CHARLESWORTH BIO.indd - Susan Inglett Gallery

BIOGRAPHYSARAH CHARLESWORTHunsigned, AFTERIMAGE, May.1982 unsigned, ART IN AMERICA GUIDE TO MUSE-UMS, “Galleries, and Artists”, Tabula Rasa, bySarah Charlesworth, listed as an OutstandingSolo Show of 1982).Scully, Julia, MODERN PHOTOGRAPHY, “SeeingPictures”, June.unsigned, ARTISTES, Fall (review).Hagen, Charles, ARTFORUM, “Sarah Charlesworth”,December, p. 80, illus.Owens, Craig, ART IN AMERICA, “SarahCharlesworth”, May.1981 Castle, Ted, FLASH ART, Verbal Art, November.Sussler, Betty, COVER MAGAZINE, “Interviewwith Sarah Charlesworth”, Spring / Summer.1980 Frank, Elizabeth, ART IN AMERICA, “SarahCharlesworth”, April, illus.GROUP EXHIBITION CATALOGUES AND BOOKS2008 Congdon, Kristin G., TWENTIETH CENTURYUNITED STATES PHOTOGRAPHERS: A STU-DENT’S GUIDE. (Greenwood Press, Hallmark,Kara Kelley, Westport, CT) Jedermann Collection-Set5 from the Fotomuseum WinterthurCollection (Fotomuseum Winterthur, Switzerland).2007 A NEW REALITY: BLACK-AND-WHITE PHOTOG-RAPHY IN CONTEMPORARY ART, Jane VoorheesZimmerli Art Museum, Rutgers. The StateUniversity of New Jersey, New Brunswick.2006 Bell, Adam B.; Heller, Stephen; and Traub,Charles H., THE EDUCATION OF A PHOTOG-RAPHER, “Objects of Desire: An interviewwith Sarah Charlesworth” (Allworth Press andSchool of Visual Arts, New York).2005 Bois, Yve-Alain; Buchloh, Benjamin; Foster, Hal;and Krauss, Rosalind, ART SINCE 1900: MOD-ERNISM, ANTIMODERNISM, POSTMODERNISM(Thames & Hudson, New York).2004 SPEAKING WITH HANDS: PHOTOGRAPHSFROM THE BUHL COLLECTION, (The SolomonR. Guggenheim Museum, New York).THE LAST PICTURE SHOW: ARTISTS USINGPHOTOGRAPHY 1960-1982; (Walker Art Center,Minneapolis, MN) curated by Douglas Fogel.2003 Scott, Sue, CONSTRUCTED REALITIES: CON-TEMPORARY PHOTOGRAPHY, (Orlando Museum).OFF THE PRESS: RECONTEXTUALIZINGTHE NEWSPAPER IN CONTEMPORARY ART,(Southwest Museum of Photography, Daytona).2002 Wolfe, Sylvia, VISIONS FROM AMERICA PHO-TOGRAPHS FROM THE WHITNEY MUSEUMOF AMERICAN ART, 1940-2001, (The WhitneyMuseum of American Art, New York).Warner, Mariana, SEEING THINGS: PHOTO-GRAPHING OBJECTS, 1850-2001, (The Victoriaand Albert Museum). Edited by Mark Haworth-Booth Decter, Josh, TELEVISIONS, (Kunsthalle,Vienna).2000 (various) POST MODERNISM, (Tate Gallery,London).1999 Phillips, Lisa, THE AMERICAN CENTURY: ART &CULTURE 1950-2000, (The Whitney Museum ofAmerican Art & Norton Publishers, New York).1998 Bunnell, Peter C., PHOTOGRAPHY AT PRINC-ETON, (Princeton University, Princeton).1997 Sobel, Dean, IDENTITY CRISIS: SELF PORTRAI-TURE AT THE END OF THE CENTURY, (MilwaukeeArt Museum).Blaettler, James; Nieboer, Jan Willem; andSteensma, Regnerus, THE ONE CHOSEN: IM-AGES OF CHRIST IN RECENT NEW YORK ART,(Thomas Walsh Gallery, New York).1996 Tallman, Susan, THE CONTEMPORARY PRINT:FROM PRE-POP TO POSTMODERN (book).Pierce-Rosenberg, J. A, QUESTION OF BAL-ANCE: ARTISTS AND WRITERS ON MOTHER-HOOD, (Papier Mache, Watsonville, CA).Heiss, Alana & Streeter, Sabina, MODEL HOME(The Clocktower Gallery, Institute of ContemporaryArt, New York).