The Collection of Mort and Millie Goldsholl - Treadway Gallery

Treadway • Toomey Galleries20th Century Art and DesignSaturday, December 1, 2012Arts & Crafts/Art NouveauSession One10:00 a.m.American and European Paintings, Prints and Works on PaperSession TwoImmediately following the conclusion of Session One.1950s Modern/Art DecoSession ThreeImmediately following the conclusion of Session Two.Preview Dates:Saturday, November 24, 2012 10:00 a.m. - 5:00 p.m.Sunday, November 25, 2012 CLOSEDMonday, November 26, 2012 10:00 a.m. - 5:00 p.m.Tuesday, November 27, 2012 10:00 a.m. - 5:00 p.m.Wednesday, November 28, 2012 10:00 a.m. - 5:00 p.m.Thursday, November 29, 2012 10:00 a.m. - 7:00 p.m.Friday, November 30, 2012 10:00 a.m. - 5:00 p.m.Also open by appointment when availableatJohn Toomey Gallery818 North Blvd • Oak Park, Illinois 60301(708) 383-5234info@johntoomeygallery.comwww.treadwaygallery.comIL Lic. #444000195, #441001663, #441001222OH Lic. #2007000142A PRESENTATION BY TREADWAY GALLERY, INC. OF CINCINNATI, OHIOI N A S S O C I A T I O N W I T H J O H N T O O M E Y G A L L E R Y , INC. O F O A K P A R K , I L L I N O I S3 www.treadwaygallery.com

Arts & Crafts/Art NouveauSession One10:00 a.m.1. Good Rookwood Faience tile, wonderful design of a rook silhouetted against a large colorful poppy, all covered in a matteglaze, design attributed to Sallie Toohey, marked, #747Z, original frame, tile: 9”w x 7”h, overall: 10.5”w x 8.5”h 2000-30002. Fine Rookwood vase, bulbous shape in a Black Iris glaze with a beautifully paintedscene featuring numerous black swans, finely executed by Carl Schmidt in 1907,#1126, 5”w x 8.5”h, another great example by this exceptional painter 6000-80005 www.treadwaygallery.com

3. Stickley Brothers dining chairs, set of six, #385 ¼ and 385 ½, five side chairs and one armchair, canedback above a recovered leather seat on a tapered leg, refinished, branded signature, replaced cane,side chair: 19.5”w x 19”d x 36”h, armchair: 27”w x 20.5”d x 37.5”h, very good condition 800-10004. Heintz boudoir lamp, Bird of Paradisemotif with mica shade on a silveroverlay base, base signed with paperlabel, replaced mica, original patina,replaced mica, 8.5”dia x 11.5”h, verygood condition 800-10005. Stickley Brothers table, #2866, circular top above splayedlegs supported by a cross-stretcher base with thru-tenonconstruction, refinished with wear to top, signed withQuaint tag, 36.5”dia x 29”h, very good condition 500-7006. Heintz table lamp, Three Gracesmotif in sterling on bronze verdigrisbase with a mica shade, basesigned with paper label, originalpatina, replaced mica, 11.5”dia x13”h, very good condition 800-10007. Stickley Brothers dining chairs, set of six, three vertical slats at back over a leather seat, lowerstretcher supported by key and tenon construction, recoated original finish, some damage, somevariation in tacks, one signed with paper label, 18.5”w x 19”d x 35”h, very good condition 1000-15006 www.treadwaygallery.com

9. Rookwood vase, cylindrical shape in aVellum glaze, nicely painted landscape,executed by Ed Diers in 1914, #952F, 3”wx 6.5”h 600-80010. Nice Rookwood bowl, low flaring formcovered in a Vellum glaze, nicely executedfloral design at top, painted by Edith Noonanin 1908, #923, 6.5”w x 2”h 350-55011. Rookwood vase, cylindrical formcovered in a Vellum glaze, nicely painteddragonflies, finely executed by CarlSchmidt in 1904, #952D, 4”w x 8.5”h,ground X 1200-170013. Rookwood covered vessel, bulbous shapein a brown matte glaze with blue and greenincised designs on lid, executed by CharlesTodd in 1912, #1847, 6”w x 4”h 300-40012. Good Rookwood vase, bulboustapered shape covered in aVellum glaze with a finely paintedlandscape, executed by FredRothenbusch in 1920, #901D,3.5”w x 8”h 1000-150014. Unusual Rookwood vase, flaringshape in a Vellum glaze, nicelypainted landscape design, by FredRothenbusch in 1916, #1357D,4.25”w x 9”h 1000-150015. Rookwood vase, bulbous form in aVellum glaze, a nicely painted floweringvine at top on a blue ground, executed byFred Rothenbusch in 1909, #1653E, 4.5”wx 7.5”h 650-75016. Good Rookwood plaque, Vellum glaze,nicely painted Venetian scene titled "QuietReflections-Venice," executed by CarlSchmidt in 1921, framed, plaque: 5"w x8"h, overall: 10"w x 12.5"h 2000-250017. Rookwood vase, bulbous shape in amatte glaze with a leaf and berry design,executed by Vera Tischler in 1924, #356D,4”w x 8”h 500-7008 www.treadwaygallery.com

23. Good Rookwood handled vessel,Standard glaze with a nicely paintedcorn design, executed by KataroShirayamadani in 1892, applied silveroverlay, #S973, 5”w x 8.5”h 1500-200024. Early Rookwood vase, large bulbous shapecovered in a Standard glaze with a finelypainted portrait after a painting by FranzHals, executed by Grace Young in 1902,#902C, 6.5”w x 8.75”h, ground X 1000-150025. Rare Rookwood handled vessel, standardglaze, with a painted clover design, veryunusual applied silver overlay, by TheodoreB. Starr Sterling, unsigned, 1892, #497,5”w x 8”h 1500-200026. Exceptional Weller Sicard vase, unusual double handled form with a beautiful clover design, covered in acolorful metallic glaze with overall iridescence, unsigned, #29, 7”w x 5.5”h, beautifully fired example 1200-170027. Rookwood vase, nicely painted cherrydesign, by Elizabeth Brain, 1899, #763C,5”w x 5.5”h 200-30028. Rookwood bowl, Standard glaze with apainted pansy design, executed by SallieToohey in 1888, #451, 7”w x 2”h 200-30029. Nice Rookwood vase, Standard glazewith a detailed floral design, executed byKate Machette in 1893, #443C, 3.5”w x6.25”h 250-35010 10www.treadwaygallery.com

30. Stickley Brothers side chairs, set of four, #312 ½, three vertical slats at back above a saddle seat, numbered,some signed with metal tag, enhanced original finish, 16”w x 16”d x 38”h, very good condition 800-100031. Gustav Stickley library table, #636, thick circular top above splayedlegs supported by arched cross-stretchers with key and tenonconstruction, ghost of a paper label and red decal, original finishto base, lightly recoated finish to top, 48”dia x 29.5”h, very goodcondition 5000-700032. Gustav Stickley dining table, circular top on a notched cross-stretcherbase with central peg, original finish to base, cleaned original finish totop, branded signature and paper label, two 12” leaves, 48”dia x 29”h,very good condition 1500-200033. Gustav Stickley music cabinet, #70, paneled door with original iron pull, slab sides with through-tenonconstruction, branded signature, original finish, 20.5”w x 16”d x 47.5”h, very good condition 2500-350011 www.treadwaygallery.com

43. Important Limbert office desk, from the Charles P. Limbert Company office, originaldamaged leather top and telephone stand above a series of drawers and paneled sides,right side with an adjustable typewriter return, original finish, some restoration, brandedsignature, 67”w x 36”d x 37”h, very good condition 6000-8000This desk is believed to be Charles Limbert’s own office desk. Though similar to theother office desks seen in the period photograph of the Limbert offices, this desk appearsto be both wider and deeper than the employees’ desks and has a leather top. This deskalso lacks the “modesty panel,” which adorned desks used by ladies in the office.Similar desk shown in this period illustration ofThe Limbert Office, Holland Michigan44. Randahl bowls, two, lobed forms in sterlingsilver, both signed, larger: 9.5”dia x 2”h 400-50045. Randahl candle holders, pair, in sterling silver, applieddecoration at center, signed, 10”w x 5.5”h 400-60046. Limbert server, trapezoidal form with two paneled doors flanking four drawers, interior has been specially adapted to holdwoodworking tools of company owner Charles P. Limbert. Limbert was known to be a woodworker and this piece was purchased fromthe family's estate sale, original copper hardware, some distress to top, 42”w x 16.5”d x 38.5”h, very good condition 2000-300013 www.treadwaygallery.com

47. Arts & Crafts fabric panel, in the mannerof William Morris, with stylized floral design,45” x 73”, very good condition 300-40048. H.G. Cleveland table lamp, tall candle formhaving a wire mesh shade with stencileddesign on parchment, copper base withincised band and organic design to stem,base signed, original patina, 9.5”dia x 23”h,very good condition 900-120049. Arts & Crafts linen, floral andmedallion motifs, 49” x 69”, very goodcondition 300-40050. H.G. Cleveland tablelamp, wire mesh shadewith stenciled design onparchment supported by acurved copper base withorganic details, base andshade signed, originalpatina, 8.5”dia x 12”h, verygood condition 900-120051. Gustav Stickley library table, #615, rectangular top above twodrawers with original iron oval pulls, corbel supports at sidesabove a lower stretcher with thru-tenon construction, originalfinish to base, some restoration to top, signed with large reddecal, 48"w x 30"d x 30"h, very good condition 1500-200052. H.G. Cleveland tablelamp, wire mesh shadewith stenciled design onparchment supported by acopper base with organicdetails, base and shadesigned, lightly cleaned originalpatina, 9”dia x 12”h, very goodcondition 900-120053. Early Gustav Stickley daybed, #191, five vertical slats at each end, supported by thru-tenon construction, replaced ropefoundation and cushion, signed with red decal, original finish, 31”w x 80”l x 29.5”h, very good condition 1500-200014 www.treadwaygallery.com

54. Exceptional Rookwood plaque, covered with a fine Vellumglaze with a beautifully painted scene with a windmill, executedby Fred Rothenbusch in 1935, plaque: 12”w x 10”h, overall:16.5"w x 14.5"h, uncrazed and very well done 8000-11,00055. Large and unusual Rookwood vase, shouldered shapewith an exceptionally painted landscape executed by KataroShirayamadani in 1909, #1652B, 7”w x 14.25”h 2000-300056. Exceptional Rookwood vaseunusual shape with a nicelypainted floral design on amulti-toned pink and red groundcovered with a good matt glaze,executed by Harriett Wilcox in1902, #412Z, 5.75”w x 15”h, afine painted matte, uncrazed,a superior example of Arts &Crafts Rookwood 2000-300057. Good Rookwood vase, large form in an Iris glaze,beautifully executed painting of wisteria, done by OlgaReed in 1903, #932B, 6”w x 14.5”h, ground X 2500-350058. Fine Rookwood plaque, Vellum glaze with a beautifully paintedscene titled "Late Afternoon, Venice," executed by Carl Schmidt,framed, plaque: 10"w x 8.5"h, overall: 15.5"w x 13.5"h 5000-700015 www.treadwaygallery.com

59. Rookwood vase, bulbous shape in an Irisglaze, unusual floral design carved andpainted by Sara Sax in 1900, #S1586,X417X, 4.5”w x 6.5”h 500-75060. Rookwood Faience tile, round formwith a ship design, marked, impressednumbers: J182, 442 and 3232YS, 12”dia x2" thick 800-110061. Rookwood vase, flaring shape in aVellum glaze with a delicate cherryblossom design, painted by Lorinda Epplyin 1913, #1655F, 3,5”w x 7”h 500-75062. Rookwood vase, Vellum glaze with acarved and painted design of three fish attop, executed by Lorinda Epply in 1908,#904E, 3.5”w x 7”h, ground X 500-75063. Nice Rookwood vase, tapered andshouldered shape with a geometric designcovered in a green matte glaze, 1923,#2421, 5.5”w x 10”h 200-30064. Rookwood vase, tapered shape in a waxmatte glaze, floral design on a yellowground, executed by Elizabeth Lincoln in1929, #2544, 4”w x 8.25”h 350-45065. Rookwood handled vessel, large formwith a colorful stylized decoration,executed by Jens Jensen in 1900, #6320,7"w x 9"h, ground X 350-45066. Rookwood vase, panelled shape in awax matte glaze with a colorful stylizeddesigns, done by Sallie Coyne in 1927,#2934, 4"w x 10.5"h 400-50067. Rookwood vase, bulbous shape in amatte glaze, painted leafy branchesagainst a lavender ground, executedby Janet Harris in 1930, #927E, 5.5”w x7.25”h 400-60016 www.treadwaygallery.com

68. Early Gustav Stickley dining table, similar to #634, circular top above five legs with cross stretchers supported by key and tenonconstruction, four 11” quarter-sawn oak leaves in original case, refinished, unsigned, 54”dia x 30”h, very good condition 3500-550069. Gustav Stickley dining chairs, set of six, #1291 and #1291A, five side chairs and one armchair, rabbit-ear form with widehorizontal slat at back, key and tenon construction at sides over a replaced leather seat, inverted "V" seat rail, some signed withEastwood paper label, refinished, side chair: 18”w x 16”d x 38”h, armchair: 24”w x 21”d x 41”h, very good condition 3000-500070. Rare L & JG Stickley revolving game/dining table, #713, fixed circular top on a corbelledbase, refinished, branded signature, 60”dia x 29”h, very good condition 1500-250017 www.treadwaygallery.com

72. Nice George Ohr vase, large piece,pinched and tortured rim under a blackglaze, marked, 5”w x 5”h 1200-170071. Teco vase, #115, designed by FritzAlbert, unusual three-footed shape witha clover-shaped top and cut-outs atbottom, covered in a good green matteglaze with charcoal highlights, impressedmarks, 7”w x 9”h 1000-150073. Clewell vase, copper-clad pottery, largebulbous shape, original patina, marked,7”w x 11.5”h, breaks to copper 300-50074. Grueby vase, executed by RuthErickson, leaf design covered in agreen matte glaze, impressed mark andartist signed, 5”dia x 7”h 1200-150075. Teco vase, #182, designed by Fritz Albertand William Gates, large organic formcovered in a good green matte glaze withcharcoal highlights, impressed marks,8.5”w x 16”h 1500-200076. Good Norse vase, large double handledshape in a black metallic glaze withincised geometric designs, marked, #14,12”w x 6”h, nice example 400-60077. Chicago Crucible vase, twisting formcovered in a brown and green crystallineglaze, marked, 4.5”w x 8”h 200-30078. Grueby vase, unusual flaring shape80. Newcomb College vase, beautifully carvedwith carved and applied vertical leaves,covered in a suspended green matteglaze, impressed mark, artist initials E.R.,79. Unusual Buffalo Pottery DeldareWare advertising plate, painteddesign of three buildings, marked,and painted landscape with moss-ladentrees and moon, executed by Sadie Irvine,#UB85, 6”w x 4”h 1500-2500186”w x 3.5”h 800-1100initials M.H., 6.5”dia 200-300www.treadwaygallery.com

81. Nice Newcomb College vase, tapered shape with a carvedand painted landscape with moss laden trees, executed byAnna Frances Simpson, #JZ45, 4”w x 8”h 2500-350082. Exceptional Newcomb College vase, large classicshape with a beautifully carved and painted floraldesign, executed by Sadie Irvine, #LV76, 6.5”w x9.5”h, a large and fine example 3500-450083. Good Newcomb College vase, four-handled form with carved and paintedtrumpet flowers, executed by Sadie Irvine, #IP34, 6”w x 4”h 800-110085. Early and fine Van Briggle vase, c. 1903, carvedpoppy pod design covered with a good blue matteglaze, incised marks, 6”w x 9.5”h, great exampleof American Art Nouveau ceramics 5000-700084. Nice Overbeck vase, interesting tapering shape with anunusual carved organic design, all covered in a goodbrown matte glaze, marked, 3"w x 5.5"h 3500-450019 www.treadwaygallery.com

86. L & JG Stickley armchair, #408, curved vertical slats atback and slats at sides, thru-tenon construction, recoveredleather seat, recoated original finish, signed “The Workof…”, 27”w x 25”d x 32”h, very good condition 2500-350087. Uncommon Handel lamp, bronzed metal base supportinga colorful glass shade with an overlaid and painted cattailpattern, overall: 18"w x 23"h, some flaking 2000-300088. L & JG Stickley table, #599, mouse-hole form original finishto base, top refinished, signed “The Work of…” minor repairto leg, 48”w x 32”d x 29”h, very good condition 2000-300089. L & JG Stickley server, #750, tall form with plate rail at backabove two half and one full drawer, original hammered copperhardware over a lower shelf, signed with Handcraft decal,refinished, 48”w x 23”d x 49”h, very good condition 1200-150020 www.treadwaygallery.com

90. Rookwood vase, Vellum glaze with finelypainted leaves and berries, executed byLenore Asbury in 1909, #1660D, 4”w x8.75”h 550-75091. Rookwood ginger jar, large form in aVellum glaze with a beautiful painting ofroses, by Ed Diers in 1925, #1321C, 5”w x6”h 500-70092. Rookwood vase, Vellum glaze with anicely painted delicate cherry blossomdesign, done by E.T. Hurley in 1910,#1658F, 3”w x 6.5”h 450-65093. Exceptional Rookwood vase, Iris glaze witha unusually painted Venetian scene, executedby Carl Schmidt in 1902, #786D, 4”w x 8.5”h, amaster of this decoration, Schmidt very rarely didthese in Iris glaze. He usually produced them inRookwood's famous Vellum glaze 3500-450094. Rare Rookwood vase, bulbous shoulderedshape in an Iris glaze, decorated with an unusualEagle Owl, beautifully painted by Grace Young in1904, #940D, 5”w x 9”h 1000-200095. Unusual Rookwood vase, tapered shapein a Porcelain glaze, carries a colorfullypainted floral design at shoulder, executedby an unknown artist in 1919, #938D,4.25”w x 6.75”h 500-70096. Rookwood vase, bulbous shape in anIris glaze with beautifully painted wisteria,executed by Caroline Steinle in 1909,#900D, 4”w x 6.5”h, hairline 500-70097. Fine Rookwood vase, tapering cylindricalshape with a Vellum glaze with an unusuallynice design of violets, executed by FredRothenbusch in 1925, #1358F, 3.25”w x 6”h,uncrazed and very clean 700-90021 www.treadwaygallery.com

107. Nice Newcomb College vase, bulbousshape with carved and painted daffodildesigns, executed by Henrietta Bailey,#HV57, 4.5”w x 6.5”h 1200-1700106. Unusual Teco jardiniere, #86, designed by W.J.Dodd, large broad form with carved and appliedwater lilies with their leaves forming eight handles,all covered in an exceptional green matte glazewith charcoal highlights, stamped marks, incisednumber, 11”w x 9.5”h 10,000-15,000108. Fine Newcomb College vase, large classicshouldered shape with a nicely carved and paintedlandscape with numerous cypress trees, nicelyexecuted by Henrietta Bailey, #HT73, 5.5”w x 12”h,an early matte glaze scenic with nice colors, welldecorated by one of Newcomb's best 8000-11,00023 www.treadwaygallery.com

109. Kalo bracelet, hand wrought silver, linkeddogwood blossoms, marked, in its originalbox, 7”l 400-600110. Randahl cream and sugar, hammeredsterling silver, signed, 5”w x 3”h 300-500111. Kalo bracelet, hand wrought silver,rectangular links with leaf designs and acentral polished hematite stone, marked,7.5”l 500-700113. R. Wallace & Sons silverware, Carmel pattern,1912, in hammered silver, consisting of 22knives, 18 teaspoons, 14 forks (varying sizes), 9salad forks, 8 specialty forks, 1 serving fork, and1 sugar tong, varying monogrammed initials onsome, signed, very good condition 800-1200112. Kalo necklace, geometric linked forms insterling silver, marked, #49, 18”l 500-700114. Kalo necklace, hand wrought silver,rectangular links with spiral and balldesigns, marked, 14.5”l 700-900115. Handicraft Guild bowl, Minneapolis, copperwith cut-out designs, 8”w x 2.5”h 500-700117. Kalo bowl, scalloped form in hammered sterlingsilver, marked, F5D, 8”w x 2”h 250-350116. Celini Craft spoon, long handled form inhammered sterling, marked, #S50, 13”l 100-200118. Kalo pin, hand wroughtsterling silver, lily of thevalley design, marked, #206,3.5”w 300-400119. R. Wallace & Sons silverware, Carmel pattern, 1912, hammered silverset with 2 serving spoons, 1 serving fork, 12 dinner forks, 12 salad forks, 6large soup spoons, 4 soup spoons, 11 teaspoons, 11 butter knives, 1 sugartong, 6 large knives, 8 knives, 3 varying gravy and serving spoons, varyingmonogrammed initials on some, signed, very good condition 800-1200120. Kalo broach, hand wroughtsilver, stylized floral design,marked, #170B, in itsoriginal box, 2.5”w 300-50024 www.treadwaygallery.com

121. Very nice Gustav Stickley china cabinet, #820, single door with twelve panes of glass and original iron hardware,fine original finish, signed with red decal and paper label, 36”w x 15”d x 63”h, excellent condition 3500-4500122. Gustav Stickley settle, #222, elegant design with tapered posts and canted slatted sides, nicely recovered leather seat andtwo matching pillows (not shown), refinished, signed with paper label, 80”w x 32.5”d x 36.5”h, very good condition 5500-750025 www.treadwaygallery.com

132. Fine and early Newcomb College vase, large tapered shape covered in a high glaze, nicely painted landscapewith numerous pine trees in bold colors, executed by Amelie Roman, #PP74, 6”w x 9.5”h 7000-9000133. Good Rookwood vase, Black Iris glazewith a finely painted design of poppies,executed by Elizabeth Lincoln in 1910,#1278, 4.5”w x 8.5”h, great color nicelydetailed artwork 1500-2000134. Rare Rookwood vase, covered in a fineAerial Blue glaze, nicely painted scenefeaturing a monk tending a garden,executed by Bruce Horsfall in 1894,#80 and #273, 4”w x 7”h, uncrazed andexceptional 4000-6000135. Arthur Halow (American, early 20th century), "Early Spring Landscape", c.1910; oil/canvas, 30" x 25", signed. New England impressionistpainter. Fine example of the tonalist aesthetic. Held in an exceptional hand-carved frame, goes nicely in an Arts & Crafts interior 2500-350027 www.treadwaygallery.com

136. Arts & Crafts curtain panel, possibly by Paul Burck, withstylized design, 54” x 76”, very good condition 300-400137. Gustav Stickley sideboard, mirrored back above a series of doorsand drawers with original oval brass hardware, original ooze leatherinterior to top drawer, branded signature, original finish, 48”w x 21”dx 50”h, very good condition 1500-2000138. Heintz bowl, sterling on bronze,applied organic design, original patina,impressed mark, 9”w x 3”h 200-300139. L & JG Stickley dresser, adjustable mirror at back above two half drawersand two full drawers with original wood knobs, signed with conjoined label,refinished, 42”w x 22”d x 68”h, very good condition 700-900140. Arts & Crafts linen, William Morris inspired leaf design on abrown field, 38” x 57”, minor repair, very good condition 300-40028 www.treadwaygallery.com

