

a book inscribed PAS EVAN TIBI GELI MAR<br />

STA CE ME, on a ground of stylised<br />

flowerheads, standing holding a staff, on a<br />

circular base with scale border and<br />

octagonal architectural stand, signed<br />

V.BESAREL VENEZIA, 177cm high<br />

£2500 - 3500<br />

320<br />

A Pair of Parcel Gilt Bronze Figural<br />

Candlesticks, late 19 th century, shaped<br />

as a winged putto holding a foliate<br />

sheathed sconce aloft, hung with a floral<br />

swag on a cylindrical white marble column<br />

with gilt mounts, 32cm high<br />

**Ex Tennants, 24.11.04, lot 1503<br />

£400 - 600<br />

321<br />

A French Bronze Figural Lamp Base,<br />

late 19th century, as a loosely draped<br />

classical maiden holding a bunch of<br />

flowers standing before a fluted column,<br />

on a drum base and marble plinth, 55cm<br />

high, fitted for electricity<br />

£200 - 300<br />

322<br />

After Louis Auguste Moreau<br />

(1834-1917): A Pair of Bronze<br />

Figures of Cupids "Alerte", each loosely<br />

draped winged figure with a quiver of<br />

arrows, on holding a shield, standing on<br />

flower encrusted bases and waisted<br />

circular plinths, signed Aug.Moreau, 57cm<br />

high<br />

£1000 - 1500<br />

323<br />

An Austrian Cold Painted Bronze<br />

Figural Lamp, in the manner of Franz<br />

Bergman, as an Arab trader sitting in his<br />

bazaar stall holding a model of the sphinx<br />

and a vase, various other artefacts about<br />

him, a carpet on hung behind, 28.5cm<br />

high<br />

**For a matching example see Christie's<br />

South Kensington, 27.9.00, lot 348<br />

£2000 - 3000<br />

325<br />

A Dieppe Ivory Triptych Figure of a<br />

Queen, circa 1870, standing wearing a<br />

crown, lace ruff and beaded dress holding<br />

an orb in her left hand, the skirts opening<br />

to reveal figures in an interior flanked by<br />

two further figures in medieval style, 21cm<br />

high, on an ebonised turned wood stand<br />

£250 - 350


326<br />

A Dieppe Ivory Figure of a<br />

Fashionable Lady, late 19 th century,<br />

standing wearing a feathered hat and<br />

ribbon tied flowing dress holding a parasol,<br />

a hound on a lead at her side, on a circular<br />

wooden plinth with three bracket feet,<br />

20.5cm high overall<br />

£200 - 300<br />

327<br />

A Carved Limewood Head of a Man,<br />

probably 18 th century, with flowing hair<br />

and long beard, 33.5cm high<br />

£300 - 500<br />

328<br />

A Polychrome, Giltwood and Gesso<br />

Reliquary Bust of St Anastasia, in 17 th<br />

century style, the saint with long flowing<br />

hair and gilt dress with cylindrical<br />

armature, on a rectangular base with Latin<br />

inscription, 47cm high<br />

£300 - 400<br />

329<br />

A Patinated Mask of William<br />

Shakespeare, mounted on a polished<br />

slate panel in a wooden frame, 43.5cm by<br />

36cm overall<br />

£200 - 300<br />

330<br />

A Pair of Terracotta Figures of<br />

Children, late 19 th century, each<br />

standing wearing loose smocks, one with<br />

hands clasped in prayer, the other one<br />

crying over a broken jar, on circular bases,<br />

stamped V Braithwaite (?) Wagham, 73cm<br />

high<br />

£400 - 600<br />

331<br />

A Pair of Polychrome Cast Figures of<br />

Nubians, as a young man and woman<br />

scantily clad wearing turbans, each holding<br />

a leaf sheathed urn on their heads, on<br />

circular bases and foliate sheathed<br />

quatrefoil scroll bases, 230cm high<br />

£1000 - 1500<br />

332<br />

A Pair of German Carved Oak Figures,<br />

in Renaissance style, as Roman soldiers<br />

wearing helmets and armour, one carrying<br />

a shield, on panelled rectangular bases,<br />

72cm high<br />

£400 - 600<br />

333<br />

A 19th Century Marbled Plaster<br />

Figure of Hebe, after Canova, the<br />

standing goddess with her hair tied up<br />

with a floral wreath, her hands on her hips<br />

in loose flowing robes, on a circular base<br />

with marbled square plinth 269cm high<br />

£1000 - 1500<br />

334<br />

An Italian Marble Bust of a<br />

Neapolitan Fisherman, 19 th century,<br />

wearing a traditional cap and jacket, on a<br />

swept square socle, 85cm high; and A<br />

Serpentine Stand, the circular top on a<br />

wrythen carved and panel column and<br />

stepped circular and octagonal base,<br />

111cm high (2)<br />

£3000 - 4000<br />

335<br />

An Italian Marble Bust of Mercury,<br />

18 th century, wearing a winged helmet<br />

and loose robes, 62cm high; and A<br />

Marble Stand, with square top, plain<br />

cylindrical column, stepped circular base<br />

and square plinth, 104cm high (2)<br />

£1000 - 1500


336<br />

A French Porcelain Mounted Gilt<br />

Bronze Inkstand, late 19 th century,<br />

with foliate sockets and drip pans on leaf<br />

sheathed scroll branches applied with<br />

flowers, the shaped triangular platform<br />

with a bird perched on a tree stump<br />

flanked by two inkpots and covers painted<br />

with flowers on scroll feet, 20cm high<br />

£250 - 350<br />

337<br />

A Russian Lacquer Box and Cover,<br />

late 19 th century, of rounded rectangular<br />

form, the hinged cover painted with three<br />

figures taking tea about a table, printed<br />

marks, 15.5cm wide<br />

£300 - 400<br />

338<br />

A Gilt Metal Mounted Malachite Box<br />

and Hinged Cover, early 20 th century,<br />

of rounded rectangular form on paw feet,<br />

14.5cm wide<br />

£200 - 250<br />

339<br />

A Pair of Gilt Bronze Three-Light Wall<br />

Appliqués, in Louis XV style, 19th<br />

century, of leaf sheathed scroll form with<br />

scroll moulded sconces and rose pendant<br />

terminals, 59cm high<br />

£800 - 1200<br />

340<br />

A Pair of Venetian <strong>Glass</strong> Mounted<br />

Metal Three-Branch Candelabra, in<br />

18 th century style, the scroll branches<br />

with glass sockets and drip pans, entwined<br />

and surmounted by leafy fronds issuing<br />

from a flattened vase shaped column on<br />

rectangular bases, 68cm high<br />

£400 - 600<br />

341<br />

A Gilt Metal Mounted Pink Marble<br />

Lamp Base, of slender baluster form on<br />

knopped stem, paw feet and tricorn base,<br />

51cm high, mounted for electricity<br />

£150 - 200<br />

342<br />

A Pair of Gilt Metal Mounted Green<br />

Breccia Marble Lamp Bases, in Louis<br />

XV style, of baluster form with swan neck<br />

handles hung with foliate swags on<br />

circular socles and square bases, 46cm<br />

high, fitted for electricity, with shades<br />

£400 - 600<br />

343<br />

A Baroque Style Silver Plated<br />

Eight-Branch Electrolier, the vase stem<br />

applied with putto head caryatids, from a<br />

cylindrical body supporting eight outscroll<br />

branches with circular pans, with ring for<br />

suspension, 60cm high approx<br />

**Ex collection: Baroness Burton,<br />

Rangemoor House, Burton-on-Trent<br />

£300 - 500<br />

344<br />

A Pair of French Gilt Bronze<br />

Three-Light Candelabra, in Louis XIV<br />

style, with foliate sheathed sockets,<br />

circular drip pans, and scrolling branches<br />

issuing from a central column with<br />

flamiform finial hung swags, on an<br />

acanthus and husk moulded circular<br />

domed base, 33.5cm high<br />

**Provenance: Belonged to Primrose<br />

Dampier-Blackburn (nee Atkinson)<br />

£1500 - 2000


345<br />

A Pair of Victorian Brass<br />

Triple-Branch Girandoles, lozenge<br />

marked for 1879, with shell burst backs<br />

and looping branches from an urn, 34cm<br />

high; A Victorian Pair of Two-Branch<br />

Girandoles, en suite, 20cm high; and<br />

Two Modern Examples (6)<br />

£350 - 500<br />

346<br />

A Carved Oak Panel, probably 16 th<br />

century, of rectangular form, carved in<br />

high relief with a face beneath an ogee<br />

arch with shingle roof within a chamfered<br />

frame, 26cm by 28cm<br />

£150 - 250<br />

347<br />

A Polychrome Giltwood and Gesso<br />

Corner Wall Bracket, in early 18 th<br />

century style, the trefoil plinth on carved<br />

foliate scroll and mask stem and leaf and<br />

flower pendant terminal, 47cm high<br />

£250 - 350<br />

348<br />

A Giltwood and Gesso Cresting, 19th<br />

century, as an eagle, its wings<br />

outstretched perched on a burning<br />

column, 93cm wide<br />

£200 - 300<br />

349<br />

A White Marble Column, with grey<br />

marble square plinth, capital and foot, and<br />

with a bronze collar cast and pierced with<br />

berried leaves and rosettes, 108cm high<br />

£350 - 550<br />

350<br />

A Victorian Boulle Writing Slope, mid<br />

19th century, the domed top and hinged<br />

piano fall with scrolling foliage and<br />

latticework, with oval cartouche engraved<br />

with initials, opening to reveal an<br />

arrangement of compartments and a<br />

green velvet skiver, on a rectangular base,<br />

31cm wide<br />

£200 - 250<br />

351<br />

A Pair of Ashford Pietra Dura<br />

Campana Urns, circa 1850, inlaid in<br />

coloured marbles with a continuous band<br />

of flowers above a gadrooned base on a<br />

circular circle and rectangular stepped<br />

column inlaid with further flower sprays,<br />

32.5cm high<br />

£5000 - 8000<br />

352<br />

A Blue John Derbyshire Spa<br />

Centrepiece, circa 1850, with central<br />

trumpet shaped vase, issuing from a deep<br />

circular bowl on a turned circular foot,<br />

21cm high<br />

£3000 - 5000<br />

353<br />

A Gilt Metal Mounted Blue John<br />

Derbyshire Spa Urn, early 19 th<br />

century, with ovoid finial and disc shaped<br />

collar on swept shoulders and cupped<br />

shape body, on a circular circle and square<br />

column with stepped angles on slate<br />

plinths, 37cm high<br />

£3000 - 4000<br />

354<br />

A Blue John Derbyshire Spa Egg<br />

Shaped Ornament, 19 th century, 13cm<br />

high<br />

£500 - 700


355<br />

A Gilt Metal Mounted Specimen<br />

Marble Casket, early 20 th century, of<br />

rectangular form with geometric designs<br />

on four ball feet, 15cm wide<br />

£200 - 300<br />

356<br />

A Regency Boulle Lap Desk, of sloping<br />

rectangular form, the hinged fall with a<br />

dancing figure within foliate and scroll<br />

panels including two scenes for Aesop's<br />

Fables, 48cm wide<br />

£300 - 400<br />

357<br />

A Gilt Metal and <strong>Glass</strong> Twelve-Light<br />

Electrolier, with six wrythen scrolls on a<br />

hexagonal baluster stem and hexagonal<br />

plateau supporting the wrythen fluted<br />

branches with foliate sockets and circular<br />

drip pans hung with bead swags and<br />

faceted drops, stepped base and pendant<br />

terminal, approx 68cm high<br />

£200 - 300<br />

358<br />

A Steel and Brass Fire Curb, 19 th<br />

century, the central wrythen bar with<br />

foliate terminals and supported upon lion<br />

mask and paw feet flanked by recumbent<br />

lions on swept rectangular plinths with<br />

foliate and arcaded decoration, the curb<br />

with beaded borders, 148cm wide<br />

£400 - 600<br />

359<br />

A Suit of Armour, in 15 th century<br />

style, the crested helmet with pierced<br />

visor, on a wooden plinth, 189cm high<br />

overall<br />

£1000 - 1500<br />

360<br />

A Neo-Classical White Marble Panel,<br />

in 18 th century style, of vertical<br />

rectangular form, in relief with a ribbon<br />

tied fruit and foliate wreath and swag over<br />

two putti beside an urn of fruit, on a<br />

stepped rectangular plinth with fruit frieze<br />

within bevelled edges on a protruding<br />

canted rectangular base, 92cm by 76.5cm<br />

£400 - 600<br />

361<br />

A Regency Rosewood Collector's<br />

Cabinet, the hinged caddy top with brass<br />

swan neck carrying handle and plate,<br />

opening to reveal two lift-out trays with<br />

compartments, 21cm wide, with a small<br />

collection of shells<br />

£200 - 300<br />

362<br />

A George III Ivory and<br />

Mother-of-Pearl Inlaid Tea Caddy, of<br />

panelled oval form, the hinged cover with<br />

loop handle, the silver escutcheon and<br />

shield shaped plaque engraved WMC hung<br />

with a foliage swag above a tortoiseshell<br />

border, 12cm high; and A Similar<br />

Smaller Caddy, of rectangular form with<br />

domed cover, 13cm high (2)<br />

£500 - 800<br />

363<br />

A William IV Tortoiseshell Tea Caddy,<br />

of architectural form, the hinged pagoda<br />

cover with vacant silver cartouche opening<br />

to reveal two compartments with covers,<br />

on a shaped apron and bun feet, 20cm<br />

wide, with key<br />

£400 - 600


364<br />

A Victorian Walnut and Sample Wood<br />

Stationery Box, retailed by L<br />

Leuchars, 38 Piccadilly, London, of<br />

trapezoidal form, the hinged cover with<br />

patera within line borders and harebell<br />

angles, the base with roundels within line<br />

borders, opening to reveal five letter<br />

compartments, paper label, 20.5cm wide<br />

£150 - 250<br />

365<br />

A Victorian Toleware Tea Canister<br />

and Cover, of cylindrical form with<br />

sloping shoulders and domed cover,<br />

painted with a Chinese man in traditional<br />

costume within a gilt cartouche with<br />

scrollwork and Chinese characters below a<br />

gilt band with cartouche numbered 4,<br />

42cm high<br />

£200 - 300<br />

366<br />

A George III Mahogany and<br />

Crossbanded Tea Caddy, of rectangular<br />

form with quarter-veneered panels centred<br />

by yew ovals, the hinged cover with brass<br />

handle opening to reveal two removable<br />

tea canisters with sliding covers, 19.5cm<br />

wide<br />

£500 - 700<br />

367<br />

A Victorian Coromandel Travelling<br />

Dressing Case, mark for Thomas<br />

Whitehouse, London 1865, of rectangular<br />

form with vacant cartouche and secret<br />

drawer, opening to reveal ten silver<br />

mounted glass bottles, jars and boxes, and<br />

a lift-out tray, and with mother-of-pearl<br />

mounted penknife, button hook, two other<br />

implements and a pair of scissors, 30.5cm<br />

wide<br />

£250 - 350<br />

368<br />

A Late Regency Mother-of-Pearl<br />

Inlaid Tortoiseshell Tea Caddy, 2 nd<br />

quarter 19 th century, of bowfront form,<br />

inlaid with a flowerspray and sprig, the<br />

hinged pagoda cover opening to reveal<br />

two lidded compartments, on bun feet,<br />

20cm wide<br />

£700 - 1000<br />

369<br />

A Victorian Papier Mâché Gilt and<br />

Mother-of-Pearl Inlaid Tea Caddy, of<br />

shaped arched rectangular form, the<br />

cartouche caddy top with a spray of<br />

flowers within a Greek key and scroll<br />

borders, opening to reveal two<br />

compartments with rectangular covers, the<br />

body with floral swag and scattered sprigs<br />

on four trefoil feet, 23cm wide<br />

£300 - 400<br />

370<br />

A George III Paper Scroll Tea Caddy<br />

and Cover, of canted rectangular form,<br />

decorated with stylised flowerheads and<br />

scroll work within chevron banding, with<br />

inner cover, 14cm wide<br />

£300 - 500<br />

371<br />

A Sycamore Bowl, 18 th /19 th century,<br />

of circular form, 46cm diameter<br />

£150 - 200<br />

372<br />

A Pair of George III Mahogany<br />

Candlesticks, the foliate brass sconces<br />

on fluted stems with wrythen fluted bases<br />

on turned circular feet, 40cm high<br />

£300 - 400


373<br />

A Lead Lined Turned Mahogany<br />

Goblet and Cover, 19 th century, the<br />

domed cover with acorn finial over a<br />

turned squat baluster body, waisted<br />

column and stepped circular socle, 27cm<br />

high<br />

£150 - 200<br />

374<br />

A Pair of Turned Mahogany<br />

Adjustable Stands, 19 th century, the<br />

circular tops on turned baluster columns<br />

with screw fitting for adjustment and<br />

turned circular loaded bases, 20.5cm high<br />

unextended<br />

£250 - 350<br />

375<br />

A Bronze Model of Cleopatra's<br />

Needle, 19 th century, cast with<br />

hieroglyphs on a square mount and<br />

circular base, 100cm high; and One<br />

Volume Sartain (John) and Iwanoff<br />

(Michael) On the Antique Painting in<br />

Encaustic of Cleopatra - Discovered in<br />

1818 A Forgotten Picture, George<br />

Gebbie & Co, Philadelphia 1885, hard<br />

cover, with presentation inscription To M<br />

Le Prince from John Sartain with his<br />

respectful compliments Philadelphia<br />

September 20 th 1886 (2)<br />

**By repute given to the vendor by an<br />

associate of Whitley Partners, Hunslett,<br />

Leeds who made a replica of Cleopatra's<br />

Needle which went into a time capsule<br />

along with various other items including<br />

photographs by M Le Prince, and placed<br />

beneath Cleopatra's Needle when it was<br />

erected on the Embankment.<br />

£300 - 500<br />

376<br />

A Collection of Cast Plaster<br />

Medallions, taken from classical,<br />

medieval and later bronze originals, some<br />

with painted decoration in imitation of<br />

patination, various sizes, approximately<br />

120 in total, contained in two pine<br />

collector's cabinets, the cabinets 43.5cm<br />

wide<br />

£200 - 300<br />

377<br />

A Reverse Painted <strong>Glass</strong> Silhouette<br />

Country Sports Plaque, circa 1900,<br />

composed of nine conjoined ovals, each<br />

depicting a different country pursuit,<br />

including hunting, horse racing, cock<br />

fighting and shooting, within decorative<br />

leaf and trellis borders, in a modern<br />

Hogarth frame, 48.5cm by 60cm<br />

£500 - 800<br />

378<br />

A Rectangular Enamel Plaque, painted<br />

with an equestrian portrait of Prince<br />

Tomaso of Savoy-Carignan after Antony<br />

Van Dyke, 21.5cm by 17cm, framed<br />

£1000 - 1500<br />

379<br />

Henry Bone RA (1755-1834): James<br />

Walter Grimston, Earl Verulam, after<br />

William Owen, a bust length portrait<br />

miniature of the Earl wearing a white stock<br />

and fur lined robes, the reverse inscribed<br />

James Walter Grimston, Earl Verulam,<br />

London Oct 1819, painted by Henry Bone<br />

RA, enamel painter in ordinary to His<br />

Majesty and enamel painter to his RH The<br />

Prince Regent, after the original by W T<br />

Owen RA Bone, rectangular, 8.5cm by<br />

6cm, in original gilt bronze frame<br />

£800 - 1200


380<br />

An 18 th Century Turned Horn<br />

Two-Section Screw Thread Pounce<br />

Pot and Ink Pot, of vase shape, 10.5cm<br />

high; Five Horn Beakers, 18 th /19 th<br />

century, three with white metal rims and<br />

plain, two engraved with continuous fox<br />

hunting scenes and one named EJ Dunton,<br />

the largest 14cm high; and An Engraved<br />

Horn Folding Cup, 9cm extended (7)<br />

£200 - 300<br />

381<br />

A Coptic Textile Fragment, possibly<br />

5 th -7 th Century AD, worked in colours<br />

with a square and border of stylised<br />

roundels with arrowheads, the border<br />

hung with a pendant on a linen ground,<br />

approximately 38cm square, framed and<br />

glazed; An Egyptian Painted Wood<br />

Sarcophagus Fragment, possibly circa<br />

500BC, painted in colours with the four<br />

sons of Ra, 39.5cm by 10cm, perspex<br />

stand; and A Polychrome Wood Figure<br />

of a Seated Pharaoh, 43cm high (3)<br />

£300 - 400<br />

382<br />

English School (19 th century): A Bust<br />

Portrait Miniature of Robert Hyde<br />

Greg, wearing a black stock and jacket,<br />

on ivory, 9.2cm by 8.2cm, the frame<br />

variously inscribed to reverse Robert Hyde<br />

Greg on his wedding day 1825; A Wax<br />

Relief Bust Portrait of a Young Lady,<br />

with ringletted hair, 20cm by 16cm,<br />

framed and glazed, the sitter believed to<br />

be a member of the Hyde Greg family; A<br />

Pair of Silhouettes of a Lady and<br />

Gentleman, framed as one in a gilt floral<br />

frame, 14cm by 16cm overall, framed and<br />

glazed; A Silhouette of Young Lady,<br />

11cm by 8.5cm, framed and glazed; and A<br />

Small Quantity of Correspondence, by<br />

and relating to Robert Hyde Greg and also<br />

a clipping obituary from the Manchester<br />

Guardian (qty)<br />

£400 - 600<br />

383<br />

F…B… (18 th century): A Portrait<br />

Miniature of a Gentleman, his grey<br />

powdered hair en queue, wearing a scarlet<br />

jacket, circular, initialled FB 79, circular,<br />

3.3cm, in turned wood frame; and<br />

English School, circa 1790: A Portrait<br />

Miniature of a Young Woman, with<br />

brown coiffure enriched with pearls, oval,<br />

3cm, in turned wood oval frame (2)<br />

£150 - 250<br />

384<br />

English School, circa 1830: A Portrait<br />

Miniature of a Young Woman, plaited<br />

brown hair and blue eyes, wearing a<br />

diaphanous dress against a cloudy sky<br />

background, oval, 8cm, in gilt metal frame<br />

with another portrait miniature on the<br />

reverse of a young girl clasping a lamb;<br />

and Another, circa 1835, of a young<br />

gentleman with brown hair and blue eyes,<br />

wearing a blue jacket, oval, 6cm (2)<br />

£180 - 250<br />

385<br />

Three Decorative Miniatures, circa<br />

1900, all of ladies with elaborate<br />

powdered coiffures, one signed T Rhodes,<br />

and one in a faux tortoiseshell frame, all<br />

circular, the largest 7cm diameter<br />

£180 - 250<br />

386<br />

English School (early 19 th century): A<br />

Portrait Miniature of a Gentleman,<br />

with blue eyes, wearing a blue jacket with<br />

brass buttons against a green curtain<br />

drape, oil on copper panel, 12cm by<br />

9.5cm, in a decorative gilt and gesso<br />

frame<br />

£200 - 300


Watches<br />

400<br />

A Stainless Steel Diamond Set<br />

Automatic Centre Seconds Calendar<br />

Wristwatch, signed Rolex, Oyster<br />

Perpetual, model: Datejust,<br />

Superlative Chronometer Officially<br />

Certified, Ref: 16200, circa 2002,<br />

(calibre 3135) 31-jewel lever movement<br />

with hacking seconds and quick date<br />

change, adjusted to five positions and<br />

temperature, silvered dial with applied<br />

Roman numerals, screw down winding<br />

crown, screw back, diamond set bezel,<br />

serial number Y622468, Rolex stainless<br />

steel Jubilee bracelet with deployant clasp,<br />

36mm wide, with Rolex box and booklet<br />

£1200 - 1500<br />

401<br />

A Stainless Steel Automatic Calendar<br />

Centre Seconds Wristwatch, signed<br />

Rolex, Oyster Perpetual Date, Model:<br />

Submariner 1000ft=300m,<br />

Superlative Chronometer Officially<br />

Certified, Ref: 16610T, circa 2008,<br />

lever movement with hacking seconds and<br />

quick date change, black dial with applied<br />

luminous markers, date aperture beneath<br />

magnifying glass, protected screw down<br />

winding crown, rotating bezel, screw back,<br />

serial number Z484181, Rolex stainless<br />

steel oyster bracelet with fliplock<br />

deployant clasp, 43mm wide, with Rolex<br />

boxes, booklets and dated warranty<br />

paperwork<br />

£3000 - 3500<br />

402<br />

A Stainless Steel Calendar Centre<br />

Seconds Wristwatch, signed Rolex,<br />

Oysterdate, Precision, Ref: 6694,<br />

circa 1970, lever movement, blue dial<br />

with applied baton markers, screw down<br />

winding crown, screw back, serial number<br />

3595220, Rolex steel oyster bracelet with<br />

deployant clasp, 35mm wide<br />

£400 - 600<br />

403<br />

A Stainless Steel Calendar Alarm<br />

Wristwatch, signed Tag Heuer,<br />

model: Aquaracer 300 meters, circa<br />

2011, quartz movement, black dial with<br />

applied Arabic and baton markers,<br />

subsidiary dials for alarm and seconds,<br />

date aperture at 6, protected screw down<br />

crown, alarm button, rotating bezel, screw<br />

back numbered WAF111Z EWC2590, Tag<br />

Heuer stainless steel bracelet with<br />

deployant clasp, 42mm wide, with Tag<br />

Heuer boxes, instructions booklet and<br />

guarantee card dated 2011<br />

£300 - 500<br />

404<br />

A Rare Giant-Sized Second World War<br />

German Luftwaffe Aviator's<br />

Wristwatch, signed Laco, so called<br />

B-Uhr, circa 1941, frosted gilt finished<br />

lever movement signed Laco and<br />

numbered 15524, bimetallic balance with<br />

blued overcoil hairspring, original finished<br />

black coloured dial with luminous outer<br />

five minute markers and inner hour dial,<br />

blued steel luminous hands, large centre<br />

seconds hand, nickel plated case with<br />

snap-on back numbered H15524, band of<br />

the case numbered FL 23883, inner case<br />

back with full details and matching<br />

number, onion shaped winding crown,<br />

55mm wide<br />

**The German Air Ministry recognised the<br />

need for an accurate observer's watch to<br />

navigate and assist crews on long range<br />

flying missions. The watches are known as<br />

B-Uhrs (Beobachtungsuhr or observer's<br />

watch). The watches were tested by the<br />

Deutsche Versuchsanstalt fur Luftfahrt<br />

DVL Institute. From 1941 onwards they<br />

were classified with an FL number which<br />

stands for flight and control, the 23 stands<br />

for navigation, followed by the three digit<br />

DVL number. A well tested watch with a<br />

high quality movement, and arguably the<br />

most desirable WWII German aviator's<br />

watch on the market today.<br />

£1000 - 1500


405<br />

A Stainless Steel Automatic Calendar<br />

Centre Seconds Wristwatch, signed<br />

Rolex, Oyster Perpetual, Superlative<br />

Chronometer Officially Certified,<br />

model: Datejust, Ref: 16234, circa<br />

1995, lever movement with hacking<br />

seconds and quick date change, white dial<br />

with applied baton markers, screw down<br />

winding crown, screw back, serial number<br />

L733436, Rolex steel Jubilee bracelet with<br />

deployant clasp, 36mm wide, with Rolex<br />

box<br />

£1200 - 1500<br />

406<br />

An 18ct Gold Centre Seconds<br />

Wristwatch, signed International<br />

Watch Co, Schaffhausen, circa 1955,<br />

(calibre 89) lever movement, silvered dial<br />

with applied Arabic and baton markers,<br />

case with snap on back numbered inside<br />

1518952, 36mm wide<br />

£500 - 700<br />

407<br />

A 9ct Gold <strong>Art</strong> Deco Wristwatch,<br />

signed Rolex, Ref:813, 1929, lever<br />

movement signed Rolex Prima, timed to<br />

six positions for all climates, silvered dial<br />

with luminous Arabic numerals, seconds<br />

dial, blued steel luminous hands, curved<br />

rectangular case with hinged back and<br />

numbered 60731 813, stamped RWC Ltd,<br />

Glasgow import mark 1929, 27mm by<br />

43mm<br />

£500 - 700<br />

408<br />

A Lady's 18ct Gold Diamond Set<br />

Wristwatch, signed Omega, circa<br />

1990, quartz movement, gilt dial with<br />

applied Roman and dot markers, diamond<br />

set bezel, case back secured by four<br />

screws, Omega 18ct gold brick linked<br />

bracelet, 23mm wide, with Omega<br />

warranty card, purchase receipt and one<br />

spare bracelet link<br />

£700 - 900<br />

409<br />

An 18ct Gold Wristwatch, signed<br />

Rolex, Geneve, model: Cellini, ref:<br />

5112 circa 1995, lever movement, white<br />

dial with applied Roman numerals,<br />

snap-on back numbered W018026, Rolex<br />

strap and buckle stamped 750, 33mm<br />

wide, with Rolex boxes, guarantee and<br />

purchase receipt<br />

£800 - 1200<br />

410<br />

A Lady's Bi-Metal Automatic Centre<br />

Seconds Calendar Wristwatch, signed<br />

Omega, circa 2000, lever movement,<br />

white dial with applied Roman numerals,<br />

snap-on back, Omega bi-metal bracelet<br />

with concealed deployant clasp, 26mm<br />

wide, with Omega box<br />

£200 - 300<br />

411<br />

A Purse Watch, signed Movado,<br />

chronometre Ermeto, 1928, lever<br />

movement, silvered dial with applied<br />

Arabic numerals, sliding case with faux<br />

snake's skin outer, numbered 1198475,<br />

London import mark 1928, 49mm wide<br />

£200 - 300<br />

412<br />

A 9ct Gold <strong>Art</strong> Deco Wristwatch,<br />

signed Rolex, 1929, lever movement<br />

signed Rolex Prima, timed to six positions<br />

for all climates, signed silvered engine<br />

turned dial with Arabic numerals, seconds<br />

dial, tonneau shaped case with hinged<br />

back numbered 781 63155, stamped RWC<br />

Ltd, Glasgow import mark 1929, 22mm by<br />

35mm<br />

£300 - 400


413<br />

An 18ct Gold Centre Seconds<br />

Wristwatch, signed Omega, 1951,<br />

(calibre 283) lever movement numbered<br />

12077675, silvered quarter section dial<br />

with Arabic and applied dagger markers,<br />

case stamped Dennison and numbered<br />

385586, Birmingham 1951, Omega buckle<br />

stamped 9ct, 36mm wide<br />

£300 - 400<br />

414<br />

A 9ct Gold Tonneau Shaped<br />

Wristwatch, signed Rolex, Ref: 578,<br />

1926, 15-jewel lever movement signed<br />

Rolex Prima, timed to 6 positions for all<br />

climates, engine turned silvered dial with<br />

Arabic numerals, seconds, hinged back<br />

stamped RWC Ltd, Glasgow import mark<br />

1926, engraved inscription and numbered<br />

103807, 25mm wide<br />

£350 - 450<br />

415<br />

A Lady's Stainless Steel Centre<br />

Seconds Wristwatch, signed Rolex,<br />

Oyster, Precision, Ref: 5004, circa<br />

1950, lever movement adjusted to two<br />

positions, silvered dial with applied dagger<br />

markers, screw down winding crown and<br />

back, serial number 897819, Rolex steel<br />

spring loaded riveted bracelet with<br />

deployant clasp, 24mm wide<br />

£250 - 300<br />

416<br />

An 18ct Gold Automatic Calendar<br />

Wristwatch, signed Juvenia, circa<br />

1965, lever movement, silvered dial with<br />

baton markers, snap-on back, bracelet<br />

with clasp stamped 750, 34mm wide, with<br />

Juvenia box<br />

£600 - 800<br />

417<br />

An 18ct Gold Full Hunter Pocket<br />

Watch, signed Barraud & Lund,<br />

London, No.8684, 1862, lever<br />

movement, enamel dial with Roman<br />

numerals, seconds, cover with engraved<br />

crest, London 1862 and numbered 8684,<br />

50mm wide<br />

£600 - 800<br />

418<br />

An 18ct Gold Open Faced Pocket<br />

Watch, signed F Powell, Briggate,<br />

Leeds, 1868, lever movement, enamel<br />

dial with Roman numerals, subsidiary<br />

seconds, Chester 1868, 51mm wide<br />

£700 - 900<br />

419<br />

An 18ct Gold Open Faced Pocket<br />

Watch, 1873, lever movement, enamel<br />

dial with Roman numerals, subsidiary<br />

seconds, London 1873, 51mm wide<br />

£700 - 900<br />

420<br />

An 18ct Gold Half Hunting Cased<br />

Keyless Pocket Watch, signed Dent,<br />

61 Strand & 4 Royal Exchange,<br />

London 49794, 1897, lever movement,<br />

enamel dial with Roman numerals,<br />

subsidiary seconds, engraved inscription,<br />

London 1897, 51mm wide<br />

£800 - 1200<br />

421<br />

An 18ct Gold Open Faced<br />

Chronograph Keyless Pocket Watch,<br />

signed T R Russell, 18 Church Street,<br />

Liverpool, 1888, lever movement,<br />

enamel dial with Roman numerals,<br />

hallmarked 1888, 54mm wide<br />

£800 - 1200


422<br />

An 18ct Gold Open Faced Pocket<br />

Watch, retailed by Robert Rait & Co,<br />

261 Broadway, New York, 1879, gilt<br />

fusee lever movement, enamel dial with<br />

Roman numerals, seconds, Chester 1879,<br />

53mm wide<br />

£800 - 1200<br />

423<br />

An Unusual Full Hunting Cased 18ct<br />

Gold Minute Repeating Chronograph<br />

Pocket Watch, 1910, lever movement,<br />

repeating with two hammers striking two<br />

steel gongs, gilt dial with Arabic numerals,<br />

seconds dial, the unusual case Our Sailor<br />

King H.M. King George V on the front<br />

Beloved of His People H.M. King Edward<br />

VII on the back, band with scroll work and<br />

God Save The King, button to operate<br />

chronograph and the slide to operate<br />

repeater, cuvette depicting Britannia The<br />

British Empire Mourns Edward The<br />

Peacemaker, London import marks 1910,<br />

54mm wide<br />

£1500 - 2000<br />

424<br />

An 18ct Gold Open Faced<br />

Chronograph Pocket Watch, 1864,<br />

lever movement, enamel dial with Roman<br />

numerals, engine turned case with slide in<br />

the band to operate chronograph hand,<br />

cuvette with engraved inscription, London<br />

1864, 53mm wide<br />

£600 - 800<br />

425<br />

An 18ct Gold Open Faced Keyless<br />

Pocket Watch, signed Hewitt, 444<br />

Victoria Street, Grimsby, 1883, lever<br />

movement, enamel dial with Roman<br />

numerals, seconds, London 1883, 52mm<br />

wide<br />

£800 - 1200<br />

426<br />

An 18ct Gold Open Faced Keyless<br />

Pocket Watch, Harrison & Son,<br />

Darlington, 1889, lever movement,<br />

enamel dial with Roman numerals,<br />

subsidiary seconds, Chester 1889, 48mm<br />

wide, with a curb linked watch chain, links<br />

stamped 15 .625, 72.4g<br />

£1500 - 1800<br />

427<br />

An 18ct Gold Pocket Watch, signed C<br />

Harris, Cornhill, No.2693, 1824, fusee<br />

lever movement, enamel dial with Roman<br />

numerals, seconds, numbered 2693,<br />

maker's mark WW, London 1824, 50mm<br />

wide, together with chain stamped 9c,<br />

blood stone seal and ribbon stamped 9c<br />

and gun shaped watch key<br />

£800 - 1200<br />

428<br />

An 18ct Gold Pocket Watch, Inscribed<br />

"Presented by the Daughter of Robert<br />

Burns to Mr D McNaught Head of the<br />

Burns Society", signed C Williamsom,<br />

London, No.788, circa 1810, fusee<br />

movement with duplex escapement,<br />

diamond endstone, signed and numbered<br />

dust cover, gold coloured dial with applied<br />

Roman numerals, seconds, case cuvette<br />

with engraved presentation inscription,<br />

indistinct hallmarks, 54mm wide<br />

**The inscription on the cuvette reads,<br />

Her Father's Watch, presented to D<br />

McNaught LLD JP Kilmaurs by Mrs<br />

A.V.Burns Scott Adelaide Australia,<br />

Daughter of Mrs S.Burns Hutchinson,<br />

Daughter of James Glencairn Burns, Son of<br />

Robert Burns, The Poet, 25th Jany 1921.<br />

***See also lot 677 for items relating to<br />

this family<br />

£700 - 900


429<br />

A Gold Repousse Pair Cased Verge<br />

Pocket Watch, signed Robert Ward,<br />

Abchurch Lane, London, No.13899,<br />

1773, fusee movement, pierced pillars,<br />

enamel dial with Roman and Arabic<br />

numerals, signed and numbered dust<br />

cover, outer case with classical scene and<br />

bordered with scroll decoration, maker's<br />

mark DP, London 1773, 50mm wide<br />

£900 - 1200<br />

430<br />

A Gold Pair Cased Verge Pocket<br />

Watch, signed Fras Perigal, Bond<br />

Street, London, 392, 1780, fusee<br />

movement, enamel dial with Arabic<br />

numerals, beetle and poker hands,<br />

maker's mark IW, London 1780, 42mm<br />

wide<br />

£700 - 900<br />

431<br />

A Lady's Fan Shaped Enamel Fob<br />

Watch, circa 1900, cylinder movement,<br />

enamel dial with Roman numerals, blue<br />

and red enamel case depicting a lady with<br />

a basket to the front and a spray of floral<br />

work to the back, 38mm wide<br />

£350 - 550<br />

432<br />

A Twenty Dollar Coin Watch, signed<br />

Vacheron & Constantin, Geneve, circa<br />

1980, (calibre 1003) lever movement,<br />

adjusted to heat, cold and isochronism and<br />

five positions, gilt dial with Roman<br />

numerals, circular case, snap-on back<br />

stamped 18k 0.750 and numbered 4928<br />

386026, hinged within a United States of<br />

America $20 coin, the front with Lady of<br />

Liberty dated 1904, reverse with the<br />

bald-headed eagle, concealed button in<br />

the band to release front cover, 34mm<br />

wide<br />

£2000 - 2500<br />

433<br />

A Silver Pocket Chronometer, signed<br />

Morris Tobias, 31 Minories, London,<br />

No.338, 1827, gilt fusee movement with<br />

spring detent escapement signed, free<br />

sprung helical hairspring, diamond<br />

endstone, bimetallic balance with timing<br />

screws and weights, dial with Roman and<br />

Arabic numerals, seconds, case with<br />

engraved and chased decoration to the<br />

borders, and later engraved images and<br />

inscription of a bird, square and compass<br />

and Walter Fisher, stamped with maker's<br />

mark WIH, London 1827, 68mm wide<br />

£300 - 400<br />

434<br />

A Silver Pair Cased Pocket Watch,<br />

made for the Turkish Market, signed<br />

Edward Prior, London, 1839, verge<br />

movement numbered 55792, enamel dial<br />

with Turkish numerals, London 1839,<br />

53mm wide<br />

£200 - 300<br />

435<br />

A Silver Pair Cased Pocket Watch<br />

with Date Indication, verge movement<br />

inscribed R Northan, Hull, enamel dial with<br />

Arabic numerals, inner date ring with<br />

corresponding date hand, London 1794,<br />

53mm wide<br />

£200 - 250<br />

436<br />

An 18ct Gold Verge Pocket Watch,<br />

signed Thos Bailson, Beverley, circa<br />

1810, fusee movement, enamel dial with<br />

Roman numerals, engine turned back and<br />

ribbed sides, 47mm wide<br />

£400 - 500


437<br />

A Repeating Pocket Watch Dial and<br />

Movement, 19th Century, cylinder<br />

movement, two hammers striking onto two<br />

outer steel gongs, silvered engine turned<br />

dial with minute track bearing inscription<br />

Breguet, hour aperture, single hand,<br />

seconds, 50mm wide<br />

£300 - 400<br />

438<br />

Four Fob Seals, 19th Century, two set<br />

with cornelians, one with an amethyst, the<br />

fourth with chased decoration and stone<br />

missing<br />

£200 - 300<br />

439<br />

An 18ct Gold Fob Watch, lever<br />

movement, gilt dial with Roman numerals,<br />

London 1865, 42mm wide, with attached<br />

ribbon and 9ct gold locket<br />

£300 - 350<br />

440<br />

A 9ct Gold Half Hunting Cased Pocket<br />

Watch, 1926, lever movement, enamel<br />

dial with Roman numerals, seconds,<br />

stamped Dennison, Birmingham 1926,<br />

50mm wide, with a 9ct gold watch chain,<br />

39g<br />

£500 - 600<br />

441<br />

An 18ct Gold Pocket Watch, 1871,<br />

lever movement, enamel dial with Roman<br />

numerals, Chester 1871, 41mm wide,<br />

watch chain with links stamped 375, 31g<br />

£600 - 800<br />

442<br />

A Centre Seconds Pocket Watch,<br />

made for the Chinese Market, signed<br />

Bovet Fleurier, circa 1840, the<br />

elaborately chased lever movement<br />

signed, enamel dial with Roman numerals,<br />

centre seconds, white metal case with<br />

Chinese characters inside back cover,<br />

55mm wide<br />

£250 - 300<br />

Jewellery<br />

443<br />

A Hardstone Cameo Bangle, the cameo<br />

portrait depicts a lady adorned with<br />

jewellery, with a ruff neckpiece, within a<br />

frame of beading and scrollwork with<br />

cultured pearl decoration, on a plain half<br />

hinged bangle<br />

£500 - 800<br />

444<br />

A Late Victorian Coral and Diamond<br />

Brooch, the disk frame with ropework<br />

decoration, set with coral cabochons and<br />

rose cut diamonds, fringing from the base,<br />

with cabochon coral details, measures<br />

4.2cm by 8.3cm<br />

£500 - 700<br />

445<br />

A Pair of Coral Drop Earrings, set with<br />

cabochon coral in a scalloped edge and<br />

ropework frame, with three coral drops<br />

pendant from each, with hook fittings for<br />

pierced ears, drop length 5.8cm, in a fitted<br />

case<br />

£500 - 700<br />

446<br />

A Diamond Solitaire Ring, an old cut<br />

diamond in a white claw setting to a<br />

tapered shoulder plain polished shank,<br />

diamond weight 1.30 carat approximately,<br />

finger size K<br />

£1500 - 2000


447<br />

A Bug Brooch, the body comprises a step<br />

cut emerald and a cabochon moonstone,<br />

with rose cut diamond eyes, and the wings<br />

set with rose cut diamonds and split<br />

pearls, measures 3.2cm by 2.2cm, cased<br />

£400 - 600<br />

448<br />

A Diamond Cluster Ring, rose cut<br />

diamonds in collet settings, with claw<br />

fixtures, in an almost round formation,<br />

additional diamonds to the shoulders, on a<br />

shaped shank, total estimated diamond<br />

weight 2.00 carat approximately, finger<br />

size U<br />

£1500 - 2000<br />

449<br />

A Diamond Set Pendant, a bow motif<br />

set with rose cut diamonds suspends a<br />

lozenge shaped drop, comprising a rose<br />

cut diamond border around a blue and<br />

white enamelled central panel, depicting a<br />

cherub over a basket of flowers, with the<br />

inscription 'une seule me suffit', measures<br />

2.4cm by 5.5cm<br />

£400 - 600<br />

450<br />

A Cameo Bracelet, the carved shell<br />

panels carved to depict portraits of<br />

scholars, each in a plain frame, and chain<br />

linked, length 16.8cm<br />

£700 - 1000<br />

451<br />

A Victorian Diamond<br />

Brooch/Pendant, a tapered pendant<br />

loop to a pierced almost circular frame,<br />

with five pendant drops (the central one<br />

detached), set throughout with old cut and<br />

rose cut diamonds, in white claw settings,<br />

total estimated diamond weight 4.00 carat<br />

approximately, measures 3cm by 6.2cm<br />

**NB One drop detached<br />

£1500 - 2000<br />

452<br />

A Scottish Brooch, the shaped hoop set<br />

with agate panels and cabochons and<br />

quartz stones, in an engraved frame,<br />

measures 5.4cm by 6.7cm<br />

£500 - 700<br />

453<br />

A Diamond Three Stone Ring, the<br />

graduated old cut diamonds in white claw<br />

settings, to a yellow tapered shoulder plain<br />

polished shank, total diamond weight 2.10<br />

carat approximately, finger size N<br />

£1500 - 2000<br />

454<br />

A Pair of Diamond Cluster Earrings, a<br />

rose cut diamond within a border of<br />

smaller rose cuts, surmounted by another,<br />

total estimated diamond weight 2.00 carat<br />

approximately, with French clip fittings for<br />

pierced ears<br />

£700 - 1000<br />

455<br />

A Late Victorian Diamond Crescent<br />

Brooch, set with old cut and single cut<br />

diamonds, in white claw settings, on a<br />

yellow mount, total estimated diamond<br />

weight 1.50 carat approximately,<br />

measures 3.7cm by 3.6cm<br />

£600 - 800<br />

456<br />

A Pair of Emerald and Diamond Drop<br />

Earrings, an old cut diamond suspends a<br />

cluster of pear cut emeralds and old cut<br />

diamonds in yellow and white millegrain<br />

settings, total estimated diamond weight<br />

1.80 carat approximately, with French clip<br />

fittings for pierced ears, drop length 3.4cm<br />

£1500 - 2000


457<br />

A Serpent Bangle, the hollow yellow<br />

form hinged to flex in two places, the head<br />

and tail engraved, and the head set with a<br />

cabochon amethyst, cased<br />

£400 - 600<br />

458<br />

A Blue Stone, Diamond and Paste<br />

Brooch, of foliate form, with a step cut<br />

blue foil backed stone centrally, within a<br />

frame set throughout with table cut and<br />

rose cut diamonds and pastes, measures<br />

5.3cm by 3cm<br />

£400 - 600<br />

459<br />

A Diamond Cluster Ring, an old cut<br />

diamond within a border of eight smaller,<br />

in white rubbed over settings to a yellow<br />

shank, total diamond weight 2.00 carat<br />

approximately, finger size M<br />

£600 - 800<br />

460<br />

A Late Victorian Diamond Cross<br />

Brooch/Pendant, set with old cut<br />

diamonds in white claw settings, with a<br />

detachable diamond set suspension loop,<br />

total estimated diamond weight 2.25 carat<br />

approximately, measures 2.6cm by 4.5cm<br />

£200 - 300<br />

461<br />

A Coral Brooch and Pair of Earrings<br />

en suite, circa 1900, the red and white<br />

brooch of domed oval form, the earrings<br />

to depict a floral cluster suspending a<br />

cascade, brooch measures 5.5cm by<br />

4.2cm, earrings with hook fittings for<br />

pierced ears, drop length 5.4cm, in a fitted<br />

case<br />

£200 - 300<br />

462<br />

A Two Row Twisted Pearl Necklace,<br />

strung to a clasp of oblong form, a locket<br />

front enclosing plaited hair, within a<br />

border of seed pearls, length 48.5cm, and<br />

A Hair Bracelet, of plaited dark hair, with<br />

a similar clasp, length 17.5cm (2)<br />

**NB the pearls have not been tested<br />

£300 - 400<br />

463<br />

A Late Victorian Diamond Set Heart<br />

Pendant, set throughout with old cut<br />

diamonds in white claw settings, with a<br />

locket back containing hair, total estimated<br />

diamond weight 1.50 carat approximately,<br />

measures 1.6cm by 2.4cm, in a fitted case<br />

by London & Ryder of New Bond Street<br />

£400 - 600<br />

464<br />

A Victorian Locket Pendant, of oval<br />

form, entwined initials 'EIM' centrally, and<br />

set with turquoise, coral and pearl<br />

respectively, within a border with spaced<br />

alternating coral, turquoise and pearl, as is<br />

the pendant loop, measures 3cm by<br />

4.7cm, in a fitted case by London & Ryder<br />

of New Bond Street<br />

£400 - 600<br />

465<br />

An Early 20th Century Locket, the<br />

double sided heart shaped locket within a<br />

scrolling frame enamelled in pink green<br />

and white, with split pearls at intervals,<br />

plain to the reverse, measures 3.1cm by<br />

3.6cm<br />

£300 - 400


466<br />

A Jet Necklace, of graduated spherical<br />

beads, carved with leaf motifs, length<br />

76cm approximately, and A Pair of<br />

Earrings, a polished round jet cabochon<br />

suspends a tapered drop, carved with<br />

geometric designs and leaf motifs, with<br />

hinged hook fittings for pierced ears, drop<br />

length 8cm (2)<br />

£200 - 300<br />

467<br />

A Triple Row Cultured Pearl Choker,<br />

each row comprising 50 cultured pearls,<br />

with bar spacers, and a Victorian pearl and<br />

old cut and single cut diamond set swirl<br />

panel centrally, length 33cm<br />

£300 - 500<br />

468<br />

A Late Victorian Diamond and Pearl<br />

Brooch, of floral spray form, two floral<br />

clusters centred by pearls, and the spray<br />

set with rose cut diamonds throughout,<br />

further pearl detail to one side, total<br />

estimated diamond weight 2.00 carat<br />

approximately, measures 6.5cm by 3.9cm,<br />

in a fitted case by Skinner, Orchard Street,<br />

London<br />

£600 - 800<br />

469<br />

Royal Interest: A Locket<br />

Pendant/Brooch, depicting a shoulder<br />

length portrait of Queen Victoria in high<br />

relief, within a border of alternating scroll<br />

sections enamelled in blue with pearl<br />

details, and old cut diamonds in pointed<br />

yellow settings, a pearl suspended from<br />

the base held in a diamond set and blue<br />

enamelled cup, with locket back which<br />

opens to reveal an enclosed lock of hair,<br />

and an inscription 'Lady Victoria Alberta<br />

Leveson From Her Godmother Victoria R<br />

1867', measures 3.5cm by 5.8cm<br />

**NB the pearls have not been tested<br />

**Provenance: From the estate of Dr<br />

Helen Scott OBE<br />

£1000 - 1500<br />

470<br />

A Seed Pearl Brooch, Mid 19th<br />

Century, the pearls all threaded in a<br />

domed shape on a mother-of-pearl frame,<br />

measures 5cm in diameter, in a fitted case<br />

by Lambert of London<br />

£300 - 400<br />

471<br />

A Lava Cameo Bracelet, seven bust<br />

portraits in high relief in shades of beige,<br />

brown, white and black lava, each bezel<br />

set, and chain linked, length 17cm, width<br />

2.8cm<br />

£300 - 400<br />

472<br />

A Mourning Brooch, of circular form,<br />

with a locket front enclosing a lock of hair,<br />

within a border of black and white<br />

enamelling, to an outer rope twist frame,<br />

measures 2.7cm in diameter<br />

£200 - 300<br />

473<br />

A Victorian Cameo Brooch and A Pair<br />

of Earrings, the cameo depicting classical<br />

portraits, in oval frames, with rope twist<br />

and wavy decoration, the earrings on<br />

crescent shaped drops, with hook fittings<br />

for pierced ears, brooch measures 4.8cm<br />

by 5cm, earring drop length 4.5cm, cased<br />

£400 - 600<br />

475<br />

A Cultured Pearl Necklace, three rows<br />

of 48:51:55 knotted uniform pearls strung<br />

to a diamond and sapphire cluster clasp of<br />

floral design, length (of shortest strand)<br />

46cm<br />

£300 - 400


476<br />

A Five Stone Diamond Ring, the<br />

graduated old cut diamonds in white claw<br />

settings, to a yellow tapered shoulder plain<br />

polished shank, total estimated diamond<br />

weight 1.20 carat approximately, finger<br />

size K<br />

£400 - 600<br />

477<br />

A Pair of Diamond Earrings, the spray<br />

form set with round brilliant cut, baguette<br />

cut and single cut diamonds in white claw<br />

settings, total estimated diamond weight<br />

1.50 carat approximately, with post fittings<br />

for pierced ears<br />

£300 - 400<br />

478<br />

A Diamond Solitaire Ring, an old cut<br />

diamond to tapered diamond-set<br />

shoulders, in white claw settings on a<br />

yellow plain polished shank, total diamond<br />

weight 1.00 carat approximately, finger<br />

size N<br />

£600 - 800<br />

479<br />

A Diamond Hoop Brooch, the oval<br />

frame, with an open centre, to a white fine<br />

Greek key design inner border, with a<br />

frame of old cut diamonds in white<br />

millegrain settings to the outer, total<br />

estimated diamond weight 2.80 carat<br />

approximately, measures 2.8cm by 2.4cm,<br />

cased<br />

£1200 - 1500<br />

480<br />

An <strong>Art</strong> Deco Diamond and Paste<br />

Bracelet, of geometric links, set<br />

throughout with brilliant cut, baguette cut<br />

and single cut diamonds, total diamond<br />

weight 7.00 carat approximately, length<br />

18.8cm<br />

£1800 - 2200<br />

481<br />

A Pair of Diamond Two Stone<br />

Earrings, each with graduated old cut<br />

diamonds in white rubbed over settings,<br />

on yellow mounts, total diamond weight<br />

2.60 carat approximately, with French clip<br />

fittings for pierced ears<br />

£4000 - 6000<br />

482<br />

A Diamond Cluster Pendant on An 18<br />

Carat White Gold Chain, an emerald cut<br />

diamond spaced to a frame of round<br />

brilliant cut diamonds in white claw<br />

settings, on a twist link chain, total<br />

diamond weight 0.65 carat approximately,<br />

pendant drop length 1.7cm, chain length<br />

45cm<br />

£400 - 600<br />

483<br />

A Sapphire and Diamond Double Clip<br />

Brooch, circa 1930, each clip with a<br />

round mixed cut sapphire centrally within<br />

a border of old cut, brilliant cut and single<br />

cut diamonds, in white claw and millegrain<br />

settings, total estimated diamond weight<br />

3.50 carat approximately, measures 4.8cm<br />

by 2.6cm<br />

£500 - 800<br />

484<br />

A Diamond Solitaire Ring, a marquise<br />

cut diamond within a white four claw<br />

setting, to shoulders each channel set with<br />

trios of scissor cut diamonds, on a plain<br />

polished shank, finger size K<br />

The ring is accompanied by an Anchorcert<br />

report, number 1/22971-001, dated 23<br />

June 2011, which gives the diamond<br />

weight as 2.63ct, colour J, clarity VS2.<br />

£6000 - 8000


485<br />

A Diamond Solitaire Ring, the old<br />

brilliant cut diamond in a white eight claw<br />

raised setting, to a tapered shoulder plain<br />

polished shank, diamond weight 3.92<br />

carat, finger size K1/2<br />

£12000 - 15000<br />

486<br />

A Diamond Line Bracelet, the<br />

graduated round brilliant cut diamonds in<br />

white millegrain settings, total estimated<br />

diamond weight 4.00 carat approximately,<br />

length 18cm<br />

£3000 - 4000<br />

487<br />

A Diamond Three Stone Ring, the old<br />

cut diamonds in white claw settings, to a<br />

tapered shoulder plain polished shank,<br />

total diamond weight 1.80 carat<br />

approximately, finger size N<br />

£600 - 800<br />

488<br />

A Diamond Solitaire Ring, the round<br />

brilliant cut diamond in a white four claw<br />

setting, with a tapered baguette cut<br />

diamond on each shoulder, to a plain<br />

polished shank, principal diamond weight<br />

2.20 carat approximately, finger size P<br />

£7000 - 8000<br />

489<br />

A Pearl and Diamond Bracelet, a<br />

plaque with a central pearl within a cluster<br />

frame of old cut diamonds, to an outer<br />

undulating frame set with old cut and<br />

single cut diamonds, on a black velvet<br />

bracelet with diamond set end pieces, total<br />

estimated diamond weight 3.00 carat<br />

approximately, length 19cm<br />

£3500 - 4000<br />

490<br />

A Pair of Diamond and South Sea<br />

Cultured Pearl Drop Earrings, each<br />

comprises an old cut diamond stud<br />

suspending a baguette cut diamond, to<br />

three graduated cups set with diamonds,<br />

to a slightly oval pearl, total estimated<br />

diamond weight 1.80 carat approximately,<br />

with post fittings for pierced ears, drop<br />

