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AUSTRALIA<br />
ILBIJERRI Theatre Company<br />
JACK CHARLES<br />
V THE CROWN<br />
Written by Jack Charles and John Romeril<br />
Directed by Rachael Maza<br />
Performed by Jack Charles<br />
STUDIO UNDERGROUND<br />
Wednesday 15–Thursday 23 February<br />
ALBANY ENTERTAINMENT CENTRE<br />
Saturday 11 & Sunday 12 February<br />
This performance is 1 hour and 15 minutes with no interval<br />
Supported by<br />
Indigenous Program Partner<br />
10FEBRUARY–3 MARCH
ILBIJERRI Theatre Company<br />
JACK CHARLES V THE CROWN<br />
By Jack Charles and John Romeril<br />
Director Rachael Maza<br />
Dramaturg John Romeril<br />
Script Consultant Melanie Beddie<br />
Set and Costume Designer Emily Barrie<br />
Lighting Designer Danny Pettingill<br />
Musical Director Nigel Maclean<br />
Audio Visual Designer Peter Worland<br />
Production Manager Blair Hart<br />
Stage Manager Bianca Eden<br />
With Jack Charles<br />
Guitar and Violin Nigel Maclean<br />
Percussion Phil Collings<br />
Bass Mal Beveridge<br />
Bastardy footage courtesy of Film Camp, Amiel Courtin-Wilson,<br />
Ghost, Film Victoria and Filmfest Ltd.<br />
We would like to show our respect and acknowledge <strong>the</strong> Traditional<br />
owners of <strong>the</strong> land we ga<strong>the</strong>r on today: <strong>the</strong> Noongar People. We pay<br />
respect to <strong>the</strong>ir Ancestors and Elders and to any Elders that may be<br />
with us here today.<br />
A NOTE FROM THE DIRECTOR<br />
Having grown up in <strong>the</strong>atre, I have known Uncle Jack for most of my<br />
life, and have long admired his work. It seems <strong>the</strong>refore most fitting that<br />
I should work with him now, all <strong>the</strong>se years later. His is <strong>the</strong> generation<br />
that started Black Theatre in this country, paving <strong>the</strong> way for those of<br />
my generation to follow (Uncle Jack, along with my fa<strong>the</strong>r Bob Maza,<br />
established Australia’s first Aboriginal Theatre Company, Nindethana, in<br />
Melbourne in 1972).<br />
It is through <strong>the</strong>atre that I have learnt <strong>the</strong> true history of this country,<br />
history that was never taught in <strong>the</strong> school books. It is this early <strong>the</strong>atre<br />
that inspired who I am today, inspiring in me <strong>the</strong> passion to continue to<br />
tell <strong>the</strong> stories that need to be told.<br />
One of my earliest memories in <strong>the</strong> <strong>the</strong>atre was at <strong>the</strong> Sydney Opera<br />
House: a scene in which two fully clad early 19th-century soldiers<br />
entered, carrying between <strong>the</strong>m a fully naked ‘Bennelong’ (a young<br />
Jack Charles) to centre downstage, his feet dangling above <strong>the</strong> floor …<br />
After seeing <strong>the</strong> phenomenal documentary Bastardy, I was inspired to<br />
bring Jack’s story to <strong>the</strong> stage, knowing what a brilliant actor he was.<br />
The opportunity arose to get him in for a script reading (I was aware he<br />
was getting on in years and it seemed wise to see how he was fairing).<br />
He was incredible! Every word danced off <strong>the</strong> page with those deep rich<br />
resonant melodic tones – as if he had created <strong>the</strong> words himself, in that<br />
moment. A master of <strong>the</strong> spoken word. My decision to pursue this story<br />
was set in stone in that moment.<br />
Jack’s story is not dissimilar to many o<strong>the</strong>r Aboriginal people who were<br />
victims of past government policies. He was stolen from his family at<br />
three months and placed in a boys’ home, where he would endure years<br />
of abuse. He <strong>the</strong>n spent <strong>the</strong> majority of his adult years doing ‘burgs’ and<br />
‘doing time’ to feed his addiction. There is no doubt in my mind that all<br />
of this got in <strong>the</strong> way of what would have been a truly brilliant career on<br />
stage and screen.<br />
Melbourne-born and bred, a true gentleman, generous in spirit, warm of<br />
heart, sharp of wit … Jack Charles is a true Elder!<br />
It is such a great honour and privilege to work so closely and intimately<br />
with one of Australia’s great living legends. A special thanks to Uncle<br />
Jack for his incredible generosity in sharing his story.<br />
Rachael Maza<br />
ILBIJERRI is assisted by <strong>the</strong> Australian Government through <strong>the</strong><br />
Australia Council (arts funding advisory body); Arts Victoria; City of<br />
Melbourne and by <strong>the</strong> Department of Prime Minister and Cabinet,<br />
Office for <strong>the</strong> Arts, Indigenous Culture Support.
