fine ARTS 2010-2011 - The British School at Rome

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Kevin McKayALL ROADS LEAD TO ROMETUTTE LE STRADE PORTANO A ROMAThe highway and the high-rise provide the essentialinfrastructure of the modern city. Their forms dominatethe manmade landscape, regulating space andmovement and facilitating patterns of life. I respond toboth through realist painting methods, with theunderstanding that self and its environment form anontological circle. This symbiosis is reflected in theentwined associations between architecture and the twodimensionalpicture-plane; as well as the illusionaryimage and the material concerns of painting. I lookforward to exploring the Eternal City that first usedconcrete for urban development and made infrastructurea symbol of empire, and in whom the chaos of modernlife continues. I will seek to juxtapose the ancient withthe modern; the classical with the utilitarian; theenduring with the transient, and hope to reveal themetaphysical in between.L’autostrada e il grattacielo forniscono l’infrastrutturaessenziale della città moderna. Le loro forme dominano ilpaesaggio creato dall’uomo, regolando spazio emovimento e favorendo modelli di vita. Rispondo adentrambi attraverso metodi di pittura realista, con laconsapevolezza che il sé e il suo ambiente formano uncircolo ontologico. Questa simbiosi si riflette negliintrecci fra l’architettura e il piano pittoricobidimensionale; così come l’immagine illusionistica e lepreoccupazioni materiali della pittura. Sono ansioso diesplorare la Città Eterna che per prima usò ilcalcestruzzo per lo sviluppo urbano e fecedell’infrastruttura un simbolo dell'impero, e in cuicontinua il caos della vita moderna. Intendo giustapporrel’antico al moderno; il classico all’utilitario; il durevoleal transitorio, nella speranza di rivelare il metafisico chesi trova in mezzo.The Future of Inner City Living 2010oil on linen, 50 x 135 cm30Fine Arts 2010-2011
The Wyndham 2010oil on board, 100 x 95 cm31
Page 1: f i n e ARTS 2010-2011THE BRITISH S
Page 4 and 5: The projects realised by BARBIE KJA
Page 6 and 7: P REFACEThe Fine Arts catalogue is
Page 8 and 9: I NTRODUCTIONThe new academic year
Page 10 and 11: Engineering of the Università Tor
Page 13 and 14: E XHIBITIONSM EET M E AT THE C EMET
Page 15 and 16: Ordinary Magic 2008digital C-type,
Page 18 and 19: Varda CaivanoUntitled 2010oil on ca
Page 20 and 21: Alison CrawshawThe Big Balcony 2011
Page 22 and 23: Mick FinchEngram 8 February 2011dig
Page 24 and 25: Richard GasperInstall shot of Golde
Page 26 and 27: Janet HaslettI Sette Colli di Roma
Page 28 and 29: Barbie KjarLa stella dei sette coll
Page 30 and 31: Katherine LapierreTrained architect
Page 34: Annee MironL’estate nel cortile20
Page 37 and 38: Mirror mirror 1 2009oil & palladium
Page 39 and 40: Nel mio lavoro di artista utilizzo
Page 41 and 42: Jane#1 2010coloured pencil on paper
Page 43 and 44: Deep Sea Diver 2010acrylic on linen
Page 46 and 47: Léa-Catherine SzackaROMA INTERROTT
Page 48 and 49: Diana TaylorThings Fall Apart (deta
Page 51 and 52: B IOGRAPHIES49
Page 53 and 54: 2006 Mirror Image: Self-Portraits a
Page 55 and 56: 2003 L’art dans ses passages / Ce
Page 57 and 58: 2002-03 MArch II, Master of Archite
Page 59 and 60: screen and installation, Omotesando
Page 61 and 62: DAVID SMITHAbbey Fellow in Painting
Page 63: SELECTED RECENT PROFESSIONAL ACTIVI
Page 66: Printed in Italy by Società Tipogr

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