length 4.8cm<br />

£1500 - 2000<br />

491<br />

A Diamond Brooch, of bar form, with<br />

four step cut diamonds centrally and old<br />

cut and single cut diamonds, in white claw<br />

and millegrain settings with pierced detail,<br />

total estimated diamond weight 1.20 carat<br />

approximately, length 5.4cm<br />

£600 - 800<br />

492<br />

A Diamond Brooch, of asymmetric form,<br />

comprised of round brilliant cut, baguette<br />

cut and single cut diamonds in white claw<br />

and channel settings, total estimated<br />

diamond weight 6.00 carat approximately,<br />

measures 3.7cm by 3.7cm<br />

£1500 - 2000<br />

493<br />

A Diamond and Sapphire Plaque<br />

Brooch, a rose cut diamond centrally,<br />

within a pierced and openwork frame set<br />

with smaller rose cuts, four oblong scissor<br />

cuts as details, in white claw settings total<br />

estimated diamond weight 1.20 carat<br />

approximately, measures 5.4cm by 2.2cm<br />

**NB one diamond deficient<br />

£300 - 400


494<br />

A Pair of 18 Carat White Gold<br />

Aquamarine and Diamond Earrings, a<br />

string of round brilliant cut diamonds in<br />

white claw settings suspends a briolette<br />

aquamarine in a diamond set cup, total<br />

diamond weight 0.25 carat approximately,<br />

with post fittings for pierced ears, drop<br />

length 4.7cm<br />

£400 - 600<br />

495<br />

An Emerald and Diamond Cluster<br />

Ring, a pear cut emerald within a border<br />

of tapered baguette cut diamonds, and an<br />

outer border of round brilliant cut<br />

diamonds in yellow claw settings, to a<br />

plain polished shank, total estimated<br />

diamond weight 1.10 carat approximately,<br />

finger size O<br />

£1000 - 1500<br />

496<br />

An Opal and Diamond Pendant, the<br />

polished oval opal of mainly green and<br />

blue tones within a scalloped white claw<br />

setting, to a pendant loop set with a round<br />

brilliant cut diamond, diamond weight 0.20<br />

carat approximately, measures 2.8cm by<br />

4.8cm<br />

£400 - 600<br />

497<br />

An 18 Carat White Gold Yellow<br />

Sapphire and Diamond Cluster Ring,<br />

the oval mixed cut sapphire within a<br />

border of round brilliant cut diamonds with<br />

a tapered baguette cut diamond at each<br />

corner, in white claw settings, to a tapered<br />

and lined shoulder plain polished shank,<br />

total diamond weight 0.75 carat<br />

approximately, finger size M<br />

£600 - 800<br />

498<br />

An 18 Carat White Gold Citrine and<br />

Diamond Cluster Ring, the oval cut<br />

citrine within a border of round brilliant cut<br />

diamonds, in white claw settings to a lined<br />

shoulder plain polished shank, total<br />

diamond weight 0.60 carat approximately,<br />

finger size M<br />

£700 - 1000<br />

499<br />

An 18 Carat Gold Bracelet, by Asprey<br />

& Co. Ltd., 1970, of large plaited loop<br />

links, alternating in yellow and white gold,<br />

length 19cm<br />

£2000 - 3000<br />

500<br />

A Peridot and South Sea Pearl<br />

Torsade, of multiple strands of faceted<br />

peridot beads, strung with South Sea<br />

pearls at intervals, to cupola end pieces,<br />

length 52cm<br />

£700 - 900<br />

501<br />

A Matching Emerald and Diamond<br />

Bracelet and Ring, each of asymmetric<br />

design with channels of step cut emeralds<br />

and triangular clusters of single cut<br />

diamonds, the bracelet with triangular<br />

textured sections, bracelet length 17cm,<br />

ring size P<br />

£2000 - 2500<br />

502<br />

An Emerald and Diamond Cluster<br />

Ring, the square step cut emerald within<br />

a border of eight spaced round brilliant cut<br />

diamonds, in white claw settings to a plain<br />

polished shank, total diamond weight 0.50<br />

carat approximately, finger size M<br />

£500 - 700


503<br />

An 18 Carat White Gold Emerald and<br />

Diamond Cluster Ring, the central step<br />

cut emerald in yellow claw settings, within<br />

a border of alternating round brilliant cut<br />

and tapered baguette cut diamonds in<br />

white claw settings, on a polished shank,<br />

with lined shoulders, total estimated<br />

diamond weight 0.75 carat approximately,<br />

finger size M1/2<br />

£700 - 1000<br />

504<br />

An 18 Carat White Gold Opal and<br />

Diamond Pendant, a triangular domed<br />

cabochon opal within a border of round<br />

brilliant cut diamonds, surmounted by a<br />

pendant bale set with tapered baguette<br />

cut and a round brilliant cut diamond, in<br />

claw settings, total estimated diamond<br />

weight 1.00 carat approximately,<br />

measures 2cm by 3.7cm<br />

£800 - 1000<br />

505<br />

A Pair of 18 Carat White Gold<br />

Diamond Solitaire Stud Earrings, the<br />

round brilliant cut diamonds in white four<br />

claw settings, total diamond weight 1.33<br />

carat approximately, with post fittings for<br />

pierced ears<br />

£1200 - 1500<br />

506<br />

A 14 Carat White Gold Amethyst and<br />

Diamond Ring, the oblong step cut<br />

amethyst in a white corner claw setting,<br />

flanked by triangular clusters of round<br />

brilliant cut diamonds in claw settings, to a<br />

plain polished shank, total estimated<br />

diamond weight 0.30 carat approximately,<br />

finger size N1/2<br />

£400 - 600<br />

507<br />

An Opal Triplet and Diamond Cluster<br />

Ring, the oval triplet within a border of<br />

round brilliant cut diamonds in white claw<br />

settings, to bark effect shoulders on a<br />

plain polished shank, total estimated<br />

diamond weight 0.80 carat approximately,<br />

finger size O<br />

£800 - 1000<br />

508<br />

A Jade and Diamond Bracelet, curved<br />

oblong jade panels in white claw settings<br />

spaced by squared links set with round<br />

brilliant cut diamonds, length 17cm, and A<br />

Jade and Diamond Pendant, an oblong<br />

jade panel with a row of round brilliant cut<br />

diamonds at each end, length 2.8cm<br />

£300 - 400<br />

509<br />

An Emerald and Diamond Necklace, of<br />

eleven clusters of oval cut emeralds within<br />

round brilliant cut diamonds, surmounted<br />

by trios of diamonds, alternated with<br />

emeralds, and all suspended from<br />

diamond set looped links, to plain polished<br />

swirl links either side, total diamond<br />

weight 7.00 carat approximately, length<br />

44cm<br />

£3000 - 5000<br />

510<br />

A Diamond Floral Spray Brooch, set<br />

throughout with brilliant cut, single cut<br />

and baguette cut diamonds, in white claw<br />

and channel settings, total estimated<br />

diamond weight 3.00 carat approximately,<br />

measures 6.3cm by 3.4cm<br />

£400 - 600


511<br />

An 18 Carat White Gold Cultured<br />

South Sea Pearl and Diamond<br />

Pendant, the pearl set within a double<br />

row swirl frame of round diamonds in<br />

white claw settings, total diamond weight<br />

0.35 carat approximately, measures 1.7cm<br />

by 1.9cm, on a fine trace link chain, length<br />

41cm<br />

£400 - 600<br />

512<br />

An Emerald and Diamond Cluster<br />

Ring, a step cut emerald in broad yellow<br />

claw settings, within a border of round<br />

brilliant cut diamonds, in white claw<br />

settings, total diamond weight 1.20 carat<br />

approximately, finger size R<br />

£1500 - 2000<br />

513<br />

An Emerald and Diamond Bombé<br />

Style Ring, a step cut emerald in a white<br />

four claw setting, over a pierced shaped<br />

mount set with round brilliant cut and<br />

modified baguette cut diamonds, to a plain<br />

polished shank, total diamond weight 1.80<br />

carat approximately, finger size L<br />

£600 - 800<br />

514<br />

An 18 Carat Gold Emerald and<br />

Diamond Cluster Ring, the step cut<br />

emerald in a yellow corner claw setting,<br />

within a spaced border of round brilliant<br />

cut diamonds in white claw settings, to a<br />

tapered shoulder plain polished shank,<br />

total diamond weight 0.80 carat<br />

approximately, finger size L<br />

£500 - 800<br />

515<br />

An Emerald and Diamond Triple<br />

Cluster Ring, the three oval mixed cut<br />

emeralds in yellow millegrain settings,<br />

within a border of round brilliant cut<br />

diamonds, in white fronted millegrain<br />

settings, to a yellow forked shoulder plain<br />

polished shank, total estimated diamond<br />

weight 1.00 carat approximately, finger<br />

size M<br />

£700 - 900<br />

516<br />

A Diamond Bracelet, the fancy links<br />

articulated, and set throughout with old<br />

cut and single cut diamonds, total<br />

diamond weight 3.00 carat approximately,<br />

length 19.4cm<br />

£1000 - 1500<br />

517<br />

A Diamond Cluster Ring, three rows of<br />

round brilliant cut diamonds in white claw<br />

settings, to a forked shoulder plain<br />

polished mount, total diamond weight 2.20<br />

carat approximately, finger size I1/2<br />

£800 - 1200<br />

518<br />

A Diamond Cluster Ring, circa 1970,<br />

set with an old cut diamond centrally of<br />

3.50 carat approximately, within a border<br />

of marquise cut and graduated baguette<br />

cut diamonds, in white claw settings to a<br />

forked shoulder shank, finger size J<br />

£5000 - 8000<br />

519<br />

A Diamond Solitaire Ring, the pear cut<br />

diamond in a white four claw setting, to a<br />

yellow tapered shoulder plain polished<br />

shank, diamond weight 1.05 carat<br />

approximately, finger size K<br />

£2000 - 3000


520<br />

A Pair of Cultured Pearl and Diamond<br />

Cluster Stud Earrings, each with a<br />

round cultured pearl within a spaced<br />

border of round brilliant cut and single cut<br />

diamonds, in white claw settings to a<br />

grooved frame, total diamond weight 0.60<br />

carat approximately, with post fittings for<br />

pierced ears<br />

£300 - 500<br />

521<br />

A Pair of <strong>Art</strong> Deco Style Diamond<br />

Drop Earrings, comprising a round<br />

brilliant cut diamond stud, which suspends<br />

a tapered baguette cut diamond, to a pear<br />

cut diamond suspended below, total<br />

diamond weight 5.50 carat approximately,<br />

with post fittings for pierced ears, drop<br />

length 3.3cm<br />

£5000 - 8000<br />

522<br />

An 18 Carat White Gold Moonstone<br />

and Diamond Pendant, a bow motif set<br />

with round brilliant cut diamonds,<br />

suspends an oval cabochon moonstone,<br />

measures 2.1cm by 3cm<br />

£400 - 600<br />

523<br />

A Moonstone Bracelet, a double row of<br />

graduated cabochon moonstones, to a<br />

fancy link bracelet, length 18cm<br />

£300 - 500<br />

524<br />

A Pair of 14 Carat White Gold<br />

Diamond Solitaire Stud Earrings, the<br />

round brilliant cut diamonds in four claw<br />

settings, total estimated diamond weight<br />

0.40 carat approximately, with screw post<br />

fittings for pierced ears<br />

£100 - 150<br />

525<br />

A Pink Sapphire and Diamond Ring,<br />

the cushion cut pink sapphire flanked by<br />

tiers of round brilliant cut diamonds, in<br />

white claw settings to a plain polished<br />

shank, total diamond weight 0.40 carat<br />

approximately, finger size M<br />

£400 - 600<br />

526<br />

A Gem Set Floral Spray Brooch,<br />

polished and textured white and yellow<br />

gold creates the flower and leaf spray<br />

motif, each flower set with a cabochon<br />

sapphire centrally, and mixed cut rubies<br />

and single cut diamonds at intervals, all in<br />

white claw settings, measures 6cm by<br />

3.4cm<br />

£250 - 350<br />

527<br />

A Cultured Pearl Necklace, the two<br />

rows of 58:61 uniform knotted cultured<br />

pearls to a 9 carat white gold sapphire and<br />

diamond cluster clasp, length (of shortest<br />

strand) 52cm<br />

£300 - 400<br />

528<br />

A Diamond Solitaire Ring, circa 1930,<br />

the old cut diamond in a white claw<br />

setting, to pointed shoulders set with<br />

single cut diamonds, on a plain polished<br />

mount, principal diamond weight 0.75<br />

carat approximately, finger size M<br />

£1000 - 1500<br />

529<br />

A Pair of Diamond Three Stone<br />

Earrings, the graduated round brilliant<br />

and old cut diamonds in white claw<br />

settings, total diamond weight 2.40 carat<br />

approximately, with post fittings for<br />

pierced ears<br />

£800 - 1200


530<br />

A Diamond Solitaire Ring, a round<br />

brilliant cut diamond with a baguette cut<br />

diamond to each shoulder, in white claw<br />

settings, to a plain polished mount,<br />

principal diamond weight 2.80 carat<br />

approximately, finger size L1/2<br />

£3000 - 4000<br />

531<br />

An <strong>Art</strong> Deco Sapphire and Diamond<br />

Bracelet, oblong step cut sapphires<br />

alternate with graduated pairs of old cut<br />

and single cut diamonds, in white<br />

millegrain articulated settings with<br />

engraved sides, to plain polished tramline<br />

links, total diamond weight 1.00 carat<br />

approximately, length 17.7cm<br />

£700 - 1000<br />

532<br />

A Diamond Eternity Ring, circa 1930,<br />

twenty old cut diamonds within white claw<br />

settings, to a flat sided shank, with<br />

engraved detail, total estimated diamond<br />

weight 2.00 carat approximately, finger<br />

size N1/2<br />

£500 - 700<br />

533<br />

An 18 Carat Gold Sapphire and<br />

Diamond Cluster Ring, an oval cut<br />

sapphire within a double border of round<br />

brilliant cut diamonds, in white claw<br />

settings, to a yellow tapered shoulder plain<br />

polished mount, total diamond weight 2.00<br />

carat approximately, finger size O1/2<br />

£1000 - 1500<br />

534<br />

A Diamond Cluster Ring, of unusual<br />

form, the domed centre set with round<br />

brilliant cut diamonds within an outer<br />

border of baguette cut diamonds<br />

alternating with pairs of tapered round<br />

brilliant cut diamonds, in white claw<br />

settings, to a forked shoulder plain<br />

polished shank, total estimated diamond<br />

weight 2.90 carat approximately, finger<br />

size P<br />

£1000 - 1500<br />

535<br />

An 18 Carat White Gold Sapphire and<br />

Diamond Cluster Ring, an oval mixed<br />

cut sapphire centrally, within a spaced<br />

border of square step cut diamonds, and<br />

an outer border of marquise cut diamonds<br />

and square step cut diamonds, in white<br />

claw settings to a tapered shoulder plain<br />

polished mount, total estimated diamond<br />

weight 2.40 carat approximately, finger<br />

size N1/2<br />

£1000 - 1500<br />

536<br />

A Diamond Plaque Brooch, an old cut<br />

diamond centrally, within a pierced<br />

geometric frame, set throughout with old<br />

cut and single cut diamonds, total<br />

diamond weight 1.80 carat approximately,<br />

measures 4.1cm by 1.6cm<br />

£800 - 1200<br />

537<br />

A Cased Set of Twenty-Five Lava<br />

Cameo Buttons, each with a portrait of a<br />

male or a female character, the case with<br />

enclosures holding button backs, case<br />

inner marked 'LONDON & RYDER 17, NEW<br />

BOND ST', and three smaller buttons and<br />

three smaller dress studs, similar<br />

**NB one button missing from the fitted<br />

case<br />

£1000 - 1500


538<br />

An Opal and Diamond Brooch, an oval<br />

cabochon opal within a frame and bar set<br />

with single cut and rose cut diamonds,<br />

total diamond weight 0.35 carat<br />

approximately, length 4.1cm<br />

£250 - 350<br />

539<br />

An 18 Carat White Gold Sapphire Line<br />

Bracelet, pairs of square step cut<br />

sapphires in broad claw articulated<br />

settings, length 17cm<br />

£500 - 700<br />

540<br />

A Late Victorian Tortoiseshell Pique<br />

Brooch and Earring Set, the circular<br />

brooch with scalloped shape design, and a<br />

pair of drop earrings with a sphere<br />

suspending a pointed drop, with similar<br />

design, brooch measures 4.1cm in<br />

diameter, earrings with hook fittings for<br />

pierced ears, drop length 5.9cm, cased<br />

£300 - 400<br />

541<br />

A Pair of Diamond and Pearl Earrings,<br />

circa 1910, an old cut diamond in a white<br />

six claw setting suspends a pear shaped<br />

drop set throughout with old cut diamonds<br />

which surrounds a pendant diamond and<br />

pearl, total estimated diamond weight 0.90<br />

carat approximately, with hook fittings for<br />

pierced ears, drop length 2.5cm, in a fitted<br />

case by The Goldsmiths and Silversmiths<br />

Company<br />

£500 - 800<br />

542<br />

An <strong>Art</strong> Deco Diamond Cluster Ring, of<br />

lozenge form, with three graduated old cut<br />

diamonds lengthways, within an open<br />

setting to a frame set with old cut<br />

diamonds throughout, in white claw and<br />

millegrain settings, total estimated<br />

diamond weight 1.10 carat approximately,<br />

finger size P<br />

£500 - 800<br />

543<br />

An Early 20th Century Diamond Three<br />

Stone Ring, the graduated old cut<br />

diamonds in white claw settings to a<br />

yellow forked shoulder plain polished<br />

shank, total diamond weight 3.60 carat<br />

approximately, finger size K<br />

£4000 - 6000<br />

544<br />

A Diamond Bar Brooch, circa 1930,<br />

nineteen old cut diamonds graduate along<br />

the bar, in white claw settings with pairs<br />

of tiny rose cut diamonds between each of<br />

the larger stones, in a millegrain edged<br />

frame, total diamond weight 9.20 carat<br />

approximately, length 9.5cm<br />

£3000 - 4000<br />

545<br />

An 18 Carat White Gold Diamond<br />

Solitaire Ring, the old cut diamond in a<br />

six claw setting, a baguette cut diamond<br />

inset to each shoulder, on a plain polished<br />

shank, principal diamond weight 2.50 carat<br />

approximately, finger size N<br />

£4000 - 5000<br />

546<br />

An <strong>Art</strong> Deco Cocktail Watch, lever<br />

movement, silvered dial with Arabic<br />

numerals, single cut diamond set bezel to<br />

chevron shaped diamond set links, on a<br />

plain polished white expanding link<br />

bracelet, total diamond weight 1.75 carat<br />

approximately, length 15.5cm<br />

£600 - 800


547<br />

An Early 20th Century Diamond<br />

Solitaire Ring, the old cut diamond in a<br />

white eight claw setting, to a tapered<br />

shoulder shank, diamond weight 3.00<br />

carat approximately, finger size M1/2<br />

£6000 - 8000<br />

548<br />

A Late Victorian Pendant, the stylised<br />

floral frame set with paste stones<br />

throughout, and suspended from a foliate<br />

style drop, also paste set, the cluster<br />

centred by a step cut peach coloured<br />

stone, measures 2.7cm by 4.9cm, on an<br />

18 carat white gold curb link chain, length<br />

41.5cm<br />

£300 - 400<br />

549<br />

An <strong>Art</strong> Deco Diamond Bracelet, of<br />

three panels each with an oblong pierced<br />

plaque, set with old cut diamonds, within a<br />

spaced outer frame, and linked by pairs of<br />

open oblong links, held by column trios<br />

with bands top and bottom, diamond set<br />

throughout, total estimated diamond<br />

weight 18.00 carat approximately, length<br />

18.5cm, width 2.3cm, cased by Rood<br />

**Provenance: given as a gift by John<br />

Player to his wife, Whatton Manor, Notts.<br />

£15000 - 18000<br />

550<br />

An 18 Carat White Gold Diamond<br />

Ring, an old cut diamond in a four claw<br />

setting, over diamond set V shaped under<br />

settings, with three graduated round<br />

brilliant cut diamonds channel set to each<br />

shoulder, on a plain polished shank, finger<br />

size N<br />

**The diamond is accompanied by a<br />

report from The Independent Diamond<br />

and Gem Research Laboratory, number<br />

848-2278, dated 02/08/2010, which states<br />

the carat to be 0.93, colour H, clarity SI1.<br />

£1000 - 1500<br />

551<br />

A Pair of Diamond Cluster Drop<br />

Earrings, each comprises an old cut<br />

diamond cluster surmounted by single cut<br />

diamonds, all in white millegrain settings,<br />

on a plain yellow bar drop, total estimated<br />

diamond weight 1.70 carat approximately,<br />

with hook fittings for pierced ears, drop<br />

length 5.7cm<br />

£600 - 800<br />

552<br />

A Diamond Ring, a round brilliant cut<br />

diamond flanked by a trio of smaller round<br />

brilliant cut diamonds on each side, in<br />

white claw settings, to a tapered shoulder<br />

plain polished shank, total diamond weight<br />

1.10 carat approximately, finger size M<br />

£600 - 800<br />

553<br />

An <strong>Art</strong> Deco Diamond Ring, the central<br />

old cut diamond with pairs of graduated<br />

baguette cut diamonds to each shoulder,<br />

in white claw settings on a plain polished<br />

shank, principal diamond weight 0.60 carat<br />

approximately, finger size L<br />

£700 - 1000<br />

554<br />

An Early 20th Century Diamond Three<br />

Stone Bar Brooch, three graduated old<br />

cut diamonds in white claw settings on a<br />

white knife edge bar brooch, total<br />

diamond weight 1.80 carat approximately,<br />

length 5.7cm<br />

£600 - 800<br />

555<br />

A Cultured Pearl Choker, the two rows<br />

of 47:51 pearls strung to an <strong>Art</strong> Deco split<br />

clasp, of two graduated fan shapes, set<br />

with old cut diamonds in a white pierced<br />

millegrain frame, length 39cm<br />

£300 - 400


556<br />

An Early 20th Century Aquamarine<br />

and Seed Pearl Pendant, the openwork<br />

pendant with a pear cut aquamarine<br />

centrally, and set with seed pearls<br />

throughout, another aquamarine<br />

suspended from the base, on a trace link<br />

chain, pendant measures 2.8cm by 7.3cm,<br />

chain length 44.5cm<br />

£500 - 700<br />

557<br />

An Aquamarine and Diamond<br />

Necklace, a modified step cut<br />

aquamarine in white corner claw settings,<br />

suspended from a string of marquise cut<br />

diamonds in white claw settings, split at<br />

the top to a fine white trace link chain,<br />

necklace length 40.5cm, drop length<br />

5.7cm<br />

£5000 - 7000<br />

558<br />

A Diamond and Enamel Pendant, of<br />

oval form with a scalloped edge,<br />

enamelled in blue, with diamonds inset, on<br />

a figaro link chain, pendant measures<br />

2.0cm by 3.8cm chain length 44.8cm<br />

£300 - 400<br />

559<br />

A Pair of Diamond and Cultured Pearl<br />

Earrings, a string of round brilliant cut<br />

diamonds in white rubbed over settings<br />

suspend a cultured South Sea pearl, total<br />

estimated diamond weight 1.60 carat<br />

approximately, with post fittings for<br />

pierced ears, drop length 4cm<br />

£2000 - 2500<br />

560<br />

A Pair of Amethyst and Diamond Drop<br />

Earrings, a string of diamond set leaf<br />

motifs chain linked to suspend a briolette<br />

amethyst in a diamond set cup, total<br />

estimated diamond weight 1.00 carat<br />

approximately, with post fittings for<br />

pierced ears, drop length 5.1cm<br />

£600 - 800<br />

561<br />

A Victorian Diamond Set Belt, two<br />

rows of white chain taper twice, and are<br />

set between with sixty-nine old cut<br />

diamonds at intervals, total estimated<br />

diamond weight 13.00 carat<br />

approximately, length 109.5cm<br />

£3000 - 4000<br />

562<br />

A Diamond Three Stone Ring, the<br />

graduated old cut diamonds in white claw<br />

settings, to a tapered shoulder plain<br />

polished shank, total diamond weight 2.30<br />

carat approximately, finger size L<br />

£1200 - 1800<br />

563<br />

A Diamond Solitaire Ring, the old<br />

brilliant cut diamond in a white claw<br />

setting to a tapered shoulder plain<br />

polished shank, diamond weight 2.80 carat<br />

approximately, finger size M<br />

£6000 - 8000<br />

564<br />

A Diamond Cluster Ring, circa 1930,<br />

an old cut diamond centrally within a<br />

border of eight smaller, in white millegrain<br />

settings, to a tapered shoulder plain<br />

polished shank, total diamond weight 1.10<br />

carat approximately, finger size R1/2<br />

£500 - 800


565<br />

A Diamond Solitaire Ring, the round<br />

brilliant cut diamond in a white eight claw<br />

setting, to a tapered shoulder plain<br />

polished shank, diamond weight 4.65 carat<br />

approximately, finger size O1/2<br />

£12000 - 15000<br />

566<br />

An <strong>Art</strong> Deco Amethyst and Diamond<br />

Bracelet, a central geometric form set<br />

with a elongated hexagonal amethyst and<br />

a square step cut amethyst to each side,<br />

within a frame of single cut diamonds,<br />

each end of the panel with hinged opening<br />

to attach to a fancy linked bracelet, set<br />

throughout with old cut and single cut<br />

diamonds, total estimated diamond weight<br />

2.50 carat approximately, length 17.8cm<br />

£3000 - 4000<br />

567<br />

An Aquamarine and Diamond Brooch,<br />

rose cut diamonds in a scroll motif<br />

suspend a pear cut aquamarine, the<br />

stones in white claw and collet settings,<br />

measures 3.3cm by 4cm, and A Pair of<br />

Earrings, the drops of similar style, the<br />

single cut diamonds and pear cut<br />

aquamarine in white millegrain settings,<br />

with screw on fittings, drop length 3.2cm<br />

(2)<br />

£300 - 400<br />

568<br />

York Interest: An 18 Carat Gold<br />

Mourning Ring, three bands of black<br />

enamel to a milled border, the central<br />

band picked out to read 'WM HOLDEN<br />

ESQ' OB 14 FEB 1809 Ae 71', finger size T<br />

£250 - 300<br />

569<br />

Three 18 Carat Gold Mourning Rings,<br />

each enamelled with black enamel to the<br />

outer band, each with inscription; 'IN<br />

MEMORY OF' to the outer shank, and<br />

engraved to the inner 'Mrs Anne Horsfall<br />

Ob 3 March 1832 At 77', 'IN MEMORY OF'<br />

to the outer shank, and engraved to the<br />

inner 'Sarah Wade Ob 23rd Aug 1817 At<br />

67' and 'HENRY WICKHAM ESQ OB 8 OCT<br />

1804 Ae 73'<br />

£300 - 500<br />

570<br />

An 18 Carat Gold Modern Ring, by<br />

Faberge, of domed band style, the head<br />

enamelled in blue, with V shaped details,<br />

and a diamond collet set centrally, to a<br />

plain polished shank, finger size N<br />

£500 - 800<br />

571<br />

An Emerald and Diamond Necklace, a<br />

pear cut emerald in a white rubbed over<br />

setting, suspended from a string of<br />

marquise cut diamonds in white claw<br />

settings, split at the top to a fine white<br />

trace link chain, necklace length 39cm,<br />

drop length 4.7cm<br />

£3500 - 4000<br />

572<br />

A Pair of 18 Carat Gold Emerald and<br />

Diamond Drop Earrings, a pear cut<br />

emerald in a yellow rubbed over setting<br />

within a frame of round brilliant cut<br />

diamonds suspended from a tapered drop<br />

of round brilliant cut diamonds, in white<br />

claw settings, with post fittings for pierced<br />

ears, drop length 2.9cm<br />

£800 - 1200<br />

573<br />

A Platinum Diamond Solitaire Ring,<br />

the round brilliant cut diamond in an eight<br />

claw setting, to a tapered shoulder plain<br />

polished shank, finger size L1/2


**Accompanied by GIA report number<br />

12472734, dated March 18, 2003, which<br />

gives the diamond weight as 0.71 carat,<br />

colour F, clarity SI1.<br />

£1500 - 2000<br />

574<br />

An 18 Carat Gold Diamond Cluster<br />

Ring, three baguette cut diamonds within<br />

a border of round brilliant cuts, in white<br />

claw settings, to a yellow tapered shoulder<br />

plain polished shank, total diamond weight<br />

2.00 carat approximately, finger size N1/2<br />

£600 - 800<br />

575<br />

An Emerald and Diamond Cluster<br />

Ring, an oval mixed cut emerald centres a<br />

border of round brilliant cut and marquise<br />

cut diamonds in white claw settings, to<br />

shoulders channel set with double rows of<br />

baguette cut diamonds, to a plain polished<br />

shank, total estimated diamond weight<br />

1.60 carat approximately, finger size P<br />

£1200 - 1500<br />

576<br />

A Diamond Three Stone Ring, three<br />

round brilliant cut diamonds in white claw<br />

settings to a yellow tapered shoulder plain<br />

polished shank, total diamond weight 2.00<br />

carat approximately, finger size T1/2<br />

£1500 - 1800<br />

577<br />

A Diamond Solitaire Ring, the round<br />

brilliant cut diamond inset into a chunky<br />

white plain polished shank, estimated<br />

diamond weight 1.00 carat approximately,<br />

finger size Q<br />

£1000 - 1500<br />

578<br />

A Strand of Pearls, of irregular shape<br />

knotted to an emerald and diamond<br />

cluster clasp, the mixed cut emeralds and<br />

old cut diamonds in white millegrain<br />

settings, length 47cm<br />

**NB the pearls have not been tested<br />

£400 - 600<br />

579<br />

A Diamond Ring, nine round brilliant cut<br />

diamonds arranged as a stylised cross, in<br />

white claw settings to a plain polished<br />

shank, total diamond weight 1.00 carat<br />

approximately, finger size N1/2<br />

£500 - 700<br />

580<br />

A Diamond Ring, the round brilliant cut<br />

diamond in a white four claw raised<br />

setting, with a marquise cut diamond on<br />

each shoulder, to a plain polished shank,<br />

principal diamond weight 1.25 carat<br />

approximately, finger size Q<br />

£1200 - 1800<br />

581<br />

A Diamond Solitaire Ring, the round<br />

brilliant cut diamond in a white four claw<br />

setting, to tapered shoulders set with<br />

calibré cut diamonds in channel settings,<br />

on a plain polished shank, finger size L<br />

The ring is accompanied by a report from<br />

The Independent Diamond and Gem<br />

Research Laboratory, number 828-1490,<br />

dated 14/02/2011, stating the diamond to<br />

be 1.00 carat, colour D, clarity VVS2.<br />

£5000 - 6000<br />

582<br />

A Diamond Two Stone Twist Ring, the<br />

old cut diamonds, in white claw settings,<br />

to a plain polished shank, total diamond<br />

weight 2.50 carat approximately, finger<br />

size K<br />

£2000 - 3000


583<br />

An Aquamarine and Diamond Clip,<br />

with oval cut aquamarines and round<br />

brilliant cut diamonds at the centre of a<br />

sunburst style frame, measures 3.7cm by<br />

3.5cm<br />

£600 - 800<br />

584<br />

A Moonstone and Diamond Bracelet,<br />

oval cabochon moonstones in white milled<br />

edge bezel settings, linked by pierced<br />

lozenge shapes each inset centrally with a<br />

brilliant cut diamond, length 19.7cm<br />

£1500 - 2000<br />

585<br />

A Pair of Diamond Solitaire Earrings,<br />

a round brilliant cut diamond in a white<br />

four claw setting, total estimated diamond<br />

weight 0.60 carat approximately, with post<br />

fittings for pierced ears<br />

£500 - 800<br />

586<br />

A Pink/Purple Tourmaline and<br />

Diamond Ring, the oval mixed cut<br />

tourmaline within a chunky setting pavé<br />

set with round brilliant cut diamonds, in<br />

white claw settings to a plain polished<br />

shank, total diamond weight 1.20 carat<br />

approximately, finger size Q<br />

£400 - 600<br />

587<br />

An <strong>Art</strong> Deco Style Brooch, of lozenge<br />

form, a round brilliant cut diamond in a<br />

white rubbed over setting centrally, within<br />

a pierced frame of round brilliant cut<br />

diamonds in yellow and white claw<br />

settings, total estimated diamond weight<br />

2.50 carat approximately, measures 4.3cm<br />

by 2.2cm<br />

£600 - 800<br />

588<br />

An 18 Carat Gold Waterfall Brooch,<br />

by Kutchinsky, set with brilliant cut and<br />

single cut diamonds and rubies, total<br />

estimated diamond weight 1.50 carat<br />

approximately, measures 4.5cm by 7.8cm<br />

£1500 - 2000<br />

589<br />

A Ruby and Diamond Double Clip<br />

Brooch, circa 1920, of scroll form, set<br />

throughout with brilliant cut, square cut<br />

and single cut diamonds, and round cut<br />

rubies, total estimated diamond weight<br />

4.00 carat approximately, measures 6.1cm<br />

by 2.7cm, cased<br />

£2000 - 3000<br />

590<br />

A Ruby Necklace, the two strands of<br />

graduated polished ruby beads, strung to<br />

V shaped end pieces, length 45cm<br />

**Accompanied by a report from The Gem<br />

Testing Laboratory of India, number<br />

I2363CA71631, dated 05/06/2012, which<br />

states natural ruby, with no indications of<br />

thermal enhancement, wax filled cavities<br />

seen (the stone tested being the central<br />

piece in the longer string)<br />

£400 - 600<br />

591<br />

An 18 Carat Gold Ruby and Diamond<br />

Spray Brooch, matt finished yellow gold<br />

stylised leaves with round brilliant cut<br />

rubies in yellow claw settings clustered to<br />

the centre and set at intervals, with a<br />

white ribbon motif set with single cut<br />

diamonds throughout, measures 3.2cm by<br />

4.7cm<br />

£300 - 400


592<br />

A Pair of Ruby and Diamond Earrings,<br />

each set with marquise cut rubies and<br />

round brilliant cut diamonds in yellow and<br />

white claw settings, around a patterned<br />

crossover panel, with post fittings for<br />

pierced ears<br />

£300 - 400<br />

593<br />

A Lady's 9 Carat Gold Wristwatch, by<br />

Bueche-Girod, lever movement, gilt dial<br />

with applied baton markers, bezel with<br />

thirty-two round brilliant cut diamonds,<br />

with integral rope twist effect bracelet,<br />

total diamond weight 0.80 carat<br />

approximately, length 17cm<br />

£800 - 1200<br />

594<br />

An 18 Carat Gold Ruby and Diamond<br />

Cocktail Ring, by Kutchinsky, nine<br />

marquise cut rubies and five round brilliant<br />

cut diamonds in an asymmetric<br />

arrangement, in white and yellow claw<br />

settings, to a lined shank, finger size I<br />

£400 - 600<br />

595<br />

An 18 Carat Gold Ruby and Diamond<br />

Brooch, of abstract form, set with oval<br />

cut rubies and old cut and round brilliant<br />

cut diamonds in yellow and white claw<br />

settings, total estimated diamond weight<br />

0.50 carat approximately, measures 4cm<br />

by 5.8cm<br />

£300 - 400<br />

596<br />

An 18 Carat Gold Ruby and Diamond<br />

Bracelet, by Kutchinsky, of a yellow<br />

textured swirling motif, set with series of<br />

round brilliant cut diamonds and mixed cut<br />

rubies, in white claw settings, total<br />

diamond weight 2.50 carat approximately,<br />

length 17cm<br />

£2000 - 3000<br />

597<br />

A Diamond and Ruby Ring, an old cut<br />

diamond in white claws within pairs of<br />

marquise cut rubies to a yellow twist<br />

shoulder plain polished shank, diamond<br />

weight 1.10 carat approximately, finger<br />

size O1/2<br />

£800 - 1000<br />

598<br />

A Platinum Ruby and Diamond Ring,<br />

the oval mixed cut ruby in yellow claw<br />

settings, flanked by tapered baguette cut<br />

diamonds to each shoulder, in white claw<br />

settings, to an engraved shank, finger size<br />

M<br />

£1000 - 1500<br />

599<br />

A Diamond Three Stone Ring, the<br />

graduated old cut diamonds in white claw<br />

settings to a yellow tapered shoulder plain<br />

polished shank, total diamond weight 0.85<br />

carat approximately, finger size J<br />

£300 - 400<br />

600<br />

A Squirrel Brooch, set throughout with<br />

old cut and rose cut diamonds and a ruby<br />

eye, with pink sapphire details, realistically<br />

modelled as a squirrel on a branch, total<br />

estimated diamond weight 2.50 carat<br />

approximately, measures 4.8cm by 4.7cm<br />

£700 - 1000<br />

601<br />

An <strong>Art</strong>s and Crafts Enamelled<br />

Pendant, possibly by James Cromar<br />

Watt, a bat design, surmounted by a<br />

curved panel set with rose cut diamonds,<br />

from a cabochon moonstone pendant loop,<br />

and suspending a panel with the word<br />

'SPERO', three cabochon moonstone drops<br />

from the base, enamelled throughout in<br />

tones of blue, green, turquoise and purple,<br />

measures 4.5cm by 8.2cm, in an unnamed<br />

fitted case


**Provenance: This belonged to the<br />

vendor's great-grandmother, and is<br />

believed to have been commissioned for<br />

her. She was from a family of Quaker<br />

bankers named Wakefield, and herself was<br />

a Lakeland artist<br />

***An example of similar technique can be<br />

found on page 41 of Pre-Raphaelite to <strong>Art</strong>s<br />

and Crafts Jewellery, Charlotte Gere &<br />

Geoffrey C. Munn, Antique Collector's Club<br />

£500 - 800<br />

602<br />

An Enamelled Pendant, depicting the<br />

Leeds coat of arms, with diamonds and<br />

rubies inset, and the motto 'PRO REGE ET<br />

LEGE', on a 9 carat gold figaro link chain,<br />

pendant measures 4.3cm by 5.5cm, chain<br />

length 55cm<br />

£600 - 800<br />

603<br />

Irish Interest: A Harp and Shamrock<br />

Brooch, the harp set with seed pearls and<br />

a ruby, a small shamrock with an old cut<br />

diamond centrally, and a larger shamrock<br />

with a sapphire centrally, measures 3.5cm<br />

by 2.2cm<br />

£250 - 300<br />

604<br />

A Sapphire and Diamond Full Eternity<br />

Ring, alternating round brilliant cut<br />

diamonds and square step cut sapphires in<br />

white claw and channel settings, the flat<br />

sided ring with engraved detail, total<br />

estimated diamond weight 2.25 carat<br />

approximately, finger size Q<br />

£700 - 1000<br />

605<br />

A Sapphire and Diamond Cluster<br />

Ring, an oval mixed cut sapphire in a<br />

yellow collet setting with channels of step<br />

cut diamonds to the shoulders, within a<br />

surround of pavé set round brilliant cut<br />

diamonds, to a plain polished shank, total<br />

estimated diamond weight 1.50 carat<br />

approximately, finger size N<br />

£500 - 700<br />

606<br />

An 18 Carat Gold Sapphire and<br />

Diamond Cluster Ring, the mixed<br />

cushion cut sapphire within a border of<br />

round brilliant cut diamonds, in yellow<br />

claw settings to a plain polished shank,<br />

total diamond weight 2.15 carat<br />

approximately, finger size O<br />

£2000 - 3000<br />

607<br />

An 18 Carat Gold Sapphire and<br />

Diamond Three Stone Ring, the<br />

cornflower blue oval mixed cut sapphire<br />

flanked by a round brilliant cut diamond on<br />

each shoulder, in white and yellow claw<br />

settings, to a yellow tapered shoulder<br />

shank, total estimated diamond weight<br />

0.50 carat approximately, finger size L1/2<br />

£400 - 600<br />

608<br />

A Sapphire and Diamond Five Stone<br />

Ring, alternating oval cut sapphires and<br />

old cut diamonds in white claw settings, to<br />

a tapered shoulder plain polished shank,<br />

total diamond weight 0.90 carat<br />

approximately, finger size P1/2<br />

£500 - 700<br />

609<br />

A Pair of <strong>Art</strong> Nouveau Cufflinks,<br />

depicting a maiden in ivory within a<br />

plique-a-jour frame, chain linked to<br />

lozenge shaped links<br />

£1500 - 2000


610<br />

A 14 Carat Gold Brooch, by Hans<br />

Hansen, the triangular form of plain<br />

polished yellow gold, measures 6.8cm by<br />

4.6cm<br />

£400 - 500<br />

611<br />

A Sapphire Bracelet, by Child and<br />

Child, circa 1890-1899, assorted blue,<br />

yellow, white and a pale pink sapphire in<br />

yellow chain linked spectacle settings,<br />

length 16.5cm<br />

**NB three stones missing<br />

£300 - 500<br />

612<br />

A Pair of Cufflinks, by Cartier, Paris,<br />

each as a bar with a domed bloodstone at<br />

each end, within a hinged loop frame,<br />

cased by Cartier<br />

£500 - 800<br />

613<br />

An <strong>Art</strong>s and Crafts Buckle, set with foil<br />

backed and paste stones, in a beaded<br />

decorated frame, marked 'TB' measures<br />

4.7cm by 5.2cm<br />

£200 - 300<br />

614<br />

A Brooch, by Hans Hansen, circa<br />

1965, the form almost triangular in shape,<br />

numbered '114', measures 7.9cm by<br />

2.3cm<br />

£60 - 80<br />

615<br />

A Pair of Silver Enamelled Cufflinks,<br />

by Liberty & Co., the round disks<br />

enamelled in pale blue, pink and green,<br />

and chain linked to plain polished bars<br />

£200 - 300<br />

616<br />

An Opal Pendant, by Murrle Bennett<br />

& Co., the openwork <strong>Art</strong> Nouveau form<br />

set with a cabochon opal centrally and<br />

another suspended, measures 1.5cm by<br />

3.9cm<br />

£150 - 200<br />

617<br />

An <strong>Art</strong> Nouveau Style Pendant, of<br />

entwined form, set with a ruby and a<br />

pearl, and a houndstooth pearl suspended<br />

from the base, measures 2.6cm by 5.5cm<br />

£150 - 200<br />

618<br />

A Pair of 18 Carat White Gold Garnet<br />

and Diamond Drop Earrings, round<br />

brilliant cut and baguette cut diamonds<br />

form an <strong>Art</strong> Deco style drop, to a cushion<br />

cut garnet terminal, in white claw settings,<br />

total estimated diamond weight 1.10 carat<br />

approximately, with post fittings for<br />

pierced ears, drop length 3.8cm<br />

£700 - 1000<br />

619<br />

An 18 Carat White Gold Amethyst and<br />

Diamond Ring, the step cut amethyst<br />

flanked by a triangular cluster of ten round<br />

brilliant cut diamonds on each side, in<br />

white claw settings, to a tapered shoulder<br />

plain polished shank, total estimated<br />

diamond weight 0.50 carat approximately,<br />

finger size M1/2<br />

£600 - 800<br />

620<br />

An 18 Carat White Gold Kunzite and<br />

Diamond Ring, the oval cut kunzite<br />

flanked by two graduated rows of round<br />

brilliant cut diamonds on each shoulder, in<br />

white claw settings to a lined shoulder<br />

plain polished shank, total estimated<br />

diamond weight 0.50 carat approximately,<br />

finger size N<br />

£700 - 1000


621<br />

An 18 Carat Gold Amethyst and<br />

Diamond Collar, the half hinged collar of<br />

brushed finish, inset to the front with a<br />

cluster of single cut diamonds in white<br />

claw settings in a diamond shaped frame,<br />

three round brilliant cut diamonds inset to<br />

each side of the collar, and from the<br />

cluster suspends a trapezium cut<br />

amethyst, in a yellow claw setting<br />

£700 - 1000<br />

622<br />

An 18 Carat White Gold Aquamarine,<br />

Sapphire and Diamond Ring, the oval<br />

cut aquamarine within a part border of<br />

round brilliant cut diamonds, a baguette<br />

cut sapphire to each shoulder, in claw<br />

settings, to a pointed and lined shoulder<br />

shank, total estimated diamond weight<br />

0.50 carat approximately, finger size M<br />

£600 - 800<br />

623<br />

An Amethyst, Aquamarine and Ruby<br />

Necklace, comprising multiple strands of<br />

faceted beads, with briolette cut drops<br />

pendant, length 44cm<br />

£400 - 600<br />

624<br />

An Aquamarine and Diamond Cluster<br />

Ring, circa 1970, the square step cut<br />

aquamarine with truncated corners, within<br />

a spaced border and overset with round<br />

brilliant cut diamonds in white claw<br />

settings, to a plain polished shank, total<br />

diamond weight 1.10 carat approximately,<br />

finger size O<br />

£1000 - 1500<br />

625<br />

A Pair of Aquamarine, Pink<br />

Tourmaline and Diamond Drop<br />

Earrings, an oval cabochon tourmaline<br />

suspends alternating diamonds, and<br />

aquamarines, and an oval cut tourmaline,<br />

chain linked to a pink tourmaline and<br />

diamond cluster, all in white claw settings,<br />

total diamond weight 0.90 carat<br />

approximately, with post fittings for<br />

pierced ears, drop length 6.8cm<br />

£500 - 700<br />

626<br />

An 18 Carat White Gold Garnet and<br />

Diamond Pendant, a round mixed cut<br />

garnet within a border of round brilliant<br />

cut diamonds suspends two oval mixed cut<br />

garnets, in claw settings, drop length<br />

4.6cm<br />

£500 - 700<br />

627<br />

An Aquamarine and Diamond Three<br />

Stone Ring, the oblong step cut<br />

aquamarine in a white four claw setting<br />

flanked each side by a round brilliant cut<br />

diamond in a collet setting, to a plain<br />

polished shank, total diamond weight 0.20<br />

carat approximately, finger size N<br />

£400 - 500<br />

628<br />

A Multi Gemstone Necklace, of faceted<br />

moonstone, quartz, and garnet, with<br />

marcasite set panel decoration and fluorite<br />

drops pendant, length 45cm, drop length<br />

22cm<br />

£250 - 350<br />

629<br />

A Victorian Brooch, three mixed cut<br />

amethysts within a scrolling frame, with<br />

swags suspended to a pendant drop in<br />

similar style, also with an amethyst inset,<br />

measures 5.8cm by 8.5cm<br />

£300 - 400


630<br />

A Diamond Crescent Brooch, set<br />

throughout with three rows of old cut and<br />

rose cut diamonds, in white claw settings,<br />

total estimated diamond weight 1.50 carat<br />

approximately, measures 6cm (point to<br />

point)<br />

£500 - 700<br />

631<br />

A Pair of Cufflinks, with bar linked<br />

octagonal heads, set centrally with a<br />

brilliant cut diamond in an onyx surround,<br />

to a geometric white border<br />

£300 - 400<br />

632<br />

A Set of Dress Studs, all of hexagonal<br />

onyx form, with a single cut diamond<br />

centrally, within a white border, the<br />

cufflinks chain linked in a fitted case<br />

£600 - 800<br />

633<br />

An Amethyst and Seed Pearl Fringe<br />

Necklace, the oval cut amethysts in<br />

yellow claw settings, with seed pearl set<br />

detail, and knife wire drops set midway<br />

with a seed pearl to an amethyst terminal,<br />

length 41.5cm<br />

£500 - 700<br />

634<br />

An Opal and Diamond Pendant, a<br />

heart shaped cabochon opal in a white<br />

collet setting, within a border of round<br />

brilliant cut diamonds, in white claw<br />

settings, on a trace link chain, total<br />

diamond weight 0.90 carat approximately,<br />

measures 2.8cm by 4cm, chain length<br />

60cm<br />

£1000 - 1500<br />

635<br />

An 18 Carat White Gold Diamond<br />

Bombé Style Ring, five rows of round<br />

brilliant cut diamonds pavé set within a<br />

chunky mount, total diamond weight 1.30<br />

carat approximately, finger size N<br />

£600 - 800<br />

636<br />

A Diamond Solitaire Ring, by Bvlgari,<br />

the round brilliant cut diamond in a four<br />

claw setting, to a plain polished shank,<br />

finger size L, cased<br />

**The ring is accompanied by a report<br />

from Bvlgari, number 0015033 (undated),<br />

stating the diamond as 1.008 carat, colour<br />

F, clarity VS2, and a report from the GIA,<br />

number 11269568, dated September 20,<br />

2000, stating the diamond as 1.00 carat,<br />

colour F, clarity VS2.<br />

£5000 - 6000<br />

637<br />

A Three Colour Diamond Bracelet, the<br />

round brilliant cut diamonds in three hues<br />

- the white held in white collet settings,<br />

yellow tinted held in yellow collet settings<br />

and brown tinted held in rose gold<br />

settings, joined by white fancy links, total<br />

diamond weight 3.00 carat approximately,<br />

length 19.5cm<br />

£1000 - 1500<br />

638<br />

A Floral Spray Brooch, five clusters of<br />

demantoid garnets as flowers and three of<br />

citrines, each with a brilliant cut diamond<br />

centrally, within yellow leaf motifs, and<br />

white stems set with baguette cut and<br />

single cut diamonds, total estimated<br />

diamond weight 1.00 carat approximately,<br />

measures 4cm by 8cm<br />

£1800 - 2200


639<br />

An Early 20th Century Multi<br />

Gemstone Pendant, the square form<br />

comprising a round mixed cut pink topaz<br />

centrally, within a diamond set openwork<br />

frame, oval cut gemstones including;<br />

garnet, sapphire, citrine, peridot, ruby and<br />

emerald set at intervals, on a diamond set<br />

pendant loop, measures 4.3cm by 5.8cm<br />

£800 - 1200<br />

640<br />

An 18 Carat Gold Opal and Diamond<br />

Three Stone Ring, the oval cabochon<br />

opal flanked by an old cut diamond on<br />

each side in yellow claw settings, total<br />

estimated diamond weight 1.00 carat<br />

approximately, finger size M<br />

£1500 - 1800<br />

641<br />

An 18 Carat White Gold Peridot and<br />

Diamond Three Stone Ring, the oval<br />

cut peridot flanked by a round brilliant cut<br />

diamond in each shoulder, in white claw<br />

settings, total estimated diamond weight<br />

0.50 carat approximately, finger size M1/2<br />

£400 - 600<br />

642<br />

A 18 Carat Gold Opal and Diamond<br />

Cluster Ring, an oval cabochon opal<br />

within a border of round brilliant cut<br />

diamonds, in yellow and white claw<br />

settings, to a yellow tapered shoulder plain<br />

polished shank, total estimated diamond<br />

weight 0.50 carat approximately, finger<br />

size P<br />

£650 - 750<br />

643<br />

A Pair of Peridot and Diamond Drop<br />

Earrings, a floral cluster of round brilliant<br />

cut diamonds suspends diamond leaf<br />

detail, to a step cut peridot and round<br />

brilliant cut diamond cluster, total<br />

estimated diamond weight 1.30 carat<br />

approximately, post fittings for pierced<br />

ears, drop length 3.4cm<br />

£1500 - 2000<br />

644<br />

An 18 Carat Gold Millennium Cut<br />

Diamond Solitaire Ring, the diamond in<br />

a white corner claw setting, to a yellow<br />

tapered shoulder shank, diamond weight<br />

0.73 carat approximately, finger size I1/2<br />

£800 - 1000<br />

645<br />

A Graduated Diamond Five Stone<br />

Ring, the old cut diamonds in white claw<br />

settings, on a carved mount, to a yellow<br />

plain polished shank, total estimated<br />

diamond weight 1.50 carat approximately,<br />

finger size N1/2<br />

£500 - 800<br />

646<br />

A 9 Carat Gold Amethyst and<br />

Diamond Bangle, oval cut amethysts<br />

with pairs of tiny rose cut diamonds<br />

between each one, in yellow claw settings,<br />

on a scroll carved mount, to a plain<br />

polished bangle<br />

£300 - 400<br />

647<br />

A Diamond Solitaire Ring, the old cut<br />

diamond in a white eight claw setting, to a<br />

yellow plain polished shank, diamond<br />

weight 0.75 carat approximately, finger<br />

size M<br />

£500 - 700


648<br />

An 18 Carat White Gold Diamond<br />

Cross, the round brilliant cut diamonds in<br />

white claw settings, total estimated<br />

diamond weight 1.33 carat approximately,<br />

measures 2.1cm by 3.2cm, to a white<br />

suspension loop on an 18 carat white gold<br />

heyseed link chain, length 51cm<br />

£400 - 500<br />

649<br />

A Diamond Set Pin Brooch, set with old<br />

cut and brilliant cut diamonds throughout,<br />

total estimated diamond weight 1.40 carat<br />

approximately, length 5.5cm<br />

£500 - 700<br />

650<br />

An 18 Carat Gold Sapphire and<br />

Diamond Set Bangle, stamped 'VAN<br />

GOGH', retailed by Boucheron, the<br />

stylised pierced floral domed upper section<br />

set with alternating round brilliant cut<br />

sapphires and diamonds, to a back of<br />

stylised entwined textured foliate motifs,<br />

total diamond weight 1.60 carat<br />

approximately<br />

£2000 - 3000<br />

651<br />

A Sapphire and Diamond Necklace,<br />

five rows of graduated polished sapphire<br />

beads, with two diamond set oblong panel<br />

details, to V shaped end pieces, length<br />

35cm<br />

**Accompanied by an identification report<br />

from The Gem Testing Laboratory of India,<br />

number I1561CA69629, dated 09/03/2012,<br />

which states natural sapphire, with no<br />

indications of thermal enhancement (the<br />

stone tested being the central piece in the<br />

longest string)<br />

£1000 - 1200<br />

652<br />

A Sapphire and Diamond Necklace<br />

and Bracelet Set, series of marquise cut<br />

sapphires in yellow claw settings alternate<br />

with trios of lozenge shaped links, the<br />

central lozenges set with pairs of brilliant<br />

cut diamonds in channel settings, total<br />

estimated diamond weight 1.05 carat<br />

approximately, necklace length 40.5cm,<br />

bracelet length 18cm<br />

£1000 - 1500<br />

653<br />

A Pair of Moonstone, Sapphire and<br />

Diamond Drop Earrings, three<br />

cabochon moonstones alternate with oval<br />

cut sapphires, the moonstone terminal<br />

within a border of round brilliant cut<br />

diamonds, all in white claw settings, with<br />

post fittings for pierced ears, drop length<br />

6.7cm<br />

£600 - 800<br />

654<br />

A Diamond and Sapphire Half Eternity<br />

Ring, five scissor cut sapphires alternate<br />

with four emerald cut diamonds in white<br />

bezel settings to a plain polished shank,<br />

total estimated diamond weight 1.30 carat<br />

approximately, finger size L1/2<br />

£3000 - 5000<br />

655<br />

An 18 Carat White Gold Moonstone,<br />

Sapphire and Diamond Cluster Ring,<br />

the oval cabochon moonstone in a part<br />

border of round brilliant cut diamonds with<br />

