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Autumn 2009 Catalogue 4 pdfing:1 - Yale University Press

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Art 33A unique study that integratesarchitectural history,musicology and acoustics tothrow new light on the sacredarchitecture and music ofRenaissance VeniceSound and Spacein Renaissance VeniceArchitecture, Music, AcousticsDeborah Howard and Laura MorettiDuring the sixteenth-century, Venice was the setting for some of themost admired churches in the whole western canon, while majoradvances in the sophistication, richness and religious expression ofchoral polyphony led to pioneering developments in the evolution ofstereophonic sound.Deborah Howard is Professor ofArchitectural History, <strong>University</strong> ofCambridge, and Fellow of St John’sCollege, Cambridge. Her booksinclude Venice and the East:The Impact of the Islamic World onVenetian Architecture 1100–1500 andThe Architectural History of Venice.Laura Moretti is Scott Opler ResearchFellow in Architectural History,Worcester College, Oxford.October256 pp. 241x171mm.80 b/w + 40 colour illus.ISBN 978-0-300-14874-9 £30.00*The focus of this fascinating study is the direct relationship betweenarchitectural design and sacred music in Renaissance Venice. Thedesigns of two of the greatest architects of the Italian Renaissance,Sansovino and Palladio, are seen against the background of theinnovative polyphonic choral music in split-choir formation (corospezzato) pioneered in St Mark’s and disseminated as a result of the rapiddevelopment of music printing in Venice. Refined and elaborated, theseinnovations culminated in the sacred music of Monteverdi. The needsof elaborate state ceremonial stimulated the demand for musicalvirtuosity and imposing architectural settings, but the innovationsfiltered down to affect music in the simplest parish churches.The book combines historical research into the architectural andliturgical traditions of a dozen Venetian churches with the results of aparallel series of scientific surveys of the acoustic properties of thechosen buildings. The research culminated in a programme of in situchoral experiments and acoustic measurements, carried out in Veniceusing the celebrated choir of St John’s College, Cambridge, in 2007,revealing the strong awareness of acoustic effects on the part ofarchitects, musicians, patrons and churchmen of the Renaissance period.

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