JACK CHARLES<br />
Co-writer and Performer<br />
Born in 1943, Jack Charles was well and truly a child of <strong>the</strong> Stolen<br />
Generation. He spent many of his formative years in <strong>the</strong> boys’ homes<br />
of Melbourne, which he took on with his usual laconic outlook: ‘It<br />
was alright by me – I was happy to assimilate. The only trouble was I<br />
wasn’t ever going to fit in. I’m fucking brown mate.’ In 1972 he founded<br />
<strong>the</strong> first Aboriginal <strong>the</strong>atre company Nindethana and has performed<br />
with <strong>the</strong> cream of Australia’s actors, directors and writers including<br />
Geoffrey Rush, Neil Armfield, John Romeril and Tracey Moffatt. His<br />
work has spanned feature films, TV series and hundreds of plays<br />
including The Chant of Jimmie Blacksmith, Bedevil, Ben Hall and The<br />
Marriage of Figaro. Most recently, he was <strong>the</strong> subject of Amiel Courtin-<br />
Wilson’s award-winning documentary Bastardy, and was awarded <strong>the</strong><br />
prestigious Tudawali Award at <strong>the</strong> Message Sticks Festival in 2009,<br />
honouring his lifetime contribution to Indigenous media.<br />
JOHN ROMERIL<br />
Co-writer and Dramaturg<br />
Over a 40-year career as a dramatist, John Romeril has produced<br />
nearly 80 works for stage, film and television, including satirical, musical<br />
and humorous drama. He was a founding member of <strong>the</strong> Australian<br />
Performing Group at <strong>the</strong> Pram Factory during <strong>the</strong> 1970s, writing nearly<br />
40 plays for <strong>the</strong>m, including <strong>the</strong> greatly acclaimed The Floating World,<br />
which earned him <strong>the</strong> Literature Board’s inaugural Canada-Australia<br />
Award in 1975. His o<strong>the</strong>r works include: Marvellous Melbourne, The<br />
Dudders, The Accidental Poke, History of Australia: The Musical, Jonah,<br />
Legends and The Kelly Dance. Recent works include: One Night <strong>the</strong><br />
AustrAliAn<br />
creative<br />
energy<br />
Woodside is proud to support<br />
<strong>the</strong> Indigenous Program of <strong>the</strong><br />
Perth International Arts Festival,<br />
giving audiences a chance to<br />
experience <strong>the</strong> unique artistry<br />
of indigenous performers.<br />
This sponsorship reflects Woodside’s<br />
desire to build vibrant thriving,<br />
creative Australian communities in<br />
which we work and live.<br />
www.woodside.com.au<br />
Moon (script for film), Miss Tanaka and Love Suicides (stage plays), and<br />
Chopped Liver and Body Armour (dramaturg).<br />
RACHAEL MAZA<br />
Director<br />
Rachael is <strong>the</strong> Artistic Director of Ilbijerri Theatre Company. She<br />
is well known as a television presenter on SBS’s ICAM and ABC’s<br />
Message Stick, and for her stunning performances in Radiance and The<br />
Sapphires. Most recently, in her role at Ilbijerri Theatre Company, she<br />
