Mariam Ghani - Kabul Reconstructions

Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariam2007Infinitu et Contini: Repeated Histories, Reinvented Resistances, curated by Denise Carvalho. SmackMellon, NYC.Encounters, Part II, curated by Femke Lutgerink. Stadsgalerij Heerlen, Netherlands.25 Years Later: Welcome to Art in General, curated by Anne Barlow, Sofia Hernandez, AnthonyMarcellini. UBS Art Gallery, NYC. [catalogue]Sultana’s Dream, curated by Jaishri Abichandani. Exit Art, NYC. [catalogue]Mariam Ghani, Seung Pyo Hong, Damaso Reyes. Akademie Schloss Solitude, Stuttgart, Germany.Undisclosed Recipients: Finger Lakes Environmental Film Festival 2007, curated by Dale Hudson &Sharon Lin Tay. Ithaca, NY and online. [online catalogue]The Anatomy of Ignorance, curated by Sara Raza & Cherry Jones. Tate Modern, London, UK.New York Arab and South Asian Film Festival. Tribeca Cinemas, NYC.Spectral Evidence, curated by Steven Lam. Rotunda Gallery, Brooklyn, NY.2006Longwood Arts Projects: Then and Now, curated by Edwin Ramoran & Juanita Lanzo. Haven Arts,Bronx, NY.Welcome, curated by Kara Lynch. Liebling Center, Hampshire College, MA.Underfire, curated by Ryan Griffis. I Space Gallery, Chicago.Fair Play 2006 Video Festival. Play Gallery, Berlin, Germany.Fast Futures: Asian Video Art, curated by Melissa Chiu, Barbara London, Leeza Ahmady. BosePacia Gallery / Rubin Museum of Art, NYC.If a cat gives birth to kittens in an oven, are they kittens or biscuits? curated by Dean Daderko.Roebling Hall, NYC.Interdigitate New Media Festival. Galatos, Auckland, New Zealand.d/Art/2006. Sydney Opera House, Sydney, Australia.Detained. Asian American Art Center, NYC.Site 92. Smack Mellon, NYC.Moving Time: Tribute to Nam June Paik, curated by Iris Inhee Moon. Korean Culture Service, NYC.The Studio Visit. Exit Art, NYC.2005*Security Blanket: 55 Washington Recording Sessions. d.u.m.b.o. Art Under the Bridge Festival2005, NYC. (site-specific installation/performance in collaboration with Nini Hu)In the Shadow of Heroes. ArtEast, Bishkek, Kyrgysztan. [catalogue]The World Is a Safer Place: A Survey of Nonconformist Art, curated by Francis Gomila. The GlobeCity Gallery, Newcastle, UK. [catalogue]Puntos Cardinales, curated by Carlos Motta. PS122, NYC.After Effects, curated by Erin Donnelly. Tribeca Performing Arts Center & 15 Nassau, NYC.18 th Annual Dallas Video Festival. Dallas Museum of Art & Dallas Theater Center, Dallas, TX.Media in “f”: Fifth Ewha Media Art Presentation, curated by Iris Inhee Moon. Ewha Art Center,Seoul, Korea.BROOKLin Video. Futura, Prague, Czech Republic.Political Video from New York, curated by Louky Keijsers. Objectnotfound, Monterrey, Mexico.IN/VISIBLE: Contemporary Art by Arab American Artists, curated by Salwa Mikdadi. Arab AmericanNational Museum, Dearborn, MI. (commissioned project for inaugural exhibition) [catalogue]The Taste of Others, curated by Leeza Ahmady. Apex Art, NYC.Independent Heroines 2005 Film Festival. The Cube Cinema, Bristol, UK.Produced@Eyebeam: Work in Process, curated by Benjamin Weil & Kathleen Forde. EyebeamAtelier, NYC.2004Democracy Was Fun, curated by Raul Zamudio & Juan Puntes. White Box, NYC.CPH:DOX. Danish Film Institute, Copenhagen, Denmark.d.u.m.b.o. Short Film & Video Festival, curated by Les LeVeque. d.a.c., Brooklyn, NY. [catalogue]Liverpool Biennial 2004: The Transparent Eyeball, curated by. Lauren Cornell & Astria Suparak.FACT Centre for Film, Art & Creative Technology & Biennial Mobile Cinema, Liverpool, UK.[catalogue – special issue of Black Diamond magazine]5 th Biennial New Arts Program Video Festival, jur John Hanhardt & Sally Berger. Paula CooperGallery, NYC. [catalogue]

Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariam*Six Feet Under: Make Nice: Chitra Ganesh & Mariam Ghani, curated by Melissa Chiu. White Box.Blow the Conch, curated by Nitin Mukhul. PS122, NYC.Explosion LTTR: Elusive Quality, curated by. Lauren Cornell & Astria Suparak. Participant Inc., NYC.Subway Series, curated by Carlo McCormick. Queens Museum of Art, NYC. [catalogue]Un-American Films. Rooftop Films Summer Season, The River Project, Pier 26, NYC.Tactical Action: Hit ‘n Run, curated by Louky Keijsers. Gigantic Art Space/Pier 63, NYC.Contemporaneity: An Exhibition of Contemporary Video Works, curated by Leeza Ahmady. KyrgyzNational Museum of Arts, Bishkek; Academy of Fine Arts, Tashkent, Uzbekistan.Open House: Working in Brooklyn, curated by Charlotta Kotik & Tumelo Mosaka. BrooklynMuseum of Art, Brooklyn, NY. [catalogue]*Seeing Through Afghanistan: Afghanistan Re-Viewed Through Music & Film. Wesleyan University,CT. (solo screening & lecture within three-day event)Universal Games/Everything Is Gonna Be Alright. Cinema East Spring Season, Cantor Film Center,New York University, NYC.200313 a Mostra Curtacinema. Rio de Janeiro, Brazil. (opening night selection) [catalogue]Canal Street Projection Project. New Orleans, LA.*Permanent Transit. Smart Project Space, Amsterdam, Netherlands.Breaking News. Judson Church, NYC.AIM 23, curated by Amy Rosenblum-Martin & Lydia Yee. Bronx Museum of the Arts, NYC. [cat]The New York Video Festival. Film Society of Lincoln Center, NYC.Exit Biennial: The Reconstruction. Exit Art, NYC.transmediale.03: play global! Berlin, Germany. [catalogue][BLANK]: In Pursuit of An American History, curated by Stephanie Dinkins. SAC Gallery, StonyBrook University, Stony Brook, NY.Init.Two. Visual Studies Workshop, Rochester, NY.2001- 2002Media(less) Medium. Mills Gallery, Boston Center for the Arts, Boston.Afghan-American Women in Film. Asia Society, NYC.=7. Brooklyn Academy of Music Rose Cinemas, Brooklyn, NY.Lost & Found. Visual Arts Gallery, SoHo, NYC.Mango, curated by Melissa Chiu & Edwin Ramoran. Talwar Gallery, NYC. [catalogue](far from) Home Videos, curated by Jarryd Lowder. Remote Lounge, NYC.Progress. Armenian Center for Contemporary Experimental Art, Yerevan, Armenia.* Parallel Frames. Fletcher School of International Diplomacy, Tufts University, Boston; Middle EastFilm Series, Kevorkian Center, New York University, NYC. (Solo screening & talk)S E L E C T E D P U B L I C A T I O N SAfghanistan: A Lexicon, with Ashraf Ghani. Hatje Cantz & dOCUMENTA (13), April 2011.“Introduction to an Index,” with Chitra Ganesh. Radical History Review 30 th anniversary issue.Chapel Hill: Duke University Press, 2011.“Notes on the Disappeared (04-08).” Afsaneh Seesaneh: An Anthology of Contemporary AfghanAmerican Literature. Edited by Zohra Saed & Sahar Muradi. University of Arkansas Press, 2010.“Notes for a Shooting Script / Bidoun Questionnaire” with Erin Kelly. Provisions for the Future:Sharjah Biennial 9. Sharjah/London: Bidoun, 2009.“New World Borders.” Common Possibility. San Francisco: Playspace Gallery, 2008.Kabul: Constitutions: Annotated Guide to the Interactive Map. Text by Mariam Ghani, photographsby Rick Vogels. Produced by Gemak, 2008.Encyclopedia of Arab American Art. Edited by Fayeq S. Oweis. NH: Greenwood, 2007.“Afghanistan: Between the Tiger and the Precipice.” FUSE 30 th Anniversary Issue: Cultural Changein Real Terms. Toronto, October 2007.“Seeing the Disappeared,” with Chitra Ganesh. Pavilion Issue 10-11: What Was Socialism, andWhat Comes Next. Bucharest, May 2007.“Divining the Question: An Unscientific Methodology for the Collection of Warm Data.” Viralnet,Issue Viralzerosix. Los Angeles: Center for Integrated Media, CalArts, May 2006.http://www.integr8dmedia.net/viralnet/2006/index.html

Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariam“Unwritten Histories & the Digital Divide: On Critics, Archives and Networks.” Arts & Leisure.New York: e-flux / Art in General, 2005.Index of the Disappeared: Catalogue .100. ‘zine co-edited & produced with Chitra Ganesh,distributed by LMCC during the “Cities, Art & Recovery” conference on the fourth anniversary of9/11. Black and white, limited run, 8.5” x 7”, 2005. Includes contributions by Ghani, Ganesh,Jenny Polak, Rajkahmal Kahlon, Joan Linder, and the Visible Collective.“Seeing the Disappeared,” with Chitra Ganesh. Samar Issue 19: Spring/Summer 2005.http://www.samarmagazine.org/archive/article.php?id=183“How Do You See the Disappeared?” Journal of Aesthetics & Protest #4. LA: AK Press, 2005.“Towards a Visual Language of Resistance: Notes on the Disappeared,” with Chitra Ganesh. BareActs: The Sarai Reader 05. Edited by Raqs Media Collective. New Delhi: Centre for the Study ofDeveloping Societies, 2005.“Borders/Barriers.” Pour La Victoire. Edited by surface2air. London: Spoon Publishing, 2002.S E L E C T E D B I B L I O G R A P H Y“Yet another eye opener from the region.” Emīn Mahīr Balcioğlu, Hurriyet, April 3 rd , 2011.“Dances with wolves: four questions for Mariam Ghani.” Interview with Muhammad Yusuf, GulfNews Today. February 17 th , 2011.“CEPA displays the profound, provocative ‘Art of War.’” Article by Colin Dabkowski, Buffalo News,June 27 th , 2010.“Wozu ist Kulturaustauch gut?” Article by Gabriele Hoffman. Stuttgarter Zeitung, May 4 th , 2010.“Die Unmenschlichkeit beginnt im Vorgarten.” Review by Nikolai Forstbauer. StuttgarterNachrichten, May 3 rd , 2010.Gayatri Gopinath, "Archive, Affect and the Everyday: Queer Diasporic Re-Visions" in Janet Staiger,Ann Cvetkovich, Ann Reynolds, eds., Political Emotions: New Agendas in Communication.Routledge, 2010.“Warming Up Records: Archives, Memory, Power and Index of the Disappeared.” Essay by AliceRoyer. InterActions: UCLA Journal of Education and Information Studies, 6(1), January 25 th , 2010.http://www.escholarship.org/uc/item/5j76z82c“Kunst zum Mauerfall, Teil VII: New Yorks Mauerfall.” Article by Wenke Hussman. Die ZeitOnline, November 9 th , 2009. http://www.zeit.de/kultur/kunst/2009-11/mariam-ghani-intro“Interview with Mariam Ghani.” Interview with Nanette Hooslag for Visual Correspondents,October 26 th , 2009. http://www.visualcorrespondents.com/ghani.html“CEPA Gallery’s Three-Month Show is the Talk of the Town.” Article by Colin Dabkowski, BuffaloNews, September 11 th , 2009.“Future Diagnostics at the Sharjah Biennial 2009.” Review by Srimoyee Mitra, FUSE vol. 32, #4,September 2009.“Artists in Exile.” Review by Meenakshi Thirukode. Art Asia Pacific #64, July/August 2009.“Sharjah Biennial 9.” Review by November Paynter. Art Asia Pacific #64, July/August 2009.“9e Biennale de Sharjah: Provisions for the Future.” Review by Cécilia Bezzan. Kunsthart #50, April16 th , 2009.“Sharjah Biennial: Open invitation to artists leads to focused and evocative show.” Review byLouisa Buck. The Art Newspaper, March 25 th , 2009.“The United Arab Emirates’ Grand Designs.” Feature by Sara Raza. Art Asia Pacific #62,March/April 2009.Living Traditions: Contemporary Art from Afghanistan, Iran and Pakistan. Essay by ConstanceWyndham. Kabul: Turquoise Mountain, 2009.“Paisajes del duelo: en los microcampos de la utopía. Arte y colaboración en las práticas artísticascontemporáneas.” Study by Jorge Varela. Revista Abrente, Num. 40/41 (2008/2009).“Democracy in America: The National Campaign: New York.” Review by Natalie Bell. Art Papers,November/December 2008.“Armory Show Explores ‘Democracy in America.’” Story by Siddhartha Mitter. WNYC, September24 th , 2008.A Guide to Democracy in America. New York: Creative Time Books, 2008.“Artists against war.” Review by Gargi Gupta. Business Standard, New Delhi, August 30 th , 2008.

Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariam“Sign Language as Politics.” Review by Heather Diack. Afterimage vol 35, no 5, spring 2008.“Undisclosed Recipients: database documentaries and the Internet.” Essay by Dale Hudson.Studies in Documentary Film, vol 2 issue 1, pp. 79–98. doi: 10.1386/sdf.2.1.79/1“Tracing the Index: Impossible Archives.” Preview by B. Blagojevic. ArtCal Zine, February 2008.“Bijna allemal Hazara.” Article by Herman Rosenberg. AD.nl, February 27 th , 2008.“Collective Utopia: Zenana as Public Sphere.” Essay by Uzma Rizvi. Wynwood Vol. 1, No. 2,October 2007.“The Unsuitable Girls Grow Up.” Feature by Lavina Melwani. Little India, October 3 rd , 2007.“25 Years Later: Welcome to Art in General.” Review by Benjamin Genocchio. The New YorkTimes, August 31 st , 2007.“Corporate Culture.” Article by Elisa Niemack. The New York Sun, August 14 th , 2007.New York, Of Course. Text by Ralph Herrmans. Stockholm: Wetterling Gallery, 2007.“Ansichten des alten und neuen Europas.” Article by Dietrich Heißenbüttel. Stuttgarter Zeitung,June 19 th , 2007.“Spectral Evidence.” Review by Holland Cotter. The New York Times, February 23 rd , 2007.“Critic’s Picks: Spectral Evidence.” Review by Lori Cole. Artforum.com, February 16 th , 2007.“Moving Time: A Tribute to Nam June Paik.” Review by Harry Perlmutter. Art Asia Pacific Issue#49, Summer 2006.Who Cares. New York: Creative Time, 2006. With essays by Anne Pasternak & Doug Ashford.“Kabul: Reconstructions.” Review by Shaheen Rassoul. NYArts Magazine Vol. 11, No. 5/6,May/June 2006.“Writing Politics on Your Flesh: An Interview with Mariam Ghani.” Interview with Tom Leeser &Beth Rosenberg. Viralnet, Issue Viralzerosix. Los Angeles: Center for Integrated Media, CalArts,May 2006. http://www.integr8dmedia.net/viralnet/2006/index.html“The Idea of ‘Illegality’: Sarai Reader 05: Bare Acts.” Review by Nivedita Menon. Economic andPolitical Weekly, November 26 th , 2005.“Piecing it Together: Storytelling in the Digital Age.” Feature by David Alm. The Independent, Vol.28, No. 8. October 2005.“U.S. Exhibition Depicts Realities of Life for Arab Americans.” Article by Ramsay Short. The DailyStar (Beirut), October 13 th , 2005.“Artists Seek to Fill 9/11 Voids.” Article by Christine Lagorio. CBSNews.com, September 12 th ,2005. http://www.cbsnews.com/stories/2005/09/12/september11/main834496.shtml“IN/VISIBLE Art Exhibition Inaugurates Arab American National Museum.” Article by MaymanahFarhat. The Washington Report on Middle East Affairs, Vol. XXIV, No. 6. August 2005. (reprintedin Bidoun and Canvas)“Fast Tracks: Brooklyn, Brooklyn and BROOKLin VIDEO.” Review by Lizzy Le Quesne. ThePrague Post. July 7 th , 2005.“Transnational Artists: Arab American Artists Remapping the Boundaries of Art.” Essay by SalwaMikdadi in Neighbors in Dialogue, ed. Beral Madra and Aype Orhun Gültekin, Istanbul:Norgunk Yayyncylyk, 2005.“Detroit Iraq City.” Article by Edward Houghton in The Fader Issue 31. July/August 2005. (previewof Points of Proof: Detroit edition)“Revealing the Unseen: Mariam Ghani.” Article by David Alm in RES vol. 8, no. 2: ComingUp/New Talent. March/April 2005. (cover/lead article)“Women & Political Power.” BBC Persian radio series produced by Yassaman Ameri, February2005.“Contemporary Art in Central Asia.” Essay by Leeza Ahmady with work from the Contemporaneityexhibition. Lemar – Aftaab | afghanmagazine.com, July 2004.http://www.afghanmagazine.com/2004_07/visualarts/casia.shtml“Contemporaneity: International Video Art in Kyrgysztan.” Contemporary Art from the IslamicWorld, Issue 7 – June 2004.“In an Unrecognizable and Unrecognized Central Asia.” Marshall Swatt interview with LeezaAhmady. NYArts Magazine, July/August 2004.“The Art & Artists of the Year.” Article by Roberta Smith. The NY Times, December 28 th , 2003.“Kabul: Reconstructions.” Feature by Melissa Hibbard. ArteNews Issue 2 (Winter 2003-04):http://www.arteeast.org/artenews-ArteNews.html

Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariam“Pluralidade em Curtas.” Article by Dominique Valansi. Estacao Virtual, December 2003.http://www.estacaovirtual.com.br/arquivo/eventos/curta-cinema2003/curta-cinema2003.htm“Cineasta registra a difícil reconstrução do Afeganistão.” Article by Cristina Azevedo. O Globo,December 1 st , 2003.“Tamanho não é documento.” O Dia, November 27 th , 2003.“Personal Work & Videogames in the Spotlight at 2003 New York Video Festival.” Article byEugene Hernandez. Indiewire.com, July 15 th , 2003.“Exit Biennial: The Reconstruction.” Review by William Powdha. The Brooklyn Rail, June-July2003.“Mariam Ghani’s Kabul: Reconstructions.” Profile & interview with Yassaman Ameri on This WeekIn New York. BBC World Service Farsi radio broadcast, May 28 th 2003. Text article published onBBC Persian website (http://bbc.co.uk/Persian/arts/la-za-ghani.html), June 2003.“Kunst Gegen Krieg.” Article by Markus Wieland. Falter No. 16/03. Vienna, April 16 th 2003.“A Space Reborn, With A Show That’s Never Finished.” Article by Roberta Smith. The New YorkTimes, April 4 th 2003.“Victory Dance: A New Fashion-Art Collective Turns Out the Season’s Must-Have Book.” Article byJanet Ozzard. Style.com, June 24 th 2002.“Mango.” Review by Holland Cotter. The New York Times, June 22 nd 2002.S E L E C T E D L E C T U R E S , P A N E L S + R O U N D T A B L E SEngaging Afghanistan. Symposium organized by Michael Kennedy & Shiva Balaghi. May 5 th -7 th ,2011. Watson Institute for International Studies, Brown University.Archiving the Ephemeral. Panel organized by Hollis Mickey & Rebecca Schneider, with Index ofthe Disappeared, Corin Hewitt and Patricia Phillips. April 7 th , 2011. Brown UniversityFrames of Violence. Symposium, April 15 th -18 th , 2010. University of Minnesota.Landscape Studies. Performance and talk with Mariam Ghani and Erin Ellen Kelly, moderated byNew Museum Curatorial Associate Amy Mackie. February 7 th , 2010. Momenta Art, NYC.The Politics of Space in a Constructed Identity: The Sharjah Biennial in Context. Panel discussionwith Sheela Gowda, Nikolaj Larsen, Maider Lopez, Erin Kelly & Mariam Ghani, and curator IsabelCarlos, moderated by Nadia Mounajjed and Mona El-Mousfy of the American University ofSharjah. March 20 th , 2009. Dar Al Nadwa, Sharjah, UAE.Surveillance, Power and Control: Who’s zooming who? Panel discussion with Naeem Mohaiemenand Julia Townsend, moderated by Sara Raza. March 16 th , 2009. BAF Art School, Bastakiya ArtFair, Dubai, UAE.Index of the Disappeared. Talk with Chitra Ganesh in the Calico Lecture series at HampshireCollege, MA. February 25 th , 2009.(Un)Patriot Acts: Arts, Activism and State Power from the Culture Wars to the War on Terror. Paneldiscussion with Karen Finley, Steve Kurtz, Rebecca Schneider, & Index of the Disappeared (ChitraGanesh + Mariam Ghani), moderated by Karen Shimawaka. September 16 th , 2008. Center for theStudy of Gender & Sexuality, NYU, NYC.Four Perspectives from SAWCC Artists. Artist talk with Samira Abbassy, Mareena Daredia, SaraRahbar, and Sa’dia Rehman, moderated by Mariam Ghani. June 7 th , 2008. Elizabeth A. SacklerCenter for Feminist Art, Brooklyn Museum.Law and Visual Resistance. Index of the Disappeared talk for South Asian Bar Association dinnerseries, moderated by Fordham law professor Sonya Katyal. May 7 th , 2008.Affective Circuits: Technology, Sex, Politics. April 9 th , 2008. Mini-workshop with Mary