24 IRISH AMERICAN NEWS <strong>August</strong> <strong>2008</strong>TraditionIn ReviewBill MargesonNext month is going to be arecord-setting CD Slam with a ton ofgreat new stuff that has backed up inthe “to review corner”. As usual, onlythe best. You know, or should, that wedon’t write negative reviews, as weonly review what we like.Being published once a monthleaves us no time for some of thesnippy, cute comments favored insecondary <strong>Irish</strong> markets, such asNew York. This is Chicago, baby.Keep reading. This will get interestingas we take a break from theusual review process to fill you in, asusual, on Milwaukee’s <strong>Irish</strong> Fest, thethird weekend in <strong>August</strong>, and then tofinally get a load off our chests.Milwaukee. The Big Kahuna.With co-founder Chuck Ward recoveringfrom a bout with cancer (hewill kick its butt, be sure) you mighthave worried about this year’s Fest.No need. Another winner.First, go. To those few of you whowimp out every year, and we knowwho you are, just go. You can visit noprettier setting, family-friendly, andthe biggest music bargain on the planet.Don’t mow the lawn, get tired and say,“we’ll do it next year.” Bull. Just go.What to see? Mark this well. Visitthe Galway area, and catch Trad onthe Prom and the Kane sisters. Also,check for Furry Village. The BarraMacNeils from Nova Scotia. Monto.The Omagh Choir.The Maimin Cajun Band fromGalway looks good! Fun. The FuchsiaBand—FAB. And, find the Jeff WardBand. One of our favs. We know thatis too much for one day. Go for two orthree. Now, just go. There is nothinglike it anywhere in the world.Time to unload! Here they are—observations of the current scene. Ifyou disagree, keep it to yourself.1. Welcome to the new director ofthe <strong>Irish</strong> <strong>American</strong> Heritage Centerin Chicago, Colin Moore. We really,really hope he corrects the almostartistically criminal record of theCenter-post John Daly’s exit. Thereis NO excuse for the long-standingand continued ignoring of <strong>Irish</strong> musicperformance. There is a lovely auditoriumthat sits and sits and sits vacantfor decades, as it is rarely used. TheSalon Series started by John Daly hasbeen abandoned for almost a year. Wepersonally know of people who havevolunteered after being requested tovolunteer, to help in this area. Then totallyignored. The Center needs, afterall these years, to finally get seriousabout <strong>Irish</strong> music, and fully earn thetitle of “Heritage” Center. The newguy has the background to do it andwe wish him well. We’ll see if he cannegotiate the political thickets.2. The continued downslide of <strong>Irish</strong>music is continuing at virtually everymajor festival this summer. <strong>Irish</strong> rock.<strong>Irish</strong> rock. <strong>Irish</strong> rock. Regardless ofwhat my musically autistic PublicRadio partner, Shay Clarke feels,there IS no such thing as <strong>Irish</strong> rock.Rock groups not good enough to gethired as rock groups bang on thedrums and electric guitars, insert theword “Ireland” every few bars and gethired all summer. Most <strong>Irish</strong> “music”festivals are now little more than rockfestivals. Demographics rule as theycontinue to chase the 23-year-old beerswiller out to find women—or men. Adrunken <strong>Irish</strong> pickup festival is morelike it. Slowly, but surely, as we havetold you, this rock nonsense is driving<strong>Irish</strong> festivals under, as they seem tohave lost all sense of balance whilechasing the rock dollar. Milwaukee,Cleveland and Columbus excludedhere, though we DO worry aboutColumbus and Cleveland, a little.3. <strong>American</strong> tourism to Irelandkeeps falling. Economic worries, $4gas, and the incredibly weak dollarare all major parts. But, the biggestreason is Paddy’s greed. Most everythingin Ireland is overpriced andunder-serviced. Ireland is hurtingand does not know or care. Go toDublin and let us know how long itis nowadays before you even HEARan <strong>Irish</strong> accent, as foreign workersare packing every restaurant andhotel. The <strong>Irish</strong> have adopted, in largemeasure, the worst of the <strong>American</strong>tourism industry. Little value or carefor their customers. The Celtic Tigerthinks it will roar forever. It won’t.It is already dying. The best way toavoid this is to be on a tour, wherevalue and fun still reign, or be verycareful with whom you choose toshare your $6-$7.50 pints.4. One of the most troublingaspects of having friends in Irelandbuilt over 25 years, is that the currentanti-President Bush sentiment thatis virtually unanimous through theIsland, has metastasized into a quiet,but deeply felt anti-<strong>American</strong>ism.That