141. Important Limbert hall chair, #81, dramatic design with geometric cut-outsat back and sides, branded signature, fine original finish, this is the bestexample of this desirable form we have seen, 14”w x 16”d x 45”h 7500-8500142. Limbert table, #153, turtle-top form with a single blind drawer above a single shelfsupported by slab sides with geometric cut-outs and corbel thru-tenon construction, lightlyrecoated original finish, unsigned, 48”w x 30”d x 29.5”h, very good condition 2500-350029 www.treadwaygallery.com

143. Gustav Stickley Morris chair, #367, flat-arm form with spindled sidesand corbel supports, nicely replaced leather cushions and sling seat,some retouch to original finish, signed with paper label, 30”w x 36”dx 40”h, very good condition 4000-6000144. Gustav Stickley footstool, #395, spindled form with a recoveredleather seat, remnant of paper label, cleaned original finish, 20”w x16”d x 15”h, very good condition 900-1200145. L&JG Stickley dining chairs, set of nine,attribution, spindled back above a saddle seat,cleaned original finish with some color added,unsigned, roughness to feet, 16.5”w x 16”d x36.5”h, very good condition 2500-350030 www.treadwaygallery.com

146. Rookwood vase, bulbous tapered shape in an Iris glaze with abeautifully painted floral design, executed by Rose Fechheimer in1900, #741C, 3”w x 5.5”h 500-750147. Unusual Rookwood vase, cylindrical form covered in a green Vellumglaze, finely painted landscape featuring windmills, executed byLenore Asbury in 1912, #952D, 4”w x 9.5”h 1000-1500148. Exceptional Rookwood vase, bulbous broad shouldered shape covered in a Sea Green glaze with a carved and painted ivorytulip design, executed by Matt Daly in 1899, #531E, 5”w x 5.5”h, a very fine example of Arts & Crafts Rookwood 3500-4500149. Rookwood vase, monumental size covered in a Vellum glaze,wonderfully painted Autumn landscape with numerous buildings,executed by Ed Diers in 1922, #2523, 8”w x 17.5”h 2500-3500150. Exceptional Rookwood vase, elegant and tall scenic Vellum with alandscape design that is nicely executed by E.T. Hurley, signed anddated 1909, #907B, 7”w x 17.5”h, a very fine example 2500-350031 www.treadwaygallery.com

151. Marblehead vase, broad shape coveredin a blue matte glaze, stylized brancheswith leaves and berries at top, marked,5”w x 4.5”h 1500-2000152. Rare Weller Hudson pictorial vase, largeround and shouldered shape with a nicelydetailed seascape with ships at sea,probably decorated by Mae Timberlake,8.5”w x 9.5”h, an unusually nice exampleof Weller 2000-3000153. Large Roseville Sunflower jardinière, inbrown, green and blue, signed with Rosevillepaper label, 12.5”w x 9”h 700-900154. School of American Craft atRIT vase, attribution, bulbousshape covered in a blue andgreen matte glaze, unmarked,5.5"w x 8.5"h 300-400155. Owens Utopian vase,large form in a blue andwhite glaze, finely paintedchrysanthemums, signed byHaubrich, marked, #1067,5”w x 15”h 300-500156. Weller Sicard vase, flaringshape with a stylized designof leaves and berries,covered in a metallic glaze,signed, 4”w x 9”h 600-800157. Nice Roseville Mostiquevase, colorful designs, 6.5”w x10”h, one of Roseville's betterArts & Crafts pieces 250-350158. Weller Fru Russet vase, double handledshape with a holly design, covered in a greenmatte glaze, marked, 5”w x 5”h 250-350159. North Dakota School of Mines bowl,unglazed form with a carved stylized floraldesign titled “Prairie Rose”, #152, signedM. Cable, 7”w x 2.5”h, minor chip 250-350160. Marblehead wall pocket, bulbous shapecovered in a green matte glaze, marked,5”w x 5”l 150-20032 www.treadwaygallery.com

from 1906 "The Studio Yearbook"161. Gustav Stickley settle, #213, even arm form with wide vertical slats at back and under arms, worn original leather cushion,replaced rope foundation, this settle was offered in two sizes and inlaid versions and is strongly resembles a design by M.H. Baillie Scott, some restoration to original finish, unsigned, 78”w x 32”d x 29.5”h, very good condition 5000-7000162. Shop of the Crafters armchair, #31, heavy form with inlaid stylized floraldesign at back above a recovered seat and slatted sides, some wear tooriginal finish, unsigned, 33”w x 27”d x 37”h, very good condition 1000-1500163. Shop of the Crafters settle, #34, heavy form with inlaid stylized floral design at back above a recoveredseat and slatted sides, worn original finish, unsigned, 72.5”w x 31”d x 37”h, very good condition 2000-300033 www.treadwaygallery.com

172. Good Fulper vase, bulbous two-handledform covered in a nice crystalline glaze,signed, 12”w x 12”h 500-700173. Fulper bowl, scalloped edgecovered in a blue crystalline glaze,signed, 15”dia x 3”h 300-400174. Fulper vase, bulbous two-handled formcovered in a good cucumber matte greenglaze, incised mark and paper label,12”w x 12”h 500-700175. Fulper vase, bulbous shape with threeunusual handles, covered in a yellow, blueand brown flambé glaze, marked, 6.5”w x6.5”h 250-350176. Fulper vase, large bulbous shapecovered in a green crystalline glaze with amulti-toned brown flambé at top, markedPrang, 5.5”w x 8.25”h 250-350177. Fulper vase, large bulbous and doublehandled shape, covered in a blue, brownand tan flambé glaze with crystallinehighlights, marked, 9"w x 9"h 500-700178. Fulper vase, unusual shape covered witha brown and blue flambé glaze, marked,6”w x 11”h 150-250179. Fulper vase, four-buttress shape coveredin a green, brown, blue and black flambéglaze, marked, 6”w x 8”h 250-350180. Fulper candle holder, extremely futuristicform covered in a gray and brownflambé glaze with inset geometric glasssegments, marked, 5.5”w x 11”h 400-50036 36 www.treadwaygallery.com

181. Roycroft American Beauty vase, hammered copper with riveted details,good original patina, minor wear, signed with orb, 8”dia x 18”h 2000-3000182. Rare Roycroft hall chair, #031, important high-back designwith three vertical slats at back above a slab seat, signed“Roycroft” at back, minor restoration to original finish,19.5”w x 19.5”d x 47.5”h, very good condition 7000-9000183. Good Roycroft writing desk, #091, drop-front form with a single drawerand original copper hardware marked with orb, front panel drops toreveal a complete interior, Mackmurdo foot, exceptional fine originalfinish, 38.5”w x 19.5”d x 44.5”h, excellent condition 4000-500037 www.treadwaygallery.com

193. Good Jarvie candlesticks, pair, beautifullyexecuted Art Nouveau form in bronze,good original dark patina and originalbobeche, 6”dia x 14”h 3500-4500194. Rare Jarvie desk set, Art Nouveaupattern in bronze, consisting of blottercorners, pen tray and a beautifulinkwell, good original patina, unsigned,7”dia x 3.5”h 1500-2500This set was found with the Jarviecandlesticks in the preceding lot andhas a corresponding design andpatina. We have not seen these deskpieces before.195. Good Teco vase, shape #313, designed by FritzAlbert, unusual form depicting an ear of corn coveredin a nice matte green glaze with charcoal highlights,signed, 6”dia x 14”h 10,000-15,000Described in Teco’s Suggestions for Gifts as “Arepresentation of an ear of corn…a very effectivepiece for decorative purposes. This is one of thenewer pieces of Teco which has received the highestpraise of pottery connoisseurs, and is very popular.”196. Teco vase, shape #117, designed by Fritz Albert, tallshouldered architectural form with recessed handles coveredin a grey matte glaze, signed, 5”dia x 14”h 5000-7000197. Teco vase, shape #423, designed by FernandMoreau, tulip form covered in a rich blue matte glaze,signed and numbered, 6”w x 12”h 2000-3000Described in Teco’s 1905 Hints for Gifts and Home Decorationas “A vase of striking originality...one of the finest examples ofTeco art. For decorative purposes or flower arrangement it isdistinctly noticeable and attracts favorable comment.”39 www.treadwaygallery.com

198. Art Nouveau chandelier, possibly byJames Hinks & Sons, hammered copperdesign at border over hammered glass,three hanging art glass shades, possiblySteuben, 26”w x 33”h, original patina,excellent condition 2500-3500199. Arts & Crafts hanging fixture, in the styleof Samuel Yellin, in twisted wrought ironwith incised geometric detail, leaded frostedshade, original chain and ceiling cap, 8.5”wx 55”h, very good condition 900-1200200. Quezal chandelier, bronzed metal fixturewith four suspended arms, each holdinga glass shade with yellow and green leafdesigns and applied threading, all shadesare signed, overall: 16"w x 25.5"l 700-900201. Arts & Crafts pillows, two, floral patternsembroidered on linen, each: 17”w x 13”h 200-300202. J.M. Young daybed, #295, slatted ends support worn original leatherette spring cushions,some wear to original finish, unsigned, 72”l x 28”w x 25”h, very good condition 700-900203. William Ballantine Dorsey (American,b. 1942) "Landscape," c. 1990, oil oncanvas, 14" x 18", signed lower right,framed 800-1100204. Dedham Pottery plate, polar bearsdesign, blue and white crackle glaze,marked, 8.5”dia 100-200205. Gustave Baumann woodblock print, largeformat, "Wash Barnes Cabin," 1912, pencilsigned and titled, with hand-heart chopmark, 19.5" x 26.5", framed 3000-500040 www.treadwaygallery.com

206. Early Gustav Stickley Cottage plant stand, #20, circular top with inset octagonal Grueby tile, turned wood legs supporta lower shelf, light overcoat to original finish, unsigned, 19.5”w x 19.5”d x 21.5”h, very good condition 3000-5000207. Unusual Charles Rohlfs “Curate’sDelight” stand, c.1902, three shelveswith a carved shoe-foot and thru-pegconstruction, signed and dated 1906,original finish, 14.5”w x 12.5”d x 34”h,very good condition 4000-6000208. Rose Valley stool, slatted foldingform with shop’s distinctive carvedfloral design at post-ends, enhancedoriginal finish, signed with brandedmark, 25”w x 19”d x 25”h, very goodcondition 2000-300041 www.treadwaygallery.com

209. Rare Rookwood handled vessel,Standard glaze with a negro portrait,nicely painted by Sallie Toohey in 1896,#587C, 5”w x 4.75”h, hairline 900-1200210. Rookwood handled vessel, pierced top,Standard glaze with a lion portrait, paintedby E.T. Hurley in 1897, #711, 5.25”w x5”h, unusual example 1200-1700211. Rookwood handled vessel, covered ina Standard glaze with a portrait after apainting by Rau, executed by SturgisLaurence in 1896, #587C, 5”w x 4.75”h,hairlines 500-700212. Rookwood vase, classic tapered shapeexecuted in a Tiger Eye glaze, finelypainted dragon encircling the body of thevase, produced by Matt Daly in 1885,#80B, 4”w x 6”h 1000-1500213. Rookwood vase, unusual shape in aStandard glaze with nicely painted daisies,executed by Sadie Markland in 1892,#612C, 6"w x 6"h; with Sadie Marklandmonotype prints, two, both quarry scenes,one pencil signed and dated, both framed,largest is: image, 6"w x 8"h 400-600214. Unusual Rookwood vase, bulbous shape ina Standard glaze, nicely carved and paintedrose design, executed by Rose Fechheimerin 1898, #S1425, 5”w x 6”h 500-700215. Nice Rookwood handled vessel, unusualshape in a Standard glaze with a wild rosedesign, finely painted by Harriette Straferin 1893, #571, 6”w x 7.5”h 400-600216. Rookwood vase, Standard glaze with anicely painted chrysanthemum design,executed by Charles John Dibowski in1894, #743C, 4.5”w x 7”h 200-300217. Rookwood handled vessel, Standardglaze with a nicely painted clover design,executed by Constance Baker in 1897,#387, 4.5”w x 6.5”h, ground X 200-30042 www.treadwaygallery.com

218. Gustav Stickley music cabinet c. 1904,mahogany, Japanese influenced formwith top doors inlaid with grape andvine design in fruit woods with originallatch, dove-tail construction at sides,three interior shelves at top and a lowerpaneled cabinet door with divided interiorcompartments, signed with red decal,cleaned original finish, 21”w x 18”d x48”h, very good condition 7000-9000Exhibited:Genius in the Shadows: The FurnitureDesigns of Harvey Ellis, 1981 exhibit atThe Jordan-Volpe Gallery, illustrated onthe cover of the accompanying catalogwith text by David Cathers. Copy ofExhibition catalog accompanies this lot.219. Byrdcliffe lamp stand, in cherry,c.1904, beveled top supported byslab sides with carved and paintedlily design executed by ZulmaSteele, a rare piece of furniturefrom the Byrdcliffe Arts and CraftsColony of Woodstock NY. 14.5”w x11.5”d x 30”h, original finish, verygood condition 7000-900043 Details / Phone bids call: (708) 383-5234 or (513) 321-6742www.treadwaygallery.com 43

220. Good Niloak Missionwarevase, large graceful form witha brown, tan and blue swirldesign, marked, 6”w x 14”h,unusually nice 250-350221. Rookwood tile, incised landscape motif held in acontemporary wood frame, signed Rookwood Faience andnumbered 625Y2, tile: 17.75”sq, overall: 26”sq 2000-3000222. Niloak Missionware vase,shouldered form with amulticolored swirl design,marked, 4.5”w x 9.5”h 150-250224. University of North Dakota vase, covered in a mottledgray and brown glaze with a colorful design and raiseddecoration on front, marked, 3.5"w x 3.5"h 250-350223. Good Marblehead tile, large tilewith carved tan ship on a yellowbackground held in a contemporarywood frame, signed, 9”sq, overall:17”sq 1200-1500225. Spanish tile dyptich, “Sevilla”decorated in cuerda seca inmajolica glazes, stamped RamosRljano, tiles: 11”sq, overall:12.5”sq, framed 500-700226. Pisgah Forest vase, bulbous form covered in a tan and brownwith blue crystalline highlights, marked, 4”w x 4”h 200-300227. Rookwood table lamp, pottery229. Rare Gustav Stickley lamp, #58,executed by W.E. Hentschel, convertedceramic pottery base with matteto lamp, holds a woven period shadegreen glaze and red drips supportswith worn silk liner, 16.5”dia x 21”h,a woven shade with worn originalvery good condition 900-1200silk liner, cracks to base, 11”dia x228. Roseville Mostique vases, three, all with colorful spade designs, all15”h, good condition 900-1200unmarked, one with impressed 164, largest is: 5.25”w x 10”h 350-45044 www.treadwaygallery.com

230. Gustav Stickley dining table, #634, circular top above a five leg base with trumpeted cross-stretchers supported by thru-tenonconstruction, six original 11” leaves, branded signature, original finish, minor roughness, 54”dia x 28.5”h, very good condition 5000-7000231. Good Gustav Stickley book rack, #74, "V" trough over a lower shelf supported byslab sides with cut-outs and double key and tenon construction, fine original blackfinish, signed with red decal, 32"w x 10"d x 31"h, very good condition 2500-3500232. Gustav Stickley dining chairs, set of six, #306 ½, heavy ladder-back form with three horizontal slats at back above a good originalleather seat and tacks, lightly recoated original finish, signed with paper label, 18.5”w x 18.5”d x 37.5”h, very good condition 3000-500045 www.treadwaygallery.com

233. Gustave Baumann woodblock print, "Windswept Eucalyptus," 1929, pencil titled, signed andnumbered, edition 29 of 125, image: 9.25" x 11", framed, a nice image with very good color 7000-9000234. Good Dirk Van Erp table lamp, spherical four-socket base with fine hammeringsupports a hammered and riveted copper shade with original mica inserts,signed with closed-box mark, 20”dia x 18”h, very good condition 20,000-30,000235. Early Gustav Stickley Thornden side chairs, set of four, #1299, two wide horizontal slats at back above an exceptional original rush seat,supported by thru-tenon construction, some retouch to original dark finish, unsigned, 18"w x 16"d x 36"h, very good condition 3500-450046 46 www.treadwaygallery.com

236. Early Gustav Stickley library table, #409, dramatic massive form with a thick rectangular top over two drawers withoriginal brass star hardware, inverted "V" apron and stretchers at sides, heavy corbel construction and thru-tenonsupports, old refinish, some restoration to top, unsigned, 60”w x 36”d x 30”h, very good condition 7000-9000237. Rare and early Gustav Stickley writing table, #417, Gothic form with original Spanish leather top abovea blind drawer with inverted “V” design, beveled panels with drop-sides above corbel supports, originalfinish, unsigned, 48.5”w x 30.5” x 30”h, very good condition 30,000-40,000Gustav Stickley experimented with Gothic designs in 1901-1902. In March 1902, an article “The GothicRevival” appeared in the Craftsman Magazine. This desk is a rare example from this period.47 www.treadwaygallery.com

238. Gustav Stickley armchair, #354 ½A, “V”back form with five vertical slats above anoriginal leather seat, minor retouch to originalfinish, signed with red decal, 26”w x 21.5”d x37”h, very good condition 900-1200239. Handel Tam O’Shanter lamp, chipped-iceshade on a textured bronze base, baseand shade signed, 12”dia x 18”h, verygood condition 1200-1500240. Gustav Stickley armchair, #366, threevertical slats at back above an original hardleather seat, original tacks, original finish,signed with red decal, 26.5”w x 24”d x38.5”h, very good condition 400-600241. Unique Art Glass & MetalCo. table lamp, leadedgreen glass shade witha floral border supportedby a bronze base, originalsockets, some cracks toshade, 17"dia x 23"h, verygood condition 1000-1500242. Early Gustav Stickley side chairs, pair, #1300, threehorizontal slats at back above nicely recovered hard leatherseat over a worn original cane foundation, unsigned, originalfinish, 20”w x 19”d x 38”h, very good condition 600-800243. Parker table lamp, leadedglass shade with floral designon a metal base with Chinesedragon motif, some wear tofinish, unsigned, replacedsockets, 20"dia x 21"h, verygood condition 1000-1500244. Gustav Stickley office chair, #362, 245. Early Gustav Stickley Bungalow chair, 246. Arts & Crafts armchair, cut-out backarmless swivel form with recovered leather#2607, from the Chips Catalog, peakedabove a slab seat and arched rails on aseat, original finish, unsigned, 26”w x 26”drail above three horizontal slats and ashoe foot base, refinished, 28.5”w x 30”dx 33.5”h, very good condition 600-800recovered leather seat, hip rail at sides,x 43.5”h, very good condition 200-300recoated original dark finish, signed withearly red decal, 19”w x 19”d x 36.5”h, very48 good condition 600-800www.treadwaygallery.com

248. Handel hanging fixture, large reverse-painted shade with scenicdesign and pine needle border in metal overlay, four-socketfixture, signed, 25”w x 46”h, very good condition 2500-3500247. Gustav Stickley lamp,#294, bold form withtwo twisted iron handlesriveted to a hammeredcopper base supporting aJapanese basket shadewith a replaced silk liner,impressed mark, repatinated,original oil lamphas been converted toelectric, 18”dia x 25”h, verygood condition 4000-5000249. Gustav Stickley lamp,#294, bold form withtwo twisted iron handlesriveted to a hammeredcopper base supporting aJapanese basket shadewith a replaced silk liner,impressed mark, repatinated,original oil lamphas been converted toelectric, 18”dia x 25”h, verygood condition 4000-5000250. Will Bradley bookplate for Ault & Wiborg Co. image, from 1890s-1920s,Ault & Wiborg Co. placed Bradley designed full page color ads in thetrade magazine Inland Printer: 10.5” x 8.25”, framed 300-500251. Good Gustav Stickley lamp table, #644, circular top with thru-post construction above an arched cross-stretcherbase supported by thru-tenon construction and a central peg, fine original black finish, signed with red decal and CobbEastman paper retailer’s label, 30”dia x 29”h, a superb example of this desirable form, excellent condition 7000-900049 www.treadwaygallery.com

252. Gustav Stickley rocker, #319, fourhorizontal slats at back above a recoveredleather seat and corbel supports at sides,refinished, back cushion not shown,signed with red decal, 27”w x 32.5”d x36”h, very good condition 500-700253. Good Duffner & Kimberly table lamp,bronzed metal base supporting a leadedglass shade with a yellow, red and greenArts & Crafts geometric pattern, overall:19"w x 24"h 1500-2500Reference: Similar lamps are pictured inMosaic Shades, Volume II, by Crist,p. 222 & 223254. Stickley Brothers rocker, #641, flat-armform with five vertical slats at back, thrutenonconstruction, recovered leather seatand back cushions, original finish, signedwith partial paper label, 34"w x 37"d x34"h, very good condition 600-800255. Decorative Rookwood floor vase, large bulbousform in brown clay with a bright blue drip glaze,marked, #3076Y/467, 18”w x 25”h 1200-1700256. English Arts & Crafts mirror, c. 1905,rectangular beveled glass mirror held ina copper repousse frame, 19.5"w x 25"h,very good condition 700-900257. Decorative Rookwood floor vase, large bulbousform in brown clay with a bright blue drip glaze,marked, #3076Y/467, 18”w x 25”h 1200-1700258. Arts & Crafts window seat, cut-out slatsat sides support an original leatheretteseat, cleaned original finish, 26”w x 15.5”dx 27”h, very good condition 200-400259. Gustav Stickley child's rocker, #343,three horizontal slats at back over anoriginal leather seat, original finish, signedwith red decal, 17.5"w x 20"d x 25"h, verygood condition 250-350260. Stickley Brothers magazine stand,#4702, three shelves supported byspindled sides, some roughness,refinished, branded signature, 26”w x 13”dx 31.5”h, good condition 400-60050 www.treadwaygallery.com

261. Gustav Stickley desk, #732, drop-front form above two half drawers and two full drawers with originalwood knobs, slab sides supported by thru-tenon construction, complete interior, original finish, minorveneer repairs, branded signature and paper label, 32”w x 14.5”d x 44”h, very good condition 1500-2000262. Gustav Stickley Morris chair, #369, drop-arm form with five vertical slats and corbel supports at sides, worn original leathercushions, worn original finish, signed with red decal and paper label, 33”w x 37”d x 38.5”h, very good condition 4000-500051 www.treadwaygallery.com

263. Owens handled vessel,opalescent glaze with nicelypainted cherries, marked,#820, 6”w x 7.5”h 200-300264. Paul Webb figurals and mug, group of four, depicting illustrated scenesof The Blue Ridge Mt. Boys, two are bottles with stoppers, colorfulglazes, all with impressed marks, largest is: 6”w x 6”h 200-300265. Owens handled vessel,brown glaze with a nicelypainted Native Americanportrait, marked, artistsigned A.F. Best, #820, 6”w x7.5”h 500-700266. Weller Dickensware vase, footedpillow form with a incised prancing deer,marked, 8”w x 7.25”h 300-400268. Weller Louwelsa vase, pillow shape ina brown glaze with a nicely painted dogportrait, signed L. Blake, marked, #592,7”w x 6.5”h 300-500267. Large and nice Weller White andDecorated Hudson vase, monumentalform with a colorfully painted cherryblossom design, marked, 6.5”w x 15.5”h,good artwork with fine detail 500-700269. Rozane vase, brown glaze with a nicelypainted scene featuring a shepherd andsheep, artist signed, unmarked, 6”w x13”h, restoration 500-700270. Unusual Weller Louwelsa vase, footedpillow form in a brown glaze, two kittensfinely painted by Mae Timberlake, marked,signed, #341, 8”w x 7”h 1000-1500271. Weller Louwelsa vase, large taperedshape in a brown glaze with a paintedcavalier portrait, marked, signedK. Kappes, 5”w x 12.5”h, drill hole,restoration and hairlines 300-40052 www.treadwaygallery.com

