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AUSTRALIA<br />

ILBIJERRI Theatre Company<br />

JACK CHARLES<br />

V THE CROWN<br />

Written by Jack Charles and John Romeril<br />

Directed by Rachael Maza<br />

Performed by Jack Charles<br />

STUDIO UNDERGROUND<br />

Wednesday 15–Thursday 23 February<br />

ALBANY ENTERTAINMENT CENTRE<br />

Saturday 11 & Sunday 12 February<br />

This performance is 1 hour and 15 minutes with no interval<br />

Supported by<br />

Indigenous Program Partner<br />

10FEBRUARY–3 MARCH


ILBIJERRI Theatre Company<br />

JACK CHARLES V THE CROWN<br />

By Jack Charles and John Romeril<br />

Director Rachael Maza<br />

Dramaturg John Romeril<br />

Script Consultant Melanie Beddie<br />

Set and Costume Designer Emily Barrie<br />

Lighting Designer Danny Pettingill<br />

Musical Director Nigel Maclean<br />

Audio Visual Designer Peter Worland<br />

Production Manager Blair Hart<br />

Stage Manager Bianca Eden<br />

With Jack Charles<br />

Guitar and Violin Nigel Maclean<br />

Percussion Phil Collings<br />

Bass Mal Beveridge<br />

Bastardy footage courtesy of Film Camp, Amiel Courtin-Wilson,<br />

Ghost, Film Victoria and Filmfest Ltd.<br />

We would like to show our respect and acknowledge <strong>the</strong> Traditional<br />

owners of <strong>the</strong> land we ga<strong>the</strong>r on today: <strong>the</strong> Noongar People. We pay<br />

respect to <strong>the</strong>ir Ancestors and Elders and to any Elders that may be<br />

with us here today.<br />

A NOTE FROM THE DIRECTOR<br />

Having grown up in <strong>the</strong>atre, I have known Uncle Jack for most of my<br />

life, and have long admired his work. It seems <strong>the</strong>refore most fitting that<br />

I should work with him now, all <strong>the</strong>se years later. His is <strong>the</strong> generation<br />

that started Black Theatre in this country, paving <strong>the</strong> way for those of<br />

my generation to follow (Uncle Jack, along with my fa<strong>the</strong>r Bob Maza,<br />

established Australia’s first Aboriginal Theatre Company, Nindethana, in<br />

Melbourne in 1972).<br />

It is through <strong>the</strong>atre that I have learnt <strong>the</strong> true history of this country,<br />

history that was never taught in <strong>the</strong> school books. It is this early <strong>the</strong>atre<br />

that inspired who I am today, inspiring in me <strong>the</strong> passion to continue to<br />

tell <strong>the</strong> stories that need to be told.<br />

One of my earliest memories in <strong>the</strong> <strong>the</strong>atre was at <strong>the</strong> Sydney Opera<br />

House: a scene in which two fully clad early 19th-century soldiers<br />

entered, carrying between <strong>the</strong>m a fully naked ‘Bennelong’ (a young<br />

Jack Charles) to centre downstage, his feet dangling above <strong>the</strong> floor …<br />

After seeing <strong>the</strong> phenomenal documentary Bastardy, I was inspired to<br />

bring Jack’s story to <strong>the</strong> stage, knowing what a brilliant actor he was.<br />

The opportunity arose to get him in for a script reading (I was aware he<br />

was getting on in years and it seemed wise to see how he was fairing).<br />

He was incredible! Every word danced off <strong>the</strong> page with those deep rich<br />

resonant melodic tones – as if he had created <strong>the</strong> words himself, in that<br />

moment. A master of <strong>the</strong> spoken word. My decision to pursue this story<br />

was set in stone in that moment.<br />

Jack’s story is not dissimilar to many o<strong>the</strong>r Aboriginal people who were<br />

victims of past government policies. He was stolen from his family at<br />

three months and placed in a boys’ home, where he would endure years<br />

of abuse. He <strong>the</strong>n spent <strong>the</strong> majority of his adult years doing ‘burgs’ and<br />