Flanagan &Susanna Passonen, organized by Maria Fernandez at Cornell University, Ithaca, NY.New Media Lecture Series: Mariam Ghani - Kabul: Reconstructions. Lecture in visiting artist series.October 3 rd , 2007. Neuberger Museum, SUNY Purchase, NY.Girls of the Third Situ8ionist International Summit (G3SIS). Closed-door roundtable discussiontransmitted as podcast to Berlin’s Super Bien! gallery as part of the 2007 Conflux festival. Theparticipants in this alternative G8 summit/situationist tribute were Mariam Ghani, Julie Atlas Muz,Jana Leo, Radhika Subramanian, Kate Werble, Tianna Kennedy, Anat Egbi and Xaviera Simmons.September 16 th , 2007. NGC Gallery, NYC.The Sun Has Gone Under: Lebanese-American Artists on Art. Panel with John Jurayj and SumayaSamaha, moderated by Doug Sheer & Shiva Balaghi. February 2 nd , 2007. Artist Talk on Art lectureseries, School of Visual Arts, NYC.

Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariamVisiting Artist Lecture Series: Mariam Ghani. October 17 th , 2005. Center for Integrated Media,California Institute for the Arts, Valencia, CA.IN/VISIBLE and the Inauguration of the Arab American National Museum. Roundtable with SalwaMikdadi, Joe Namy & Sumaya Samaha, moderated by Shiva Balaghi. September 19 th , 2005.Kevorkian Center for Middle East Studies, NYU, NYC.Cities, Art & Recovery: The Art of Aftermath. After Effects artist talk with Chitra Ganesh, PiaLindman, Conor McGrady, & Amie Siegel. Moderated by Erin Donelly of LMCC. Sunday,September 11 th , 2005. Tribeca Performing Arts Center, NYC.Sites in Translation. Discussion organized and moderated as guest co-moderator for month ofSeptember, with Ricardo Miranda Zuñiga, Angel Nevarez, Lana Lin and Lan Thao Lam. -empyrenewmedia discussion list.“Representation & Reception.” Panel discussion with Ayreen Anastas & Abdelali Dahrouch,moderated by Sarah Rogers. New Forms & Meanings: A Symposium on Contemporary ArabAmerican Art. May 19 th – 21 st , 2005. Arab American National Museum, Dearborn, MI.“Creative Alliances for Effective Activism.” Workshop / panel led with Chitra Ganesh. And SoForth: A Post-Inaugural Assembly, organized by the Amnesty International Firefly Project. January23 rd , 2005. Office Ops, NYC.Arab-American Artists & the Legacy of Edward Said. Roundtable moderated by Shiva Balaghi.September 25 th , 2004. Kevorkian Center for Middle East Studies, NYU, NYC.Paul Chan & Mariam Ghani: Art, War & Activism. March 4 th , 2004. Kevorkian Center for MiddleEast Studies & Center for Media, Culture & History, NYU, NYC.[BLANK]: In Pursuit of an American History. Panel discussion with Stephanie Dinkins (moderator),Jefferson Pinder, Karina Aguilera Skvirsky, Tracey Walters, Scott Neumann, and Christian Rogers.February 11 th , 2003. Stony Brook University, Long Island, NY.T E A C H I N GSpring/Fall 2011:Spring 09-Fall 10:Spring 2010:Spring 09/Fall 10:Fall 2005 – 2008:Spring 2008:Spring 2004/5:Winter 2004-05:Designed, raised funds for and teaching a series of intensive 1-monthworkshops for college-level fine arts students at the Center forContemporary Arts Afghanistan in Kabul.Adjunct Instructor, Cooper Union. Taught Video I course.Adjunct Instructor, Parsons the New School for Design. Taught requiredTheory, Practice and Career course for senior BFA students.Adjunct Instructor, Art & Public Policy, New York University, NYC.Designed & taught new seminar on art and public dialogue for ArtsPolitics M.A. students, which included a collaboration with artist JeremyDeller and the New Museum, enabling students to work on his new project“It is What it Is: Conversations About the War in Iraq.”Adjunct Lecturer, Art & Technology, College of Arts & Letters, StevensInstitute