Mariam Ghani - Kabul Reconstructions

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Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariam“Unwritten Histories & the Digital Divide: On Critics, Archives and Networks.” Arts & Leisure.New York: e-flux / Art in General, 2005.Index of the Disappeared: Catalogue .100. ‘zine co-edited & produced with Chitra Ganesh,distributed by LMCC during the “Cities, Art & Recovery” conference on the fourth anniversary of9/11. Black and white, limited run, 8.5” x 7”, 2005. Includes contributions by Ghani, Ganesh,Jenny Polak, Rajkahmal Kahlon, Joan Linder, and the Visible Collective.“Seeing the Disappeared,” with Chitra Ganesh. Samar Issue 19: Spring/Summer 2005.http://www.samarmagazine.org/archive/article.php?id=183“How Do You See the Disappeared?” Journal of Aesthetics & Protest #4. LA: AK Press, 2005.“Towards a Visual Language of Resistance: Notes on the Disappeared,” with Chitra Ganesh. BareActs: The Sarai Reader 05. Edited by Raqs Media Collective. New Delhi: Centre for the Study ofDeveloping Societies, 2005.“Borders/Barriers.” Pour La Victoire. Edited by surface2air. London: Spoon Publishing, 2002.S E L E C T E D B I B L I O G R A P H Y“Yet another eye opener from the region.” Emīn Mahīr Balcioğlu, Hurriyet, April 3 rd , 2011.“Dances with wolves: four questions for Mariam Ghani.” Interview with Muhammad Yusuf, GulfNews Today. February 17 th , 2011.“CEPA displays the profound, provocative ‘Art of War.’” Article by Colin Dabkowski, Buffalo News,June 27 th , 2010.“Wozu ist Kulturaustauch gut?” Article by Gabriele Hoffman. Stuttgarter Zeitung, May 4 th , 2010.“Die Unmenschlichkeit beginnt im Vorgarten.” Review by Nikolai Forstbauer. StuttgarterNachrichten, May 3 rd , 2010.Gayatri Gopinath, "Archive, Affect and the Everyday: Queer Diasporic Re-Visions" in Janet Staiger,Ann Cvetkovich, Ann Reynolds, eds., Political Emotions: New Agendas in Communication.Routledge, 2010.“Warming Up Records: Archives, Memory, Power and Index of the Disappeared.” Essay by AliceRoyer. InterActions: UCLA Journal of Education and Information Studies, 6(1), January 25 th , 2010.http://www.escholarship.org/uc/item/5j76z82c“Kunst zum Mauerfall, Teil VII: New Yorks Mauerfall.” Article by Wenke Hussman. Die ZeitOnline, November 9 th , 2009. http://www.zeit.de/kultur/kunst/2009-11/mariam-ghani-intro“Interview with Mariam Ghani.” Interview with Nanette Hooslag for Visual Correspondents,October 26 th , 2009. http://www.visualcorrespondents.com/ghani.html“CEPA Gallery’s Three-Month Show is the Talk of the Town.” Article by Colin Dabkowski, BuffaloNews, September 11 th , 2009.“Future Diagnostics at the Sharjah Biennial 2009.” Review by Srimoyee Mitra, FUSE vol. 32, #4,September 2009.“Artists in Exile.” Review by Meenakshi Thirukode. Art Asia Pacific #64, July/August 2009.“Sharjah Biennial 9.” Review by November Paynter. Art Asia Pacific #64, July/August 2009.“9e Biennale de Sharjah: Provisions for the Future.” Review by Cécilia Bezzan. Kunsthart #50, April16 th , 2009.“Sharjah Biennial: Open invitation to artists leads to focused and evocative show.” Review byLouisa Buck. The Art Newspaper, March 25 th , 2009.“The United Arab Emirates’ Grand Designs.” Feature by Sara Raza. Art Asia Pacific #62,March/April 2009.Living Traditions: Contemporary Art from Afghanistan, Iran and Pakistan. Essay by ConstanceWyndham. Kabul: Turquoise Mountain, 2009.“Paisajes del duelo: en los microcampos de la utopía. Arte y colaboración en las práticas artísticascontemporáneas.” Study by Jorge Varela. Revista Abrente, Num. 40/41 (2008/2009).“Democracy in America: The National Campaign: New York.” Review by Natalie Bell. Art Papers,November/December 2008.“Armory Show Explores ‘Democracy in America.’” Story by Siddhartha Mitter. WNYC, September24 th , 2008.A Guide to Democracy in America. New York: Creative Time Books, 2008.“Artists against war.” Review by Gargi Gupta. Business Standard, New Delhi, August 30 th , 2008.
Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariam“Sign Language as Politics.” Review by Heather Diack. Afterimage vol 35, no 5, spring 2008.“Undisclosed Recipients: database documentaries and the Internet.” Essay by Dale Hudson.Studies in Documentary Film, vol 2 issue 1, pp. 79–98. doi: 10.1386/sdf.2.1.79/1“Tracing the Index: Impossible Archives.” Preview by B. Blagojevic. ArtCal Zine, February 2008.“Bijna allemal Hazara.” Article by Herman Rosenberg. AD.nl, February 27 th , 2008.“Collective Utopia: Zenana as Public Sphere.” Essay by Uzma Rizvi. Wynwood Vol. 1, No. 2,October 2007.“The Unsuitable Girls Grow Up.” Feature by Lavina Melwani. Little India, October 3 rd , 2007.“25 Years Later: Welcome to Art in General.” Review by Benjamin Genocchio. The New YorkTimes, August 31 st , 2007.“Corporate Culture.” Article by Elisa Niemack. The New York Sun, August 14 th , 2007.New York, Of Course. Text by Ralph Herrmans. Stockholm: Wetterling Gallery, 2007.“Ansichten des alten und neuen Europas.” Article by Dietrich Heißenbüttel. Stuttgarter Zeitung,June 19 th , 2007.“Spectral Evidence.” Review by Holland Cotter. The New York Times, February 23 rd , 2007.“Critic’s Picks: Spectral Evidence.” Review by Lori Cole. Artforum.com, February 16 th , 2007.“Moving Time: A Tribute to Nam June Paik.” Review by Harry Perlmutter. Art Asia Pacific Issue#49, Summer 2006.Who Cares. New York: Creative Time, 2006. With essays by Anne Pasternak & Doug Ashford.“Kabul: Reconstructions.” Review by Shaheen Rassoul. NYArts Magazine Vol. 11, No. 5/6,May/June 2006.“Writing Politics on Your Flesh: An Interview with Mariam Ghani.” Interview with Tom Leeser &Beth Rosenberg. Viralnet, Issue Viralzerosix. Los Angeles: Center for Integrated Media, CalArts,May 2006. http://www.integr8dmedia.net/viralnet/2006/index.html“The Idea of ‘Illegality’: Sarai Reader 05: Bare Acts.” Review by Nivedita Menon. Economic andPolitical Weekly, November 26 th , 2005.“Piecing it Together: Storytelling in the Digital Age.” Feature by David Alm. The Independent, Vol.28, No. 8. October 2005.“U.S. Exhibition Depicts Realities of Life for Arab Americans.” Article by Ramsay Short. The DailyStar (Beirut), October 13 th , 2005.“Artists Seek to Fill 9/11 Voids.” Article by Christine Lagorio. CBSNews.com, September 12 th ,2005. http://www.cbsnews.com/stories/2005/09/12/september11/main834496.shtml“IN/VISIBLE Art Exhibition Inaugurates Arab American National Museum.” Article by MaymanahFarhat. The Washington Report on Middle East Affairs, Vol. XXIV, No. 6. August 2005. (reprintedin Bidoun and Canvas)“Fast Tracks: Brooklyn, Brooklyn and BROOKLin VIDEO.” Review by Lizzy Le Quesne. ThePrague Post. July 7 th , 2005.“Transnational Artists: Arab American Artists Remapping the Boundaries of Art.” Essay by SalwaMikdadi in Neighbors in Dialogue, ed. Beral Madra and Aype Orhun Gültekin, Istanbul:Norgunk Yayyncylyk, 2005.“Detroit Iraq City.” Article by Edward Houghton in The Fader Issue 31. July/August 2005. (previewof Points of Proof: Detroit edition)“Revealing the Unseen: Mariam Ghani.” Article by David Alm in RES vol. 8, no. 2: ComingUp/New Talent. March/April 2005. (cover/lead article)“Women & Political Power.” BBC Persian radio series produced by Yassaman Ameri, February2005.“Contemporary Art in Central Asia.” Essay by Leeza Ahmady with work from the Contemporaneityexhibition. Lemar – Aftaab | afghanmagazine.com, July 2004.http://www.afghanmagazine.com/2004_07/visualarts/casia.shtml“Contemporaneity: International Video Art in Kyrgysztan.” Contemporary Art from the IslamicWorld, Issue 7 – June 2004.“In an Unrecognizable and Unrecognized Central Asia.” Marshall Swatt interview with LeezaAhmady. NYArts Magazine, July/August 2004.“The Art & Artists of the Year.” Article by Roberta Smith. The NY Times, December 28 th , 2003.“Kabul: Reconstructions.” Feature by Melissa Hibbard. ArteNews Issue 2 (Winter 2003-04):http://www.arteeast.org/artenews-ArteNews.html
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