‘doing time’ to feed his addiction. There is no doubt in my mind that all<br />

of this got in <strong>the</strong> way of what would have been a truly brilliant career on<br />

stage and screen.<br />

Melbourne-born and bred, a true gentleman, generous in spirit, warm of<br />

heart, sharp of wit … Jack Charles is a true Elder!<br />

It is such a great honour and privilege to work so closely and intimately<br />

with one of Australia’s great living legends. A special thanks to Uncle<br />

Jack for his incredible generosity in sharing his story.<br />

Rachael Maza<br />

ILBIJERRI is assisted by <strong>the</strong> Australian Government through <strong>the</strong><br />

Australia Council (arts funding advisory body); Arts Victoria; City of<br />

Melbourne and by <strong>the</strong> Department of Prime Minister and Cabinet,<br />

Office for <strong>the</strong> Arts, Indigenous Culture Support.


JACK CHARLES<br />

Co-writer and Performer<br />

Born in 1943, Jack Charles was well and truly a child of <strong>the</strong> Stolen<br />

Generation. He spent many of his formative years in <strong>the</strong> boys’ homes<br />

of Melbourne, which he took on with his usual laconic outlook: ‘It<br />

was alright by me – I was happy to assimilate. The only trouble was I<br />

wasn’t ever going to fit in. I’m fucking brown mate.’ In 1972 he founded<br />

<strong>the</strong> first Aboriginal <strong>the</strong>atre company Nindethana and has performed<br />

with <strong>the</strong> cream of Australia’s actors, directors and writers including<br />

Geoffrey Rush, Neil Armfield, John Romeril and Tracey Moffatt. His<br />

work has spanned feature films, TV series and hundreds of plays<br />

including The Chant of Jimmie Blacksmith, Bedevil, Ben Hall and The<br />

Marriage of Figaro. Most recently, he was <strong>the</strong> subject of Amiel Courtin-<br />

Wilson’s award-winning documentary Bastardy, and was awarded <strong>the</strong><br />

prestigious Tudawali Award at <strong>the</strong> Message Sticks Festival in 2009,<br />

honouring his lifetime contribution to Indigenous media.<br />

JOHN ROMERIL<br />

Co-writer and Dramaturg<br />

Over a 40-year career as a dramatist, John Romeril has produced<br />

nearly 80 works for stage, film and television, including satirical, musical<br />

and humorous drama. He was a founding member of <strong>the</strong> Australian<br />

Performing Group at <strong>the</strong> Pram Factory during <strong>the</strong> 1970s, writing nearly<br />

40 plays for <strong>the</strong>m, including <strong>the</strong> greatly acclaimed The Floating World,<br />

which earned him <strong>the</strong> Literature Board’s inaugural Canada-Australia<br />

Award in 1975. His o<strong>the</strong>r works include: Marvellous Melbourne, The<br />

Dudders, The Accidental Poke, History of Australia: The Musical, Jonah,<br />

Legends and The Kelly Dance. Recent works include: One Night <strong>the</strong><br />

AustrAliAn<br />

creative<br />

energy<br />

Woodside is proud to support<br />

<strong>the</strong> Indigenous Program of <strong>the</strong><br />

Perth International Arts Festival,<br />

giving audiences a chance to<br />

experience <strong>the</strong> unique artistry<br />

of indigenous performers.<br />

This sponsorship reflects Woodside’s<br />

desire to build vibrant thriving,<br />

creative Australian communities in<br />

which we work and live.<br />

www.woodside.com.au<br />

Moon (script for film), Miss Tanaka and Love Suicides (stage plays), and<br />

Chopped Liver and Body Armour (dramaturg).<br />

RACHAEL MAZA<br />

Director<br />

Rachael is <strong>the</strong> Artistic Director of Ilbijerri Theatre Company. She<br />

