Week 14 Rem Koolhaas OMA.pptx - John Stuart Architecture

Bernard Tschumi and Daniel Libeskind (cont.)

Bernard Tschumi, New Acropolis Museum, Athens, Greece, 2009 (sketch)

Bernard Tschumi, New Acropolis Museum, Athens, Greece, 2009 (sketch)

Bernard Tschumi, New Acropolis Museum, Athens, Greece, 2009









“It’s the same with thepower of architecture aswith the power of words –it’s difficult to say how itworks. I only know that itworks very directly, youdon’t have to be able to reador be educated. The [JewishMuseum in Berlin]influences visitors throughits rooms and materials…asserts its own reality. Andthereby lends the past asold presence. History isnot virtual, but somethingthat has been thought out.That’s the message of myarchitecture.”Daniel Libeskind, 1946-

Daniel Libeskind, “Leakage,” from Micromegas Drawing Series, 1979

Daniel Libeskind, Chamberworks, Cranbrook, 1983



Daniel Libeskind, Jewish Museum, Berlin, 1989-1999

Daniel Libeskind, Jewish Museum, Berlin, 1989-1999, plan

Daniel Libeskind, Jewish Museum, Berlin, 1989-1999, section

Daniel Libeskind, Jewish Museum, Berlin, 1989-1999, elevation



Daniel Libeskind, Jewish Museum, Berlin, 1989-1999, detail

Daniel Libeskind, Jewish Museum, Berlin, 1989-1999, interior

Daniel Libeskind, Jewish Museum, Berlin, 1989-1999, interior

The World According to Rem Koolhaas

Rem Koolhaas, 1944- (photo ca. 1968)

Rem Koolhaas, Exodus or the Voluntary Prisoners of Architecture, 1972. Competition entryfor “The City as Meaningful Environment,” 1972 Casabella competition and Final Project.

Rem Koolhaas, Exodus or the Voluntary Prisoners of Architecture, 1972





OMA (office of metropolitan architecture) 1976

Rem Koolhaas, Delirious New York, 1978

“How to write a manifesto – on a form of urbanism for what remains of thetwentieth century – in an age disgusted with them? The fatal weakness ofmanifestos is their inherent lack of evidence. Manhattan’s problem is theopposite: it is a mountain range of evidence without manifesto. This book wasconceived at the intersection of these two observations: it is a retroactivemanifesto for Manhattan. Manhattan is the twentieth century’s Rosetta Stone.Rem Koolhaas, Delirious New York, 1978

Rem Koolhaas, La Villette (2 nd Prize), Paris, 1982



Rem Koolhaas, Police Station, Almere, The Netherlands, 1982

Rem Koolhaas, Police Station, Almere, The Netherlands, 1982

Rem Koolhaas, Patio Villa, Rotterdam, 1988







“I do not respect Mies, I love Mies. I have studied Mies, excavated Mies,reassembled Mies. I have even cleaned Mies. Because I do not revere Mies I’mat odds with his admirers.Rem Koolhaas, Content, 2005, p. 182.

Rem Koolhaas, Kunsthal, Rotterdam, 1987-92

Rem Koolhaas, Kunsthal, Rotterdam, 1987-92,

Rem Koolhaas, Kunsthal, Rotterdam, 1987-92, mezzanine plan

Rem Koolhaas, Kunsthal, Rotterdam, 1987-92, section

Rem Koolhaas, Kunsthal, Rotterdam, 1987-92, interior

Rem Koolhaas, Kunsthal, Rotterdam, 1987-92, interior

Rem Koolhaas, Hotel and Convention Center, Agadir, 1990, model

Rem Koolhaas, Hotel and Convention Center, Agadir, 1990

Rem Koolhaas, Hotel and Convention Center, Agadir, 1990, west elevation

Rem Koolhaas, Nexus World Housing, Fukuoka, Japan, 1991







Rem Koolhaas, “The Story of thePool,” Delirious New York, 1978.

Rem Koolhaas, Villa Dall’Ava, Paris, France, 1985-91

Rem Koolhaas, Villa Dall’Ava, Paris, France, 1985-91, upper floor plan

Rem Koolhaas, Villa Dall’Ava, Paris, France, 1985-91, section



Rem Koolhaas, Very Big Library, Paris, France, 1989, model

Rem Koolhaas, Very Big Library, Paris, France, 1989, plans

Rem Koolhaas, Two Libraries for Jussieu University, Paris, France, 1992“Jussieu is a three dimensional network, not a building. Its endless connections absorb allcirculation, psychologically exhaust in advance any attempt to inhabit it.” Rem Koolhaas

Rem Koolhaas, Two Libraries for Jussieu University, Paris, France, 1992, model

Rem Koolhaas, Two Libraries for Jussieu University, Paris, France, 1992

Rem Koolhaas, Two Libraries for Jussieu University, Paris, France, 1992, sectional study

Rem Koolhaas, Two Libraries for Jussieu University, Paris, France, 1992

Rem Koolhaas, Dutch House, Holland, 1994

Rem Koolhaas, Dutch House, Holland, 1994

Rem Koolhaas, Educatorium, Utrecht, 1997

Rem Koolhaas, Educatorium, Utrecht, 1997

Rem Koolhaas, Educatorium, Utrecht, 1997, int

Rem Koolhaas and Bruce Mau, S,M,L,XL, 1998

Rem Koolhaas and Bruce Mau, S,M,L,XL, 1998

Rem Koolhaas, Private House, Bordeaux, France, 1998. Model

Rem Koolhaas, Private House, Bordeaux, France, 1998







Rem Koolhaas, Private House, Bordeaux, France, 1998, plan

Rem Koolhaas, Private House, Bordeaux, France, 1998. View from below

Rem Koolhaas, Private House, Bordeaux, France, 1998, sections

Rem Koolhaas, Private House, Bordeaux, France, 1998, interior




Rem Koolhaas, Harvard Guide to Shopping, 2002

Rem Koolhaas, Harvard Guide to Shopping, 2002

Rem Koolhaas, Public Library, Seattle, with model in 2002

Rem Koolhaas, Public Library, Seattle, 2004









Rem Koolhaas, China Central Television Headquarters, Beijing, expected completion 2009



Rem Koolhaas, MahaNakhon Tower, Bangkok, 2012, expected.


Rem Koolhaas, MahaNakhon Tower, Bangkok, 2012, expected. (analysis)

Rem Koolhaas, MahaNakhon Tower, Bangkok, 2012, expected. diagram


Rem Koolhaas, MahaNakhon Tower, Bangkok, 2012, expected. (usage diagram)




Rem Koolhaas, MahaNakhon Tower, Bangkok, 2012, expected. (bifold windows)

Week 14 Rem Koolhaas OMA.pptx - John Stuart Architecture

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