has directed Jacky Jacky in <strong>the</strong> Box, A Black Sheep Walks into a Baa ...<br />
and Black Sheep: Glorious Bastards and Chopped Liver. She performs<br />
regularly with her sister Lisa in <strong>the</strong> duo ‘The Maza Sisters’, and toge<strong>the</strong>r<br />
<strong>the</strong>y wrote and performed in <strong>the</strong> highly successful <strong>the</strong>atre production<br />
Sisters of Gelam.<br />
ILBIJERRI THEATRE<br />
Ilbijerri (pronounced ‘il BIDGE erree’) is a Woiwurrung word meaning<br />
Coming Toge<strong>the</strong>r for Ceremony. Ilbijerri Theatre Company is <strong>the</strong> longest<br />
existing Indigenous <strong>the</strong>atre company in Australia and <strong>the</strong> only one in<br />
Victoria. In 1990 a group of Melbourne Indigenous artists and community<br />
members came toge<strong>the</strong>r to form a professional <strong>the</strong>atre company for<br />
<strong>the</strong> Aboriginal and Torres Strait Islander people of Victoria. Since <strong>the</strong>n<br />
<strong>the</strong>y have been initiating and developing performances in collaboration<br />
with <strong>the</strong>ir community and artists. The company’s plays explore a range of<br />
complex and controversial issues from a uniquely Aboriginal and Torres<br />
Strait Islander perspective.<br />
Artistic Director Rachael Maza<br />
General Manager Brad Spolding<br />
Finance Manager Jon Hawkes<br />
Community Program Manager Lisa Parris<br />
Program Producer Shalini Nair<br />
Board of Directors: Gavin Somers (President), Angela Clarke<br />
(Vice President), Aunty Frances Bond (Treasurer), Rosie<br />
Smith (secretary), Greg Fryer (Director) and Jane Harrison (Director)<br />
STATE THEATRE CENTRE OF WESTERN AUSTRALIA<br />
General Manager Brendon Ellmer<br />
Deputy General Manager Alice Jorgensen<br />
Technical Manager Graham Piper<br />
Operations Manager Lorraine Rice<br />
State Theatre Centre of Western Australia is managed by AEG Ogden (Perth) Pty<br />
Ltd, Venue Manager for <strong>the</strong> Perth Theatre Trust Venues.<br />
ALBANY ENTERTAINMENT CENTRE<br />
General Manager Garry Snowdon<br />
Assistant General Manager Gillian Woods<br />
Technical Manager John Metzke<br />
Administration & Accounts Administrator Lauriza Hillier<br />
Marketing Co-ordinator Karen Lloyd<br />
Maintenance Officer Kevin Blyth<br />
Food & Beverage Operations Manager Craig Pullin<br />
Head Chef Wolfgang Frankl<br />
The Albany Entertainment Centre is managed by AEG Ogden (Perth) Pty Ltd,<br />
Venue Manager for <strong>the</strong> Perth Theatre Trust Venues.<br />
AEG OGDEN (PERTH) PTY LTD<br />
Chief Executive Rodney M Phillips<br />
THE PERTH THEATRE TRUST<br />
Chairman Dr Saliba Sassine
FOUNDER PARTNERS<br />
LEADERSHIP PARTNERS<br />
MAJOR PARTNERS<br />
PUBLIC FUNDING PARTNERS<br />
TRUSTS AND FOUNDATIONS<br />
For information on corporate sponsorship of <strong>the</strong> Festival, please contact Development Manager: Fiona Gebauer fgebauer@perthfestival.com.au or 6488 8628<br />