272. Limbert cottage chair, three vertical slatsat back above a curved seat on a shoefoot base, original finish, unsigned, 19”w x21”d x 24”h, very good condition 300-400274. Limbert child’s rocker, #872, trumpetedslats at back above a recovered leatherseat, original finish, 18.5”w x 21.5”d x23”h, very good condition 200-300273. Limbert hall chair, #80, organic cut-out at backabove a slab seat supported by a lower stretcherwith key and tenon construction, fine original finish,branded signature, 18”w x 22”d x 38”h, a very niceexample of this form, very good condition 600-800275. Good Limbert pedestal, #269, square top supported by longcorbels, fine original finish, branded signature, numbered,16.5”w x 16.5”d x 36”h, excellent condition 2500-3500276. Limbert costumer, #281, originalcopper hooks on a tapered postsupported by a cruciform base,branded signature and numbered,original finish, 17”w x 17”d x 71”h,very good condition 400-600277. Limbert rocker, large flat-arm form with corbel supports undereach arm, refinished, nicely recovered leather cushions, brandedsignature, 31.5”w x 38.5”d x 31.5”h, very good condition 1200-1500278. Limbert costumer, #229, singlepost with four original brass hooks,original black finish, brandedsignature, 18”w x 18”d x 72”h, verygood condition 700-90053 www.treadwaygallery.com

279. Kalo pin and earrings, hand wroughtsterling silver with geometric designs, allmarked, pin: 1.5”w, screw-back earrings:.75”w each 250-350280. Kalo serving pieces, three, fork withmonogram J, #F758: 2”w x 8.5”l; tongs withmonogram G, #6332: 1”w x 5”l; salt tray,shell-shape: 2”w x 3”l, all marked 250-350281. Georg Jensen tie clips, two, shell designin sterling silver, both #246, each is:1.25”w; with a Kalo tie clip, hand wroughtsterling silver, stylized design, marked,#114, monogrammed initials and 1942,2”w, all marked 200-300282. Georg Jensen pins, three, organiclooping design, #40, 2.25”w; floral design,#274, 1.75”w; stylized tulip design, #178,all in sterling silver, all marked 250-350283. Kalo earrings, leaf designs, screwback,.75”w; with a Kalo ring, facetedpurple gemstones, 1”w; with a Kalobracelet, geometric designs, 3”w, allin hand wrought sterling silver, allmarked 250-350284. Georg Jensen pins, three, floral design,#117, 3”w; organic design, #32, 1”w;pineapple design, #216, all in sterlingsilver, all marked 250-350286. Kalo ring, hand wrought sterling silver withmonogrammed initials L.G., marked, 1”w 200-300285. Kalo pin/pendant, oak leaf andacorn design, hand wrought sterlingsilver, marked, #128, 2”w 200-300288. Kalo belt buckle, hand wroughtsterling silver, applied initialsA.R.E, marked, 2”w 150-250287. Marcus & Co. handled vessel, New York, sterling silver withmonogram and dated Aug. 25, 1905, #756S, 4.5”w x 3.5”h 100-200289. Lebolt sugar holder and basket, with a Georg Jensen USAcompact, monogrammed ELB, all in sterling silver, all marked,basket: 5.5”dia x 4”h 350-450290. Loring Andrews Co. tea set, Cincinnati, Ohio, teapot, creamer and sugarin sterling silver with repoussé floral and organic designs, all marked,teapot: 7”w x 8.5”h, creamer: 5”w x 3”h, sugar: 5.25”w x 3”h 500-70054 www.treadwaygallery.com

292. Teco vase, #288, designed byW.B. Mundie, large form with fourbuttresses, covered in a goodgreen matte glaze, impressedmarks, 8”w x 8”h 3000-4000291. Rare and important Teco vase or lamp base, shape #251, tall fourhandledform designed by W.D. Gates, reverse-tapered base, coveredin a good green matte glaze, signed, 9.5"dia x 17"h 7500-9500293. Monumental Teco floor vase, shape #111, designed by George R.Dean, carved lily design on a green matte glaze, described in the Tecocatalog as a “Lobby or Garden Vase,” 19”dia x 29.5”h 9000-12,000This vase was purchased at Hollander Auction, Milwaukee in the early1980s where the contents of George Washington Maher’s RockledgeEstate were sold. The lily was the central motif at Rockledge but nodocumentation exists that this vase was originally at Rockledge.294. Good Arequipa vase, raised organic squeeze bag design in brown at top, classic hand-thrownswollen form, all covered in a nice purple matte glaze, painted mark, #9T, 4"w x 7"h 4000-6000295. Good Arts & Crafts fire screen, incised and painted wrought iron, rectangular form having a swirling and circular design with apivoting section, painted faceted caps and a curled foot, fine original patina, 35”w x 13”d x 28”h, very good condition 1000-150055 www.treadwaygallery.com

296. Handel lamp, bronzed metal basesupporting a multicolored Teroca shadewith a tropical landscape overlay, originalpatina, base and shade signed, overall:18"w x 23.5"h 2500-3500297. Arts & Crafts lamp, contemporary, inhammered copper with a riveted mica shadeon a two-socket spherical base, 16”dia x17.5”h, very good condition 1500-2500298. Arts & Crafts lamp, bronzed metal baseand shade with caramel glass panels,repatinated, unmarked, overall: 19"w x24"h 500-700300. Dirk Van Erp bowl, footed shape in handwrought copper, with an unusual finish,impressed open box mark, 9"w x 4"h 500-700299. Arts & Crafts linen, Josef Hoffmaninspired pattern with geometric design,51” x 51”, very good condition 300-400301. Heintz humidor, sterling on bronze withgeometric design at border, signed andnumbered 4090, 10”w x 6”d x 3”h 200-300302. Arts & Crafts linen, stylized floral design ona red field, marked GR with antelope image,51” x 54.5”, very good condition 300-400303. Good Handel lamp, reverse painted shade with a colorful rose pattern with several butterflies, signed, #6688,supported by a bronzed metal base with its original patina, marked, overall: 18"w x 24"h 12,000-17,00056 www.treadwaygallery.com

304. Gustav Stickley wastebasket, #94,slatted form with original riveted ironhoop construction, original finish,signed with paper label, 12”dia x 14”h,very good condition 1500-2000305. Gustav Stickley night stand, #641, twodrawerform with original wood knobs,branded signature, nice original finish, 20”w x18”d x 30.5”h, very good condition 900-1200306. L & JG Stickley jardinière, fromthe Onondaga Shops, hammeredcopper with two handles andriveted base, remnant of signature,fine original patina, 12”w x 13”h,very good condition 1500-2000307. Unusual Liberty & Company bowl, designed by Archibald Knox, in pewter with organicrepoussé design and three handles, signed and numbered 0162, 6”w x 1.5”h 300-400308. Gustav Stickley coal bucket, #350, hammered copper with iron handle and riveted details, monogramedwith “D” in repoussé, unsigned, cleaned original patina, 14”w x 27”h, very good condition 2000-300057 www.treadwaygallery.com

309. Weller Dickensware handled vessel,round form with a incised monk portrait,marked, 6”w x 6.5”h 200-300310. Rookwood handled vessel, floral design,painted by E.T. Hurley, 1899, #867, 4”w x6”h; with a Rookwood handled vessel, leafand berry design, executed by Edith Felten,1898, #630, 4”w x 3.25”h, hairline, each ina Standard glaze 300-400311. Weller Dickensware vase, footed pillowform with a incised Native Americanportrait, marked, 6.5”w x 5”h 250-350312. Weller vase, miniature shape with acolorful design of trees against a brownbackground, 2.5”w x 3”h 200-300313. Unusual Owens vase, leaf design,painted by Harry Larzelere, #852, marked,4”w x 3”h 100-200314. Roseville Velmoss vase, round shapewith raised leaves, covered in a nicegreen and brown matte glaze, unmarked,6”w x 6”h 200-300315. Good Weller Sicard vase, large taperedform with an elaborate organic design,covered in a colorful metallic glaze with agood overall iridescence, signed Sicard,impressed mark, #15, 6.5”w x 13.5”h, verynice piece of Sicard; with a Weller LaSavase, (not shown), tapered shape with alandscape design, covered with a colorfulmetallic glaze, marked, paper label, 3”w x5.25”h, minor chip to rim 1200-1700316. Red Wing Art Pottery vase, bulbousshape, raised scene with two lions,covered in a green and brown matte glaze,marked, #164, 6”w x 7.5”h 150-250317. Weller Jap Birdimal handled vessel,colorful squeeze bag design of a stylizedtrees against a brown background,marked, 5”w x 5.25”h 250-350318. Good Radford vase, large form in a matteglaze with cameo Classical era scenes ontwo sides, applied brown textured glaze,#21, 6”w x 9”h 250-350319. Weller Louwelsa handled vessel, brownglaze, portrait of a monk, signed L.J.Burgess, marked, #562, 5”w x 5.25”h,hairline 250-35058 www.treadwaygallery.com

320. Early Gustav Stickley for Tobeymagazine stand, four shelves supportedby slab sides with carved Tree of Lifedesign, original finish, remnants of originalleather facing, unsigned, 14”w x 13.5”d x43.5”h, this is the earlier form of this standwith the more desirable carved design,very good condition 1500-2000321. Gustav Stickley fire tools, #150,shovel and tongs in wrought iron, 42”l,very good condition 1000-1500322. Gustav Stickley oil lamp, #586, C.1905,rare form in wrought iron on a wood basewith a hammered polished copper canisterand original font, original Japanese basketshade with worn silk liner, signed, 13.5”diax 25.5”h, very good condition 2500-3500323. Japanese “Domed Geisha” shade, split bamboo frame with a painted silk lining, this type shade was used onearly Gustav Stickley lamps prior to 1905 and rarely are found, 12”dia x 6”h, very good condition 500-700324. Good Gustav Stickley Morris chair, #332, c.1905, classic flat-arm form with five vertical slats under each arm and corbel supports at sides, wornoriginal leather cushions on a replaced rope foundation, original faceted pegs, signed with rare Craftsman Workshops paper label and red decal,replaced cushions also included, fine original finish, 31.5”w x 38”d x 39.5”h, excellent condition 9000-12,000Exhibited: “Decorative Arts 1900: Highlights from Private Collections in Detroit,” Detroit Institute of Art, 1994, and illustrated in accompanying catalog59 www.treadwaygallery.com

325. Good Liberty & Co. Tudric box, England,c. 1905, pewter, designed by ArchibaldKnox, marked, #0194, 4.5”w x 4.5”h, niceexample 800-1100326. English Arts & Crafts mirror, c. 1910,oval hammered copper form with ceramicinserts, original beveled mirror, 32”w x19”h, very good condition 1000-1500327. Arts & Crafts candlesticks, pair, English,c. 1910, copper with applied hanginghandles, unmarked, 2.5”w x 7”h 350-450328. Unusual Shreve, Crump & Low Co.box, hammered copper with appliedsilver arrowheads and hinges, marked,original patina, 9"w x 3.5"h, really niceaccessory 1500-2500330. Arts & Crafts box, copper with elaborateapplied designs, adorned with colorfulenameling and jewels, original patina, 9.5"wx 4.5"h, beautifully crafted 1000-1500329. Teco vase, #500G, designed by W.D.Gates, large four-handled shapecovered in an unusual green matteglaze, impressed marks, 9.5”w x 9.5”h,restoration 1500-2500331. Weller Coppertone vase, large doublehandled shape, incised S on base,unmarked, 8”w x 15”h 500-700332. Tudric vase, in pewter with repousséfloral design, signed and numbered 0340,3.5”dia x 8”h 200-300333. Grueby vase, large hand thrown formcovered in a brown and tan glaze, markedAtwood Grueby, Boston, Mass., 8”w x14”h 500-70060 www.treadwaygallery.com

335. Gustav Stickley china cabinet, single door with original copperhardware, thru-tenon construction at sides, good original finish,signed with red decal and paper label, 35.5"w x 13"d x 58"h, verygood condition 4000-5000334. L & JG Stickley costumer, #89, tapered post holds replaced hookson a cruciform base, refinished, signed “The Work of…” 24”w x 24”dx 72”h, very good condition 300-500336. Unusual Gustav Stickley bookcase, #715, single door with sixteenpanes of glass and original iron pull, slab sides supported by thrutenonconstruction, signed with paper label and red decal, lightlyrecoated original finish, some stains to top, 35”w x 15”d x 36”h, verygood condition 3500-450061 www.treadwaygallery.com

337. Rookwood covered vessel,Vellum glaze with a stylizedorganic design, painted bySara Sax in 1907, #622, 5”wx 3.5”h 250-350338. Weller vase, unusual shape covered in a mottled green and charcoalglaze, marked, 3”w x 5.5”h, hairline; with a Weller Jap Birdimal vase,unusual shape with a colorful squeeze bag design of a geisha and treesagainst a green background, 3”w x 4.75”h, hairline 200-300339. Niloak Missionware vase,round shape with a colorfulswirl design, marked, 5”w x4”h 100-150341. Good Rookwood vase, double handled andflaring shape covered in a yellow and greenmatte glaze, 1914, #1698, 4”w x 6.5”h 150-250340. Clewell vase, copper-clad pottery, grapedesign, from a Weller blank, unmarked,4”w x 9”h, drilled hole 300-400342. Rookwood bowl, Porcelain glaze with a colorfulstylized design, executed by William Hentschelin 1928, #2253D, 7”w x 3”h 200-300343. Roseville Mostique floor vase, large formwith a colorful Arts & Crafts spade design,unmarked, 8”w x 15”h 300-400344. Hampshire vase, unusualshape covered in a greenmatte glaze, marked, 6”w x6”h 100-200345. Paul Revere vase, tapered shape covered with a yellowmatte glaze, artist initials EM, dated 6-25, 4.5”w x 6.5”h,hairline; with a Paul Revere vase, bulbous shape coveredwith a blue matte glaze, 4.5”w x 5.5”h, both marked 200-300346. Teco handled vessel, #298,designer unknown, covered ina good green matte glaze withcharcoal highlights, impressedmarks, 5”w x 6”h 300-40062 www.treadwaygallery.com

347. Stickley Brothers plantstand, #133, square topabove a pedestal basewith faceted thru-postconstruction, recoatedoriginal finish, numbered,13”w x 13”d x 34”h, verygood condition 700-900348. E.T. Hurley etching, "Fountain Square," signed and dated in plate1916, pencil signed and dated 1930, image: 7"w x 11"h, overall:14"w x 19"h; with an E.T. Hurley etching, "Suspension Bridge,"(not shown), signed in plate, pencil signed posthumously, framed,image: 12"w x 9"h, overall: 19"w x 16"h 250-350349. Stickley Brothers pedestal,#311, square top abovea wide arched apron ona cross-stretcher base,refinished, signed withQuaint metal tag, someroughness to edges, 14”wx 14”d x 34”h, very goodcondition 500-700350. L & JG Stickley desk, #503, blind drawer at center flanked by slatted bookshelves on each side, original finish to base,top refinished, signed “The Work of…” some roughness to drawer front, 44”w x 28”d x 29”h, good condition 500-700351. Arts & Crafts rocker, possibly Lifetime,heavy cube form with vertical slats atback and under arms, recovered seatand back cushions, recoated originalfinish, 29”w x 31.5”d x 28”h, very goodcondition 900-1200352. Arts & Crafts magazine stand, cut-outslab sides support a “V” trough and threeshelves, refinished, 17”w x 15.5”d x 42”h,very good condition 300-400353. Arts & Crafts Morris chair, three longcorbels under each arm above and archedrail and reverse-tapered legs, recoveredleather cushions, refinished, 30.5”w x 31.5”dx 35”h, very good condition 500-70063 www.treadwaygallery.com

354. Arts & Crafts stands, two, with an L & JG Stickley tabouret,refinished, largest: 15”w x 15”d x 24”h, good condition 300-500355. Arts & Crafts hall chair, cut-out at back above a slab seat,original finish, 16”w x 16”d x 42”h, very good condition 200-300356. Dirk Van Erp tableware set, seven pieces, in hammered brass, setconsists of two goblets and five bowls, signed, original patina, goblet:4"h, oval bowl" 9.5"w x 4"d, round bowls: 5"dia x 2"h 800-1000357. Arts & Crafts shaving stand, adjustable mirror at top above twocabinet doors and lower shelves, refinished, mirror replaced, 14”w x12”d x 61”h, good condition 600-800358. Arts & Crafts umbrella stand, wastebasket and plant stand,359. Arts & Crafts umbrella stand, slatted sides supported by brassrefinished, largest: 16.5”w x 12”d x 30”h, good condition 300-500corner brackets, original drip pan, original finish, 11”w x 11”d x 27”h,very good condition 300-40064 www.treadwaygallery.com

360. Rare Edris Eckhardt figurals, two, for the Federal Art Project, Cleveland, Ohio,colorfully painted and nicely detailed, #19 - three children and dog, 5”w x 6.5”h,#6A - the walrus and the carpenter, 4.5”w x 6.5”h, both signed 1000-2000361. Good Rookwood vase, tapered shapecovered in a blue matte glaze, squeezebag design of stylized leaves and flowersin brown, executed by Elizabeth Barrett in1927, #2544, 4”w x 8”h 600-700362. Oscar Bach lamp, octagonal shade with leaded mica panels supportedby a silver-wash base with bird motif and reticulated foot, flaking tomica, base signed "Oscar B. Bach, N.Y.," 20"dia x 24"h 2000-3000363. Good Rookwood vase, broadshape with a Vellum glaze,painted by Ed Diers in 1930 withcolorful stylized foliage, #6196E,4.5”w x 6”h, ground X, uncrazedand very unusual 600-800364. Kenton Hills Unica vase, bulbouswith a squeeze bag decoration ofseveral fish in brown and cream,designed by Alza Stratton, signed,#100, 7"w x 7"h 500-700365. Exceptional Cowan sculpture, woman withhead in hand covered in a good black matteglaze, designed by A. Drexel Jacobsen,marked, 6”w x 11.25”h, a wonderfulexample of this rare design 3000-400065 Details / Phone bids call: (708) 383-5234 or (513) 321-6742www.treadwaygallery.com65

373. Caucasian Kazak rug, c. 1895, stylized design on a red field,crease repair, 67” x 87”, very good condition 5000-7000374. Thonet rocking chaise, #7500, bentwood frame with caned seat and a hinged adjustable backrest, originalfinish, branded signature, some damage to cane, 70”l x 26”w x 33”h, very good condition 5000-7000375. Caucasian rug, c. 1920, Eagle pattern on a red field,heavy wear throughout, 60” x 95”, fair condition 300-500376. Caucasian rug, c. 1920, Cloudband pattern on a redfield, some wear, 57” x 89”, good condition 300-50067 www.treadwaygallery.com

377. Frank Lloyd Wright sectional sofa, manufactured by Heritage Henredon, two-pieces with Taliesin design atedges, recovered, partial paper label, original finish, each: 65”w x 32”d x 31”h, very good condition 2000-3000378. Frank Lloyd Wright ottoman,manufactured by Heritage Henredon,hexagonal form with Taliesin design atedge, recovered, original finish, partialpaper label, 28”w x 31”d x 17”h, very goodcondition 800-1000379. Frank Lloyd Wright ottoman,manufactured by Heritage Henredon,hexagonal form with Taliesin design atedge, recovered, original finish, signedwith paper label, 28”w x 31”d x 17”h, verygood condition 800-1000380. Frank Lloyd Wright ottoman,manufactured by Heritage Henredon,hexagonal form with Taliesin design atedge, recovered, original finish, signedwith paper label, 28”w x 31”d x 17”h, verygood condition 800-1000381. Frank Lloyd Wright coffee table, manufactured by Heritage Henredon, hexagonal top with Taliesin design at edge supportedby a tri-slab base, signed with red monogram, original finish, 42”w x 48.5”d x 17.5”h, very good condition 900-120068 www.treadwaygallery.com

382. Frank Lloyd Wright club chair, manufactured by Heritage Henredon,base with Taliesin design at edges supports a recovered chair,signed with partial paper label, original finish, 33”w x 33”d x 32”h,very good condition 700-900383. Frank Lloyd Wright club chair, manufactured by Heritage Henredon,base with Taliesin design at edges supports a recovered chair, unsigned,original finish, 33”w x 33”d x 32”h, very good condition 700-900384. Frank Lloyd Wright cabinet, manufactured by Heritage Henredon, Taliesin design surroundsthree drawers with recessed handles, some edge chips, signed with red monogram and scriptsignature, some wear to top, original finish, 21.5”w x 20”d x 28”h, very good condition 700-900385. Frank Lloyd Wright sofa, manufactured by Heritage Henredon, base with Taliesin design atedges, recovered sofa, original finish, 99”w x 33.5”d x 29”h, very good condition 1000-150069 www.treadwaygallery.com

386. Prairie School architectural elements, Louis Sullivan influenced organic design surrounding a shieldmotif in terra cotta, minor edge chips, 8.5”w x 15.5”h, 7.5”w x 8”h, very good condition 400-600387. Prairie School windows, pair, leaded glass with stylized floral design in texturedglass, a few minor cracks, 28.5”w x 28.5”h, very good condition 600-800388. Frank Lloyd Wright stools, pair, manufactured by HeritageHenredon, triangular top with Taliesin design at edge supportedby a tri-slab base, signed with red monogram and script signature,original finish, 22”w x 19”d x 14.5”h, very good condition 1200-1500389. Frank Lloyd Wright stools, pair, manufactured by HeritageHenredon, triangular top with Taliesin design at edge supportedby a tri-slab base, signed with red monogram and script signature,original finish, 22”w x 19”d x 14.5”h, very good condition 1200-1500390. Good Frank Lloyd Wright windows, pair, from the Oscar Steffens house, Chicago, 1909, Chevron design in leaded glass held in original wood frames, glass:15.5”w x 31”h, overall: 20.5”w x 37”h, the Steffens House from Wright’s important Prairie period was demolished in 1963, very good condition 9000-12,00070 www.treadwaygallery.com

391. Good Arts & Crafts period wrought iron console table, by Ernst Melaun of the Art Metal Studios,Indianapolis, marble top above a twisted and curled wrought iron base with floral motif and cut out apron,signed with decal, minor chips to edge of marble, 36”w x 14”dx 30.5”h, very good condition 1200-1500392. Arts & Crafts period tables, group of three, tile-top forms with wroughtiron bases, largest: 23.5”w x 18”d x 19”h, very good condition 500-700393. Unusual Moravian tile top table,octagonal top with inset tiles, PriscillaWeaving tile is incised at center over adramatic and unique wrought iron basewith an organic design, 18”w x 18”d x20.5”h, very good condition 1500-2000394. Nice Marie Zimmerman garden table,hammered copper top with a raisedscalloped edge supported by an intricatewrought iron base, original patina,unsigned, 12”dia x 19.5”h, very goodcondition 1500-2000Provenance: Artist’s estate395. Good Taylor Tile Company tile-toptable, California, circular top with colorfulinset tiles supported by a curled wroughtiron base, 26”dia x 20”h, very goodcondition 1500-200071 www.treadwaygallery.com