of Technology, NJ. Created curriculum for and taught videosequence, net art studio, advanced digital imaging studio,professional practices workshops, and media theory survey; supervisedsenior tutorials, thesis projects and thesis papers.Visiting Lecturer, MFA Public Practices, Otis College of Art + Design.Taught one-week workshop on new genre public practices for MFAstudents with studio visits / individual crits.Visiting Artist/MFA Thesis Adviser, MFA Computer Arts Department,School of Visual Arts. Supervised interactive video installation thesis.Teaching Artist, Girls-Eye-View after-school program, Eyebeam Atelier.Designed & taught 6-week class for 6th-graders from School of the Future.Guest lecturing, 02-10: Hunter College, the Pratt Institute, Columbia University, The College ofNew Jersey, Parsons/The New School, Massachusetts College of Art,CalArts, Cooper Union, AIB@Lesley, Hampshire College, Bard CCS.C U R A T O R I A L P R O J E C T SFall 2009: Conversation Pieces. Exhibition, public program series, and public projects coorganizedwith Sean Donaher for CEPA Gallery in Buffalo, NY, bringing together projects by artists

Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariamwho stage, subvert, provoke, intervene in or document public dialogues. With Carlos Motta, OliverRessler, Sharon Hayes, Lex Bhagat, Stephanie Rothenberg, Nina Leo & Stefani Bardin, theGuerrillaGirlsBroadBand, Heather Dewey-Hagborg, and InCUBATE, Material Exchange & AdamBobbette. Includes a 5-part screening series, a performance series, two poster projects for publicbus shelters, three co-sponsored lectures, and a 156-page exhibition reader.Spring 2008: Tracing the Index: 4 Discussions, 4 Venues. Series of public programs organized withChitra Ganesh and co-presented by the Vera List Center for Art & Politics at the New School,NYU’s Kevorkian Institute for Near Eastern Studies, Center for Media, Culture and History, andCenter for Media and Religion, Art in General, and the Bronx Museum of the Arts (in conjunctionwith the exhibition Making It Together: Women’s Collaborative Art and Community) on themesrelated to our collaborative project Index of the Disappeared, all of which were recorded, madeavailable online at www.kabul-reconstructions.net/index, added to the Index archive, and willeventually be transcribed as part of an Index publication. Included 16-page program notes.September – November 2007: Index of the Disappeared: Public Program Series 07. Series of publicprograms organized with Chitra Ganesh in conjunction with the presentation of the Index archiveat UBS for the 25 Years Later show. Programs included a library orientation and storytellingsession, a screening, and a panel discussion on the theme of archiving unspeakable or censoredmaterials.January – May 2007: Focus on Lebanon, a series of public programs co-presented by the KevorkianCenter for Middle East Studies at NYU and arts organizations across the city. Co-organized withartists John Jurayj, Sumaya Samaha, and Walid Raad, writers Elias Khoury and Jacque Moorad,filmmaker Tom McCarthy, and curators Rasha Salti and Shiva Balaghi.Spring 2006 at the Asian American Art Center: Detained, an exhibition and public program seriesexploring the communal, political, and spiritual convergences and conversions evoked by the storyof Captain James Yee. Co-organized with artists Tina LaPorta, Trong Nguyen, and Tomie Arai,Rabab Abdulhadi of the Arab American Studies Center at UMichigan, and Bob Lee of the AsianAmerican Art Center.October 19 th – 20 th , 2000 at Exit Art: Coded Bodies, a two-day video and performance eventfeaturing work by South Asian women that explored the coded meanings of the body