a pear cut sapphire to each shoulder, in<br />

white claw settings to a tapered shoulder<br />

plain polished shank, finger size M1/2<br />

£600 - 800


656<br />

A Sapphire and Diamond Cluster<br />

Ring, the oval cut sapphire within a<br />

border of round brilliant cut diamonds, in<br />

white claw settings, to hooped shoulders<br />

on a lined polished shank, total diamond<br />

weight 2.50 carat approximately, finger<br />

size L1/2<br />

£1500 - 2000<br />

657<br />

An 18 Carat Gold Lady's Wristwatch,<br />

signed Piaget, lever movement, dial with<br />

applied baton markers, within a bezel set<br />

with thirty round brilliant cut diamonds in<br />

white claw settings, to a yellow triple open<br />

work rope design bracelet, total diamond<br />

weight 1.40 carat approximately, length<br />

17cm<br />

£1800 - 2200<br />

658<br />

An 18 Carat Gold Diamond and<br />

Sapphire Cocktail Ring, by<br />

Kutchinsky, a central round brilliant cut<br />

diamond within a border of eight assorted<br />

cut diamonds, to a double tiered border of<br />

sapphires, in white and yellow claw<br />

settings, on a grooved shoulder shank,<br />

total estimated diamond weight 1.35 carat<br />

approximately, finger size M<br />

£1500 - 2000<br />

659<br />

A Sapphire and Diamond Spray<br />

Brooch, the yellow polished and textured<br />

form set with round brilliant cut sapphires<br />

and old cut diamonds in claw settings,<br />

total diamond weight 1.20 carat<br />

approximately, measures 2cm by 4.9cm<br />

£600 - 800<br />

660<br />

A Pair of 18 Carat White Gold<br />

Diamond Solitaire Earrings, the round<br />

brilliant cut diamonds in white illusion and<br />

claw settings, total diamond weight 1.00<br />

carat approximately, with screw post<br />

fittings for pierced ears<br />

£400 - 600<br />

661<br />

An 18 Carat Gold Diamond Set<br />

Hexagonal Brooch/Pendant, of seven<br />

interlocking yellow hexagons each with an<br />

old cut diamond suspended, a diamond<br />

detail at intervals to the outer border, total<br />

diamond weight 1.20 carat approximately,<br />

measures 2.8cm by 2.8cm<br />

£400 - 600<br />

Foreign Silver & White Metal<br />

662<br />

A Pair of Continental White Metal<br />

Chambersticks, probably German,<br />

circa 1880, of shell form with hippocamp<br />

handles and foliate scroll sconces with bell<br />

form snuffers applied with fox mask clips<br />

and owl finials, all raised on cast paw feet,<br />

later presentation inscription, 19cm long,<br />

14oz 12dwt<br />

£200 - 300<br />

663<br />

An Italian Table Garniture, stamped<br />

Armando Possi, Firenze, 800,<br />

profusely cast and chased with openwork<br />

scrolls and leaf capped columns,<br />

comprising a dish and cover, two oval<br />

bowls and two covered tureens with liners,<br />

the tureens 32cm high, 11,580 grams<br />

£4000 - 6000


664<br />

A French Part Service of White Metal<br />

Flatware, various makers, circa<br />

1800-80, Fiddle pattern, comprising<br />

ninety-five table spoons and fifty-nine<br />

table forks, together with sundry<br />

teaspoons and plated flatware, 311oz<br />

weighable silver (qty)<br />

£3000 - 5000<br />

665<br />

A Chinese White Metal Bowl, maker's<br />

mark WO, circa 1890, the collet foot<br />

rising to a shaped circular body engraved<br />

with reserves of birds and flowers within<br />

landscapes, one with a vacant laurel<br />

cartouche beneath a stylised lotus petal<br />

rim, 19.5cm diameter, 14oz<br />

£300 - 500<br />

666<br />

A Pair of Russian Candlesticks,<br />

Fyeddor Ularov, St Petersburg, circa<br />

1820, assay master Alexander<br />

Yashinov, each with dodecagonal<br />

panelled urn nozzles and with sconces with<br />

everted anthemion rims, on panelled<br />

tapering stems from leaf decorated shaped<br />

square bases with chamfered angles,<br />

24cm high<br />

£1200 - 1800<br />

667<br />

A Russian Cloisonné Spoon, maker's<br />

mark CMB (?), circa 1900-10, of typical<br />

form with broad round bowl and twisted<br />

tapering stem, applied throughout with<br />

foliate enamel sprays, 15cm long, 1oz<br />

7dwt, in fitted case<br />

£200 - 300<br />

668<br />

A Pair of White Metal Pheasant Table<br />

Ornaments, 20th century, each<br />

standing with naturalistic detailed<br />

plumage, both stamped 835, 27.5cm and<br />

25cm long, combined weight 13oz<br />

£250 - 350<br />

Modern Silver<br />

668A<br />

An Elizabeth II Silver Horsehead<br />

Handled Walking Stick, Asprey,<br />

London 1997, as a bridled racehorse<br />

head, with wood shaft, 91.5cm long<br />

overall<br />

£500 - 700<br />

669<br />

A Pair of Elizabeth II Silver Filled<br />

Game Bird Table Ornaments, maker's<br />

mark BS, Birmingham 1995, one as a<br />

cock pheasant perched on a rock, the<br />

other of a grouse, each inscribed ESC<br />

(Copyright) 95, filled, 15cm and 14cm high<br />

£150 - 200<br />

670<br />

An Elizabeth II Silver Dessert Stand,<br />

Walker & Hall Ltd, Sheffield 1963, the<br />

spreading foot rising to a circular bowl<br />

with broad pierced openwork and<br />

engraved border with fruiting vines<br />

beneath a cast vine rim and twin loop<br />

handles, 42cm across, 41oz 13dwt<br />

£400 - 600<br />

671<br />

An Elizabeth II Silver Cock Pheasant<br />

Table Ornament, maker's mark H&L,<br />

London 1962, naturalistically modelled<br />

turning to the right, 38.5cm long, 22½oz<br />

£600 - 800


672<br />

A George VI Silver and Cold<br />

Enamelled Racehorse with Jockey Up<br />

Car Mascot, Goldsmiths &<br />

Silversmiths Co Ltd, London 1946, the<br />

standing horse with jockey up with red<br />

colours and yellow cap, the textured<br />

rectangular plateau base inscribed on<br />

three of the four edges DEVADAS, LADY<br />

SOLACE and BETTER STILL, screw thread<br />

mounting and hexagonal silver nut,<br />

15.2cm high overall<br />

£1200 - 1800<br />

672A<br />

A George V Silver Figure of a Pugilist,<br />

H Phillips, London 1935, in a boxing<br />

stance, on a textured rectangular plinth,<br />

stamped Phillips, Aldershot, 22cm high, 54<br />

1/2oz<br />

£1500 - 2000<br />

673<br />

An <strong>Art</strong> Deco Silver Four Piece Teaset,<br />

Ollivant & Botsford, London 1932, of<br />

flared circular form with stepped ebonised<br />

handles, domed covers and geometric<br />

carved ivory finials, 18cm high, 59oz<br />

16dwt all in<br />

£700 - 1000<br />

674<br />

A Pair of George V Silver<br />

Candlesticks, Hawksworth, Eyre & Co<br />

Ltd, Sheffield 1927, the nozzles<br />

Birmingham 1933, the circular bases<br />

rising to knopped flared stems with<br />

campana shaped sconces and detachable<br />

nozzles, foliate acanthus shell borders<br />

throughout, 32cm high, loaded<br />

£400 - 600<br />

675<br />

An <strong>Art</strong>s & Crafts Silver Cup, Manoah<br />

Rhodes & Son Ltd, London 1923, the<br />

planished spreading foot rising to a flared<br />

stem with twin pierced foliate openwork<br />

knops beneath a plain circular bowl, 30cm<br />

high, 24oz 10dwt<br />

**This cup bears similarities to the later<br />

work of Charles Boyton and may have<br />

been supplied to Rhodes by that firm.<br />

£400 - 600<br />

676<br />

A Pair of George V Silver Sauceboats,<br />

Sheffield 1922, of inverted helmet<br />

shape, acanthus sheathed C scroll handles,<br />

on three hoof feet, 18cm long, combined<br />

weight 19oz<br />

£250 - 350<br />

677<br />

Robert Burns Interest: A George V<br />

Silver Two-Handled Pedestal<br />

Presentation Cup, Birmingham 1916,<br />

of scrolled handled pedestal form, with<br />

inscription Presented Along With a Cheque<br />

by the Office-Bearers And Members of the<br />

Burns Federation to Duncan McNaught<br />

Esqr JP Glasgow 18 th January 1918, 18cm<br />

high, 14½oz; A Gilt Brass Pedestal<br />

Bust of Robert Burns, 19 th century, on<br />

square base, 12cm high; A 9ct Gold<br />

Presentation Medallion, to Agnes<br />

McNaught, Kilmaurs P School 1896-97, 8g;<br />

One Volume of Kilmaurs Parish and<br />

Burgh by D McNaught, published 1912;<br />

and Two Photographs of the Author<br />

(6)<br />

**Please refer to lot 428 for further history<br />

concerning the McNaught family and their<br />

relation to Robert Burns<br />

£300 - 400<br />

678<br />

A George V Silver Tray, Harrison<br />

Brothers & Howson, Sheffield 1914,<br />

of rounded rectangular form with<br />

gadrooned rim interspersed with acanthus<br />

capped shells and twin cast scroll handles,<br />

initialled, 65cm long, 101oz<br />

£1200 - 1800


679<br />

A George V Silver Cup and Cover,<br />

maker's mark HEB/FEB, Chester<br />

1911, the pedestal foot rising to a vase<br />

shaped body with twin reeded loop<br />

handles and domed cover with gadrooned<br />

baluster knop, inscribed The London<br />

Trotting Club .... , 52cm high, 76oz 1dwt<br />

£700 - 1000<br />

680<br />

A George V Silver Cup, Charles Stuart<br />

Harris, London 1910, the pedestal foot<br />

rising to a baluster body with twin leaf<br />

capped scroll handles, later inscribed The<br />

London Trotting Club ..., 29.5cm high,<br />

34oz 11dwt<br />

£300 - 500<br />

681<br />

An Edward VII Pistol-Handled Suite<br />

of Silver Flatware, Francis Higgins,<br />

London 1905, each piece engraved with<br />

gothic initial S, comprising eighteen table<br />

knives with steel blades, eighteen<br />

triple-tine table forks, eighteen dessert<br />

forks, nine dessert knives with steel<br />

blades, a carving knife and fork; and A<br />

Pair of Georgian Silver Sugar Tongs<br />

(qty)<br />

£500 - 700<br />

682<br />

An Edward VII Composite Thirteen<br />

Piece Silver Dressing Table Set,<br />

William Comyns, London 1905, each<br />

piece repoussé with classical figures<br />

beneath flaming urns and swags,<br />

comprising tray, hair brush, pair of clothes<br />

brushes, comb, large cut glass powder<br />

bowl and cover, trinket box and cover, two<br />

ointment jars and covers (London 1908),<br />

cotton wool jar and cover, shoe horn<br />

(London 1910), coat button hook (London<br />

1910) and hand mirror<br />

£500 - 700<br />

683<br />

A Set of Six Edward VII Menu<br />

Holders, Samuel Jacobs, London<br />

1903, each cast with a running fox with<br />

hinged mounts, initialled, 7.5cm long, 6oz<br />

14dwt, in fitted case<br />

£600 - 900<br />

Antique Silver<br />

684<br />

A Victorian Silver Gilt Bowl, Charles<br />

Stuart Harris, London 1899, the<br />

spreading foot rising to a circular bowl<br />

profusely pierced and chased with birds<br />

amidst scrolls and foliage, with twin vacant<br />

scroll cartouches, 20.5cm diameter, 20oz<br />

1dwt<br />

£400 - 600<br />

685<br />

A Late Victorian Silver Mounted Ivory<br />

and Rhinoceros Horn Page Turner,<br />

London 1899, with tusk tip handle, the<br />

silver ferrule engraved with a visor,<br />

rhinoceros horn blade, 40cm long overall,<br />

169g<br />

**Rhinoceros: CITES Appendix I Annex A<br />

With Animal Health permission letter<br />

100-12/13<br />

£300 - 400<br />

686<br />

A Pair of Late Victorian Two-Branch<br />

Three-Light Silver Table Candelabra,<br />

Hawksworth Eyre Ltd, Sheffield 1898,<br />

with campana urns and circular drip pans,<br />

on whiplashed branches from conforming<br />

candlestick knopped stems, on filled<br />

square bases with indented angles,<br />

converting to a four-branch five-light<br />

candelabrum 43.5cm high<br />

£2000 - 3000


687<br />

A Late Victorian Two-Handled Silver<br />

Cup, Charles Stuart Harris, London<br />

1896, in Charles II style, the bucket bowl<br />

with gadrooned girdle raised band, beaded<br />

S scroll handles, semi-gadrooned overall<br />

and with a William III Crown 1696 inset<br />

into the base, gilded interior, 9cm high,<br />

7½oz<br />

£120 - 180<br />

688<br />

A Pair of Victorian Silver Dessert<br />

Bowls, Martin, Hall & Co Ltd, London<br />

1894, oval, on four ball feet with deep<br />

wirework border applied with fruiting vine<br />

and wheatsheaf decoration beneath a<br />

gadrooned rim, 18.5cm long, 9oz 6dwt<br />

£300 - 500<br />

689<br />

A Victorian Silver Gilt Cream and<br />

Sugar Set, James Wakely & Frank<br />

Clarke Wheeler, London 1889,<br />

comprising pedestal circular sugar, helmet<br />

cream, six teaspoons and sugar tongs, all<br />

decorated with flowers, weighable silver<br />

9½ oz, in presentation case<br />

£300 - 400<br />

690<br />

A Pair of Victorian Silver Novelty<br />

Pepperettes, James Barclay Hennell<br />

for Robert Hennell & Sons, London<br />

1884, modelled as standing fighting cocks<br />

on foliate circular bases, 8.5cm high, 4oz<br />

8dwt<br />

£700 - 1000<br />

691<br />

A Victorian Silver Three Piece Teaset,<br />

Charles Boyton, London 1884, of<br />

globular form with ebonised scroll handle<br />

and domed cover with fluted button finial,<br />

foliate chased in Indian style throughout,<br />

in a fitted case, with a matching teaspoon<br />

and a pair of sugar tongs, the teapot,<br />

12cm high, 12oz all in<br />

£120 - 180<br />

692<br />

A Victorian Silver Kettle on Stand,<br />

Charles Stuart Harris, London 1881,<br />

retailer's stamp of Lambert, Coventry<br />

St, London, the three leaf capped shell<br />

and scroll feet supporting a circular burner<br />

and part fluted cape form kettle with<br />

wooden handle, domed cover with button<br />

finial, 33cm high, 56oz 13dwt all in<br />

£900 - 1100<br />

693<br />

A Victorian Silver Centrepiece Bowl<br />

Stand, Joseph Bradbury & Edward<br />

Bradbury, London 1872, as two<br />

entwining fruiting vine stocks with upper<br />

ring to support a bowl (now lacking), on a<br />

fruit, flower and scroll repoussé domed<br />

base on three outswept rocaille feet,<br />

29.5cm high, 39oz<br />

£350 - 550<br />

694<br />

A Victorian Silver Cup, Robert Harper<br />

& Son, London 1870, the pedestal foot<br />

rising to a campana shaped bowl with twin<br />

cast foliate scroll handles, chased with<br />

hare coursing through a woodland<br />

landscape, inscribed Presented to<br />

Frederick Gretton Esqre by members of<br />

the Newton Hunt, January 14th 1871,<br />

20cm high, 12oz 2dwt<br />

£200 - 300


695<br />

A Victorian Silver Mounted Claret Jug,<br />

Richards & Brown, London 1865, the<br />

star cut spreading foot rising to an ovoid<br />

body engraved with stars and scrolls<br />

within a diaperwork cut ground with cast<br />

vine handle and collar, the domed lipped<br />

cover with mechanical action for opening<br />

to the handle, 32cm high<br />

£700 - 900<br />

697<br />

A Victorian Scottish Silver Soup<br />

Ladle, J Muir Jr, Glasgow 1844, King's<br />

pattern single struck, 37cm long, 9oz<br />

13dwt<br />

£150 - 200<br />

698<br />

A Victorian Silver Kettle, Stand and<br />

Burner, Thomas, James & Nathaniel<br />

Creswick, Sheffield 1840, the three<br />

cast shell and scroll legs supporting a<br />

circular burner and pierced circular<br />

standing rising to a baluster pot with ivory<br />

turned handle and domed cover with cast<br />

foliate finial, engraved with C scrolls and<br />

trelliswork reserves, 35cm high, 54oz 4dwt<br />

all in<br />

£700 - 1000<br />

699<br />

A George IV Silver Bread Basket,<br />

Emes & Barnard, London 1825, the<br />

spreading foot rising to a part lobed<br />

acanthus and bulrush based circular bowl<br />

with cast shell and scroll acanthus rim and<br />

swing handle, initialled, 31cm diameter,<br />

34oz 16dwt<br />

£400 - 600<br />

700<br />

A George IV Provincial Silver Teapot,<br />

Barber, Cattle & North, York 1829,<br />

with town mark, of compressed girdled<br />

circular form with collet foot , leaf capped<br />

scroll handle and domed cover with large<br />

button finial, 13cm high, 20oz 7dwt all in<br />

£800 - 1200<br />

701<br />

A George IV Silver Fish Slice, maker's<br />

mark JT struck thrice, possibly Cape,<br />

circa 1820, Fiddle pattern with scimitar<br />

shaped pierced and foliage engraved<br />

blade, 30cm long, 5oz 12dwt<br />

£200 - 400<br />

702<br />

A George III and Later Part Service of<br />

Flatware, Thomas Wallis & Jonathan<br />

Hayne, London 1815, the forks<br />

William Eaton, London 1838 and<br />

various dates and makers, Old English<br />

pattern, crested, comprising two table<br />

spoons, twelve table forks, six dessert<br />

spoons, twelve dessert forks, and a<br />

basting spoon, 60oz 4dwt (33)<br />

£700 - 1000<br />

703<br />

A George III Silver Tray, maker's<br />

mark WB, London 1814, rounded<br />

rectangular, gadrooned rim and arched<br />

handles sheathed with acanthus, with<br />

central engraved armorial with lion crest,<br />

61cm wide, 89oz, in a fitted wood Sorley,<br />

Glasgow case with inner plaque MUDHOOK<br />

YACHT CLUB 11 th JULY 1913<br />

£700 - 900<br />

704<br />

A Set of Six George III Silver Table<br />

Spoons, three Wallis & Hayne,<br />

London 1811, three J McKay,<br />

Edinburgh 1818, Fiddle and Thread<br />

pattern, later crested, 22cm long, 15oz<br />

3dwt<br />

£200 - 300


705<br />

A Group of Four Georgian and Later<br />

Silver Toddy Ladles, two with coins<br />

inset into the centre of the bowls, each<br />

with twisted baleen handles, the longest<br />

39.5cm; and A Similar Cream Ladle,<br />

London 1799 (5)<br />

£200 - 300<br />

706<br />

A George III Silver Sugar Basket,<br />

Hester Bateman, London 1790, the<br />

shaped reeded navette pedestal foot rising<br />

to a conforming bright-cut engraved bowl<br />

with reeded rim and shaped swing handle,<br />

16cm, 6oz 7dwt<br />

£400 - 600<br />

707<br />

A George III Silver Circular Wine<br />

Tray, maker's mark HC, London 1788,<br />

centrally engraved with an armorial,<br />

moulded rim, on three reeded outswept<br />

feet, 30.5cm diameter, 28oz<br />

£600 - 800<br />

708<br />

A George III Silver Salver, Richard<br />

Rugg, London 1773, shaped circular<br />

with three pad feet and gadrooned rim,<br />

engraved with an armorial, 30cm<br />

diameter, 26oz 19dwt<br />

£600 - 900<br />

709<br />

A Pair of George III Corinthian<br />

Column Table Candlesticks, possibly<br />

John Carter II, London 1772, with<br />

concave and bead edged sconces (marked<br />

for John Winter & Co, Sheffield, no date<br />

letter), with pierced capitals and stop<br />

fluted stems, on weighted concave sided<br />

square bases embossed with urns amongst<br />

swags, 28cm high<br />

£600 - 900<br />

710<br />

A George III Silver Dish Cross,<br />

Burrage Davenport, London, circa<br />

1770, of typical form with cast openwork<br />

adjustable feet and pierced central boss,<br />

crested, 30.5cm long, 11oz 16dwt<br />

£300 - 500<br />

711<br />

A George III Silver Sugar Basket,<br />

Richard Morton & Co, Sheffield 1777,<br />

the pedestal beaded foot rising to a pale<br />

pierced vase shaped body with calyx<br />

chasing and beaded swing handle, with<br />

blue glass liner, 16cm high, 4oz 17dwt free<br />

£300 - 500<br />

712<br />

A Pair of George III Silver Waiters,<br />

Richard Rugg, London 1762, shaped<br />

circular with shell and scroll rim, each<br />

raised on three cast pad and scroll feet,<br />

20cm diameter, 21oz 6dwt<br />

£500 - 800<br />

713<br />

A George II Silver Coffee Pot, Thomas<br />

Whipham, London 1747, the moulded<br />

foot rising to a tucked-in cylindrical<br />

tapering body with ivory leaf capped scroll<br />

handle and domed cover with baluster<br />

finial, later chased with foliate C scrolls<br />

and fruit, 25cm high, 29oz 6dwt all in<br />

£800 - 1200<br />

714<br />

A George II Silver Coffee Pot, Thomas<br />

Whipham, London 1749, the moulded<br />

foot rising to a tucked-in cylindrical<br />

tapering body with ebonised leaf capped<br />

scroll handle and domed cover with acorn<br />

finial, later foliate chasing throughout,<br />

bearing a mid-19 th century armorial and<br />

baronial crest, 25cm high, 28oz 1dwt all in<br />

£800 - 1200


715<br />

A Good George II Silver Salver,<br />

Dennis Langton, London 1733, four<br />

leaf capped knurl feet supporting a shaped<br />

circular body with moulded rim, engraved<br />

with an armorial, initialled to the reverse<br />

and scratch weight 26-12, 28.5cm<br />

diameter, 25oz 11dwt<br />

£1000 - 1500<br />

716<br />

A George II Silver Cup and Cover,<br />

Richard Gurney & Thomas Cooke,<br />

London 1731, the spreading foot<br />

supporting a girdled vase shaped body<br />

with twin leaf capped scroll handles and<br />

domed cover with fruiting finial, later<br />

chased with Bacchic figures and fruiting<br />

vines throughout, later inscribed to foot,<br />

28cm high, 46oz 11dwt<br />

£400 - 700<br />

717<br />

A Good George I Silver Table Spoon,<br />

Andrew Archer, London 1719,<br />

Hanoverian pattern, engraved with an<br />

armorial, 20.5cm long; and Five Silver<br />

Table Spoons, various dates and<br />

makers, all Hanoverian pattern, 9oz<br />

19dwt<br />

£300 - 500<br />

718<br />

A William III Silver Dognose Spoon,<br />

Richard Colegate, Lewes, circa 1700,<br />

inscribed RC 1703, 18cm long, 1oz 5dwt<br />

£300 - 500<br />

719<br />

An Elizabethan Lion Sejant Spoon,<br />

Christopher Easton, Exeter, circa<br />

1600, the fig shaped bowl with tapering<br />

stem and cast lion sejant finial, inscribed<br />

to the reverse of the bowl I*E 1601, 17cm<br />

long, 18dwt<br />

£700 - 1000<br />

Objects of Vertu<br />

720<br />

A Set of Six "Staffordshire Enamels"<br />

Game Bird Painted Napkin Rings,<br />

20th century, each of concave sided<br />

cylindrical form, painted with blackgame,<br />

red-legged partridge, woodcock, snipe,<br />

cock pheasant and mallard, each initialled<br />

CH, within gilded rims, 4.3cm diameter, in<br />

original presentation box<br />

£100 - 150<br />

721<br />

A 9ct Gold Cigarette Case, maker's<br />

mark TWL, London 1935, plain<br />

rectangular with engine turned decoration<br />

throughout, 10.5cm long, 146 grams<br />

£1200 - 1800<br />

722<br />

A Russian Enamel Kovsh, possibly<br />

Nicholai Alexeyev, Moscow, circa<br />

1908-1926, with gilded interior, the<br />

exterior worked with stylised scrolling<br />

leaves and flowerheads, 9.6cm long; and<br />

An Associated Spoon, Moscow, with<br />

crown finial (2)<br />

£600 - 900<br />

723<br />

A Three Colour Gold Hinge-Lidded<br />

Box, circa 1820, the lid with bracketed<br />

thumb piece and central oval floral boss<br />

worked in high relief with rose blossoms<br />

and trailing stems against an engine<br />

turned ground, florets at the angles, 8cm<br />

wide, 88g<br />

£1400 - 1800<br />

724<br />

A Victorian 18ct Gold and Gem Set<br />

Propelling Pencil, Samson Mordan &<br />

Co, London, circa 1880, of telescopic<br />

form, the main body set with diamonds,<br />

rubies and emeralds in star effect mounts,<br />

on a suspension ring, 10.5cm long open<br />

£500 - 800


725<br />

withdrawn<br />

726<br />

An Aesthetic Movement Silver Gilt<br />

Scent Bottle, Henry William Dee,<br />

London 1877, of gourd outline, the<br />

borders and panels modelled as bamboo<br />

shoots and canes, spring loaded cover,<br />

7cm long<br />

£700 - 1000<br />

727<br />

A Victorian Silver Pocket Corkscrew<br />

and Knife, Atkin Bros, Sheffield 1872,<br />

in the form of an early cyclist's knife with a<br />

folding button hook, blade, hook/tyre pick<br />

and corkscrew, engraved J Coulthurst,<br />

Gargrave House and bearing a crest within<br />

a foliate engrave cartouche, 10.5cm closed<br />

£200 - 300<br />

728<br />

A William IV Silver Vinaigrette, John<br />

Bettridge, Birmingham 1830,<br />

rectangular with engine turned sides and<br />

cast foliate rim, initialled MEP, 4cm long;<br />

and Another, Nathaniel Mills,<br />

Birmingham 1828, rectangular with<br />

foliate cast cover and bright-cut engraved<br />

base, initialled, 3.5cm long (2)<br />

£250 - 400<br />

729<br />

A George III 18ct Gold Counter Box,<br />

London 1803, cylindrical, radial engine<br />

turned decoration, hinged lid, both<br />

sections with stamped mark IA and gold<br />

marks, 3.9cm high<br />

£500 - 700<br />

Prints<br />

730<br />

After Cecil Charles Windsor Aldin RBA<br />

(1870-1935)<br />

"For What we are About to Receive"<br />

Signed artist's proof, 81/100, inscribed<br />

verso, black and white etching, 24cm by<br />

16.5cm (pl)<br />

£150 - 200<br />

731<br />

Joseph Wolf and H..C..Richter (19 th<br />

century)<br />

"Greenland Falcon, Light Race Adult and<br />

Young, Falco Candicans"<br />

Inscribed, coloured stone lithograph, 53cm<br />

by 36cm<br />

**Sold with written history on the<br />

Greenland Falcon and the original invoice<br />

dated 17 September 1984<br />

***Provenance: Sotheran's, Sackville<br />

Street, Piccadilly, London<br />

£350 - 450<br />

Watercolours & Drawings<br />

732<br />

Circle of Joseph Mallord William<br />

Turner (19 th century)<br />

"The Mouth of the Avon, nr Bristol, seen<br />

from the Cliffs below Clifton"<br />

Inscribed verso, pencil and watercolour<br />

heightened with white, 22cm by 28.5cm<br />

**Exhibited at the Burlington House<br />

Exhibition, 1887 from the collection of W G<br />

Rawlinson Esq<br />

***Inscribed verso in a letter from Ann<br />

Dart, describing the artist when he stayed<br />

with her Uncle<br />

****Sold by Sotheby's 6 June 1951<br />

£600 - 700<br />

733<br />

Peter la Cave (fl.1769-1810)<br />

Gentleman on horseback, a dog nearby<br />

with two figures seated on a log<br />

Inscribed verso, pencil and watercolour,<br />

13cm by 20cm


**Provenance: Lyver and Boydell Galleries,<br />

Castle Street, Liverpool<br />

£300 - 400<br />

734<br />

Sir Thomas Lawrence RA<br />

(1769-1830)<br />

Portrait of Miss Croft, Aunt of Herbert<br />

Ryder;<br />

Portrait of a young man<br />

Both inscribed verso, pencil and light<br />

coloured wash, 21.5cm by 16cm and<br />

22.5cm by 19cm respectively (2)<br />

**Provenance: Paul Lemaire and Colnaghi,<br />

Pall Mall East, London; and Hibbert<br />

Brothers, Norfolk <strong>Art</strong> Galleries, Norfolk<br />

Street, Sheffield<br />

£800 - 1000<br />

735<br />

Richard Cosway (1742-1821)<br />

Portrait of an elegantly dressed lady, head<br />

and shoulders, wearing a cream lace dress<br />

Signed and dated 1789, pastel drawing,<br />

63.5cm by 48.5cm<br />

**Provenance: T H Gladwell, Gracechurch<br />

Street, London<br />

£2500 - 3000<br />

736<br />

William Callow RWS (1812-1908)<br />

"Beaugency on the Loire"<br />

Monogrammed, inscribed on the mount<br />

and verso, pencil and watercolour on<br />

tinted paper, 13.5cm by 25cm<br />

**Provenance: Walker Gallery, New Bond<br />

Street, London<br />

£300 - 400<br />

737<br />

Albert Goodwin RWS (1845-1932)<br />

"Ripon"<br />

Monogrammed and dated (18)86,<br />

inscribed, mixed media on tinted paper,<br />

15cm by 21cm<br />

£800 - 1000<br />

738<br />

Albert Goodwin RWS (1845-1932)<br />

Continental valley landscape<br />

Signed, indistinctly inscribed, pencil and<br />

watercolour, 16cm by 25cm<br />

£300 - 400<br />

739<br />

Thomas Miles Richardson Jnr RWS<br />

(1813-1890)<br />

"Ben Nevis"<br />

Initialled, dated 1852 and titled, pencil and<br />

watercolour heightened with white,<br />

18.5cm by 53cm<br />

£600 - 800<br />

740<br />

David Cox Jnr ARWS (1809-1885)<br />

"On the Steps, Haddon Hall, Derbyshire";<br />

"The Music Party, Haddon Hall,<br />

Derbyshire"<br />

Both signed, one dated 1857, the other<br />

indistinctly dated, inscribed verso, pencil<br />

and watercolour with scratching out, each<br />

36cm by 51cm (pair)<br />

**Provenance: <strong>Fine</strong> <strong>Art</strong> Society Ltd, New<br />

Bond Street, London, October 1961<br />

£1500 - 2000<br />

741<br />

James Orrock RI (1829-1913)<br />

“Warkworth”<br />

Signed and indistinctly dated, inscribed on<br />

the mount, pencil and watercolour with<br />

scratching out, 48cm by 74cm<br />

£600 - 800<br />

742<br />

Edmund Morison Wimperis RI<br />

(1835-1900)<br />

"A Quiet Evening"<br />

Signed and indistinctly dated, possibly<br />

1866, inscribed verso, pencil and<br />

watercolour with scratching out, 13.5cm<br />

by 25.5cm


**Provenance: Thomas Agnew & Sons,<br />

Exchange Street, Manchester<br />

£350 - 400<br />

743<br />

Edward Frederick Brewtnall RWS<br />

(1846-1902)<br />

Sheep grazing beside a country lane<br />

Signed, watercolour heightened with<br />

white, 12.5cm by 21cm<br />

£200 - 220<br />

744<br />

Henry Charles Fox RBA (1860-1929)<br />

Country lane with cattle beside a pond<br />

Signed and dated 1918, pencil and<br />

watercolour heightened with white, 36cm<br />

by 51cm<br />

£300 - 350<br />

745<br />

M...L...Riley (19 th /20 th century)<br />

“In England's Green and Pleasant Land”<br />

Signed, inscribed on the mount below,<br />

pencil and watercolour with wiping out,<br />

50cm by 73.5cm<br />

£300 - 400<br />

746<br />

Augustus Walford Weedon<br />

(1838-1908)<br />

Cattle on open moorland<br />

Signed, inscribed on the mount below,<br />

pencil and watercolour with wiping out,<br />

31cm by 49cm<br />

£250 - 300<br />

746A<br />

John James Bannatyne RSW<br />

(1835-1911)<br />

"Kilchurn Castle, Loch Awe"<br />

Signed, inscribed on the mount below,<br />

watercolour with scratching out, 39.5cm<br />

by 71cm<br />

£500 - 600<br />

747<br />

Beatrice E. Parsons (1870-1955)<br />

"A Wild Garden, St John's College, Oxford"<br />

Signed, inscribed verso, pencil and<br />

watercolour, 29.5cm by 22cm<br />

**Provenance: <strong>Art</strong>hur Greatorex Ltd,<br />

Grafton Street, London<br />

£500 - 800<br />

748<br />

Caroline Paterson Sharpe<br />

(1856-1911)<br />

“A Garden Walk”<br />

Signed, pencil and watercolour with wiping<br />

out, 39.5cm by 50.5cm<br />

£3000 - 4000<br />

749<br />

Henry E. Hobson (ex.1857-1866)<br />

Young woman and child beside a mountain<br />

stream<br />

Signed and dated 1869, pencil and<br />

watercolour heightened with white, 43cm<br />

by 33cm<br />

£250 - 300<br />

750<br />

Harry Tittensor (1887-1942)<br />

Two Dutch ladies beside white washed<br />

cottages<br />

Signed, pencil, watercolour and gouache<br />

heightened with white, 27cm by 24cm<br />

£280 - 350<br />

751<br />

<strong>Art</strong>hur Tucker RBA (1864-1929)<br />

Lakeland stream<br />

Signed, pencil and watercolour, 20cm by<br />

31cm<br />

£150 - 200<br />

752<br />

<strong>Art</strong>hur Tucker RBA (1864-1929)<br />

Lakeland tarn<br />

Signed, pencil and watercolour, 34.5cm by<br />

24.5cm<br />

£150 - 200


753<br />

Percy Lancaster RI, RBA, ARE, RCamA<br />

(1878-1951)<br />

"The Bracken Cart"<br />

Signed, pencil and watercolour, 33.5cm by<br />

49cm<br />

**Sold with the artist's original receipt<br />

dated 11 January 1949<br />

£300 - 500<br />

754<br />

Percy Lancaster RI, RBA, ARE, RCamA<br />

(1878-1951)<br />

"Loughrigg Tarn, Cumbria"<br />

Signed and indistinctly dated, inscribed<br />

verso, pencil and watercolour, 37cm by<br />

52cm<br />

£250 - 300<br />

755<br />

William Heaton Cooper RI<br />

(1903-1995)<br />

"Morning over Grasmere"<br />

Signed, inscribed verso and dated 1972,<br />

pencil and watercolour, 34cm by 50.5cm<br />

£1600 - 2000<br />

756<br />

Edward Horace Thompson<br />

(1879-1949)<br />

"Morning Clouds, Ullswater from the Foot<br />

of Claw-Fell";<br />

"Ullswater from Pooley Bridge"<br />

Signed and dated 1930, inscribed verso,<br />

pencil and watercolour, each 18cm by<br />

25.5cm (pair)<br />

£500 - 700<br />

757<br />

Frederick John Widgery (1861-1942)<br />

Moorland scene with sheep grazing<br />

amongst heather<br />

Signed, gouache heightened with white,<br />

24.5cm by 34.5cm<br />

£150 - 200<br />

758<br />

Frederick John Widgery (1861-1942)<br />

"Anstey's Cove, Torquay"<br />

Signed, inscribed, gouache heightened<br />

with white, 42.5cm by 57.5cm<br />

£300 - 400<br />

759<br />

Charles Dixon (1872-1934)<br />

Naval battle between English and French<br />

warships<br />

Signed and dated 1905, watercolour and<br />

gouache heightened with white with gum<br />

arabic, 51cm by 76cm<br />

£1500 - 2000<br />

760<br />

John Henry Mole VPRI (1814-1886)<br />

"Hazy Morning - Cockle Gatherers Waiting,<br />

Low Tide"<br />

Signed and dated 1874, inscribed verso,<br />

watercolour, 63cm by 101cm<br />

£3000 - 5000<br />

761<br />

Frank J. Egginton RCamA<br />

(1908-1990)<br />

"The Twelve Pins from Near Clifden,<br />

Connemara"<br />

Signed, pencil and watercolour, 35cm by<br />

52.5cm<br />

£500 - 700<br />

762<br />

H.. Donaldsworth (19 th /20 th century)<br />

“Leicester's Hospital and West Gate,<br />

Warwick”<br />

Signed, pencil and watercolour, 25.5cm by<br />

34.5cm<br />

£150 - 200


763<br />

Edwin St John (fl.1880-1920)<br />

Continental landscape with a castle on a<br />

rocky outcrop;<br />

Castle beside a river in a mountainous<br />

valley<br />

Both signed, pencil, watercolour and<br />

gouache, each 44.5cm by 29.5cm<br />

£300 - 400<br />

764<br />

Charles H. Poingdestre (1825-1905)<br />

Italian horse fair with figures<br />

Signed, pencil, watercolour and gouache<br />

heightened with white, 24.5cm by 35cm<br />

£700 - 900<br />

765<br />

Stephen Baghot de la Bere<br />

(1877-1927)<br />

"The King's Gateway"<br />

Signed and indistinctly dated, inscribed on<br />

a plaque and verso, watercolour and<br />

gouache heightened with white, 38cm by<br />

25.5cm<br />

**Provenance: The <strong>Fine</strong> <strong>Art</strong> Society Ltd,<br />

New Bond Street, London 1912<br />

£300 - 500<br />

766<br />

Augustus Osborne Lamplough<br />

(1877-1930)<br />

“Desert Hawks”<br />

Signed and dated 1914, inscribed on the<br />

mount below, pencil and watercolour,<br />

50cm by 72cm<br />

£400 - 600<br />

767<br />

H...J...R... (19 th century)<br />

"Esquimalt Harbour from Naval Club,<br />

Vancouver "HMS Triumph" in Harbour,<br />

Victoria, British Columbia";<br />

"Esquimalt Harbour from Inskip,<br />

Vancouver "HMS Triumph" in harbour,<br />

Victoria, British Columbia"<br />

Initialled, inscribed verso, pencil and<br />

watercolour heightened with white, each<br />

16cm by 45cm (pair)<br />

£400 - 500<br />

768<br />

Sir David Young Cameron RA, RSA,<br />

RWS, RSW, RE (1865-1945)<br />

"Kerrera"<br />

Signed, inscribed on the slip below, pencil<br />

and watercolour, 25.5cm by 32cm<br />

**Provenance: W.B. Simpson, St Vincent<br />

Street, Glasgow, stock no. B4226<br />

£400 - 600<br />

769<br />

Sir David Young Cameron RA, RSA,<br />

RWS, RSW, RE (1865-1945)<br />

"The Fortress, the Walls of Cairo"<br />

Signed, inscribed verso, pencil drawing on<br />

tinted paper, 20.5cm by 35cm<br />

**Exhibited at the Atkinson <strong>Art</strong> Gallery,<br />

County Borough of Southport, Festival<br />

Exhibition of Local <strong>Art</strong> Treasures, 2 June -<br />

30 September 1951<br />

***Provenance: Boydell Galleries, North<br />

John Street, Liverpool<br />

£300 - 400<br />

770<br />

Follower of Jean Baptiste Greuze<br />

(19 th century)<br />

Mother and children on a path, a dog<br />

nearby<br />

Gouache heightened with white, 15cm by<br />

10.5cm, unframed<br />

£180 - 200


771<br />

Robert Louis Raymond Duflos<br />

(b.1898)<br />

"Carnations"<br />

Signed, inscribed verso, pastel drawing,<br />

30.5cm by 31.5cm<br />

**Provenance: Stacey Marks Terminus<br />

Road, Eastbourne, Sussex, 2 October 1956<br />

stock no. D491<br />

£300 - 400<br />

772<br />

Paul Maze (1887-1979) French<br />

"Harbour in Brittany"<br />

Signed, inscribed verso, pencil and<br />

watercolour, 22.5cm by 22.5cm<br />

£600 - 800<br />

773<br />

Francesco Gamba (19 th century)<br />

Italian<br />

"The <strong>Art</strong> Collectors"<br />

Initialled, inscribed verso, pencil and<br />

watercolour, 33.5cm by 23.5cm<br />

£300 - 350<br />

774<br />

Guido Bach (1828-1905) German<br />

Young woman and child on the outskirts of<br />

Rome<br />

Signed, pencil and watercolour, 50cm by<br />

35cm<br />

£500 - 600<br />

775<br />

Louis Henri Deschamps (1846-1902)<br />

French<br />

“Toasting the Victor”<br />

Signed, pencil and watercolour heightened<br />

with white, 20cm by 16.5cm<br />

£300 - 400<br />

776<br />

....Dominguez (19 th century) Spanish<br />

“Reflections”<br />

Signed, inscribed on the mount below,<br />

pencil and watercolour, 53.5cm by 33cm<br />

£300 - 400<br />

777<br />

Filippo Indoni (1800-1884) Italian<br />

Falconer and young boy on stone steps<br />

Signed, inscribed on the mount below,<br />

pencil and watercolour, 73cm by 52cm<br />

£300 - 400<br />

778<br />

P. Theodor Flugel (19 th century)<br />

Tromp L'Oeil depicting a portrait of<br />

Rembrandt and other objects<br />

Pencil and watercolour, sepia, 26.5cm by<br />

36cm<br />

£300 - 400<br />

779<br />

Basil Bradley RWS (1842-1904)<br />

English and Gordon Setters seated<br />

amongst heather on a moor<br />

Signed and dated 1883, pencil and<br />

watercolour heightened with white,<br />

48.5cm by 34.5cm<br />

£300 - 500<br />

780<br />

<strong>Art</strong>hur A. Davis (fl.1877-1905)<br />

“Not Quite Certain”;<br />

“Resting at the Covert-Side”;<br />

“A Clinking Double”;<br />

“A Long Shot”<br />

All signed, some dated, pencil and<br />

watercolour heightened with white, each<br />

25.5cm by 36.5cm (4)<br />

£500 - 600


781<br />

Cecil Charles Windsor Aldin RBA<br />

(1870-1935)<br />

Study of two dogs<br />

Signed, pencil heightened with white, on<br />

ivorine, 9cm by 17.5cm<br />

£600 - 800<br />

782<br />

Caran-Rouse (20 th century)<br />

“Yeomanry, the Broadshire Hussars,<br />

Yorkshire Hussars”<br />

Signed and dated (19)12, inscribed,<br />

watercolour and gouache heightened with<br />

white on tinted paper, 35.5cm by 16.5cm<br />

£250 - 300<br />

783<br />

Richard Robjent (b.1937)<br />

"Peregrine Mobbed by Buzzards, Brora,<br />

Sutherland"<br />

Signed and dated 1985, inscribed verso,<br />

pencil and watercolour heightened with<br />

white, 55cm by 76.5cm<br />

**Provenance: William Marler Gallery,<br />

Dyer Street, Cirencester, Gloucestershire<br />

***Sold with the original invoice dated 11<br />

December 1985<br />

£800 - 1200<br />

784<br />

Richard Robjent (b.1937)<br />

"Pair of Golden Eagles and their Eaglet"<br />

Signed and dated 1981, inscribed verso,<br />

pencil and watercolour heightened with<br />

white, 56cm by 45.5cm<br />

**Sold with the original receipt from<br />

Bladon Gallery, Hurstbourne Tarrant,<br />

dated 29 March 1982<br />

£600 - 900<br />

785<br />

Richard Robjent (b.1937)<br />

Peregrine Falcon on a rocky outcrop<br />

Signed and dated 1981, inscribed verso,<br />

pencil, watercolour and gouache<br />

heightened with white, 53cm by 37.5cm<br />

**Sold with the original receipt from<br />

Ringstead Gallery dated 25 May 1981<br />

£500 - 700<br />

786<br />

Richard Robjent (b.1937)<br />

"Goshawk"<br />

Signed and dated 1982, inscribed verso,<br />

pencil and watercolour heightened with<br />

white, 16.5cm by 12.5cm<br />

**Sold with the original receipt<br />

£200 - 250<br />

787<br />

Richard Barrett Talbot Kelly<br />

(1896-1971)<br />

"Curlew (Seen from a Car)"<br />

Monogrammed, inscribed verso,<br />

watercolour, 27cm by 37cm<br />

£300 - 400<br />

788<br />

John Cyril Harrison (1898-1985)<br />

Lophoaetus Occipitaus - four studies on<br />

one sheet<br />

Signed, inscribed verso, bodycolour,<br />

grisaille, 47cm by 33.5cm<br />

**Sold with the original receipt<br />

£800 - 1200<br />

789<br />

Archibald Thorburn (1860-1935)<br />

"Red Deer in the Reay Forest"<br />

Dated 12 May (18)96, inscribed verso,<br />

watercolour and gouache on tinted paper,<br />

unfinished preparatory study, 19cm by<br />

17cm<br />

**Provenance: Tryon Gallery Ltd, Dover<br />

Street, London<br />

£600 - 800


790<br />

Archibald Thorburn (1860-1935)<br />

Study of a Red Deer hind and her fawn<br />

Dated November 5 (18)97, pencil and<br />

watercolour heightened with gouache on<br />

tinted paper, unfinished preparatory study,<br />

15cm by 19.5cm<br />

£500 - 700<br />

791<br />

George Edward Lodge (1860-1954)<br />

"Peregrine"<br />

Signed, inscribed verso, watercolour and<br />

gouache heightened with white, 49.5cm by<br />

73cm<br />

**Sold with original invoice from The<br />

Tryon Gallery dated 15 April 1980<br />

£3500 - 4000<br />

792<br />

Joseph Edward Southall RWS<br />

(1861-1944)<br />

"First Sketch for Portrait of Mrs W F<br />

Harvey, Birmingham 1921";<br />

Monogrammed and dated 31 III 1921,<br />

inscribed verso, pencil drawing, 34.5cm by<br />

24.5cm; together with:<br />

Scene in Venice<br />

Inscribed verso, black and white lithograph<br />

26.5cm by 41.5cm (2)<br />

£600 - 800<br />

793<br />

Emil Rochelle (19 th century)<br />

Portrait of a lady, head and shoulders,<br />

wearing a blue dress<br />

Portrait of a gentleman<br />

Both spuriously inscribed verso, pastel<br />

drawings, oval, each 33cm by 23.5cm, in<br />

giltwood frames with Prince of Wales<br />

plume crestings (pair)<br />

£500 - 800<br />

794<br />

Alex Brantingham Simpson RI<br />

(fl.1904-1931)<br />

<strong>Art</strong>ist seated in his studio beside his easel;<br />

“The Connoisseurs;<br />

“The Message”<br />

All signed, inscribed verso, pencil and<br />

watercolour heightened with white,<br />

26.5cm by 18cm, 17.5cm by 13cm and<br />

23cm by 14cm respectively (3)<br />

£400 - 600<br />

795<br />

Joseph Lionel Williams (c.1815-1877)<br />

“Sunday Morning in the Olden Time”<br />

Inscribed verso, watercolour and gouache<br />

heightened with white, 17cm by 28cm<br />

£400 - 600<br />

796<br />

Charles Edward Wilson (1853-1941)<br />

Young girl seated beside a stream<br />

Signed, pencil and watercolour heightened<br />

with white, 23cm by 32.5cm<br />

**Born in Whitwell, Sheffield and studied<br />

at the Sheffield School of <strong>Art</strong> and later at<br />

Godalming, Surrey. His early works were<br />

landscapes produced in the South<br />

Yorkshire and Derbyshire areas. He was<br />

influenced by Carlton Alfred Smith<br />

£4000 - 6000<br />

797<br />

Margaret Gillies RWS (1803-1887)<br />

"The Wounded Page, Brought Home to his<br />

Father's Hall"<br />

Inscribed verso, watercolour and gouache<br />

with gum arabic (shaped top), 42cm by<br />

53cm<br />

£250 - 300<br />

798<br />

Emily Eyres (c.1850-c.1910) after Sir<br />

Thomas Lawrence PRA<br />

“Pinkie”<br />

Inscribed on a plaque, pastel drawing,<br />

125cm by 87cm<br />

£800 - 1200


799<br />

Lucy Bentley-Smith (ex.1881-1914)<br />

"Dreaming of Fairyland"<br />

Monogrammed and dated 1881, pencil and<br />

watercolour heightened with white, 35cm<br />

by 27cm<br />

£300 - 400<br />

800<br />

Edwin Buckman (c.1841-1930)<br />

“A Scramble for the Ball”<br />

Signed and dated 1880, pencil and<br />

watercolour with scratching out, 41cm by<br />

75cm<br />

£300 - 400<br />

801<br />

Dorothy Margaret and Elizabeth Mary<br />

Alderson (1900-1992) (1900-1988)<br />

Hunter "Cloppety", with Thorp Perrow<br />

beyond<br />

Signed and dated 1954, inscribed on the<br />

mount, pencil and watercolour, 37cm by<br />

52.5cm; with<br />

The preparatory watercolour sketch for the<br />

work<br />

Signed and dated 1954, 18cm by 25.5cm,<br />

unframed (2)<br />

£350 - 450<br />

802<br />

Dorothy Margaret and Elizabeth Mary<br />

Alderson (1900-1992) (1900-1988)<br />

Hunter "Caroline", with Thorp Perrow<br />

beyond<br />

Signed and dated 1956, inscribed on the<br />

mount, pencil and watercolour, 37cm by<br />

53cm; with<br />

The preparatory watercolour sketch for the<br />

work<br />

Signed and dated 1956, 19.5cm by 26cm,<br />

unframed (2)<br />

£350 - 450<br />

803<br />

Dorothy Margaret and Elizabeth Mary<br />

Alderson (1900-1992) (1900-1988)<br />

Horses beside a pond in a parkland setting<br />

Signed and dated 1948, pencil and<br />

watercolour, 26cm by 38cm<br />

£500 - 600<br />

804<br />

George Fall (1848-1925)<br />

"Durham Cathedral"<br />

Signed, pencil and watercolour, 45.5cm by<br />

32.5cm<br />

**The work is illustrated on the back<br />

dustcover of Painters in the Northern<br />

Counties of England and Wales by<br />

Professor Dennis Child<br />

£300 - 400<br />

805<br />

Frederick (Fred) Lawson (1888-1968)<br />

"Church of St Ansterbert, Montreuil"<br />

Signed and dated 1910, inscribed verso,<br />

pencil and watercolour, 26.5cm by 31.5cm<br />

£350 - 400<br />

806<br />

Frederick (Fred) Lawson (1888-1968)<br />

French cathedral with a figure on<br />

horseback<br />

Signed and dated 1914, inscribed verso,<br />

pencil and watercolour, 25cm by 31.5cm<br />

£280 - 320<br />

807<br />

Frederick (Fred) Lawson (1888-1968)<br />

"Street in Dordrecht"<br />

Signed and dated 1913, inscribed verso,<br />

pencil and watercolour, 33cm by 24cm<br />

£150 - 200<br />

808<br />

Frederick (Fred) Lawson (1888-1968)<br />

"The Radcliffe Camera, Oxford"<br />

Signed and dated 1913, pencil and<br />

watercolour with wiping out, 28.5cm by<br />

26.5cm<br />

£250 - 300


809<br />

Frederick (Fred) Lawson (1888-1968)<br />

"Stream near Castle Bolton";<br />

"Castle Bolton looking West behind the<br />

Castle and Leading to the Old Lady Ann<br />

Clifford's Road"<br />

Both signed, one dated 1913, inscribed<br />

verso, pencil and watercolour, 25cm by<br />

35cm and 26.5cm by 36cm respectively<br />

(2)<br />

**Provenance: One with the Renoir<br />

Galleries Ltd, Crescent Road, Harrogate<br />

£250 - 300<br />

810<br />

Frederick (Fred) Lawson (1888-1968)<br />

"Castle Bolton from the North, the Roof of<br />

the Old Post Office in the Foreground,<br />

Taken from the Track to Apedale";<br />

"Rose Cottage, Castle Bolton"<br />

Both signed and one indistinctly dated,<br />

inscribed verso, pencil and watercolour<br />

with scratching out, 24.5cm by 33.5cm<br />

and 21cm by 25.5cm respectively (2)<br />

**Provenance: One with the Renoir<br />

Galleries Ltd, Crescent Road, Harrogate<br />

(one only)<br />

£300 - 500<br />

811<br />

Frederick (Fred) Lawson (1888-1968)<br />

"Entering Castle Bolton from the Carperby,<br />

Redmire Road";<br />

Farmyard with buildings<br />

Both signed, one dated 22 August 1959,<br />

the other inscribed verso, pencil and<br />

watercolour, 25cm by 30.5cm and 26cm<br />

by 31cm respectively (2)<br />

£300 - 400<br />

812<br />

Frederick (Fred) Lawson (1888-1968)<br />

"Castle Bolton, Yorkshire, painted from the<br />

North";<br />

"Trees in Winter, painted from the East<br />

Road from Castle Bolton towards<br />

Redmire";<br />

"<strong>Autumn</strong> Trees, Castle Bolton, painted<br />

from the Moor Road to the East of the<br />

Village"<br />

All signed, one dated 1938, inscribed<br />

verso, pencil and watercolour on tinted<br />

paper, 33cm by 38cm, 38cm by 48.5cm<br />

and 27cm by 38cm respectively (3)<br />

£350 - 450<br />

813<br />

Frederick (Fred) Lawson (1888-1968)<br />

"Richmond"<br />

Signed and dated 1934, inscribed, pencil,<br />

pen, ink and watercolour on coloured<br />

paper, 27.5cm by 37.5cm<br />

£150 - 200<br />

814<br />

Frederick (Fred) Lawson (1888-1968)<br />

"Marrick Priory"<br />

Signed and dated 1916, inscribed verso,<br />

pencil and watercolour heightened with<br />

white, 25.5cm by 33cm<br />

£250 - 350<br />

815<br />

Frederick (Fred) Lawson (1888-1968)<br />

Middleham Castle<br />

Signed, pencil and watercolour on tinted<br />

paper, 25.5cm by 35.5cm<br />

£150 - 250<br />

816<br />

Frederick (Fred) Lawson (1888-1968)<br />

Hawes Dairy<br />

Signed, inscribed verso, pencil and<br />

watercolour, 32.5cm by 37.5cm<br />

**Ex. collection Mrs Charles Sutcliffe<br />

£400 - 600


817<br />

Frederick (Fred) Lawson (1888-1968)<br />

Figures working at a sawmill<br />

Signed and dated 1 July 1931, pencil and<br />

watercolour, a preparatory unfinished<br />

sketch, 22cm by 24.5cm<br />

£200 - 300<br />

818<br />

Frederick (Fred) Lawson (1888-1968)<br />

"A Dales Limestone Outcrop with Animals<br />

Grazing"<br />

Signed and dated 1915, inscribed verso,<br />

pencil and watercolour with wiping out,<br />

26.5cm by 28.5cm<br />

£200 - 300<br />

819<br />

Frederick (Fred) Lawson (1888-1968)<br />

"Whitby"<br />

Signed and dated 1914, inscribed, pencil,<br />

pen, ink and watercolour, 26cm by 33cm<br />

£300 - 500<br />

820<br />

George Graham RSW, RI, ROI<br />

(resigned), RBA (1881-1949)<br />

Drover and cattle in a winter landscape;<br />

Cattle in a meadow, hills in the distance<br />

Both signed and dated 1915, pencil and<br />

watercolour heightened with white,<br />

24.5cm by 35cm and 24cm by 35cm<br />

respectively (2)<br />

£300 - 400<br />

821<br />

George Jackson (1898-1974)<br />

"Green Garth, Romanby"<br />

Signed, inscribed and dated 1949, pen and<br />

ink drawing, 28cm by 38cm unframed;<br />

with<br />

A collection of watercolour and pen and<br />

ink drawings by various artists including a<br />

self portrait by George Jackson<br />

Various sizes (a collection)<br />

£200 - 400<br />

822<br />

George Jackson (1898-1974)<br />

"Sketch of Fred Lawson, drawn at North<br />

Cottage, Ripon"<br />

Signed and inscribed, pencil, pen, ink and<br />

watercolour, a preparatory unfinished<br />

study, 56cm by 38cm, unframed<br />

£200 - 300<br />

823<br />

George Jackson (1898-1974)<br />

Interior scene with two seated gentlemen<br />

Pencil, pen, ink and watercolour, a<br />

preparatory unfinished study, 56cm by<br />

38cm, unframed<br />

£200 - 300<br />

824<br />

George Jackson (1898-1974)<br />

"Snow Scene from the back of Bishopton<br />

Grove, Ripon"<br />

Signed, inscribed verso, pencil and<br />

watercolour, 36.5cm by 44cm<br />

**From the George Jackson Estate<br />

October 1991, Phillip's Auction, Leeds<br />

£150 - 200<br />

825<br />

Henrietta Lister (1895-1959)<br />

"Castle Bolton in Winter"<br />

Inscribed verso, pencil and watercolour,<br />

27cm by 38cm<br />

£160 - 180<br />

826<br />

Edgar Thomas Wood (1860-1935)<br />

“Chickens, Hay”<br />

Signed and dated (19)28, inscribed verso,<br />

pencil and pastel, 31cm by 38cm<br />

£180 - 250


827<br />

Albert George Stevens (1863-1925)<br />

Children playing in a rocky stream,<br />

possibly Musgrave Woods, Whitby<br />

Signed, pencil and watercolour, 36cm by<br />

50.5cm<br />

£600 - 800<br />

828<br />

Circle of Albert George Stevens<br />

(19 th /20 th century)<br />

Robin Hood's Bay, nr Whitby<br />

Pencil and watercolour heightened with<br />

white, 32cm by 22cm<br />

£200 - 250<br />

829<br />

Joseph John Richard Bagshawe RBA<br />

(1870-1909)<br />

"The Pier End Whitby"<br />

Watercolour, 12cm by 17cm<br />

**Sold with a certificate of authenticity<br />

dated 14 October 1983, guaranteeing the<br />

work to be genuine, the picture being<br />

number 30 in the Walker Galleries 1983<br />

exhibition, forming part of the <strong>Art</strong>ist's<br />

Studio Collection; together with the<br />

original invoice and a copy of the original<br />

exhibition leaflet 15 - 22 October 1983 etc<br />

£200 - 300<br />

830<br />

Joseph John Richard Bagshawe RBA<br />

(1870-1909)<br />

Figure on a path approaching a half<br />

timbered house<br />

Pencil and coloured wash, a preparatory<br />

unfinished sketch, 16cm by 24.5cm; with<br />

Three further pencil studies<br />

All unframed, 15cm by 20.5cm; 14cm by<br />

23.5cm and 14cm by 24cm (4)<br />

**Provenance: Family of the artist<br />

£200 - 300<br />

831<br />

Circle of John Spence Ingall<br />

(19th/20th century)<br />

Eastern archway, possibly Tangier<br />

Indistinctly signed, watercolour and<br />

gouache heightened with white, 37cm by<br />

27cm<br />

£300 - 400<br />

832<br />

Rowland Henry Hill (1873-1952)<br />

Figures haymaking near a horse drawn<br />

cart<br />

Signed and dated 1927, pencil,<br />

watercolour and gouache heightened with<br />

white, 24.5cm by 28.5cm<br />

£500 - 700<br />

833<br />

Rowland Henry Hill (1873-1952)<br />

Figures on a path beside a bridge at<br />

Staithes<br />

Signed, pencil and watercolour heightened<br />

with white, 24.5cm by 34cm<br />

£400 - 600<br />

834<br />

Rowland Henry Hill (1873-1952)<br />

"Ugthorpe Windmill"<br />

Signed and dated 1935, inscribed verso,<br />

pencil, watercolour and gouache<br />

heightened with white, 26cm by 37.5cm<br />