396. Le Verre Francais vase, cylindrical form,2”w x 5”h; with a Le Verre Francais lamp,unusual form with metal lid, 3”w x 7”h,both with a colorful stylized cameo design,both signed 500-700398. Schneider vase, lavender glass with anacid-etched surface, 3.5”w x 5”h, minorchips to rim; with a Schneider vase,lavender glass with an acid-etched designand amethyst foot, 3.5”w x 9.5”h, bothsigned 300-500397. Daum Nancy hanging fixture, cameo glass dome shadewith floral motif in yellow, brown and red, original fittings,excellent condition, signed, 16”dia x 27”h 3000-4000399. Lalique bowl, flaringform in clear glass withraised and recessedflowers and leaves,signed Lalique France,original paper label,9.5”w x 2.5”h 250-350400. René Lalique bowl cover,clear glass with fourmolded opalescent coyfish, marked R. Lalique,10”w x 1.5”h 500-700401. Lalique brandy snifters, six, France,crystal, in the original box, each signed"Lalique France", 3.5"dia x 5"h, mintcondition 300-500403. Baccarat crystal goblets, set of seven,each stamped "Baccarat France", 3.5"diax 4.5"h, mint condition 300-500402. Art Nouveau lamp, adjustable bronzebase with ram's head decoration, goldProvenance: Han Schroeder, formeriridescent art glass shade, 10"w x 18"h,architectural assistant to Gerrit Rietveldvery good condition 300-500and daughter of Truus Schroder-Schrade72 www.treadwaygallery.com

404. Raoul Larche lamp, manufactured by Siot Decauville Foundry,Paris, sculpted bronze figure of a woman in flowing garments,good original gilt finish, signed, 10”w x 17.5”h 15,000-20,000405. Georg Jensen compote, sterlingsilver with leaf design, designer’sinitials AM, marked, #814,4.75”w x 4.25”h 150-250406. Exceptional Secessionist candelabras by JosephMaria Olbrich, pair, large forms in pewter withstylized organic designs, marked Eldelzinn, E.Hueck, signed, 7”w x 14.25”h 3500-4500407. Georg Jensen coveredvessel, low form in sterlingsilver, applied stylized finial,designer’s initials HN, #172P,4.75”w x 3”h 300-40073 Details / Phone bids call: (708) 383-5234 or (513) 321-6742www.treadwaygallery.com73

408. Royal Worchester vase, white porcelainwith a molded bamboo design in gold,marked, artist initials, 3.5”w x 6”h 100-200409. Wedgewood Fairyland Luster bowl,footed shape with a mottled blue exteriorand a mottled orange interior, paintedbirds in gold with colorful highlights,marked, 8”w x 6”h 400-600410. Royal Doulton vase, swollen shapecovered in a mottled green, ivory and blueglaze with a design of beads and flowersand incised gold spirals, marked, #8020,3.5”w x 7.5”h 100-200411. Clement Massier vase, unusual shape,stylized floral designs covered in a colorfulmetallic glaze, marked, 3"w x 4.5"h,restoration 250-350413. Clement Massier vase, bulbous shape,stylized poppy designs covered in acolorful metallic glaze, marked, 3.5"w x6"h 350-550412. Ruskin vase, flaring shape covered in a purple glaze with green crystalline highlights,applied silver overlay decoration, marked, 1905, No54, 6"w x 7"h 1000-1500414. Loetz Candia Papillon vase, flaredshape with an applied silver decoration,unmarked, 985 silver with impressedGerman hallmarks, 3”w x 5”h 350-550415. Karl Koepping vase, attribution, unusualshape in delicate yellow, cream and clearstriated glass with applied green glasshandles, unsigned, 3"w x 9.5"h 250-350416. Kralik Silberband vase, large unusual shapewith a folded rim in mottled yellow iridescentglass with a pulled design, 11”h 250-350Reference: Similar examples are shownin Glass, Art Nouveau to Art Deco, by74Arwas, p. 176www.treadwaygallery.com

425. WMF Ikora vase, large copper formwith mixed metal inlay, elaboratestylized design of a fish and waves,marked, 7”w x 8”h 250-350427. Guerin jardinieré, large formwith four handles covered in ablue and brown matte glaze withcrystalline highlights, marked,#7169F, 12”w x 12”h 500-700426. Quezal hanging fixture, iridescent dome shade with leaf and vine pattern supported by a brassfixture supported by original chains, signed, 15.5”w x 23”h, very good condition 3000-4000428. Edmund Lachenal and Agnes de Frumerie vase, Châtillon-sous-Bagneux, France, c. 1890, large figuraldesign, covered in a nice blue-green glaze, signed by Lachenal and de Frumerie, 16”w x 20”h 2000-3000429. Boch Freres vase, pair, unusual shapes with colorful geometricdesigns, marked, #1025, 6.5”w x 5”h each, hairline to one 200-300430. European Art Pottery bookends, pair, rabbit figures covered in aturquoise crackle glaze, unmarked, 5.5”w x 4”h 250-35076 www.treadwaygallery.com

431. Tiffany Studios ashtray, telescopic formon an artichoke base, worn gold dorépatina, some roughness, 10”dia x 32”h,very good condition 500-700432. Rare Steuben vase, flower formin blue aurene glass with niceiridescence, signed aurene,#2711, 3”w x 8”h 1200-1700433. Good L.C. Tiffany vase, flower form in goldfavrile glass with wonderful iridescence andveining, held in a bronze base with its originalpatina, signed L.C.T. on stem, base signedTiffany Studios New York #25695 and #X1611,20"h, all original 1500-2500434. G. Argy Rousseau lamp, pate-de-verre glass in a bulbous shape with a design offaces, held by a bronzed metal base, signed, overall: 4.5”w x 5.5”h 3500-4500435. Exceptional L.C. Tiffany vase, gold favrile glass with a beautifully detailed pulled and hookedwith a design, really nice overall iridescence, signed L.C.T., #A1201, 6"w x 9"h 3500-450077 www.treadwaygallery.com

437. Exceptional Quezal vase, large bulbousshape in colorful iridescent glass, appliedsilver overlay with an elaborate floraldesign, signed, 7”w x 15”h 3500-5500436. Virginia Randolph (American, 20thcentury) “Dragonfly,” c. 1910, gouacheand watercolor, 23.25” x 15.25”,signed lower left, unframed 500-700438. Virginia Randolph (American, 20thcentury) “Wisteria,” c. 1910, gouacheand watercolor, 23.25” x 15.25”, signedlower right, unframed 500-700440. Good René Lalique vase, frostedglass with blue highlights, intricatedesign of overlapping leaves, signed,numbered, 7”w x 9”h 1700-2200439. Exceptional Tiffany Studios table lamp,bronze base in the Zodiac pattern,adjustable dome shade with largefavrile glass turtle-back tiles with overalliridescence, great original patina, signedTiffany Studios, New York, #541, 10”w x14.5”h 5000-7000442. Tiffany Studios lamp, adjustableiridescent glass scarab shade supportedby a copper base, signed Tiffany StudiosNew York and numbered 2138, 6.5”w x 5”dx 8.75”h, very good condition 5000-7000441. R. Lalique vase, bulbous shape infrosted glass with a stylized floral and leafpattern, marked, 6.5”w x 6”h 600-80078 www.treadwaygallery.com

443. Austrian vase, tall and slender triangular shape in clear glass clad with a copperoverlay design and two inset green stones, unmarked, 4.75”w x 19.5”h 800-1100444. R. Lalique bowl, frosted glaze with a cherryblossom decoration in high relief, marked,6.5”w x 2.5”h, minor chips to rim 300-500445. Nice Steuben vase, jack in the pulpitshape in gold aurene glass, excellentoverall iridescence, marked, numbered,3.5”w x 5.75”h 1000-1500446. L.C. Tiffany bowl and flower frog,large form in gold favrile glass with apulled green leaf design, bowl signedLouis C. Tiffany Furnaces Inc. Favrile,#1790/4759N, flower frog signed L.C.Tiffany Inc. Favrile, #4759N, overall:11.5”w x 5”h, minor chips 900-1200448. Alfred Daguet box, hammered andtooled copper with a stylized animal447. Good Loetz Medici vase, unusual shape,designs and inset colorful jewels to lid, 449. Loetz Cytisus vase, attribution, classic shapeoverall iridescence, signed Loetz, Austria,colorful enameled highlights, initialswith a colorful design and nice iridescence,4”w x 7.25”h 800-1100incorporated into the design, originalapplied silver overlay with a tooled irispatina, 9”w x 1.5”h 2000-3000design, silver with impressed hallmarks, vaseunmarked, 3.5”w x 8”h 3000-350079 www.treadwaygallery.com

450. Steuben Aurene plate, gold aureneglass with veining to rim and colorfuliridescence, incorrectly marked L.C.T.,#1421, 8.5”dia 100-200451. L.C. Tiffany bowl and under plate,scalloped shapes in gold favrile glass withpink and yellow iridescence, both signedL.C.T., overall: 6”w x 2.5”h, securedcracks to bowl 100-200452. L.C. Tiffany plate, clear glass with a niceyellow opalescence, signed L.C.T. Favrile,11”w, great color 250-350453. Quezal shades, three, large ribbed and waisted forms in goldglass, nice magenta iridescence, all signed, 5”w x 7.5”h 300-500454. Clement Massier vase, four-handled shape witha square top, stylized leaf design covered in acolorful metallic glaze, 4"w x 4.5"h 250-350455. James Powell & Sons vase, attribution, tintedyellow glass with a ruffled rim and a broad foot,textured opalescent designs, unmarked, 6”w x8.5”h, minor chips to edge of foot 300-400Reference: A similar vase is pictured in Glass,Art Nouveau to Art Deco, by Arwas, p. 257456. L.C. Tiffany turtleback tile, attribution,gold favrile glass with colorful iridescence,unmarked, 2.5”w x 4”l 200-300457. Thomas Webb & Sons vase, bulbousshape in opaque yellow glass, cameodecoration of morning glories and butterfliesin red and white, unsigned, 5”w x 8.75”h, tophas been reduced 500-70080 www.treadwaygallery.com

The following 64 lots are part of an important glass collection accumulated by a Chicago couple from 1950 to 1970. She was a graduate of the ArtInstitute of Chicago with a well-trained eye and he was a medical physician with a passion for art and a desire to learn and understand the technique,skill and craftsmanship necessary to create beautiful glass. They were introduced to the art of glass by close friends and quickly learned to distinguishthe best from the rest. Their children remember how their mother had a “strong skill for making quick decisions that led the way to creating a beautiful,sophisticated art collection.”Following World War II, these children of immigrants had newly found financial success and began frequenting auctions and galleries with friendswith whom they shared a passion for collecting. They had taste and understanding of the objects but also were fortunate to be buying at a time whenimportant decorative arts came to market in their city. Turn-of-the century decorative arts were not valued by existing collectors or their heirs at thattime. Auction houses in 1950’s Chicago were selling estates from the original wealthy Chicago families that helped rebuild the City after the GreatChicago Fire. Post-fire Chicago had become one of the most prosperous cities in the world at a time when Europe and America were experiencing arevolution in decorative arts. Much of that great art was sold to clients in this progressive city that Louis Sullivan, George Washington Maher, FrankLloyd Wright and other modernists were bringing to the national forefront.There are great stories about auctions in those times from other local collectors. Wilbert and Marylyn Hasbrouck of Prairie Avenue Bookstore famerecount how they bought a Frank Lloyd Wright copper urn from the 1901 Waller House at auction by outbidding a scrap dealer. That urn recently soldfor $772,000. The Hasbroucks told us “We still think about those halcyon days when one could find a great Tiffany lamp on an Arts & Crafts table in asmall antique shop with a price tag of $145 and an exquisite Daum Nancy lamp next to it for half that. The price of the table was negotiable”. Thosedays may be gone, but some of the special treasures from that time are available in this amazing collection that has remained with the family untilcoming to auction today.458. Monumental Daum vase, large andattractive tulip shape in mottledfrosted, pink and orange glasswith beautifully detailed enameledflowering vines, cameo signature,7.5”w x 25”h, a large and impressiveexample with fine detail 4000-5000Reference: A similar vase ispictured in Daum dans les Muséesde Nancy, by Pétry, p. 64459. Exceptional Daum vase, large and very unusual three corner shape with a cameo design of a seascape with sailboats in purple hues silhouetted againsta mottled pink, purple and yellow background, cameo signature, 8”w x 12”h, this shape is very rare and adds a lot to the rarity of the vase 2500-350081 www.treadwaygallery.com

460. Lalique Bacchantes vase, large flaringshape surrounded by several nudefigures, the surface with a frostedopalescence, marked Lalique CristalFrance, 9”w x 9.5”h 1000-1500461. Rene Lalique vase, large bulbous formin frosted glass with several fern fronds,subtle opalescence, signed R. LaliqueFrance, 8.5”w x 8.5”h 1000-1500462. Lalique smoker’s set, lighter, ashtray and cigar holder, cut glass with frosted shelland circle designs, all signed Lalique France, largest is: 5.25”w x 2”h 200-300463. European vase, large bulbous form in 464. Lalique Coupe Calypso/Ondines bowl, 465. Lalique vase, Art Deco design in frostedclear glass with a cameo design of iriseslarge flaring form in clear glass with molded glass with clear protruding ribs, signedand a butterfly, signed A. Miller, 6”w xand frosted stylized nude figures, markedLalique France, 5.5”w x 8”h 250-35010”h 250-350Lalique France, 14”w x 2.5”h 500-70082 82 www.treadwaygallery.com

466. Unusual and early Gallé vase, nice bulbous and footed shape, amber tinted glass internally decorated with dark green and bluemottling and silver foil inclusions imitating moss agate, the upper portion of vessel carries nicely detailed carved, wheel cut andhammered designs of poppies and a butterfly which display bright green foil highlights, the ring of glass connecting the body andflared foot has an amber tint, incised signature, 4.5”w x 8.5”h, a rare and very fine example of Gallé’s early work 6000-8000Reference: A vase with a similar technique is pictured in Glass by Gallé, by Duncan and de Bartha, p. 114467. Early and fine Gallé vase, unusual shape with a corolla top in textured clear glass having a subtlegreen tint, fire polished surface with some patination, nicely detailed enameled bleeding heart designs,early cameo and enameled signature, 4.5”w x 13”h, a great example of early Gallé 2000-3000Reference: A similar vase is pictured in Glass, Art Nouveau to Art Deco, by Arwas, p. 10983 www.treadwaygallery.com

French Art Glass makers468. Legras vase, graceful tall and thin shape in frosted and purple glasswith a cameo carved fuchsia design, marked, 4.5”w x 13”h, excellentcraftsmanship, unusually nice example of Legras 1000-1500French Art Glass makers469. Legras vase, large flaring cylindrical form with a finely detailedriver landscape in enamel and cameo, marked, 5”w x 15”h,one of the larger and nicer examples of Legras 1000-1500470. Lamartine vase, textured glass with mottled salmon-coloredinclusions, cameo cut and enameled mountain landscape,signed, 4.5”w x 13”h, a great example of their work 1000-1500French Art Glass makers84 www.treadwaygallery.com

471. Good Gallé vase, broad and impressive shape with a mold-blown and cameo decoration of pears in multipleshades of red against a yellow background, cameo signature, 11”w x 13”h, very nice, very large 8000-10,000Reference: A vase with a similar technique is pictured in Glass by Gallé, by Duncan and de Bartha, p. 193472. Exceptional Gallé vase, large shouldered form in pale yellow glass with green mottling, finely cutcameo decoration of leafy branches, unusual blue and brown patination to foot, cameo signature, 6.5”wx 18”h, a fine example combining Gallé's internally decorated glass with surface patination 3000-400085 Details / Phone bids call: (708) 383-5234 or (513) 321-6742www.treadwaygallery.com85

Louis Comfort Tiffany473. Rare Tiffany Studios candlestick, largeslender shape in bronze with a gold favrileglass cup, the flaring cup has appliedtendrils and a nice overall iridescence,original patina, signed Tiffany Studios,New York, #D883, 6”w x 20”h 1000-2000474. Nice Tiffany Studios candlestick, largeslender shape in bronze with blown-outgreen glass at top and correspondingdetail at bottom, excellent original patina,glass is original and has a good deepcolor, signed Tiffany Studios, New York,#27368/47, 5”w x 18”h, a fine example ofthis candlestick 2500-3500475. Fine and uncommon L.C. Tiffany vase, tall graceful shape in gold favrile glass with a pulled design in green at bottom, overall hasa very colorful iridescence, the top with applied green rim, signed L.C.T., #5693B, original paper label, 4.5”w x 15”h 2000-300086 86 www.treadwaygallery.com

476. Rare Gallé vase, large and graceful shape in tinted green glass, very unusual engraved cameo and enameleddesign featuring birds and pine branches, beautifully carved oriental signature, 6”w x 18”h 4000-6000Reference: A vase with a similar decoration is pictured in Glass by Gallé, by Duncan and de Bartha, p. 33477. Exceptional Gallé vase, large footed shape with finely detailed cameo cut roses in several shades of red against a yellow ground withred highlights, cameo signature, 6”w x 17”h, a popular design in this color combination with beautiful detail and execution 2000-3000Reference: A similar example is pictured in Glass by Gallé, by Duncan and de Bartha, p. 11487 www.treadwaygallery.com

478. Good Burgun & Schverer vase, tapered urn shape inamber glass internally decorated with green inclusionswith an acid etched and enameled mythological scenefrom a series based on images by Walter Crane,surrounded by colorful floral designs, marked, 5”w x9.5”h, beautifully crafted by this rare maker 3000-4000Reference: Similar pieces are pictured in Glass, ArtNouveau to Art Deco, by Arwas, p. 53 and 55479. Unusual Gallé bowl, broad cylindrical shape in pink and frosted glass with elaborate cameofern fronds in multiple shades of green, cameo signature, 10”w x 4”h, very well done 900-120088 88 www.treadwaygallery.com

480. Mont Joye vase, large Art Nouveau formin tinted yellow glass with an enameleddecoration of irises and dragonflies,unsigned, 5.5”w x 16”h, a very attractivevase with exceptional artwork 1200-1700481. Fine Eugéne Michel vase, beautiful ArtNouveau shape in transparent glass,finely detailed intaglio design of a large iristhat is beautifully carved with foliage thatencompasses the entire piece, signed E.Michel, 5”w x 13.5”h, wonderful executionand detail 1000-1500Reference: A vase with similar techniqueis pictured in Glass, Art Nouveau to ArtDeco, by Arwas, p. 225482. Beautiful Ludwig Moser & Söhne vase, rare four-sided diamond shape in clear and smoky glass with finelyetched and raised flowers, the applied center with red and yellow highlights, signed, 5.5”w x 10”h 1200-1700Reference: A vase with similar technique is pictured in Glass, Art Nouveau to Art Deco, by Arwas, p. 23089 www.treadwaygallery.com

483. Fine Gallé bud vase, unusual and graceful form in white and clear glass imitating hard stone, wonderfuldecoration featuring an enameled lighthouse and underwater plants, realistic applied and sculpted seashellsintermingle with the painted scene, signed, 2.5”w x 9.25”h, great shape with exquisite artwork 1200-1700Reference: Vase with a similar designs and techniques are pictured in Glass by Gallé, by Duncan and deBartha, p. 36, 43 and 186 (shape)484. Nice Gallé vase, round shape with a thintapering neck, fire polished cameo designof flowers with applied and hammeredcabochons backed with foil, delicatehammering underneath the foot, earlycameo signature, 4”w x 6”h 1200-1700Reference: A vase with a similar decorationand technique is pictured in Glass, ArtNouveau to Art Deco, by Arwas, p. 12490 90 www.treadwaygallery.com

485. Good Daum vase, tall ovoid shape in mottledfrosted and yellow glass with orange highlights,cameo and enameled wildflowers, signed, 4.5”w x12”h, great detail and excellent color 2000-3000486. Exceptional Daum vase, unusual shape with mottled blue andpurple internal decoration, cut and enameled flowers and leaves andtwo carved and applied dragonflies in high relief, yellow and greenpatination throughout the design, nicely carved foot, signed, 4.5”w x10”h, a beautiful example of Daum's applied glass 7000-9000Reference: A similar vase is pictured in Daum dans les Musées deNancy, by Pétry, p. 4591 www.treadwaygallery.com

487. French Art Nouveau figurine, bronzed metal andivory dancing girl, mounted on a marble base, artistsigned, marked H France M, 5”w x 10.5”h 1000-1500488. Le Verre Francais lamp, cameo cut and colorful stylized organic design againsta frosted ground, marked, original wrought iron hardware with its original patina,overall: 8”w x 12.5”h, both shade and base illuminate 1200-1700489. Le Verre Francais vase, bulbous and footed shape in mottled yellowand blue glass, cameo cut design of stylized mushrooms in red, signed,3.5”w x 7.5”h, a very good piece with an unusual design 900-120092 92 www.treadwaygallery.com

490. Very fine Daum vase, unusual shape in green glass with red inclusions, cameo carved and beautifully enameled pond landscapewith herons in flight, gold highlights throughout, signed in enamel, 5.5”w x 8”h, great detail, beautifully done 1500-2000Reference: A similar vase is pictured in Daum dans les Musées de Nancy, by Pétry, p. 32A similar vase is pictured in Musée de l'Ecole de Nancy, by Réunion des Musées Nationaux, p. 87491. Impressive Daum vase, large bulbous and footed shape in mottled frosted, purple and green glass with four-layer cameo cuttrailing leafy branches in green and brown, cameo signature, 7.5”w x 22.5”h, very large, very nicely executed 3000-400093 www.treadwaygallery.com

492. Beautiful Daum and Majorelle vase, large flaring form in magenta glass with yellow foil inclusions, cleartrapped air bubbles and a deep red bottom all reticulated through a wrought iron frame with several appliedleaf and berry designs, signed, 7.5”w x 10”h, a really good example of Daum and Majorelle 2500-3500Reference: A similar example is pictured in Daum dans les Musées de Nancy, by Pétry, p. 96493. Good Delatte vase, large double gourd shape in mottled pink glass with silver inclusions, reticulatedthrough an iron casing attributed to Majorelle, glass is signed, 8”w x 10.5”h, very decorative 1000-1500494. Rare Ernest-Baptiste Léveillé vase, bulbous shape in amethyst crackled glass, held in a bronze mount signed Ed.Goilot executed byHoudebine Bronzier, Paris, #58198, vase with incised signature, 4.5”w x 8”h, there is very little of this type of glass available 1000-2000Reference: A vase with a similar crackle technique is pictured in Glass, Art Nouveau to Art Deco, by Arwas, p. 19894 www.treadwaygallery.com

495. Fine L.C. Tiffany vase, floriform in rose-colored glass with an opalescenttop, pulled green feather design, nice overall iridescence, signed L.C.T.,5.5”w x 13”h, a very nice example, very clean with good color 4000-6000496. Unusually fine L.C. Tiffany vase, swollen shape in beautiful green favrile glass withnumerous millefiore and pulled leaf and vine designs, signed Louis C. Tiffany, #U404, 5”wx 11.5”h, has a great iridescence and is rather large for this sort of design 5000-700095 Details / Phone bids call: (708) 383-5234 or (513) 321-6742www.treadwaygallery.com95

