32, 35, 36, 40, 43: Incomplete recordings; Cut 33: Only version to feature Keith Richards onvocals; Cuts 37, 38: Shared vocals Mick Jagger and Keith Richards, various takes (one versionwith announced chord changes; one faded in version with Undercover-like percussion; one startedby bass drums and piano; falsetto vocals Mick Jagger; Cut 39: Faded in; lyrics incomplete; Cut40: Starting with long drum intro and off-mike vocals by Keith Richards; Cut 41: Chuck-Berry-likerocker,featuring You Can’t Cut The Mustard-riffs; Cut 42: Two incomplete takes of a title which atthis point consists of hardly more than a repeated refrain; Cut 43: A ballad, not the well knownsong by Elvis Presley; Cut 44: Same as cut 8, lacking back-up vocals; Cuts 45-52: No bass; Cuts45-55: No proper drums; might feature Ian Stewart on bass drum; Cuts 56-92: Rehearsals; mostlyfragments, many of them instrumentals only; Cut 56: Might be an embryonic version of cut 34;recorded April 16, 1985; Track 52: Might be The Jerk (Julian); Cut 57: Initially known amongcollectors as Song A; Cuts 57, 58: Bass Alan Rogan; drums Ian Stewart; Mick Jagger, KeithRichards, Bill Wyman and Charlie Watts not present; recorded April 19, 1985; Cut 59: RecordedApril 20, 1985; Cuts 60-62: Recorded February 28, 1985; Cuts 62 (II), 72: Harmonica Ron Wood;Cut 65: Recorded June 13, 1985; Cuts 66, 67: Recorded April 9, 1985; Cut 67 (IV, V, VIII-X):Vocals Mick Jagger (as opposed to all other vocal versions of this title sung by Keith Richards);Cut 68: Recorded April 16, 1985; Cut 69: Recorded April 11, 1985; Cuts 70-76: Recorded April14, 1985; Cuts 77, 87: At the time probably entitled Too Much For Me; Cut 77: Recorded May 9,1985; Cuts 78-80, 83: Recorded May, 1985; Cut 81: Recorded April 7, 1985; Cut 82: RecordedMay 17 and 18, 1985; Cut 83: Recorded May 25, 1985; Cut 85: Recorded May or June, 1985;Cuts 86, 87: Recorded May 9, 1985; Cut 88: Recorded May 5, 1985; Cuts 89-92: Recorded Apriland May, 1985.1.003 MAY 11, 2010 ”STONES IN EXILE”; DOCUMENTARY, PREMIERED AT THE MUSEUMOF MODERN ART; NEW YORK CITY, Director Stephen KijakL Shake Your Hips (Moore)M Ventilator Blues (Jagger, Richards, Taylor)R Can I Get A Witness (Holland, Holland, Dozier)S Loving CupCuts L, M, R, S (all incomplete soundtracks, “Song” R with faked footage): Probably recorded duringthe rehearsals, Sumet-Burnet Recording Studio, Dallas, Texas, June 23, 1972.1452A Mid-November, 2009 Probably London: MJ interview for Czech TV (on the 20th anniversary of therevolution in Czechoslovakia).3271 July 10, 2004 Live at the Universal Amphitheatre, Los Angeles: “RETURN TO SIN CITY - A TRIBUTETO GRAM PARSONS” (Image Entertainment ID2743GXDVD, DVD [US]/82876 67422 9, DVD[Europe], April, 2005): KEITH RICHARDS & NORAH JONES: 1. Love Hurts (Bryant), KEITHRICHARDS: 2. Hickory Wind (Buchanan, Parsons), SUSAN MARSHALL AND THE HOUSE OFBLUES GOSPEL CHOIR, 3. In My Hour Of Darkness (Harris, Parsons), ALL STAR BAND: 4. WildHorses (Jagger, Richards)KR: guitar, vocals (1, 2, 4), Norah Jones (1), Jim Jones (4): vocals; Jim Lauderdale (2, 4),Steve Earle (4): guitar, additional vocals; Al Perkins: guitar, pedal steel; James Burton, TonyFurtado, Doug Pettibone, Easy Pickens, Colin Cripps: guitar; Skip Edwards: keyboards; MarvinEtzioni: mandolin (2, 4); Dusty Wakeman: bass; Dave Raven: drums; Susan Marshall: vocals (3),back-up vocals (2); Kristin Mooney: back-up vocals (2); all participants of the show: back-upvocals (4); Mark Lukas: director.Added 2011-02-280.084A SEPTEMBER 13, 1965 ERNST-MERCK-HALLE, HAMBURG1 The Last TimeSong 1 (incomplete): Shown in a German news-reel or TV news clip, mid-September, 1965.NOTES: The <strong>Rolling</strong> <strong>Stones</strong>’ arrival at Hamburg (not Dusseldorf) airport was featured in “4 SCHLUS-SEL”, film, directed by Jurgen Roland, premiered January 14, 1966; released on DVD, e-m-s-115952 (Germany), February 10, 2006.0.448 MARCH 29 - MAY 5, 1989 AIR STUDIOS, MONTSERRAT, WEST INDIES, Producers:Chris Kimsey and The Glimmer Twins3 Terrifying