throughworks examining traditional and non-traditional dress, private and public rituals, and bodyadornments and movements. In collaboration with Chitra Ganesh and Swati Khurana of the SouthAsian Women’s Creative Collective. With program notes.V I D E O G R A P H Y1999 Repeat Fugitive (1 channel, 9:00)Looped (2 channels, 14:00)2000 Shahrazade Divided (1 channel, 50:00)Blind Crossing / Crossing Blind (2 channels, 3:10)Universal Games (1 channel installation, 2:20 loop)2001 My Name on Your Lips (sounds so foreign) (2 channel installation, 3:30)For Your Safety: Reasons to Stay Inside (1 channel, 12:00)The Last Home Movie (2 channel installation, 3:00)Progress / Armenia Dreams Gasoline (2 channels, 14:00)Beirut Nocturne (1 channel, 3:50)2002 Permanent Transit (1 channel surround sound installation, 24:00)Friendly Fire (1 channel installation, 3:10)2003 Kabul: Reconstructions (1 channel, 6:24)Miraculous Dissolves (Performance in the Age of Martha Stewart Living) (1 channelinstallation, 5:00)The Glass House Home Movies (4-in-1 ch video with 5-ch interactive audio, 15:00)2004 TRACEXCHANGEXCAVATE (1 channel surround sound installation, 19:40, collaborationwith Emily Tepper & Michael Floyd)How Do You See the Disappeared? (1 channel, 9:28)

Mariam Ghani mariam@kabul-reconstructions.net www.kabul-reconstructions.net/mariam2005 Kabul: Constitutions (3-channel interactive installation, 1:30:00 non-linear)Points of Proof: Detroit (1 channel installation, 34:00)The Studio Visit (1 channel, 5:48)2006 Fugitive Refrains (1 channel surround sound HD installation, 25:00, collaboration with EEK)2007 Kabul 2, 3, 4 (3-channel installation, 13:00)Three Surrenders (1 channel, 6:33, collaboration with Erin Ellen Kelly)2009 Smile, you’re in Sharjah (1 channel surround sound HD installation, 24:40, collaborationwith Erin Ellen Kelly, commissioned by the Sharjah Biennial 9)Variations (on a Haunted Wood) (2 channel video, 4 channel audio projection forperformance, 10:00, collaboration with Erin Ellen Kelly)Points of Proof: Buffalo (1 channel HD installation, 26:05)Going, Going, Gone (1 channel HD, 4:26, commissioned for public projections in Berlin)2010 Landscape Studies: New Mexico (Strangers in a Stranger Land) (1 channel HD video, 4channel audio projection for performance, 26:50, collaboration with Erin Ellen Kelly)2011 The Trespassers (1 channel HD video, 4 channel audio installation, 1:45:00)To Live (1 channel HD video, in progress, projected RT 45:00)*Note that most video installations also exist in single-channel preview or screening versions. All arecolor, SD and have stereo sound on each channel unless otherwise specified.W E B - B A S E D P R O J E C T SIn collaboration with programmer Ed Potter and the AINA Afghan Media Center in Kabul:www.kabul-reconstructions.netActive March 2003 – March 2005, relaunched in an expanded version in winter 2007In collaboration with composer Qasim Naqvi, poet Zohra Saed, & programmer Ed Potter:Permanent Transit: net.remixProject commissioned by PS122 for the August 2004 issue of artwurl.orgwww.kabul-reconstructions.net/transitIn collaboration with Chitra Ganesh and programmers Rob Durbin & Ed Potter:How Do You See the Disappeared? A Warm DatabaseA 2004 commission by Turbulence.org, funded by the Jerome Foundation and the NYCDepartment of Cultural Affairswww.turbulence.org/works/seethedisappearedPoints of ProofA 2006 Longwood Digital Matrix commission, based on an offline project commissioned by theArab American National Museum for their inaugural exhibition in spring 2005www.kabul-reconstructions.net/proofPrefabrinationsProject curated by Anais Lellouche and commissioned by Bard CCS for the 11/7/08 edition ofwww.sixyears.com