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TWOpeasinabucket.COM photography Course: 12 Weeks to Better ...

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<strong>TWOpeasinabucket</strong>.com <strong>pho<strong>to</strong>graphy</strong> <strong>Course</strong>: <strong>12</strong> <strong>Weeks</strong> <strong>to</strong> <strong>Better</strong> Pho<strong>to</strong>Consider distanceBecause the camera flash becomes the dominantlightsource when used, it can cause some lightingextremes that will affect your pho<strong>to</strong>s. For example,the pho<strong>to</strong> on the left was taken with the subjectsstanding directly in front of a light-colored wall.Notice the strong shadow behind the baby?Placing a subject near a wall will cast a very strongshadow against that wall. Move your subjects as faraway from walls as possible. If you do have <strong>to</strong> placethem near a wall, try <strong>to</strong> find a dark colored wall thatwill lessen the impact of the shadow.Camera flashes tend <strong>to</strong> be strong and extremely overeager in their desire <strong>to</strong> light the subject. A flash fires aslow or as powerful as it believes the meter is telling it <strong>to</strong>,which means that if you're in a dark environment, theflash will attempt <strong>to</strong> light up the entire area. Because yourflash tends <strong>to</strong> cast light on your subject like a brightflashlight, your subject can be washed out if you'restanding <strong>to</strong> close <strong>to</strong> it (as shown in the pho<strong>to</strong> on the left.)A good rule of thumb is <strong>to</strong> keep your subject at least5-6 feet in front of you, and leave at least that muchdistance behind the subject and the closest wall. Inaddition <strong>to</strong> keeping subjects at a consistent distance,meter on the subject as much as possible. You maylose your background, but it won’t overblow yoursubjects. For the second carseat pho<strong>to</strong>, we <strong>to</strong>ok astep back before taking the pho<strong>to</strong> again.week four2

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