20 Rock And A Hard Place (Michael Brauer Mix)21 Wish I’d Never Met You63 Rock And A Hard Place (Rock Mix Edit)Cuts 3, 63: Released on TERRIFYING/ROCK AND A HARD PLACE (promotional CD single), <strong>Rolling</strong><strong>Stones</strong> Records CBS CSK 1897, late February, 1990.NOTES: Cut 21: Probably inspired by Ray Charles’ 1956 song Lonely Avenue; Cut 63: Edit version ofcut 20 with shortened intro and edited guitar solo.0.492 FEBRUARY 23, 1990 ANOTHER SIDE OF STEEL WHEELS (7 TRACK CD), ROLLINGSTONES RECORDS CBS-SONY CSCS 5116 (JAPAN)A1 Mixed Emotions (Re-Mix)A2 Rock And A Hard Place (Dance Mix)A3 Rock And A Hard Place (Oh-Oh Hard Dub Mix)A4 Rock And A Hard Place (Michael Brauer Mix)A5 Rock And A Hard Place (Bonus Beats Mix)A6 Fancy Man BluesA7 Cook Cook BluesCuts A1-A6: Recorded at AIR Studios, Montserrat, West Indies, March 29-May 5, 1989.Cut A7: Recorded at Pathe-Marconi Studios, Paris, November 11-December 17, 1982.NOTES: Nice compilation offering the new single tracks released in 1989 plus five rare re-mixes (ofwhich A4 appeared here for the first time on CD); Cut A1: Previously known as Mixed Emotions(Chris Kimsey’s 12").0.494A LATE FEBRUARY, 1990 TERRIFYING/ROCK AND A HARD PLACE (PROMOTIONAL CDSINGLE), ROLLING STONES RECORDS CBS CSK 1897 (US)A1 TerrifyingA2 Rock And A Hard Place (Rock Mix Edit)Cuts A1, A2: Recorded at AIR Studios, Montserrat, West Indies, March 29-May 5, 1989.1021A March 29, 1966 Press conference, Paris: MJ interview (“Journal televise”, French TV, March 29, 1966).1115A August, 1980 London: MJ interview for Brazilian TV (shown in “Fantastico”, Aug. 30, 1980).5040A June 18, 1982 Live at the Capitol Theatre, Passaic, New Jersey: JOHN MAYALL’S BLUESBREAKERS,“BLUES ALIVE” (RCA/Columbia Pictures Video, RVT 10377 [UK], Oct. 1984/ RVT 20477 [US], 1986:songs 1-4, 6-8, 10, 12); “JAMMIN’ WITH THE BLUES GREATS” (Image Entertainment ID4706 LY,DVD [US], Dec. 1, 1998: songs 1-12); BACK TO THE ROOTS (BT: cuts 1-4, 6-8, 10-12); BLUESALIVE (BT: cuts 1, 3, 4, 7, 8, 10, 12): 1. An Eye For An Eye (Mayall), 2. Baby What You Want Me ToDo (Reed), 3. Messing With The Kid (London), 4. Don’t Start Me To Talkin’ (Williamson), 5. My TimeAfter A While (Geddins, Badger), 6. Shorty George Blues (Wallace), 7. The Dark Side Of Midnight(Mayall), 8. I Wonder Why [u.t. Why Are You So Mean To Me] (King), 9. Born Under A Bad Sign(Jones, Bell), 10. Call It Stormy Monday (Walker), 11. C.C. Rider-Jam (Trad.), 12. Room To Move(Mayall)MT: guitar, piano (12); John Mayall: piano (all except 8, 9), harmonica (1, 5, 8, 9, 12), vocals(1, 5, 7, 12); John McVie: bass (1-7, 11); Frank Dunbar: bass (8-10, 12), harmonica (11); ColinAllen: drums; Junior Wells: vocals and harmonica (3, 4, 11); Buddy Guy: guitar (3, 4, 11); EttaJames (2, 11), Sippie Wallace (6, 11): vocals; Albert King: guitar and vocals (8-11); HubertSumlin: guitar (11).7261 June 26 (not 29), 2004 Live at “The Olympic Torch Concert”, The Mall, London: ROD STEWART (BBCTV coverage): 1. Stay With Me (Wood, StewartRW: guitar, back-up-vocals; Rod Stewart: vocals; Jeff Golub, Don Kirkpatrick: guitar; Henry Hey,Chuck Kentis: keyboards; Conrad Korsch: bass; David Palmer: drums; Esther Nicholson, NatashaPearce, Julie Delgardo: back-up vocals.8219A 2003 Unknown location, probably Britain: BW interview for “THUNDERFINGERS – A TRIBUTE TOJOHN ENTWHISTLE” (film, directed by Fay Goodman; premiered on the UK Discovery Channel, July,2003; released on DVD, MVD Visual DR-4537 [US], Oct. 31, 2006).Added 2011-01-27/2011-02-020.120 SEPTEMBER 9, 1966 “THE ED SULLIVAN SHOW”, CBS-TV RECORDINGS, NEW YORKCITY1 Paint It Black
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