£300 - 500<br />

835<br />

Rowland Henry Hill (1873-1952)<br />

Figures harvesting in a summer landscape<br />

Signed and dated 1938, pencil and<br />

watercolour heightened with white, with<br />

scratching out, 25.5cm by 34.5cm<br />

£300 - 500


836<br />

Rowland Henry Hill (1873-1952)<br />

Harvesting scene<br />

Signed twice and indistinctly dated, pencil,<br />

watercolour and gouache heightened with<br />

white, with scratching out, 22cm by 31cm<br />

£300 - 500<br />

837<br />

Rowland Henry Hill (1873-1952)<br />

East coast farm with chickens on a sunlit<br />

lane<br />

Signed and dated 1925, pencil and<br />

watercolour, 26.5cm by 37.5cm<br />

£400 - 600<br />

838<br />

Rowland Henry Hill (1873-1952)<br />

Street scene with figures<br />

Signed and dated 1929, pencil and<br />

watercolour heightened with white,<br />

17.5cm by 27cm<br />

£300 - 400<br />

839<br />

Rowland Henry Hill (1873-1952)<br />

Ellerby Hotel with chickens in the<br />

foreground<br />

Signed, pencil, watercolour and gouache<br />

heightened with white, 18.5cm by 22.5cm<br />

£400 - 600<br />

840<br />

Rowland Henry Hill (1873-1952)<br />

Country house with trees beside a drive<br />

Signed and dated 1938, pencil and<br />

watercolour heightened with white, 23cm<br />

by 32.5cm<br />

£200 - 300<br />

841<br />

Rowland Henry Hill (1873-1952)<br />

"A Bleak Moorland Crossroad with<br />

Shepherd and Sheep above Lealholm"<br />

Signed and dated 1923, inscribed verso,<br />

pencil and watercolour heightened with<br />

white, 23.5cm by 30cm<br />

£250 - 300<br />

842<br />

Rowland Henry Hill (1873-1952)<br />

"Runswick Bay"<br />

Signed and dated 1939, watercolour and<br />

gouache heightened with white, 19cm by<br />

27.5cm<br />

£400 - 600<br />

843<br />

Rowland Henry Hill (1873-1952)<br />

Figures on the beach at Runswick Bay<br />

Signed and inscribed verso, pencil,<br />

watercolour and gouache heightened with<br />

white, 25cm by 34.5cm<br />

£400 - 600<br />

844<br />

Rowland Henry Hill (1873-1952)<br />

Figures on a stone jetty at Staithes<br />

Signed, pencil and watercolour heightened<br />

with white, 24.5cm by 34cm<br />

£300 - 400<br />

845<br />

Rowland Henry Hill (1873-1952)<br />

Whitby Harbour<br />

Signed and dated 1934, watercolour and<br />

gouache heightened with white, 18cm by<br />

25cm<br />

£400 - 600<br />

846<br />

Rowland Henry Hill (1873-1952)<br />

Whitby Harbour from the hillside<br />

Signed and dated 1924, pencil,<br />

watercolour and gouache heightened with<br />

white, 18.5cm by 26.5cm<br />

£400 - 500


847<br />

William Roger Benner (1884-1964)<br />

Fishermen on a quayside<br />

Signed, pencil, watercolour and gouache<br />

heightened with white, 26cm by 35.5cm<br />

£250 - 350<br />

848<br />

Frank Rousse (fl.1897-1917)<br />

Whitby with figures and fishing boats in<br />

the foreground<br />

Signed, pencil and watercolour with wiping<br />

out, 17cm by 26.5cm<br />

£150 - 200<br />

849<br />

Frank Rousse (fl.1897-1917)<br />

Steam tug off a pier, with other fishing<br />

boats nearby<br />

Signed and dated (18)98, pencil,<br />

watercolour and gouache heightened with<br />

white, 21cm by 37cm<br />

£200 - 300<br />

850<br />

James William Booth RCamA<br />

(1867-1953)<br />

Haymaking<br />

Signed, pastel drawing, 24cm by 32cm<br />

£400 - 600<br />

851<br />

John Atkinson (1863-1924)<br />

Figure loading hay into a horse drawn cart<br />

Signed, pencil and watercolour heightened<br />

with white, 26.5cm by 36cm<br />

£300 - 400<br />

852<br />

John Atkinson (1863-1924)<br />

Figures with horses pulling a hay cart<br />

Signed, pencil, watercolour and gouache<br />

heightened with white, 19.5cm by 27cm<br />

£400 - 600<br />

853<br />

John Atkinson (1863-1924)<br />

Figures harvesting, a horse drawn cart<br />

nearby<br />

Signed, inscribed verso, pencil,<br />

watercolour and gouache heightened with<br />

white, 46.5cm by 37cm<br />

**Provenance: New English <strong>Art</strong> Galleries,<br />

High Street, Boroughbridge<br />

£600 - 800<br />

854<br />

John Atkinson (1863-1924)<br />

“Ugthorpe Windmill with the Village Roofs<br />

behind, Ugthorpe Moor, near Whitby”<br />

Signed, inscribed verso, watercolour and<br />

gouache heightened with white on Cox<br />

paper, 27cm by 38cm<br />

£300 - 400<br />

855<br />

Robert Leslie Howey (1900-1981)<br />

Fishing boats on the Esk, Whitby<br />

Signed, pencil, watercolour and gouache<br />

heightened with white, on tinted paper,<br />

21.5cm by 27cm<br />

£500 - 700<br />

856<br />

Robert Leslie Howey (1900-1981)<br />

Beach scene at low tide with figures<br />

beside a fishing boat<br />

Signed, pencil, watercolour and gouache<br />

heightened with white, 12cm by 16cm<br />

£400 - 500<br />

857<br />

Robert Leslie Howey (1900-1981)<br />

"Seaton Carew Beach"<br />

Signed, inscribed and dated 1977 verso,<br />

pencil, watercolour and gouache, possibly<br />

on tinted paper, 21.5cm by 27cm<br />

**Provenance: Bernhardt Gallery,<br />

Coniscliffe Road, Darlington<br />

£350 - 400


858<br />

Attributed to Mary Weatherill<br />

(1834-1913)<br />

View on the Esk, looking up to Whitby<br />

Harbour<br />

Bears an indistinct signature and<br />

inscription, pencil and watercolour<br />

heightened with white, with scratching<br />

out, 36cm by 63.5cm<br />

£1000 - 1200<br />

859<br />

Mary Weatherill (1834-1913)<br />

"At Lugano"<br />

Inscribed and dated 15 April 1889, pencil<br />

and watercolour, a preparatory sketch,<br />

15cm by 23.5cm<br />

£150 - 250<br />

860<br />

George Weatherill (1810-1890)<br />

"Whitby Harbour"<br />

Signed, inscribed verso, pencil and<br />

watercolour with wiping out, 10cm by<br />

17.5cm<br />

**Born in Staithes, his family were farmers<br />

but he became a clerk to a solicitor at<br />

Guisborough before moving to Whitby in<br />

1830. He worked in a bank until 1860<br />

when ill health forced him to retire. As an<br />

artist and an engraver he was largely self<br />

taught and he painted throughout his life<br />

and after his retirement relied on his art<br />

for a living. He exhibited at Suffolk Street<br />

and the Dudley Gallery from 1858-1873,<br />

specialising in coastal scenes and marine<br />

subjects, particularly along the Yorkshire<br />

coast. He also copied J.M.W. Turner very<br />

effectively and became known as the<br />

Turner of the North.<br />

£2500 - 3000<br />

861<br />

George Weatherill (1810-1890)<br />

“The Battery”<br />

Inscribed verso, pencil and watercolour<br />

with wiping out, 8cm by 14cm<br />

£1000 - 1200<br />

863<br />

George Weatherill (1810-1890)<br />

“The Esk above Ruswarp”;<br />

“The Esk below Ruswarp”<br />

One signed, the other indistinctly signed,<br />

pencil and watercolour with scratching out,<br />

8cm by 15cm and 8cm by 13cm<br />

respectively (2)<br />

£600 - 800<br />

865<br />

Attributed to A J Speedie<br />

"The Spa Ladder"<br />

Bears false initials, inscribed verso, pencil<br />

and watercolour, 6.5cm by 10cm<br />

£150 - 200<br />

866<br />

George Weatherill (1810-1890)<br />

“Whitby Abbey”<br />

Signed, pencil and watercolour with<br />

scratching out, 10.5cm by 19.5cm<br />

£1000 - 1500<br />

867<br />

George Weatherill (1810-1890)<br />

Fishing vessel beached at Sandsend<br />

Pencil and watercolour with scratching out,<br />

8.5cm by 13.5cm<br />

£1000 - 1500<br />

868<br />

George Weatherill (1810-1890)<br />

"Whitby Harbour"<br />

Signed, inscribed verso, pencil and<br />

watercolour with wiping out, 12cm by<br />

17cm; with<br />

Six pencil drawings by George and Richard<br />

Weatherill from their notebooks (various<br />

subjects)<br />

Various sizes (7)<br />

£1500 - 2000


869<br />

George Weatherill (1810-1890)<br />

"Shipping at Sunset"<br />

Inscribed verso, pencil and watercolour<br />

with scratching out, 11.5cm by 20cm<br />

**Provenance: Whitby Galleries,<br />

Baxtergate, Whitby stock no. S5423<br />

£2500 - 3000<br />

Oil Paintings<br />

870<br />

Follower of David Teniers II (18 th<br />

century)<br />

Interior of a forge, with figures at an anvil<br />

Oil on panel, 51cm by 65cm<br />

£2000 - 3000<br />

871<br />

Follower of Nicolaes Berchem<br />

(1620-1683)<br />

Four studies of a goat's head<br />

Inscribed verso, oil on canvas, 24cm by<br />

21cm<br />

£3000 - 5000<br />

872<br />

Follower of Johann Christian Vollerdt<br />

(18 th century) German<br />

Rhineland landscape with figures on a path<br />

Oil on canvas, 40cm by 56cm<br />

£500 - 800<br />

873<br />

Follower of Jean Baptiste Monnoyer<br />

(18 th century)<br />

Still life of flowers;<br />

Still life of flowers in a stone urn<br />

Oil on canvas, each 57cm by 44.5cm (pair)<br />

£1500 - 2500<br />

874<br />

Continental School (18 th century)<br />

"Flower Piece with Plums"<br />

Indistinctly inscribed verso, oil on canvas,<br />

33cm by 47.5cm<br />

**Provenance: E. Stacey Marks,<br />

Eastbourne <strong>Fine</strong> <strong>Art</strong>, Terminus Road,<br />

Eastbourne<br />

£400 - 600<br />

875<br />

Continental School (18 th /19 th<br />

century)<br />

Still life of flowers in a patterned vase,<br />

with fruit in the foreground<br />

Oil on canvas, 43cm by 34cm<br />

£200 - 250<br />

876<br />

Follower of Thomas Gainsborough RA<br />

(18 th /19 th century)<br />

Pastoral scene with figures and cattle<br />

beside a willow tree<br />

Indistinctly inscribed, oil on canvas, 54cm<br />

by 43cm<br />

£600 - 800<br />

877<br />

William Etty RA (1787-1849)<br />

Study of a female nude, from behind,<br />

standing in a pool by trees<br />

Inscribed verso, oil on board, 66cm by<br />

48cm<br />

**Etty was born in York the seventh child<br />

of a miller and baker. In 1798 he was<br />

apprenticed to a printer, and in 1807<br />

entered the Royal Academy Schools.<br />

Inspired by Rubens and Titian, he was<br />

best known for his nudes and historical<br />

paintings, but also painted landscapes and<br />

portraits<br />

£2000 - 3000<br />

878<br />

Follower of Sir Peter Lely<br />

(1618-1680)<br />

Portrait of Henrietta Maria, wife of Charles<br />

I<br />

Oil on panel, 41cm by 32cm<br />

£4000 - 6000


879<br />

Circle of John Riley (1646-1691)<br />

Portrait of "Francis Russell, Son of the<br />

Hon. Edwd Russell", half length, wearing<br />

period costume and armour with a<br />

powdered wig<br />

Inscribed, oil on canvas, oval, 63cm by<br />

51.5cm<br />

**Francis Russell was Governor of<br />

Barbados<br />

An attribution to John Greenhill has<br />

previously been suggested<br />

£2500 - 3000<br />

880<br />

Circle of Thomas Murray (1663-1735)<br />

Portrait of an elegantly dressed lady, half<br />

length, wearing period costume<br />

Inscribed on a plaque, oil on canvas, oval,<br />

76.5cm by 63cm<br />

£2500 - 3000<br />

881<br />

Follower of Johann Kerseboom (18 th<br />

century)<br />

Portrait of a gentleman, wearing period<br />

costume and red sash<br />

Oil on canvas, within a decorative painted<br />

spandrel with laurel leaf decoration,<br />

76.5cm by 63.5cm<br />

£700 - 800<br />

882<br />

Follower of Philippe Mercier (18 th<br />

century)<br />

Portrait of a fashionable lady in period<br />

costume wearing a lace ruff<br />

Oil on canvas, within a painted oval,<br />

79.5cm by 61cm<br />

£600 - 800<br />

883<br />

English School (18 th century)<br />

Portrait of an elegantly dressed<br />

gentleman, half length, wearing period<br />

costume and powdered wig<br />

Oil on canvas, 76cm by 64cm<br />

£1000 - 1500<br />

884<br />

Continental School (18 th /19 th<br />

century)<br />

Portrait of a gentleman, standing, three<br />

quarter length, wearing armour and a<br />

cream cloak decorated with an Order in<br />

the form of a black cross<br />

Oil on canvas, 103cm by 101cm<br />

£500 - 700<br />

885<br />

English School (18 th /19 th century)<br />

Portrait of a young man, half length,<br />

wearing a green coat and holding a<br />

pamphlet<br />

Oil on canvas, 76cm by 63cm<br />

£250 - 300<br />

886<br />

English School (early 19 th century)<br />

Portrait of a seated gentleman, wearing a<br />

green coat, a dog by his side<br />

Oil on canvas, 93cm by 69.5cm<br />

£400 - 500<br />

887<br />

Circle of John Crome (19 th century)<br />

Cattle on a lane beside a large oak tree<br />

Oil on canvas, 76.5cm by 63.5cm<br />

The painting previously had two old<br />

plaques attached to the frame "Old<br />

Crome" and the original title being "The<br />

Highwayman's Tree near Yarmouth"<br />

£700 - 900<br />

888<br />

John Brown (c.1812-c.1895)<br />

“Roadside Life”<br />

Signed, inscribed and dated 1863 verso,<br />

oil on canvas, 66cm by 81.5cm<br />

£1200 - 1500


889<br />

George Shalders (1826-1873)<br />

Scene in North Wales, with figures, cattle<br />

and sheep<br />

Signed and dated (18)59, inscribed on the<br />

frame, oil on canvas, 51cm by 76cm<br />

£1000 - 1500<br />

890<br />

Follower of William Shayer Snr (19 th<br />

century)<br />

Figures and horses beside a tree<br />

Inscribed on the original frame and verso,<br />

oil on canvas, 43cm by 61cm<br />

£300 - 400<br />

891<br />

Daniel Sherrin (1868-1940)<br />

"View near Canterbury"<br />

Signed, inscribed verso, oil on canvas,<br />

51cm by 76cm<br />

**Provenance: Coulter Galleries Ltd,<br />

Tadcaster Road, 20 September 1977, stock<br />

no. 473<br />

£300 - 500<br />

892<br />

Edward Henry Holder (fl.1864-1917)<br />

Lakeland landscape with trees beside a<br />

river<br />

Signed and dated 1888, oil on canvas,<br />

51cm by 76.5cm<br />

£500 - 700<br />

893<br />

F...Walters (19 th century)<br />

Highland landscape with a drover and<br />

sheep on a path<br />

Signed, oil on canvas, 51cm by 76cm<br />

£300 - 400<br />

894<br />

William Ward Gill (1823-1894)<br />

"A Spring Morning in Nesfield Woods"<br />

Indistinctly signed, inscribed verso, oil on<br />

board, 32cm by 50cm<br />

£200 - 300<br />

895<br />

Albert Dunnington (1860-1928)<br />

“The Norseman & Snowdrop passing<br />

Barton (Ship Canal) January 1 st 1894”;<br />

“The Old Aquaduct, Barton (in 1880)”<br />

Both signed and dated 1884, inscribed<br />

verso, oil on canvas, each 35.5cm by 51cm<br />

(pair)<br />

£800 - 1000<br />

896<br />

English School (19 th century)<br />

"The Ferry"<br />

Oil on paper laid on canvas, 20cm by<br />

28.5cm<br />

**Provenance: Thomas Agnew & Sons,<br />

Exchange Street, Manchester<br />

£200 - 300<br />

897<br />

W. Stuart Lloyd RBA (fl.1875-1929)<br />

"Evening on the River Buelt, Kent"<br />

Signed, inscribed on the original frame, oil<br />

on canvas, 55cm by 91cm<br />

£1000 - 1500<br />

898<br />

James Poole (1804-1886)<br />

Summer river landscape with figures<br />

fishing beside trees<br />

Signed, oil on canvas, 51cm by 76.5cm<br />

£800 - 1000<br />

899<br />

Robert John Hammond<br />

(fl.1879-1911)<br />

“Westmorland”<br />

Signed, inscribed on a plaque, also<br />

inscribed verso, oil on canvas, 41cm by<br />

61cm<br />

£300 - 400


900<br />

John Joseph Hughes (1820-1909)<br />

“Haymaking”<br />

Signed, inscribed on a plaque, oil on<br />

canvas, 33cm by 51cm<br />

£200 - 250<br />

901<br />

Charles Leaver (1860-1884)<br />

A Winter Landscape with chickens beside a<br />

gateway, a village beyond,<br />

Oil on canvas, 91.5cm by 135cm<br />

£2500 - 3500<br />

902<br />

John MacWhirter RA, HRSA, RI, RE<br />

(1839-1911)<br />

"<strong>Autumn</strong>"<br />

Oil on canvas, 76cm by 101.5cm, in a<br />

Barbizon style frame<br />

**Exhibited in Rome<br />

£2500 - 3000<br />

903<br />

John Falconar Slater (1857-1937)<br />

“Farmyard near Rothbury”<br />

Signed, indistinctly dated, inscribed on a<br />

plaque, oil on panel, 38cm by 53cm<br />

£200 - 250<br />

904<br />

Francis (Frank) Thomas Carter<br />

(1853-1934)<br />

Bamburgh Castle<br />

Signed, oil on canvas, 76.5cm by 63.5cm<br />

£600 - 700<br />

905<br />

Follower of William Collins (19 th<br />

century)<br />

Figures and horses on a beach<br />

Bears a signature, inscribed on the frame,<br />

oil on canvas, 46cm by 61cm<br />

£600 - 800<br />

906<br />

Hodgkin Dixon (ex.1904-1925)<br />

Coastal scene with a girl on a path<br />

Signed, indistinctly inscribed verso, oil on<br />

canvas, 69cm by 51cm<br />

£250 - 300<br />

907<br />

C...Sykes (20 th century)<br />

“Lady in Woodland, North of Cannes”<br />

Signed, inscribed verso, oil on canvas,<br />

61cm by 50.5cm<br />

£200 - 300<br />

908<br />

William Henry Pigott (1835-1901)<br />

Cattle grazing near the River Wye, Haddon<br />

Hall beyond<br />

Signed and dated (18)86, oil on canvas,<br />

98cm by 138cm<br />

£2000 - 3000<br />

909<br />

William Henry Pigott (1835-1901)<br />

"On the Longshaw Moors, Derbyshire"<br />

Signed and dated (18)75, inscribed verso,<br />

oil on canvas, 41cm by 61.5cm<br />

£700 - 900<br />

910<br />

William Henry Pigott (1835-1901)<br />

Highland cattle beside a loch<br />

Indistinctly signed, oil on canvas, 36cm by<br />

46cm<br />

£250 - 300<br />

911<br />

Attributed to Thomas Sidney Cooper<br />

RA and Thomas Creswick RA (19 th<br />

century)<br />

Farmyard scene in summer<br />

Oil on canvas, 95cm by 123cm<br />

£3000 - 5000


912<br />

William Gunning King (1853-1940)<br />

"Feeding the Calves";<br />

"The Vet"<br />

One signed and indistinctly dated, possibly<br />

1929, inscribed verso, oil on canvas,<br />

43.5cm by 51cm and 43.5cm by 47cm<br />

respectively (2)<br />

**Formerly the property of Bibby Animal<br />

Foods<br />

£1500 - 2000<br />

913<br />

William Woodhouse (1857-1939)<br />

Milkmaid with Jersey cow and goats on a<br />

sunlit cliff top<br />

Signed, oil on canvas, 71cm by 91.5cm<br />

**Provenance: Bond Street Galleries, 9<br />

New Bond Street, London<br />

£3000 - 5000<br />

914<br />

William Woodhouse (1857-1939)<br />

Ponies grazing beside a sunlit estuary<br />

Indistinctly signed, oil on canvas, 71cm by<br />

91.5cm<br />

£2000 - 3000<br />

915<br />

Henry Hillingford Parker (1858-1930)<br />

"The River Wey, Ripley, Surrey"<br />

Signed, inscribed verso, oil on canvas,<br />

32.5cm by 52.5cm<br />

**Provenance: Barry Keene Gallery,<br />

Thameside, Henley on Thames<br />

£1200 - 1500<br />

916<br />

Alfred de Breanski Snr (1852-1928)<br />

"Midday Sun";<br />

"The Evening Glow, Dolbadarn from<br />

Llanberis Lake, North Wales"<br />

Signed and inscribed verso, oil on canvas,<br />

each 51cm by 76.5cm (pair)<br />

£6000 - 8000<br />

917<br />

Alfred Fontville de Breanski Jnr<br />

(1877-c.1945)<br />

Highland loch scene at sunset<br />

Signed, oil on canvas, 31cm by 51cm<br />

£600 - 800<br />

918<br />

Charles Jones RCA (1836-1892)<br />

"The End of the Lane"<br />

Monogrammed, inscribed and dated 1889<br />

verso, oil on canvas, 118cm by 97cm<br />

**A London painter of sheep, cattle and<br />

deer in landscape settings, affectionately<br />

known as 'Sheep' Jones due to his skilful<br />

and realistic portrayal of them. He<br />

exhibited 1860-91 at the Royal Academy<br />

and 1861-83 at the British Institution. He<br />

also exhibited at Suffolk Street and the<br />

New Watercolour Society. He was a<br />

member of the Royal Cambrian Academy,<br />

Manchester and c.1890 was awarded a<br />

gold medal at the Crystal Palace.<br />

£7000 - 9000<br />

919<br />

Gertrude Mary Coventry (Mrs<br />

Robertson) (1886-1964)<br />

"Harvesting near Anstruther"<br />

Signed, inscribed verso, oil on canvas,<br />

46cm by 61cm<br />

**Provenance: T & R Annan & Sons Ltd,<br />

West Campbell Street, Glasgow<br />

***Sold with the original receipt<br />

£1200 - 1800<br />

920<br />

Charles Martin Powell (1775-1824)<br />

"Third Rate with Other Shipping"<br />

Signed, inscribed on a plaque and verso,<br />

oil on canvas, 18cm by 25cm<br />

**Provenance: David Messum, London<br />

Road, Beaconsfield, Buckinghamshire<br />

***Sold with the David Messum <strong>Fine</strong><br />

Painting catalogue of Marine and Other<br />

Paintings, summer 1975<br />

£1200 - 1500


921<br />

Follower of Thomas Buttersworth<br />

(19 th century)<br />

Dismasted vessel in rough seas off<br />

Dunstanburgh Castle, Northumberland<br />

Oil on panel, 37cm by 61.5cm<br />

£700 - 800<br />

922<br />

Walter Holmes (b.1936)<br />

Tall ship on the Tyne<br />

Signed, oil on board, 71cm by 91cm<br />

£400 - 600<br />

923<br />

Adolphus Knell (fl.1860-1890)<br />

Shipping in a calm, early morning;<br />

Hay barge and other boats on a river<br />

Both signed, oil on board, each 28cm by<br />

45cm (pair)<br />

£700 - 900<br />

924<br />

Henry Redmore (1820-1887)<br />

Fishing boats and other shipping off a<br />

coastline;<br />

Fishing boats and other shipping off a<br />

wooden jetty<br />

Both signed and dated 1884, oil on board,<br />

each 33cm by 54cm (pair)<br />

£4000 - 5000<br />

925<br />

Henry Redmore (1820-1887)<br />

Fishing boats and other shipping off a<br />

coastline<br />

Signed and indistinctly dated, inscribed<br />

verso, oil on canvas, 25cm by 38cm<br />

£2000 - 3000<br />

926<br />

John Falconer Slater (1857-1937)<br />

Beach scene at low tide<br />

Signed, oil on paper, 23.5cm by 33.5cm<br />

£300 - 400<br />

927<br />

George Edwards Hering (1805-1879)<br />

"The Bass Rock"<br />

Signed with the artist's initials and dated 7<br />

October 1863, inscribed verso, oil on<br />

panel, 19.5cm by 30.5cm<br />

£400 - 600<br />

928<br />

Circle of Georgina M. De L'Aubiniere<br />

(ex.1880-1905)<br />

Fishing boats in a calm with seabirds<br />

Oil on board, 24.5cm by 45cm<br />

£300 - 400<br />

929<br />

Henry Garland (ex.1880-1892)<br />

“Choosing a Quiet One”<br />

Signed, inscribed verso, oil on canvas,<br />

30.5cm by 46cm<br />

£400 - 500<br />

930<br />

Henry Scott (1911-1966)<br />

"The Tea Clipper Morning Star (One<br />

Thousand Five Hundred and Thirty Four<br />

Tons), Built 1854, Lost in 1879"<br />

Signed, inscribed verso, oil on canvas,<br />

35cm by 51cm<br />

**Provenance: MacConnal-Mason & Son<br />

Ltd, Duke Street, St James's, London<br />

£700 - 900<br />

931<br />

William Edward Webb (1862-1903)<br />

Harbour scene, Isle of Man<br />

Signed, oil on canvas, 56cm by 97cm<br />

**Provenance: Priory Gallery (RM & E<br />

James), Station Road, Bishops Cleeve,<br />

Cheltenham<br />

***Sold with the original invoice dated 29<br />

June 1993<br />

£6000 - 8000


932<br />

William Lionel Wyllie RA, RI, RE<br />

(1851-1931)<br />

"Chatham, 1900"<br />

Signed, inscribed on a plaque and verso,<br />

oil on canvas, 58cm by 121.5cm<br />

**Provenance: N.R. Omell, Duke Street, St<br />

James's, London, exhibition of Marine<br />

Paintings 17 th - 20 h Centuries<br />

***The painting features one of the<br />

battleships of the Majestic class, built in<br />

1895/96. The four-panelled vessel in the<br />

distance is either the Terrible or the<br />

Powerful as identified by E H H Archibald<br />

The Metal Fighting Ships<br />

£7000 - 10000<br />

933<br />

George Sherwood Hunter RBA<br />

(1850-1919)<br />

"Volendam"<br />

Initialled and dated 1892, oil on canvas,<br />

30cm by 46cm<br />

£1800 - 2000<br />

934<br />

Nan Hudson (1889-1957)<br />

"The College of Arms, Queen Victoria<br />

Street, City of London"<br />

Signed, inscribed on a plaque and verso,<br />

oil on canvas, 34cm by 43cm<br />

**Exhibited at the <strong>Fine</strong> <strong>Art</strong> Society, New<br />

Bond Street, London June 1999 stock<br />

no.1021<br />

£200 - 300<br />

935<br />

H...Baynes (19 th century)<br />

“Hampton Court Palace”<br />

Signed, inscribed verso, oil on canvas,<br />

45.5cm by 61cm<br />

£200 - 300<br />

936<br />

Frederick William Newton Whitehead<br />

(1853-1938)<br />

“Grays Cliff, Warwick”<br />

Signed, inscribed verso, oil on canvas,<br />

46cm by 35.5cm<br />

£400 - 500<br />

937<br />

Sir Gerald Hugh Tyrwhitt-Wilson<br />

(Lord Berners) (1883-1950)<br />

"Florentine Loggia"<br />

Signed Berners, inscribed verso, oil on<br />

board, 27cm by 41cm<br />

**Provenance: Alex Reid & Lefevre Ltd<br />

(The Lefevre Galleries), King Street, St<br />

James's, London<br />

£200 - 300<br />

938<br />

William Meadows (fl.1870-1895)<br />

Venetian canal scene with figures in a<br />

gondola;<br />

Backwater Venetian canal with figures in a<br />

gondola beside a bridge<br />

Both signed, oil on canvas, each 46cm by<br />

61.5cm (pair)<br />

£2000 - 3000<br />

939<br />

Circle of Felix Ziem (1821-1911)<br />

French<br />

"Venice"<br />

Bears a signature, inscribed, oil on canvas,<br />

89.5cm by 131cm


**Despite training to be an architect Ziem<br />

decided on his future as an artist following<br />

a visit to Italy in 1841 when he was<br />

captured by the beauty of Venice. He was<br />

known principally for his views of Venice,<br />

where he returned annually until 1892, but<br />

also painted in Constantinople, North<br />

Africa, Russia, the Middle East and North<br />

Africa as well as visiting London in 1849<br />

and 1852. Though his early work was<br />

strongly influenced by the Barbizon school,<br />

he developed an individual style, a misty<br />

treatment with a riot of rich colour. His<br />

seascapes won him several medals and a<br />

large following of collectors<br />

£5000 - 6000<br />

940<br />

James Salt (1850-1903)<br />

Venetian Capriccio;<br />

Fishing boats on a Venetian canal<br />

Both signed, oil on canvas (one laid<br />

down), each 36.5cm by 61cm (pair)<br />

£700 - 900<br />

941<br />

Eisman-Semenowsky (1857-1911)<br />

French<br />

Portrait of an Eastern girl, head and<br />

shoulders, wearing a cream dress and red<br />

waistcoat<br />

Signed and inscribed Paris, dated 1887, oil<br />

on panel, 35.5cm by 26.5cm<br />

**Ex. collection J.H. Frost<br />

£2000 - 2200<br />

942<br />

R....Moretti (19 th century) Italian<br />

"Confidences"<br />

Signed and inscribed Roma, also inscribed<br />

on a plaque attached to the frame, oil on<br />

canvas, 53cm by 38cm<br />

**Provenance: Hinson <strong>Fine</strong> Paintings,<br />

Sheffield and sold with a copy of the<br />

original invoice dated 27 February 1984<br />

£1000 - 1500<br />

943<br />

Attributed to L...Permenzel (19 th<br />

century)<br />

Children amongst Italianate ruins<br />

Signed, inscribed verso, oil on canvas,<br />

32cm by 38cm<br />

£300 - 500<br />

944<br />

Continental School (early 20 th<br />

century)<br />

Parisian street scene at night<br />

Oil on canvas, 35.5cm by 41cm<br />

**Oil sketch portrait of a gentleman verso<br />

£300 - 500<br />

945<br />

Albert Friedrich Schroder<br />

(1854-1939) German<br />

"The Solo";<br />

"The Toast"<br />

Both signed and inscribed, oil on canvas,<br />

each 50cm by 60cm (pair)<br />

£4500 - 5000<br />

946<br />

Casimir van den Daele (1818-1880)<br />

Gentleman and lady winding wool in an<br />

interior;<br />

Musical serenade, gentleman playing a<br />

violin beside a table<br />

Both signed and dated 1859 and 1860<br />

respectively, one inscribed verso, oil on<br />

panel, each 68cm by 92cm (pair)<br />

£2000 - 3000<br />

947<br />

Casimir van den Daele (1818-1880)<br />

"The Centre of Attention"<br />

Signed, oil on panel, 69cm by 91.5cm<br />

£800 - 1200


948<br />

Gennara Guglielmi (b.1804) Italian<br />

Interior scene with elegantly dressed<br />

ladies and gentlemen playing cards<br />

Signed, oil on canvas, 55cm by 82cm<br />

£800 - 1200<br />

949<br />

Attributed to Frederico Ballesio (19 th<br />

century) Italian<br />

Gentleman playing a piano in an interior<br />

With strengthened signature, inscribed<br />

Roma - Tivoli, oil on canvas, 45cm by<br />

63cm<br />

£700 - 1000<br />

950<br />

J...Breton (19 th century)<br />

The young sailor's return<br />

Signed, oil on canvas, 81cm by 109cm<br />

£1200 - 1500<br />

951<br />

Attributed to Gaetano Lodi<br />

(1830-1886)<br />

A difference of opinion;<br />

Lighting up<br />

Both signed, inscribed on plaques, oil on<br />

canvas, each 42cm by 53cm (pair)<br />

£600 - 800<br />

952<br />

Continental School (19 th century)<br />

Fishing boats and other shipping in a swell<br />

Indistinctly signed and dated, oil on panel,<br />

29cm by 43.5cm, unframed<br />

£700 - 900<br />

953<br />

A... de Groote (1892-1947) Dutch<br />

"Stadswal von Elburg"<br />

Signed and inscribed, oil on panel, 38cm<br />

by 30.5cm<br />

£200 - 300<br />

954<br />

Onorato Carlandi (1848-1939) Italian<br />

Sunlit wooded glade<br />

Signed and inscribed Roma, inscribed on<br />

the frame Et In Terra Pax, oil on canvas,<br />

81cm by 101cm<br />

£2000 - 2500<br />

955<br />

Peder Monsted (1859-1941) Danish<br />

"Tranquil Waters"<br />

Signed, indistinctly inscribed and dated<br />

1912, oil on canvas, 35cm by 49cm<br />

**Provenance: Priory Gallery (RM & E<br />

James), Station Road, Bishops Cleeve,<br />

Cheltenham<br />

***Sold with the original invoice dated 4<br />

July 2001<br />

£5000 - 7000<br />

956<br />

Alfred Edouard van Bylandt<br />

(1829-1890) Dutch<br />

“Spring Ploughing”<br />

Signed, inscribed verso, oil on canvas,<br />

51cm by 70cm<br />

£1000 - 1500<br />

957<br />

Benjamin Blake (c.1770-c.1830)<br />

Larder scene with dead game and sporting<br />

dogs;<br />

Larder scene with dead game, sporting<br />

dogs and a shotgun<br />

Oil on canvas, each 25.5cm by 20.5cm<br />

(pair)<br />

£600 - 800<br />

958<br />

Bessie Bamber (fl.1900-1910)<br />

Kitten seated beside a Japanese parasol;<br />

Kitten seated beside a muffin dish and<br />

cover<br />

Monogrammed, oil on milk glass, each<br />

9.5cm by 15.5cm (pair)<br />

£700 - 900


959<br />

Florence Mabel Hollams SWA (Mrs C L<br />

Fox) (1877-1963)<br />

"Golden Eagle", study of a hunter<br />

Signed and dated 1931, inscribed, oil on<br />

panel, 31cm by 43cm<br />

£400 - 600<br />

960<br />

Lionel Hamilton-Renwick<br />

(1919-2003)<br />

"Study for Portrait, Mill Reef, Newmarket"<br />

Signed, inscribed and dated 1983, oil on<br />

board, 36cm by 46cm<br />

**Provenance: <strong>Art</strong>hur Ackermann & Son<br />

Ltd, Old Bond Street, London<br />

£600 - 800<br />

961<br />

Circle of John Dalby (early 19 th<br />

century)<br />

“Penelope York's Hunters”<br />

Inscribed and dated 1837 on a plaque, oil<br />

on canvas, 64cm by 81cm<br />

£600 - 900<br />

962<br />

Attributed to Samuel Alken Jnr<br />

(1784-c.1825)<br />

Huntsmen on horseback with hounds and<br />

other figures in the distance;<br />

The Whipper-In on horseback with<br />

foxhounds<br />

Oil on canvas, laid down on board, each<br />

31cm by 39cm (pair)<br />

£2500 - 3000<br />

963<br />

James Barenger (1780-1831)<br />

"Mares and Foals near a Thatched Barn"<br />

Signed and dated 1816, inscribed verso,<br />

oil on canvas, 71.5cm by 91.5cm<br />

**Provenance: Ex. collection 2nd Baron<br />

Gretton, Stapleford Park, Leicestershire<br />

£5000 - 7000<br />

964<br />

H...Raoul Millais (1901-1991)<br />

Stags on a hillside<br />

Initialled, inscribed verso, oil on canvas,<br />

20.5cm by 25.5cm<br />

£500 - 700<br />

965<br />

Charles Cooper Henderson<br />

(1803-1877)<br />

The London to Louth mail coach on an<br />

open road<br />

Oil on canvas, 46cm by 76.5cm<br />

£1200 - 1500<br />

966<br />

George Edward Lodge (1860-1954)<br />

"Three Alternatives Strathgartney"<br />

Signed, inscribed verso, oil on canvas,<br />

36cm by 56cm<br />

**Provenance: <strong>Art</strong>hur Greatorex Ltd,<br />

Grafton Street, London; and Sotheby's, 23<br />

April 1991, lot 55<br />

£3000 - 4000<br />

967<br />

John Emms (1843-1912)<br />

Donkey and a dog beside a cottage<br />

Signed and dated (18)78, inscribed verso,<br />

oil on canvas, 31cm by 41cm<br />

£3000 - 3500<br />

968<br />

William Weekes (fl.1856-1909)<br />

"A Surprise"<br />

Initialled, inscribed on the frame below, oil<br />

on canvas, 51cm by 41cm<br />

£1000 - 1500<br />

969<br />

Colin Graeme Roe (1855-1910)<br />

Ponies and a foal in a moorland landscape<br />

Signed and dated 1901, oil on canvas,<br />

51cm by 76.5cm<br />

£1000 - 1200


970<br />

English School (19 th century)<br />

Portrait of a gentleman, head and<br />

shoulders, wearing military uniform<br />

Oil on canvas, 46cm by 36cm<br />

£500 - 600<br />

971<br />

Ernest Crofts RA (1847-1911)<br />

Soldiers on horseback, with the walking<br />

wounded nearby<br />

Signed, oil on canvas, 25cm by 45cm<br />

£600 - 900<br />

972<br />

William Duffield (1816-1863)<br />

Still life of a salmon in an earthenware<br />

bowl<br />

Signed, oil on canvas, 27cm by 22cm<br />

£600 - 800<br />

973<br />

Michelangelo Meucci (19 th century)<br />

Italian<br />

Hanging songbirds;<br />

Hanging songbirds<br />

Both signed, inscribed Firenze and dated<br />

1873, oil on panel, oval, each 21cm by<br />

17cm (pair)<br />

£500 - 700<br />

974<br />

John Bernard Munns RBSA, NSA<br />

(1869-1942)<br />

Still life of fruit on a blue and white dish,<br />

with an apple and a figurine<br />

Signed, oil on canvas, 41cm by 31cm<br />

£250 - 300<br />

975<br />

Frederick Victor Bailey (1919-1997)<br />

Still life of flowers in a vase, raspberries<br />

and blackcurrants nearby<br />

Signed, oil on panel, 64cm by 48cm<br />

**Provenance: Ex collection Thornton<br />

Collection, York<br />

£500 - 700<br />

976<br />

Frederick Victor Bailey (1919-1997)<br />

Still life of flowers and insects<br />

Signed, oil on panel, 77cm by 68cm<br />

**Provenance: Ex collection Thornton<br />

Collection, York<br />

£700 - 900<br />

977<br />

Owen Waters (1916-2004)<br />

"The Bure Valley at Saxthorpe"<br />

Signed, inscribed verso, oil on board,<br />

61cm by 91cm<br />

£800 - 1000<br />

978<br />

Daniel van der Putten (b.1949)<br />

"Morning Snow, Farthingstone,<br />

Northamptonshire"<br />

Signed, inscribed verso, oil on panel, 25cm<br />

by 35.5cm<br />

£1000 - 1200<br />

979<br />

Henry Stanier (fl.1847-1884, d.1892)<br />

Young man seated on a chair playing a<br />

lute<br />

Signed and dated 1861, oil on panel,<br />

28.5cm by 34.5cm<br />

£600 - 800<br />

980<br />

Edwin Hughes (fl.1872-1892)<br />

“Conversation Piece, Interior with Cavalier<br />

and Lady Standing before a Table”<br />

Signed and indistinctly dated, inscribed<br />

verso, oil on panel, 24cm by 20.5cm<br />

£250 - 300<br />

981<br />

S... Dawson (19 th century)<br />

Comforting Baby<br />

Signed, oil on canvas, 46cm by 61cm<br />

£400 - 600


982<br />

S... Dawson (19 th century)<br />

Interior scene with a girl knitting beside a<br />

fireplace, children nearby<br />

Signed, oil on canvas, 41cm by 61cm<br />

£300 - 500<br />

983<br />

Joseph Clark ROI (1834-1926)<br />

“Bedtime”<br />

Signed and dated 1890, oil on board,<br />

34cm by 25.5cm<br />

£600 - 700<br />

984<br />

Attributed to Joseph H. Barnes<br />

(fl.1867-1887)<br />

Children feeding ducks beside a pond<br />

Signed Barnes, oil on canvas, 61cm by<br />

51cm<br />

£500 - 700<br />

985<br />

R...Favelle (19 th century)<br />

“Crossing the Stream”<br />

Signed, inscribed verso, oil on panel, 21cm<br />

by 16cm<br />

**Provenance: Prestwich <strong>Fine</strong> <strong>Art</strong>,<br />

Manchester<br />

£500 - 600<br />

986<br />

William Woodhouse (1857-1939)<br />

"Happy Days"<br />

Signed, inscribed verso, oil on canvas,<br />

77.5cm by 64.5cm<br />

**Provenance: Iain Dodgson, Lower<br />

Church Street, Lancaster<br />

£2000 - 3000<br />

987<br />

George Sherwood Hunter RBA<br />

(fl.1855-1893)<br />

"The Angelus Volendam, North Holland"<br />

Signed and indistinctly dated, inscribed<br />

verso, oil on canvas, 105cm by 79.5cm, in<br />

its original exhibition gilded frame<br />

**Exhibited in Rome 1911 - The British<br />

Section of the Royal Commission<br />

International <strong>Fine</strong>-<strong>Art</strong>s Exhibition<br />

£600 - 800<br />

988<br />

Edwin Long RA (1829-1891)<br />

Study of a bearded Arab gentleman<br />

Monogrammed, oil on canvas, a<br />

preparatory unfinished study, 44cm by<br />

33.5cm<br />

£800 - 1200<br />

989<br />

W...E...Sticks (19 th century)<br />

“The Honeymoon, the Fourth Week”<br />

Signed and dated 1885, inscribed verso,<br />

oil on canvas, 36cm by 46cm<br />

£1000 - 1500<br />

990<br />

Alex Brantingham Simpson RI<br />

(fl.1904-1931)<br />

“The Bookworm”;<br />

Gentleman standing beside a window<br />

smoking a clay pipe<br />

Signed, one inscribed verso, oil on board,<br />

17cm by 22.5cm and 21.5cm by 14cm<br />

respectively (2)<br />

£400 - 600<br />

991<br />

Walter Dendy Sadler RBA<br />

(1854-1923)<br />

Garden scene with a gentleman seated at<br />

a table<br />

Signed, oil on canvas, 87cm by 123cm<br />

**Possibly the work exhibited at the Royal<br />

Academy entitled A Goodly Catch in 1884,<br />

no 1542


***Sold with a black and white engraving<br />

of the subject, signed by the artist and the<br />

printer James Dobi, published in 1901 by<br />

Lefvere & Son, St James's, London<br />

£3000 - 5000<br />

992<br />

William Mellor (1851-1931)<br />

“The Fairy Glen, Betws-y-Coed”<br />

Signed, inscribed on a plaque and verso,<br />

oil on canvas, 76cm by 127cm<br />

£1500 - 1800<br />

993<br />

George Graham RSW, RI, ROI<br />

(resigned), RBA (1881-1949)<br />

"Winter at Redmire"<br />

Signed and dated 1915, inscribed verso,<br />

oil on canvas, 61cm by 51cm<br />

£500 - 600<br />

994<br />

Reginald Grange Brundrit RA, ROI<br />

(1883-1960)<br />

"China Clay", scene at St Austell<br />

Signed, inscribed verso, oil on canvas,<br />

92cm by 122cm<br />

**The work was exhibited at the Royal<br />

Academy in 1961<br />

£800 - 1200<br />

995<br />

Reginald Grange Brundrit RA, ROI<br />

(1883-1960)<br />

Dales village, with cottages amongst trees<br />

Signed, oil on canvas, 46cm by 61cm<br />

£300 - 400<br />

996<br />

Reginald Grange Brundrit RA, ROI<br />

(1883-1960)<br />

"Helmsley Castle"<br />

Signed, indistinctly inscribed verso, oil on<br />

canvas, 51cm by 66.5cm<br />

£350 - 450<br />

997<br />

Reginald Grange Brundrit RA, ROI<br />

(1883-1960)<br />

"Near Grassington, Yorkshire"<br />

Signed, inscribed verso, oil on canvas,<br />

36cm by 46cm<br />

£250 - 300<br />

998<br />

<strong>Art</strong>hur A. Friedenson (1872-1955)<br />

"Morning - Middlebere Heath, Dorset"<br />

Signed and dated 1913, inscribed verso,<br />

oil on canvas, 46cm by 61.5cm<br />

£1500 - 2000<br />

999<br />

<strong>Art</strong>hur A. Friedenson (1872-1955)<br />

"Sunset after Rain"<br />

Signed and dated 1912, inscribed verso,<br />

oil on panel, 32.5cm by 40.5cm<br />

£600 - 800<br />

1000<br />

Kershaw Schofield (1872-1941)<br />

Sheep grazing in a sunlit meadow, possibly<br />

the Vale of York<br />

Signed, oil on canvas, 51cm by 76.5cm<br />

£1500 - 2000<br />

1001<br />

Stephen Frank Wasley (1848-1934)<br />

“Whitby Harbour from St Anne's, Staithes”<br />

Signed, oil on canvas, 61cm by 41.5cm<br />

£800 - 1000<br />

1002<br />

Augustus William Enness RBA<br />

(1876-1948)<br />

Whitby Harbour<br />

Signed and dated 1910, oil on canvas,<br />

31cm by 41cm<br />

£600 - 800


1003<br />

Richard Weatherill (1844-1923)<br />

Fishing boat entering Whitby Harbour with<br />

figures on a quayside<br />

Signed, oil on board, 23cm by 37cm<br />

£2500 - 3000<br />

1004<br />

Richard Weatherill (1844-1923)<br />

“Whitby from Upgang showing the Two<br />

Lime-Kiln there in 1853, before the East<br />

Pier Lighthouse was Built”<br />

Signed, inscribed verso, oil on board,<br />

17cm by 30.5cm<br />

£2500 - 3000<br />

1005<br />

Joseph Alfred Terry RBA (1872-1939)<br />

"The Old School"<br />

Signed and inscribed verso, oil on paper,<br />

25.5cm by 31.5cm<br />

£150 - 200<br />

1006<br />

James William Booth RCamA<br />

(1867-1953)<br />

Horses in a sunlit field<br />

Signed, oil on canvas, 69.5cm by 90.5cm<br />

£5000 - 7000<br />

1007<br />

Owen Bowen ROI, PRCamA<br />

(1873-1967)<br />

The Picnic, a country lane with a shepherd<br />

and sheep<br />

Signed, oil on canvas, 41cm by 61cm<br />

**The work is illustrated on the back<br />

dustcover of Painters in the Northern<br />

Counties of England and Wales by<br />

Professor Dennis Child<br />

£800 - 1000<br />

1008<br />

Owen Bowen ROI, PRCamA<br />

(1873-1967)<br />

Dales barn amongst trees<br />

Signed, oil on canvas board, 30.5cm by<br />

40.5cm<br />

£400 - 600<br />

1009<br />

Attributed to Owen Bowen ROI,<br />

PRCamA (1873-1967)<br />

Farmyard with chickens beside a barn<br />

Bears a signature, oil on canvas, 30.5cm<br />

by 40.5cm<br />

£300 - 400<br />

1010<br />

Joseph John Richard Bagshawe RBA<br />

(1870-1909)<br />

Coastal scene with rocks<br />

Inscribed verso, oil on board, 27cm by<br />

36cm<br />

**Provenance: Phillips & Sons, The Dower<br />

House, Cockham, Berkshire<br />

£200 - 300<br />

1011<br />

Mark Senior NPS (1862-1927)<br />

“Breton Lace Makers”<br />

Signed, inscribed, oil on canvas, 46.5cm<br />

by 51cm<br />

£3000 - 4000<br />

Contemporary <strong>Art</strong><br />

1012<br />

David Russell Anderson RSW<br />

(1884-1973)<br />

"The Seine"<br />

Signed, oil on canvas, 33cm by 43cm<br />

**Provenance: Exhibition at Bradford City<br />

<strong>Art</strong> Gallery & Museums, Cartwright Hall,<br />

Bradford, 11 January-11 February 1973<br />

no.12


***By descent from artist's family.<br />

David Anderson studied in Glasgow before<br />

moving to Paris in 1905 where he studied<br />

at the Ecole des Beaux <strong>Art</strong>s, Paris. He<br />

returned to a career in journalism and<br />

became the Editor in Chief of the<br />

Associated Scottish Newspapers based in<br />

Glasgow before retiring to Ilkley in 1946.<br />

£500 - 600<br />

1013<br />

David Russell Anderson RSW<br />

(1884-1973)<br />

Still Life with Apple<br />

Signed, oil on board, 35.5cm by 48.5cm<br />

£300 - 400<br />

1014<br />

David Russell Anderson RSW<br />

(1884-1973)<br />

Garelochhead, Scotland<br />

Oil on board, 62cm by 75cm<br />

£300 - 400<br />

1015<br />

David Russell Anderson RSW<br />

(1884-1973)<br />

"<strong>Art</strong>ist's Dining Room, Hope Street,<br />

Glasgow"<br />

Signed, inscribed on stretcher , oil on<br />

canvas, 45cm by 60cm<br />

£300 - 400<br />

1016<br />

Sue Atkinson (b.1949)<br />

"Winter's Day"<br />

Signed, mixed media on paper, 29cm by<br />

29cm<br />

**Provenance: Zillah Bell Gallery, Thirsk,<br />

North Yorkshire<br />

£200 - 300<br />

1017<br />

Edited by Bowness (Alan) with an<br />

introductory essay by Rosenthal (T.G)<br />

Ivon Hitchens, published by Lund<br />

Humphries, London 1973; Woolf<br />

(Virginia) Walter Sickert: a conversation,<br />

published by the Hogarth Press 1934;<br />

Dube-Heynig (Annemarie) Kirchner:<br />

Graphic work, Germany 1961; Kitching<br />

(<strong>Art</strong>hur) Pavements and People, Smith<br />

Settle, Otley 1987; Kitching (<strong>Art</strong>hur)<br />

Sea and Sand, Smith Settle, Otley 1988;<br />

Heron (Tom) Call it a day, Cornwall 1977<br />

(6)<br />

£120 - 180<br />

1018<br />

John Randall Bratby RA (1928-1992)<br />

"Seagull 2, Reid's Hotel, Funchal, Madeira"<br />

Signed, inscribed and dated Tuesday 26 th<br />

April 1983, pencil drawing, 25cm by 34cm<br />

£300 - 400<br />

1019<br />

Frederick Brill (1920-1984)<br />

"The Railway Viaduct" (Sandsend)<br />

Signed, dated 1958 and inscribed verso,<br />

pen and black ink preparatory/working<br />

sketch on paper, 50cm by 36cm<br />

**Brill did not generally sign his work.<br />

***Provenance: labelled Galerie de Seine,<br />

and City of Manchester <strong>Art</strong> Gallery label<br />

numbered 20990.<br />

£300 - 500<br />

1020<br />

Piers Browne (b.1942)<br />

"October in Walden, Wensleydale"<br />

Signed and indistinctly dated, oil on board,<br />

20cm by 52.5cm<br />

**Provenance: Bernhardt Gallery<br />

£300 - 400


1021<br />

After Marc Chagall (1887-1985)<br />

French/Russian<br />

"The Mountebanks"<br />

Original black and white lithographic print,<br />

inscribed verso, 31.5cm by 24.5cm<br />

**Provenance: William Weston Gallery, 7<br />

Royal Arcade, Albemarle Street, London<br />

***From the edition issued for: Chagall<br />

Vol 2 Sauret 1963 ref. Mourlot 395<br />

£1000 - 1200<br />

1022<br />

Jack Cudworth (b.1930)<br />

River landscape with a figure in a boat<br />

beside a bridge<br />

Signed, inscribed, oil on board, 26cm by<br />

36.5cm<br />

**Provenance: Walker Galleries, 6<br />

Montpellier Gardens, Harrogate<br />

£200 - 300<br />

1023<br />

Gordon Davies (1926-2007)<br />

"Barga, Early Morning"<br />

Signed and dated (19)77, inscribed and<br />

titled verso, oil on board, 22cm by 27cm<br />

**Provenance: King Street Galleries Ltd,<br />

17 King Street, St James's, London, stock<br />

no. 188, 21 st April 1978<br />

£250 - 300<br />

1024<br />

Maya Eventov (b.1964) Russian<br />

Lakeside Cottage<br />

Oil on board, 54.5cm by 74cm<br />

£250 - 350<br />

1025<br />

Margaret Firth (1898-1991)<br />

Still life of flowers in a vase, other objects<br />

nearby<br />

Signed, inscribed and dated 1984 verso,<br />

oil on board, 56cm by 66cm<br />

£150 - 200<br />

1026<br />

Dianne Elizabeth Flynn (b.1939)<br />

"Under the Parasol, Checka when Young"<br />

Signed, inscribed verso, oil on canvas,<br />

30.5cm by 40.5cm<br />

£300 - 500<br />

1027<br />

....Fowler (20 th century)<br />

Figures on a village lane beside cottages<br />

Oil on board, 25cm by 35.5cm<br />

£300 - 350<br />

1028<br />

Sir Terry Frost (1915-2003)<br />

Bow Movement (Kemp 16),<br />

Signed and dated (19)54, (there was no<br />

edition), printed by the artist, St Ives,<br />

black and white drypoint etching, 14cm by<br />

34cm (pl)<br />

£800 - 1200<br />

1029<br />

Robin Furness (b.1933)<br />

"Pines Shoot"<br />

Signed and dated (19)86, inscribed verso,<br />

watercolour and gouache, 45cm by 38cm<br />

£100 - 150<br />

1030<br />

Robin Furness (b.1933)<br />

"Chance of a Left and Right - One Down<br />

One to Go!"<br />

Signed and dated 1980, inscribed verso,<br />

oil on canvas board, 41cm by 51cm<br />

£300 - 350<br />

1031<br />

Michael Gibbison (b.1937)<br />

"At the Races"<br />

Signed, inscribed verso, watercolour and<br />

gouache heightened with white, 54.5cm by<br />

71.5cm<br />

**Provenance: Duncalfe Galleries,<br />

Harrogate & London<br />

£500 - 700


1032<br />

Michael Gibbison (b.1937)<br />

"Vivienne Westwood"<br />

Signed, inscribed and dated 1989 verso,<br />

watercolour and gouache, 61.5cm by<br />

53.5cm<br />

£600 - 800<br />

1033<br />

Michael Gibbison (b.1937)<br />

"Boy George"<br />

Signed, inscribed and dated 1989 verso,<br />

watercolour and gouache, 72.5cm by<br />

50.5cm<br />

£600 - 800<br />

1034<br />

Donald Grant (b.1942)<br />

Hunting scene with figures on horseback<br />

Signed, inscribed on a plaque, oil on<br />

canvas, 61cm by 91.5cm<br />

**Provenance: MacConnal-Mason & Son<br />

Ltd, 14 Duke Street, St James's, London<br />

£1500 - 2500<br />

1035<br />

Douglas Gray (b.1965)<br />

"Cobbles, Scarborough Harbour"<br />

Signed, inscribed verso, oil on board,<br />

29cm by 39cm<br />

£200 - 300<br />

1036<br />

Mark Halsey (b.1961)<br />

"Mandala"<br />

Signed limited edition artist proof No.1/25,<br />

46.5cm by 44cm<br />

£100 - 200<br />

1037<br />

After Rolf Harris (b.1930) Australian<br />

"Winter Sunrise"<br />

Signed limited edition 73/195, giclee paper<br />

and canvas board, 46cm by 68cm<br />

**Sold with certificate of authenticity<br />

£200 - 300<br />

1038<br />

Charles John Harrison RA (b.1945)<br />

Trompe L'Oeil of Talavera pottery and<br />

antique scissor snuffers<br />

Signed with the artist's initials, oil on<br />

board, 80cm by 54cm<br />

**Provenance: William Sissons Gallery<br />

£2000 - 3000<br />

1039<br />

... Helios (b.1959)<br />

"Casas junto al Rio (Estella)"<br />

Signed, oil on canvas, 45cm by 54cm<br />

£200 - 300<br />

1040<br />

Demelsa Houghton (20th/21st<br />

century)<br />

Nude Studies<br />

All three signed, inscribed on each<br />

stretcher verso with date July (20)03, oil<br />

on canvas, two 127cm by 46cm, one<br />

101cm by 33cm, unframed (3)<br />

£450 - 500<br />

1041<br />

Doug Hyde (b.1972)<br />

"Light of My Life"<br />

Signed artist's proof 10/40, inscribed with<br />

title in pencil, on giclee paper, 59cm by<br />

37.5cm<br />

**Sold with certificate of authenticity and<br />

Time of My Life booklet<br />

£200 - 300<br />

1042<br />

Vladan Ignatovic (b.1955)<br />

Yugoslavian<br />

Pattern VI<br />

Pair, oil on canvas, inscribed on one verso,<br />

both 28.5cm 33cm (2)<br />

£100 - 200


1043<br />

Barbara Jones (1912-1978)<br />

"Launching of the Holland Submarine<br />

No.1, at Barrow, 1901";<br />

"Marconi Transmitting the First Radio<br />

Signals from Cornwall to Newfoundland,<br />

1901";<br />

"Louis Bleriot flying the English Channel,<br />

1909"<br />

All signed, inscribed verso, pencil and<br />

watercolour, each 28cm by 40cm (3)<br />

**Produced for the series of A Half<br />

Century of Progress, commissioned by the<br />

Financial Times in 1950<br />

***Provenance: Abbott & Holder Ltd, 30<br />

Museum Street, London<br />

£2000 - 2500<br />

1044<br />

Jacob Kramer (1892-1962)<br />

Portrait study of a young woman<br />

Signed, pastel drawing on tinted paper,<br />

37.5cm by 31cm<br />

£300 - 400<br />

1045<br />

Jacob Kramer (1892-1962)<br />

Portrait study of a woman, her eyes closed<br />

Signed, pastel drawing on tinted paper,<br />

49cm by 40cm<br />

£300 - 400<br />

1046<br />

Philip Lambe (b.1961)<br />

White Magnolia<br />

Signed, oil on canvas, 49cm by 59cm<br />

£300 - 400<br />

1047<br />

Giuliana Lazzerini (20 th /21 st century)<br />

Italian<br />

"Ancient City"<br />

Signed, inscribed on a label verso, acrylic<br />

on card, 55cm by 55cm<br />

£400 - 600<br />

1048<br />

Giuliana Lazzerini (20 th /21 st century)<br />

Italian<br />

"Stairway to the Moon"<br />

Signed, inscribed verso, inkwash on card,<br />

54.5cm by 75cm<br />

£300 - 400<br />

1049<br />

After John Lennon (1940-1980)<br />

"Dada Mama" from the Bag One Suite<br />

1988<br />

Lithograph, stamped and numbered in<br />

pencil, inscribed 843/3000E Bruce McGaw<br />

Graphics publication 1988, 88cm by<br />

58.5cm<br />

£200 - 300<br />

1050<br />

After John Lennon (1940-1980)<br />

"Baby Grand" from the Bag One Suite<br />

1988<br />

Lithograph, stamped and numbered in<br />

pencil, inscribed 843/3000E, 87.5cm by<br />

58.5cm<br />

£200 - 300<br />

1051<br />

Alan Lowndes (1921-1978)<br />

Study of a green trawler towing a small<br />

boat<br />

Signed and dated 1962, oil on canvas<br />

board, 23.5cm by 29.5cm<br />

£2500 - 3000<br />

1052<br />

After Laurence Stephen Lowry RA<br />

(1887-1976)<br />

"Peel Park"<br />

Signed in pencil, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />

blindstamp, from an edition of 850,<br />

published by Venture Prints Ltd, a colour<br />

reproduction, 41cm by 78cm<br />

£700 - 900


1053<br />

After Laurence Stephen Lowry RA<br />

(1887-1976)<br />

"St Luke's, London"<br />

Signed in pencil, with Grove <strong>Fine</strong> <strong>Art</strong><br />

blindstamp, from an edition of 850, a<br />

colour reproduction, 64cm by 46.5cm<br />

£500 - 600<br />

1054<br />

After Laurence Stephen Lowry RA<br />

(1887-1976)<br />

"The Reference Library"<br />

Signed in pencil, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />

blindstamp, from an edition of 850, black<br />

and white reproduction, 26.5cm by 36cm<br />

**The work is taken from a pencil drawing<br />

£400 - 600<br />

1055<br />

After Laurence Stephen Lowry RA<br />

(1887-1976)<br />

"Two Brothers"<br />

Signed in pencil, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />

blindstamp, from an edition of 850,<br />

coloured reproduction, 63cm by 31.5cm<br />

£400 - 600<br />

1056<br />

After Laurence Stephen Lowry RA<br />

(1887-1976)<br />

"Three Men and a Cat"<br />

Signed in biro, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />

blindstamp, from an edition of 850,<br />

coloured reproduction, 27cm by 17.5cm<br />

£500 - 700<br />

1057<br />

After Laurence Stephen Lowry RA<br />

(1887-1976)<br />

"The Pond"<br />

Signed in pencil, with <strong>Fine</strong> <strong>Art</strong> Trade Guild<br />

