CHARLESWORTH BIO.indd - Susan Inglett Gallery

BIOGRAPHYSARAH CHARLESWORTHby Joseph Kosuth (cat.) Vienna Secession,Vienna.“Avant 1989”, curated by Haim Steinbach(cat.) Frac Rhône-Alpes, Lyon.“Abstraction in Contemporary Photography”,Emerson Gallery, Hamilton College, Clinton;Anderson Gallery, Virginia CommonwealthUniversity, Richmond.“Departures: Photography 1924-1989”,Hirschl & Adler Modern, New York.“Vis-A-Vis: Aspects of ContemporaryPortrait Photography” Grita InsamGallery, Vienna; Museum voor HedendaagseKunst Het Kruithuis, Hertogenbosch.“Camera Culture”, Thomas Segal Gallery,Boston.“Fauxtography”, Art Center College ofDesign, Pasadena.“Sarah Charlesworth, Christine Davis, JudithSchwarz”, S. L. Simpson Gallery, Toronto.“Culture Medium: A Notion of Truth”,International Center of Photography, NewYork (cat.).“Subject: Object”, Nicola Jacobs Gallery,London (cat.).“Don’t Bungle the Jungle! A benefitexhibition for the rainforest”, Tony ShafraziGallery, New York.“A Forest of Signs: Art in the Crisis ofRepresentation”, Museum of ContemporaryArt, Los Angeles (cat.).“Natura-Naturata (An Argument for Still-Life)”Josh Baer Gallery, New York.“The Photography of Invention: AmericanPictures of the 1980s”, National Museum ofAmerican Art, Smithsonian Institution,Washington, D.C.; The Museum ofContemporary Art, Chicago and Walker ArtCenter, Minneapolis (book).“Fictive Strategies; Actuality and Originalityin Contemporary Photography”, The SquibbGallery, Princeton (cat.).“International Camera”, Salama-CaroGallery, London.“Contemporary Perspective I: Abstractionin Question”, The John and Mable RinglingMuseum of Art, Sarasota; Center for the FineArts, Miami; curated by Bruce Ferguson,Joan Simon and Roberta Smith (cat.).“Selected Works from the Frederick R.Weisman Foundation”, Wight Art Gallery,University of California, Los Angeles; JoslynMuseum of Art, Omaha; Neuberger Museum,Purchase; Akron Art Museum (cat.).“What Does She Want?: Current FeministArt from the First Bank Collection”, CarletonArt Gallery, Carleton College, Northfield, MN;Women’s Art Registry of Minnesota,Minneapolis (cat.).1988 “Hybrid Neutral: Modes of Abstractionand the Social”, The University of NorthTexas Art Gallery, Denton; The J. B. SpeedArt Museum, Louisville; Alberta CollegeGallery of Art; The Cincinnati ContemporaryArt Center, Richard F. Brush Art Gallery,Santa Fe Community College Art Gallery(cat.).“Gallery Artists”, Jay Gorney Modern Art,New York.“Fabrications”, Carpenter Center for theVisual Arts, Harvard University, Cambridge(book).“Photography in Art Today”, Robert KochGallery, San Francisco.“The Discursive Field of RecentPhotography”, Artculture Resource Center,Toronto.“Art at the End of the Social”, RooseumCenter for Contemporary Art, Malmö,Sweden (cat.).“Photography on the Edge”, HaggertyMuseum of Art, Marquette University,Milwaukee (cat.).“Sexual Difference: Both Sides of the