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kodwo-eshun-more-brilliant-than-the-sun-adventures-in-sonic-fiction

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08(140)08(141)Emerg<strong>in</strong>g from <strong>the</strong> Mo<strong>the</strong>rship, he . ,it lolls and lurches from side toside like an <strong>in</strong>vertebrate ma ndroid. Dr Funkenste<strong>in</strong> beg<strong>in</strong>s a sentenceslowed down <strong>in</strong>to an ancient alien, but by <strong>the</strong> end is a perverse impalways 'ego-tripp<strong>in</strong>g and body snatch<strong>in</strong>g'. The id hijacks <strong>the</strong> head andemits signals through <strong>the</strong> mouth, generat<strong>in</strong>g nausea through pitchadjustment. The master technician of Clone Funk wears spiderwebshades with white plastic arms tha t grip his face from temple to below<strong>the</strong> cheekbone. White fur coat trail<strong>in</strong>g, carry<strong>in</strong>g a cane, his facecurta<strong>in</strong>ed by a long straighthaired wig and furry, floppy white hat whichdrops on <strong>the</strong> beat, its . ,his voice is perpetually mobile, roam<strong>in</strong>g fromsardonic scientist to squeaky id , unable to stabilize <strong>in</strong>to a s<strong>in</strong>gle self.The Prelude from The Clones of Dr Funkenste<strong>in</strong> ends with his . >itsvoice slowed down to a dredged-up drawl: 'And funk is its own reward.May I frighten you.' Funkenste<strong>in</strong> is not so much a voice as vocal mattermixadelicized <strong>in</strong>to streams of reversed syntax, <strong>the</strong> groan<strong>in</strong>g burble of<strong>the</strong> generalissimo drown<strong>in</strong>g <strong>in</strong> quicksand, double-backwards taperevers<strong>in</strong>g <strong>in</strong>to a reverse narration, malicious ids gamboll<strong>in</strong>g and giggl<strong>in</strong>gat <strong>the</strong> edges of earshot.P#Funk compels you to succumb to <strong>the</strong> <strong>in</strong>human, to be abducted andlove it. Funk gets drawn out of <strong>the</strong> body, an entelechy harvested by analien force . In Unfunky UFO, <strong>the</strong> aliens traumatize <strong>the</strong> song's contacteewith <strong>the</strong>ir demand for funk: 'Like a trick of lightn<strong>in</strong>g it camelfill<strong>in</strong>g mybra<strong>in</strong> with this pa<strong>in</strong>/ Without say<strong>in</strong>g a word I heard this voice/ give us <strong>the</strong>funk, you punk.' The chorus multiplies <strong>in</strong>to a multitracked swarm ofaliens here 'to save a dy<strong>in</strong>g world from its funklessness.'Like <strong>the</strong> spice <strong>the</strong> Atreides family m<strong>in</strong>e <strong>in</strong> Dune, or <strong>the</strong> water Newtonarrives to harvest <strong>in</strong> The Man Who Fell to Earth, funk revitalizes.P#Funk is <strong>the</strong> gladallover suffusion of Funkentelechy, <strong>the</strong> enjoymentof mutation. Instead of resist<strong>in</strong>g alien extraction, danc<strong>in</strong>g turns it <strong>in</strong>to agift, turns onto <strong>the</strong> joy of be<strong>in</strong>g abducted. Funkentelechy is <strong>the</strong> processwhich demands Abduct me! Abduct me! As soon as funk comes from offthis world, it collides with common sense.Possession by Cartoon' I was merely <strong>the</strong> vessel fo r Casper and Bootzilla to construct <strong>the</strong>ir funk.'Bootsy Coll<strong>in</strong>s is possessed by cartoons - a phenomenon that IshmaelReed expla<strong>in</strong>s, '<strong>in</strong> which a host becomes a human radio for cosmicforces.' '78'S Hollywood Squares announces Bootsy's animanifesto: 'I'vegot a cartoon m<strong>in</strong>d.' P#Funk is a consensual audiohalluc<strong>in</strong>ation thatallows '<strong>the</strong> m<strong>in</strong>d to enter <strong>the</strong> world of cartoons', a gloopy Sonic Fictionsusta<strong>in</strong>ed across concept albums. Each record is a fragment from <strong>the</strong>world it auditions.When you meet me aga<strong>in</strong>, I hope that you have been<strong>the</strong> k<strong>in</strong>d of person, that you really are nowAdvance ProbeSly and <strong>the</strong> Family StoneThe Mo<strong>the</strong>rship is an advance probe sent ahead to anticipate newk<strong>in</strong>aes<strong>the</strong>tic universes. In <strong>the</strong> f<strong>in</strong>al m<strong>in</strong>ute of Mo<strong>the</strong>rship Connection[Star Child] a M<strong>in</strong>iMoog spacechord suspends time. Travell<strong>in</strong>g along al<strong>in</strong>e of light, all sound drops out for a beat. This funky vacuum only lastsa bl<strong>in</strong>k but when sound returns it arrives from far off, from 'light years<strong>in</strong> time'. The psychoacoustic space of <strong>the</strong> track has <strong>in</strong>explicably altered,crossed an event horizon <strong>in</strong> less time <strong>than</strong> it takes to w<strong>in</strong>k. Like <strong>the</strong>unaccountable hours lost by <strong>the</strong> abductee, you're somewhere andsomewhen else now. Memory plays with you, leaves you baffled. P#Funksplices tapes to make you doubt your m<strong>in</strong>d. Collaps<strong>in</strong>g <strong>the</strong> spacetimecont<strong>in</strong>uum funks with your recognition processes. The sense of be<strong>in</strong>g<strong>in</strong>exorably pulled along by <strong>the</strong> simmer<strong>in</strong>g backbeat becomes a rockabyemotion which 'sw<strong>in</strong>gs low'. Bernard Worrell 's M<strong>in</strong>iMoog synths arc andascend <strong>in</strong> wistful , forlorn fugues . By equaliz<strong>in</strong>g its frequencies to 1khz,Star Child's voice th<strong>in</strong>s out, croons down an <strong>in</strong>terstellar phonel<strong>in</strong>e,fa<strong>in</strong>tly, from light years away. It travels gigantiC distances, arriv<strong>in</strong>g from<strong>the</strong> future <strong>in</strong>to '74 to become <strong>the</strong> end of <strong>the</strong> track: 'Light years <strong>in</strong> time,ahead of our time/ Free your m<strong>in</strong>d, come fly , with me.' The M<strong>in</strong>iMoog'sastralized trails syn<strong>the</strong>size sensations of yearn<strong>in</strong>g and wonder. The starsare so high and you are so small. Stay as you are.The Afronaut Emerges from AnachronosisP#Funk's connection forward <strong>in</strong> time to <strong>the</strong> Mo<strong>the</strong>rship allows an equala nd opposite connection back <strong>in</strong> time to <strong>the</strong> Pharaonic connection, bothof which converge on <strong>the</strong> present. The pyramids become examples ofancient alien technology which <strong>the</strong> extraterrestrial bro<strong>the</strong>rs 'havereturned to claim'. Funk becomes a secret SCience, a forgottentechnology that 'has been hidden until now'. This <strong>in</strong>formation isbroadcast to 'reco rd<strong>in</strong>g angels', Earth people and all 'citizens of <strong>the</strong>

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