FESTIVAL CIRCLE DONORS<br />
Jackie and Bernard Barnwell<br />
Dr Sue Boyd<br />
Maddy Broekhuysen<br />
Michael Chaney<br />
Dr David Cooke<br />
Joanne Cruickshank<br />
Marco D’Orsogna<br />
Julanne and David Griffiths<br />
Ole and Gerie Hansen<br />
Jim and Freda Irenic<br />
Janet King<br />
Stephen Kobelke<br />
Peter Mallabone<br />
Gaye and John McMath<br />
Judith Rivalland<br />
Margaret and Roger Seares<br />
Fiona Stanley<br />
Gene Tilbrook<br />
Nigel and Bonney Tulloch<br />
Tim and Chris Ungar<br />
Diana Warnock<br />
Margaret Whitter<br />
Michael Wise<br />
Wendy Wise and Nick Mayman<br />
Anonymous Donors<br />
PREMIER PARTNERS MEDIA PARTNER<br />
MEDICI DONORS<br />
Zelinda Bafile<br />
Mat<strong>the</strong>w J.C. Blampey<br />
Deb Brady and Stephen Boyle<br />
Brans Antiques and Art<br />
Adil Bux and Andrea Horwood-Bux<br />
Mike & Liz Carrick<br />
In memory of Dr. Stella Barratt-Pugh<br />
Henry and Deborah Cooke<br />
Neil Archibald and Alan Dodge AM<br />
Grant and Cathy Donaldson<br />
Marco D’Orsogna<br />
Adrian and Michela Fini<br />
Paul and Susanne Finn<br />
Annie and Brett Fogarty<br />
Alison Gaines and Greg Smith<br />
Derek Gascoine and Dale Harper<br />
Griffiths Architects<br />
Mack and Evelyn Hall<br />
Sue and Peter Harley<br />
Kerry Harmanis<br />
Richard and Nina Harris<br />
Janet Holmes à Court AC<br />
Jonathan and Tracey Horton<br />
Maxine Howell-Price<br />
This event powered by<br />
SUPPORTING PARTNERS<br />
Adshel<br />
Albany Advertiser<br />
Albany Chamber of Commerce & Industry<br />
Albany Port Authority<br />
Avant Card<br />
Barnesby Ford Chrysler Jeep<br />
Community Newspaper Group<br />
Drum Media Perth<br />
Duxton Hotel<br />
Greenhouse St Georges Terrace<br />
Green Man Media Productions<br />
H+H Architects<br />
INTERNATIONAL<br />
PARTNER<br />
Hanover Bay Apartments<br />
Instant Toilets and Showers<br />
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Market United<br />
Must Winebar<br />
Oranje Tractor Wines<br />
PerthWeb<br />
RTRFM 92.1<br />
The Brisbane Hotel<br />
The Terrace Hotel<br />
URS<br />
X-Press Magazine<br />
Peter and Lynne Leonhardt<br />
Michael and Sallie Manford<br />
Murray and Suzanne McGill<br />
Ian and Jayne Middlemas<br />
Alan Miller Dental Practice<br />
Michael Murphy and Craig Merrey<br />
Helen and John Owenell<br />
Richard Payne and Cim Sears<br />
Joakim and Veronique Ramen<br />
Bill Repard and Jane Prendiville<br />
Sam and Dee Rogers<br />
Terry Grose and Rosemary Sayer<br />
Peter Smith and Alexandrea Thompson<br />
Gary and Jacqueline Steinepreis<br />
Craig Suttar<br />
Peter and Jane Thompson, Thompson<br />
Estate Vineyard<br />
Andrew Umney<br />
Tim and Chris Ungar<br />
Emma Williamson & Kieran Wong<br />
Melvin Yeo<br />
Anonymous Donors<br />
For information on supporting <strong>the</strong> Festival, please contact Development Executive: Private Giving: Claire Lenyk clenyk@perthfestival.com.au or 6488 8626