is well known as a television presenter on SBS’s ICAM and ABC’s<br />

Message Stick, and for her stunning performances in Radiance and The<br />

Sapphires. Most recently, in her role at Ilbijerri Theatre Company, she<br />

has directed Jacky Jacky in <strong>the</strong> Box, A Black Sheep Walks into a Baa ...<br />

and Black Sheep: Glorious Bastards and Chopped Liver. She performs<br />

regularly with her sister Lisa in <strong>the</strong> duo ‘The Maza Sisters’, and toge<strong>the</strong>r<br />

<strong>the</strong>y wrote and performed in <strong>the</strong> highly successful <strong>the</strong>atre production<br />

Sisters of Gelam.<br />

ILBIJERRI THEATRE<br />

Ilbijerri (pronounced ‘il BIDGE erree’) is a Woiwurrung word meaning<br />

Coming Toge<strong>the</strong>r for Ceremony. Ilbijerri Theatre Company is <strong>the</strong> longest<br />

existing Indigenous <strong>the</strong>atre company in Australia and <strong>the</strong> only one in<br />

Victoria. In 1990 a group of Melbourne Indigenous artists and community<br />

members came toge<strong>the</strong>r to form a professional <strong>the</strong>atre company for<br />

<strong>the</strong> Aboriginal and Torres Strait Islander people of Victoria. Since <strong>the</strong>n<br />

<strong>the</strong>y have been initiating and developing performances in collaboration<br />

with <strong>the</strong>ir community and artists. The company’s plays explore a range of<br />

complex and controversial issues from a uniquely Aboriginal and Torres<br />

Strait Islander perspective.<br />

Artistic Director Rachael Maza<br />

General Manager Brad Spolding<br />

Finance Manager Jon Hawkes<br />

Community Program Manager Lisa Parris<br />

Program Producer Shalini Nair<br />

Board of Directors: Gavin Somers (President), Angela Clarke<br />

(Vice President), Aunty Frances Bond (Treasurer), Rosie<br />

Smith (secretary), Greg Fryer (Director) and Jane Harrison (Director)<br />

STATE THEATRE CENTRE OF WESTERN AUSTRALIA<br />

General Manager Brendon Ellmer<br />

Deputy General Manager Alice Jorgensen<br />

Technical Manager Graham Piper<br />

Operations Manager Lorraine Rice<br />

State Theatre Centre of Western Australia is managed by AEG Ogden (Perth) Pty<br />

Ltd, Venue Manager for <strong>the</strong> Perth Theatre Trust Venues.<br />

ALBANY ENTERTAINMENT CENTRE<br />

General Manager Garry Snowdon<br />

Assistant General Manager Gillian Woods<br />

Technical Manager John Metzke<br />

Administration & Accounts Administrator Lauriza Hillier<br />

Marketing Co-ordinator Karen Lloyd<br />

Maintenance Officer Kevin Blyth<br />

Food & Beverage Operations Manager Craig Pullin<br />

Head Chef Wolfgang Frankl<br />

The Albany Entertainment Centre is managed by AEG Ogden (Perth) Pty Ltd,<br />

Venue Manager for <strong>the</strong> Perth Theatre Trust Venues.<br />

AEG OGDEN (PERTH) PTY LTD<br />

Chief Executive Rodney M Phillips<br />

THE PERTH THEATRE TRUST<br />

Chairman Dr Saliba Sassine


FOUNDER PARTNERS<br />

LEADERSHIP PARTNERS<br />

MAJOR PARTNERS<br />

PUBLIC FUNDING PARTNERS<br />

TRUSTS AND FOUNDATIONS<br />

For information on corporate sponsorship of <strong>the</strong> Festival, please contact Development Manager: Fiona Gebauer fgebauer@perthfestival.com.au or 6488 8628<br />

