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The use of strategies for treating compensatory articulation errors in ...

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SCALE FOR THE SEVERITY OF CAD• APROPRIATE ARTICULATION. Patient is ableto produce adequate placement and manner<strong>of</strong> <strong>articulation</strong> dur<strong>in</strong>g spontaneous speech,<strong>in</strong>clud<strong>in</strong>g non-present situations.


SCALE FOR THE SEVERITY OF CAD• INCONSTANT. <strong>The</strong> patient shows<strong>compensatory</strong> <strong>articulation</strong> <strong>errors</strong><strong>in</strong>constantly dur<strong>in</strong>g spontaneous speech.Intelligibility is not significantly affected


SCALE FOR THE SEVERITY OF CAD• ARTICULATION WITHIN CONTEXT. <strong>The</strong> patientself-corrects when us<strong>in</strong>g speech with<strong>in</strong> aspecific context. For example dur<strong>in</strong>g tell<strong>in</strong>g astory from a story book which the patientalready knows well. Nonetheless he showsfrequent <strong>compensatory</strong> <strong>errors</strong> dur<strong>in</strong>gspontaneous speech.


SCALE FOR THE SEVERITY OF CAD• ARTICULATION OF ISOLATED PHONEMES.<strong>The</strong> patient is able to correct <strong>articulation</strong>only with isolated phonemes through direct<strong>in</strong>struction


SCALE FOR THE SEVERITY OF CAD• CONSTANT CAD. <strong>The</strong> patient is not able tocorrect <strong>articulation</strong> not even <strong>in</strong> isolatedphonemes and despite direct <strong>in</strong>struction


STRATEGIES (DIRECT INSTRUCTION)• phonetic changes• th<strong>in</strong>k aloud <strong>in</strong> phonemic awareness• cloze procedure with phonemic cues


STRATEGIES (INDIRECT)• Model<strong>in</strong>g• Model<strong>in</strong>g with Stress


MODELING• <strong>The</strong> adult models the language.• Behavior is modeled bur do not normallyrequest an imitation.• It seems preferable, s<strong>in</strong>ce it is more similarto normal language learn<strong>in</strong>g than elicitedimitation.


MODELING WITH STRESS• Model the targeted sounds <strong>of</strong> speech but<strong>in</strong>cludes a light pa<strong>use</strong> be<strong>for</strong>e the sound anda stress on the phonemes the cl<strong>in</strong>icianwants to model.• Child: “cut the cake” ; <strong>The</strong> adult says: “yes,__please, __cut the __cake and give me a__piece.


CLOZE PROCEDURE WITHPHONEMIC CUES• Cl<strong>in</strong>ician prompts the child’s communicativeturn by supply<strong>in</strong>g part <strong>of</strong> the utterance andlett<strong>in</strong>g the child fill <strong>in</strong> the rest. If necessary,the cl<strong>in</strong>ician can provide the <strong>in</strong>itial sound <strong>of</strong>the target word.• “Yes, she was hungry, and she foundthree-------(bowls) <strong>of</strong> -------(soup) on the----------(table)


PHONETIC CHANGES• Indicate that the message would be moreeasily <strong>in</strong>terpreted with a modification <strong>in</strong>speech production.• “the pen”…remember to put your lipstogether and make an explosion—ppppen”• <strong>The</strong> <strong>in</strong><strong>for</strong>mation would directly contribute toref<strong>in</strong><strong>in</strong>g the phonemic dist<strong>in</strong>ction be<strong>in</strong>gmisarticulated.


THINK ALOUD IN PHONEMICAWARENESS• Th<strong>in</strong>k aloud is a metacognitive strategywhere the cl<strong>in</strong>ician verbalizes thoughts whileread<strong>in</strong>g a selection, thus model<strong>in</strong>g theprocess <strong>of</strong> comprehension.• Enables to demonstrate <strong>for</strong> the patient howto select an appropriate <strong>articulation</strong> processat a specific po<strong>in</strong>t <strong>in</strong> a particularcommunicative message.


THINK ALOUD IN PHONEMICAWARENESS• <strong>The</strong> cl<strong>in</strong>ician verbalizes specific th<strong>in</strong>k-aloud aboutdifferent levels <strong>of</strong> language organization, <strong>in</strong>clud<strong>in</strong>gphonologic <strong>in</strong><strong>for</strong>mation.• Be<strong>for</strong>e look<strong>in</strong>g at a story book: “th<strong>in</strong>k which sounds wewill be focus<strong>in</strong>g on. We have to consider that thesesounds are short and explosive (/k/, /p/, /t/). We willwrite the letters <strong>for</strong> rem<strong>in</strong>d<strong>in</strong>g you to <strong>use</strong> your bestspeech. Besides, we have other sounds that are long andcont<strong>in</strong>uous, like /s/ (write <strong>in</strong> another paper).While look<strong>in</strong>gat the story book, the cl<strong>in</strong>ician is focus<strong>in</strong>g on the targetsounds and expla<strong>in</strong><strong>in</strong>g the characteristics <strong>of</strong> eachphoneme and how chang<strong>in</strong>g the sounds can modify thecharacteristics <strong>of</strong> the word <strong>in</strong>creas<strong>in</strong>g <strong>in</strong>telligibility .


RESULTS• <strong>The</strong>re was a significant relationship betweenthe success <strong>of</strong> all <strong>strategies</strong> and the degree<strong>of</strong> severity <strong>of</strong> CAD <strong>in</strong> VCFS patients


RESULTS• Strategies which <strong>in</strong>volve direct <strong>in</strong>struction on<strong>articulation</strong> appear to be more effective <strong>in</strong>more severe levels <strong>of</strong> CAD.


RESULTS• Strategies which do not <strong>in</strong>volve direct<strong>in</strong>struction are equally effective <strong>in</strong> milderlevels <strong>of</strong> CAD.


CONCLUSIONS• STRATEGIES WHICH DO NOT INVOLVEDIRECT INSTRUCTION ON ARTICULATION AREEQUALLY EFFECTIVE IN MILDER LEVELS OFCOMPENSATORY ARTICULATION DISORDER


CONCLUSIONS• When speech <strong>in</strong>tervention <strong>for</strong> a VCFS patientwith CAD is be<strong>in</strong>g planned, it is essential toassess the severity <strong>of</strong> the CAD. Furthermore,some <strong>strategies</strong> should be selectedaccord<strong>in</strong>g to the level <strong>of</strong> severity <strong>of</strong> thisdisorder.

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