497. Good Daum vase, bulbous shape with indented sides in textured and rose-colored acid etched glass, beautiful enameledfloral and dragonfly designs, gold highlights throughout, signed, 3”w x 3.5”h, unusual example with fine detail 1200-1700Reference: A similar vase is pictured in Daum dans les Musées de Nancy, by Pétry, p. 24498. Exceptional Daum vase, tall and graceful ovoid shape with a mottled frosted and yellowglass ground, beautifully detailed cameo and enameled winter landscape, signed inenamel, 5.5”w x 13.5”h, a fine example of Daum’s scenic landscape series 2500-3500499. Fine Daum vase, nice ovoid shape in clear glass with frosted mottling, well detailedcameo and enameled purple violets and green leaves, signed, 5”w x 4”h 1200-170096 www.treadwaygallery.com

500. Important Gallé vase, marqueterie de verres ou cristaux example imitating hard stone, rare slender tapering shape with a large flaring foot featuringfour applied and faceted cabochons, smoky to purple glass with beautifully detailed wildflowers, signed on side and foot, 5.5”w x 13.5”h, a ratheruncommon and beautifully executed vase that remains in excellent condition 30,000-35,000Reference: Other good examples with similar applied cabochons are pictured in Glass by Gallé, by Duncan and de Bartha, p. 84 and 114Vases with a similar marquetry techniques are pictured in Musée de l'Ecole de Nancy, by Réunion des Musées Nationaux, p. 63 and 6997 www.treadwaygallery.com

501. Gallé vase, cylindrical shape with a flaring foot, frosted andpink glass with a cameo thistle design shades of green,cameo signature, 6”w x 13”h, top reduced 500-700502. Large Gallé vase, tall cylindrical shape with a broad foot in frosted glassdisplaying a nicely detailed cameo design of pine branches in shades ofbrown, cameo signature, 7.5”w x 23”h, very decorative 2000-3000503. Nice Gallé vase, unusual form with a well done cameo cutchrysanthemum design in multiple shades of orange on a frostedand orange ground, cameo signature, 5.5”w x 13”h 1000-150098 www.treadwaygallery.com

504. Important and monumental L.C. Tiffany vase, a massive round shape in deep purple favrile glass decorated withelaborate pulled designs, entirely covered in a striking iridescence, the top in a very unusual matte black finish,signed L.C.T., #E145, 10”w x 12.5”h, a large and extremely impressive example of Tiffany glass 20,000-30,00099 www.treadwaygallery.com

505. L.C Tiffany bowl and under plate, setwith slight variations, gold favrile glasswith colorful iridescence and fine veining,both signed L.C.T. Favrile, overall: 7”w x2.5”h 300-400506. L.C. Tiffany bowl, scalloped shape in bluefavrile glass with green, yellow and purpleiridescence, signed L.C.T. Favrile, 7”w x3”h 400-600507. L.C Tiffany bowl and under plate, marriedset with slight variations, blue favrile glasswith bright iridescence and fine veining,bowl signed L.C.T. U7546, plate signedL.C.T. U7552, overall: 7”w x 2.5”h 300-400508. L.C. Tiffany bowl, footed shape in clearglass with light blue opalescent ribbons,signed L.C.T. Favrile, 5”w x 2.5”h 250-350509. Good L.C. Tiffany compote, clear glass witha blue-green bowl with nice opalescenceand veining, signed L.C.T. Favrile, #1842,7”w x 6.5”h, nice example 500-700510. L.C. Tiffany bowl, footed shape in clearglass with light blue opalescent ribbons,signed L.C.T. Favrile, 5”w x 2.5”h 250-350511. L.C. Tiffany bowls, pair, flaring and footed form in clear glass with yellow opalescence,which fades into a subtle leaf pattern, both signed L.C.T Favrile, each is: 5”w x 2”h 200-300512. L.C. Tiffany bowl, broad footed shape inclear quilted glass with gold iridescenceand veining, signed L.C.T. Favrile, #1561,6”w x 2”h 300-400513. L.C. Tiffany bowl, footed and flaringshape in gold favrile glass, green rim withcolorful iridescence, signed L.C. TiffanyFavrile, 6”w x 2”h 300-500100 www.treadwaygallery.com

514. Very nice Duffner and Kimberly table lamp, large bronze base with molded designs of finedetail supporting a broad and shallow shade in leaded green and white glass and blue accentsin a water lily pattern, original patina to all bronze, overall: 23”w x 23”h 4000-6000Reference: A similar lamp is pictured in Mosaic Shades, Volume II, by Crist, p. 211101 www.treadwaygallery.com

515. Rare Tiffany Studios table lamp, four-sided bronze base with anoriginal gold doré patina and colorful enameled decoration of irisflowers on each side, supporting a bronze shade with linen-foldglass panels, the shade with matching original gold doré patina,base signed Tiffany Studios, New York, #669, shade signedTiffany Studios, N.Y., #1927, overall: 19”w x 23”h 20,000-30,000Reference: A similar base is pictured in Lamps and Metalware,by Duncan, p. 117102 www.treadwaygallery.com

516. Tiffany Studios table lamp, twelve-light lily, bronze base with a fine original patina,holding gold favrile glass shades with colorful iridescence, base signed Tiffany Studios,New York, #382, all shades signed L.C.T. Favrile, overall: 10”w x 21”h 20,000-30,000Reference: A twelve-light lily is pictured in Lamps and Metalware, by Duncan, p. 80517. Important L.C. Tiffany Bronze Pottery vase, bronze-clad ceramic in a beautiful organic shape, predominantraised flowers and incised grasses, marked Louis Comfort Tiffany Bronze Pottery BP105, signed with initiallogo, exceptional original silver patina, 5.5"w x 11.5"h, exceptional example 12,000-17,000103 www.treadwaygallery.com

518. Good Tiffany Studios desk lamp, bronze counterbalance base with a nice original patina, holdinga 7" green favrile glass shade with a damascenepattern, shade signed L.C.T., base signed TiffanyStudios, New York, #8208 and #417 5500-6500519. Tiffany Studios student lamp, bronze basewith its original patina, holding a 10"favrileglass shade with a gold and green damascenepattern, shade signed L.C.T., base signed TiffanyStudios, New York, #4470, 24"h 4500-5500520. Good Tiffany Studios floor lamp, bronze counter balance base with five legs,nice original patina, 10" gold favrile glass shade with a damascene pattern, shadesigned L.C.T., base signed Tiffany Studios, New York, #468, 56"h 8000-10,000104 www.treadwaygallery.com

521. Important and rare Tiffany Studios table lamp, elaborate bronze base with colorful glass mosaic featuring three finelydetailed dragonflies, supporting a leaded green and white glass shade featuring additional dragonflies and inset greenjewels, excellent original patina to all bronze, base signed Tiffany Studios, New York, #356, shade signed Tiffany Studios,New York, #1585, overall: 14”w x 18.5”h, a very nice combination in excellent original condition 100,000-150,000Reference: Similar lamps are pictured in: The Lamps of Louis Comfort Tiffany, by Eidelberg, Frelinghuysen, McClellandand Rachen, p. 194 and Tiffany Lamps and Metalware, by Duncan, p. 72105 Details / Phone bids call: (708) 383-5234 or (513) 321-6742www.treadwaygallery.com105

106 www.treadwaygallery.com

Fine American andEuropean Paintings,Prints and Works onPaperSession Twoimmediately followingsession one522. Alfred E. A. Montgomery (American, 1857-1922) “Still Life with Corn and Popcorn,” c. 1901,oil on artist board, 24” x 22”, signed and dated indistinctly lower right, framed 2000-3000523. Ernest Lawson (American, 1873-1939) “Winter in the Berkshires,” c. 1920, oil on canvas, 16” x 20”,signed lower left, Campanile Galleries Inc. (Chicago, Illinois) label on verso, framed 20,000-30,000107 www.treadwaygallery.com

529. In the style of Franz Xavier Bergmann(Austrian/American, 1861-1936)“Magician,” c. 1900, bronze, 8.5”h,stamped “Austria” 700-900530. Artist Unknown (20th century) “Troika scene,”c. 1950, bronze, 9.5”w x 4”h, signed, held on afaux marble base 300-500531. Artist Unknown (European, 20thcentury) “Musician,” c. 1900, bronzeinkwell, 6.75”h, unsigned 300-500532. German Grobe (German, 1857-1938) “Ships at Shore,” c. 1920, oil oncanvas, 24” x 34”, signed lower left, framed 1500-2500533. Melbourne Havelock Hardwick (American, 1857-1916) “Waitingfor the Fleet,” c. 1890, watercolor, 16” x 25.5”, signed lower left,framed 1200-1800534. Conrad Hyde (American, 19th century) “AScene in Waukesha County, Wisconsin,”c. 1890, oil on canvas on board, 16” x 12”,signed lower left, framed 200-400535. Artist Unknown (American, 19 th century)“Woman at Table,” c. 1900, oil on board, 14” x13”, unsigned, framed 200-400536. Ida Jones (American, 19 th century)“Portrait,” 1852, oil on canvas,33.5” x 23”, signed and dated lowerright, unframed 800-1200109 www.treadwaygallery.com

537. After Charles Octave Levy (French,1820-1899) “Mineur,” c. 1920, bronze, 17”h,signed and titled on base 700-900538. Gustavo Pisani (Italian, b. 1877) “Market at thePort of Alba,” c. 1910, oil on canvas board, 17” x10.5”, signed lower left, framed 1000-2000539. Daniel Kotz (American, 1848-1933) “Landscape,” c.1900, pastel, 12” x 15.5”, unsigned, framed 200-400540. Granville Perkins (American, 1830-1895) “Fishermen and Lighthouse,” 1890, oilon canvas board, 27.5” x 47.5”, signed and dated lower right, framed 1000-2000541. After Jean-Baptiste Carpeaux (French,1827-1875) “Puys,” c. 1920, bronze, 27”h,signed, titled on base 2000-4000542. Eugen von Blaas (Austrian, 1843-1932) “Ladywith a Fan,” c. 1930, oil on board, 21” x 13.5”,signed lower right, framed 2000-4000110 www.treadwaygallery.com

543. Carl Rudolph Krafft (American, 1884-1938) “Snowbound,” c. 1910, oil onboard, 11.75” x 15.5”, signed lower left, titled on verso, framed 5000-7000544. Carl Rudolph Krafft (American, 1884-1938) “Still Life,” c. 1930, oil oncanvas board, 24.75” x 29.25”, signed lower right, framed 2000-4000545. Carl Rudolph Krafft (American, 1884-1938) “Autumn in Ozarks,” c. 1930,oil on artist board, 23.5” x 25.5”, signed lower left, framed 2000-4000546. Carl Rudolph Krafft (American, 1884-1938) “Edge of the Field,” c. 1930, oil oncanvas, 22” x 32”, signed lower right, framed 2000-4000111 www.treadwaygallery.com

547. James Edwin McBurney (American, 1868-1955) “Landscape,”1927, oil on canvas, 22” x 29”, signed and dated lower left,framed 400-600548. Josef Krotter (Austrian, b. 1894) “October Day,” c. 1940, oilon canvas, 23.5” x 31”, signed lower left, framed 600-800549. Artist Unknown (American, 20th century)“Landscapes,” 1930, pair of gouaches,each 20.5” x 10.5”, signed illegibly anddated lower right, framed 600-800550. Theresa Ferber Bernstein (American,1890-2002) “Trees in Spring,” c. 1940, oilon canvas board, 7.5” x 3.5”, unsigned,framed 800-1200551. Wallace Nutting (American, 1861-1941)“A Listless Day,” 1914, hand-coloredphotograph, 9.5” x 7.25”, signed and titledon mount, framed 150-250552. William Dean Fausett (American, b. 1913)553. George F. Schultz (American, 1869-1934) “Landscape,”“Landscape,” c. 1940, oil on masonite, 10.5” x 12.5”,c. 1910, watercolor and gouache, 13” x 18.5”, signedsigned lower right, framed 200-400lower left, framed 300-500112 www.treadwaygallery.com

554. Porfirio Salinas (American, 1910-1972) “Autumn Landscape,” c. 1940,oil on canvas, 25.25” x 30”, signed lower left, framed 7000-9000555. Aldrich Otto Farsky (American, 1895-1968) “WinterLandscape,” c. 1910, oil on canvas, 25” x 30”, signedlower right, framed 2000-3000556. Charles William Dahlgreen (American, 1864-1955)“Landscape,” c. 1920, oil on canvas, 32” x 38.25”, signed lowerright, framed 3000-5000557. Marvin Cone (American, 1891-1964) "Poplars," c. 1920, oil on board, 13" x 14", signed lower right, framed 10,000-15,000Literature: This painting will be included as no. 1920.046 in the forthcoming catalogue raisonné of the artist's work beingcompiled by Joseph Czestochowski and published by International Arts.113 www.treadwaygallery.com

558. John Fery (American/Austrian, 1859-1934) “Seascape,” c. 1920, oil on board, 7” x11”, signed lower left, framed 1500-2500559. Arthur Bishop Jeffreys (American, 1895-1970) “TexasBluebonnets,” 1931, oil on canvas, 18” x 24”, signed anddated lower right, framed 400-600560. Thomas Gibbs Moses (American, 1856-1934) “Seascape,”1916, oil on artist board, 11.5” x 15.5”, signed and dated lowerleft, framed 200-400561. Willy Berthold (American, 20th century) “Cabin,” c. 1960,watercolor, 11.5” x 15.5”, signed lower right, framed 200-300562. Varaldo Guiseppe Cariani (American, 1891-1969)“Landscapes,” c. 1950, pair of mixed media on paper,6.25” x 7.25”, signed, framed 300-500114 www.treadwaygallery.com

563. Arrah Lee Gaul (American, 1883-1980)"Landscape," c. 1930, oil on canvasboard, 20" x 16", signed lower right,framed 500-700564. Alice Dow Engley Beek (American, 1867-1951) “Pleasant Valley, Surrey, England,”c. 1940, watercolor, 23” x 36”, signed lowerright, framed 400-600565. Alice Dow Engley Beek (American,1867-1951) “Interior Scene,” c.1940, watercolor, 30” x 24.5”, signedlower left, framed 400-600566. Edouard Vysekal (American, 1890-1939) “Flower Garden,” c. 1920,watercolor, 17.75” x 22.75”, signed lower right, titled on period label onverso, framed 1500-2000567. Milton H. Lowell (American, 1848-1927) “Landscape,” c. 1920, oilon canvas, 12” x 18”, signed lower right, framed 500-700568. James Topping (British/American, 1879-1948) “Landscape,” c. 1930, oil oncanvas, 12” x 24”, signed lower right, framed 800-1200115 www.treadwaygallery.com

569. After Elie Nadelman (American,1885-1946) “Head,” c. 1920,bronze sculpture, good originalpatina, 7”h, held on a marblebase 1500-2000570. Artist Unknown (Polish, 20th century)“Antique Dealer,” 1946, oil on canvas,39.5” x 29”, signed indistinctly and datedlower right, framed 300-500571. Roy Sheldon (American, 20th century)“Bust,” c. 1930, marble on an alabasterbase, 17”h, signed 800-1200572. Joseph Stella (American, 1877-1946) “Studies,” c. 1920, twopencil drawings, largest: 6.75” x 4.5”, each signed lower right,Rabin-Krueger Gallery (Newark, New Jersey) estate stamp onverso of one, framed 1000-2000573. J. Frank "Cap" Hubbard (American,20th century) "Aunt Dora," c. 1936, oilon canvas, 23.5" x 19.5", signed lowerright, titled on Indiana Artists Exhibition/John Herron Art Museum label onverso, framed 200-400574. In the style of Ben Austrian (American, 1870-1921) “Henand Chicks,” c. 1920, oil on canvas, 8.5” x 11.5”, signedindistinctly lower left, framed 800-1200575. Theodore Roosevelt Schuyler (American, 1904-1990) “Woman in Hat,” 1930, watercolor, 14” x 18.75”,signed and dated lower right, framed 300-500116 www.treadwaygallery.com

576. Henry Marvell Carr (British, 1894-1970) “Portrait,”1921, oil on canvas, 24” x 18.5”, signed and datedlower right, framed 1500-2500577. Tadeusz (Tade) Makowski (Polish, 1882-1932) “Untitled,” c. 1920,watercolor, 10.5” x 13.25”, signed lower right, O’Brien Art Galleries(Chicago, Illinois) label on verso, framed 5000-7000578. Stanislaw Ignacy Witkiewicz (Polish, 1885-1939)“Portrait,” 1939, pastel and charcoal, 24” x 17.5”,signed and dated lower left, Jacques Baruch Gallery(Chicago, Illinois) label on verso, framed 5000-7000579. Artist Unknown (20th century) “Dancer,”c. 1930, bronze, 14”h, unsigned, held on afaux marble base 400-600580. Saul Kovner (American, 1904-1981) “Helenwith Flowers,” 1933, oil on canvas on board, 28”581. Eda Elisabeth Sterchi (American, b. 1885), “Reclining Woman,” c. 1920,oil on canvas, 27.5” x 21.5”, signed lower right, framed 9000-12,000x 22”, signed and dated upper right, titled onverso, framed 1000-2000117 www.treadwaygallery.com

582. Worden Day (American, 1916-1986) “Train Riders,” 1939,gouache, 14.5” x 10.5”, signed and dated upper right,framed 800-1200583. Noel Harry Leaver (British, 1889-1951) “Old Buildingsat Thaxted England,” c. 1940, watercolor, 14” x9.25”, signed lower left, Daniel Rees Fine Art Dealer(Jackson, Michigan) label on verso, framed 500-700584. Clarence Keiser Hinkle (American, 1880-1960)“California Mission,” c. 1940, oil on board, 11.5” x 15.75”,signed lower right, framed 400-600585. Artist Unknown (20th century) “Village Scene,”c. 1940, oil on artist board, 17” x 13.5”, signedindistinctly lower right, framed 300-500586. Esther Hunt (American, 1875-1951)“Girl with Fan,” c. 1930, watercolor,11” x 8”, signed lower right,unframed 400-600587. Evariste Jonchere (French, 1892-1956) “Peace andProsperity,” c. 1920, bronze plaque, 11.75” x 14.5”,signed lower right, unframed 1000-2000588. Gino Severini (Italian, 1883-1966) “StillLife,” c. 1930, gouache, 12.75” x 8.25”,signed lower right, unframed 1500-2500118 www.treadwaygallery.com

589. Jane Peterson (American, 1876-1965) “Moroccan Market,” c. 1930,oil on canvas, 25” x 30.25”, signed lower left, framed 20,000-40,000119 www.treadwaygallery.com

590. Carl von Hassler (American, 1887-1962) “Giant Dalias,” 1939, oil on panel, 34” x 28”,signed lower left, titled and dated on verso, framed 2500-3500591. Adam Emory Albright (American, 1862-1957) “Still Life,” c. 1930, oil on canvas, 14.5”x 18.5”, signed lower right, framed 600-800592. Alfred E. A. Montgomery (American, 1857-1922) “Still Life with Corn,” c. 1910, oil onartist board, 20.5” x 27.25”, signed lower right,unframed 700-900593. Bela Balogh (Hungarian, b. 1909) “StillLife,” c. 1950, oil on canvas, 19.5” x 23”,signed lower right, framed 200-400120 www.treadwaygallery.com

594. Paul Kauvar Smith (American, 1893-1978)“Taylor’s Peak,” c. 1950, oil on artist board,16” x 14”, signed lower right, titled on verso,framed 300-500595. Eda Elisabeth Sterchi (American,1885-1969) “Stoney Indian,” 1947, mixedmedia, 13.5” x 10.5”, signed and datedlower right, framed 600-800596. Paul Kauvar Smith (American, 1893-1978) “No Title,” 1962, oil on canvas board,24” x 20”, signed lower right, dated onperiod label on verso, framed 500-700597. Eda Elisabeth Sterchi (American, 1885-1969) “Southwest Landscape,”c. 1930, oil on canvas, 26” x 30.5”, signed lower right, framed 1000-2000598. Paul Kauvar Smith (American, 1893-1978) “Seascape,” c. 1960, oil on artistboard, 14.25” x 16”, signed on verso,framed 300-500599. Paul Kauvar Smith (American, 1893-1978)“Landscape,” c. 1950, oil on canvas board,16” x 20”, signed lower left, framed 300-500600. Paul Kauvar Smith (American, 1893-1978)“Gateway to the Rockies,” c. 1950, oil oncanvas board, 16” x 20”, signed lower right,titled on verso, framed 300-500121 www.treadwaygallery.com

601. Doel Reed (American, 1895-1985) “Along the Rio Cabreato,”1970, mixed media on paper, 13.75” x 21.5”, signed and datedlower right, framed 1000-1500602. James Arthur Merriam (American, 1880-1951) “Landscape,” c. 1930,oil on canvas, 20” x 30”, signed lower right, framed 500-700603. Dana Bartlett (American, 1882-1957) “Arizona Desert,” c. 1940, oil on canvas, 25”x 30”, signed lower right, titled on stretcher, framed 4000-6000604. George J. Rozen (American, 1895-1974) “Arizona Landscape,”c. 1930, oil on canvas, 24” x 32”, signed lower right, framed 1000-2000605. Andrew Thomas Schwartz (American, 1867-1942) “Mt.Norris,” c. 1930, oil on canvas, 20” x 24”, signed lowerleft, framed 800-1200122 www.treadwaygallery.com

606. Frederic Remington (American, 1861-1909) “Trapped in the Wilderness,”c. 1892, ink wash, 15” x 20.75”, signed lower right, framed 25,000-35,000607. Olaf Carl Seltzer (American, 1877-1957) “Indian Hunter,” c. 1930,watercolor, 11.75” x 8.75”, signed lower left, William A. FindlayIncorporated (Chicago, Illinois) label on verso, held in a Newcomb-Macklin frame 10,000-15,000608. Olaf Carl Seltzer (American, 1877-1957) “Indian Warrior,” c. 1930,watercolor, 11.25” x 8.25”, signed lower left, William A. FindlayIncorporated (Chicago, Illinois) label on verso, held in a Newcomb-Macklin frame 10,000-15,000123 www.treadwaygallery.com

609. John Sloan (American, 1871-1951) “Fireguard,” 1925, oil on canvas, 16” x 20”, signed lower left, inscribed andtitled on stretcher, Grand Central Art Galleries (New York, New York) label on verso, framed 30,000-50,000Provenance: William P. Starr, Jr., thence by descent to the present ownerExhibited: New York, Grand Central Galleries, “New Society of Artists: 8th Annual Exhibition,” 13 November-4December, 1926Literature: Rowland Elzea, John Sloan’s Oil Paintings : A Catalogue Raisonne, vol. II, Newark, Delaware,1991, no. 754, p. 279124 www.treadwaygallery.com

610. John Sloan (American, 1871-1951) “Walking Rain, Santa Fe,” 1925, oil on canvas,16” x 20”, signed lower left, inscribed and titled on stretcher, framed 30,000-50,000Provenance: Suzanne Starr, William P. Starr, Jr., thence by descent to the presentownerExhibited: New York, Hudson Guild Neighborhood House, “John Sloan Exhibitionsof Paintings,” 8-28 February, 1940Literature: Rowland Elzea, John Sloan’s Oil Paintings : A Catalogue Raisonne, vol.II, Newark, Delaware, 1991, no 752, p. 279125 www.treadwaygallery.com

611. Joseph Henry Sharp, (American, 1859-1953) "Big Eagle, Taos," c. 1914, oil oncanvas, 14" x 10", signed lower right, titled on verso, framed 70,000-90,000"Sharp viewed the Indian as an equal, and his paintings lend dignity to everydayscenes such as the shelling of corn, of the handome maidens...sitting on bancosin soulful repose." (Forrest Fenn, Teepee Smoke: A New Look Into the Life andWork of Joseph Henry Sharp, 2007)126 www.treadwaygallery.com