FESTIVAL CIRCLE DONORS<br />

Jackie and Bernard Barnwell<br />

Dr Sue Boyd<br />

Maddy Broekhuysen<br />

Michael Chaney<br />

Dr David Cooke<br />

Joanne Cruickshank<br />

Marco D’Orsogna<br />

Julanne and David Griffiths<br />

Ole and Gerie Hansen<br />

Jim and Freda Irenic<br />

Janet King<br />

Stephen Kobelke<br />

Peter Mallabone<br />

Gaye and John McMath<br />

Judith Rivalland<br />

Margaret and Roger Seares<br />

Fiona Stanley<br />

Gene Tilbrook<br />

Nigel and Bonney Tulloch<br />

Tim and Chris Ungar<br />

Diana Warnock<br />

Margaret Whitter<br />

Michael Wise<br />

Wendy Wise and Nick Mayman<br />

Anonymous Donors<br />

PREMIER PARTNERS MEDIA PARTNER<br />

MEDICI DONORS<br />

Zelinda Bafile<br />

Mat<strong>the</strong>w J.C. Blampey<br />

Deb Brady and Stephen Boyle<br />

Brans Antiques and Art<br />

Adil Bux and Andrea Horwood-Bux<br />

Mike & Liz Carrick<br />

In memory of Dr. Stella Barratt-Pugh<br />

Henry and Deborah Cooke<br />

Neil Archibald and Alan Dodge AM<br />

Grant and Cathy Donaldson<br />

Marco D’Orsogna<br />

Adrian and Michela Fini<br />

Paul and Susanne Finn<br />

Annie and Brett Fogarty<br />

Alison Gaines and Greg Smith<br />

Derek Gascoine and Dale Harper<br />

Griffiths Architects<br />

Mack and Evelyn Hall<br />

Sue and Peter Harley<br />

Kerry Harmanis<br />

Richard and Nina Harris<br />

Janet Holmes à Court AC<br />

Jonathan and Tracey Horton<br />

Maxine Howell-Price<br />

This event powered by<br />

SUPPORTING PARTNERS<br />

Adshel<br />

Albany Advertiser<br />

Albany Chamber of Commerce & Industry<br />

Albany Port Authority<br />

Avant Card<br />

Barnesby Ford Chrysler Jeep<br />

Community Newspaper Group<br />

Drum Media Perth<br />

Duxton Hotel<br />

Greenhouse St Georges Terrace<br />

Green Man Media Productions<br />

H+H Architects<br />

INTERNATIONAL<br />

PARTNER<br />

Hanover Bay Apartments<br />

Instant Toilets and Showers<br />

Lincolns Accountants and Business Advisers<br />

Market United<br />

Must Winebar<br />

Oranje Tractor Wines<br />

PerthWeb<br />

RTRFM 92.1<br />

The Brisbane Hotel<br />

The Terrace Hotel<br />

URS<br />

X-Press Magazine<br />

Peter and Lynne Leonhardt<br />

Michael and Sallie Manford<br />

Murray and Suzanne McGill<br />

Ian and Jayne Middlemas<br />

Alan Miller Dental Practice<br />

Michael Murphy and Craig Merrey<br />

Helen and John Owenell<br />

Richard Payne and Cim Sears<br />

Joakim and Veronique Ramen<br />

Bill Repard and Jane Prendiville<br />

Sam and Dee Rogers<br />

Terry Grose and Rosemary Sayer<br />

Peter Smith and Alexandrea Thompson<br />

Gary and Jacqueline Steinepreis<br />

Craig Suttar<br />

Peter and Jane Thompson, Thompson<br />

Estate Vineyard<br />

Andrew Umney<br />

Tim and Chris Ungar<br />

Emma Williamson & Kieran Wong<br />

Melvin Yeo<br />

Anonymous Donors<br />

For information on supporting <strong>the</strong> Festival, please contact Development Executive: Private Giving: Claire Lenyk clenyk@perthfestival.com.au or 6488 8626

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