will be denied and denied, andit is true. If the <strong>Irish</strong> affection forAmerica rests on who is President,then they are not a real friend in thefirst place, as they become more andmore “Europeized”. We have growntired of people in other countrieswho think they know what is goingon in America by watching CNN,and then—as in Ireland—having theenormous discourtesy to confronttheir guests about it all.5. Most traditional musicians hateplaying ceili music. Most will denythis when you ask them about it. It istrue. There ARE exceptions, but not allthat many. They are right, that majority.As Ireland’s greatest composer, SeanO’Riada was reported to have saidwhen asked to describe ceili music, “Itis neither music, nor <strong>Irish</strong>.” We’ll leavethe dancers out of this for now!6. When will Gaelic Park getaround to fixing its dreadful soundproblem at the annual Festival on MemorialDay weekend? There is NOcontrol put on the “<strong>Irish</strong>” rock groupsthat come in booming their volumelevels. This year, as in the past, we satthrough the rare trad offering fromLiz Carroll and John Williams andwere treated to the BOOM BOOMBOOM coming from the rock tentthroughout Liz and John’s set. Itaurally dominates everything, and itis reprehensible. Gaelic Park—fix it.It has been a problem for years. Thereare lots of ways. First, tell the damnedbands to turn it down. That is ONEcure. There are others.We’re tired of observing. That’lldo—for now. See you in Milwaukee.Ta!
<strong>August</strong> <strong>2008</strong> IRISH AMERICAN NEWS 25FINANCIAL PLANNINGCorrigan Financial Services, Inc.Money Concepts Financial Planning CentreEstablished 1980Raised on Songsand StoriesShay ClarkeThe Festival season is in high gear as weweary Celtic road warriors traverse the countryon the <strong>Irish</strong> Festival circuit.Recently it’s been Pennsylvania, Oklahoma,Colorado, and in Chicagoland, the HighlandGames and the <strong>Irish</strong> <strong>American</strong> Heritage Center’s<strong>Irish</strong> festival. Now it’s time for the trio inOhio, where we have Cleveland, Dayton andDublin in a row.It was great to see Gaelic Storm at theCeltic Fling in PA, especially since the releaseof their new album, What’s the Rumpus? Theywere just back from their Australian tour andin top form. The new album only took days toreach number one in the world music categorycharts—no surprise to me.Barleyjuice rocked at the Celtic Fling inLancaster, touring to support their new album,Bonnie Prince Barley. Great sets from Enter theHaggis, The Tartan Terrors and Scythian, also.According to my daughter Saoirse, and manyof her friends, Scythian are the best lookingguys on the circuit, nice guys too, and burstingwith talent. All four of these major Celtic Rockbands are just getting better.The Oklahoma Celtic Festival was also a funevent. Boru’s Ghost and Arabesque are greatentertainers—I wish they would travel more.Festival organizers take note.The Illinois St. Andrew Society put on agreat show at the Polo Grounds in Oakbrook,IL—the classiest Highland Games I’ve everattended. Searson were the headliners. Greatorganization and great people.Traci, the missus, went to Denver for theColorado <strong>Irish</strong> Festival. She tells me that it wasalso a fun event with music provided by GaelicStorm, The Elders, Cathie Ryan and Solas,among others. Great fun always in Denver.The IAHC hosted <strong>Irish</strong> Fest in Chicago andit was a blast. Super turnout for an incredibleline-up. The Makem and Spain Brothers, Solas,our own Larkin and Moran brothers, just backfrom their <strong>Irish</strong> tour, were brilliant. There wasa contingent from Kansas City, my friend PeteMaher of the Midwest <strong>Irish</strong> Focus was therealong with a bevy of beauties from the KansasCity <strong>Irish</strong> festival. Gan Bua were there withoutRetirement Planning SpecialistforIndividuals - Families - BusinessInvestment - Tax - Estate PlanningCallMike & Chuck Corrigan(708)482-3800Member International Association for Financial Planningthe Gan, and theDooley’s played agreat set. The entertainmentjustwent on and on,but Gaelic Stormstole the show onSunday evening.It was a huge welcome back to Chicago forJessie and the lads and they were on fire as theythrilled the capacity crowd with favorites andsome tunes from the new album.History of <strong>Irish</strong> Rock —Ward <strong>Irish</strong> Music ArchivesThe Ward <strong>Irish</strong> Music Archives was establishedin 1992 and is now the largest public collection of<strong>Irish</strong> music in America, located in Milwaukee at1523 Wauwatosa Ave. and open to the public, butyou can visit on-line. It encompasses over 40,000<strong>Irish</strong> recordings