blindstamp, from an edition of 850,<br />

coloured reproduction, 45cm by 58cm<br />

£400 - 600<br />

1058<br />

John Mackie (b.1955)<br />

"Paysage Midi France"<br />

Signed and dated (19)86, inscribed verso,<br />

pastel drawing, 48cm by 63cm<br />

**Provenance: Duncalfe Galleries,<br />

Harrogate & London The <strong>Art</strong>ist's One Man<br />

Exhibition 1989<br />

***Exhibited at the Harrogate Festival<br />

Exhibition<br />

****Sold with a copy of the Festival<br />

Catalogue Cover 1989<br />

£800 - 900<br />

1059<br />

John Mackie (b.1955)<br />

"Restaurant Salses Village, France"<br />

Signed and dated (19)89, inscribed verso,<br />

oil on canvas, 51cm by 61cm<br />

**Exhibited at the Harrogate Festival<br />

Exhibition 1989<br />

***Provenance: Duncalfe Galleries,<br />

Harrogate, North Yorkshire<br />

£1000 - 1500<br />

1060<br />

John Mackie (b.1955)<br />

"Poppies near Elné, Perpignan"<br />

Signed and indistinctly dated, inscribed<br />

verso, oil on canvas, 66cm by 76cm<br />

£600 - 700<br />

1061<br />

John Mackie (b.1955)<br />

"Provence", harbour scene with figures<br />

and fishing boats<br />

Signed and dated (19)88, pastel drawing,<br />

48cm by 64cm<br />

£600 - 800<br />

1062<br />

John Mackie (b.1955)<br />

"Provence", sunlit avenue with figures and<br />

children<br />

Signed, pastel drawing, 49cm by 59.5cm<br />

£600 - 800


1063<br />

Tom McGuinness (1926-2006)<br />

Miner's Lamp<br />

Signed and dated (19)87, mixed media,<br />

24cm by 15cm<br />

£300 - 400<br />

1064<br />

Graham McKean (b.1962)<br />

The Clandestine Embrace<br />

The Kiss<br />

Both signed, pencil on paper, one 12.5cm<br />

by 11.5cm the other 10.5cm by 9.5cm<br />

£150 - 200<br />

1065<br />

John Milan (b.1968)<br />

Abstract cityscape<br />

Acrylic on board, 44cm by 89.5cm<br />

£200 - 300<br />

1066<br />

Adam Millen (20th/21st century)<br />

An Industrial Skyline<br />

Acrylic on board, 39.5cm by 65cm<br />

£100 - 200<br />

1067<br />

After Henry Moore OM, RA<br />

(1898-1986)<br />

"Sketchbook 1980"<br />

Limited facsimile edition, number C82/350;<br />

together with a Book written by Ann<br />

Garrould with a forward by Bernhard Baer<br />

and an Exhibition Catalogue published by<br />

the Berkeley Square Gallery, London, 14 th<br />

November - 7 th December, all contained<br />

within a specially made and presented<br />

box, overall size 27cm by 21cm<br />

**Provenance: CCA Galleries, Christie's<br />

Contemporary <strong>Art</strong>, 8 Dover Street, London<br />

***Sold with the original invoices, dated<br />

21 st April 1987<br />

£300 - 400<br />

1068<br />

Charles Murray (1894-1954)<br />

"Ben Avie, Scotland"<br />

Signed, inscribed verso, oil on board,<br />

41cm by 51cm<br />

**Provenance: Dennis Brown & Phillips<br />

Ltd, Leicester Galleries, London, exhibited<br />

March 1951 no.5<br />

£300 - 400<br />

1069<br />

Carlos Nadal (1917-1998) Spanish<br />

"La Plage"<br />

Signed and dated (19)79, inscribed verso,<br />

oil and mixed media on paper laid on<br />

canvas, 23.5cm by 28.5cm<br />

**Illustrated on page 128 Carlos Nadal, an<br />

English Perspective 2010<br />

***Sold with a certificate of authenticity<br />

and a book entitled Carlos Nadal<br />

(1917-1998) An English Perspective by<br />

John Duncalfe and published by the<br />

Tillington Press 2010<br />

£5000 - 7000<br />

1070<br />

Philip Naviasky (1894-1983)<br />

"Street Scene in North Africa"<br />

Signed, inscribed verso, oil on board,<br />

24cm by 31cm<br />

£150 - 200<br />

1071<br />

Alexandra Nechita (20th/21st<br />

century) Romanian/American<br />

"Narcissus and Echo"<br />

Lithograph, signed and dated (20)03,<br />

Idem Paris blindstamp, edition 104/195,<br />

51.5cm by 71.5cm<br />

£200 - 300


1072<br />

Gerald Norden (1912-2000)<br />

Trompe l'Oeil depicting a piece of blue<br />

paper inscribed "Not to be Shown to<br />

Persons of a Nervous Disposition"<br />

Signed and dated (19)91, oil on board,<br />

40.5cm by 30.5cm, unframed<br />

£300 - 350<br />

1073<br />

Kitty North (b.1963)<br />

"Cottage/Barn Grey Swirl"<br />

Signed, inscribed and dated 2001 verso,<br />

oil on canvas, 25cm by 35.5cm; and<br />

Path leading to a farmhouse<br />

Signed on the backing board verso, oil on<br />

canvas, 24cm by 30.5cm (2)<br />

£200 - 300<br />

1074<br />

Patrick Oliver (1933-2009)<br />

Abstract study<br />

Oil on canvas, 62cm by 119.5cm<br />

£250 - 350<br />

1075<br />

Patrick Oliver (1933-2009)<br />

"High Force"<br />

Signed, inscribed and dated 1990 verso,<br />

oil on canvas, 74cm by 142.5cm<br />

£800 - 1000<br />

1076<br />

Patrick Oliver (1933-2009)<br />

"Kinsdale"<br />

Signed, inscribed and dated (19)90 verso,<br />

oil on canvas, 74cm by 142.5cm<br />

£800 - 1000<br />

1077<br />

After Pablo Picasso (1881-1973)<br />

Musee Municipal D'<strong>Art</strong> Moderne Ceret,<br />

1958<br />

A poster for an exhibition, 66cm by<br />

48.5cm<br />

£200 - 300<br />

1078<br />

After Pablo Picasso (1881-1973)<br />

Spanish<br />

"Danseuse et Picador"<br />

Ex. inscribed in the margin in graphite<br />

180/500, monotone lithograph, labelled to<br />

verso The Redfern Gallery Ltd. 20 Cork<br />

Street, Burlington Gardens, Bond Street,<br />

London, W1 Title "Picador & Dancing<br />

Woman" <strong>Art</strong>ist PICASSO Purchaser<br />

M.G.Balme Esq., Date 20th February 1969,<br />

40cm by 52cm<br />

£600 - 900<br />

1079<br />

John Piper LG (1903-1992)<br />

"Stansfield, Suffolk"<br />

Signed artist's proof, limited edition<br />

98/100, published September 1987, colour<br />

screen print, 94cm by 53cm<br />

**Provenance: CCA Galleries, Christie's<br />

Contemporary <strong>Art</strong>, 8 Dover Street, London<br />

***Sold with a copy of the original invoice<br />

dated 9 th March 1987 and a John Piper<br />

Exhibition catalogue, Berkeley Square<br />

Gallery, 23a Bruton Street, London, 5 th<br />

December 2000, see item 40; and "The<br />

Complete Graphic Works, Catalogue<br />

Raisonne, 1923-1983", compiled and<br />

edited by Orde Levinson<br />

£800 - 1200<br />

1080<br />

After Lucien Pissarro (1863-1944)<br />

"In the Field, from the Queen of the<br />

Fishes"<br />

Original five-colour woodcut, 1897,<br />

monogrammed in the block, as published<br />

in the Pageant 1898, 14cm by 10cm<br />

**Provenance: William Weston Gallery, 7<br />

Royal Arcade, Albemarle Street, London<br />

****Sold with the original invoice dated<br />

28 th January 1988 and other original<br />

documents. From the 1st Book Eragny<br />

Press 1894<br />

£100 - 150


1081<br />

After Camille & Lucien Pissarro<br />

(1830-1903) (1863-1944)<br />

"La Becheuse, Woman Digging"<br />

Signed with the monograms of both<br />

artists, inscribed in pencil, limited edition<br />

woodcut print, 11/20, after a drawing by<br />

Camille Pissaro (circa 1895), 13.5cm by<br />

8.5cm<br />

**Provenance: William Weston Gallery, 7<br />

Royal Arcade, Albemarle Street, London<br />

***From the edition of 20 hand-printed<br />

proofs (rare). Sold with the original<br />

invoice dated 12 th May 1988 and insurance<br />

valuation<br />

£250 - 300<br />

1082<br />

...Principe (20th century)<br />

Two Edwardian ladies<br />

Signed, oil on canvas, 39cm by 29cm<br />

**Provenance: Marble Arch <strong>Art</strong> Gallery,<br />

Quebec Street, London<br />

£300 - 500<br />

1083<br />

Jose Manuel Reyes (b.1963) Spanish<br />

Still life of lemons<br />

Signed, oil on board, 44.5cm by 36.5cm<br />

£500 - 700<br />

1084<br />

Jose Manuel Reyes (b.1963) Spanish<br />

Still life of grapes<br />

Signed, oil on board, 44cm by 36cm<br />

£500 - 700<br />

1085<br />

Harold Riley (b.1934)<br />

Canal scene at dusk with shipping beside<br />

an old bridge<br />

Signed and dated (19)70, pastel drawing<br />

on tinted paper, 58.5cm by 49.5cm<br />

£600 - 800<br />

1086<br />

After Harold Riley (b.1934)<br />

"Rabbi and Child"<br />

Signed artist's proof, dated (19)70,<br />

numbered 1, black and white print, 56cm<br />

by 41cm<br />

£150 - 200<br />

1087<br />

Zdzislaw Ruszkowski (1907-1991)<br />

Polish<br />

Landscape in Greece (Melissia)<br />

Signed, oil on canvas, inscribed verso<br />

Melissia, 49cm by 69cm<br />

**Illustrated page 245, No.516,<br />

Ruszkowski A Catalogue Raisonne of his<br />

Paintings, by Michael Simonow, published<br />

1987<br />

***Provenance: Purchased by Mr and Mrs<br />

M G Balme from the artist in 1982.<br />

£2000 - 3000<br />

1088<br />

Joseph (Joe) Scarborough (b.1938)<br />

"The Return of Bill "Iron" Hague the British<br />

Heavyweight Boxer to Mexborough<br />

Station"<br />

Signed and dated (19)87, oil on canvas,<br />

76cm by 102cm<br />

**Sold with a typed story on the return of<br />

Bill "Iron" Hague after winning the British<br />

Heavyweight title in London in 1909. The<br />

picture depicts the Montague Arms,<br />

fairground, market hall and market place;<br />

with other written provenance relating to<br />

the historical element of the scene and<br />

various sketches by the artist etc


***Born in Sheffield, he is most famous<br />

for painting humorous scenes of Sheffield<br />

life. A face worker at the Thorpe Hesley<br />

colliery, he was inspired to paint by the<br />

contrast of the darkness of the mines and<br />

the lightness of the real world above the<br />

ground. In 1968 disenchantment with the<br />

pits led to numerous jobs - labourer,<br />

municipal park gardener and<br />

washer-upper. For years he pushed a<br />

handcart, packed with paintings round all<br />

his local pubs selling what he could in<br />

almost folkloric-like tradition, becoming at<br />

times like the characters he went on to<br />

portray in later scenes<br />

£2000 - 3000<br />

1089<br />

William Selby (b.1933)<br />

Ferrybridge Powerstation with coal barges<br />

on the River Aire<br />

Signed, pencil, felt tip pen and<br />

watercolour, 49.5cm by 70cm<br />

£300 - 400<br />

1090<br />

Margaret Shields (20th/21st century)<br />

Fairground<br />

Signed and dated (19)70, oil on board,<br />

44cm by 59cm<br />

£400 - 600<br />

1091<br />

Fletcher Sibthorp (b.1967)<br />

Bailadora y Caballo (Dancer and Stallion)<br />

Signed and numbered 267/295, limited<br />

edition gilcee print, 58cm by 74cm<br />

**Provenance: Buckingham <strong>Fine</strong> <strong>Art</strong><br />

£150 - 250<br />

1092<br />

Neil Simone (b.1947)<br />

Reflection of Whitby<br />

Signed, oil on board,36.5cm by 29cm<br />

£150 - 200<br />

1093<br />

Neil Simone (b.1947)<br />

"Cast Amid the Shadows"<br />

Signed, oil on board, 90cm by 75cm<br />

£300 - 400<br />

1094<br />

Neil Simone (b.1947)<br />

"Between the Tides"<br />

Signed, oil on board, 75cm by 60cm<br />

**Provenance: Creskeld Gallery, Pateley<br />

Bridge, North Yorkshire<br />

£200 - 400<br />

1095<br />

Neil Simone (b.1947)<br />

The disused signal box<br />

Signed, oil on board, 90cm by 75cm<br />

£300 - 400<br />

1096<br />

Neil Simone (b.1947)<br />

Milk churns by a stile,<br />

Signed, oil on board, 75.5cm by 90cm<br />

£300 - 400<br />

1097<br />

Derek Slater (20 th /21 st century)<br />

Two miners working underground<br />

Signed, oil on canvas, 91.5cm by 122cm<br />

£600 - 800<br />

1098<br />

D...Sloane (20 th /21 st century)<br />

Abstract landscape with trees and fields<br />

Signed, watercolour and gouache, 47.5cm<br />

by 47.5cm<br />

£80 - 100<br />

1099<br />

Ruskin Spear RA, PLG, ARCA(Lond)<br />

(1911-1990)<br />

Interior scene with figures reading by<br />

lamplight<br />

Signed, inscribed on the mount below and<br />

verso, pastel drawing, 17cm by 22.5cm


**Provenance: The Parker Gallery<br />

£200 - 300<br />

1100<br />

Neil Spilman (b.1951)<br />

Winter landscape with farmer, collie and<br />

Landrover<br />

Signed, oil on canvas, 19.5cm by 34.5cm<br />

£100 - 200<br />

1101<br />

After MacKenzie Thorpe (b.1956)<br />

"'Golden Sheep"<br />

Colour print, signed in pencil with the<br />

artist's monogram, titled and numbered<br />

1191/2000, Washington Green blindstamp,<br />

27cm by 21cm<br />

**Sold with certificate of authenticity<br />

£60 - 80<br />

1102<br />

After MacKenzie Thorpe (b.1956)<br />

"Interflora"<br />

Colour print, signed in pencil, titled and<br />

numbered 204/850, Washington Green<br />

blindstamp, 42cm by 50cm<br />

**Sold with certificate of authenticity<br />

£80 - 120<br />

1103<br />

Godfrey Tonks (b.1948)<br />

"View from the Old Road Cala San Vicente"<br />

Signed, inscribed on label verso, pastel<br />

drawing, 41.5cm by 52.5cm<br />

£300 - 350<br />

1104<br />

Margaret Uttley (b.1965)<br />

"Dona"<br />

Signed, watercolour, 55cm by 71cm<br />

**Provenance: The Spiral Gallery, Settle,<br />

North Yorkshire<br />

£200 - 300<br />

1105<br />

Margaret Uttley (b.1965)<br />

"Warrendale Knotts"<br />

Signed, inscribed and dated (20)05,<br />

charcoal and pencil on paper, 56.5cm by<br />

57cm<br />

£100 - 150<br />

1106<br />

Hayward Veal (1913-1968)<br />

Australian<br />

Figures at a sunlit restaurant<br />

Signed, oil on canvas, 51cm by 51cm<br />

**The artist taught Rolf Harris to paint.<br />

Sold with a press cutting relating to this<br />

fact.<br />

£600 - 800<br />

1107<br />

Jonathan Armigel Wade (b.1960)<br />

"Farmers"<br />

Signed, inscribed verso, oil on board,<br />

50cm by 76.5cm<br />

£1000 - 1200<br />

1108<br />

Jonathan Armigel Wade (b.1960)<br />

"Homeland"<br />

Signed, inscribed verso, oil on board,<br />

32cm by 54cm<br />

£600 - 800<br />

1109<br />

Jonathan Armigel Wade (b.1960)<br />

"Crossing the Brook"<br />

Signed, inscribed verso, oil on board, oval,<br />

4cm by 6.5cm<br />

£200 - 300<br />

1110<br />

Alfred Wallis (1855-1942)<br />

Three yachts passing a lighthouse and<br />

dolphins (and Ship with five crew entering<br />

harbour with two lighthouses, verso)<br />

(double sided)<br />

Both signed, pencil and crayon on paper,<br />

25.5cm by 36.5cm


**It is believed that Wallis started to paint<br />

'for company' following the death of his<br />

wife, Susan, in 1922.<br />

Born into poverty he taught himself to<br />

draw and paint from memory on whatever<br />

surface he could find and sometimes using<br />

old boat paint he would depict mostly his<br />

knowledge of St. Ives and life at sea.<br />

The artists Ben Nicholson and Christopher<br />

Wood first saw Wallis' work in 1928 when<br />

he had been painting for just a few years.<br />

In 1943 Ben Nicholson said "using the<br />

materials nearest to hand is the motive<br />

and method of the first creative artist.<br />

Certainly his vision is a remarkable thing<br />

with an intensity and depth of experience<br />

which makes it much more than merely<br />

child-like".<br />

Wallis died in 1942, having spent the last<br />

few years of his life in the workhouse in<br />

Madron but living as a celebrity with his<br />

work exhibited in London.<br />

£6000 - 9000<br />

1111<br />

Vernon de Beauvoir Ward<br />

(1905-1985)<br />

"Portrait of a Lady", after the painting by<br />

Lord Leighton<br />

Signed and dated 1942, inscribed verso,<br />

oil on canvas board, 17.5cm by 14cm<br />

**Born in Hampstead, the son of artist<br />

Albert Ward. Studied art at the Slade<br />

School. Elected an associate of the Royal<br />

Society of British <strong>Art</strong>ist in 1926 and<br />

exhibited at the Royal Society and the<br />

Royal Institute of Oil Painters.<br />

£150 - 200<br />

1112<br />

Vernon de Beauvoir Ward<br />

(1905-1985)<br />

Two gulls on a beach<br />

Signed and indistinctly dated, oil on board,<br />

15cm by 18.5cm, unframed<br />

£500 - 600<br />

1113<br />

Vernon de Beauvoir Ward<br />

(1905-1985)<br />

"The Garden at Sudbrook - 1941"<br />

Signed, inscribed and dated verso, oil on<br />

board, 21.5cm by 15cm, unframed<br />

£300 - 400<br />

1114<br />

Vernon de Beauvoir Ward<br />

(1905-1985)<br />

"Sudbrook House"<br />

Signed, inscribed verso, oil on board,<br />

21.5cm by 15.5cm, unframed<br />

**It was at Sudbrook House the artist<br />

convalesced when he suffered a severe<br />

breakdown<br />

£300 - 400<br />

1115<br />

Vernon de Beauvoir Ward<br />

(1905-1985)<br />

"Seagulls, Looe Harbour"<br />

Inscribed verso, oil on board, 15cm by<br />

21.5cm, unframed<br />

£300 - 400<br />

1116<br />

William Edward Ware (1915-1997)<br />

"A Bend in the Road"<br />

Inscribed and titled on a plaque, oil on<br />

board, 38cm by 46cm<br />

£250 - 350<br />

1117<br />

Charles Wyatt Warren (1908-1993)<br />

Welsh mountainous landscape<br />

Signed, oil on board, 30cm by 76.5cm<br />

£500 - 600<br />

1118<br />

Lucy M. Wiles (1920-2008)<br />

Young black girl kneeling in a field, a pig<br />

nearby<br />

Signed, pencil and watercolour, 34.5cm by<br />

47.5cm<br />

£200 - 300


1119<br />

Norman Wilkinson CBE, PRI, ROI,<br />

RSMA, HRWS (1878-1971)<br />

Bamburgh Castle<br />

Signed, oil on canvas board, 30cm by<br />

40cm<br />

£500 - 700<br />

1120<br />

Norman Wilkinson CBE, PRI, ROI,<br />

RSMA, HRWS (1878-1971)<br />

St Paul's from the Thames<br />

Signed, oil on canvas board, 30cm by<br />

40cm<br />

£600 - 800<br />

1121<br />

Christopher Wood (b.1962)<br />

Wooded valley with hills beyond<br />

Signed with the artist's initials and dated<br />

1998, oil/acrylic on canvas, 91.5cm by<br />

86.5cm<br />

£500 - 700<br />

1122<br />

Theodore Zimmerman (b.1937)<br />

"Jersey"<br />

Signed and inscribed, pastel drawing,<br />

18.5cm by 15cm<br />

£300 - 350<br />

1123<br />

Doris Zinkeisen (1898-1991)<br />

"Costume Designed for Review worn by a<br />

Chorus of Eight Girls";<br />

"Costume Design used by a Chorus of<br />

Twenty Four Girls"<br />

Inscribed on the mount, pencil and<br />

watercolour heightened with white, each<br />

49.5cm by 35.5cm (pair)<br />

£300 - 400<br />

Decorative <strong>Art</strong> & Modern Design<br />

1124<br />

A William Moorcroft Macintyre Florian<br />

Ware Vase, circa 1902, tubelined with<br />

yellow flowers, on a blue ground, printed<br />

brown factory mark and green painted<br />

monogram and des, painted M1639 and B,<br />

10cm<br />

£300 - 500<br />

1125<br />

A William Moorcroft Leaf and Grape<br />

Pattern Vase, on a blue/green wash<br />

ground, impressed factory marks and H.M<br />

THE QUEEN, facsimile signature and green<br />

painted monogram, 15cm<br />

£250 - 350<br />

1126<br />

A William Moorcroft Pansy Pattern<br />

Vase, circa 1920's/30's, on a dark blue<br />

ground, impressed factory marks and 18,<br />

blue painted monogram, 15.5cm<br />

(restored)<br />

£120 - 180<br />

1127<br />

A William Moorcroft Pansy Pattern<br />

Vase, circa 1920's/30's, on a dark blue<br />

ground, impressed factory marks with<br />

POTTER TO H.M. THE QUEEN and<br />

facsimile signature, blue painted<br />

monogram, 15cm (restored)<br />

£150 - 200<br />

1128<br />

A Matched Pair of William Moorcroft<br />

Pomegranate Pattern Vases, on a blue<br />

ground, impressed factory mark and green<br />

painted signature, 20.5cm and 21cm<br />

£500 - 700


1129<br />

A William Moorcroft Leaf and Grape<br />

Pattern Vase, circa 1928-35, on a blue<br />

ground, impressed factory marks with<br />

facsimile signature and blue painted<br />

monogram, 22.5cm<br />

£250 - 350<br />

1130<br />

A William Moorcroft Macintyre<br />

Revived Cornflower Pattern Vase,<br />

circa 1910, against a mottled green/blue<br />

ground, brown printed Macintyre mark,<br />

green painted signature and impressed<br />

348, 15cm (restored rim)<br />

£400 - 600<br />

1131<br />

A William Moorcroft Eventide<br />

Landscape Pattern Vase, circa 1925,<br />

swollen form, blue painted monogram,<br />

impressed factory mark and 74, 13cm<br />

(foot rim chips)<br />

£350 - 450<br />

1132<br />

A William Moorcroft Flambé Orchid<br />

Pattern Vase, impressed factory marks,<br />

11.5cm<br />

£450 - 550<br />

1133<br />

A Walter Moorcroft Flambé Anemone<br />

Pattern Vase, impressed factory marks,<br />

facsimile signature and POTTER TO H.M<br />

THE QUEEN, 13cm<br />

£300 - 500<br />

1134<br />

A William Moorcroft Dawn Landscape<br />

Footed Bowl, circa 1928, matt glaze,<br />

chevron border, impressed factory marks<br />

and blue painted signature, 15cm high<br />

(restored)<br />

£300 - 400<br />

1135<br />

A William Moorcroft Moonlit Blue<br />

Landscape Pattern Vase, circa 1925,<br />

swollen shoulders, blue painted<br />

monogram, impressed factory mark and<br />

681, 9.5cm<br />

£400 - 600<br />

1136<br />

A William Moorcroft Flambé Leaf<br />

Pattern Squat Vase, impressed factory<br />

marks and POTTER TO H.M THE QUEEN,<br />

facsimile signature and blue painted<br />

signature, 15cm (restored)<br />

£200 - 300<br />

1137<br />

A William Moorcroft Moonlit Blue<br />

Landscape Pattern Dish, circa 1925,<br />

impressed factory marks and numbers,<br />

11cm diameter<br />

£250 - 350<br />

1138<br />

A Walter Moorcroft Flambé Anemone<br />

Pattern Vase, circa 1950, impressed<br />

factory marks and blue painted<br />

monogram, 22cm<br />

£300 - 500<br />

1139<br />

A Walter Moorcroft Anemone Pattern<br />

Vase, on a blue ground impressed factory<br />

marks and POTTER TO H.M THE QUEEN,<br />

blue painted monogram, 25cm<br />

£300 - 400<br />

1140<br />

A Walter Moorcroft Spring Flowers<br />

Pattern Ginger Jar and Cover, circa<br />

1947-57, on a blue/green wash ground,<br />

impressed factory marks and blue painted<br />

monogram, 16cm<br />

£150 - 250


1141<br />

A Modern Moorcroft Torridon Pattern<br />

Vase, designed by Philip Gibson,<br />

impressed and painted factory marks,<br />

impressed 2004 octagon, painted by Kerri<br />

Hopkinson, tubelined by Gillian Johnson,<br />

21cm<br />

£150 - 200<br />

1142<br />

A William Moorcroft Anemone<br />

Pattern Twin-Handled Vase, on a blue<br />

ground, impressed factory marks and H.M<br />

THE QUEEN, facsimile signature and green<br />

painted signature, 20cm<br />

£600 - 900<br />

1143<br />

A Pair of S Hancock & Sons<br />

Morrisware Vases, designed by<br />

George Cartlidge, model no.C17-6,<br />

tubeline decorated with flowers and foliage<br />

in shades of red, purple, green and blue<br />

on a mottled green ground, printed factory<br />

marks, green signature and C17-6, 30.5cm<br />

high<br />

£400 - 600<br />

1144<br />

A Sunflower Pottery Vase, by Sir<br />

Edmund Elton, the long neck with flaring<br />

pinched rim, applied with flowers and<br />

foliage in colours on a marbled green and<br />

salmon ground, painted Elton mark,<br />

17.5cm high<br />

£100 - 150<br />

1145<br />

A Miniature Stoneware Owl, by Alfred<br />

G Hopkins, glazed in tones of blues and<br />

browns, signed A G Hopkins 1928<br />

Lambeth, 7.5cm<br />

£100 - 200<br />

1146<br />

A Doulton Lambeth Stoneware Vase,<br />

by Hannah B Barlow, incised with stags<br />

and doe, within incised and applied<br />

borders, impressed factory marks and<br />

1881, incised artist's monogram and 271,<br />

impressed dO (Lizzie Marie Daintree),<br />

incised JN (Josephine E.Newnham) and<br />

HEH (Harriett E.Hibbut) 28cm<br />

£600 - 900<br />

1147<br />

A Doulton Lambeth Stoneware Vase,<br />

by Edith D.Lupton, with incised stylised<br />

foliate decoration, on a blue ground,<br />

impressed factory marks and 1888, incised<br />

artist's monogram, impressed h, incised pp<br />

and RB, 30cm<br />

£500 - 700<br />

1148<br />

A Royal Doulton Stoneware Vase, by<br />

Vera Huggins, painted with blue iris, on<br />

a green and blue ground, impressed<br />

factory marks, painted artist's monogram,<br />

impressed 9597 V16 and BW, incised LP<br />

and JH, 27cm<br />

£300 - 400<br />

1149<br />

A Royal Doulton Sung Vase, by<br />

Charles Noke, of lobed ovoid form,<br />

printed factory mark, painted script SUNG,<br />

incised 925, signed Noke, painted FM<br />

(Fred Moore) monogram, 18cm<br />

£600 - 900<br />

1150<br />

A Royal Doulton Chinese Jade<br />

Elephant Dish/Salt, by Harry Nixon and<br />

Charles Noke, modelled with an elephants<br />

head to each corner, veined green<br />

markings, printed factory mark and<br />

painted Noke Chinese Jade and HN<br />

monogram, impressed 1.1.29, 10cm by<br />

10cm, 4.5cm high<br />

£250 - 350


1151<br />

A Royal Doulton Figure "Pierrot",<br />

HN643, designed by Leslie Harradine,<br />

modelled as a female clown in black, red<br />

and white harlequin costume, green<br />

printed factory mark and green painted<br />

PieRRette Potted by Doulton & Co Hn.643,<br />

impressed numbers, 18cm<br />

£600 - 800<br />

1152<br />

A Royal Doulton Flambé Dolphin "The<br />

Leap", designed by Adrian Hughes, issued<br />

1983, printed factory marks, impressed<br />

numbers, 22.5cm<br />

£200 - 300<br />

1153<br />

A Wedgwood Fairyland Lustre Imps<br />

on a Bridge and Tree House Pattern<br />

2465 Vase, circa 1920s, pattern<br />

number Z4968, designed by Daisy<br />

Makeig-Jones, foot on a blue lustre<br />

ground, gilt Portland Vase mark, painted<br />

Z4968 and j, incised shape number 2465,<br />

42.5cm (restored chip to foot rim)<br />

£3000 - 5000<br />

1154<br />

A Wedgwood Fairyland Lustre Castle<br />

on a Road Pattern 2442 Vase, circa<br />

1920s, pattern number Z5125,<br />

designed by Daisy Makeig-Jones, gilt<br />

Portland Vase mark, painted Z5125 and i,<br />

19.5cm<br />

£3000 - 4000<br />

1155<br />

A Wedgwood Fairyland Lustre<br />

Torches Pattern 3177 Cylindrical<br />

Vase, circa 1920s, pattern number<br />

Z4968, designed by Daisy<br />

Makeig-Jones, foot on a blue lustre<br />

ground, gilt Portland Vase mark, painted<br />

Z4968 and i, incised shape number 3177,<br />

29cm<br />

See de Fountains (Una), Wedgwood<br />

Fairyland Lustre, New York, 1975, p.107,<br />

plate 18a for a similar vase<br />

£2000 - 3000<br />

1156<br />

A Wedgwood Fairyland Lustre<br />

Woodland Bridge and Poplar Trees<br />

Pattern Punch Bowl, circa 1920s,<br />

pattern number Z4968, designed by<br />

Daisy Makeig-Jones, gilt Portland Vase<br />

mark, painted Z4968 and i, 28cm (11")<br />

**See de Fountains (Una), Wedgwood<br />

Fairyland Lustre, New York, 1975, page<br />

112, plate 19 for a similar bowl<br />

£1500 - 2000<br />

1157<br />

A Wedgwood Fairyland Lustre Fairy<br />

Gondola Pattern Lily Tray, circa<br />

1920s, pattern number Z4968,<br />

designed by Daisy Makeig-Jones, gilt<br />

Portland Vase mark, 33cm (13")<br />

£1000 - 2000<br />

1158<br />

A Wedgwood Moonlight Fairyland<br />

Lustre Imps on a Bridge Pattern 3177<br />

Cylindrical Vase, circa 1920s, pattern<br />

number Z5462, designed by Daisy<br />

Makeig-Jones, gilt Portland Vase mark,<br />

painted Z5462 and i, incised shape<br />

number 3177, 29cm (restored foot)<br />

£800 - 1200<br />

1159<br />

A Wedgwood Fairyland Lustre<br />

Leapfrogging Elves and Elves on a<br />

Branch Pattern Antique Bowl, circa<br />

1920s, pattern number Z4968,<br />

designed by Daisy Makeig-Jones, gilt<br />

Portland Vase mark, painted Z4968 and T,<br />

12cm diameter<br />

£600 - 800


1160<br />

A Wedgwood Fairyland Lustre Castle<br />

on a Road and Bird in a Hoop Pattern<br />

Octagon Bowl, circa 1920s, pattern<br />

number Z5125, designed by Daisy<br />

Makeig-Jones, gilt Portland Vase mark,<br />

painted Z5125, 18.5cm<br />

£1200 - 1800<br />

1161<br />

A Wedgwood Fairyland Lustre Fairy in<br />

a Cage and Castle on a Road Pattern<br />

Octagon Bowl, circa 1920s, pattern<br />

number Z5125, designed by Daisy<br />

Makeig-Jones, gilt Portland Vase mark,<br />

painted Z5125, 23cm (9") (restored crack)<br />

£300 - 500<br />

1162<br />

Eric Ravilious for Wedgwood "Boat<br />

Race Day", 1975, An Earthenware<br />

Bowl, externally decorated with three<br />

panels depicting different stages of the<br />

race together with a fourth panel depicting<br />

a mermaid and crossed oars motif, the<br />

centre of the bowl decorated with an<br />

image of Piccadilly Circus at night, printed<br />

Designed by Eric Ravillious, WEDGWOOD<br />

MADE IN ENGLAND, painted in red<br />

CL6263, 12" diameter<br />

**The original Harvard bowl 14" was<br />

issued in 1938. In 1975 this 12" diameter<br />

bowl was reissued in a limited edition of<br />

200.<br />

£300 - 500<br />

1163<br />

A Clarice Cliff "Winston Churchill"<br />

Toby Jug, circa 1940, modelled as the<br />

First Sea Lord seated on a bulldog and<br />

holding a battleship, inscribed around the<br />

base with GOING INTO ACTION AND MAY<br />

GOD DEFEND THE RIGHT, printed Royal<br />

Staffordshire Pottery mark and Clarice<br />

Cliff, hand-painted No. 92, 29cm<br />

£500 - 800<br />

1164<br />

A Clarice Cliff Bizarre Blue Japan<br />

Pattern Dessert Set, comprising<br />

octagonal bowl and four side bowls,<br />

printed and impressed factory marks,<br />

octagonal bowl 22.5cm (5)<br />

£180 - 220<br />

1165<br />

A Clarice Cliff Blue Chinz Pattern<br />

Conical Sugar Sifter, printed factory<br />

marks, 14cm<br />

£200 - 300<br />

1166<br />

Edmund de Waal (b.1964): A<br />

Porcelain Bowl, celadon crackle with<br />

green glazed handles, impressed seal,<br />

21cm across<br />

**Purchased from a gallery in Beverley,<br />

East Yorkshire.<br />

£300 - 500<br />

1167<br />

Takeshi Yasuda (Japanese, b.1943):<br />

A Stoneware Charger, circa 1970's,<br />

ash glaze with slip decoration, unmarked,<br />

37cm wide<br />

£200 - 300<br />

1168<br />

Katharine Pleydell-Bouverie<br />

(1895-1985): A Stoneware Bowl,<br />

circa 1930's, ash celadon glaze,<br />

impressed KPB seal, 9cm<br />

£120 - 150<br />

1169<br />

Jim Malone (b.1946): A Porcelain<br />

Bowl, painted in blue with fish, impressed<br />

JM and Burnby Pottery seal, 17cm<br />

diameter<br />

£100 - 150


1170<br />

Jim Malone (b.1946): A Stoneware<br />

Bowl, ash glaze with nuka and brushwork<br />

decoration, impressed JM and Ainstable<br />

Pottery seal, 22cm diameter<br />

£100 - 150<br />

1171<br />

Jim Malone (b.1946): A Stoneware<br />

Bowl, tenmoku glaze with copper oxide<br />

decoration, impressed JM and Burnby<br />

Pottery seal, 25.5cm diameter<br />

£100 - 150<br />

1172<br />

Adam Frew (b.1981): A Porcelain<br />

Baluster Vase, painted with red roses on<br />

a glazed and unglazed body, impressed AF<br />

seal, 28cm with booklet<br />

£100 - 150<br />

1173<br />

Micki Schloessingk (British, b.1949):<br />

Two Stoneware Faceted Vases,<br />

unmarked, 14cm and 15cm; Two Others,<br />

one with M seal, 9cm and 13cm; and A<br />

Poole Pottery Ruskin Vase and Cover,<br />

designed by Karen R Ford for the V&A,<br />

glazed in red and mauve, printed marks<br />

and paper label, 33cm (5)<br />

£100 - 150<br />

1174<br />

A Dartington Pottery Harbour<br />

Stoneware Charger, impressed factory<br />

mark and inscribed SUMMER HOLIDAYS<br />

SUE FISHER 2011 240/871, 43cm<br />

£100 - 150<br />

1175<br />

René Lalique: Victoire No.1147 A<br />

Clear and Frosted <strong>Glass</strong> Car Mascot,<br />

moulded R Lalique France, mounted in a<br />

chromium plated metal mount from and<br />

stamped BREVES GALLERIES<br />

KNIGHTSBRIDGE S.W.3 PAT.No. 309301,<br />

26cm long<br />

**The vendor's great uncle Ernest Pearson<br />

was the chauffeur for Sir Thomas Willans<br />

Nussey, 1st Baronet (1868-1947) and Lady<br />

Nussey of Rushwood Hall, East Tanfield,<br />

North Yorkshire and was given the mascot.<br />

Thought to have been on an Austin 7 (YG<br />

1024) and photographed on a Daimler<br />

(KUM 520).<br />

£15000 - 20000<br />

1176<br />

A René Lalique Domremy Frosted and<br />

Blue Stained No.979 <strong>Glass</strong> Vase, ovoid<br />

form with short cylindrical neck and<br />

everted rim, moulded in relief with thistles,<br />

etched mark R Lalique France No.979,<br />

22cm<br />

£500 - 700<br />

1177<br />

A René Lalique Opalescent, Clear,<br />

Frosted <strong>Glass</strong> Piriac Vase, No. 1043,<br />

designed 1930, moulded around the base<br />

with a horizontal band of fish above<br />

waves, with everted rim, 18cm (scratched<br />

and chips)<br />

£400 - 600<br />

1179<br />

A René Lalique Poissons Opalescent<br />

<strong>Glass</strong> Bowl, the underside moulded in<br />

relief with spiralling fish, moulded R<br />

LALIQUE, 21cm<br />

£150 - 250


1180<br />

A René Lalique Lucerne No.1 Clear<br />

and Frosted <strong>Glass</strong> Plate, No. 10-3052,<br />

moulded with ears of wheat, etched<br />

R.LALIQUE, 31.5cm<br />

£100 - 150<br />

1181<br />

A Lalique Dampierre Clear and<br />

Frosted <strong>Glass</strong> Vase, moulded with a<br />

frieze of birds between leaves, engraved<br />

LALIQUE FRANCE, 12cm<br />

£200 - 300<br />

1182<br />

A Murano Sculpture, by Angeli e<br />

Diavoli, for Silvio Vigliaturo, abstract<br />

head in orange, yellow and blues, with<br />

silver insulation, labelled Angeli e Diavoli<br />

(arancio/argento) Vigliaturo Silvio Anno<br />

2000 N.Unico, signed Angeli e Diavoli and<br />

Vigliaturo, 62cm<br />

£400 - 600<br />

1183<br />

A Large Whitefriars Textured<br />

Drunken Bricklayer Vase, designed by<br />

Geoffrey Baxter, in meadow green,<br />

pat.no.9672, unmarked, 33.5cm<br />

£300 - 400<br />

1184<br />

An Isle of Wight Studio <strong>Glass</strong> Blue<br />

Fish/Lollipop Vase, by Timothy Harris,<br />

signed Timothy Harris Isle of Wight <strong>Glass</strong><br />

England 2009, and labelled, 23cm<br />

£150 - 200<br />

1185<br />

A Modern Stuart Akroyd <strong>Glass</strong> Bowl,<br />

banded in blue, purple, and pink with<br />

bubble cut decoration, signed Stuart<br />

Akroyd, 44.5cm<br />

£100 - 150<br />

1186<br />

Johann Philipp Ferdinand Preiss<br />

(German 1882-1943): "Sonny Boy"<br />

and "Hoop Girl", A Pair of Cold<br />

Painted Bronze and Tinted Ivory<br />

Figures, model numbers 1179 and 1123,<br />

modelled as a young girl with a hoop and<br />

a boy with book, on green onyx bases,<br />

both signed F Preiss, 21cm (2)<br />

**Literature: Shayo (Alberto) Ferdinand<br />

Preiss, <strong>Art</strong> Deco Sculptor The fire and the<br />

flame, Suffolk, 2005, p.130.<br />

£2000 - 3000<br />

1187<br />

Johann Philipp Ferdinand Preiss<br />

(German 1882-1943): "Flute Player",<br />

A Cold Painted Bronze and Tinted<br />

Ivory Figure, model number 1141,<br />

modelled as a striding male, on a green<br />

onyx and marble rectangular base, signed<br />

F Preiss, 45cm<br />

**Literature: Shayo (Alberto) Ferdinand<br />

Preiss, <strong>Art</strong> Deco Sculptor The fire and the<br />

flame, Suffolk, 2005, p.184.<br />

£3000 - 4000<br />

1188<br />

Demetre H Chiparus (Romanian,<br />

1888-1950): A Silvered Patina Bronze<br />

and Ivory Group, modelled as a girl<br />

leapfrogging a boy, on a stepped circular<br />

green onyx base, base engraved D H<br />

Chiparus, 26cm<br />

£3000 - 4000<br />

1189<br />

After D H Chiparus: "Feeding" A<br />

Patinated Bronze Group, modelled as a<br />

young woman kneeling feeding grapes to<br />

a parrot who rests on her outspread hand,<br />

signed in the cast D.H.CHIPARUS, on a<br />

rectangular base with plaque<br />

D.H.CHIPARUS, 33cm high, 47cm long<br />

£300 - 500


1190<br />

Josef Lorenzl (1892-1950): A Silvered<br />

and Cold-Painted Bronze Figure, circa<br />

1925, modelled as a dancer, standing on<br />

one leg, signed in cast LORENZL, on a<br />

black and green onyx base, 21.5cm<br />

(damaged)<br />

£200 - 300<br />

1191<br />

A French <strong>Art</strong> Deco Gilt and Silvered<br />

Spelter Figural Lamp, modelled as a<br />

young woman, with arms outstretched<br />

holding a frosted glass globe shade, on a<br />

stepped onyx base, the shade signed<br />

Müller Frères Lunéville, 42cm<br />

£200 - 300<br />

1192<br />

Charles Marsh Web (Nash) Gilbert<br />

(Australian, 1867-1925):<br />

A Bronze Nude Bust,<br />

Signed in the cast C M W Gilbert and<br />

dated 1916, 22cm<br />

**Australian sculptor Charles Web Gilbert<br />

began his career as a pastry chef.<br />

Encouraged by his skill in making cake<br />

decorations, he began to study fine art. He<br />

lived in London from 1914-20.<br />

£2000 - 3000<br />

1193<br />

Sir William Reid Dick (Scottish,<br />

1879-1961):<br />

A Group of Motherhood, the mother<br />

kissing the baby on her knee, plaster,<br />

unsigned, 26.5cm on an ebonised plinth<br />

**Bronze cast sold at Sotheby's, London,<br />

1st June 1994, lot 181.<br />

£400 - 600<br />

1194<br />

Constantin Meunier (Belgian,<br />

1831-1905):<br />

"Le Marteleur", circa 1890, plaster,<br />

signed C Meunier, 51cm (damages)<br />

£300 - 500<br />

1195<br />

An <strong>Art</strong> Nouveau Alabaster Bust of a<br />

Nude Maiden, emerging from a rock,<br />

with long wavy hair, numbered to verso<br />

4717 over 75, 34cm<br />

£200 - 300<br />

1196<br />

A 20th Century Bronze Abstract<br />

Geometrical Sculpture, cast as two<br />

crossing knots, unsigned, on a square<br />

slate base, 20cm<br />

£300 - 400<br />

1197<br />

Duncan MacGregor (b.1961): ,<br />

"Dancing Sails", A Bronze Sculpture,<br />

signed in cast DMAC and numbered 11/49,<br />

on a black marble base, 52cm in<br />

DeMontfort <strong>Fine</strong> <strong>Art</strong> packing crate<br />

£300 - 500<br />

1198<br />

Rolf Harris (b.1930) Australian<br />

"Intuition"<br />

A bronze sculpture, Edition No.32/595,<br />

signed in the bronze ROLF, stamped<br />

foundry mark and numbered 32/595,<br />

29cm boxed with certificate<br />

£300 - 500<br />

1199<br />

Peter Adderley (b.1965):<br />

"Pussy Galore"<br />

A Cold Cast Porcelain Sculpture, Edition<br />

No.4/195, signed in the cast Peter<br />

Adderley, and numbered in gold pen<br />

4/195, 38cm<br />

£100 - 150


1200<br />

Loet Vanderveen (Dutch, b.1921):<br />

"Cheetah Pair - 183", A Silvered<br />

Bronze Group, modelled as two cheetahs<br />

nose to nose, signed LOET 468/750, 35cm<br />

long with certificate<br />

£300 - 400<br />

1201<br />

Sir Eduardo Paolozzi (1924-2005)<br />

Elephant Prototype, for Nairn Floors<br />

Ltd, 1972, grey plastic moulded sculptural<br />

box, unmarked, 30cm high<br />

**The vendor's husband was the late<br />

Keith Powell. Keith was an industrial<br />

engineer/designer for the plastics industry,<br />

designing the first plastics toilet cistern.<br />

Later he did freelance work including the<br />

chimpanzee egg cups for P.G Tips.<br />

Through Doug Maxwell Ltd, he worked<br />

with Paolozzi to make his concept of the<br />

elephant possible to be moulded in<br />

plastics.<br />

The elephant was made in a numbered<br />

edition of 3000 for selected architects.<br />

£700 - 1000<br />

1202<br />

Sir Eduardo Luigi Paolozzi<br />

(1924-2005)<br />

Man's Head<br />

Signed and dated 1952 in pencil, from an<br />

unnumbered edition, published by the<br />

Redfern Gallery, colour lithograph, 51cm<br />

by 36cm<br />

(V&A catalogue, Miles, 4)<br />

£200 - 300<br />

1203<br />

"Pomegranate": A Framed Panel of<br />

Woven-Wool Fabric, by Morris & Co.,<br />

woven in red and green, with loose label<br />

MORRIS & COMPANY DECORATORS, LTD<br />

440, Oxford Street, London, W No 1/400<br />

Wool Pomegranate Tup Colours Red &<br />

Green Width 52 wicks Price 19/6 per yard<br />

PLEASE RETURN ALL PATTERNS 481, 4'<br />

(122cm) wide, 2' 1 1/2" (65cm) high<br />

(framed by Gallery 181)<br />

£300 - 500<br />

1204<br />

"Violet and Columbine": A Framed<br />

Panel of Woven-Wool Fabric, by<br />

Morris & Co., woven in pink and green,<br />

unmarked, 2' 8" (82cm) wide, 2'11 1/2"<br />

(90cm) high<br />

£200 - 300<br />

1205<br />

"Bird": A Pair of Jacquard<br />

Woven-Wool Fabric Curtains, designed<br />

by William Morris, woven in reds, pink and<br />

light green, 6' (183cm) wide, 81" (206cm)<br />

high<br />

**See Parry (Linda) William Morris,<br />

London 1996 (V&A Exhibition) p.270 in a<br />

different colour way.<br />

£200 - 300<br />

1206<br />

Omar Ramsden and Alwyn Carr: A<br />

Silver Five Piece Dressing<br />

Table/Brush Set, the backs with dog<br />

rose decoration and mounted with ball<br />

motifs to front and back, comprising<br />

mirror, pair of hair brushes, two clothes<br />

brushes, maker's mark RN & CR, London<br />

1910/13, length of mirror 33cm in a<br />

modern fitted box<br />

£1000 - 1500


1207<br />

Archibald Knox (1864-1933) for<br />

Liberty & Co., An English Pewter and<br />

Enamel Inkwell, Model No.0141, the<br />

square cover mounted with a lilac enamel<br />

panel, beaten effect base, stamped 9<br />

ENGLISH PEWTER 0141 MADE IN<br />

ENGLAND, 15cm square, 10cm high<br />

£350 - 450<br />

1208<br />

Archibald Knox (1864-1933) for<br />

Liberty & Co., A Pewter Inkwell, Model<br />

No.0141, embossed with stylised celtic<br />

motifs, stamped TUDRIC 0141, 15.5cm<br />

square, 8cm high<br />

£150 - 250<br />

1209<br />

Archibald Knox (1864-1933) for<br />

Liberty & Co., A Pewter Twin-Handled<br />

Vase, Model No.010, covered by stems<br />

honesty and verse FOR OLD TIMES SAKE,<br />

stamped TUDRIC 010, 20cm high<br />

£250 - 350<br />

1210<br />

A Pair of Ecclesiastical Brass<br />

Candlesticks, the sconces with trefoil<br />

gallery, on a spiral fluted stem and<br />

stepped circular base, unmarked, 52.5cm<br />

£100 - 150<br />

1211<br />

A Pair of W.A.S Benson Gilt Metal<br />

Two-Branch Wall Sconces, the arched<br />

stems with cast leaf decoration, both<br />

stamped to the back of a leaf BENSON and<br />

numbered 1 & 2 L, 41cm high<br />

**Literature: Hamerton (Ian) W.A.S<br />

Benson <strong>Art</strong>s and Crafts Luminary and<br />

Pioneer of Modern Design, Antique<br />

Collector's Club, page 258 plate 9<br />

No.1302.<br />

£500 - 700<br />

1212<br />

An Aesthetic Movement Mahogany<br />

Mantel Clock, by J W Benson, the case<br />

with turned pillars, mounted with floral<br />

embossed plaques, the eight day<br />

movement half hour striking on a gong<br />

stamped J.W.B 23039, with white enamel<br />

dial painted in blue with stylised Arabic<br />

numerals in double ring cartouches, signed<br />

J.W.BENSON 25. OLD Bond Street<br />

LONDON, 32.5cm<br />

£300 - 400<br />

1213<br />

An <strong>Art</strong>s & Crafts Mirror, the rectangular<br />

pewter frame, embossed with dragons and<br />

riveted decoration, mounted with six<br />

Ruskin pottery blue cabochons, unmarked,<br />

102cm by 68cm<br />

£400 - 600<br />

1214<br />

An <strong>Art</strong>s & Crafts Hammered Copper<br />

and Pewter Mantel Clock, with domed<br />

top above a 11cm pewter face with<br />

two-train movement signed D.C. Co.,<br />

riveted decoration, mounted with a plaque<br />

embossed with TEMPUS FUGIT, arched<br />

base, 46cm<br />

£300 - 500<br />

1215<br />

An <strong>Art</strong>s & Crafts Mirror, the oval beaten<br />

brass frame with four Ruskin pottery pink<br />

roundles within riveted mounts, unmarked,<br />

38cm by 29.5cm<br />

£100 - 200<br />

1216<br />

An <strong>Art</strong>s & Crafts Copper Cased Mantel<br />

Clock, of square form, with silvered dial,<br />

the case with embossed stylised roses and<br />

riveted design, domed top, unmarked,<br />

18cm<br />

£150 - 250


1217<br />

Scottish School: An <strong>Art</strong>s & Crafts<br />

Brass Mirror, circa 1900, the oval frame<br />

decorated with Celtic knotwork and<br />

embossed roundels, unmarked, 57cm by<br />

82cm<br />

£200 - 300<br />

1218<br />

A German Jugendstil Brass Lamp, in<br />

the style of Eichberg, the trefoil stand<br />

supporting a dome jewel inset shade,<br />

raised on a pierced base, unmarked, 48cm<br />

high<br />

£300 - 400<br />

1219<br />

A Jugendstil Oak and Metal Mounted<br />

Mantel Clock, arched top, over an<br />

embossed brass 14.5cm Arabic dial, above<br />

a variegated glass panel, with a German<br />

14 day striking movement, 36.5cm high<br />

£200 - 300<br />

1220<br />

A Pair of French <strong>Art</strong> Deco Frosted<br />

<strong>Glass</strong> "Basket of Flowers"<br />

Chandeliers, each with four moulded<br />

frosted floral glass shades, moulded<br />

signature Degue, 32cm in silvered metal<br />

frames suspended from chains with square<br />

ceiling covers, 75cm deep<br />

£300 - 500<br />

1221<br />

A Contemporary <strong>Art</strong>s & Crafts Silver<br />

Three-Piece Tea Service, by The Guild<br />

of Handicrafts, London 1988,<br />

comprising teapot, milk jug and sugar<br />

bowl, each with hammered footed ovoid<br />

bodies, teapot with rosewood handle and<br />

finial, maker's mark GofH, London 1988,<br />

teapot 17cm, milk jug 10cm, sugar bowl<br />

7.5cm, approx 37oz gross; and A<br />

Contemporary <strong>Art</strong>s & Crafts Silver<br />

Spoon, by The Guild of Handicrafts,<br />

London 1976, seal-top with fig-shaped<br />

hammered bowl, 15cm, 1oz (4)<br />

£1000 - 1500<br />

1222<br />

A Mappin & Webb Silver-Gilt Cruet,<br />

maker's mark MN & WB, Birmingham<br />

1972, with textured band, comprising a<br />

salt and pepper mill, open salt with blue<br />

glass liner and one spoon, by Deakin and<br />

Francis Ltd, mills 7cm, 7oz (cased)<br />

£350 - 450<br />

1223<br />

A Silver Egg Cup, designed by Sidney<br />

Beddall, plain polished with circular<br />

banded feet with light bark effect textured<br />

surface, Sheffield 1971, also impressed<br />

DESIGNED HAND MADE BY S.BEDDALL,<br />

5.5cm; Barbara Miles of Kendal Silver,<br />

comprising two spoons, candle snuffer and<br />

a pin tray, all with maker's mark,<br />

Edinburgh 1979,80,84 and 86, 6ozs.; and<br />

A Group of Keswick School of<br />

Industrial <strong>Art</strong>s and Borrowdale<br />

Staybrite Steel (qty)<br />

£150 - 200<br />

1224<br />

A Robert "Mouseman" Thompson Oak<br />

6' Open Bookcase, solid ends and<br />

panelled back, raised upstand, the upper<br />

section with four adjustable shelves, above<br />

an open lower section, with carved mouse<br />

signature, 84cm by 32cm by 183cm<br />

£1000 - 1500


1225<br />

A Robert "Mouseman" Thompson Oak<br />

4' Open Bookcase, solid ends and<br />

panelled back, raised upstand, three<br />

adjustable shelves, with carved mouse<br />

signature, 84cm by 25.5cm by 122cm<br />

£600 - 900<br />

1226<br />

A Robert "Mouseman" Thompson Oak<br />

4' Open Bookcase, solid ends and<br />

panelled back, raised upstand, four<br />

adjustable shelves, with carved mouse<br />

signature, 83cm by 26cm by 122cm<br />

£600 - 900<br />

1227<br />

A Robert "Mouseman" Thompson<br />

Panelled Oak Kneehole Dressing<br />

Table, with raised upstand above three<br />

graduating drawers to each side of the<br />

kneehole, on six octagonal feet, with<br />

carved mouse signature, 137cm wide,<br />

51cm deep, 74.5cm high<br />

£1500 - 2500<br />

1228<br />

A Robert "Mouseman" Thompson Oak<br />

Wing Mirror, the centre with an arched<br />

top, all with castellated top, with carved<br />

mouse signature, 79cm high, 119.5cm<br />

long<br />

£400 - 600<br />

1229<br />

A Robert "Mouseman" Thompson<br />

Panelled Oak Blanket Box, on four<br />

octagonal and block feet, with carved<br />

mouse signature, 137cm by 39cm, 46cm<br />

high with price list<br />

£700 - 1000<br />

1230<br />

A Robert "Mouseman" Thompson Oak<br />

Rocking Chair, with two lattice panel<br />

back, shaped arms, upholstered blue hide<br />

seat, with carved mouse signature, 96cm<br />

(circa 2002)<br />

£600 - 900<br />

1231<br />

A Pair of Robert "Mouseman"<br />

Thompson Oak Double Wall Light<br />

Brackets, semi-circular design with two<br />

upward facing brass electric light bulb<br />

holders, scalloped edges, with carved<br />

mouse signature, 31.5cm wide<br />

£150 - 250<br />

1232<br />

A Robert "Mouseman" Thompson<br />

Panelled Oak Blanket Box, on four<br />

octagonal and block feet, with carved<br />

mouse signature, 104.5cm by 39.5cm,<br />

46.5cm high<br />

£600 - 900<br />

1233<br />

A Robert "Mouseman" Thompson<br />

Burr Oak 6' Headboard, circa 1930's,<br />

with carved mouse signature, 170cm wide,<br />

93cm high (damaged)<br />

£250 - 300<br />

1234<br />

A Robert "Mouseman" Thompson Oak<br />

Octagonal Coffee Table, on cruciform<br />

base, with carved mouse signature, 48cm<br />

high<br />

£300 - 500<br />

1235<br />

A Robert "Mouseman" Thompson Oak<br />

Book Trough, with carved mouse<br />

signature, 45.5cm long<br />

£70 - 100


1236<br />

A Robert "Mouseman" Thompson<br />

Burr Oak Dish Top Stool, the burr<br />

adzed top on four octagonal legs joined by<br />

stretchers, with carved mouse signature,<br />

41cm by 29cm, 36.5cm high (good colour)<br />

£500 - 700<br />

1237<br />

A Pair of Robert "Mouseman"<br />

Thompson Triple Mice Bookends, each<br />

end carved with three mice, tooled finish,<br />

16.5cm (good colour)<br />

£1200 - 1800<br />

1238<br />

A Robert "Mouseman" Thompson Oak<br />

Mantel Clock, the circular dial with a<br />

carved elephant to each side, with carved<br />

mouse signature, 19cm high, 44cm wide<br />

£700 - 900<br />

1239<br />

Two Robert "Mouseman" Thompson<br />

Oak Ashtrays, of standard rectangular<br />

form, with carved mouse signatures, 10cm<br />

(good colour)<br />

£100 - 150<br />

1240<br />

A Robert "Mouseman" Thompson<br />

Carved Oak Yorkshire Rose, by Stan<br />

Dodds, with carved mouse signature,<br />

15cm<br />

**The late Stan Dodds worked at Kilburn<br />

from the late 1940's to 1993, aged 65, as<br />

a master carver. He carved on a<br />

commission basis, as well as for Malcolm<br />

"Foxman" Pipes and Wilf "Squirrelman"<br />

Hutchinson.<br />

£300 - 400<br />

1241<br />

A 1930's Robert "Mouseman"<br />

Thompson Oak Octagonal Coffee<br />

Table, the top with indented corners and<br />

carved tails, on a cruciform base, with<br />

carved mouse signature, 50cm high<br />

£500 - 700<br />

1242<br />

A Robert "Mouseman" Thompson Oak<br />

Ashtray, of standard rectangular form,<br />

with carved mouse signature, 11cm (good<br />

colour)<br />

£60 - 90<br />

1243<br />

A Robert "Mouseman" Thompson Oak<br />

Double Solid Seat Stool, on four<br />

octagonal legs joined by rails, with carved<br />

mouse signature, 85cm by 37cm, 41cm<br />

£300 - 500<br />

1244<br />

A Robert "Mouseman" Thompson Oak<br />

Table Lamp, of octagonal form on a<br />

square base, with carved mouse signature,<br />

30cm high (circa 1950's)<br />

£100 - 150<br />

1245<br />

A Robert "Mouseman" Thompson Oak<br />

3' Rectangular Coffee Table, on two<br />

octagonal legs, joined by a stretcher at<br />

floor level, with carved mouse signature,<br />

91cm by 37cm, 44cm high<br />

£250 - 350<br />

1246<br />

A Robert "Mouseman" Thompson Oak<br />

Monk's Chair, with curved back and<br />

shaped arms, over three lattice panels, on<br />

four octagonal legs joined by a cross<br />

stretcher, with carved mouse signature,<br />

80cm (2003)<br />

£600 - 900


1247<br />

A Robert "Mouseman" Thompson Oak<br />

Monk's Chair, with curved back and<br />

shaped arms, over three lattice panels, on<br />

four octagonal legs joined by a cross<br />

stretcher, with carved mouse signature,<br />

80cm (2003)<br />

£600 - 800<br />

1248<br />

A Robert "Mouseman" Thompson Oak<br />

Cow Stool, on three tapering octagonal<br />

legs, with carved mouse signature, 35.5cm<br />

£150 - 250<br />

1249<br />

A Robert "Mouseman" Thompson Oak<br />

Fruit Bowl, with tooled exterior, carved<br />

mouse signature to the interior, 27cm<br />

£200 - 300<br />

1250<br />

A Robert "Mouseman" Thompson<br />

Burr Oak Ronson Table Lighter, with<br />

carved mouse signature, 10cm long<br />

£150 - 200<br />

1251<br />

