anti-thesis: the dialectics of generative art (as praxis) - Geoff Cox

Sadie Plant (1995), The Most Radical Gesture: The Situationist International in a
Postmodern Age, London: Routledge.
Sadie Plant (1998), Zeros + Ones, London: Fourth Estate.
Mark Poster (1996) ‘Lyotard and Computer Science: The Possibilities of Postmodern
Politics’ in The Mode of Information: Poststructuralism and Social Context, Cambridge:
Polity Press, pp. 129-154.
Mark Poster (1995), ‘Part 1: Theoretical Reconsiderations’ in The Second Media Age,
Cambridge: Polity Press, pp. 1-116.
Mark Poster (1997), ‘Cyberdemocracy: Internet and the Public Sphere’, in David Porter ed,
Internet Culture, London: Routledge, pp.201-217.
Ilya Prigogine and Isabelle Stengers (1985), Order Out of Chaos: Man’s New Dialogue With
Nature, London: HarperCollins.
Jonathan Rée (1999), I See a Voice: a Philosophical History, London: Flamingo.
John Rees (1998), The Algebra of Revolution: The Dialectic and the Classical Marxist
Tradition, London: Routledge.
Howard Rheingold (1994), The Virtual Community: Finding Connection in a Computerised
World, Secker & Warburg.
John Roberts (2000), ‘On Autonomy and the Avant-Garde’, in Radical Philosophy, issue 103,
Sept/Oct.
Kevin Robins (1997) ‘The New Communications Geography and the Politics of Optimism’ in
Soundings: Media Worlds, Issue 5, Spring, pp. 191-202.
Benedict Seymour (2001), ‘Nationalise This: What Next for Anti-Globalisation Protests’,
in ‘Two Views on Recent Anti-Capitalist Protests’, Radical Philosophy, issue 107,
May/June.
Peter Singer, (1983) Hegel, Oxford: Oxford University Press.
Hans-Peter Schwarz (1997), Media-Art-History: Media Museum, ZKM: Center for Art and
Media, Karlsruhe, Munich: Prestel.
Cornelia Sollfrank (2001) ‘Hacking the Art Operating System’, interviewed by Florian
Cramer, Chaos Computer Club (German Hacker's
Club) in Berlin, (published 2002-3), Manchester: Manchester University Press in
association with Duncan of Jordanstone College of Art and Design.
SPECTRE (mailing list for media culture in Deep Europe); info, archive and help:
Steve Talbott (1995), The Future Does Not Compute: Transcending the Machines in Our
Midst, Sebastopol, CA: O’Reilly & Associates.
Tiziana Terranova (2000), ‘Free labor: producing culture for the digital economy’, Social
Text, 63, Vol. 18, No. 2, pp. 33/57;
Sherry Turkle (1997), Life on the Screen: Identity in the Age of the Internet, London:
Phoenix.
Tristan Tzara (1998), ‘Dada Manifesto’ (1918), in Charles Harrison & Paul Wood, Art in
Theory: 1900-1990: an anthology of changing ideas, Oxford: Blackwell, pp. 249-253.
Gianni Vattimo (1992), The Transparent Society, trans. David Webb, Cambridge: Polity
Press.
Roman Verostko (1988), ‘Epigenetic Art: Software as Genotype’,
Roman Verostko (1996), (Algorist Definitions),
McKenzie Wark (2001), ‘Hacker Manifesto 2.0’,
/26