612. Henry Françios Farny, (French/American, 1847-1916) "Untitled," 1907,gouache, 7.5" x 4.5," signed and dated lower right, framed 65,000-85,000"The dominant quality of the Farny Indian is absolute realism.""Although he repeatedly used his studio artifacts in several paintings, Farny'sdepiction of the Indian was historically quite accurate. Many of the Indianobjects in his painting can be identified by tribe. Farny sometimes dressedhis models in a style of the 1860s or 1870s, and the artist often portrayed hisIndians in a mixture of Indian-made clothing, trade goods, and white man'sgear, as would have been accurate for his period. Generally, his Indians carryrifles, and the new repeating rifles at that, rather than the more romantic bowand arrow of legend, and they usually ride in the white man's bridle and saddleand are rarely seen bareback using a thong." (Denny Carter, Henry Farny,New York, 1978)127 www.treadwaygallery.com

613. Cornelis Botke (American, 1887-1954)“Windswept Cypress Monterrey California,”c. 1930, etching, 8.75” x 11.75”, pencilsigned and titled, framed 200-400615. Charles William Dahlgreen (American,1864-1955) “Country Lane,” “A Poem,” “On aCountry Road #2” and “Morning Shadows,”c. 1912, group of four etchings, largest:16.75” x 12.5”, pencil signed and titled, onedated, three framed 300-500614. Anders Zorn (Swedish, 1860-1920) “HenriMarquand,” 1893, etching, 10.75” x 7.75”,pencil signed lower right, framed 700-900616. Gustav Klimt (Austrian, 1862-1918)“Malcesine on Lake Garda,” 1931, collotype,11.75” x 12.25”, unsigned, edition of 270,framed 2000-3000617. Gustav Klimt (Austrian, 1862-1918)“Portrait of Frau Maria Beer,” 1931,collotype, 12.25” x 9.5”, unsigned, editionof 270, framed 2000-3000618. Gustav Klimt (Austrian, 1862-1918) “The Deathand Life,” 1931, collotype, 10.75” x 12.25”,unsigned, edition of 270, framed 2000-3000619. Charles William Dahlgreen620. After Egon Schiele (Austrian, 1890-1918) “Fünf 621. After Alphonse Mucha (Czech, 1860-1939)(American, 1864-1955) “The Pond,”Zeichnungen,” c. 1920, portfolio of 5 color lithographs “Triptych,” c. 1906, color lithographs, overall:“Foot of the Mountain” and “Edge ofafter erotic watercolors, 13.5” x 9.25”, unsigned,7.5” x 9.75”, unsigned, framed 400-600the Pines #2,” c. 1910, group of threeunframed 1000-2000etchings, largest: 7.75” x 9.5”, pencilsigned and titled, framed 300-500128 www.treadwaygallery.com

622. Gertrude Abercrombie (American, 1909-1977), "Untitled," 1955, oil on masonite, 11.5" x 15.5",signed and dated lower left, framed 10,000-15,000623. Norman Kent (American, 1903-1972)“Pierrot Piers Out,” 1927, woodcut, 3.75” x3.75”, pencil signed and dated lower right,titled lower left, framed 200-400624. Rockwell Kent (American, 1882-1971)“Flame,” 1928, wood engraving, 8” x 5.25”,ink signed lower right, edition of 100,framed 2000-3000625. Walter Henry Williams (American, 1920-1998) “Summer,” 1974, woodblock, 13.75”x 13.75”, pencil signed, titled, dated andnumbered, edition of 10, framed 800-1200129 www.treadwaygallery.com

626. Ivan Albright (American, 1897-1983) “Into the World There Comes aSoul Called Ida,” 1940, lithograph, 16.25” x 13.75’, pencil signed lowerright, titled and numbered lower left, edition of 10, framed 700-900627. Hiroshi Yoshida (Japanese, 1876-1950) “Mt. Rainier,” 1925, color woodblock,14” x 19.75”, pencil signed lower right, titled lower left, framed 5000-7000628. Birger Sandzen (American, 1871-1964) “Arroyo inthe Foothills,” c. 1920, lithograph, 11.75” x 17.75”,pencil signed and titled, framed 500-700630. Mitchell Siporin (American, 1910-1976) “TheFamily,” 1935, lithograph, 8.75” x 13”, pencil signedand titled, framed 400-600629. Werner Drewes (American, 1899-1985)“Manhattan,” 1955, woodblock, 18” x11.5”, pencil signed, titled, numbered anddated, edition of 30, framed 500-700130 www.treadwaygallery.com

632. Laura Gilpin (American, 1891-1979) “Colorado SandDunes,” 1940, silver gelatin print, 7.25” x 9.25”, pencilsigned and dated on mount, framed 4000-6000631. After Käthe Kollwitz (German, 1867-1945) “Arbeiterfrau mit schlafendemJungen,” 1927, lithograph, 15” x 13”,unsigned, framed 400-600633. After Aristide Maillol (French, 1861-1944) “Nude,” c. 1940, lithograph, 10.25”x 5.25”, unsigned, framed 200-400635. William Samuel Schwartz (American/Russian,1896-1977) “Nude,” 1929, lithograph, 11.5” x8”, pencil signed lower right, framed 200-400634. William Samuel Schwartz (American/Russian, 1896-1977) “Portrait of a Rabbi,”1928, lithograph, 16.25” x 12.5”, pencil signedlower left, framed 200-400636. William Samuel Schwartz (American/Russian, 1896-1977) “Self Portrait withWife,” c. 1925, lithograph, 21” x 16.5”,pencil signed lower left, framed 500-700637. Laura Gilpin (American, 1891-1979) “Campo Santo, New Mexico,” 1963, silvergelatin print, 9.5” x 7.5”, pencil signed and dated on mount, framed 1000-2000131 www.treadwaygallery.com

639. Willem van den Berg (Dutch, 1886-1970) “DeDoorwerth,” 1965, ink on paper, 7” x 10”, signed,titled and dated lower right, framed 400-600638. Albert Urban (German, 1909-1959) “City Scene,” 1940, mixedmedia, 15” x 10.5”, signed and dated lower left, framed 800-1200641. Artist Unknown (20th century) “Horse and Bull,” 1963,oil on canvas, 29” x 39.5”, signed indistinctly and datedlower left and on verso, framed 200-400640. Ernest Albert (Belgian, 1900-1976) “Landscape,” c. 1950,watercolor and ink, 19.5” x 16”, signed lower right, framed 300-500642. Lester Joseph Chaney (American, b. 1907) “Serenadeto a Pussy Willow,” 1947, oil on board 11” x 14.25”,signed, titled and dated lower edge, unframed 400-600643. Vernon Grimmer (American, 20 th century) “Study,” c. 1950,oil on canvas, 34” x 24”, unsigned, unframed 500-700644. Lowell Ellsworth Smith (American, 1924-2008)“Street Scene,” 1953, oil on canvas, 12” x 16”, signedand dated lower right, framed 500-700132 www.treadwaygallery.com

645. William Edouard Scott (American, 1884-1964) “Going to Market, Haiti,” c. 1930, oil oncanvas, 42” x 34”, signed lower right, California Afro-American Museum (Los Angeles,California) label on verso, framed 30,000-50,000133 www.treadwaygallery.com

646. Yitzhak Frenkel-Frenel (Ukrainian, 1899-1981) “Gateway,” c. 1970, watercolor, 25.75”x 19.5”, signed lower right, framed 200-300647. Colette Pope Heldner (American,1902-1990) “Swamp Idyl LouisianaBayou Country,” c. 1970, pair of oils oncanvas board, 29.5” x 11.5”, signed,framed 800-1200648. Emil Armin (American, 1883-1972) “CityScene,” c. 1950, watercolor, 19” x 15”,signed lower left, framed 500-700649. Olivier Foss (French, 1920-2002) “Street Scene,” c. 1980, oilon canvas, 17.5” x 21”, signed upper right, framed 500-700650. Jerry Hudson de Leon (American, 20th century) “Village,” c. 1950,oil on canvas, 24” x 30”, signed lower left, framed 300-500651. Lumen Martin Winter (American, 1908-1982) “The Tournament,” 1960, triptychof oils on plexiglas, each: 98” x 63”, one panel signed, framed 2000-3000134 www.treadwaygallery.com

652. Harold Noecker (American, 1912-2002) “Grant Park,” c. 1950, oilon masonite, 24” x 36”, signed lower right, framed 1000-2000653. Lucy Carter Eliot (American, 1913-2010) “UntitledFacades,” c. 1960, oil on canvas, 43” x 58”, signedlower left, framed 700-900654. Lucy Carter Eliot (American, 1913-2010)“FactoryArcade,” c. 1970, oil on canvas, 35” x 52”, signedlower right, framed 700-900655. Carl E. Wallin (American/Swedish, 1879-1968) “Landscape,” c. 1950, oil on artistboard, 19.5” x 23.5”, signed lower left,framed 600-800656. William P. Krehm (American, 1901-1968)“Port Scene,” c. 1960, oil on board, 16” x19.5”, signed lower left, framed 200-400657. Ladislas Barta (Hungarian, 1902-1961)“Reconstruction du Port,” c. 1950, oil oncanvas, 23.75” x 31”, signed lower right,framed 400-600135 www.treadwaygallery.com

658. Eliano Fantuzzi (Italian, 1909-1987)“Two Figures,” c. 1980, oil on canvas,27.5” x 19.5”, signed lower left,framed 400-600659. Tony Agostini (French, 1916-1990) “StillLife,” c. 1980, oil on canvas, 10.75” x 7.5”,signed lower right, framed 400-600660. Bernard Weinstein (American, 20thcentury) “House Plants,” c. 1950, oilon canvas, 24” x 18”, signed lowerright, unframed 300-500661. Bernard Weinstein (American, 20th century) “EarlyMorning,” c. 1950, oil on artist board, 16” x 30”, signedlower right, titled on verso, framed 400-600662. Bernard Weinstein (American, 20th 663. Bernard Weinstein (American, 20th 664. Leonardo Nierman (Mexican, b. 1932)century) “Man Reading Newspaper,”century) “Ladders,” c. 1950, oil on“Portraits,” c. 1970, pair of ink and watercolorsc. 1950, oil on canvas, 18” x 10.5”,canvas, 27.5” x 14.75”, signed loweron paper, 11.5” x 8.5”, signed, framed 400-600signed lower left, framed 300-500left, unframed 300-500136 www.treadwaygallery.com

665. E. Oscar Thalinger (American, 1885-1965) “The Old Section,” c. 1950, oil onmasonite, 24” x 30”, signed lower left, signed and titled on verso, framed 1500-2000666. E. Oscar Thalinger (American, 1885-1965) “House,” c. 1950, oilon masonite, 24.5” x 30”, signed lower right, framed 1000-1500137 www.treadwaygallery.com

667. Lee Godie (American, 1908-1994)“Portrait with Green Leaves (doublesided),” c. 1980, ink and acrylic oncanvas, 24.5” x 19”, signed lowerleft, framed 1000-1500668. Lee Godie (American, 1908-1994) “Yellow Hat, Blonde Hair,”c. 1980, ink and crayon oncanvas, 21” x 18”, signed lowerleft, framed 600-800669. Lee Godie (American, 1908-1994) “Artist Lee Godie,”c. 1980, ink and crayon oncanvas, 20.25” x 14.25”, signedlower left, framed 1000-1500670. Violet Oakley (American, 1874-1960) “Portrait,” 1953, watercolor,11.75” x 8.75”, pencil signed lowerleft, inscribed on mount, includesa letter from the artist to the firstowner, unframed 1000-2000671. Vic Donahue (American, 1918-2008) “Big SkyCountry,” c. 1970, oil on board, 17.75” x 23.5”,signed lower right, titled on verso, framed 500-700672. Henry (Harry) Marinsky (American, b.1909) “Woman Digging for Clams,” c.1950, bronze, 10.5”w x 11”h, signed, heldon a plexiglas base 1000-2000673. Philippe Henri Noyer (French, 1917-1985)“Reclining Lady,” c. 1970, watercolor, 27.5” x 40.5”,signed lower right, framed 800-1200674. Martin K. Ziegner (American, 20 thcentury) “Still Life,” c. 1950, oil oncanvas, 26” x 20”, signed lower right,framed 200-300675. Fletcher Martin (American, 1904-1979)“Greetings,” 1978, pair of woodcuts,largest: 17.75” x 10.75”, one signedlower right, framed 200-400676. Cirno Sergio Bissi (Italian, 1902-1987) “The Jester,” c. 1960, oil onboard, 27.5” x 19”, signed lowerleft, framed 300-500138 www.treadwaygallery.com

678. Livio de Marchi (Italian, 20thcentury) “Hanging Stockings,”c. 1995, pair of wood carvings,20”h, signed 400-600677. Alta Fieselman (American, b. 1892)“Manhattan,” c. 1950, collage, 24.5” x17.5”, signed lower left, titled on verso,framed 500-700679. Mary Humphreys Sloane (American, b.1912) “Snowscape,” c. 1950, oil on board,31.5” x 21.5”, signed and titled on verso,framed 200-400680. E. Kloszewski (American, 20th century) “Abstract Compositions,” 1955,1957, pair of lithographs, 19.5” x 29.5”, signed lower right, framed 600-800681. Charles Turzak (American; 1899-1986) “Yellow Circle,” c. 1960, oil oncanvas on board, 45” x 29”, signed lower right, framed 1500-2500139 www.treadwaygallery.com

682. Bill Barrett (American, b. 1935) “Untitled,” 1977, weldedaluminum, 34”h, signed and dated 4000-6000683. Ralph Arnold (American, 1928-2006) “Last Romance,” 1976, mixed media in shadow box,17.5”w x 6.75”d x 15.5”h, signed and dated lower right, signed, titled and dated on verso,Lusenhop Fine Art (Chicago, Illinois) label on verso, framed 1500-2500684. Joseph A. Burlini (American, b. 1937)“Reflections,” 1986, bronze, 21.5”w x 4”h,signed and dated, edition of 100, held ona composite base, includes certificate ofauthenticity 300-500685. Sue Fuller (American, 1914-2006) “StringComposition #351,” 1965, nylon threadsembedded in plexi-glass, 12” x 12”, signed,dated and titled, sits on a metal compositebase 500-700686. John Huggins & John Houseman(American, 20th century) “Mirage andLibra,” c. 1980, group of two bronzes,largest: 11.25”w x 7.25”h, signed, held ona granite base 300-500140 www.treadwaygallery.com

687. Ted Stanuga (American, b. 1948) “Echo,” 1992, oil on canvas, 48” x 90”, signed lowerright, Landon Cole Gallery (Chicago, Illinois) label on verso, framed 1000-2000688. Chuang Che (Chinese, b. 1934) “Landscape #76-77,” 1976, oil on canvas, 38” x50”, signed and dated lower right, signed, titled and dated on verso, DeBose Gallery(Houston, Texas) label on verso, framed 8000-12,000689. Seymour Fogel (American, 1911-1984) “Newspaper Collage #1, Triptych Ctr.,”c. 1975, newspaper and oil on illustration board, 30” x 21”, estate stamped,Graham Modern Gallery, New York label on verso, framed 3000-5000141 www.treadwaygallery.com

690. Salvador Dali(Spanish, 1904-1989)“Don Quichotte dela Manche,” 1957,portfolio of twelvecolor lithographs, eachprint accompaniedwith text by Miguel deCervantes, (lackingtext pages 1-8) each:16.25” x 12.75”,published by JosephForet, held in originalbox 10,000-15,000691. Salvador Dali (Spanish,1904-1989) "Imaginationsand Objects of theFuture," 1975, portfolio often etchings in drypoint,lithograph, screenprint,collage and text, eachprint accompanied withtext, each measuresapproximately 30.5" x 22",each pencil signed andnumbered, edition of 250,published by Merrill ChaseGalleries 5000-7000142 www.treadwaygallery.com

693. Gail Hammond Butt (American, b. 1924) “Untitled,” c. 1970, oilon canvas, 35.5” x 48”, signed on verso, framed 200-300692. Jim Bird (British, b. 1937) “Untitled,” 1977, acrylic oncanvas, 31.25” x 31.25”, signed and dated on verso,framed 200-300694. Bill Keating (American, b. 1932) “Untitled,” 1983, bronze,25”h, signed and dated, held on a marble base 400-600695. James Kivetoruk Moses (American, 1900-1982) “HomeAlaska,” c. 1970, watercolor and ink, 7.75” x 9.25”, signed andtitled lower right, framed 700-900696. Gail Hammond Butt (American, b. 1924) “A Small Song for Winter,”c. 1970, oil on canvas, 48.5” x 36”, signed lower left and on verso,framed 200-300143 www.treadwaygallery.com

697. Lyn Evans platter, hand-paintedglazed earthenware, signed on back“Lyn Evans 72”, 16”dia 300-500699. Nathan Oliveira (American, b. 1928)“Italian Site #5,” 1985, monotype with handcoloring,22” x 30”, signed and dated lowerright, titled lower left, framed 200-400698. Pablo Picasso (Spanish, 1881-1973) “Picasso de1916 a 1961,” 1962, transfer lithograph on purechiffe de France paper, 7.25” x 6.75”, crayon signedlower right, exemplaire d’artiste, framed 4000-6000700. Pablo Picasso (Spanish, 1881-1973)“Oiseau no. 76,” 1963, ceramic plate, 10”dia,stamped on verso, edition of 200, editionPicasso, edition Madoura 2000-4000701. After Fernand Léger (French,1881-1955) “Motherhood,” c. 1950,ceramic plate, 9.75”dia, stamped onverso 1000-2000702. Pablo Picasso (Spanish, 1881-1973) “Oiseauà la huppe,” 1952, ceramic dish, 6.5”dia,stamped on verso, edition Picasso, editionMadoura 800-1200703. Kiyoshi Saito (Japanese, 1907-1992)“Dachshund,” c. 1975, woodcut, 10.25” x15.25”, signed lower right, unframed 500-700704. Kiyoshi Saito (Japanese, 1907-1992) “Winterin Aizu,” c. 1975, woodcut, 10” x 15.25”, pencilsigned lower left, unframed 500-700144 www.treadwaygallery.com

705. Salvador Dali (Spanish, 1904-1989) “Alchimie des Philosophes,” 1976, portfolio of ten etchings with drypoint,lithograph, silkscreen and collage, 30.25” x 22.5”, numbered in pencil, with two text volumes with translations, editionHC/30, 835, Micler & Lopsinger, held in original leather covered box with decorative resin wheel 18,000-20,000145 www.treadwaygallery.com

706. Salvador Dali (Spanish, 1904-1989) “Knights of the Round Table,” 1977, suite of twelve lithographs, 19.5”x 18”, pencil signed lower right, edition of 350, three framed, nine held in original portfolio 5000-7000146 www.treadwaygallery.com

707. Joyce Wahl Treiman (American, 1922-1991) “The MirroredCouple,” 1961, portfolio of fourteen lithographs, 20” x 15”, eachpencil signed and numbered, edition of 20, unframed 400-600708. Mersad Berber (Bosnian, b. 1940) “Untitled,” c.1980, mixed media print, 38” x 26”, signed lower right,numbered lower left, edition of 150, framed 1000-2000709. Salvador Dalí (Spanish,1904-1989) “Plange, Virgo,Accincta,” from Biblia Sacra,1969, color lithograph, 19”x 13.75”, pencil signed andstamped on verso by BruceHochman, framed 300-500710. Salvador Dalí (Spanish,1904-1989) “Omnesde Saba Venient,” fromBiblia Sacra, 1969, colorlithograph, 13.25” x 19”,pencil signed and stampedon verso by Bruce Hochman,framed 300-500711. Salvador Dalí (Spanish,1904-1989) “Noli MeTangere,” from Biblia Sacra,1969, color lithograph, 19”x 13.75”, pencil signed andstamped on verso by BruceHochman, framed 300-500712. Salvador Dalí (Spanish,1904-1989) “Licet TributumDare Caesari,” fromBiblia Sacra, 1969, colorlithograph, 18” x 14”, pencilsigned and stamped onverso by Bruce Hochman,framed 300-500713. Letterio Calapai (American, 1902-1993) "Nocturne II," colorwoodcut, 13.25" x 10.25", pencil signed, numbered and titled,edition of 30 framed 400-600714. Jean-Michel Atlan (French, 1913–1960) “Untitled,” 1959, colorlithograph, 21.5” x 18.25”, pencil signed and dated lower right,numbered lower left, edition of 100, framed 600-800147 www.treadwaygallery.com

715. Johnny Friedlaender (French, 1912-1992)“Untitled,” c. 1970, pair of color etchings,largest: 18.5” x 15.25”, pencil signed,unframed 400-600717. Henri Bernard Goetz (French, 1909-1989)“Untitled,” c. 1960, color etching, 10.5” x13.25”, pencil signed lower right, numberedlower left, edition of 100, unframed 300-500716. Tetsuo Yamada (Japanese, 20th century)“Stone, Water and Wood,” 1961, woodcut,43.5” x 29”, pencil signed, titled, dated andnumbered, edition of 50, unframed 200-300718. Richard Hull (American, b. 1955) “Crossover,” 1982, etching,17.5” x 23.5”, pencil signed, titled and dated, framed 200-400719. Richard Hull (American, b. 1955) “Crossover,” 1982, etching, 17.5” x23.5”, pencil signed, titled and dated, framed 200-400720. Jean Cocteau (French, 1889-1963) “A Mes 721. Albert Urban (German, 1909-1959) 722. Richard Lindner (American/German, 1901-Amis des 2 Ponts,” 1958, lithograph, 20.5”“Untitled,” 1948, pair of color lithographs,1978) “Couple II,” 1969, color lithograph, 23.5”x 11.5”, pencil numbered lower left, edition13” x 9”, signed and dated lower right,x 19.75”, pencil signed lower right, numberedHC/100, framed 300-500framed 400-600lower left, edition of 250, framed 400-600148 www.treadwaygallery.com

723. Rufino Tamayo (Mexican, 1899-1991) “Retrato de mujer,”1969, color lithograph, 27” x 21”, pencil signed lower right,numbered lower left, edition of 150, framed 2000-3000724. Robert Peter Mangold (American, b. 1937) “Plane/Figure Series, Folded,” 1993, portfolio of four etchings, 22.5” x 30”, pencil signed andnumbered, edition of 60, Pace Prints (New York, New York) label on verso, framed 4000-6000149 www.treadwaygallery.com

725. Bernard Buffet (French, 1928-1999) “Little Owl,” 1968,lithograph, 16” x 12”, pencil signed lower right, numbered lowerleft, edition of 125, framed 800-1200726. Kumi Sugai (Japanese, 1919-1996) “Aka,” 1958, colorlithograph, 21.5” x 17.75”, pencil signed lower right, edition EA,unframed 700-900727. Omar Rayo (Colombian, 1928-2010)“Madison Ave.,” c. 1970, relief print,26.75” x 13.5”, pencil signed and titledin margin, edition AP, framed 400-600728. Victor Vasarely (French/Hungarian, 1906-1997) “Guitare,” 1982, screenprint, 23” x15.25”, signed lower right, numbered lowerleft, edition of 135, framed 200-400729. Victor Vasarely (French/Hungarian,1906-1997) “Violon,” 1982, screenprint,23” x 15.25”, signed lower right,numbered lower left, edition of 135,framed 200-400730. Alexander Calder (American, 1898-1976) “Le ChasseNeige,” c. 1960, color lithograph, 12” x 16”, pencilsigned lower right, numbered lower left, edition of125, International Galleries (Chicago, Illinois) label onverso, framed 600-800731. Rudy Burckhardt (American, 1914-1999) “Andy Warhol Viewof Exhibition, April 1966,” 1966, silver gelatin print, 6.75” x 9.5”,stamped on verso, unframed 400-600150 www.treadwaygallery.com