A Robert "Mouseman" Thompson Oak<br />

Cheese Board, with carved mouse<br />

signature on the board, 38cm<br />

£150 - 200<br />

1252<br />

A Robert "Mouseman" Thompson Oak<br />

3' Refectory Coffee Table, on two<br />

octagonal legs joined by a floor stretcher,<br />

with carved mouse signature, 91.5cm by<br />

38cm, 44.5cm high<br />

£350 - 450<br />

1253<br />

A Pair of Robert "Mouseman"<br />

Thompson Oak High Bar Stools, on<br />

four octagonal legs joined by stretchers,<br />

each with carved mouse signature, 72cm<br />

(one mouse damaged)<br />

£800 - 1200<br />

1254<br />

A Robert "Mouseman" Thompson Oak<br />

Cow Stool, on three tapering octagonal<br />

legs, with carved mouse signature, 35.5cm<br />

£100 - 150<br />

1255<br />

A Robert "Mouseman" Thompson Oak<br />

Fruit Bowl, with carved mouse signature<br />

to interior, 30cm diameter; and A Robert<br />

"Mouseman" Thompson Oak Nut<br />

Dish, with carved mouse signature to the<br />

exterior, 15cm (2)<br />

£150 - 250<br />

1256<br />

A Robert "Mouseman" Thompson Oak<br />

Book Trough, with carved mouse<br />

signature, 47cm long<br />

£200 - 300<br />

1257<br />

A Robert "Mouseman" Thompson Oak<br />

Octagonal Coffee Table, on cruciform<br />

base, with carved mouse signature, 47cm<br />

high<br />

£300 - 500<br />

1258<br />

A Robert "Mouseman" Thompson<br />

Bespoke Oak Table Lamp, square<br />

section with tooled finish, inscribed 1908,<br />

with carved mouse signature through a<br />

hole, 19cm (post 1975)<br />

£200 - 300


1259<br />

A Robert "Mouseman" Thompson Oak<br />

Book Trough, with carved mouse<br />

signature, 45cm long<br />

£70 - 100<br />

1260<br />

A Robert "Mouseman" Thompson Oak<br />

Fruit Bowl, with carved mouse signature<br />

to the exterior, 26cm diameter (damaged);<br />

A Pair of Robert "Mouseman"<br />

Thompson Oak Ashtrays, each with<br />

carved mouse signature, 10cm; and A<br />

Robert "Mouseman" Thompson Oak<br />

Horseshoe Pin Dish, with carved mouse<br />

signature, 12cm (4)<br />

£150 - 200<br />

1261<br />

A Pair of Robert "Mouseman"<br />

Thompson Oak Tongue and Groove<br />

Internal Doors, each with recessed<br />

carved mouse signature with front paws,<br />

75cm and 75.5cm wide, 195.5cm high; an<br />

Oak and Glazed Internal Door,<br />

unmarked, 76cm by 196cm; and A<br />

Quantity of Panelling and Door<br />

Frames (qty)<br />

**Removed from Brookside House,<br />

Kilburn, North Yorkshire.<br />

£600 - 900<br />

1262<br />

A Pair of Robert "Mouseman"<br />

Thompson Oak Pews, the back with<br />

sectional book shelf, the shaped ends with<br />

carved detail, the central foot with carved<br />

mouse signature, 148cm and 146cm wide,<br />

87cm high<br />

£600 - 900<br />

1263<br />

A Pair of Oak Pews, the back with full<br />

length book shelf, the shaped ends with<br />

carved decoration, solid seat, unmarked,<br />

151cm wide and 144cm wide, 87cm high<br />

£400 - 600<br />

1264<br />

A Thomas "Gnomeman" Whittaker<br />

Oak Bookcase, the raised back over four<br />

waterfall shelves, the end supports each<br />

carved with a monk's head, with carved<br />

gnome signature, 107cm wide, 25.5cm<br />

deep, 117.5cm high<br />

£400 - 600<br />

1265<br />

A Bob "Wrenman" Hunter Burr Oak 4'<br />

Refectory Coffee Table, on two carved<br />

octagonal legs joined by a stretcher, with<br />

recessed carved wren signature, 122cm by<br />

45.5cm, 44cm high<br />

£300 - 400<br />

1266<br />

A Bob "Wrenman" Hunter Oak<br />

Horseshoe Pin Dish, with carved wren<br />

signature, 17cm by 18cm, 9cm<br />

£100 - 150<br />

1267<br />

A Pair of Malcolm "Foxman" Pipes<br />

Oak 7' Benches, on three shaped<br />

supports joined by a stretcher, on sledge<br />

feet, 213cm long, 45.5cm high (water<br />

marks)<br />

£400 - 600<br />

1268<br />

An Old Mill Furniture Glazed Oak<br />

Illuminated Display Cabinet, with four<br />

panel mirror back and four adjustable<br />

glass shelves, recessed carved knight's<br />

head trademark, 91.5cm by 37cm, 183cm<br />

high<br />

£300 - 400


1269<br />

An Alan Grainger Acorn Industries<br />

Panelled Oak Linen Press, the upper<br />

section with two doors enclosing<br />

adjustable shelves, the lower section with<br />

two doors, with recessed carved acorn<br />

signature, 107cm wide, 52cm deep, 183cm<br />

high<br />

£400 - 600<br />

1270<br />

An Alan Grainger Acorn Industries<br />

Oak Refectory Table, on two shaped<br />

supports joined by a stretcher, with carved<br />

acorn signature, 198cm by 99cm, 74cm<br />

£400 - 600<br />

1271<br />

An Alan Grainger Acorn Industries<br />

Oak Rectangular Magazine Rack, with<br />

slatted sides, base and centre section<br />

joined by two shaped ends, with carved<br />

acorn signature, 54cm by 30cm, 41cm<br />

high<br />

£100 - 150<br />

1272<br />

A Set of Six Alan Grainger Acorn<br />

Industries Oak Four-Branch Light<br />

Fitments, chamfered detail, on octagonal<br />

columns, sconces facing upwards, with<br />

carved recessed acorn signature, 47cm<br />

and 48cm wide; and Another Alan<br />

Grainger Acorn Industries Oak<br />

Four-Branch Light Fitment, on an<br />

octagonal column, sconces facing<br />

downwards, with carved recessed acorn<br />

signature, 49cm all with oak octagonal<br />

brackets (7)<br />

£120 - 180<br />

1273<br />

An English Hardwood Furniture<br />

Fumed English Oak Hall Table and<br />

Mirror, by Nigel Dixon, the rectangular<br />

mirror with tassel ends and sloping top,<br />

85cm high and the table with single<br />

drawer over an undertier, carved with<br />

woodworm signature, 51cm by 40cm,<br />

68cm high (2)<br />

£150 - 250<br />

1274<br />

An English Hardwood Furniture<br />

Fumed English Oak Panelled Hanging<br />

Corner Cupboard, by Nigel Dixon, with<br />

carved interlinking motif, 74cm wide, 91cm<br />

high<br />

£150 - 250<br />

1275<br />

An English Hardwood Furniture<br />

Fumed English Oak Television<br />

Cabinet, by Nigel Dixon, the two doors<br />

opening to reveal open shelves, above a<br />

single drawer, carved with woodworm<br />

signature, 75cm by 42cm, 67cm high<br />

£200 - 300<br />

1276<br />

An English Hardwood Furniture<br />

Fumed English Oak Panelled Floor<br />

Corner Cupboard, by Nigel Dixon, with<br />

square hole decoration, carved woodworm<br />

signature, 82cm wide, 87cm high<br />

£200 - 300<br />

1277<br />

An English Hardwood Furniture<br />

Fumed English Oak Stool, by Nigel<br />

Dixon, carved with a celtic knot motif,<br />

carved with woodworm signature, 24cm<br />

high; and An English Hardwood<br />

Furniture Fumed English Oak Stool,<br />

by Nigel Dixon, on four octagonal legs<br />

joined by stretchers, carved with<br />

woodworm signature, 36cm high (2)<br />

£100 - 150


1278<br />

Gustav Stickley (American,<br />

1858-1942)<br />

An 5' Oak Bookcase (model 704)<br />

designed by Harvey Ellis,<br />

of architectural form, the rectangular top<br />

over double doors with divided and leaded<br />

glass panes, with four adjustable shelves<br />

to each side, above an arched rail and<br />

through tenon construction, signed to the<br />

interior with red decal featuring joiners'<br />

compasses around Als ik kan above Gustav<br />

Stickley, labelled to verso The name<br />

"CRAFTSMAN" is our registered TRADE<br />

MARK and identifies all our Furniture<br />

"CRAFTSMAN" No 704 (in pencil) Fin Cov<br />

shop (joiners' compasses) Als ik kan mark<br />

by Gustav Stickley in the CRAFTSMAN<br />

WORKSHOPS Eastwood New York NEW<br />

YORK CITY SHOWROOMS 29 West Thirty<br />

Forth Street, 152cm wide, 36cm deep,<br />

146cm high s<br />

£20000 - 30000<br />

1279<br />

Attributed to Sir Robert Lorimer<br />

An <strong>Art</strong>s & Crafts Oak 5' Table, the plain<br />

octagonal planked top with moulded edge,<br />

on eight octagonal legs joined by a<br />

chamfered stretcher with eight scroll feet,<br />

retailers label "Scott Morton & Co<br />

Murieston Road, Edinburgh", 152.5cm<br />

wide, 76cm high (split to top)<br />

**This table was designed for the<br />

University of Edinburgh, which holds<br />

drawings of the design<br />

£8000 - 12000<br />

1280<br />

A William Morris & Co Settee, circa<br />

1890, the mahogany frame bobbin<br />

decoration, with outward curving back<br />

uprights terminating with acorn finials, on<br />

six legs joined by bobbin H stretchers, on<br />

brass capped castors, originally<br />

upholstered in Morris tulip pattern fabric,<br />

141cm wide, 67cm deep, 87cm high<br />

(re-upholstered)<br />

**Based on the oak "Morris" armchair,<br />

designed by Philip Webb from a sketch by<br />

Warington Taylor, circa 1866 of a<br />

traditional type found in an old<br />

carpenter's, named Ephriam Colman,<br />

Herstmonceaux, Sussex.<br />

***Illustrated figure 1 and 2, page 6,<br />

Antique Collecting the Journal of The<br />

Antique Collectors' Club, November 1980,<br />

Vol. 15, No.6, A WILLIAM MORRIS SOFA<br />

by John Andrews.<br />

£1000 - 1500<br />

1281<br />

A Gothic Revival Oak Centre Table,<br />

the oval top with moulded edge, on four<br />

legs joined by a square section cross<br />

frame stretcher base, all with chamfered<br />

edges, unmarked, on castors, 90cm by<br />

130cm, 74cm high<br />

£300 - 500<br />

1282<br />

An <strong>Art</strong>s & Crafts Oak Glazed<br />

Bookcase, the overhanging top above a<br />

frieze mounted with two Ruskin blue<br />

glazed cabochons, above a pair of leaded<br />

glazed doors set with two enamel hearts<br />

surrounded by green/blue glass, enclosing<br />

three adjustable shelves, the lower section<br />

with slide over a single drawer, above an<br />

open undertier, label to verso TIMOTHY<br />

DAVIES COMPLETE HOUSE FURNISHER<br />

WALHAM GREEN SW, 86cm wide, 38cm<br />

deep, 183cm high<br />

£400 - 600<br />

1283<br />

An <strong>Art</strong>s & Crafts Oak Piano Stool, the<br />

rectangular seat with interwoven leather<br />

straps, brass tack fasteners, raised on four<br />

square section legs, unmarked, 61cm by<br />

31cm, 62cm high<br />

£100 - 150


1284<br />

A Stanley Webb Davies Walnut<br />

Bedroom Suite, with exposed<br />

construction and ebony detailing,<br />

comprising a Dressing Table, with two<br />

short drawers enclosed by two deep<br />

drawers, on solid end supports, signed<br />

with SWD monogram in a rectangular<br />

cartouche and dated 1935, craftsman's<br />

monogram for Bob Willet, 114cm by 55cm,<br />

79cm high; a Dressing Table Mirror, the<br />

bevelled plate in a shaped frame with chip<br />

decoration on a plinth base, signed with<br />

SWD monogram in a rectangular<br />

cartouche and dated 1935, craftsman's<br />

monogram for Bob Willet, 61cm high; a<br />

Chest-of-Drawers, with two short over<br />

three long drawers, signed with SWD<br />

monogram in a rectangular cartouche and<br />

dated 1934, craftsman's monogram for<br />

Bob Willet, 114cm by 52cm deep, 84cm<br />

high; a Bedside Cupboard, with open<br />

shelf above a fielded panelled door, signed<br />

with SWD monogram in a rectangular<br />

cartouche and dated 1935, craftsman's<br />

monogram for Herbert Marshall, 40cm by<br />

35.5cm, 80cm high; and A Bedstead,<br />

panelled head and foot board, signed with<br />

SWD monogram in a rectangular<br />

cartouche and dated 1935, craftsman's<br />

monogram for Herbert Marshall, 58" wide<br />

with walnut side rails and pegs (5)<br />

£1000 - 2000<br />

1285<br />

A Pair of Stanley Webb Davies Walnut<br />

Side Chairs, with three curved slat rails,<br />

drop-in seats, signed with SWD monogram<br />

in a rectangular cartouche and dated<br />

1935, craftsman's monogram for Ernest<br />

John Oldcorn, 91cm; a Walnut Low<br />

Elbow Chair, with three curved slat rails,<br />

drop-in seat, signed with SWD monogram<br />

in a rectangular cartouche and dated<br />

1935, craftsman's monogram for Ernest<br />

John Oldcorn, 71cm; a Walnut Side<br />

Chair, with three curved slats, carved<br />

decoration top rail, drop-in seat, signed<br />

with SWD monogram in a rectangular<br />

cartouche and dated 1937, craftsman's<br />

monogram for Ernest John Oldcorn, 90cm;<br />

and A Walnut Framed Mirror, with<br />

carved decoration, unmarked, 160cm by<br />

41cm (5)<br />

£300 - 500<br />

1286<br />

A Stanley Webb Davies Oak Coffee<br />

Table, with chip decoration, on four legs<br />

joined by a H stretcher, signed with SWD<br />

monogram in a rectangular cartouche,<br />

craftsman's monogram for Harry Jepson,<br />

and dated 1937, 46cm by 36cm, 45cm<br />

high<br />

£150 - 250<br />

1287<br />

A Stanley Webb Davies Walnut Work<br />

Cabinet, chip decoration, with fall front<br />

cupboard above an undertier, signed with<br />

SWD monogram in a rectangular<br />

cartouche and dated 1931, craftsman's<br />

monogram for Richard (Dick) Cloudsdale,<br />

40.5cm by 31cm, 63cm high<br />

£200 - 300


1288<br />

A Group of Stanley Webb Davies<br />

Items, comprising an Oak Oval Tray,<br />

with chip decoration, signed with SWD<br />

monogram in a square cartouche,<br />

craftsman's monogram for Richard (Dick)<br />

Cloudsdale and dated 1931, 35cm wide; a<br />

Similar Oak Hand Mirror, with chip<br />

decoration, unmarked, 28cm; a Pair of<br />

Walnut Clothes Brushes, unmarked,<br />

17cm and 21cm; a Walnut Table Lamp,<br />

of octagonal form, unmarked, 25cm; a<br />

Walnut Rectangular Hinged Trinket<br />

Box, unmarked, 14cm by 10.5cm, 5cm; a<br />

Walnut Letter Rack, with chip<br />

decoration, unmarked, 25cm by 11.5cm,<br />

16cm high; and A Walnut Open<br />

Cupboard, with fixed shelf, chip<br />

decoration, unmarked, 36cm by 26cm,<br />

32.5cm high (8)<br />

£200 - 300<br />

1289<br />

A Pair of <strong>Art</strong>hur W Simpson of Kendal<br />

Oak and Leather Armchairs, the curved<br />

nailed leather backs above shaped open<br />

arms, leather cushion seat and back, on<br />

square tapering front legs, unmarked,<br />

101cm high (varnished)<br />

£600 - 900<br />

1290<br />

<strong>Art</strong>hur W Simpson, Kendal<br />

(1857-1922): Two Oak Door Porters,<br />

with shaped terminals, partially labelled<br />

ARTHUR W. SIMPSON, 61cm; an Oak<br />

Planter, labelled ARTHUR W. SIMPSON<br />

(HUBERT SIMPSON) THE HANDICRAFTS<br />

KENDAL, 27.5cm; and A Walnut Planter,<br />

square tapering form, with rosewood<br />

handles and four feet, unmarked, 27cm<br />

(4)<br />

£200 - 300<br />

1291<br />

An <strong>Art</strong>s & Crafts Oak Tray, by <strong>Art</strong>hur<br />

W Simpson, the handles with carved<br />

floral decoration, with inset plaque <strong>Art</strong>hur<br />

W. Simpson The Handicrafts Kendal,<br />

numbered 7749, 67cm across handles<br />

£100 - 150<br />

1292<br />

An <strong>Art</strong> Deco Satinwood Five Piece<br />

Bedroom Suite, comprising a double<br />

door wardrobe, 122cm wide, 55cm deep,<br />

190cm high; a cupboard, with fitted<br />

interior, 84cm by 53cm, 153cm high; a<br />

dressing table, with shaped circular mirror<br />

over a central drawer, enclosed by three<br />

graduating drawers to each side, 123cm<br />

by 56cm, 157cm high; a bedside<br />

cupboard, with open section over two<br />

cupboard doors, 61cm by 46.5cm, 78cm<br />

high; and a headboard, with cloud shape<br />

top, 138cm wide (5)<br />

£500 - 700<br />

1293<br />

A Finn Juhl Teak Extending Dining<br />

Table, made by France & Son,<br />

Denmark, with two leaves, on four<br />

circular tapering legs, stamped made in<br />

denmark and fd, labelled FRANCE & SON<br />

DENMARK FF, 187cm by 100cm, 72.5cm<br />

high, leaves each 50cm wide<br />

£1000 - 1500<br />

1294<br />

A Pair of Danish Fritz Henningsen<br />

Beech Windsor Chairs, with double<br />

spindle backs, on shaped seats, on four<br />

legs joined by a stretcher, stamped<br />

DANMARK FH (in a circle) 86.5cm<br />

£200 - 300


1295<br />

A Danish Teak Extending Dining<br />

Table, designed by No Moller and<br />

made by Gudme, on two supports joined<br />

by a floor stretcher, stamped GUDME<br />

MOBELFABRIK GUDME MADE IN<br />

DENMARK FURNITURE MAKERS QUALITY<br />

CONTROL DANISH, 95cm by 161cm,<br />

73.5cm high leaf 48.5cm<br />

£200 - 300<br />

1296<br />

A 1960's Danish Teak Dining Room<br />

Suite, comprising an Extending Circular<br />

Table, on four tapering legs, stamped<br />

FREM ROJLE MADE IN DENMARK, 106cm<br />

diameter, 73.5cm high; and A Set of Six<br />

Chairs, with black vinyl seats, on three<br />

tapering legs, stamped FREM ROJLE MADE<br />

IN DENMARK, 70.5cm (7)<br />

£200 - 300<br />

1297<br />

A 1960's Rosewood Table, the shaped<br />

rectangular top on two chrome cylindrical<br />

support with two feet, unmarked, 200cm<br />

by 99cm, 73cm high<br />

£100 - 150<br />

1298<br />

A 1960's Rosewood and Chrome<br />

L-Shaped Desk, the rectangular top on<br />

two chrome supports above three drawers,<br />

fitted with a vanity panel, the side<br />

extension fitted with an open shelf section,<br />

sliding filing cupboard and drawers, on<br />

three chrome flat section legs, unmarked,<br />

top 200cm by 100cm, 73cm high (worn)<br />

£200 - 300<br />

1299<br />

A Modern Isamu Noguchi Coffee<br />

Table, the shaped triangular glass top<br />

2cm thick, on an ebonised birch base<br />

connected by a pin, unmarked, 90cm by<br />

124cm, 40cm high<br />

£150 - 200<br />

1300<br />

Eero Aarnio: A "Ball" (or Globe) Chair,<br />

white moulded polyester shell with red<br />

padded upholstery and cushions, on a<br />

white painted aluminium foot, 130cm high<br />

(restored)<br />

£600 - 900<br />

1301<br />

A Modern "Egg" Lounge Chair, after a<br />

design by Arne Jacobsen, red weave<br />

fabric upholstery, cast aluminium base<br />

with black plastic sabots, unmarked,<br />

105cm; and A Matching Ottoman, 41cm<br />

(2)<br />

£600 - 900<br />

1302<br />

A Modern Barcelona Console Table,<br />

with mirrored top, sides, back and front,<br />

two drawers with glass handles, on two<br />

chromium plated X legs, 101cm by 50cm,<br />

75.7cm high; and A Modern Barcelona<br />

Stool, with white leather upholstery, on<br />

two chromium plated X legs, unmarked,<br />

48.5cm high (2)<br />

£200 - 300<br />

1303<br />

A Modern Tan Leather Three Section<br />

Sofa, on chrome supports, labelled 12 #<br />

Gibb 27-Aug-2009 Tetrad Retro Designer<br />

Modular Leather Three Seater Sofa, 220cm<br />

wide<br />

£100 - 200<br />

1304<br />

A Saporiti Orange Leather Three<br />

Seater Sofa, on three black plastic bases,<br />

moulded Saporiti, 242cm wide<br />

£100 - 200


1305<br />

A Chromed Steel and Black Leather<br />

Barcelona Chair and Ottoman, after a<br />

design by Ludwig Mies van der Rohe,<br />

the chair of bent chromed flat steel, nine<br />

black leather straps to seat and back,<br />

upholstered with buttoned leather<br />

removable cushions, unmarked, 74cm and<br />

A Matching Ottoman, unmarked, 38cm<br />

£200 - 300<br />

1306<br />

A 1960's/70's Dining Room Suite,<br />

comprising a Table, with oval smokey<br />

glass top on a chrome base, unmarked,<br />

136cmby 99cm, 76.5cm high, and A Set<br />

of Five Swivel Chairs, with brown plastic<br />

backs, upholstered seats, on chrome<br />

bases, unmarked, 86.5cm high (6)<br />

£200 - 300<br />

1307<br />

A Set of Six 1970's Oak Dining Chairs,<br />

four upholstered in green vinyl and two in<br />

beige vinyl, some labelled Ben Chairs and<br />

dated 19 Jan 1971, 82cm<br />

£100 - 150<br />

1308<br />

A 1960's/70's Nathan Bent Ply Teak<br />

and <strong>Glass</strong> Coffee Table, in three<br />

sections with central adjustable bottle<br />

shelf, unmarked, 98cm wide, 46cm high<br />

£100 - 150<br />

1309<br />

A 1970's Beech and Brown Laminate<br />

Sideboard, the rectangular top over three<br />

drawers and two cupboard doors, on four<br />

feet, unmarked, 185cm by 43cm, 76cm<br />

high<br />

£100 - 150<br />

1310<br />

A 1960's/70's Beech Dressing Table,<br />

retailed by Garrards, with two drawers<br />

with stained fronts and chrome handles,<br />

on four splayed legs, 85cm by 52cm, 75cm<br />

high<br />

£150 - 200<br />

1311<br />

A Set of Six 1960's/70's Office Elbow<br />

Chairs, with rosewood arms, upholstered<br />

seats and backs, on a chrome frame, with<br />

four legs, moulded mark ANTOCKS LAIRN<br />

HIGH WYCOMBE ENDLAND, 74cm<br />

£100 - 150<br />

1312<br />

Douglas Arnold (b.1976): A Bent<br />

Birch Ply and Leather Sofa, with nailed<br />

brown leather seat and back, signed and<br />

dated 2001, 153cm wide, 87cm high<br />

£100 - 200<br />

1313<br />

A Set of Four Vitra Tom Vac Chairs,<br />

designed by Rod Arad, circa 2000,<br />

black plastic seats, on four chromium<br />

plated tubular steel legs, moulded Tom<br />

Vac Design Ron Arad, labelled LGA<br />

Nurnberg GS geprütte Sicherheit<br />

http://www.vitra.com 201214 Part<br />

no.44000100 00 0100 Delivery 42.200<br />

Vitra, 75.5cm<br />

£300 - 400<br />

Clocks & Barometers<br />

1315<br />

A Gilt Brass and Champleve Enamel<br />

Carriage Timepiece, circa 1900, with<br />

carrying handle, enamel dial with Roman<br />

numerals and surrounded by<br />

multi-coloured champleve enamel, single<br />

barrel movement with platform lever<br />

escapement, 16cm over handle, with later<br />

associated travelling case<br />

£200 - 300


1316<br />

A Gilt Brass Striking and Repeating<br />

Carriage Clock, circa 1890, with<br />

carrying handle and repeating button,<br />

enamel dial with Arabic numerals, twin<br />

barrel movement with platform lever<br />

escapement and striking on a gong, 19cm<br />

high over handle, with fitted travelling<br />

case<br />

£300 - 400<br />

1317<br />

A Gilt Brass Five Minute Repeating<br />

Carriage Clock, Examined by Barraud<br />

& Lunds, 41 Cornhill, London 4731,<br />

circa 1890, the corniche case with<br />

carrying handle and two repeat buttons,<br />

top oval viewing glass underside with 5<br />

min reptr and hour reptr written in red,<br />

enamel dial with Roman numerals, twin<br />

barrel movement with platform lever<br />

escapement and striking on a gong,<br />

movement backplate stamped patent<br />

safety roller and G.L.C 1994, 18cm high<br />

over handle<br />

**A similar five minute repeater clock is<br />

illustrated in Allix (Charles) Carriage<br />

Clocks, pg.197 and 198<br />

£800 - 1200<br />

1318<br />

An Unusual Brass Striking and<br />

Repeating Triple Calendar Alarm<br />

Carriage Clock, circa 1890, with<br />

carrying handle, dial with Roman and<br />

Arabic numerals, three apertures for<br />

day/month and date, alarm dial, twin<br />

barrel movement with platform lever<br />

escapement and striking on a bell, 17.5cm<br />

high<br />

£400 - 600<br />

1319<br />

A Gilt Brass Striking and Repeating<br />

Alarm Carriage Clock, stamped Henri<br />

Jacot, circa 1890, the gorge case with<br />

carrying handle and repeat button, enamel<br />

dial with Roman and Arabic numerals,<br />

alarm dial, twin barrel movement with<br />

platform lever escapement and striking on<br />

a gong, movement backplate stamped HJ<br />

for Henri Jacot and numbered 16985,<br />

17.5cm high over handle<br />

£500 - 700<br />

1320<br />

A Good Swiss Gilt Brass Grande<br />

Sonnerie Calendar Alarm Carriage<br />

Clock, signed J F Bautte & Cie,<br />

Geneve, circa 1860, the elaborately cast<br />

case with scroll and floral decoration,<br />

carrying handle and repeat button, back<br />

door with shuttered winding holes,<br />

underside with grande sonnerie selection<br />

lever grand sonnerie/silent/Petit sonnerie,<br />

enamel dial with Roman numerals and<br />

signed, two dials for date and alarm, twin<br />

barrel movement with platform lever<br />

escapement and striking on a bell, bottom<br />

of the movement backplate signed, 18cm<br />

high, with the original mahogany and<br />

brass stringing travelling case<br />

£2000 - 3000<br />

1321<br />

A Silver Travelling Alarm Clock,<br />

signed Boucheron, Paris, circa 1930,<br />

bark finished case with front and back<br />

opening doors, case inside rim signed and<br />

numbered 82321 9277, bark finished dial<br />

with applied baton and dot markers, alarm<br />

hand, lever movement, movement<br />

backplate signed and numbered 17336<br />

17736, 68mm wide<br />

£300 - 500


1322<br />

A Marine Chronometer Movement,<br />

signed Barraud, Cornhill, London,<br />

No.403, spring detent escapement with<br />

Arnold's type balance, free sprung helical<br />

hairspring, diamond endstone, silvered dial<br />

with Roman numerals and later inscribed<br />

Fletcher, London, Maker to the Admiralty,<br />

no.403, subsidiary seconds, in a later oak<br />

mantel clock case, movement circa 1810,<br />

dial and case later, 18cm high<br />

£200 - 300<br />

1323<br />

A Gilt Brass Champleve Enamel<br />

Striking Mantel Clock, circa 1890, with<br />

four bevelled glass panels, multi-coloured<br />

champleve enamel borders, 3-1/4-inch<br />

enamel dial with Roman and Arabic<br />

numerals, twin barrel movement with<br />

striking on a gong, twin mercury tubed<br />

pendulum, 31cm high<br />

£600 - 800<br />

1324<br />

A Small Black Slate Striking Mantel<br />

Clock Combined with Calendars and<br />

Aneroid Barometer, circa 1880, arched<br />

case with inlaid malachite to the base,<br />

Roman numeral dial and two other dials<br />

for date/day of the week and aneroid<br />

barometer, 45cm high<br />

£200 - 300<br />

1325<br />

A French Ormolu Striking Mantel<br />

Clock, 19th century, with applied scroll<br />

and floral mounts, surmounted by a<br />

female figure kneeling, 4-1/2-inch enamel<br />

dial with Roman numerals and signed<br />

Lanfroy, serpentine date hand, twin barrel<br />

movement with outside countwheel<br />

striking on a gong, 51cm high<br />

£500 - 700<br />

1326<br />

A Gilt Brass Atmos Clock, Model:<br />

Embassy, signed Jaeger LeCoultre,<br />

circa 1975, with red and black faux<br />

marble panels, base with stop lever, dial<br />

with Roman chapter ring and visible<br />

balance wheel below, 22cm high, with<br />

Jaeger LeCoultre booklets<br />

£300 - 500<br />

1327<br />

A Champleve Enamel Striking Mantel<br />

Clock, circa 1880, decorated with<br />

multi-coloured champleve enamel panels<br />

and winged cherubs, 3-1/2-inch dial with<br />

Roman numerals, twin barrel movement<br />

striking on a gong, movement backplate<br />

stamped Japy Freres, 50cm high<br />

£100 - 1500<br />

1328<br />

A Porcelain Mounted Striking Mantel<br />

Clock with Garniture, circa 1890, with<br />

mask and swag leaf decoration, porcelain<br />

panels depicting ladies in costume,<br />

3-1/2-inch dial with Roman numerals, twin<br />

barrel movement with striking on a bell,<br />

movement backplate Japy Freres, 39cm<br />

high, with a pair of four-light candelabra,<br />

45cm high<br />

£600 - 800<br />

1329<br />

A Two Day Marine Chronometer Dial<br />

and Movement. in a later<br />

custom-made case, the later white<br />

metal case with concealed side carrying<br />

handles, engraved inscription to the side<br />

HM 1953, 4-inch silvered dial with Roman<br />

numerals signed Victor Kullberg Maker to<br />

the Admiralty the Indian & Italian<br />

Governments, 105 Liverpool Rd London N,<br />

No.9206, detent escapement, free sprung<br />

helical hairspring, 15cm wide<br />

£300 - 400


1330<br />

A French Gilt Metal and Porcelain<br />

Mounted Striking Mantel Clock, circa<br />

1890, surmounted by an urn finial and<br />

swag decoration, 4-inch dial with Roman<br />

numerals, twin barrel movement, 56cm<br />

high<br />

£500 - 700<br />

1331<br />

A Gilt Metal and White Marble<br />

Striking Mantel Clock with Garniture,<br />

circa 1890, the portico case with acorn<br />

finials, 3-1/2-inch enamel dial with Roman<br />

and Arabic numerals, twin barrel<br />

movement with outside countwheel<br />

striking on a bell, sunburst pendulum bob,<br />

32cm high, with a pair of three-light<br />

candelabra, 24cm high<br />

£300 - 500<br />

1332<br />

A Gilt Brass Atmos Clock, Model:<br />

Royale, circa 1970, the concealed case<br />

with hinged front door, silvered Roman<br />

numeral chapter ring, below with a visible<br />

balance wheel, 27cm high, with Jaeger<br />

LeCoultre fitted case and booklets<br />

£300 - 500<br />

1333<br />

A White Marble Striking Mantel Clock,<br />

circa 1890, with gilt bronze mounts and<br />

flanked by putti, 3-1/2-inch dial with<br />

Arabic numerals, twin barrel movement<br />

striking on a bell, 28cm high<br />

£300 - 400<br />

1334<br />

A French Gilt Metal and Porcelain<br />

Mounted Striking Mantel Clock, circa<br />

1890, with blue ground porcelain mounts<br />

depicting birds, flowers and putti, dial with<br />

Roman numerals, twin barrel movement<br />

striking on a bell, on a gilt wooden base,<br />

45cm high<br />

£500 - 700<br />

1335<br />

A French Gilt Metal Striking Mantel<br />

Clock, circa 1900, surmounted by an<br />

acorn finial and central column, marble<br />

base, 3-1/2-inch enamel dial with Arabic<br />

numerals, twin barrel movement striking<br />

on a bell, 57cm high<br />

£300 - 400<br />

1336<br />

An Electric Mantel Clock, signed<br />

Eureka Clock Ltd, London, Pat<br />

No.14614-1906, No.274, circular brass<br />

base, glazed dome, 4-inch enamel dial<br />

with Arabic numerals, movement with<br />

large visible balance wheel, 25cm high<br />

£300 - 500<br />

1337<br />

A White Marble Striking Mantel Clock,<br />

circa 1890, with applied gilt metal<br />

mounts and acanthus leaf border,<br />

3-1/2-inch enamel dial with Arabic<br />

numerals, twin barrel movement with<br />

outside countwheel striking on a bell,<br />

31cm high<br />

£300 - 400<br />

1338<br />

A Gilt Brass Atmos Clock, signed<br />

LeCoultre, No.164558, circa 1970,<br />

with five glazed panels, 5-inch silvered<br />

chapter ring with applied Arabic and<br />

dagger markers, central skeletonised view<br />

of the movement with large oscillating<br />

balance wheel beneath, spirit level to<br />

base, movement signed and numbered<br />

164558, 23.5cm high, with LeCoultre<br />

packaging, wall bracket and booklets<br />

£300 - 500


1339<br />

A French Gilt Metal and White Marble<br />

Striking Clock with Garniture, circa<br />

1890, with swag floral decoration and<br />

central columns, 4-inch enamel dial with<br />

Arabic numerals, twin barrel movement<br />

with outside countwheel striking on a bell,<br />

49cm high, with a pair of five-light<br />

candelabra, 41cm high<br />

£800 - 1200<br />

1340<br />

A Brass Skeleton Mantel Timepiece,<br />

circa 1880, single fusee movement with<br />

anchor escapement, 6-inch silvered dial<br />

with Roman numerals, raised on a marble<br />

base beneath a later glass dome, 42cm<br />

high<br />

£300 - 500<br />

1341<br />

A French Industrial Steam Hammer<br />

Striking Clock, circa 1890, the case<br />

with various valves and levers to the top,<br />

raised on black slate base, rectangular dial<br />

with applied Roman numerals, twin barrel<br />

movement striking on a bell, movement<br />

backplate stamped Medaille d'or CLT Btf<br />

SGDG Paris, 46cm high (with losses)<br />

£300 - 500<br />

1342<br />

A Gilt Brass Atmos Clock, signed<br />

Jaeger LeCoultre, No.435336, circa<br />

1980, case with five glass panels, 5-inch<br />

white chapter ring with applied Arabic and<br />

dagger markers, central skeletonised view<br />

of the movement with large oscillating<br />

balance wheel beneath, spirit level to<br />

base, movement signed and numbered<br />

435336, 24cm high<br />

£300 - 500<br />

1343<br />

A Walnut Wall Timepiece, Benjamin<br />

Harral, Barnsley, circa 1890, with side<br />

and bottom opening doors, 12-inch<br />

painted dial with Roman numerals, single<br />

fusee movement with anchor escapement,<br />

38cm wide<br />

£400 - 600<br />

1344<br />

A Mahogany Drop Dial Wall<br />

Timepiece, Henry Lee, Bolton, circa<br />

1860, circular top with side opening door,<br />

trunk with bottom door, 12-inch dial with<br />

Roman numerals, single fusee movement<br />

with anchor escapement, 54cm high<br />

£400 - 600<br />

1345<br />

A Mahogany Striking Wall Clock, Geo<br />

Priest, Norwich, circa 1800, the<br />

circular top case with carved sides, arched<br />

trunk door with canted corners, 14-inch<br />

painted dial with Roman numerals, twin<br />

weight driven movement with anchor<br />

escapement and rack striking on a bell,<br />

157cm high<br />

£800 - 1200<br />

1346<br />

An Unusual Mahogany Drop Dial Wall<br />

Timepiece, circa 1830, with side and<br />

bottom opening doors, carved side ears,<br />

brass inlaid trunk with pendulum window,<br />

12-inch painted dial with Roman numerals<br />

and unusual painted dial centre depicting<br />

the Order of the Oddfellows, single fusee<br />

movement with anchor escapement, 68cm<br />

high<br />

£500 - 700


1347<br />

A Mahogany Striking Wall Clock,<br />

Nathl Wegg, New Cross Rd, London,<br />

circa 1850, side and bottom opening<br />

doors, 12-inch convex painted dial with<br />

Roman numerals, twin fusee movement<br />

with anchor escapement and striking on a<br />

bell, 39cm high<br />

£800 - 1200<br />

1348<br />

A Mahogany Striking Wall Clock,<br />

signed Morath Bros, Liverpool, circa<br />

1860, the octagonal top with side opening<br />

door, trunk with pendulum window and<br />

flanked by floral and fruit carved ears,<br />

bottom door, 14-inch painted dial with<br />

Roman numerals, twin fusee movement<br />

with anchor escapement and striking on a<br />

gong, 83cm high<br />

£500 - 700<br />

1349<br />

A Mahogany Striking Wall Clock,<br />

Whittington, Manchester, circa 1870,<br />

applied acorn and leaf decorated bezel,<br />

side opening doors, 12-inch painted dial<br />

with Roman numerals, twin fusee<br />

movement with anchor escapement and<br />

striking on a bell, 39cm high<br />

£700 - 900<br />

1350<br />

An 8-inch Mahogany Alarm Wall<br />

Timepiece, 19th Century, with side and<br />

bottom opening doors, flame veneered<br />

trunk, 8-inch painted dial with Roman<br />

numerals and central alarm disc, single<br />

fusee movement with anchor escapement<br />

and alarm striking on a bell, 37cm high<br />

£500 - 700<br />

1351<br />

A Rosewood Drop Dial Striking Wall<br />

Clock, circa 1830, octagonal top with<br />

brass inlay and side opening doors,<br />

pendulum window to the front and bottom<br />

door, 14-inch dial with Roman numerals,<br />

twin fusee movement with anchor<br />

escapement and striking on a bell, 72cm<br />

high<br />

£500 - 700<br />

1352<br />

An Oak Striking Wall Clock, circa<br />

1850, with carved shell cresting, side<br />

opening doors, 14-inch dial with Roman<br />

numerals, twin fusee movement with<br />

anchor escapement and striking on a bell,<br />

movement backplate stamped JW Benson,<br />

103cm high<br />

£700 - 900<br />

1353<br />

A Japanned Bracket Clock with<br />

Passing Strike, Smyth, London, with<br />

inverted bell top, decorated in gilt against<br />

a cream background and with Oriental<br />

scenes, side carrying handles and viewing<br />

windows, 9-inch arched painted dial with<br />

Roman numerals, arch with fast/slow<br />

selection, single fusee movement with<br />

triangular shaped plates, anchor<br />

escapement and passing strike on a bell,<br />

56cm high, together with associated<br />

painted wall bracket<br />

£1000 - 1500<br />

1354<br />

A Mahogany Chiming Table Clock,<br />

retailed by Manoah Rhodes & Sons<br />

Ltd, Bradford, circa 1890, arched top,<br />

pierced side sound frets, 7-inch silvered<br />

dial with Roman numerals, arch with<br />

fast/slow and chime/silent selections, triple<br />

barrel movement quarter chiming with<br />

four hammers striking four gongs and a<br />

larger hammer striking a gong for the<br />

hours, movement backplate stamped W&H<br />

Sch, 42cm high<br />

£300 - 500


1355<br />

A Mahogany Striking Bracket Clock,<br />

circa 1830, arched case with applied<br />

floral and scroll mounts, gadroon<br />

decorated borders to the base, 9-1/2-inch<br />

painted dial with Roman numerals and<br />

later inscription Roskell Liverpool, twin<br />

fusee movement with anchor escapement<br />

and striking on a gong, 59cm high, with<br />

matching mahogany wall bracket, 24cm<br />

high<br />

£1200 - 1500<br />

1356<br />

A Regency Mahogany and Brass Clock<br />

Wall Bracket, nicely figured veneer with<br />

brass bound border, 26cm wide<br />

£250 - 300<br />

1357<br />

An Oak Chiming Table Clock, signed<br />

Russells Ltd, 18 Church St, Liverpool,<br />

circa 1890, the elaborate carved case<br />

with scroll and mask decoration<br />

throughout, side opening doors, engraved<br />

presentation plaque to the front, 8-inch<br />

arched brass dial with a Roman and Arabic<br />

chapter ring, arch with three dials for<br />

chime/silent, fast/slow and<br />

Whittington/Westminster, triple fusee<br />

movement with anchor escapement,<br />

chiming with eight hammer striking eight<br />

bells or four hammers striking four gongs<br />

and a further hammer striking a gong for<br />

the hours, 70cm high<br />

£800 - 1200<br />

1358<br />

An Ebonised Striking Table Clock,<br />

signed Thos Gibbons, Popes head<br />

Alley, London, circa 1750, the inverted<br />

bell top with carrying handle, side<br />

windows and pierced sound frets, 7-inch<br />

arched silvered brass dial with Roman and<br />

Arabic chapter ring, mock pendulum and<br />

date apertures, signed in the arch, twin<br />

fusee movement, converted to anchor<br />

escapement and striking on a bell,<br />

movement backplate engraved<br />

throughout, 53cm high over handle<br />

£1500 - 2000<br />

1359<br />

A Mahogany and Brass Inlaid Quarter<br />

Striking Table Clock, circa 1890, the<br />

caddy top with carrying handle, pierced<br />

side sound frets, raised on bracket feet,<br />

7-inch silvered dial with Roman numerals,<br />

twin barrel movement quarter striking with<br />

two hammers onto two gongs, 48cm high<br />

£300 - 400<br />

1360<br />

An Oak Thirty Hour Longcase Clock,<br />

signed Isaac Hadwen, Sedbergh,<br />

circa 1720, flat top pediment, trunk door<br />

with glazed lenticle, re-built plinth,<br />

10-1/2-inch square brass dial with chapter<br />

ring, date aperture, single hand, engraved<br />

inscriptions to corners man's presious<br />

hours/away like these do slip/observey<br />

emotions tipp/behold this hand, movement<br />

with anchor escapement and outside<br />

countwheel striking on a bell, later<br />

seatboard, 214cm high<br />

£800 - 1200


1361<br />

An Oak Thirty Hour Longcase Clock,<br />

signed Sagar, Skipton, circa 1780,<br />

swan neck pediment, arched trunk door,<br />

12-1/4-inch brass dial with silvered Roman<br />

and Arabic chapter ring, engraved floral<br />

decoration, date, moonphase aperture and<br />

signed, four pillar movement with outside<br />

countwheel striking on a bell, 213cm high<br />

£500 - 700<br />

1362<br />

A Walnut Eight Day Longcase Clock,<br />

case with swan neck pediment,<br />

crossbanded trunk door, 12-1/2-inch brass<br />

dial with Roman and Arabic chapter ring<br />

later bearing inscription Nicholson<br />

Whitehaven, lunar and date apertures,<br />

four pillar movement with anchor<br />

escapement and rack striking on a bell,<br />

dial and movement later, 232cm high<br />

£800 - 1200<br />

1363<br />

An Oak Eight Day Longcase Clock,<br />

swan neck pediment, side fluted inset<br />

columns, 12-inch square brass dial with<br />

Roman and Arabic silvered chapter ring,<br />

dial centre later bearing inscription Thos<br />

Lister, Halifax, four pillar movement with<br />

anchor escapement and rack striking on a<br />

bell, dial and movement later, 228cm high<br />

£600 - 700<br />

1364<br />

A Mahogany Eight Day Longcase<br />

Clock, Jas Brownbill, Liverpool, circa<br />

1800, swan neck pediment, gilt painted<br />

panels, flame veneered trunk door flanked<br />

by fluted columns, 14-inch arched painted<br />

dial with Roman and Arabic chapter ring,<br />

inner date ring, centre seconds, rolling<br />

moonphase, four pillar movement with<br />

attached falseplate stamped William<br />

Whitaker, deadbeat escapement and rack<br />

striking on a bell, 241cm high<br />

£700 - 900<br />

1365<br />

A Mahogany Eight Day Longcase<br />

Clock, signed Jno Leplastrier,<br />

Shadwell, circa 1790, arched pediment<br />

with three brass finials, stop brass fluted<br />

columns, flame arched trunk door, bracket<br />

feet, 12-inch one piece arched silvered dial<br />

with Roman and Arabic chapter, dial<br />

centre with seconds and date aperture,<br />

arch with strike/silent selection, five pillar<br />

movement with anchor escapement and<br />

rack striking on a bell, later seatboard,<br />

228cm high<br />

£800 - 1200<br />

1366<br />

A Mahogany Eight Day Longcase<br />

Clock, flat top pediment, Corinthian<br />

capped columns, inlaid arched trunk door,<br />

13-1/4-inch arched brass dial with Roman<br />

and Arabic chapter ring, inner date ring,<br />

seconds, arch with rolling moonphase and<br />

signed Hughe Stockelle, Newcastle, four<br />

pillar movement with anchor escapement<br />

and rack striking on a bell, dial and<br />

movement circa 1780, case possibly later,<br />

227cm high<br />

£700 - 900<br />

1367<br />

A Mahogany Chiming Longcase Clock,<br />

retailed by Maple & Co Ltd, London,<br />

circa 1890, case with broken arched<br />

pediment, glazed trunk door, bracket<br />

shaped feet, 12-inch dial with Arabic<br />

numerals, dial centre with scrollwork and<br />

seconds, chime/silent eight bells/four bells<br />

selection levers at 3, massive triple weight<br />

driven movement with deadbeat<br />

escapement, eight hammers chiming onto<br />

eight tubular bells and a further hammer<br />

striking a gong for the hours, 226cm high<br />

£1500 - 2000


1368<br />

A Month Going Walnut Longcase<br />

Clock, flat top pediment, glazed side<br />

windows, burr walnut veneered trunk<br />

door, 11-inch dial with silvered Roman<br />

chapter ring signed Edw Brookes, London,<br />

ringed winding holes and date aperture,<br />

seconds dial, five pillar movement with<br />

anchor escapement and outside<br />

countwheel striking on a bell, dial and<br />

movement circa 1690, case later, 211cm<br />

high<br />

£2500 - 3000<br />

1369<br />

A Good Mahogany Eight Day<br />

Longcase Clock, signed Wyke &<br />

Green, Liverpool, circa 1780, swan<br />

neck pediment, flame veneered trunk<br />

door, raised quatre form panel to the<br />

base, 13-inch arched brass dial with a<br />

silvered Roman and Arabic chapter ring,<br />

inner date ring, engraved floral centre with<br />

seconds and signed, arch with<br />

moonphase, four pillar movement with<br />

anchor escapement and rack striking on a<br />

bell, 249cm high<br />

£3000 - 4000<br />

1370<br />

A Mahogany Stick Barometer, Pratt,<br />

Askrigg, circa 1810, visible mercury<br />

tube, brass dial inscribed, 102cm high<br />

£500 - 700<br />

1371<br />

A Mahogany Stick Barometer, visible<br />

mercury tube, turned side columns, boxed<br />

cistern cover, paper dial painted with J<br />

Doughty Fecit, 96cm high<br />

£200 - 300<br />

1372<br />

A Mahogany Stick Barometer, signed<br />

J Croce, York, circa 1825, with visible<br />

mercury tube, silvered dial signed with<br />

vernier and thermometer tube, barber pole<br />

stringing, turned cistern cover, 92cm high<br />

£450 - 650<br />

1373<br />

A Rosewood Stick Barometer, signed<br />

Jackson, Scarborough, circa 1850,<br />

with carved top, concealed mercury tube<br />

with twin vernier ivory scale signed, turned<br />

cistern cover, 100cm high<br />

£500 - 700<br />

1374<br />

A Mahogany Stick Barometer, signed<br />

Cs Farelli, circa 1810, broken arched<br />

pediment, visible mercury tube, silvered<br />

dial with vernier scale signed,<br />

thermometer tube, inlaid stringing and<br />

turned cistern, 97cm high<br />

£300 - 400<br />

1375<br />

A Rosewood Wheel Barometer,<br />

signed B D G Battista, circa 1850, with<br />

swan neck pediment, hygrometer,<br />

thermometer tube, 8-inch silvered dial,<br />

spirit level signed, 97cm high<br />

£200 - 300<br />

1376<br />

A Satinwood 10-inch Wheel<br />

Barometer, signed A Corti, circa<br />

1810, swan neck pediment, hygrometer,<br />

thermometer, 10-inch silvered dial, spirit<br />

level signed, 107cm high<br />

£400 - 600


Rugs, Carpets & Tapestries<br />

1377<br />

Afshar Rug<br />

South East Persia<br />

The ivory field with columns of heraldic<br />

devices enclosed by indigo diamond<br />

borders and similar guard stripes, 200cm<br />

by 155cm<br />

£300 - 500<br />

1378<br />

Kouchan Kordi Rug<br />

Khorasan, North East Persia<br />

The compartmentalised field containing<br />

quartered guls enclosed by ivory borders<br />

of meandering vines, 196cm by 119cm<br />

£300 - 500<br />

1379<br />

Bergama Rug<br />

West Anatolia<br />

The rust field of stylised flowerheads<br />

around a mint green lozenge enclosed by<br />

ivory borders of serrated leaf and calyx<br />

design and mustard outer guard stripes,<br />

1st half 19th century, 150cm by 105cm<br />

£400 - 600<br />

1380<br />

Rare Jaff Kurd Rug<br />

Perisan/Iraqi Border Region<br />

The polychrome diamond lattice field of<br />

guls enclosed by stepped medallion<br />

borders, 220cm by 145cm<br />

£900 - 1200<br />

1381<br />

Jaff Kurd Bagface<br />

Persian/Iraqi Border Region<br />

The polychrome lattice field of latch hook<br />

guls enclosed by narrow ivory borders,<br />

67cm by 75cm<br />

£200 - 300<br />

1382<br />

Veramin Carpet<br />

Central Persia<br />

The indigo lattice field of flowerheads<br />

enclosed by rust borders of samovar<br />

motifs flanked by pale indigo guard<br />

stripes, 20cm by 148cm<br />

£400 - 600<br />

1383<br />

Anatolian Carpet<br />

Probably Pandirmar<br />

The cream field with an allover design of<br />

floral vines enclosed by similar meandering<br />

leafy vine borders flanked by rosette guard<br />

stripes, 340cm by 241cm<br />

£700 - 1000<br />

1384<br />

Good Ardabil Carpet<br />

North West Persia<br />

The ivory field with an angular lattice<br />

design containing columns of stepped<br />

medallions enclosed by crimson borders of<br />

flowerheads and meandering vines flanked<br />

by guard stripes, 335cm by 227cm<br />

£800 - 1200<br />

1385<br />

Narrow Heriz Runner<br />

Persian Azerbaijan<br />

The indigo field with a column of<br />

polychrome hooked medallions enclosed<br />

by ivory Harshang borders and<br />

meandering vine guard stripes, 463cm by<br />

93cm<br />

£600 - 900<br />

1386<br />

Mahal Carpet<br />

Sultanabad, West Persia<br />

The terracotta field with an allover design<br />

of large flowerheads and stylised vines<br />

enclosed by indigo spandrels and<br />

polychrome borders between double guard<br />

stripes, 370cm by 292cm<br />

£500 - 800


1387<br />

"Dragon Sileh"<br />

Probably North West Persia<br />

The compartmentalised field containing<br />

rows of stylised dragons enclosed by<br />

narrow borders of polychrome diamond<br />

motifs, 352cm by 257cm<br />

**This modern brocaded flatweave is an<br />

excellent copy of the highly collectable<br />

19th century Caucasian weavings<br />

£700 - 1000<br />

1388<br />

Kashan Carpet<br />

Central Persia<br />

The rust field of scrolling floral vines<br />

around a pole medallion framed by<br />

spandrels and indigo borders of<br />

meandering floral vines between triple<br />

guard stripes, 420cm by 330cm<br />

£500 - 800<br />

1389<br />

<strong>Fine</strong> Signed Hereke Carpet<br />

North East Anatolia<br />

The raspberry field richly decorated with<br />

an allover design of cloud bands,<br />

palmettes and leafy vines within floral<br />

borders flanked by guard stripes, 376cm<br />

by 280cm<br />

**The Ottoman Sultan Abdulmecit set up<br />

workshops for the production of weaving<br />

in the town of Hereke during the mid 19th<br />

century. The weavers, who were mainly<br />

Armenian, initially concentrated on the<br />

production of very fine quality silk rugs<br />

and it was only later during the last two<br />

decades of the 19th century that the royal<br />

workshops began producing fine large<br />

scale carpets knotted in wool. Early<br />

weavings were probably made exclusively<br />

for the Sultan's personal use. The design<br />

of this example is like many, based on<br />

classical 17th century pieces. It dates<br />

from the 1890's and is an excellent<br />

example of fine quality carpets made in<br />

the town. Such examples are now rare<br />

and collectable.<br />

£3000 - 5000<br />

1390<br />

Kashgai Rug<br />

South West Persia<br />

The madder stepped lozenge field with<br />

columns of polychrome heraldic devices<br />

framed by flowerhead spandrels and pale<br />

indigo borders of stylised boteh between<br />

lemon guard stripes, 328cm by 133cm<br />

£700 - 1000<br />

1391<br />

Heriz Carpet<br />

Persian Azerbaijan<br />

The terracotta field of stylised angular<br />

vines enclosed by indigo borders of<br />

samovar motifs and pale lemon guard<br />

stripes, 258cm by 192cm<br />

£650 - 950<br />

1392<br />

Unusual Isfahan Carpet<br />

Central Persia<br />

The terracotta field with an allover design<br />

of scrolling floral vines and flowers<br />

enclosed by mid blue borders of palmettes<br />

and meandering vines between double<br />

guard stripes, 340cm by 240cm<br />

£300 - 400<br />

1393<br />

Kurdish Runner<br />

Persian Kurdistan<br />

The indigo field with a column of linked<br />

medallions framed by serrated spandrels<br />

enclosed by ivory borders of stylised<br />

meandering vines and ice blue guard<br />

stripes, 380cm by 110cm<br />

£380 - 500


1394<br />

Heriz Carpet<br />

Persian Azerbaijan<br />

The rust field of angular vines around a<br />

cruciform medallion framed by spandrels<br />

and enclosed by deep indigo borders of<br />

polychrome flowerheads and serrated<br />

leaves between meandering vine guard<br />

stripes, 337cm by 252cm<br />

£600 - 900<br />

1395<br />

Tabriz Prayer Carpet<br />

Persian Azerbaijan<br />

The mid indigo field of scrolling vines<br />

beneath the Mihrab enclosed by borders of<br />

flowerheads and scrolling vines, 336cm by<br />

215cm (reduced)<br />

£300 - 500<br />

1396<br />

<strong>Fine</strong> and Unusual Nain Silk Rug with<br />

Wool Highlights<br />

Central Persia<br />

The ivory field depicting hunting scenes<br />

within a verdant landscape of trees and<br />

flowering plants enclosed by floral borders<br />

and similar guard stripes, 261cm by 152cm<br />

**Carpet production in Nain began<br />

relatively recently (during the 1940's).<br />

However, in the 1950's the town became<br />

famous for the quality of its production,<br />

often making finely knotted rugs piled in<br />

soft lustrous wool on a cotton foundation.<br />

Silk was frequently used to highlight small<br />

design features. This rug is interesting<br />

and highly unusual in that approximately<br />

90% of the rug is piled in silk and the<br />

small design features are knotted in wool.<br />

This would suggest that the rug was<br />

woven as a one-off special commission<br />

rather than a production piece.<br />

£1800 - 2500<br />

1397<br />

Good Ghom Carpet<br />

Central Persia<br />