and music memorabilia fromsongbooks to sheet music and concert posters toinstruments. Make this pilgrimage when next inMilwaukee—it’s worth it.The Ward <strong>Irish</strong> Music Archives is Milwaukee<strong>Irish</strong> Fest’s educational arm and recentlydeveloped traveling exhibits that can be seenby a wider audience as they tour festivals andevents. Having seen many of these exhibits, Ican tell you they are educational, entertaining,and a huge addition to the cultural value ofany <strong>Irish</strong> Festival.There are exhibits on The Great <strong>Irish</strong> Tenor,John McCormack, Bing Crosby, and legendary<strong>Irish</strong>-<strong>American</strong> composer George M. Cohan.There is even an exhibit on 75 Years of RTE(Ireland’s National Radio and Television Station).But the one I can’t get enough of is TheHistory of <strong>Irish</strong> Rock. It’s brilliant!It’s been touring for a few years and I’veseen it in many places, but each time I findsomething new that chronicles, through displaysand artifacts, the development of rockmusic in Ireland. It includes 40 biography’s,video presentations, and is visually enticingand historically accurate.This, for me, is pure nostalgia. These are thetimes I’ve lived and observed at close quarters asI grew up in Dublin and spent so much time withfamily in Kells Co. Meath. I saw it all—the CeiliBands became Showbands, Showbands morphedinto R&B Bands, then into Rock. It all started inthe 50’s and is still going on today. I had minorpart’s in this menagerie myself, so you can imaginehow much it means to me personally.Van Morrison and Rory Gallagher were bothin Showbands. Eamonn Carr, drummer fromHorslips was the son of a Ceili Band drummerand band leader. Thin Lizzy and Skid Rowwere bands we saw twice or more each weekand Ian Whitcomb and Bluesville were a localband. These were magic times for a frustratedmusician turned D.J., but it was my well spent/misspent youth and I wouldn’t trade it for allthe Guinness in St. James’s Gate.Enough already. Suffice to say, this exhibitis great.Barry Stapleton is the Director of the <strong>Irish</strong>Music Archives and likely one of the foremostexperts on <strong>Irish</strong> Music in its broader sense.Barry, a trained baritone, used to sing opera.Music drew him to Milwaukee’s <strong>Irish</strong> Festwhere he volunteered until becoming Directorof the Archives in 1999. He now doubles asmusic coordinator for the fest, along with Wardbrothers, Chuck and Ed.The History of <strong>Irish</strong> Rock exhibit was at theGaelic Park <strong>Irish</strong> Festival in Chicago in May;the Celtic Fling in Pennsylvania in June; willfeature at LaCrosse <strong>Irish</strong> Fest next month inWisconsin and, later this year, the <strong>Irish</strong> Festivalin Baltimore, MD.This month their new exhibit, The History of<strong>Irish</strong> Traditional Music, makes its debut at theDublin, OH festival; will be at Milwaukee <strong>Irish</strong>Fest and later at Kansas City <strong>Irish</strong> Fest.This exhibit explores the journey of our greatlegacy of Traditional music from O’Carolan tothe present day. It highlights the Great Era ofO’Neill, The Golden Age of Recorded <strong>Irish</strong>Music with Michael Coleman and Tom Ennis,then into the present day with the Chieftains,Liz Carroll and Mike Moloney and many more.Plenty of audio in this exhibit.“It’s all about creating awareness,” Barrysays, “of opening up and expanding what ChiefO’Neill did. What O’Neill did in his time, weat the <strong>Irish</strong> Music Archives are doing in ourtime, preserving the legacy of <strong>Irish</strong> music forgenerations to come.”Barry tells me they are digitizing theexhibits and they’ll be online soon at www.irishmusicarchive.com.Van The ManVan Morrison was at the Rosemont Theatrelast month to promote his new album Keep itSimple. Traci went along to see Van, as she’sbeen a lifelong fan and according to her, themagic is still there. The new album lives upto expectations as Van in his inimitable way,cruises through 11 beautiful songs that rangefrom blues to ballads. Another great album.HeathersYoung Dublin twins, Ellie and Louise Mc-Namara, have been touring America recentlybringing along their own brand of acousticmusic. They are 18 years old and just finishedhigh school in June. They call themselvesHeathers—check them out on myspace.com/heatherswhatsyourdamage. Great kids with animpressive musical pedigree.DANCE LESSONSM c Nulty<strong>Irish</strong> DancersAdult & Children Classes(3 years and older)10 Suburban Locationsfor more information Contact:Barbara McNulty HeneghanT.C.R.G. 847-698-4434fax 847-518-0863email: irshdancr@aol.comwww.mcnultyirishdancers.com