732. Artist Unknown (20th century )“Untitled,” 1969, color lithograph, 22.75”x 18.75”, pencil signed and dated lowerright, numbered lower left, edition of 20,framed 300-500733. George Earl Ortman (American,b. 1926) “Untitled,” from the series“Ten Works by Ten Painters,” 1964,screenprint with cut-outs, 22” x 16”,unsigned, unframed 200-400734. Robert Indiana (American, b. 1928) “EternalHexagon,” from the series “Ten Works by TenPainters,” 1964, color lithograph, 17.5” x 16”,unsigned, unframed 400-600735. Robert Motherwell (American, 1915-1991)“Untitled,” from the series “Ten Works by TenPainters,” 1964, color screenprint with collage, 22”x 15.75”, unsigned, unframed 800-1200736. Ellsworth Kelly (American, b. 1923) “Red/Blue,” fromthe portfolio “Ten Works by Ten Painters,” 1964, colorscreenprint, 21.75” x 18”, unsigned, unframed 1500-2500737. Ray Elman (American, b. 1955) “Body Language,” “A Piece of the Rock” and “G. S. Came As an Artichoke,” 1979,group of three serigraphs with collage, 23.75” x 28”, pencil signed, titled and numbered, edition of 99, framed 800-1200151 www.treadwaygallery.com

738. John Dowd (American, b. 1960) “Blue House,” c. 1990, oil oncanvas, 23.75” x 23.75”, unsigned, framed 1000-2000739. Diana Cooper (American, b. 1964)“Debris X,” 2000, mixed media, 21.75”x 15.5”, signed lower left, titled anddated lower right, framed 800-1200740. Thomas Kellner (German, b. 1966)“London, Tower Bridge,” 2001, C printphotograph, 17” x 18.25”, unsigned,edition of 20, framed 800-1200Provenance: Schneider Gallery Inc.,Chicago, Illinois741. Thomas Kellner (German, b. 1966)“London Natural History Museum,” 2001,and “Munchen Frauenkirche Church,”2002, group of two C print photographs,largest: 13” x 6.25”, unsigned, edition of20, framed 400-600Provenance: Schneider Gallery Inc.,Chicago, Illinois742. Bast (American, 20th century) “Pink Jam,” 2008, collage, 6” x 6”,titled and dated on Bast Authentic label on verso, framed 1000-2000152 www.treadwaygallery.com

743. Kim Chanil (Korean, 20th/21st century) “Dots,” 2004, oil and pigment on canvas,39.5” x 39.5”, signed, titled and dated on verso, unframed 5000-7000744. Roland Kulla (American, b. 1947) “Steel,” 2000, acrylic on canvas, 45” x 60”,signed and dated lower right, signed and dated on verso, framed 5000-7000153 www.treadwaygallery.com

1950s/ModernSession Threeimmediately following session twoThe Collection of Mort and Millie GoldshollOne of America's most successful design teams, Morton and Millie Goldsholl founded Morton Goldsholl & Associates – oneof the leading graphic design studios in the 1950s. Both studied at the Chicago School of Design (now IIT) with Moholy-Nagy,and credit him for their inspiration and graphic design education. In a 1992 interview, Mort Goldsholl said “He changed mylife.”Their Northfield, IL firm was recognized for developing corporate branding through packaging, print, and TV commercials,as well as for industrial and experimental films. Perhaps best known for developing trademarks and symbols, theGoldsholls designed the Motorola trademark, as well as logos for 7-UP, Peace Corps, Schlitz, Helene Curtis, StoneContainer, Vienna Beef Frankfurters, Kimberly-Clark and many others. Mort Goldsholl designed the logo used by the GoodDesign Award, which was created by Charles and Ray Eames, Eero Saarinen and former MoMA curator Edgar Kaufman, Jr.,and is awarded yearly for products that exhibit extraordinary design excellence.Mort Goldsholl (1911-1985) described his purpose as a designer to "eliminate ugliness and uselessness, and to make thingsmore useful and purposeful." The recipient of more than 400 awards, he said:Faced with the chaos, the polyglot of thing and words, it takes a super effort to weed out the meaningful things from thetrash. The problem is to get the final design to match the fleeting idea. The big dream about the great work of art can tooeasily be dissipated in the practicalities of solutions, clients, markets, statistics, sales, function and committee decision.Determination to remain free requires a discipline; but it does not inhibit freedom, it enlarges it.Millie Goldsholl (1920-2012) studied architecture at the Chicago School of Design, and went on to design a modern homeand studio in Highland Park, IL. The family furnished their home with modern design, and used Eames ESUs in almost everyroom. Millie later shifted her focus on making films. She and Mort created commercials for 7-UP, Alberto V0-5, The NationalEndowment for the Arts, Kellogg and many others. Three of their short films are available for viewing at Chicagofilmarchives.com. “Up is Down”, an animated film, introduces an unconventional young boy who is temporarily persuaded to acceptothers’ viewpoints as his own. The film is dedicated to Martin Luther King. Millie said:It is better to be Utopic than myopic – even if you're not a designer – and especially if you are. It's not so much a matter ofthinking big as thinking deep.We’d rather make films that have guts than gimmicks – and we don’t equate gimmicks with honest experimentation andunorthodox techniques. Serendipity is something we are committed to.The Collection of Mort and Millie Goldsholl745. Charles and Ray Eames ESU 420-C, second series, by Herman Miller, birch, zincframe and struts, red, yellow and blue panels, two sets of dimpled wood doors, onebank of three drawers, no panels to back behind drawers, original finish, originalknobs, all feet intact, 47”w x 17”d x 58”h, very good original condition 18,000-22,000154 www.treadwaygallery.com

747. Charles and Ray Eames ESU 270-C, second series, by HermanMiller, birch, zinc frame and struts, three drawers above an open area,black, red, white and blue panels, all feet intact, original finish, originalknobs, 24”w x 16”d x 32.5”h, excellent original condition 3500-4000746. After Henri Matisse “Mimosa” tapestry, wool, 1950s, by AlexanderSmith, initialed lower left, 36”w x 59”h, excellent condition 1500-2000749. Charles and Ray Eames ESU 200, second series, by Herman Miller,birch, zinc frame and struts, three drawers below an open area, red,blue and yellow panels, all feet intact, original finish, replaced knobs,24”w x 16”d x 26.25”h, very good original condition 1500-2000This unit is taller than the standard 100 model but lower than thestandard 200 model.748. French rock lamp, molded plastic with textured surface, signed “A.Lazenave Atelier A. Paris made in France”, 12”dia x 9”h, excellentoriginal condition 200-300750. Eero Saarinen Womb chair, by Knoll, early black rod frame, originalworn and faded upholstery, 40”w x 34”d x 36”h, one foot missing,good original condition 900-1200The Collection of Mort and Millie Goldsholl155 www.treadwaygallery.com

751. Charles and Ray Eames ESU 200-C, second series, by Herman Miller,birch, one blue panel, zinc frame and struts, all feet intact, original finish,47”w x 16”d x 32.5”h, stains to top, very good original condition 3000-4000752. Charles and Ray Eames ESU 150, second series, byHerman Miller, birch, zinc frame and struts, one blueand one yellow panel, all feet intact, original finish, 24”wx 16”d x 20.5”h, excellent original condition 2000-2500The Collection of Mort and Millie Goldsholl753. George Nelson fire tools and log rack,by Howard Miller, three tools with birchhandles and a wall-mounted holder, originalfinish, tools: 28.5”h, rack: 20”w x 18”d x9”h, good original condition 500-700755. Charles and Ray Eames ESU 100, second series, byHerman Miller, birch, zinc frame, three drawers, red, blue andyellow panels, all feet intact, original finish, knobs replaced,24”w x 16”d x 20.25”h, excellent original condition 3000-3500754. George Nelson daybed, by Herman Miller, birch, floating backrest supportedby vertical steel rods, original blue wool cushion covers included but not shown,original finish, 75”w x 34”d x 23”h, very good original condition 900-1200756. Charles and Ray Eames ESU 200-C, second series, by Herman Miller,birch, zinc frame and struts, one red panel, all feet intact, original finish,47”w x 16”d x 32.5”h, very good original finish 3000-4000156 www.treadwaygallery.com

757. Charles and Ray Eames LTR tables, by Herman Miller, three, birch tops over zinc frames, two with Herman Millertags, original finish, each is 15.5”w x 13.25”d x 10”h, very good original condition 900-1200Not Pictured:758. Charles and Ray Eames LTRs, three, birch tops over zinc frames, one signed withround metal tag, each is 15.5"w x 18.75"d x 14"h, stains to tops, fair condition 200-300759. Large George Nelson slat bench, by Herman Miller, 1950s, birch top over ebonized legs, originalfinish, 102.5”w x 18.75”d x 14”h, some wear to finish, very good original condition 2000-2500760. Charles and Ray Eames ESU 400, second series, byHerman Miller, birch, two sets of dimpled birch doors,five drawers, red, blue, black, white and yellow panels,all feet intact, original finish, knobs replaced, 47”w x 17”dx 58”h, excellent original condition 18,000-22,000157 www.treadwaygallery.comThe Collection of Mort and Millie Goldsholl

761. George Nelson sofa, by Herman Miller, steel frame, wedge-shapedbackrest with tufted upholstery, rosewood table attached at oneend, reupholstered, original finish, signed with round metal HermanMiller tag, 91”w x 30”d x 27.5”h, excellent condition 900-1200The Collection of Mort and Millie Goldsholl762. Torbjorn Afdal for Bruksbo coffee table/bench, Norway, solid rosewood, original finish, signedwith Bruksbo Mellemstrands labels, 79”w x 14.5”d x 13.5”h, excellent original condition 600-800763. 1960s ceramics, two pieces,cylindrical vase with verticalwhite lines; gourd-shapedvase with large dark areas,smaller vase signed withan M in a circle, largevase is signed illegibly,small: 3.5”dia x 8.25”h,large: 9.5”dia x 10.5”h, mintcondition 200-300764. George Nelson sofa, by Herman Miller, steel frame, wedge-shapedbackrest with tufted upholstery, rosewood table attached at each end,reupholstered, original finish, signed with round metal Herman Millertag, 120”w x 30”d x 27”h, excellent condition 900-1200158 www.treadwaygallery.com

765. Scandinavian vases, three, rectangular Stig Lindberg ceramic vase,10”w x 2.5”d x 6.75”h; with a green glass Arabia vase, 5”dia x 5”h; witha Bjorn Winblad ceramic centaur vase, 8.5”w x 3”d x 11.5”h, all signed,chip to Winblad vase, otherwise very good original condition 200-300767. Kurt Versen floor lamps, pair, by Kurt Versen, Inc., original grayfinish, original shades with grass cloth surface, original finish, onesigned with Kurt Versen label, 15.5”dia x 52”h, very good originalcondition 400-600768 Charles and Ray Eames shell chair, by Herman Miller, yellowseat, back and sides are black, two glides missing, cover has beenremoved and is not shown, original finish, 25”w x 23”d x 31.5”h, goodoriginal condition 50-100766. Very Large Moroccan rug, 1960s, wool, geometric pattern in tonalshades of cream and light yellow, thick braided tassels, 142”w x200”l, stains and wear, good original condition 3000-4000769. Charles and Ray Eames ESU 110-C, second series, by HermanMiller, birch, zinc frame, one black and one white panel to sides,back has yellow and red panels, two white grass-cloth laminatesliding doors, all feet intact, original finish, 47”w x 17”d x 20.5”h, verygood original condition 3000-4000The Collection of Mort and Millie Goldsholl159 www.treadwaygallery.com

771. Alexander Girard “Mexicotton” fabric bolts, three, by Herman Miller,100% cotton, Mexico, one is red and pink (Mexicotton 1112), one iscolorful pastels (Mexicotton 1119) and one is neutrals, red/pink andpastel bolts are signed with Herman Miller paper label, neutral bolt isunsigned, each is 54”w, very good original condition 300-400770. Charles and Ray Eames ESU 400, second series, by HermanMiller, birch, zinc frame and struts, open storage, blue, yellow,red, white panels, all feet intact, original finish, 47”w x 16”d x 58”h,lower shelf sags slightly, very good original condition 9000-12,000772. Paolo Venini “inciso” bottle, by Venini, Italy, orange glassencased in clear glass, fine incised lines, signed with circularacid stamp, 3.5”w x 3.25”d x 8.75”h, mint condition 600-800The Collection of Mort and Millie Goldsholl773. Midcentury sculpture, bull, artist unknown, metal with impresseddesigns to surface, signed with stamped marks “TAD”, 9.5”w x4.5”d x 7.5”h, very good original condition 200-300774. Eldon Danhausen sculpture, welded steel, original finish, unsigned,5.5”w x 14.25”h, top is bent, good original condition 200-300775. Charles and Ray Eames ESU 400, second series, by HermanMiller, birch, zinc frame and struts, open storage, blue, yellow, red,white panels, all feet intact, original finish, 47”w x 16”d x 58”h, lowershelf sags slightly, very good original condition 9000-12,000160 www.treadwaygallery.com

776. Charles and Ray Eames ESU 400, second series, by Herman Miller,neutral panels, ten drawers, knobs replaced, all feet intact, originalfinish, 47”w x 16”d x 58”h, very good original condition 9000-12,000777. Charles and Ray Eames DTM-1 folding dining table, by HermanMiller, 1950s, rectangular plywood top covered in the originalwhite laminate, folding metal legs, two feet missing, original finish,54”w x 34”d x 29”h, very good original condition 500-700778. Laurel table lamp, square white opaque frosted glass, signed withLaurel label, 6.25”sq x 7.25”h, excellent original condition 200-300779. Bruno Mathsson dining table, by Karl Mathsson, Sweden, expanding teak top over a folding beech wood base, originalfinish, signed with branded marks, closed: 43”w x 9”d x 28.5”h, open: 110”w, very good original condition 1000-1500The Collection of Mort and Millie Goldsholl161 www.treadwaygallery.com

780. Scandinavian flat-woven rug/tapestry, gray and cream,96”w x 149”h, very good original condition 400-600781. Scandinavian flat-woven rug/tapestry, red and yellow, remnant oftag on verso, 104”w x 140”h, very good original condition 400-600The Collection of Mort and Millie Goldsholl782. Hermann Bongard flip-top tray tables, for PLUS, Norway, teak tops reverse to a solid color, collapsibleframes, square tops with dovetailed corners, inset tops of enameled metal in red/orange and blue/green,unsigned, 14”w x 14”d x 14.5”h, chips to wood frames at corners, good original condition 600-800783. Eero Saarinen dining set, by Knoll, round white marble top, six chairs with the original light gray finish, original finish, four chairs signed with KnollAssociate labels, table with a Knoll International label, table: 53.5”dia x 28.5”h, chairs: 19.50”w x 22”d x 32”h, very good original condition 3500-4000162 www.treadwaygallery.com

784. Alexander Girard “Triangles” rollerwindow shades, set of eight, by HermanMiller, screen print on linen, 1961,geometric, weighted wooden strip atbottom, each is 63”w x 94”h, some arefaded or darkened 200-300Not Pictured:785. Alexander Girard Mexicotton stripe 1236,roller shades, set of three, with woodenstrip at bottom, with a small bolt of unusedmatching fabric, each is 64”w x 78”h, twoare faded, good original condition 100-200786. Alexander Girard quatrefoil panels, two,by Herman Miller, silkscreen on cotton,signed fully along selvedge, 50”w x 72”h,washed, good original condition 300-400787. Alexander Girard “Triangles” fabric, by Herman Miller, red and blue screenprint on heavy linen, 1961, three pieces, unused, approximate sizes: twoare 64” x 58”, one is 56” x 82”, very good original condition 400-600788. George Nelson & Associates CSS (Comprehensive Storage System) wall unit, by Herman Miller, c. 1960, three bays, aluminum andwalnut, a desk with three shallow drawers under two sliding doors, cabinet with one file drawer and three small drawers, lighted vanity withoriginal mirror and white laminate work surface over two shallow drawers, original light above desk, six shelves, four posts with the originalglides, original finish, as shown: 113”w x 18.5”d x 75”h, (desk is 48”w, vanity is 32”w), overall excellent original condition 3500-4500163 www.treadwaygallery.comThe Collection of Mort and Millie Goldsholl

789. Charles and Ray Eames DCWs, four, by Herman Miller, 1950s, molded walnut plywood, original oval shock mounts tobacks, original finish, signed with foil labels, 19”w x 21”d x 29”h, normal light wear, very good original condition 1000-2000790. Charles and Ray Eames LCWs, pair, by Herman Miller,1950s, molded birch plywood, original oval shock mounts tobacks, original finish, one signed with foil Herman Miller label,22”w x 24”d x 26.5”h, very good original condition 1500-2000791. Charles and Ray Eames slunkskin DCM, by Herman Miller, 1951, moldedbirch plywood seat and backrest upholstered with the original calfskin,signed with paper label, stamped date “51”, a rare example, retailed byEnglanders, Detroit, MI, all feet intact, original slunkskin upholstery, originalfinish, 19.5”w x 21”d x 29”h, excellent original condition 2000-3000792. Charles and Ray Eames DCWs, by Evans/Herman Miller, set of six, 1950s, molded ash plywood with the original ebonized finish, all with original ovalshock mounts to backs, original finish, five signed with Evan/Herman Miller silver label, 19.5”w x 22”d x 29”h, very good original condition 2000-3000164 www.treadwaygallery.com

793. Charles and Ray Eames DCWs, by Herman Miller, 1950s, set of six, molded ashplywood, all with original oval shock mounts to backs, original finish, signed withstamped mark “DCW”, 19.5”w x 22”d x 29”h, excellent condition 1800-2400794. Charles and Ray Eames RAR (rockingchair), by Herman Miller, molded blackfiberglass shell with black struts and birchrunners, runners refinished, 24.75”w x27”d x 27”h, very good condition 700-900795. Charles and Ray Eames ETR (Surfboard) table, by Herman Miller, 1950s,original black laminated elliptical plywood top on two zinc strut bases,original finish, 89”w x 29”d x 10”h, excellent original condition 1800-2200796. Charles and Ray Eames DKR chairs, pair, by Herman Miller, blackwire seats over black rod Eiffel tower bases, early screw-on glides,original bikini upholstered pads, original finish, 19”w x 21”d x 33”h,wear to upholstery, otherwise very good original condition 600-800797. Charles and Ray Eames ESU desk, by Herman Miller, 1950s,rectangular birch top, zinc frame, two drawers with black fronts andthe original pulls, red, white, yellow and blue panels, all glides intact,original finish, 46”w x 27.75”d x 29.5”h, some normal light wear, verygood original condition 2000-3000165 www.treadwaygallery.com

799. Charles & Ray Eames 670/671 lounge chair and ottoman, by Herman Miller,molded rosewood plywood shell with black leather down-filled cushions overa black enameled and polished aluminum base, original finish, chair signedwith round metal tag and paper patent label, chair: 34”w x 32”d x 32.5”h,ottoman: 26”w x 22”d x 17”h, excellent original condition 3500-4500798. Clyde Burt vase, stoneware with graymatte glaze and ivory linear designs,signed with incised "CB", 8.75"h, mintcondition 500-700800. Charles & Ray Eames 670/671 lounge chair and ottoman, by Herman Miller,molded rosewood plywood shell with black leather down-filled cushions over ablack enameled and polished aluminum base, original finish, chair signed withround metal tag and paper patent label, chair: 34”w x 32”d x 32.5”h, ottoman:26”w x 22”d x 17”h, one armrest has been repaired with two small pieces ofhardware, small chip to ottoman, very good original condition 2000-3000801. Polia Pillin vase, cylindrical shape with acolorfully painted scene with two womenand a deer, signed, 3.5”w x 10”h 500-700802. Charles and Ray Eames Soft Pad three-seat sofa, byHerman Miller, c. 1984, two floating teak backrest panels,original black leather upholstery, aluminum frame, allglides intact, original finish, 80.5”w x 34”d x 34”h, normalwear, very good original condition 4000-5000166 www.treadwaygallery.com

803. George Nelson Ball clock, by Howard Miller, black and white ballson brass spokes around a white metal center, black metal hour andminute hands and red second hand, signed with Howard Miller label,and impressed model number 4755, cord, original finish, 13.25”dia,original finish, very good original condition 400-600804. George Nelson Pretzel chairs, pair, by Herman Miller, 1958, molded birchplywood backrests, walnut seats, unlike many examples these seats donot have factory-drilled holes for ventilation, all clear plastic pads to feet,refinished, 26”w x 18”d x 29.5”h, excellent condition 2500-3000805. Charles & Ray Eames 671 ottoman, by Herman Miller, 1975,rosewood, original cream leather upholstery, original finish, signedwith rectangular black Herman Miller label, dated, 25.5”w x 22”d x16”h, excellent condition 500-700806. Early Isamu Noguchi coffee table, by Herman Miller, 1950s, originalbiomorphic ¾” thick yellow-green glass top, wood bases with theoriginal ebonized finish, aluminum pin, 50”w x 36”d x 15.5”h, verygood original condition 1200-1500807. Charles & Ray Eames 670/671 lounge chair and ottoman, by HermanMiller, 1979, molded rosewood plywood shells with brown leather foamfilledcushions over black enameled and polished aluminum bases, originalfinish, marked with black rectangular decals, chair: 33”w x 32”d x 32.5”h,ottoman: 26”w x 22”d x 16”h, excellent original condition 2500-3000808. Beatrice Wood vase, bulbous shapecovered in an unusual textured yellowglaze with subtle black highlights, signedBeato, 3”w x 4.5”h 500-700167 www.treadwaygallery.com

809. Gertrud & Otto Natzler folded bowl, yellowglazed earthenware, signed “Natzler”,7.5”dia x 2”h, mint condition 2000-3000810. Rose Cabat Feelie vase, bulbous shapeunder a green and brown matte glaze,signed Cabat, X2, 64, 3”w x 4”h, goodglaze 350-450811. Gertrude & Otto Natzler bowl, largeflaring form, in brown clay covered ina tan and brown glaze, signed Natzler,paper label, #N497, 10.5”w x 4”h, restoredhairlines 1000-1500812. Exceptional Beatrice Wood charger, colorfullypainted whimsical cat design, unusual and beautifuloverall iridescence, signed Beato, 14”dia 3000-5000813. Gertrud & Otto Natzler small bowl,glazed earthenware with textured burstbubbleglaze, signed “Natzler”, 4.5”dia x3.5”h, two small chips to foot, very goodoriginal condition 2000-2500814. Gertrud & Otto Natzler crater bowl,glazed earthenware with burst-bubbleglaze, blue highlights, signed “Natzler”,7.5”dia x 2.5”h, mint condition 2000-3000815. Gertrud & Otto Natzler crater vase, glazedearthenware with textured burst-bubble glaze,signed “Natzler”, paper label “H376”, 5.75”diax 6”h, mint condition 3500-4500816. Gertrude & Otto Natzler bowl, broadshape covered in a yellow glaze, signed,#J860, 8”w x 4”h, restored hairline at toprim 1000-2000817. Scheier bowl, large low form, light greeninterior and a warm gray exterior, signedScheier on bottom, 12”dia x 3”h, mintcondition 300-500818. Exceptional Gertrude and Otto Natzlerbowl, red clay body covered in anunusually nice blue glaze, signed, 5.5”w x3.5”h 2200-2700168 www.treadwaygallery.com