The allover ivory lattice field of palmettes<br />

and vines enclosed by raspberry borders of<br />

leafy flowering plants between pale indigo<br />

rosette guard stripes, 320cm by 230cm<br />

£1500 - 2500<br />

1398<br />

Tabriz Carpet<br />

Persian Azerbaijan<br />

The cream field with an allover design of<br />

palmettes and scrolling serrated leaves<br />

enclosed by claret borders of similar<br />

design flanked by pale blue meandering<br />

vine guard stripes, 385cm by 305cm<br />

£1200 - 1800<br />

1399<br />

Kashan Carpet<br />

Central Persia<br />

The ivory field with an allover design of<br />

boteh enclosed by similar borders and<br />

meandering vine guard stripes, 377cm by<br />

277cm<br />

**Signed in several places<br />

£600 - 900<br />

1400<br />

Narrow Heriz Runner<br />

Persian Azerbaijan<br />

The rust field with a single column of<br />

hooked and cruciform medallions enclosed<br />

by narrow borders of cruciform motifs and<br />

mid indigo guard stripes, 340cm by 88cm<br />

£400 - 600<br />

1401<br />

Narrow Kashgai Runner<br />

South West Persia<br />

The deep indigo field of millefleur design<br />

around a column of ivory medallions<br />

framed by narrow ivory borders of<br />

polychrome octagons and boteh guard<br />

stripes, 321cm by 89cm


**The Kashgai tribe are prolific weavers<br />

but made few rugs in runner format.<br />

Narrow weavings such as this one are rare<br />

£300 - 500<br />

1401A<br />

Yazd Carpet<br />

South East Persia<br />

The raspberry field of scrolling floral vines<br />

around an ivory and indigo pole medallion<br />

framed by spandrels and enclosed by deep<br />

indigo borders of meandering vines and<br />

triple guard stripes, 453cm by 329cm<br />

£500 - 800<br />

1402<br />

Afghan Carpet<br />

Afghan Turkestan<br />

The madder field with columns of typical<br />

"elephant foot" medallions enclosed by<br />

compartmentalised sunburst borders and<br />

multiple minor borders between boteh<br />

guard stripes, 440cm by 350cm<br />

£300 - 500<br />

1403<br />

Ersari Carpet<br />

Emirate of Bukhara<br />

The madder field with three columns of<br />

"elephant foot" quartered guls enclosed by<br />

borders of stepped diamond motifs and<br />

barber pole guard stripes, 347cm by<br />

254cm<br />

£400 - 600<br />

1404<br />

A Good Brussels Tapestry, late<br />

17th/early 18th century<br />

Woven in silk and wool, depicting a<br />

huntsman sitting beneath a tree with his<br />

hound within a verdant wooded landscape,<br />

enclosed by rich borders of exotic birds<br />

fruits, leafy floral vines and plain indigo<br />

narrow outer borders, signed in the lower<br />

border EE Panmaker, 302cm by 196cm<br />

**The Panmaker family are recorded as<br />

weaving in Brussels from the mid<br />

seventeenth century until 1720. Evidently<br />

they used more than one variation of the<br />

spelling of the family name<br />

£8000 - 12000<br />

1405<br />

A Late 17th/Early 18th Century<br />

Flemish "Verdure" Tapestry<br />

Woven in silk and wool depicting a large<br />

leafy tree flanked by birds within a<br />

wooded landscape, the background with<br />

castles, houses and a bridge enclosed by<br />

borders of flowers plants and acanthus<br />

leaves and narrow plain minor borders,<br />

358cm by 271cm<br />

£4000 - 6000<br />

1406<br />

Senneh Rug<br />

Persian Kurdistan<br />

The deep indigo field with columns of<br />

boteh enclosed by madder borders of<br />

stylised flowerheads and serrated leaves<br />

between mid indigo borders, 145cm by<br />

112cm<br />

£300 - 500<br />

1407<br />

Good Veramin Carpet<br />

Central Persia<br />

The ivory field of lattice design containing<br />

palmettes and birds with pale indigo<br />

borders of stylised meandering vines and<br />

double guard stripes, 323cm by 215cm<br />

**Veramin carpets are comparatively rare.<br />

This is a fine example of weaving from this<br />

region<br />

£1500 - 2500


1408<br />

Good Isfahan Rug<br />

Central Persia<br />

The pale indigo field of large scrolling<br />

vines around a claret pole medallion<br />

framed by claret borders of palmettes and<br />

meadering leafy vines between ivory guard<br />

stripes, 171cm by 118cm<br />

**Woven on a silk foundation<br />

£500 - 800<br />

1409<br />

Isfahan Carpet<br />

Central Persia<br />

The ivory field of scrolling floral vines<br />

enclosed by similar borders and double<br />

meandering vine guard stripes, 310cm by<br />

210cm<br />

**Silk highlights<br />

£500 - 800<br />

1410<br />

Tabriz Carpet<br />

Persian Azerbaijan<br />

The brick red field of flowering vines<br />

around an indigo pole medallion framed by<br />

spandrels of urns issuing flowers and<br />

indigo borders of palmettes and<br />

meandering vines between ivory guard<br />

stripes, 390cm by 290cm<br />

£1000 - 1500<br />

1411<br />

Feraghan Kelleh<br />

West Persia<br />

The deep indigo Herati field enclosed by<br />

narrow ivory borders, 510cm by 200cm<br />

£1000 - 1500<br />

1412<br />

An Unusual Malayir Carpet<br />

West Persia<br />

The mid indigo field with columns of<br />

stylised boteh enclosed by madder borders<br />

of angular meandering vines and triple<br />

guard stripes, 475cm by 370cm<br />

£1400 - 1800<br />

1413<br />

Narrow Heriz Runner<br />

Persian Azerbaijan<br />

The abrashed madder field with a column<br />

of diamond medallions surrounded by<br />

stylised flowerheads and plants and<br />

enclosed by borders of meandering vines<br />

of stylised serrated leaves, 360cm by<br />

95cm<br />

£300 - 400<br />

1414<br />

Unusual Heriz Carpet<br />

Persian Azerbaijan<br />

The terracotta field with a complex allover<br />

reciprocal design of stylised fleur de lys<br />

enclosed by wide ivory borders of stylised<br />

samovar motifs and cloudbands between<br />

indigo guard stripes, 330cm by 240cm<br />

£400 - 600<br />

1415<br />

North West Persian Carpet<br />

Persian Azerbaijan<br />

The field with an allover design of large<br />

stylised flowerheads and angular floral<br />

vines enclosed by mushroom borders of<br />

stylised meandering vines and indigo<br />

boteh guard stripes, 340cm by 260cm<br />

£1000 - 1500<br />

1416<br />

Tafrish Rug<br />

Persian Kurdistan<br />

The ice blue field centred by a madder<br />

medallion framed by spandrels and ivory<br />

boteh borders, 193cm by 136cm<br />

£300 - 500<br />

1417<br />

Indian Carpet<br />

Probably Amritsar, Punjab<br />

The indigo field with a lattice of palmettes,<br />

flowerheads and serrated leaves enclosed<br />

by wide ivory borders of meandering vines<br />

between multiple guard stripes, 651cm by<br />

336cm<br />

£300 - 500


1418<br />

A Late 19th Century Six Panel<br />

Aubusson Screen<br />

Central France<br />

Each panel set in a moulded walnut frame<br />

depicting meandering polychrome floral<br />

vines within a narrow rococo border, each<br />

panel 172cm by 61cm<br />

£400 - 600<br />

1419<br />

Tabriz Carpet<br />

Persian Azerbaijan<br />

The coral field sparsely decorated with<br />

angular vines centred by a roundel<br />

medallion framed by spandrels and deep<br />

indigo borders between meandering vine<br />

guard stripes, 391cm by 280cm<br />

£300 - 500<br />

1420<br />

Beshir Rug<br />

Emirate of Bukhara<br />

The rust field with three columns of<br />

hooked guls enclosed by borders of<br />

octagons and ivory guard stripes, 245cm<br />

by 144cm<br />

£600 - 900<br />

1421<br />

Rare Signed Heriz Carpet<br />

Persian Azerbaijan<br />

The madder field of angular vines around<br />

an indigo cruciform medallion framed by<br />

spandrels and indigo borders of stylised<br />

flowers and meandering vines between ice<br />

blue guard stripes, 390cm by 290cm<br />

£800 - 1200<br />

1422<br />

Kashan Carpet<br />

Central Persia<br />

The ivory field with a lattice of leafy vines<br />

around a roundel medallion enclosed by<br />

floral borders, 425cm by 330cm<br />

£500 - 1000<br />

1423<br />

North West Persian Carpet, of<br />

unusual size<br />

Probably Persian Azerbaijan<br />

The deep indigo lattice field of angular<br />

vines enclosed by claret borders of stylised<br />

angular meandering vines between double<br />

guard stripes, 404cm by 341cm<br />

£800 - 1200<br />

1424<br />

<strong>Fine</strong> Ghom Silk Rug<br />

The ivory field depicting hunting scenes<br />

and flowering plants enclosed by pale<br />

lemon borders of animals, birds and<br />

flowers, the guard stripes with cartouches<br />

of calligraphic Persian poetry, 201cm by<br />

113cm<br />

**Provenance: Belonged to Primrose<br />

Dampier-Blackburn (nee Atkinson)<br />

£700 - 1000<br />

1425<br />

Kashan Carpet<br />

Central Persia<br />

The raspberry field of scrolling vines and<br />

palmettes around an indigo medallion<br />

framed by spandrels and indigo borders of<br />

meandering vines between double guard<br />

stripes<br />

341cm by 240cm<br />

£500 - 700<br />

1426<br />

Heriz Carpet<br />

Perisan Azerbaijan<br />

The claret field of angular vines and<br />

stylised flowerheads around a cruciform<br />

medallion framed by spandrels and wide<br />

indigo borders of samovar motifs between<br />

meandering vine guard stripes, 430cm by<br />

322cm<br />

£1000 - 1500


1427<br />

Tabriz Carpet<br />

Persian Azerbaijan<br />

The field with an allover design of leafy<br />

scrolling floral vines within similar<br />

meandering vine borders and ivory guard<br />

stripes, 338cm by 245cm<br />

£400 - 600<br />

1428<br />

A <strong>Fine</strong>ly Woven Chinese Silk Carpet<br />

The indigo field richly decorated with floral<br />

vines around an ivory and crimson<br />

medallion framed by spandrels and<br />

crimson borders of meandering vines,<br />

362cm by 278cm<br />

£3000 - 5000<br />

1429<br />

A <strong>Fine</strong> Large Isfahan Carpet<br />

The shaded terracotta field of scrolling<br />

vines and palmettes around a central<br />

medallion framed by spandrels and<br />

enclosed by mid indigo borders of boteh<br />

and meandering vines between double<br />

guard stripes, 622cm by 372cm<br />

**Provenance: Allerton Castle, North<br />

Yorkshire<br />

£2500 - 3500<br />

Garden Statuary<br />

1430<br />

withdrawn<br />

1431<br />

A Pair of Cast Iron Garden Urns, of<br />

semi-gadrooned campana form with loop<br />

handles and mask terminals, on flutes<br />

socles and square bases, 76cm high<br />

£200 - 300<br />

1432<br />

A Pair of Cast Iron Urns, of fluted squat<br />

campana form with egg and dart moulded<br />

borders, on square bases, 54cm diameter<br />

£200 - 300<br />

1433<br />

A Cast Iron Garden Urn, of<br />

semi-gadrooned campana form with<br />

gadrooned rim and loop handle, cast with<br />

a band of stylised foliage and strapwork,<br />

on a fluted circular base, 73cm high<br />

£150 - 200<br />

1434<br />

A Pair of Carved White Marble Table<br />

Supports, in Assyrian style, probably<br />

India, 20th century, each as a winged<br />

lion flanked by pilasters, 15cm by 41cm by<br />

74cm<br />

£150 - 250<br />

1435<br />

A Coalbrookdale Style Cast Iron<br />

Garden Bench, 20 th century, the curved<br />

back cast and pierced with scrolling leaves<br />

and flowers, with conforming end panels,<br />

wooden slatted seat, 123cm by 36cm by<br />

100cm (repainted)<br />

£300 - 500<br />

1436<br />

A Coalbrookdale Style Cast Iron<br />

Garden Bench, 20 th century, the curved<br />

back cast and pierced with scrolling leaves<br />

and flowers, with conforming end panels,<br />

wooden slatted seat, 123cm by 36cm by<br />

100cm (repainted)<br />

£300 - 500<br />

1437<br />

A Coalbrookdale Style Cast Iron<br />

Garden Bench, 20 th century, the curved<br />

back cast and pierced with scrolling leaves<br />

and flowers, with conforming end panels,<br />

wooden slatted seat, 123cm by 36cm by<br />

100cm (repainted)<br />

£300 - 500


1438<br />

A Coalbrookdale Style Cast Iron<br />

Garden Bench, 20 th century, the curved<br />

back cast and pierced with scrolling leaves<br />

and flowers, with conforming end panels,<br />

wooden slatted seat, 123cm by 36cm by<br />

100cm<br />

£300 - 500<br />

1439<br />

A 19th Century Carved Stone<br />

Sculpture, modelled as a Lion, his<br />

head turned to the left, on a moulded<br />

base, 153cm by 50cm by 120cm high<br />

**Provenance: Part of a grouping that<br />

looked down from their lofty perch atop<br />

the old Port Admiral Pub in Preston<br />

Lancashire. Erected in about 1854, and<br />

demolished in 1969. It's facade and<br />

architecture was a landmark, and the<br />

statues were a talking point for over 100<br />

years. However the sculptor of the statues<br />

remains unidentified. They had, until<br />

recently, been on display in a private<br />

garden in Lancashire for more than 30<br />

years; any damage sustained being prior<br />

to this time. Popular belief (unlikely), held<br />

the controversial nude lady to be Lady<br />

Hamilton. This statue, however, bears<br />

some resemblance in style to “the Greek<br />

slave” statue by Hiram Powers in the great<br />

exhibition of 1851.<br />

£1800 - 2500<br />

1440<br />

A 19th Century Carved Stone<br />

Sculpture of Napoleon, raised on a<br />

square section stepped base, the base<br />

76cm by 63cm, 230cm high<br />

**Provenance: Part of a grouping that<br />

looked down from their lofty perch atop<br />

the old Port Admiral Pub in Preston<br />

Lancashire. Erected in about 1854, and<br />

demolished in 1969. It's facade and<br />

architecture was a landmark, and the<br />

statues were a talking point for over 100<br />

years. However the sculptor of the statues<br />

remains unidentified. They had, until<br />

recently, been on display in a private<br />

garden in Lancashire for more than 30<br />

years; any damage sustained being prior<br />

to this time. Popular belief (unlikely), held<br />

the controversial nude lady to be Lady<br />

Hamilton. This statue, however, bears<br />

some resemblance in style to “the Greek<br />

slave” statue by Hiram Powers in the great<br />

exhibition of 1851.<br />

£3000 - 5000<br />

1441<br />

A 19th Century Carved Stone<br />

Sculpture of a Classical Nude Maiden,<br />

on circular base with carved tree stump,<br />

secured by a metal ring to the original<br />

coping stone, the base 117cm by 78cm,<br />

210cm high<br />

**Provenance: Part of a grouping that<br />

looked down from their lofty perch atop<br />

the old Port Admiral Pub in Preston<br />

Lancashire. Erected in about 1854, and<br />

demolished in 1969. It's facade and<br />

architecture was a landmark, and the<br />

statues were a talking point for over 100<br />

years. However the sculptor of the statues<br />

remains unidentified. They had, until<br />

recently, been on display in a private<br />

garden in Lancashire for more than 30<br />

years; any damage sustained being prior<br />

to this time. Popular belief (unlikely), held<br />

the controversial nude lady to be Lady<br />

Hamilton. This statue, however, bears<br />

some resemblance in style to "the Greek<br />

slave" statue by Hiram Powers in the great<br />

exhibition of 1851.<br />

£1800 - 2500


1442<br />

A Carved Stone and Composition<br />

Church Font, probably 19th century,<br />

of octagonal shaped form, each side<br />

carved with a gothic style tracery and birds<br />

above a carved frieze and moulded base<br />

on four marble effect columns, 63cm by<br />

63cm by 98cm<br />

£500 - 700<br />

1442A<br />

A Large Traditional Stone Trough, of<br />

rectangular form, 129cm by 81cm by<br />

35cm<br />

£150 - 250<br />

1442B<br />

A Traditional Stone Trough, of<br />

rectangular form, 69cm by 58cm by 32cm;<br />

and A Smaller Example, 61cm by 43cm<br />

by 33cm (2)<br />

£150 - 250<br />

1442C<br />

A Traditional Stone Trough, of<br />

rectangular form, 95cm by 67cm by 45cm<br />

£150 - 250<br />

1442D<br />

A Traditional Stone Trough, of<br />

rectangular form, 96cm by 68cm by 46cm<br />

£200 - 300<br />

1442E<br />

A Pair of Cast Metal Campana Shaped<br />

Garden Urns, of recent date, 71cm by<br />

80cm<br />

£200 - 300<br />

1442F<br />

A Pair of Cast Metal Garden Urns, with<br />

gadrooned bodies, acanthus scroll handles,<br />

raised on square section bases, 60cm<br />

(excluding handle) by 79cm<br />

£250 - 350<br />

1442G<br />

A Composition Stone Garden Urn, of<br />

circular form with egg and dart moulded<br />

edge and acanthus body with conforming<br />

base, raised on a circular pedestal, 66cm<br />

by 137cm<br />

£200 - 300<br />

1442H<br />

A Regency Style Painted Garden<br />

Bench, with wooden slats on scroll end<br />

metal supports, 181cm long; and A<br />

Smaller Example, 151cm long (2)<br />

£150 - 200<br />

Furniture<br />

1443<br />

An 18 th Century German Walnut<br />

Cabinet on Stand, the bold pediment<br />

above floral and leaf carved cupboard<br />

doors enclosing a fitted interior, the base<br />

with drawer above spiral turned supports,<br />

with conforming stretcher and raised on<br />

flattened bun feet, 130cm by 68cm by<br />

187cm<br />

£1000 - 1500<br />

1444<br />

A Dutch 18 th Century Style Walnut<br />

Commode, of bombé shaped form, the<br />

quarter-veneered top with moulded edge<br />

above four deep drawers, raised on ball<br />

and claw forefeet, 85cm by 50cm by 82cm<br />

£300 - 500<br />

1445<br />

An 19 th Century Biedermeier Walnut<br />

Secretaire Chest, the quarter-veneered<br />

moulded top above a secretaire drawer<br />

enclosing four small drawers flanked by<br />

spindle supports above two deep drawers,<br />

raised on flattened bun feet, 123cm by<br />

62cm by 92cm<br />

£300 - 500<br />

1446<br />

A North European Figured Walnut<br />

Secretaire à Abattant, late 19 th<br />

century, the frieze drawer above a fall<br />

front enclosing a green leather skiver and<br />

an arrangement of small drawers, the<br />

lower section fitted two cupboard doors,<br />

raised on a platform base with castors,<br />

106cm by 51cm by 155cm<br />

£500 - 700


1447<br />

A 19 th Century North European<br />

Walnut and Marquetry Side Cabinet,<br />

with later green marble top above a<br />

parquetry decorated drawer with<br />

secretaire drawer below enclosing and<br />

arrangement of six small drawers and<br />

pigeon holes, a further deep drawer<br />

below, all between canted stiles, raised on<br />

tapering legs with brass toes, 99cm by<br />

50cm by 127cm<br />

£300 - 500<br />

1448<br />

A 19 th Century North European<br />

Mahogany Centre Table, of serpentine<br />

shaped form with quarter-veneered top,<br />

carved and moulded edge above a shaped<br />

frieze, raised on acanthus scroll legs joined<br />

by an undertier and raised on castors,<br />

127cm by 91cm by 77cm<br />

£300 - 400<br />

1449<br />

An 18 th Century Continental Walnut,<br />

Plumwood and Tulipwood Serpentine<br />

Shaped Commode, the top and end<br />

panels quarter-veneered, above three<br />

deep drawers and shaped apron, raised on<br />

bracket feet, (restorations) 120cm by<br />

66cm by 88cm<br />

£5000 - 7000<br />

1450<br />

A French Walnut Semanier, 2 nd half<br />

19 th century, the staged top above a<br />

frieze drawer with six drawers below, all<br />

between fluted and turned supports, the<br />

right column acting as a lock, raised on a<br />

platform base with square form feet, 78cm<br />

by 55cm by 159cm<br />

£600 - 800<br />

1451<br />

A Mahogany and Marquetry Dutch<br />

Style Serving Table, 20th century,<br />

richly inlaid overall with trailing flowers,<br />

urns and leaves, the rectangular top and<br />

shaped gallery above two frieze drawers,<br />

raised on square tapering supports joined<br />

by a wavy shaped stretcher, 150cm by<br />

53cm by 98cm<br />

£800 - 1200<br />

1452<br />

Erard, late 19 th century: A 6'<br />

Rosewood Cased Grand Piano, raised<br />

on turned and fluted tapering legs with<br />

brass toes and castors; and A 1920's<br />

Walnut Music Seat, with green<br />

overstuffed seat, cabriole legs and pad<br />

feet (2)<br />

£400 - 600<br />

1453<br />

Challen (1930's): A 4'1” Baby Grand<br />

Piano, in polished mahogany case, raised<br />

on square tapering legs<br />

£300 - 500<br />

1454<br />

C Bechstein: A 6'6" Mahogany Cased<br />

Grand Piano, model no.101040?,<br />

raised on square tapering legs with brass<br />

toes and castors; and A 1930's Music<br />

Seat, with close-nailed and hinged<br />

overstuffed seat, 55cm by 43cm by 44cm<br />

(2)<br />

£1000 - 1500<br />

1455<br />

An Edwardian Walnut Revolving<br />

Piano Duet Stool, circa 1900,<br />

recovered in modern silk fabric, with<br />

conforming adjustable brass supports and<br />

turned tapering legs joined by a shaped<br />

understretcher, 90cm by 37cm by 51cm<br />

**See Andrews (John) Victorian and<br />

Edwardian Furniture, Page 250 pl.866<br />

£300 - 500


1456<br />

A Mahogany and Rosewood Duet<br />

Stool, stamped Gillows, Lancaster,<br />

late 19 th century, the close-nailed green<br />

leather overstuffed hinged seat above a<br />

fluted frieze with acanthus carved<br />

spandrels, raised on turned and carved<br />

supports and platform bases joined by a<br />

stretcher, 100cm by 44cm by 55cm<br />

£200 - 300<br />

1457<br />

An Edwardian Rosewood and<br />

Marquetry Writing Desk, stamped<br />

Gillow & Co, Lancaster, late 19 th<br />

century, the staged top with two small<br />

drawers and balustrade gallery above a<br />

green and gilt leather skiver, above two<br />

frieze drawers, raised on square tapering<br />

legs with leaf carved decoration joined by<br />

a shaped undertier, 107cm by 61cm by<br />

89cm<br />

£600 - 900<br />

1458<br />

A George IV Mahogany Breakfront<br />

Sideboard, in the manner of Gillows,<br />

2 nd quarter 19 th century, with single<br />

frieze drawer above an arched apron<br />

flanked by a deep cellaret drawer and<br />

cupboard door, raised on turned and<br />

reeded column supports and legs, 214cm<br />

by 70cm by 95cm<br />

£800 - 1000<br />

1459<br />

A Mahogany Washstand, in the<br />

manner of Gillows, 2 nd quarter 19 th<br />

century, with three-quarter shaped<br />

gallery above a frieze drawer, raised on<br />

square tapering supports joined by a<br />

shaped undertier, 107cm by 51cm by<br />

86cm<br />

£300 - 500<br />

1460<br />

A Pair of George III Mahogany Carver<br />

Chairs, bearing stamp of Gillows,<br />

early 19 th century, with carved top rail,<br />

carved and scrolled pierced splat and<br />

outswept arms with carved handgrips,<br />

velvet upholstered seats, fluted forelegs<br />

joined by an H stretcher, 58cm by 47cm<br />

by 96cm<br />

£500 - 800<br />

1461<br />

An Early Georgian Style Walnut,<br />

Feather Banded and Crossbanded<br />

Kneehole Desk, with secretaire drawer<br />

above an arrangement of six small<br />

drawers and small frieze drawer, all above<br />

an arched apron with cupboard door<br />

below, raised on bracket feet, 81cm by<br />

46cm by 80cm<br />

£700 - 1000<br />

1462<br />

A George III Satinwood and<br />

Mahogany Foldover Card Table, late<br />

18 th century, the top inlaid with<br />

segmented veneers, patera and kingwood,<br />

the green baize lined interior above a later<br />

inlaid frieze, raised on square tapering<br />

legs, 113cm by 47cm by 74cm<br />

£250 - 350<br />

1463<br />

A Victorian Figured Walnut and<br />

Marquetry Breakfront Credenza, mid<br />

19 th century, with grey veined Carrara<br />

marble top above two cupboard doors with<br />

arched mirror plates, flanked by serpentine<br />

shaped cupboard doors, raised on a plinth<br />

base, 153cm by 48cm by 90cm<br />

£600 - 800


1464<br />

A Pair of Gilt and Gesso Demi-Lune<br />

Console Tables, with rouge royale<br />

marble tops above a foliate frieze<br />

decorated with floral swags, raised on<br />

acanthus and stop fluted tapering legs<br />

joined by a shaped stretcher surmounted<br />

by an urn, 51cm by 28cm by 84cm<br />

£500 - 800<br />

1465<br />

A Gilt and Gesso Demi-Lune Console<br />

Table, with rouge royale marble top<br />

above a foliate frieze decorated with floral<br />

swags, raised on acanthus and stop fluted<br />

tapering legs joined by a shaped stretcher<br />

surmounted by an urn, 81cm by 40cm by<br />

85cm<br />

£400 - 600<br />

1466<br />

A Late George III Mahogany, Floral<br />

Marquetry and Tulipwood<br />

Crossbanded Sideboard, early 19 th<br />

century, of serpentine shaped form with<br />

a deep frieze drawer above a shaped<br />

apron and flanked by a deep cellaret door<br />

and cupboard door, raised on square<br />

tapering legs, 170cm by 70cm by 94cm<br />

£1500 - 2000<br />

1467<br />

A 19 th Century Gilt and Gesso Rococo<br />

Style Glazed Wall Cabinet, with central<br />

glazed door enclosing a velvet lined<br />

interior with two fixed shelves and C scroll<br />

brackets, flanked by canted sides, headed<br />

by a richly decorated pediment centred by<br />

a floral plume, 65cm by 40cm by 140cm<br />

£400 - 600<br />

1468<br />

A George III Mahogany Octagonal<br />

Wine Cooler, circa 1800, the hinged lid<br />

with floral patera above a brass bound<br />

body with carrying handles, raised on a<br />

stand with fluted frieze and four tapering<br />

fluted legs with carved spandrels and<br />

raised on castors, 85cm by 45cm by 75cm<br />

£900 - 1200<br />

1469<br />

A Regency Rosewood Inverted<br />

Breakfront Dwarf Bookcase, early<br />

19 th century, the pierced three-quarter<br />

brass gallery above hinged doors with<br />

acanthus carved scrolling supports,<br />

gathered silk doors with anthemion carved<br />

decoration above a conforming moulded<br />

base, 142cm by 38cm by 97cm<br />

£1500 - 2000<br />

1470<br />

A Late 17 th Century Olivewood and<br />

Oyster Veneered Straight Front Chest<br />

of Drawers, the moulded top with tracery<br />

stringing above two short and two long<br />

crossbanded drawers, raised on later<br />

turnip feet, 95cm by 60cm by 82cm<br />

£1500 - 2000<br />

1472<br />

A Regency Mahogany Secretaire<br />

Bookcase, early 19 th century, with<br />

lancet astragal glazed doors enclosing<br />

adjustable shelves, the chest with a deep<br />

secretaire drawer enclosing an<br />

arrangement of small drawers and pigeon<br />

holes with three drawers below, raised on<br />

turned feet, 107cm by 52cm by 228cm<br />

(possibly a marriage)<br />

£700 - 1000


1473<br />

A George IV Mahogany Secretaire<br />

Bookcase, 2 nd quarter 19 th century,<br />

the ovolo moulding above astragal glazed<br />

doors enclosing adjustable shelves, with a<br />

deep two-as-one secretaire drawer<br />

enclosing drawers and pigeon holes, three<br />

long drawers below, raised on turned feet,<br />

123cm by 58cm by 230cm<br />

£600 - 800<br />

1474<br />

A George II Figured Walnut and<br />

Featherbanded Chest on Stand, mid<br />

18 th century, the quarter-veneered<br />

hinged lid above two brass carrying side<br />

handles, the stand with two frieze<br />

drawers, raised on bracket feet, 115cm by<br />

56cm by 88cm<br />

£400 - 600<br />

1475<br />

A Late George III Mahogany<br />

Canterbury, early 19 th century, the<br />

four concave shaped dividers with profile<br />

shaped end supports, above two frieze<br />

drawers, raised on turned legs with brass<br />

toes and castors, 53cm by 37cm by 53cm<br />

£400 - 600<br />

1476<br />

A George III Mahogany Straight<br />

Front Chest of Drawers, late 18 th<br />

century with alterations, the moulded<br />

top above a pull-out brushing slide, two<br />

short over three long graduated drawers,<br />

all between blind fret stiles raised on<br />

bracket feet, 88cm by 55cm by 85cm<br />

£1000 - 1500<br />

1477<br />

A Late Victorian Oak and Ebony<br />

Banded Bookcase, circa 1880, with a<br />

bold ball surmounted cornice above four<br />

glazed doors enclosing adjustable shelves<br />

all between acanthus carved brackets, the<br />

base with a leaf carved edge above<br />

conforming cupboard doors, raised on a<br />

plinth base, 248cm by 54cm by 242cm<br />

£2000 - 3000<br />

1478<br />

A George III Mahogany Washstand,<br />

circa 1800, with two hinged leaves<br />

enclosing a fitted interior of compartments<br />

and an aperture for a wash bowl, a<br />

retractable ratchet mirror, two tambour<br />

doors below and frieze drawer, raised on<br />

square chamfered legs with castors, 91cm<br />

by 51cm by 86cm<br />

£250 - 350<br />

1479<br />

A Victorian Rococo Style Gilt and<br />

Gesso Console Table, late 19 th<br />

century, of serpentine shaped form, the<br />

modern pink marble above a richly<br />

decorated frieze, on scroll supports with<br />

acanthus decoration joined by a stretcher,<br />

90cm by 44cm by 102cm<br />

£400 - 600<br />

1480<br />

An Impressive Pair of Figured<br />

Walnut, Tulipwood Banded Floral<br />

Marquetry and Gilt Metal Mounted<br />

Pedestals, with staged tops above hinged<br />

cupboard doors inset with oval panels,<br />

raised on platform base, 28cm by 22cm by<br />

130cm<br />

£1500 - 2500


1481<br />

A George III Mahogany and Brass<br />

Bound Wine Cooler, circa 1800, of<br />

hexagonal shaped form with brass drop<br />

handles, raised on a moulded stand with<br />

three chamfered tapering legs with<br />

castors, 48cm by 41cm by 73cm<br />

£400 - 600<br />

1482<br />

Newton, Son & Berry (fl.1830-1838,<br />

London): Newton's New and<br />

Improved Terrestrial Globe<br />

Accurately from the Observations of<br />

the Most Esteemed Navigators and<br />

Travellers to the Present Time,<br />

manufactured by Newton, Son &<br />

Berry, 66 Chancery Lane, published<br />

February 2 nd 1832, a 16" diameter<br />

terrestrial library globe, with brass ring<br />

and four mahogany quadrant supports on<br />

turned support, with three splayed legs<br />

united by stretchers supporting a compass<br />

£800 - 1200<br />

1483<br />

A George IV Mahogany, Tulipwood<br />

and Rosewood Crossbanded Linen<br />

Press, 2 nd quarter 19 th century, the<br />

cavetto cornice above oval panelled doors,<br />

the interior with two sliding trays, four<br />

graduated drawers below, raised on<br />

gadrooned feet, 122cm by 52cm by 215cm<br />

£800 - 1200<br />

1484<br />

A Pair of Regency Mahogany Foldover<br />

Tea Tables, of demi-lune form above a<br />

rectangular gadrooned frieze flanked by<br />

later scrolled spandrels, raised on square<br />

tapering supports, quadripartite base and<br />

reeded legs with brass toes and castors,<br />

91cm by 45cm by 71cm (repairs)<br />

£2200 - 2800<br />

1485<br />

A Late Regency Rosewood Library<br />

Table, 2 nd quarter 19 th century, with<br />

red leather writing surface above two real<br />

and two sham drawers, raised on standard<br />

end supports joined by a stretcher with<br />

platform bases, cast paw feet and castors,<br />

112cm by 62cm by 73cm<br />

£400 - 600<br />

1486<br />

An Early Georgian Walnut Dining<br />

Chair, circa 1710, with shaped top rail<br />

and plain splat above a drop-in seat,<br />

raised on cabriole forelegs joined by a<br />

turned and wavy shaped stretcher, 50cm<br />

by 37cm by 105cm<br />

£300 - 400<br />

1487<br />

A George III Mahogany Tripod Table,<br />

late 18 th century, with flip top, turned<br />

vasiform support, raised on three cabriole<br />

legs with flattened pad feet, 80cm by<br />

71cm<br />

£1000 - 1500<br />

1488<br />

A Regency Mahogany and Gilt Metal<br />

Mounted Console Table, early 19 th<br />

century, the later rectangular top above a<br />

plain frieze with foliate mounts, raised on<br />

square tapering supports with Egyptian<br />

revival mounts terminating in feet, raised<br />

on a platform base, 117cm by 50cm by<br />

92cm<br />

£400 - 600<br />

1489<br />

A Pair of Regency Ebony and Brass<br />

Strung Canterburies, 2nd quarter 19 th<br />

century, each with a turned handle above<br />

four bobbin turned dividers with spindle<br />

supports joined by turned stretchers,<br />

raised on brass toes and castors, 41cm by<br />

35cm by 57cm<br />

£1200 - 1800


1490<br />

A Late George III Mahogany,<br />

Satinwood and Kingwood<br />

Crossbanded Sofa Table, early 19 th<br />

century, with two rounded drop leaves<br />

above two real and two sham drawers,<br />

raised on standard end supports with<br />

sabres legs, brass toes and castors, 97cm<br />

by 77cm by 70cm, with plate glass top<br />

£400 - 600<br />

1491<br />

A George III Mahogany Crossbanded<br />

and Boxwood Strung Sideboard, circa<br />

1800, of bowfront form fitted three frieze<br />

drawers above a shaped apron flanked by<br />

two deep cellaret drawers, raised on<br />

square tapering legs with spade feet,<br />

154cm by 65cm by 94cm<br />

£300 - 500<br />

1492<br />

A George III Mahogany Bureau<br />

Bookcase, mid 18 th century, the drawer<br />

with paper label of Philip Bell Cabinet<br />

Maker St Paul's Churchyard London, the<br />

bold cornice above moulded panel doors<br />

enclosing a fitted interior of shelves and<br />

pigeon holes above pull-out candleslides,<br />

the bureau with a fitted interior above two<br />

short and three long graduated drawers,<br />

raised on later bracket feet, 108cm by<br />

62cm by 218cm<br />

£2500 - 3500<br />

1493<br />

A Mahogany, Tulipwood Banded and<br />

Marquetry Side Table, late 19 th<br />

century, of serpentine shaped form, richly<br />

inlaid with trailing flowers, deep frieze<br />

drawer raised on square tapering legs,<br />

101cm by 46cm by 74cm<br />

£300 - 500<br />

1494<br />

A Victorian Rosewood and<br />

Polychrome Painted Writing Table,<br />

late 19 th century, the rectangular<br />

moulded top and floral painted border<br />

around a green and gilt leather writing<br />

surface, above two frieze drawers, raised<br />

on square tapering legs, brass toes and<br />

castors, 99cm by 61cm by 74cm<br />

£600 - 800<br />

1495<br />

A George II Style Carved Giltwood<br />

Console Table, late 19 th century, the<br />

rectangular verde antico marble above a<br />

richly decorated apron with scrolls and<br />

flowers centred by a vacant cartouche,<br />

raised on carved cabriole legs with shell<br />

carved knees terminating in paw feet with<br />

recessed castors, 145cm by 58cm by 68cm<br />

£1500 - 2000<br />

1496<br />

An Early Victorian Carved Mahogany<br />

Serving Table, mid 19 th century, the<br />

acanthus carved gallery back above a<br />

rectangular top and S shaped forelegs with<br />

scrolling toes and carved knees, raised on<br />

a platform base, 146cm by 56cm by<br />

122cm<br />

£400 - 600<br />

1497<br />

A George III Mahogany Bookcase,<br />

late 18 th century, with scrolled and<br />

gothic style fretwork pediment above a<br />

dentil frieze, glazed astragals enclosing<br />

two fixed shelves with a brushing slide<br />

below and two cupboard doors, raised on<br />

bracket feet, 134cm by 60cm<br />

£600 - 800


1498<br />

A Mahogany Ship's Surgeon's Chest,<br />

19 th century, the hinged lid opening to<br />

reveal a fitted interior of compartments<br />

above a sham drawer and sliding drawer<br />

below with two removable brass<br />

candlestands, six drawers below and a<br />

cupboard door, the sides with heavy brass<br />

carrying handles, 84cm by 51cm by 100cm<br />

£1000 - 1500<br />

1499<br />

A George III Style Mahogany<br />

Partners' Desk, late 19 th century, inset<br />

a green and gilt leather skiver above an<br />

arrangement of ten drawers to each side,<br />

raised on a platform base with castors,<br />

168cm by 37cm by 77cm<br />

£600 - 800<br />

1500<br />

A Rare George III Mahogany Rise<br />

and Fall Commode/Chest, early 19 th<br />

century, of serpentine shaped form, the<br />

hinged lid with two sham drawers opening<br />

to reveal a commode with pottery liner,<br />

65cm by 50cm by 85cm<br />

£300 - 500<br />

1501<br />

A George III Mahogany Serpentine<br />

Front Chest of Drawers, late 18 th<br />

century, the top drawer fitted a brushing<br />

slide, compartments and sliding toilet<br />

mirror, two deep drawers below and<br />

shaped apron, raised on bracket feet,<br />

110cm by 59cm by 81cm<br />

**Purchased from Dolphin Antiques,<br />

London, with original invoice<br />

£1000 - 1500<br />

1502<br />

A Regency Mahogany Breakfront<br />

Sideboard, 2 nd quarter 19 th century,<br />

with elegant brass spindle gallery above a<br />

plain frieze and deep drawer flanked by<br />

cupboard doors fitted lion mask loop<br />

handles, raised on turned legs, 174cm by<br />

65cm by 131cm (including rail)<br />

£250 - 350<br />

1503<br />

A Mahogany Linen Press, 2 nd quarter<br />

19 th century, the moulded cornice above<br />

a plain frieze and cupboard doors<br />

enclosing five sliding trays, the chest of<br />

two short over three long drawers, raised<br />

on bracket feet, 125cm by 58cm by 224cm<br />

£550 - 750<br />

1504<br />

A George III Mahogany and Ebony<br />

Strung Secretaire Bookcase, late 18 th<br />

century, with swan neck pediment above<br />

astragal glazed doors enclosing three<br />

adjustable shelves, above a deep<br />

secretaire drawer fitted pigeon holes and<br />

small drawers, two cupboard doors below<br />

with shelves and a deep cellaret drawer,<br />

raised on bracket feet, 110cm by 57cm by<br />

260cm<br />

£600 - 800<br />

1505<br />

A William IV Rosewood Chiffonier,<br />

2 nd quarter 19 th century, the<br />

superstructure centred by a shell above a<br />

shelf with turned reeded supports, a<br />

ovolo shaped drawer above cupboard<br />

doors flanked by turned tapering column<br />

supports enclosing an adjustable shelf,<br />

raised on carved paw feet, 99cm by 48cm<br />

by 120cm<br />

£500 - 700


1506<br />

A Victorian Mahogany Wellington<br />

Chest, mid 19 th century, the staged top<br />

above eight graduated drawers, raised on<br />

a moulded plinth base, 59cm by 44cm by<br />

145cm<br />

£500 - 700<br />

1507<br />

A Victorian Mahogany Wellington<br />

Chest, mid 19 th century, the staged top<br />

above eight graduated drawers, raised on<br />

a moulded plinth base, 63cm by 47cm by<br />

148cm<br />

£400 - 600<br />

1508<br />

A Mahogany Cheval Mirror, circa<br />

1820, the rectangular plate between<br />

standard supports with brass candle<br />

sconces and gadrooned turned handles,<br />

raised on splayed legs with Regency<br />

shaped knees terminating in brass toes<br />

and castors, 95cm by 74cm by 171cm<br />

£700 - 1000<br />

1509<br />

A Regency Rosewood and Brass<br />

Inlaid Sofa Table, early 19 th century,<br />

the two rounded drop leaves above two<br />

real and two sham drawers, raised on C<br />

scroll end supports, platform bases with<br />

anthemion scrolling toes and recessed<br />

castors, 100cm by 70cm by 73cm<br />

**Ex Tennants, 15.5.92 lot 579<br />

£2800 - 3500<br />

1510<br />

A Victorian Walnut, Ebony and Floral<br />

Marquetry Jardinière Stand, 3 rd<br />

quarter 19 th century, of hexagonal<br />

shaped form with removable circular lid,<br />

above C scroll carved supports and<br />

quadripartite base, raised on leaf carved<br />

feet with scrolling toes and castors, 61cm<br />

by 54cm by 74cm<br />

£250 - 300<br />

1511<br />

A Victorian Figured Walnut<br />

Canterbury/Whatnot, 3 rd quarter 19 th<br />

century, with pierced gallery, acanthus S<br />

scroll shaped supports above five fret<br />

carved dividers and single drawer, raised<br />

on turnip feet with brass toes and castors,<br />

75cm by 45cm by 124cm<br />

£450 - 650<br />

1512<br />

A George III Mahogany Bureau<br />

Bookcase, circa 1800, with a dentil and<br />

arcaded cornice above astragal glazed<br />

doors enclosing three adjustable shelves<br />

above four small drawers, the fall<br />

enclosing an attractive fitted interior,<br />

above two short and three long graduated<br />

drawers, raised on ogee bracket feet,<br />

112cm by 60cm by 233cm<br />

£900 - 1200<br />

1513<br />

A Victorian Rosewood and Floral<br />

Marquetry Trumpet Shaped Work<br />

Table, mid 19 th century, of octagonal<br />

shaped form above a tapering body, raised<br />

on acanthus carved cabriole legs, 43cm by<br />

43cm by 74cm<br />

£300 - 400<br />

1514<br />

A Regency Mahogany Sofa Table, 2 nd<br />

quarter 19 th century, with two rounded<br />

drop leaves above two real and two sham<br />

drawers, raised on reeded supports joined<br />

by a turned understretcher with splayed<br />

legs, brass toes and castors, 89cm by<br />

62cm by 75cm<br />

£500 - 800


1515<br />

A Mahogany and Rosewood<br />

Crossbanded Tripod Table, 2 nd<br />

quarter 19 th century, of rectangular<br />

canted form, raised on a turned support<br />

with acanthus carved cabriole legs and<br />

scrolling toes, 51cm by 49cm by 74cm<br />

£200 - 300<br />

1516<br />

A Regency Penwork Games/Work<br />

Table, early 19 th century, with brass<br />

plaque MADE BY TYRRELL, 2 GREEK<br />

STREET, SOHO, LONDON, with foliate<br />

decorated top about a chequerboard with<br />

frieze drawer and gathered fabric work<br />

box below, between shaped supports,<br />

raised on a turned stem and triform base<br />

inlaid with ivory, 53cm by 53cm by 74cm<br />

£700 - 1000<br />

1517<br />

A George II Style Mahogany Tripod<br />

Table, of unusual size, the moulded top<br />

above a turned and part wrythen spindle<br />

support, raised on cabriole legs with<br />

flattened pad feet, 28cm by 54cm<br />

£700 - 1000<br />

1518<br />

A George III Style Mahogany<br />

Serpentine Front Chest, the moulded<br />

top above four long graduated drawers<br />

fitted with later brasses, raised on bracket<br />

feet (19 th century with alterations), 109cm<br />

by 60cm by 101cm<br />

£350 - 550<br />

1519<br />

A George III Mahogany, Boxwood<br />

and Tulipwood Crossbanded<br />

Serpentine Front Chest of Drawers,<br />

late 18 th century, the four graduated<br />

drawers between canted stiles, raised on<br />

bracket feet, 102cm by 57cm by 83cm<br />

£800 - 1000<br />

1520<br />

A George II Style Mahogany Tripod<br />

Table, the circular pie crust edge and<br />

moulded top above a fluted acanthus<br />

carved support, raised on three cabriole<br />

legs with scrolling toes, 58cm by 70cm<br />

£500 - 700<br />

1521<br />

A George III Brass Bound Mahogany<br />

Peat Bucket, late 18 th century, the<br />

ribbed body of coopered construction, with<br />

arched brass carrying handle, 37cm by<br />

40cm (excluding handle)<br />

£800 - 1200<br />

1522<br />

A George III Mahogany and Boxwood<br />

Strung Wine Cooler, circa 1800, of<br />

octagonal shaped form, the segmented<br />

veneered top inlaid with oval patera, brass<br />

carrying side handles, raised on a<br />

conforming base with square tapering legs<br />

and castors, 43cm by 43cm by 72cm<br />

£300 - 500<br />

1523<br />

A George III Mahogany Serpentine<br />

Front Chest of Drawers, late 18 th<br />

century, with reeded edge above four<br />

deep drawers all between reeded cluster<br />

supports, 115cm by 58cm by 101cm<br />

£800 - 1200<br />

1524<br />

A Victorian Burr Maple and Ebony<br />

Strung Wardrobe, late 19 th century, of<br />

breakfront form, with bold cornice above<br />

two mirror doors enclosing six sliding<br />

drawers, flanked by conforming wings,<br />

raised on a platform base, 130cm by 64cm<br />

by 215cm<br />

£600 - 800


1525<br />

A Victorian Burr Maple Two Door<br />

Wardrobe, late 19 th century, the<br />

domed cornice above mirror doors<br />

enclosing hanging space and a shelf,<br />

raised on a platform base, 123cm by 65cm<br />

by 213cm<br />

£300 - 500<br />

1526<br />

A George III Style Satinwood and<br />

Tulipwood Banded Wardrobe, late<br />

19 th century, of serpentine shaped form,<br />

with arched pediment above two central<br />

cupboard doors inlaid with oval patera<br />

enclosing four sliding trays, two short over<br />

two long drawers below flanked by<br />

cupboard doors enclosing hanging space,<br />

242cm by 82cm by 222cm<br />

£1000 - 1500<br />

1527<br />

A Regency Mahogany Secretaire<br />

Bookcase, early 19 th century, the<br />

moulded domed pediment above astragal<br />

glazed doors enclosing three adjustable<br />

shelves, the chest with a deep drawer<br />

enclosing satinwood veneered drawers and<br />

pigeon holes, with three graduated<br />

drawers below, raised on splayed bracket<br />

feet, 106cm by 53cm by 234cm<br />

£800 - 1200<br />

1528<br />

withdrawn<br />

1529<br />

A George III Mahogany Straight<br />

Front Chest of Drawers, late 18 th<br />

Century, with fluted frieze drawer above<br />

two short and three long drawers, all<br />

between canted fluted stiles, raised on<br />

bracket feet, 106cm by 56cm by 91cm<br />

*The chest has similar features to Mayhew<br />

and Ince, with the fluted frieze drawer and<br />

canted angles headed by oval rosette<br />

patera. For a similar example see Christie's<br />

sale 7561, 18 June 2008, lot 159<br />

£700 - 1000<br />

1530<br />

A Victorian Mahogany Three-Tier<br />

Serving Trolley, mid 19 th century, of<br />

rectangular form, with turned and fluted<br />

column supports, raised on turnip feet<br />

with brass toes and castors, 121cm by<br />

49cm by 115cm<br />

£500 - 700<br />

1531<br />

A George II Mahogany Tripod Table,<br />

mid 18 th century, the circular two piece<br />

top above a bird cage platform, raised on<br />

a turned gun barrel support with three<br />

cabriole legs, flattened pad feet and<br />

castors, 90cm by 73cm<br />

£600 - 800<br />

1532<br />

A Victorian Mahogany Hall Seat, mid<br />

19 th century, with turned spindle back<br />

support, shaped and pierced S scroll end<br />

supports joined by a turned stretcher with<br />

fret carved apron, 107cm by 39cm by<br />

62cm<br />

£800 - 1000<br />

1533<br />

A George IV Mahogany, Satinwood<br />

Banded and Ebony Strung Pembroke<br />

Table, 2 nd quarter 19 th century, with<br />

two rounded drop leaves above a single<br />

frieze drawer and opposing sham drawer,<br />

raised on turned tapering legs with brass<br />

toes and castors, 106cm by 55cm by 75cm<br />

£400 - 600


1534<br />

An Irish George III Mahogany and<br />

Brass Bound Peat Bucket, late 18 th<br />

century, probably Dublin, of staved<br />

construction, the swing carrying handle<br />

with riveted T shape supports, the base<br />

stamped D 6085, 34cm by 40cm<br />

(excluding handle)<br />

£1000 - 1500<br />

1535<br />

A Mahogany Display Cabinet, mid 19 th<br />

century, the ovolo cornice above arched<br />

astragal glazed doors, the stand with two<br />

frieze drawers, raised on turned and<br />

reeded tapering legs, 99cm by 50cm by<br />

158cm<br />

£500 - 700<br />

1536<br />

A Mahogany Breakfront Bookcase,<br />

mid 19 th century, the pierced<br />

three-quarter brass gallery above later<br />

glazed doors enclosing adjustable shelves,<br />

all between turned column supports,<br />

raised on flattened bun feet, 199cm by<br />

46cm by 95cm<br />

£600 - 800<br />

1537<br />

A George II Style Carved Mahogany<br />

Dressing Stool, 19 th century, recovered<br />

with modern check fabric, carved seat rail,<br />

raised on cabriole legs with carved knees,<br />

acanthus carved spandrels, claw and ball<br />

feet, 47cm by 61cm by 44cm<br />

£250 - 350<br />

1538<br />

A William & Mary Floral Marquetry<br />

and Oyster Veneered Olivewood<br />

Cabinet, late 17 th century, the moulded<br />

cornice and pulvinated frieze drawer over<br />

two cupboard doors enclosing an<br />

arrangement of small drawers around a<br />

central cupboard, raised on later stand<br />

(altered) with square cut cabriole legs,<br />

98cm by 50cm by 137cm<br />

**Ex Tennants, 18.7.03, lot 1070<br />

£2000 - 3000<br />

1539<br />

A Regency Style Rosewood and Brass<br />

Inlaid Foldover Card Table, the baize<br />

lined interior above a central rectangular<br />

tablet, raised on a lyre shaped support<br />

with Regency shaped legs and castors,<br />

92cm by 46cm by 74cm<br />

**Ex Tennants, April 2003, lot 1398<br />

£400 - 600<br />

1540<br />

An 19th Century Carved Centre Table,<br />

with circular marble top above a foliate<br />

carved frieze with four oval medallions,<br />

raised on C scroll acanthus carved legs<br />

headed with ram's head figural masks,<br />

80cm by 80cm<br />

£1000 - 1500<br />

1541<br />

Conchology Interest: A Victorian<br />

Figured Walnut Wellington Display<br />

Cabinet, mid 19 th century, the fretwork<br />

pierced gallery above a glazed door<br />

enclosing eleven sliding velvet lined trays<br />

with a large collection of assorted sea<br />

shells, 76cm by 40cm by 139cm<br />

£2000 - 3000<br />

1542<br />

A Pair of Early Georgian Style<br />

Polychrome Painted Pine Dummy<br />

Boards, 19 th century, decorated as a<br />

young male in frogged coat and female in<br />

costume, 102cm high<br />

£600 - 800


1543<br />

A George III Mahogany, Boxwood<br />

and Ebony Strung Wine Cooler, circa<br />

1800, of oval form with brass carrying<br />

handles, lead lined interior, raised on a<br />

stand with fluted tapering legs, block feet,<br />

brass toes and castors, 71cm by 52cm by<br />

55cm<br />

£1000 - 1500<br />

1544<br />

A William IV Rosewood Breakfront<br />

Dwarf Bookcase, 2 nd quarter 19 th<br />

century, stamped James Winter, 101<br />

Wardour Street, the central glazed doors<br />

flanked by adjustable shelves and<br />

acanthus carved column supports,<br />

platform base, 156cm by 42cm by 100cm<br />

**James Winter, furniture broker,<br />

appraiser and undertaker, 1823-1840, see<br />

Directory of English Furniture 1660-1840,<br />

pg 992<br />

£800 - 1200<br />

1545<br />

A Pair of Late 19 th Century Scagliola<br />

Cylindrical Columns, with circular grey<br />

and white Carrara marble tops, raised on<br />

moulded platform bases, the pedestal top<br />

33cm wide, 113cm high<br />

£800 - 1200<br />

1546<br />

A Late George III Mahogany<br />

Lancashire Linen Chest, early 19 th<br />

century, with hinged lid enclosing a<br />

candle box with drawers above an<br />

arrangement of three sham and five real<br />

drawers all between reeded stiles, raised<br />

on bracket feet, 164cm by 56cm by 106cm<br />

£500 - 700<br />

1547<br />

A George III Mahogany Serving<br />

Table, late 18 th century, of rectangular<br />

form with blind fret carved frieze, raised<br />

on square tapering legs with pierced<br />

spandrels, 181cm by 89cm by 89cm<br />

£4000 - 6000<br />

1548<br />

A George III Mahogany and Brass<br />

Bound Bucket, early 19th century, of<br />

tapering staved construction with brass<br />

carrying handle and removable liner, 32cm<br />

by 34cm<br />

£300 - 400<br />

1549<br />

A Victorian Walnut and Floral<br />

Marquetry Pier Cabinet, mid 19 th<br />

century, of rectangular form, with an<br />

arched glazed door flanked by gilt caryatid<br />

mounts, raised on a shaped platform base,<br />

76cm by 33cm by 105cm<br />

£400 - 600<br />

1550<br />

A Walnut, Boxwood and Crossbanded<br />

Dressing Table, the quarter veneered<br />

top above two and one long drawer, raised<br />

on inverted cup tapering legs joined by a<br />

shaped stretcher, 70cm by 44cm by 71cm<br />

£2000 - 3000<br />

1551<br />

A Late George III Mahogany,<br />

Satinwood Crossbanded and Ebony<br />

Strung Sideboard, early 19 th century,<br />

of bowfront form above an arrangement of<br />

five drawers around a shaped kneehole,<br />

