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Apartline Eurotech Networks GmbH Lärchenstrasse 77 65933 Frankfurt am Main GERMANY Tel: +49-(0)69-7508 4895 E-Mail: info@apartline.de Apartline PDF Katalog 2008 Museums Shop >>> Salvador Dali #SD03-PA Birth ot the new human "Enfant géopolitique observant la naissance de l'homme nouveau"The new human must free itself from the oppressive entwinement with the ast (1943)Whilst the world is on fire Dalí paints the birth of the new human. Frightened, seeking the protection of its mother, the child sees a man struggling to escape a plastic egg of which the continents drip down. Here stands the new symbol of a new order, a new beginning for a new and perfect world. The painting is a plea for a radical liberation from the oppressive entwinement from the past. In the opening sentences of his manifest which was published some years before Dalí says, "When during the history of its culture a people feel the need to cut the ties with which it is bound to the logical systems of the past in order to obtain an independent mythology - a mythology which perfectly fits its essence and its total expression of their biological reality and is recognised by the higher elite- then public opinion demands from the pragmatic society, considering its own systematic, that the motives for such a split is enlightened with traditional and worn out formulas." Height: 5,0 cm 26.81 EUR #SD02-PA Dali Lady with Drawers APARTLINE Based on the painting:Burning Giraffe (1936-1937) Dalí painted "Burning Giraffe" during his exile in the United States. Although Dalí declared himself apolitical, "I am Dalí, and only that.", this painting shows his personal struggle with the battle in his home country. Characteristic are the opened draws in the blue female figure, which Dalí on a later date described as "Femme-coccyx" (tail bone woman). This phenomenon can be traced back to Freud's psychoanalytical method, much admired by Dalí. He regarded him as an enormous step forward for civilisation, witness his remark. "The only difference between immortal Greece and our era is Sigmund Freud who discovered that the human body, which in Greek times was merely neoplatonical, is now filled with secret drawers only to be opened through psychoanalysis." The opened drawers in this expressive, propped up female figure thus refer to the inner, subconscious within man. In Dalí's own words his paintings form "a kind of allegory which serves to illustrate a certain insight, to follow the numerous narcissistic smells which ascend from each of our drawers. Height: 19 x 9 x 9 cm 53.61 EUR www. apartline.de - Page 180/429
Apartline Eurotech Networks GmbH Lärchenstrasse 77 65933 Frankfurt am Main GERMANY Tel: +49-(0)69-7508 4895 E-Mail: info@apartline.de Apartline PDF Katalog 2008 #SD05-PA Dali Space Horse Based on the painting:The temptation of Saint Anthony (1946) After the Second World War, Dalí converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dalí's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolised by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dalí dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dalí's surrealistic predecessors. Dalí, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work Height: 19,5 cm 52.64 EUR #SD04-PA Dali Space-Elephant Based on the painting:The temptation of Saint Anthony (1946) After the Second World War, Dalí converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony APARTLINE originated from an entry for a film poster competition. It shows Dalí's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolised by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dalí dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dalí's surrealistic predecessors. Dalí, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Height: 24 cm 57.46 EUR www. apartline.de - Page 181/429
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