A PRIMA VISTA - Broekmans & Van Poppel

72
HOUTEN Kees van
177820 Van Taal tot Klank, De Universele Bach voor kenner en liefhebber (Inleiding; 1. De
brief an Erdmann; 2. Een katholieke Mis voor het hof van Dresden; 3. Parodieën; 4.
Parodieën in de Matthäus-Passion; 5. De troostende Bach; 6. Retorische aspecten van
Bachs composities; 7. Stijlfiguren; 8. Getalsymboliek; 9. Het openingskoor van de
Matthäus-Passion: Een retorische analyse; 10. Het Orgel-Büchlein: Das Wörterbuch der
Bachschen Tonsprache; 11. Bach en zijn naam; 12. De gulden snede; 13. Nieuwe
inzichten in de kruisvorm van de Matthäus-Passion; 14. Bach en de Rozenkruisers;
Geraadpleegde bronnen) paperback, 256 pages 29,95
KRAMER Lawrence
184417 Why Classical Still Matters (In Lieu of a Preface; Chapter I - Classical Music and Its
Values; Chapter II - The Fate pf Melody and the Dream of Return; Chapter III – Score and
Performance, Performance and Film: Classical Music as Liberating Energy; Chapert IV -
But Not for Me: Love Song and the Heartache of Modern Life; Chapter V – The Gost in the
Machine: Keyboard Rhapsodies; Chapter VI – Crisis and Memory: The Music of Lost Time;
Chapter VII – Persephone’s Fiddle: The Value of Classical Music; References; Index)
bound, 242 pages 29,65
MAY Thomas
180591 The John Adams Reader. Essential Writings on an American Composer (Thomas May:
Introduction; Part I – Portraits of an Artist: Thomas May: John Adams Reflects on His Career;
Alex Ross: The Harmonist; Mark Swed: On Top, but Ever the Risk-Taker; Pierre Ruhe:
Composer Captures Essence of Today; Joshua Kosman: Voice of America: Composer John
Adams Speaks for the nation; Alan Rich: Life as Music: John Adams Goes Public; Thomas
May: Ingram Marshall on the Early Years in San Francisco; Part II – The Musical Works:
Ingram Marshall: Shaker Loops 1978, rev. 1983; Michael Steinberg: Harmonium for Large
Orchestra and Chorus 1980-81; Sarah Cahill: Grand Pianola Music 1982; Ingram Marshall:
Light Over Water: The Genesis of Music 1983; Michael Steinberg: Harmonielehre 1984-85;
Michael Steinberg: The Chairman Dances 1985; Michael Steinberg: Short Ride in a Fast
Machine 1986; Michael Steinberg: Nixon in China 1985-87; Sarah Cahill: Fearful Symmetries
& The Wound-Dresser 1988; Michael Steinberg: The Death of Klinghoffer 1990-91; Michael
Steinberg: El Dorado 1991; Sarah Cahill: Chamber Symphony 1992; Michael Steinberg:
Violin Concerto 1993; Sarah Cahill: Gnarly Buttons 1996; Sarah Cahill: Gnarly Buttons 1996;
Ingram Marshall: Naïve and Sentimental Music: A Sentimental Journey 1997-1998; Michael
Steinberg: El Niño: A Native Oratorio 1999-2000; Ken Ueno: John Adams on El Niño and
Vernacular Elements; David Schiff: Memory Spaces – On the Transmigration of Souls 2002;
Daniel Colvard: John Adams discusses On the Transmigration of Souls; Michael Steinberg:
My Father Knew Charles Ives 2003; Daniel Colvard: The Dharma at Big Sur 2003; Thomas
May: John Adams on Doctor Atomic 2004-05; Part III – Collaborators and Interpreters:
Thomas May: Creating Contexts: Peter Sellars on Working with Adams; Rupert Christiansen:
Breaking Taboos – Portrait of Alice Goodman; Thomas May: Robert Spano on Conducting
the Music of Adams; Ingram Marshall: John Adams on Conducting Ives; Thomas May:
Emanuel Ax on Performing Adam’s Piano Concerto; Thomas May: Dawn Upshaw on Singing
El Niño; Part IV – Critical Reception: Edward Rothstein: Early Works; Alan Rich: Mischief –
Grand Pianola Music; Edward Rothstein: Nixon in China; Tim Page: Nixon in China; The
Klinghofer Controversy: Bernd Feuchtner: The Klinghoffer Debate; John Rockwell: From and
Episode of Terrorism, Adams’s Death of Klinghoffer; Edward Rothstein: Seeking Symmetry
Between Palestinians and Jews; Mark Swed: Seeking Answers in an Opera; Alex Ross:
Dept. of Raw Nerves: Hijack Opera Scuttled; Richard Taruskin: Music’s Dangers in the Case
for Control; Alan Rich: Born Again – Film of the Death of Klinghoffer; Alan Rich: Something
To Say – Violin Concerto; Sarah Cahill: I was Looking at the Ceiling and Then I Saw the Sky;
Richard Dyer: Adams, Sellars Think Smaller in New Opera - I was Looking at the Ceiling and
Then I Saw the Sky; Mark Swed: Adams’s Twentieth Century Rolls – and Rocks – Century
Rolls; Mark Swed: Bigger Proves Better in Adams’s Grandiose World; Mark Swed: Rebirth of
a Savior in El Niño; Anthony Tommasini: Washed in the Sound of Souls in Transit - On the
Transmigration of Souls; Arthur C.Danto: The Art of 9/11; Joshua Kosman: Symphony
Premieres Adams’s Splendid Ives; Justin Davidson: History’s Unholy Trinity – Doctor Atomic;
Alan Rich: Learning To Love the Bomb – Doctor Atomic; Renaud Machart: Aspects of John
Adams’s Music: Floating Elegies and Music Boxes; Appendix A: Alice Goodman: ‘Rumor
Scene’ from The Death of Klinghoffer; Appendix B: John Adams: Synopsis I was Looking at
the Ceiling and Then I Saw the Sky; John Adams: Synopsis Doctor Atomic; Appendix D: The
Complete Works of John Adams) bound, 455 pages 30,75