raised on square tapering legs with spade<br />

feet, 119cm by 56cm by 86cm<br />

£750 - 950


1552<br />

A Victorian Rosewood Chess Top<br />

Tripod Table, mid 19 th century, the<br />

circular thumb moulded top raised on a<br />

turned vasiform support with three<br />

acanthus carved cabriole legs with<br />

scrolling toes, 48cm by 66cm<br />

£250 - 350<br />

1553<br />

A George IV Mahogany and<br />

Satinwood Crossbanded Linen Press,<br />

2 nd quarter 19 th century, the dentil<br />

cornice above cupboard doors enclosing<br />

hanging space and a sliding tray, above<br />

two short and two long graduated drawers<br />

on splayed bracket forefeet, 126cm by<br />

61cm by 195cm<br />

£900 - 1200<br />

1554<br />

An Early 18 th Century Oak Sideboard<br />

Dresser, the moulded top above three<br />

frieze drawers, raised on profile cut<br />

forelegs, 225cm by 45cm by 78cm<br />

(alterations)<br />

£1000 - 1500<br />

1555<br />

An Early 18 th Century Joined Oak<br />

Sideboard Dresser, with geometric<br />

moulded drawers flanked by two fielded<br />

cupboard doors, raised on stile feet,<br />

180cm by 46cm by 85cm (repairs)<br />

£1000 - 1500<br />

1556<br />

An Oak Dresser with Rack, 18th<br />

century, the bold cornice above a shaped<br />

frieze and three shelves, the base with<br />

three crossbanded drawers, raised on<br />

turned spindle forelegs with block feet,<br />

210cm by 48cm by 196cm<br />

£600 - 800<br />

1557<br />

An Oak and Walnut Enclosed Dresser,<br />

with an arrangement of seven deep<br />

drawers around a fielded panel door<br />

flanked by canted pilasters, raised on a<br />

moulded base, 145cm by 53cm by 79cm<br />

(restorations)<br />

£600 - 800<br />

1558<br />

A George III Oak Enclosed Dresser<br />

and Rack, late 18 th century, the fixed<br />

shelves with iron cup hooks, the base with<br />

three drawers above two fielded cupboard<br />

doors, raised on bracket feet, 181cm by<br />

70cm by 220cm<br />

£1000 - 1500<br />

1559<br />

A George III Oak and Mahogany<br />

Crossbanded Open Dresser and Rack,<br />

probably West Midlands, late 18 th<br />

century, the bold cornice above two fixed<br />

shelves, small niches and two cupboard<br />

doors, above an arrangement of four<br />

frieze drawers, the base with three deep<br />

drawers above a wavy shaped apron with<br />

cabriole forelegs and pad feet, 200cm by<br />

54cm by 215cm<br />

£1200 - 1800<br />

1560<br />

An 18 th Century Oak and Pine<br />

Enclosed Dresser and Rack, the bold<br />

cornice above three fixed shelves with iron<br />

cup hooks, the base with six drawers<br />

around two cupboard doors, raised on<br />

reeded stiles, 154cm by 53cm by 222cm<br />

£800 - 1200


1561<br />

An 18 th Century Oak Enclosed Dresser<br />

and Rack, the dentil wavy shaped apron<br />

above three fixed shelves, the base with<br />

an arrangement of seven drawers around<br />

a cupboard door, all between fluted<br />

column supports, raised on bracket feet,<br />

180cm by 48cm by 225cm<br />

£600 - 800<br />

1562<br />

An Oak Cupboard, 17 th century in<br />

part, with two frieze drawers above two<br />

geometric moulded cupboard doors<br />

enclosing a fixed shelf, raised on stile feet,<br />

125cm by 60cm by 122cm<br />

£300 - 500<br />

1563<br />

A George III Oak Straight Front<br />

Chest of Drawers, late 18 th century,<br />

with two short over three long graduated<br />

drawers, all between fluted canted stiles,<br />

raised on ogee bracket feet, 114cm by<br />

55cm by 81cm<br />

£300 - 500<br />

1564<br />

A Joined Oak Settle, 18 th century in<br />

part, with carved and fielded back support<br />

above downswept arms and boarded seat,<br />

raised on square supports joined by a<br />

peripheral understretcher, 107cm by 44cm<br />

by 110cm<br />

£250 - 350<br />

1565<br />

An Oak Joint Stool, the moulded top<br />

above a fluted frieze and shaped<br />

moulding, raised on ring turned gun barrel<br />

legs joined by a peripheral understretcher,<br />

45cm by 30cm by 49cm<br />

£200 - 300<br />

1566<br />

An Early 18 th Century Oak Chest on<br />

Stand, with two short over three long<br />

graduated drawers, the stand with three<br />

frieze drawers above an arched apron,<br />

raised on later inverted cup turned legs<br />

with wavy shaped stretcher, 90cm by<br />

50cm by 149cm<br />

£600 - 800<br />

1567<br />

An 18 th Century Joined Oak and<br />

Mahogany Crossbanded<br />

Housekeeper's Cupboard, the bold<br />

cornice above arched fielded panels<br />

between canted columns, the lower<br />

section with two sham and four real<br />

drawers, raised on bracket feet all<br />

between fluted stiles, 145cm by 52cm by<br />

195cm<br />

£400 - 600<br />

1568<br />

An 18 th Century Joined Oak Cwpwrdd<br />

Deuddarn, with carved initials IAW? and<br />

dated 1715 above inverted cup finials, two<br />

small cupboard doors below above two<br />

large fielded panel cupboard doors<br />

between moulded stiles, 126cm by 65cm<br />

by 175cm<br />

£300 - 500<br />

1569<br />

A 17 th Style Oak Refectory Table, of<br />

four plank construction with cleated ends<br />

above a lunette carved frieze, raised on<br />

turned gun barrel supports joined by a<br />

peripheral understretcher, 169cm by 80cm<br />

by 76cm<br />

£1200 - 1800


1570<br />

A George III Oak and Mahogany<br />

Crossbanded Free-Standing Corner<br />

Cupboard, late 18 th century, the dentil<br />

cornice above triple fielded panel doors<br />

enclosing two fixed shelves, the base with<br />

two cupboard doors, raised on bracket<br />

feet, 214cm by 115cm by 50cm<br />

£500 - 800<br />

1571<br />

A Late 17 th Century Joined Oak<br />

Writing Table, with a two-as-one frieze<br />

drawer, raised on turned and block legs<br />

joined by a turned stretcher, 82cm by<br />

57cm by 73cm<br />

£300 - 500<br />

1572<br />

A George II Oak Side Table, mid 18th<br />

century, the moulded top with re-entrant<br />

corners above a deep frieze drawer and<br />

wavy shaped apron, raised on cabriole<br />

forelegs with trefid pad feet, 78cm by<br />

49cm by 73cm (restorations)<br />

£300 - 400<br />

1573<br />

A 19 th Century French Oak Gothic<br />

Revival Cabinet, carved with three<br />

religious figures and central cupboard<br />

door, with tracery carving to the side<br />

panels, raised on carved supports with<br />

three fielded panels below, 102cm by<br />

56cm by 136cm; and An Associated<br />

Similar Wall Panel, of six carved panels<br />

with gothic tracery, carved column support<br />

headed by foliate carved pediment, 90cm<br />

by 100cm (2)<br />

£300 - 500<br />

1574<br />

An Oak Straight Front Chest of<br />

Drawers, late 17 th century, with<br />

geometric moulded drawers, raised on bun<br />

feet, 91cm by 45cm by 86cm<br />

£600 - 800<br />

1575<br />

A Late 17 th Century Joined Oak Chest,<br />

with hinged lid above geometric moulded<br />

panels with applied decoration above a<br />

two-as-one frieze drawer, raised on stile<br />

feet, 92cm by 49cm by 66cm<br />

£450 - 550<br />

1576<br />

A 16 th Century Joined Oak Counter<br />

Table/Chest, with hinged boarded lid,<br />

shaped end supports and trestle bases,<br />

92cm by 60cm by 78cm<br />

£400 - 600<br />

1577<br />

A 17 th Century Walnut Candlestand,<br />

the octagonal shaped top inlaid with a star<br />

burst, raised on a spiral turned support<br />

and shaped base with flattened bun feet,<br />

27cm by 93cm<br />

£350 - 450<br />

1578<br />

A George III Oak and Mahogany<br />

Crossbanded Straight Front Chest of<br />

Drawers, late 18 th century, the<br />

moulded top above two short and three<br />

long graduated drawers, all between blind<br />

fret canted stiles, raised on ogee bracket<br />

feet, 100cm by 53cm by 84cm<br />

£700 - 900<br />

1579<br />

A J Brett & Co Ltd: An Oak Drummond<br />

Seat/Bench, in 18 th century style,<br />

modern, with shaped top rail, lozenge<br />

shaped back support, downswept arms<br />

and squab cushion above a slatted seat<br />

with pierced and shaped spandrels, raised<br />

on square form legs with block feet, with<br />

brass plate numbered 7, 237cm by 50cm<br />

by 105cm; and A Pair of Armchairs, en<br />

suite, 88cm by 55cm by 69cm (3)<br />

£600 - 800


1580<br />

An Oak Six-Seater Gateleg Table,<br />

early 18 th century in part, with two<br />

rounded drop leaves above a double<br />

gateleg with spindle supports joined by a<br />

peripheral understretcher, 98cm by 110cm<br />

extended by 71cm<br />

£300 - 500<br />

1581<br />

A Carved Oak Serving Table, the<br />

rectangular top of six-plank construction<br />

with an egg and dart carved edge above a<br />

richly carved fluted frieze with carved<br />

spandrels, raised on turned legs joined by<br />

a peripheral understretcher, 267cm by<br />

67cm by 95cm<br />

**By repute from Haigh Hall, Wigan<br />

£600 - 800<br />

1582<br />

An Oak and Elm Child's Armchair, with<br />

triple reeded splat support, downswept<br />

arms above a boarded seat and wavy<br />

shaped side panels, raised on plain stiles,<br />

32cm by 31cm by 55cm<br />

£300 - 500<br />

1583<br />

A Dutch Oak Extending Dining Table,<br />

of rectangular form with cleated ends,<br />

above a plain frieze with shaped<br />

spandrels, raised on baluster legs headed<br />

by fluted panels and joined by a flat<br />

stretcher, 127cm by 80cm by 76cm<br />

£300 - 500<br />

1584<br />

A 17 th Century Style Small Oak Chest,<br />

the hinged lid above a stop-fluted carved<br />

frieze, raised on shaped end supports,<br />

68cm by 29cm by 48cm<br />

£300 - 400<br />

1585<br />

A 19 th Century English Ash Cricket<br />

Table, with circular thumb moulded edge,<br />

raised on three spindle turned supports<br />

joined by a stretcher, 44cm by 68cm<br />

£300 - 500<br />

1586<br />

An Edwardian Satinwood, Burrwood,<br />

Tulipwood and Polychrome Painted<br />

Circular Occasional Table, circa 1900,<br />

the segmented top above a floral<br />

decorated frieze with husks and ribbon<br />

tied motifs, raised on tapering legs, 59cm<br />

by 68cm<br />

£250 - 350<br />

1587<br />

An Edwardian Satinwood, Tulipwood<br />

Banded and Marquetry Demi-Lune<br />

Display Cabinet, circa 1900, the top<br />

with segmented veneers above a richly<br />

decorated frieze of putti within a<br />

landscape, a glazed door enclosing two<br />

fixed shelves, raised on square tapering<br />

legs with spade feet, 92cm by 45cm by<br />

122cm<br />

£350 - 550<br />

1588<br />

A Sheraton Revival Satinwood and<br />

Polychrome Painted Bowfront<br />

Wardrobe, late 19 th century, the<br />

moulded cornice above two small<br />

cupboard doors and two large doors<br />

painted overall with classical figures, husks<br />

and garlands, the sides painted with<br />

musical trophies, raised on shaped bracket<br />

feet, 135cm by 60cm by 225cm<br />

£800 - 1200<br />

1589<br />

A Pair of Early 20 th Century Kingwood<br />

and Satinwood Banded Two-Tier<br />

Étagères, the top tier with a pierced<br />

brass gallery and acorn finials, the<br />

undertier with X frame supports, raised on<br />

castors, 37cm by 37cm by 63cm


**By repute purchased from Mallets in<br />

1980's<br />

£400 - 600<br />

1590<br />

A Pair of Edwardian Satinwood and<br />

Marquetry Occasional Tables, early<br />

20 th century, the quarter-veneered tops<br />

inlaid with oval patera above a husk<br />

decorated frieze, raised on square tapering<br />

legs with spade feet joined by a cross<br />

stretcher, 51cm by 40cm by 76cm<br />

£600 - 800<br />

1591<br />

An Edwardian Satinwood and<br />

Marquetry Bijouterie Table, early 20 th<br />

century, the hinged glazed lid, raised on<br />

square tapering legs with spade feet<br />

joined by an understretcher, 62cm by<br />

43cm by 74cm<br />

£300 - 500<br />

1592<br />

A George III Style Mahogany<br />

Breakfront Bookcase, circa 1900,<br />

labelled Wylie & Lockhead Ltd, 45<br />

Buchanan Street, Glasgow, the swan neck<br />

pediment above a dentil and blind fret<br />

carved frieze, astragal glazed doors<br />

flanked by conforming wings enclosing<br />

adjustable shelves, the base with four<br />

cupboard doors, raised on carved bracket<br />

feet, 190cm by 46cm by 240cm<br />

£3000 - 5000<br />

1593<br />

A Shapland & Petter of Barnstable<br />

<strong>Art</strong>s & Crafts Wardrobe, circa 1900,<br />

the bold cornice with stylised spandrels<br />

and hammered copper roundels above a<br />

central mirror door flanked by two hinged<br />

doors inlaid with stylised flowers, above<br />

two deep drawers, 176cm by 58cm by<br />

221cm; A Matching Dressing Table,<br />

with a centre sunk hinged mirror flanked<br />

by superstructure drawers with cupboard<br />

doors below above a deep drawers, 122cm<br />

by 60cm by 175cm; and A Matching<br />

4'6" Bedstead, the bold cornice above a<br />

marquetry panel and slatted sides with<br />

confirming footboard (3)<br />

£1000 - 1500<br />

1594<br />

An Edwardian Satinwood and<br />

Polychrome Painted Occasional<br />

Table, circa 1900, richly painted with<br />

flower garlands and ribbon tied motifs,<br />

raised on square tapering legs joined by a<br />

shaped stretcher, 68cm by 65cm by 46cm<br />

£250 - 350<br />

1595<br />

An Edwardian Satinwood and<br />

Polychrome Painted Bijouterie Table,<br />

circa 1900, richly painted with flower<br />

garlands and ribbon tied motifs, the glazed<br />

hinged lid and raised on square tapering<br />

legs with spade feet joined by a shaped<br />

undertier, 61cm by 41cm by 71cm<br />

£300 - 500<br />

1596<br />

An Edwardian Satinwood and<br />

Polychrome Painted Display Cabinet,<br />

circa 1900, of breakfront form, richly<br />

painted with floral swags and ribbon tied<br />

motifs, the upper section with a glazed<br />

door enclosing silk lined interior, the lower<br />

section with a frieze drawer above a<br />

cupboard door, raised on square tapering<br />

legs with spade feet, 109cm by 40cm by<br />

191cm<br />

£1200 - 1800


1597<br />

An Early 20 th Century Green,<br />

Polychrome Painted and Parcel Gilt<br />

Wardrobe, with egg and dart moulded<br />

pediment above two cupboard doors richly<br />

painted with Adam style urns, flower<br />

garlands and ribbons, the interior with a<br />

shelf and hanging space, raised on a fluted<br />

frieze with turned and fluted legs, 130cm<br />

by 58cm by 218cm; A Dressing Table,<br />

with triptych mirror above an arrangement<br />

of five drawers above an arched apron,<br />

raised on acanthus moulded and fluted<br />

tapering legs, 107cm by 54cm by 173cm;<br />

A Straight Front Chest of Drawers, of<br />

two short over three long graduated<br />

drawers, 84cm by 47cm by 77cm; A Pot<br />

Cupboard, the frieze drawer above a<br />

cupboard door, raised on fluted legs, 37cm<br />

by 36cm by 79cm; and A Bedroom<br />

Chair, with pierced splat, caned seat and<br />

fluted legs, 43cm by 40cm by 92cm, all en<br />

suite (5)<br />

£700 - 1000<br />

1598<br />

An Edwardian Mahogany, Satinwood<br />

Banded and Ebony Strung Bijouterie<br />

Table, circa 1900, the glazed hinged lid<br />

enclosing a green velvet lined interior,<br />

raised on square tapering legs and shaped<br />

undertier centred by a rectangular tablet,<br />

63cm by 41cm by 74cm<br />

£200 - 300<br />

1599<br />

An Edwardian Adams Revival<br />

Breakfront Display Cabinet, early 20 th<br />

century, labelled Robson & Sons Ltd,<br />

Newcastle upon Tyne, the dentil moulded<br />

cornice above a central tablet carved with<br />

garlands and a ram's head, two glazed<br />

cupboard doors enclosing two plate glass<br />

shelves, all between fluted column<br />

pilasters, 167cm by 43cm by 173cm<br />

£1500 - 2000<br />

1600<br />

An Edwardian Mahogany, Satinwood<br />

and Boxwood Strung Sideboard,<br />

stamped Warings, circa 1900, with<br />

galleried back above two pedestals with<br />

cupboard doors flanking two bowfront<br />

drawers, raised on square tapering legs<br />

with spade feet, 167cm by 59cm by 125cm<br />

£300 - 500<br />

1601<br />

An Edwardian Mahogany Breakfront<br />

Display Cabinet, early 20 th century,<br />

the moulded and inlaid cornice above a<br />

glazed door with Adam's style moulding,<br />

enclosing a silk lined interior with two<br />

shelves, flanked by concave and glazed<br />

side panels, with a cupboard door below,<br />

raised on splayed bracket feet, 112cm by<br />

200cm by 40cm<br />

£800 - 1200<br />

1602<br />

An Edwardian Satinwood and<br />

Boxwood Strung Dressing Table, circa<br />

1900, of kidney shaped form, the top<br />

quarter-veneered with a shaped gallery<br />

and acorn moulded finials, above an<br />

arrangement of five drawers, raised on<br />

carved slender fluted legs with castors<br />

joined by a shaped stretcher, 141cm by<br />

62cm by 101cm<br />

£400 - 600<br />

1603<br />

An Edwardian Satinwood and<br />

Polychrome Painted Triptych<br />

Dressing Table Mirror, circa 1900, of<br />

serpentine shaped form with two drawers<br />

decorated with husks, with central arched<br />

mirror plate flanked by two shaped<br />

marginal plates, 69cm by 25cm by 107cm<br />

£400 - 600


1604<br />

A Set of Four Edwardian Rosewood,<br />

Parquetry and Marquetry Nesting<br />

Tables, early 20 th century, each of<br />

rectangular form with moulded edge, the<br />

top inlaid with flowers and a bird, raised<br />

on turned spindle supports with platform<br />

bases, the largest 59cm by 40cm by 71cm<br />

£600 - 800<br />

1605<br />

An Edwardian Satinwood and Floral<br />

Marquetry Display Cabinet, circa<br />

1900, the arched moulded pediment<br />

above astragal glazed doors enclosing<br />

shelves, all between canted corners, two<br />

frieze drawers above cupboard doors<br />

between canted panels, raised on bracket<br />

feet, 160cm by 42cm by 220cm<br />

£1200 - 1800<br />

1606<br />

A Mahogany and Floral Marquetry<br />

Kidney Shape Desk, early 20 th<br />

century, with brown and gilt leather<br />

skiver above a frieze drawer flanked by<br />

eight graduated drawers, raised on square<br />

tapering legs, 105cm by 52cm by 74cm<br />

£700 - 1000<br />

1607<br />

A Pair of Carved Satinwood<br />

Hepplewhite Style Armchairs, late<br />

19 th century, with acanthus carved frame<br />

and splat with carved hand grips, modern<br />

squab cushions above caned seats, raised<br />

on flower carved and fluted tapering legs,<br />

54cm by 45cm by 97cm<br />

£450 - 650<br />

1608<br />

A Regency Rosewood and Brass<br />

Inlaid Circular Breakfast Table, early<br />

19 th century, the crossbanded top with<br />

foliate inlay, raised on a square tapering<br />

support, gadrooned socle, quadripartite<br />

base with four sabre legs, brass toes and<br />

castors, 127cm by 70cm<br />

£500 - 800<br />

1609<br />

A Late George III Mahogany<br />

Satinwood Banded Breakfast Table,<br />

early 19 th century, of broad oval form,<br />

raised on a turned support with four<br />

splayed reeded legs with brass toes and<br />

castors, 183cm by 122cm by 69cm<br />

£400 - 600<br />

1610<br />

A Scottish Regency Mahogany Double<br />

Pedestal Dining Table, of rectangular<br />

rounded form, raised on a turned and<br />

lappet carved supports with reeded sabre<br />

legs, brass toes and castors, 300cm<br />

extended by 167cm by 72cm<br />

£1500 - 2000<br />

1611<br />

A Figured Walnut, Tulipwood,<br />

Rosewood and Floral Marquetry<br />

Breakfast Table, in the manner of<br />

George Blake & Co, the<br />

quarter-veneered top richly inlaid with<br />

trailing flowers, on an ebony stand, raised<br />

on a triform base with conforming inlay,<br />

scrolling toes and castors, 135cm by 70cm<br />

£1200 - 1800<br />

1612<br />

A George III Mahogany, Ebony and<br />

Boxwood Strung D Shape Dining<br />

Table, circa 1800, with plain frieze,<br />

raised on square tapering legs with brass<br />

toes and castors, with three additional<br />

leaves, 108cm by 75cm by 271cm<br />

extended (alterations)<br />

£500 - 700


1613<br />

A Victorian Mahogany Triple Pillar<br />

Extending Dining Table, mid 19 th<br />

century, the centre section extending on<br />

a pull-out frame, raised on turned tapering<br />

supports, quatrapartite base with scrolling<br />

toes and castors, with one additional leaf,<br />

298cm extended by 122cm by 72cm<br />

£1500 - 2000<br />

1613A<br />

A William IV Mahogany Extending<br />

Dining Table, the moulded top on lotus<br />

carved baluster legs with castors, including<br />

four additional leaves (two original and<br />

two later), 348cm extended by 140cm by<br />

73cm<br />

£1500 - 2000<br />

1614<br />

A Regency Mahogany and<br />

Crossbanded Dining Table, 2 nd<br />

quarter 19 th century, of broad<br />

rectangular form, raised on a platform<br />

support with turned and part wrythen<br />

support, quadripartite base, four reeded<br />

legs with Regency knees terminating in<br />

brass paw feet and castors, 183cm by<br />

119cm by 71cm<br />

£900 - 1200<br />

1615<br />

A Set of Eight Mahogany Chippendale<br />

Style Dining Chairs, circa 1900, the<br />

acanthus carved top rail above a C scroll<br />

splat, upholstered in modern red and gold<br />

striped fabric, raised on cabriole forelegs<br />

with scrolling toes, including two carvers,<br />

single chairs 65cm by 46cm by 110cm, the<br />

carvers 60cm by 50cm by 100cm<br />

£1600 - 2000<br />

1616<br />

A Set of Six Regency Rosewood and<br />

Brass Inlaid Dining Chairs, early 19 th<br />

century, with curved top rail and C scroll<br />

splat, cream overstuffed drop-in seats,<br />

acanthus carved spandrels above sabre<br />

legs, 38cm by 42cm by 82cm<br />

£500 - 700<br />

1617<br />

A Set of Eight Hepplewhite Style<br />

Mahogany Dining Chairs, late 19 th<br />

century, the shaped top rail above a<br />

pierced splat and overstuffed close nailed<br />

seat, raised on square tapering legs joined<br />

by an H stretcher, including two carvers,<br />

single chairs 48cm by 43cm by 96cm, the<br />

carvers 58cm by 46cm by 100cm<br />

£500 - 700<br />

1618<br />

A Set of Six George III Mahogany<br />

Ladderback Dining Chairs, late 18 th<br />

century, the curved splats centred by<br />

carved flowerheads and trailing husks,<br />

later recovered in close-nailed fabric,<br />

raised on reeded tapering forelegs, 56cm<br />

by 50cm by 94cm<br />

£400 - 600<br />

1619<br />

A Set of Seven Regency Mahogany<br />

Dining Chairs, circa 1820, with reeded<br />

uprights, drop-in seats, raised on splayed<br />

reeded forelegs joined by H stretchers,<br />

47cm by 38cm by 88cm, including one<br />

carver 49cm by 40cm by 85cm<br />

£300 - 500


1620<br />

A Set of Twelve Mahogany<br />

Chippendale Style Dining Chairs, with<br />

acanthus carved top rail, gothic tracery<br />

pierced splat and modern close-nailed<br />

overstuffed seat, raised on square<br />

chamfered legs joined by an H stretcher,<br />

54cm by 40cm by 96cm, including two<br />

carvers<br />

£2000 - 3000<br />

1621<br />

A Set of Eight Late George III<br />

Mahogany Dining Chairs, early 19 th<br />

century, with curved top rail, pierced<br />

splat and drop-in seat, upholstered in<br />

floral silk damask, raised on square<br />

tapering legs joined by an H stretcher,<br />

48cm by 36cm by 93cm, including two<br />

carvers, 52cm by 38cm by 93cm<br />

£500 - 700<br />

1622<br />

A Set of Five George III Mahogany<br />

and Boxwood Strung Dining Chairs,<br />

early 19 th century, the reeded splat<br />

centred by a rectangular tablet, with green<br />

velvet overstuffed seat, raised on square<br />

tapering legs joined by an H stretcher,<br />

51cm by 42cm by 84cm; and A Similar<br />

George III Mahogany and Boxwood<br />

Strung Carver Chair, with reeded<br />

uprights and arm supports above a pink<br />

upholstered overstuffed seat, raised on<br />

square tapering legs joined by an H<br />

stretcher, 50cm by 45cm by 86cm (6)<br />

£300 - 500<br />

1623<br />

A Harlequin Set of Seven Rosewood<br />

Dining Chairs, 2 nd quarter 19 th<br />

century, with curved top rails above<br />

horizontal splats decorated with a roundel<br />

and flowerheads, with modern caned<br />

seats, raised on turned reeded tapering<br />

forelegs, 39cm by 39cm by 82cm<br />

£300 - 500<br />

1624<br />

A Set of Twelve Chippendale Style<br />

Carved Mahogany Dining Chairs,<br />

early 20 th century, upholstered in brown<br />

close-nailed leather, with blind fretted<br />

carved frame of flowerheads and a pierced<br />

splat, raised on cabriole forelegs with claw<br />

and ball feet, 58cm by 43cm by 97cm,<br />

including two carvers, 63cm by 46cm by<br />

98cm<br />

£2000 - 3000<br />

1625<br />

A Set of Twelve Late George III<br />

Mahogany Dining Chairs, early 19 th<br />

century, the curved top rail and reeded<br />

splat above close nailed leather seats,<br />

raised on square tapering legs joined by<br />

an H stretcher, single 50cm by 43cm by<br />

86cm, including two carvers 53cm by<br />

47cm by 86cm<br />

£800 - 1200<br />

1626<br />

A Harlequin Set of Eight Mahogany<br />

Hepplewhite Style Dining Chairs, the<br />

shield shape back supports with husk<br />

decorated pierced splats above floral<br />

needlework overstuffed seats, raised on<br />

fluted tapering forelegs joined by an H<br />

stretcher, 53cm by 46cm by 96cm, the<br />

carvers 56cm by 49cm by 97cm<br />

£400 - 600<br />

1627<br />

A Set of Six Regency Mahogany and<br />

Ebony Strung Dining Chairs, early<br />

19th century, with anthemion back<br />

supports between reeded uprights and<br />

brown velvet upholstered drop-in seats,<br />

raised on sabre forelegs, 40cm by 40cm by<br />

86cm, including one carver, 46cm by 42cm<br />

by 87cm; and A Later Single and<br />

Carver Chair (8)<br />

£400 - 600


1628<br />

A Set of Six George III Mahogany<br />

Dining Chairs, 3 rd quarter 18 th<br />

century, the curved top rail above a<br />

pierced splat with red leather drop-in seat,<br />

raised on fluted legs joined by an H<br />

stretcher, 50cm by 38cm by 91cm<br />

£600 - 800<br />

1629<br />

A Set of Six Victorian Carolean Style<br />

Dining Chairs, late 19 th century, the<br />

caned back support and seat with carved<br />

top rail between spiral twist supports, with<br />

conforming front rail, raised on block feet,<br />

48cm by 39cm by 119cm<br />

£400 - 600<br />

1630<br />

A Chinese Ming Style Hardwood<br />

Southern Official Hat Armchair, the<br />

curved top rail above carved spandrels,<br />

the back support carved with a rectangular<br />

panel, with wavy shaped arms and<br />

boarded seat, raised on goose neck front<br />

posts joined by a stretcher, the chair<br />

possibly reduced in height, 70cm by 58cm<br />

by 80cm<br />

**See Wang Shixiang Classic Chinese<br />

Furniture, pg.96, pl.52<br />

£300 - 500<br />

1631<br />

A West Indian Carved Hardwood<br />

Davenport, 3 rd quarter 19 th century,<br />

decorated overall with acanthus carved<br />

scrolls, the hinged leather writing surface<br />

and sliding upper section above shaped<br />

carved supports, the cupboard door<br />

enclosing satinwood veneered drawers,<br />

raised on carved block feet with castors,<br />

55cm by 64cm by 90cm<br />

£800 - 1200<br />

1632<br />

A 19 th Century Japanese Elm,<br />

Parquetry and Bamboo Side Cabinet,<br />

with two hinged doors richly inlaid with<br />

mother-of-pearl and ivory depicting figures<br />

in a landscape, the interior fitted with<br />

adjustable shelves and four oak drawers<br />

with recessed brass handles, 123cm by<br />

50cm by 90cm<br />

£1500 - 2000<br />

1633<br />

A South-East Asian Elm and Brass<br />

Bound Chest, probably Korean, late<br />

19 th century, with decorative metalwork<br />

throughout and drop side handles, a<br />

hinged top drawer opening a reveal a<br />

sliding drawer, 110cm by 49cm by 90cm<br />

£700 - 1000<br />

1634<br />

An Early 19th Century Chinese Black<br />

Lacquer Cabinet on Stand, richly<br />

painted overall in gold depicting Chinese<br />

landscapes, with brass carrying side<br />

handles, the interior fitted with an<br />

arrangement of drawers, columns and<br />

sliding grille doors, all above two deep<br />

drawers, the stand with a gilt decorated<br />

frieze and decorative pierced apron, raised<br />

on square form legs with horseshoe feet,<br />

99cm by 50cm by 170cm<br />

**Illustrated in Antique Collector, April<br />

1955<br />

Provenance: The Drawing Room, Riverside<br />

House, Twickenham, Middlesex, the<br />

residence of the Honourable Mrs Basil<br />

Ionides<br />

£3000 - 4000<br />

1635<br />

A Chinese Hardwood Circular Plant<br />

Stand, early 20 th century, with moulded<br />

top above pierced decorative brackets,<br />

humpback supports and scrolling toes<br />

joined by a circular undertier, 32cm by<br />

123cm<br />

£200 - 300


1636<br />

A Mid 19 th Century Carved Blackwood<br />

Open Armchair, probably Bombay,<br />

foliate carved overall with outswept hand<br />

grips above a later drop-in seat, raised on<br />

carved cabriole forelegs with scrolling toes,<br />

85cm by 60cm by 97cm<br />

£280 - 350<br />

1637<br />

A Louis XVI Style Mahogany and Gilt<br />

Metal Mounted Circular Table<br />

Ambulant, circa 1900, with frieze<br />

drawer and apron decorated with putto,<br />

flower garlands and ribbon tied motifs,<br />

raised on slender cabriole legs with gilt<br />

foliate mounts and sabots, 80cm by 75cm<br />

£250 - 350<br />

1638<br />

A Victorian Ebonised Boulle and Metal<br />

Mounted Meuble d'Appui, 3 rd quarter<br />

19 th century, with black marble top<br />

above an inlaid frieze drawer and panelled<br />

door inlaid with cut brass, raised on plinth<br />

base with gilt foliate mounts, 76cm by<br />

38cm by 109cm<br />

£400 - 600<br />

1639<br />

A French Walnut Armoire, of large<br />

proportions, the moulded pediment<br />

above brass grille doors enclosing three<br />

shelves with a deep drawer below, above<br />

a wavy shaped apron, raised on cabriole<br />

forelegs with scrolling toes, 100cm by<br />

70cm by 264cm<br />

£600 - 800<br />

1640<br />

A French Louis XV Kingwood and<br />

Parquetry Podruse, late 19 th century,<br />

with two hinged compartments around a<br />

central folding mirror with pull-out writing<br />

slide below and two drawers, raised on<br />

slender cabriole legs with gilt metal<br />

sabots, 82cm by 52cm by 74cm<br />

£400 - 600<br />

1641<br />

A Victorian Figured Walnut Louis XV<br />

Style Table à Écrire, late 19 th century,<br />

with porcelain oval panels depicting<br />

classical figures, with superstructure top<br />

and central cupboard door above a<br />

serpentine shaped writing surface, with<br />

single frieze drawer, raised on slender<br />

cabriole legs, 75cm by 55cm by 122cm<br />

£500 - 700<br />

1642<br />

A Louis XV/Transitional Style<br />

Mahogany and Gilt Metal Mounted<br />

Vitrine, early 20 th century, of<br />

serpentine shape form, the rouge marble<br />

top with pierced brass gallery above a<br />

concave glazed door enclosing fixed<br />

shelves, raised on slender cabriole legs,<br />

68cm by 34cm by 139cm<br />

£250 - 350<br />

1643<br />

A Louis XV Style Kingwood and Floral<br />

Marquetry Serpentine Shaped Vitrine,<br />

late 19 th century, the staged top with<br />

later green marble above a central glazed<br />

door enclosing shelves flanked by concave<br />

sides, raised on stout cabriole forelegs,<br />

86cm by 50cm by 165cm<br />

£450 - 650


1644<br />

A Victorian Figured Walnut,<br />

Tulipwood Banded and Gilt Mounted<br />

Credenza, mid 19 th century, of<br />

serpentine shaped breakfront form, with<br />

arched glazed cupboard doors enclosing<br />

shelves flanked by two wings with open<br />

shelves, the platform base with egg and<br />

dart moulding, 193cm by 40cm by 94cm<br />

£1200 - 1800<br />

1645<br />

A Louis XV Style Kingwood and Floral<br />

Marquetry Meuble d'Appui, the<br />

moulded breche d'alep marble top above<br />

richly inlaid cupboard doors, raised on<br />

slender cabriole legs with gilt foliate<br />

mounts and sabots, 63cm by 34cm by<br />

82cm<br />

£300 - 500<br />

1646<br />

An 18 th Century Style Satinwood,<br />

Kingwood and Purple Heart Breakfast<br />

Table, of recent date, the twin drop<br />

leaves above a single frieze drawer with<br />

green baize lined ratchet writing surface,<br />

above brass grill doors with green<br />

gathered silk, raised on square legs with<br />

block feet and castors, 66cm by 54cm by<br />

74cm<br />

£600 - 800<br />

1647<br />

A Louis XV Style Mahogany, Floral<br />

Marquetry and Gilt Metal Mounted<br />

Vitrine, 20 th century, the central glazed<br />

door enclosing two adjustable shelves,<br />

flanked by six small niches with parquetry<br />

panels, the lower section of serpentine<br />

form fitted a frieze drawer, raised on<br />

slender cabriole legs with gilt foliate<br />

mounts and sabots, 108cm by 42cm by<br />

178cm<br />

£1200 - 1800<br />

1648<br />

A Louis XV Style Kingwood and Floral<br />

Marquetry Petit Bombé Commode,<br />

late 19 th century, the brocatelle violette<br />

marble top above deep drawers, raised on<br />

slender cabriole legs with gilt foliate<br />

mounts and sabots, 70cm by 40cm by<br />

84cm<br />

£400 - 600<br />

1649<br />

A Louis XV Style Rosewood,<br />

Tulipwood, Parquetry and Gilt Metal<br />

Mounted Table à Ouverage, late 19 th<br />

century, of serpentine shaped form above<br />

a frieze drawer stamped E J BOHMAN,<br />

raised on slender cabriole legs with gilt<br />

foliate mounts and sabots, 64cm by 46cm<br />

by 76cm<br />

£1000 - 1500<br />

1650<br />

A Late 19 th Century Rosewood, Floral<br />

Marquetry and Gilt Metal Mounted<br />

Vitrine, of serpentine shaped form with<br />

pierced brass gallery above a central<br />

glazed door and sides enclosing shelves,<br />

all between canted stiles with foliate<br />

mounts and sabots, raised on slender<br />

cabriole legs, 80cm by 40cm by 144cm<br />

£450 - 650<br />

1651<br />

A 20 th Century Kingwood and Brass<br />

Inlaid Bureau Bookcase, the upper<br />

section with glazed doors above two frieze<br />

drawers, the cylinder desk enclosing a red<br />

leather writing surface and frieze drawer<br />

below, raised on fluted tapering legs<br />

joined by a shaped stretcher, the<br />

underside signed Schlussel, 74cm by 48cm<br />

by 166cm<br />

£500 - 700


1652<br />

A Louis XVI Style Kingwood,<br />

Parquetry, Boxwood Strung and<br />

Brass Mounted Vides Poches, 19 th<br />

century, of rectangular rounded form<br />

with hinged side panel, raised on lyre end<br />

supports, the bottom tier with a pierced<br />

brass gallery raised on splayed legs, the<br />

underside with paper label LEEDS CITY<br />

ART GALLERY AND TEMPLE NEWSAM<br />

HOUSE EXHIBITON, 74cm by 34cm by<br />

72cm<br />

**Provenance: By repute from the estate<br />

of the late Primrose Dampier-Blackburn<br />

(nee Atkinson)<br />

£600 - 800<br />

1653<br />

A 20 th Century Walnut, Tulipwood<br />

Banded and Gilt Metal Mounted<br />

Meuble d'Appui, with breche marble<br />

breakfront top above a frieze drawer with<br />

gilt foliate swag mounts, above a central<br />

cupboard door flanked by convex glazed<br />

cupboard doors, 140cm by 53cm by<br />

104cm<br />

£1000 - 1500<br />

1654<br />

A Louis XV/Transitional Style<br />

Mahogany and Gilt Metal Mounted<br />

Table en Chiffonier, circa 1900, of<br />

kidney shaped form, with Siena marble top<br />

above a frieze drawer, raised on fluted<br />

tapering legs with paw feet, 52cm by<br />

32cm by 76cm<br />

£400 - 600<br />

1655<br />

A French 2 nd Empire Mahogany and<br />

Gilt Metal Mounted Writing Table, 3 rd<br />

quarter 19 th century, with modern red<br />

and gilt leather writing surface above an<br />

arrangement of five drawers with foliate<br />

mounts, flanked by opposing sham<br />

drawers, raised on square tapering legs<br />

headed by caryatid mounts, 140cm by<br />

76cm by 77cm<br />

£1000 - 1500<br />

1656<br />

A French Louis XVI Vernis Martin<br />

Style Mahogany, Tulipwood and Gilt<br />

Metal Mounted Vitrine, early 20 th<br />

century, the glazed upper section<br />

containing two adjustable shelves, raised<br />

on stop-fluted column supports above a<br />

mirror back, the lower section of<br />

breakfront form, fitted secretaire drawer<br />

decorated with classical figures and<br />

enclosing a leather writing surface and<br />

small drawers, raised on fluted supports<br />

joined by a shaped undertier, 86cm by<br />

40cm by 206cm<br />

£1500 - 2500<br />

1657<br />

A Late 19th Century Gilt Pier <strong>Glass</strong>,<br />

the rococo and C scroll frame with stylised<br />

flowers, 136cm by 64cm<br />

£500 - 700<br />

1658<br />

A Regency Style Gilt and Gesso Pier<br />

<strong>Glass</strong>, 19 th century, with ball<br />

surmounted frieze above a rectangular<br />

plate flanked by triple cluster columns with<br />

leaf cast capitals, 172cm by 75cm<br />

£300 - 400<br />

1659<br />

A 19 th Century Gilt and Gesso Wall<br />

Mirror, the rectangular plate within a<br />

moulded frame flanked by trailing husks<br />

surmounted by a shaped pediment, 120cm<br />

by 65cm<br />

£200 - 300


1660<br />

A Regency Gilt and Gesso Triptych<br />

Overmantel Mirror, 2 nd quarter 19 th<br />

century, the three rectangular bevelled<br />

glass plates flanked by moulded pilasters,<br />

the floral decorated frieze surmounted by<br />

anthemion finials and griffins, 140cm by<br />

90cm<br />

£450 - 650<br />

1661<br />

A Walnut and Parcel Gilt Pier <strong>Glass</strong>,<br />

with shaped apron and frieze with<br />

acanthus C scroll ears surmounted by a<br />

bird, 110cm by 54cm<br />

£300 - 400<br />

1662<br />

A Victorian Gilt and Gesso<br />

Overmantel Mirror, late 19 th century,<br />

the central bevelled and arched mirror<br />

plate within beaded moulding flanked by<br />

marginal plates and a rockwork frame<br />

headed by a decorative plume and a<br />

musical trophy, 157cm by 105cm<br />

£1000 - 1500<br />

1663<br />

An 18 th Century Gilt and Gesso Oval<br />

Pier <strong>Glass</strong>, of rococo form, with<br />

flowerhead moulded frame headed by a<br />

decorative plume, 100cm by 169cm<br />

£600 - 800<br />

1664<br />

A 19 th Century Gilt and Gesso Oval<br />

Wall Mirror, the central oval bevelled<br />

glass flanked by marginal plates divided by<br />

flowerhead and leaf decorated spandrels<br />

within a beaded frame, 13cm by 82cm<br />

£300 - 500<br />

1665<br />

An Italian Carved Giltwood Picture<br />

Frame, richly decorated with acanthus S<br />

scrolls, containing a later rectangular<br />

mirror plate, 92cm by 78cm<br />

£400 - 600<br />

1666<br />

A George II Style Gilt and Gesso Pier<br />

<strong>Glass</strong>, with later rectangular bevelled<br />

glass plate, within a rockwork frame<br />

headed by a C scroll acanthus plume,<br />

108cm by 60cm<br />

£300 - 400<br />

1667<br />

A Late 17 th Century Oyster Veneered<br />

Cushion Shaped Wall Mirror, with later<br />

rectangular plate, 65cm by 57cm<br />

£600 - 800<br />

1668<br />

A Regency Gilt and Gesso Pier <strong>Glass</strong>,<br />

early 19 th century, with egg and dart<br />

moulded cornice above an acanthus leaf<br />

frieze, with spiral and floral decorated<br />

moulded columns centred by a rectangular<br />

bevelled glass plate, and carved eagle<br />

above, 161cm by 77cm by 10cm<br />

£700 - 1000<br />

1669<br />

An 18th Century Swedish Carved Gilt<br />

and Gesso Pier <strong>Glass</strong>, late 18th<br />

century, the rectangular plate below an<br />

anthemion moulded frieze and ball<br />

surmounted pediment, all between reeded<br />

pilasters surmounted by a winged griffin,<br />

127cm by 58cm<br />

£700 - 1000


1670<br />

A William IV Gilt and Gesso<br />

Overmantel Mirror, 2 nd quarter 19 th<br />

century, the rectangular plate flanked by<br />

lappet moulded pilasters headed by an<br />

acanthus plume, 138cm by 110cm<br />

£600 - 800<br />

1671<br />

An Impressive Victorian Gilt and<br />

Gesso Overmantel Mirror, 3 rd quarter<br />

19 th century, the oval plate within a<br />

gadrooned and strapwork moulded frame<br />

with marginal plates below, flanked by<br />

pilaster supports, 163cm by 202cm<br />

£600 - 800<br />

1672<br />

A 19 th Century French Gilt and Gesso<br />

Pier <strong>Glass</strong>, the two shaped plates within<br />

moulded borders and a flat frame with<br />

applied strapwork ornament surmounted<br />

by pierced scrolling cresting, on a<br />

conforming base, 225cm by 98cm<br />

**Ex Tennants, 20.7.06, lot 844<br />

£600 - 800<br />

1673<br />

An Impressive Victorian Gilt and<br />

Gesso Overmantel Mirror, 3 rd quarter<br />

19 th century, the rectangular arched<br />

plate within a moulded acanthus and a<br />

jewelled strapwork frame surmounted by<br />

acanthus scroll cresting, 241cm by 200cm<br />

£1500 - 2000<br />

1674<br />

A Pair of Carved Giltwood Open<br />

Armchairs, late 19th/early 20th<br />

century, later recovered in floral silk,<br />

acanthus carved and reeded frame with<br />

overstuffed seat, raised on carved and<br />

stop-fluted legs, 71cm by 55cm by 92cm;<br />

and A Pair of Carved Giltwood Side<br />

Chairs, with padded back supports, above<br />

fluted column splats, overstuffed seats and<br />

raised on conforming stop-fluted legs,<br />

45cm by 38cm by 85cm (4)<br />

£300 - 500<br />

1675<br />

An Early 20 th Century Brown Leather<br />

Day Bed, with close nailed padded back<br />

support and overstuffed seat, raised on<br />

carved legs with gadrooned feet, 180cm<br />

by 80cm by 76cm<br />

£700 - 1000<br />

1676<br />

A Carved Mahogany Open Armchair,<br />

late 19 th century, upholstered in<br />

close-nailed red leather with padded back<br />

support and overstuffed seat, the<br />

downswept arms with scrolling leaf carved<br />

hand grips, raised on conforming forelegs<br />

with castors, 51cm by 50cm by 106cm<br />

£400 - 600<br />

1677<br />

A Pair of Early 20 th Century Carved<br />

Mahogany Easy Chairs, upholstered in<br />

brown close-nailed leather, with velvet<br />

squab cushions, with acanthus carved arm<br />

supports, raised on carved cabriole<br />

forelegs with ball and claw feet, 60cm by<br />

68cm by 87cm<br />

£600 - 800


1678<br />

A Set of Six George III Style<br />

Mahogany Dining Chairs, of recent<br />

date, upholstered in gold floral silk<br />

damask, with padded back support and<br />

overstuffed seat on blind fretted carved<br />

chamfered forelegs with block feet, 59cm<br />

by 50cm by 100cm<br />

**Labelled Reproduced from original in 10<br />

Downing Street, London, England, by kind<br />

permission of the Rt Hon Sir Harold<br />

Wilson, Prime Minister 1975<br />

£800 - 1200<br />

1679<br />

A Victorian Walnut Framed Settee, 3 rd<br />

quarter 19 th century, upholstered in<br />

cream silk brocade, with rounded arm<br />

supports and overstuffed seat, raised on<br />

turned forelegs with brass toes and<br />

castors, 120cm by 70cm by 90cm; and A<br />

Victorian Button Back Armchair,<br />

upholstered to match, raised on turned<br />

forelegs with castors, 60cm by 56cm by<br />

86cm (2)<br />

£400 - 600<br />

1680<br />

A Victorian Two-Seater Settee, 3 rd<br />

quarter 19 th century, upholstered in<br />

yellow button back velvet, with rounded<br />

arm supports and overstuffed seat, raised<br />

on turned forelegs with brass toes and<br />

castors, 120cm by 57cm by 92cm; and A<br />

Victorian Armchair, covered in floral<br />

pink dralon, with rounded arm supports<br />

and overstuffed seat, raised on ring turned<br />

forelegs, 60cm by 60cm by 85cm (2)<br />

£300 - 500<br />

1681<br />

A Victorian Walnut Framed<br />

Two-Seater Sofa, 3 rd quarter 19 th<br />

century, upholstered in button silk<br />

damask with rounded arm supports and<br />

overstuffed seat, on turnip carved forelegs<br />

with brass toes and castors, the forelegs<br />

stamped 4264, 122cm by 59cm by 76cm<br />

£350 - 500<br />

1682<br />

A Victorian Carved Rosewood Scroll<br />

End Settee, mid 19 th century,<br />

upholstered in modern cream and gold<br />

button back striped fabric, the squab<br />

cushion above a moulded seat rail, raised<br />

on lappet carved legs with brass toes and<br />

castors, 122cm by 64cm by 88cm<br />

£300 - 500<br />

1683<br />

A Carved Mahogany Double Cane<br />

Bergère Settee, early 20 th century,<br />

recovered in modern floral fabric, with<br />

carved frame, squab cushions and<br />

overstuffed seat, raised on acanthus<br />

carved forelegs with ball and claw feet,<br />

156cm by 70cm by 79cm; and A Pair of<br />

Armchairs, en suite, 58cm by 64cm by<br />

82cm (3)<br />

£500 - 700<br />

1684<br />

A 17 th Century Style Anglo-Dutch<br />

Walnut Three-Seater Settee, early<br />

20 th century, recovered in green floral<br />

needlework fabric, with cane triple back<br />

support, C scroll splats, and spiral turned<br />

supports with downswept arms, 140cm by<br />

55cm by 125cm<br />

£400 - 600


1685<br />

A George III Padouk Westmorland<br />

Open Armchair, with double spindle back<br />

support, curved armrests and supports<br />

above a green velvet drop-in seat, raised<br />

on a platform base with castors, 56cm by<br />

44cm by 92cm; and A Similar George<br />

III Mahogany Westmorland Chair,<br />

with double spindle back support, curved<br />

armrests and supports above a caned<br />

seat, raised on sledge bases with castors,<br />

56cm by 48cm by 87cm (2)<br />

£500 - 700<br />

1686<br />

A Laburnum Westmorland Open<br />

Armchair, with double row spindle back<br />

support, outswept arms with chamfered<br />

handgrips, green velvet drop-in seat,<br />

raised on chamfered forelegs with shaped<br />

spandrels, 60cm by 54cm by 93cm<br />

£250 - 350<br />

1687<br />

A George III Style Wingback<br />

Armchair, 19 th century, upholstered in<br />

green velvet with square squab cushion,<br />

on square supports with brass toes and<br />

castors, 55cm by 68cm by 110cm<br />

£300 - 500<br />

1688<br />

A Victorian Walnut Framed<br />

Conversation Settee, 3 rd quarter 19 th<br />

century, recovered in red and cream<br />

check fabric, the overstuffed button<br />

support and carved frame above<br />

overstuffed seats, raised on stout cabriole<br />

legs with scrolling toes and castors, 102cm<br />

by 93cm<br />

£400 - 600<br />

1689<br />

A Pair of 19th Century Open<br />

Armchairs, recovered in modern blue<br />

button back fabric, with foliate C scroll top<br />

rail and padded arms with scrolled hand<br />

grips, overstuffed seat, raised on carved<br />

cabriole forelegs scrolling toes, 60cm by<br />

55cm by 83cm; and A Victorian<br />

Footstool, upholstered to match, 37cm<br />

by 30cm (3)<br />

£400 - 600<br />

1690<br />

A Louis XV Style Carved Giltwood and<br />

Gesso Settee, late 19 th century, the<br />

padded back support, arms and seat<br />

upholstered in green silk, the acanthus<br />

carved frame centred by shell, raised on<br />

cabriole forelegs with scrolling toes, 141cm<br />

by 56cm by 98cm; and A Pair of<br />

High-Back Salon Chairs, en suite, with<br />

padded back support and overstuffed<br />

seats, 52cm by 44cm by 93cm (3)<br />

£500 - 800<br />

1691<br />

A Pair of Louis XV Style Giltwood and<br />

Gesso Fauteuils, late 19 th century,<br />

upholstered in green silk with padded back<br />

support, overstuffed arms and seat, with<br />

acanthus carved moulded frame centred<br />

by a shell, raised on cabriole forelegs with<br />

scrolling toes, 63cm by 60cm by 100cm<br />

£400 - 600<br />

1692<br />

A Pair of Louis XVI Style Beechwood<br />

Fauteuils, late 19 th century, recovered<br />

in pink leaf design fabric, acanthus carved<br />

frame, padded back support, arms and<br />

overstuffed seat, raised on fluted legs with<br />

castors, 63cm by 56cm by 105cm<br />

£400 - 600


1693<br />

An Early 20 th Century Carved<br />

Giltwood Neo-Classical Style Settee,<br />

upholstered in yellow floral silk damask,<br />

with griffin head and lyre shaped pierced<br />

splat above an overstuffed seat, padded<br />

arms terminating in caryatid hand grips,<br />

above a carved and beaded frame, raised<br />

on square tapering legs with carved feet,<br />

130cm by 58cm by 91cm; and A Pair of<br />

Open Armchairs, en suite, 58cm by<br />

54cm by 92cm (3)<br />

£1000 - 1500<br />

1694<br />

An 18 th Century Style Wing Back<br />

Chair, upholstered in orange and floral<br />

needlework fabric, with flared sides, arm<br />

supports and squab cushion above a plain<br />

seat, raised on anthemion carved forelegs<br />

with pad feet, 64cm by 52cm by 110cm<br />

£800 - 1200<br />

1695<br />

An Elegant Wingback Chair of Small<br />

Proportions, probably 18 th century,<br />

recovered in floral needlework fabric, with<br />

outswept arms and squab cushion, raised<br />

on cabriole forelegs with carved hoof feet,<br />

74cm by 42cm by 120cm<br />

£600 - 800<br />

1696<br />

A George II Style Mahogany Double<br />

Humpback Settee, upholstered in pink<br />

floral damask with rounded arm supports,<br />

overstuffed seat and conforming scatter<br />

cushions, raised on anthemion carved legs<br />

with block feet, formerly raised on castors<br />

and stretchers, 260cm by 86cm by 94cm<br />

£1000 - 1500<br />

1697<br />

An Early 18 th Century Style Walnut<br />

Wingback Armchair, upholstered in<br />

worn green velvet, the back support with<br />

the Chigi family of Siena coat of arms, with<br />

rounded flared sides and arm supports<br />

above a squab cushion, with S scroll front<br />

rail and scrolling toes, 90cm by 48cm by<br />

137cm<br />

**Ex Tennants- lot 1619- 20.04.2005<br />

£500 - 700<br />

1698<br />

A George III Mahogany Library<br />

Armchair, late 18 th century, recovered<br />

in green velvet fabric, carved reeded<br />

frame raised on chamfered legs joined by<br />

a chamfered understretcher, 67cm by<br />

57cm by 97cm<br />

£1000 - 1500<br />

1699<br />

A George III Wingback Chair, early<br />

19 th century, upholstered in brown<br />

close-nailed leather, with rounded arm<br />

supports above a squab cushion, raised on<br />

square tapering legs formerly raised on<br />

castors, 50cm by 50cm by 117cm<br />

£500 - 700<br />

1700<br />

A Regency Black Japanned<br />

Four-Seater Settee, early 19 th<br />

century, with single canework back<br />

support and sides, downswept arms,<br />

turned legs and supports, with worn<br />

purple silk overstuffed seat, 185cm by<br />

68cm by 80cm<br />

£700 - 1000


1701<br />

A George IV Mahogany Settee, 2 nd<br />

quarter 19 th century, upholstered in<br />

pink floral damask with overstuffed seat,<br />

carved arm grips, turned supports and<br />

conforming legs with brass toes and<br />

castors, 193cm by 60cm by 87cm<br />

**Ex Tennants, 16.5.87, lot 410<br />

£900 - 1200<br />

For full terms and conditions please refer to<br />

our website:<br />

www.tennants.co.uk<br />

This listing is for guide purposes only and is<br />

not definitive – lots may be added, altered or<br />

withdrawn at any time before the sale.<br />

Tennants Auctioneers<br />

Harmby Road<br />

Leyburn<br />

DL8 5SG<br />

Tel: 01969 623780<br />

E-mail: enquiry@tennants-ltd.co.uk<br />

updated and amended 14/11/2012

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