819. Clyde Burt covered jars, two, stoneware, geometric decorations, eachsigned with CB mark, 6”dia x 5”h, 5”dia x 6.5”h, mint condition 400-600820. Clyde Burt vase and pitcher, two pieces, stoneware, pitcher withincised lines, signed with CB mark, 5.5”dia x 6.5”h, vase with mustarddrip glaze with circle design, signed with CB mark and “Melrose 954Ohio”, 4”dia x 7”h, mint condition 300-400821. Clyde Burt bowl, brown glaze, decoratedwith orange circles, 8.75”dia x 1.75”h; withanother Clyde Burt bowl, etched designsof fish and bubbles, 8”dia x 3”h, both signedwith CB mark, mint condition 200-300823. Clyde Burt vase, stoneware covered in ayellow and brown drip glaze, signed with“355 Ohio Melrose” and CB mark, 6”dia x11.5”h, mint condition 400-600822. Clyde Burt vase, tall form with a thinneck, stoneware covered in a light yellowand brown glaze, signed with CB mark,5.5”dia x 17.5”h, glaze misses, otherwisemint condition 600-800824. Midcentury Lotus lamp, hand-carved wood,petals open by way of a twist mechanismon the stem to reveal a light bulb, base isdecorated with flowers and buds, unsigned,in good working order, 7”dia x 19.75”h,excellent condition 300-500825. Clyde Burt bowl, brown glazed interior,geometric designs to exterior, signed with“Clyle Burt” mark, 7.75”dia x 3.25”h, somefactory flaws, mint condition 300-500826. 1960s table lamp, maker unknown, heavyacrylic cylinder with a flower inclusion, noshade, dried money plant suspended inrose-colored acrylic, 5.75”dia x 12.25”h,excellent original condition 200-400169 www.treadwaygallery.com

827. Harrison McIntosh bowl, low formcovered in a multi-toned gray and brownglaze with a bursting swirl design, signed,paper label, 5.5”w x 1.5”h 300-400828. William Hoffman sculptures, two,terracotta figures, 1951, hand-built, bothsigned “1951 Hoffman NFS” on bottom,8”h and 8.5”h, mint condition 300-500829. Peter Volkous charger, stylized bird andleaf design in mottled gray and brownagainst a brown background, signed,11.5”dia x 1.5”h 1000-1500830. Karen Karnes covered vessel, large form covered in brown and grayglazes, marked PGS 1990, signed with initials, 7”w x 7”h 250-350831. Ruth Duckworth bowl, hand-builtstoneware, glazed interior, signed “RuthDuckworth” on bottom, 9”dia x 5”h, mintcondition 400-600832. Per Lutken candle holder, for Holmegaard,from the Laguneblaa line, 1963, clear blueglass, signed “Holmegaard 8956-B”, 6.5”dia x7.75”h, excellent original condition 200-300833. Otto & Vivika Heino vase, bulbous formin brown clay covered with a brown matteglaze, signed, 7”w x 5"h 250-350834. Guido Gambone dish, elliptical form with geometric designs in orange, yellow, and ochre, crazed,signed “Gambone Italy” with donkey mark, 13.75”w x 4.75”d x 1”h, mint condition 800-1000170 www.treadwaygallery.com

835. Guido Gambone vase, hand-paintedgeometric designs, signed “GamboneItaly” with donkey mark, 4.75”dia x 3.5”h,mint condition 300-500836. Guido Gambone bowl, folded sides, yellowglaze, dimples to sides, crazed, signed“Gambone Italy” with donkey mark, 8.5”w x6.5”d x 2.5”h, mint condition 200-300837. Guido Gambone handled vessel, handpainteddecoration, purple glaze, signed“Gambone Italy” with donkey mark, 5”dia x5.5”h, mint condition 500-700838. Venini Handkerchief vase, clear glass withvertical green and white stripes, three-lineacid stamp "venini murano italia", 3.5"w x3.5"h, mint condition 200-300839. Guido Gambone vase, tall slender formcovered in a blue glaze with black andred hand-painted decoration, signed“Gambone Italy” with donkey mark,11.75”h, mint condition 900-1200840. Guido Gambone three-corner blue bowl,pinched rim, hand-painted face of a woman,signed “Gambone Italy” with donkey mark,6”dia x 2”h, mint condition 600-800841. Antonio Prieto vase, large form coveredin a mustard-color glaze, incised geometricdesigns, signed, 5.5”w x 9.5”h 800-1100842. Barovier vase, cylindrical form with flaredruffled rim in white and cream verticalribbed glass with transparent bubbles, c.1930, 6.75”dia x 13.25”h 400-600843. Fratelli Toso vase, bulbous doublehandled form with deeply crackledlavender glass and black handles, baseand rim, 5.5”w x 8”h 400-600171 www.treadwaygallery.com

844. Marcel Breuer Tea Trolley or bar cart, by Matrix International, a reissueof the 1929 design by Neue Galerie, NY, chrome-plated tubular steel,black laminate tops, top lifts off for use as a tray, three wheels withrubber trim, 20”w x 40”d x 30”h, excellent condition 2000-3000845. Art Deco child’s chair, 1930s, Machine Age form, wood seat andcurved backrest rails, removable tray, chromed base, height adjusts,original finish, as shown: 19”w x 24”d x 34.5”h, very good originalcondition 1000-1500846. Gilbert Rohde night stands, pair, by Herman Miller, model 3626,bird’s eye burl and walnut, each with one drawer and one door,horizontal wood pulls, each with stencil “3626” to back, originalfinish, each is 16”w x 12.75”d x 27.5”h, wear to the tops, glass topsincluded, very good original condition 1200-1500847. William Archibald Weldon magazine rack, by Revere, c. 1937,chrome, copper and wood, all parts intact, original finish, 12”w x9.5”d x 25”h, very good original condition 300-500848. Gilbert Rohde cabinets, pair, by Herman Miller, model 3626 and3627, bird's eye burl and walnut, each with four drawers, horizontalwood pulls, each top drawer with dividers and a wooden coin bowl,one with metal Rohde/Herman Miller label, original finish, each is43"w x 18"d x 36"h, very good original condition 3000-4000Not Pictured:849. Gilbert Rohde headboard, by Herman Miller, 1940s, simple formin mahogany, original finish, unsigned, 77”w x 31”h, no rails or footboard, see Treadwaygallery.com for a photo 100-200172 www.treadwaygallery.com

850. Egmont Arens and Theodore Brookhart "Streamliner" meat slicer,by Hobart, model 410, 1940s, aluminum, signed, also includes theoriginal instruction manual, lubricating oil and cleaning cloth, 17"w x20"d x 13.5"h, excellent original condition 800-1000851. Warren McArthur mirror, USA, 1940, aluminum, two concentric ringsconnected in three places, original finish, frame signed with McArthurlabel, back of glass is stamped “July 11 1940” on back, 29”dia,scratches to mirror backing, very good original condition 2000-3000852. Valmai Edwards rug, by KEI Carpets, South Africa, wool, white ostrichon a brown and blue center, light blue-gray border, lined with nylonbacking, unsigned, 52” x 51”, very good original condition 600-800853. Gilbert Rohde coffee table, by Herman Miller, 1940s, four taperedwood legs covered in the original leatherette support the originalthick biomorphic yellow-green glass, 44”w x 44”d x 15.5”h, excellentoriginal condition 2000-3000854. Unusual Gilbert Rohde Paldao Group bar cabinet, by Herman Miller,burled wood, platform base, drop-down door conceals a mirroredarea and a laminate surface, a variation of model 4101, original finish,signed with paper Herman Miller label, 40”w x 17”d x 42”h, waterdamage to inside bottom, otherwise good original condition 500-700855. Gilbert Rohde Formal Dining Group server cabinet, by HermanMiller, 1930s, model 3725, Maidou burl and mahogany case over arosewood platform base, two doors with round cutouts with horizontalnickel bar pull, original finish, 36”w x 16.5”d x 33”h, drawers added tointerior, very good original condition 1000-1500173 www.treadwaygallery.com

856. Hans Bellman tripod table, by Knoll, 1950s, folding black legs withaluminum knobs pierce a plywood top with the original white finish, signedwith Knoll Associates label, 24”dia x 20”h, very good condition 800-1000857. Olga Fisch “Shuara” wall hanging/rug, Ecuador, c.1970, wool, blackand white geometric decoration on a brown field, signed and titledon fabric label verso and woven signature at lower right, 72” x 48”,excellent original condition 1000-1500858. Midcentury floor lamp, by Prescolite, in the style of Greta Grossman,tripod base supports a round shade with a mesh diffuser, refinished,18”w x 48”h, shade is 15”dia, very good condition 1000-1500859. Ed Wiener tray, brass, biomorphic shape with textured detail tosurface, signed hand wrought “Ed Wiener”, 13.5”w x 9”d x 1.5”h,excellent original condition 400-600860. Pierre Guariche lounge chairs, pair, by Airborne, France, angular forms with sculptural sides, brass frames and legs with theoriginal glides, original black upholstery, signed with Airborne label, 29”w 31”d x 29.5”h, very good original condition 2000-2500174 www.treadwaygallery.com

861. Pierre Jeanneret coffee table, c. 1955, from the Himalayan StudentResidence, Chandigarh, India, teak, rectangular top over angled legs,refinished, 36”w x 17.5”d x 16.5”h, very good condition 700-900862. Pierre Jeanneret folding screen, Chandigarh, India, teak, three sections,each with red and green cloth panels, the back of each panel reversesto the opposite color, rubber feet, reupholstered, refinished, each panel:20.75”w x 66”h, tear to one panel, very good condition 3000-3500863. Pierre Jeanneret student chair, Chandigarh, India, teak, smallattached writing surface, caned seat and back and an upholsteredcushion, refinished, signed with stenciled mark to back of seat“ENG/18”, 21.5”w x 24”d x 31”h 1500-2000864. Pierre Jeanneret small stools, pair, attribution, Chandigarh, India,undocumented, rectangular teak top over flared legs, refinished,14.75”w x 9.5”d x 12”h, very good original condition 500-700865. Pierre Jeanneret desk and chair, Chandigarh, India, teak,rectangular top, one drawer over an open compartment, oneflared leg, back side with storage compartments, top with ablack leather writing surface, chair with caned seat and backand an upholstered cushion, refinished, 48”w x 32.5”d x 28”h,chair: 19.5”w x 20”d x 30”h, very good condition 5000-6000175 www.treadwaygallery.com

866. Russel Wright American Modern items, including 18 Old Morgantown hand-blown “Smoke” crystal glasses, (six cocktail, six wine, and sixchampagne/sherbet), some signed with the original foil labels, with five Simptex tablecloths, one with the original paper label, with a group ofAmerican Modern dishes and serving pieces (eighteen total) and one place setting in the original box, all in mint condition 500-700867. Kipp Stewart & Stewart MacDougall “Sun Coast Surf Console” wall shelf, by Drexel, 1959, an elliptical concave molded plywoodbackboard panel with the original lacquered finish supports an elliptical maple wood shelf, solid brass supports, original finish,signed with Drexel mark and date, 61”w x 8”d x 10”h, detail photograph is a view from above, very good original condition 500-700868. Eliel Saarinen dining table and chairs, by Johnson Furniture Co., USA, 1930s, birch, rectangular top over molded plywood legs, six chairs (twoarmchairs and four side chairs), with gray-green velvet upholstery, brass tack trim, two 15” leaves, reupholstered, table signed with stenciled mark“419 1/2”, armchair: 23”w x 21”d x 30”h, side chairs: 19”w x 21”d x 33”h, table: 65”w x 40”d x 30”h, very good original condition 2000-3000176 www.treadwaygallery.com

869. Bauhaus style tea pot, possibly byCowan, modern form in black glazedceramic with white lid, unsigned, 7.25”w x6”h, mint condition 400-600870. Early Russel Wright wooden salad bowls,four, from Russel Wright’s studio, originalfinish, each signed with branded mark“Russel Wright”, 9.75”w x 5.25”h, verygood original condition 1000-1500871. Russel Wright spun aluminum stackingsnack trays, three, each with the originalwood handle, each stamped “RUSSELWRIGHT”, as shown: 10.75”dia x 4.5”h,very good original condition 300-400872. Roland Smith floor lamp, by Victor,c. 1948, collapsible metal tripod basesupports an adjustable boom arm with redball counterweight, red handle with originalfinish, signed with Victor PhotographicProducts label, as shown: 44”h x 50”w,very good original condition 700-900873. Roland Smith floor lamp, by Victor,c. 1948, collapsible metal tripod basesupports two adjustable aluminumshades, signed with Victor PhotographicProducts labels, as shown: 34”h x 50”w,very good original condition 300-500874. Roland Smith floor lamp, by Victor,c. 1948, collapsible metal tripod basesupports an adjustable boom arm withred ball counterweight, red handle withoriginal finish, as shown: 44”h x 50”w, verygood original condition 700-900875. Eliel Saarinen cabinet,by Johnson FurnitureCompany, 1930s, birch,four drawers with originalcurved metal handles,wave-form bases, originalfinish, signed with 5401-50 and branded Johnsonmark, 44”w x 21”d x30”h, excellent originalcondition 1200-1500876. Eliel Saarinen cabinet,by Johnson FurnitureCompany, 1930s, birch, twodoors over four drawers,original curved metalhandles, wave-form bases,original finish, signed withstenciled mark “5407-50”and branded Johnson mark,34”w x 20”d x 47.5”h, veryclean, excellent originalcondition 1200-1500177 www.treadwaygallery.com

877. Paul Evans “Sculpted Bronze” mirror, by Directional, abstracttextured resin surface, covered in atomized bronze, original finish,signed “PE” in the surface of the bottom edge, 24”w x 3.5”d x 40.5”h,excellent original condition 2500-3500878. Cedric Hartman floor lamps, pair, USA, bright chromed formswith adjustable arm and original lucite ball switch knobs, heightadjusts and shades swivel, each signed with stamped mark “CedricHartman”, as shown: 11”w x 12.5”d x 40.5”h, excellent originalcondition 4000-5000879. Karl Springer console table, by Karl Springer Ltd., New York,original goatskin over wood, top and base connected by twocurving supports, front edge of top is slightly concave, originalfinish, guaranteed authentic, 45”w x 18”d x 31.5”h, excellent originalcondition 6500-7500880. John Vesey occasional table, USA, c. 1958, polished aluminum,architectural frame elements hold a round glass top, cross-shaped supportunder the top, 25”dia x 24.5”h, excellent original condition 2500-3500881. Paul Evans “Sculpted Bronze” cabinet, by Directional, abstract textured resin surface covered in atomized bronze, two bi-fold doors,platform base, two inset slate panels to top, two shelves to the interior, platform base with slate-like laminate covering, original finish,unsigned, 73”w x 20”d x 28”h, chip to the surface of the platform base, otherwise very good original condition 9000-12,000178 www.treadwaygallery.com

882. Paul Evans “Sculpted Bronze” occasional table, by Paul Evans Studio,1969, rectangular form with an inset walnut top, signed “PE 69” on side,25”w x 13”d x 16.5”h, top refinished, excellent condition 2500-3000883. George Nakashima Origins Group occasional table, by Widdicomb,1960, model 240, rectangular Laurel wood top over tapered walnutlegs, hickory spindles, refinished, signed with branded marks“George Nakashima Sundra 1/60 240” and Widdicomb label, 30”w x20”d x 21.25”h, excellent condition 800-1000884. George Nakashima Origins armchair, by Widdicomb, similar to chair“206C”, walnut, sculptural armrests, tapered legs and stretchers, originalgeometric upholstery, original finish, signed with Widdicomb label,25.5”w x 27”d x 38.75”h, very good original condition 800-1000885. George Nakashima Origins armchair “206C”, by Widdicomb, walnut,sculptural armrests, tapered legs and stretchers, original cream-coloredupholstery, original finish, signed with Widdicomb label and “201C”,25.5”w x 25.5”d x 38.5”h, very good original condition 800-1000886. George Nakashima “Origins” cabinet, by Widdicomb, 1959, model 207, Laurel wood, eight drawers with the original brasshandles, top four drawers with the original oak dividers, original finish, signed with branded mark “George Nakashima”,Widdicomb label and stenciled “3/59”, “Sundra”, and “207”, 71.75”w x 22”d x 32.5”h, excellent original condition 3000-3500179 www.treadwaygallery.com

887. Rosenthal Netter plant stand, Italy,bamboo, inset dark brown matte laminatetop, support ring to base, original finish,signed with Rosenthal Netter label, 16”dia x38.5”h, excellent original condition 200-300888. 1960s hanging light, Italy, two foldedcircles of white enameled metal with blacktrim, two sockets with decorative blackcovers, black cords, original ceiling cap,original finish, unsigned, fixture is: 18”dia,as shown: 31”h, some discoloration, goodoriginal condition 400-600889. Gio Ponti Compass chair, attribution,brass frame with arrows detail to back,black wool upholstered seat, 16.5”w x20”d x 34”h, dents to frame, good originalcondition 500-700890. Cesare Lacca console table, Italy, 1950s,sculptural mahogany wood sides supportthe original glass top over a perforatedwhite enameled basket with brass trimand a removable green tray, original finish,42.5”w x 13”d x 31.25”h, very good originalcondition 1000-1500891. Large Barovier & Toso Cordonato d’Orolamp, Italy, c. 1940, pale blue-greenribbed glass with gold inclusions, base:12”dia x 34”h, with harp: 55”h, mintcondition 900-1200892. Aldo Tura ash stand, Italy, goatskin overwood, tapered brass legs, original finish,unsigned, 8.5”dia x 24”h, very goodoriginal condition 300-400893. Marco Zanuso style lounge chair andottoman, Italy, 1950s, designer unknown,sculptural chair with biomorphic sides,brass legs, original glides, original blackvinyl upholstery, unsigned, chair: 29”w x32”d x 35”h, ottoman: 20”w x 20”d x 16”h,very good original condition 1000-1500180 www.treadwaygallery.com

894. Marco Zanuso Lady chair, by Arflex, Italy,1950s, sculptural sides, flared black wood legs,reupholstered, 26.5”w x 32”d x 36”h, wear toupholstery, good condition 600-800895. Marco Zanuso Senior chair, by Arflex, Italy,1950s, sculptural sides, flared black wood legs,reupholstered, 27.5”w x 32”d x 36”h, upholsteryis damaged, good condition 900-1200896. Marco Zanuso “Martingala” chairs, pair,by Arflex, upholstered seats with gatheredpanel detail to backs, tapered chromelegs, black ball feet, reupholstered inpurple wool fabric, unsigned, originalupholstery, 31.5”w x 34”d x 33”h, verygood original condition 5000-7000897. Piero Fornasetti coffee table, Italy,rectangular wood top over tapered blackrod legs with the original glides, top featuresarchitectural elements, original finish,unsigned, 39.25”w x 19.75”d x 16.5”h, verygood original condition 1200-1500898. Marco Zanuso “Martingala” chairs, pair,by Arflex, upholstered seats with gatheredpanel detail to backs, tapered brass legs,black ball feet, reupholstered in red woolfabric, unsigned, 31.5”w x 34”d x 33”h,excellent condition 5000-7000181 www.treadwaygallery.com

900. 1970s hanging lights, two, maker unknown,smaller lamp in two pieces of opaquewhite plastic, 12”dia x 9”h, larger lamp inyellow and white plastic, 20”dia x 16.5”h,unsigned, excellent condition 100-200899. Massimo Vignelli “Saratoga” sofa, by Poltronova, c. 1964, imported by Stendig, woodframe with even arms, original white finish, original black leather upholstery, signed withStendig labels, documented, 59”w x 35.5”d x 24”h, very good original condition 1000-1500901. Italian table lamps, pair, Murano, Italy,large internally lit forms of clear glass withgold inclusions, exteriors are encased inapplied red swirls, round bases, handblown,unsigned, 10”w x 10”d x 22.75”h,mint condition 3000-3500902. Andy Warhol’s Charles and Ray Eames DCM, byHerman Miller, ebonized molded plywood seat and back,black metal frame, from the Sotheby’s New York AndyWarhol Collection, lot 1192/5, original finish, signed withSotheby’s tag, 19.5”w x 20.5”d x 29”h, one side of backdrilled, wear to finish, good condition 1000-1500903. Vico Magistretti “Chimera”floor lamp, by Artemide, Italy,c. 1969, one-piece moldedwhite plastic shade over ametal base, three workinglights, signed on base, 9”diax 72.5”h, very good originalcondition 600-800904. Boris Tobacoff dining set, by Modilier Modulaire Moderne, France, 1970s, half-moon chromed steel shaped bases, table with round glass top, chairs withplexiglass backrests, original padded seat cushions, original finish, table: 48”dia x 28”h, chairs: 20.75”w x 20”d x 31”h, very good original condition 1000-1500182 www.treadwaygallery.com

905. Large Donald Drumm crocodile sculpture, 1997, aluminum, originalfinish, signed “Drumm 1997”, 55”w x 7”d x 14”h, excellent originalcondition 700-900906. Large Verner Panton VP Globe, by Louis Poulsen, Denmark,vintage production, c. 1969, two acrylic hemispheres form a ball,interior elements of enameled and chrome-plated metal with steelball chains, original finish, 23.5”w x 24.5”h, surface scratches, verygood original condition 1500-2000907. After Andy Warhol “Tomato Rice Soup”, runner/rug, by Ege Rya,1960s, from an edition of 2500, wool, remnant of a label, 31” x102.5”, good original condition 2000-3000908. 1960s wall sculpture, geometric composition in the Brutalist style,bright brass and bronze finishes with red-orange enamel, originalfinish, unsigned, 43.5”w x 29.5”h, excellent condition 400-600909. 1960s sofa, molded fiberglass frame over an enameled metal base, probably Italian, original bright yellowvinyl upholstered cushions, original finish, 79”w x 35”d x 27”h, very good original condition 800-1000183 www.treadwaygallery.com

910. Tommaso Barbi leaf table lamp, Italy,brass, large textured leaf shade, originalfinish, 19.5”w x 31”d x 21.5”h, very goodoriginal condition 500-700911. Teghini Firenze Snail ice bucket, Italy,silver plate, 1970s, in the style of TonyDuquette, featured in a 1977 ArchitecturalDigest article, stamped “Teghini FirenzeMade in Italy”, 15.5”w x 9”d x 9.5”h,excellent original condition 500-700912. 1950s Italian ceramic lamp,Italy, sculptural white ceramicform, 9.5”dia x 22”h, to finial:40”h, mint condition 900-1200913. James Mont dining chairs, set of eight, carved wood, original green silk upholstery, original finish,armchairs: 24.5”w x 20”d x 40”h, wear to upholstery, very good original condition 2500-3500914. Vladimir Kagan sofa, by Directional, 1990s, biomorphic form with the original cream-colored microfiberupholstery, upholstered wood bases, 96”w x 39.5”d x 31”h, very good original condition 3500-5500915. Large Pascal Mourguefloor lamp, by Cinna, madein France, powder-coatedbase, original shade,signed on base, 18”dia x78”h, very good originalcondition 400-600184 www.treadwaygallery.com

916. Philip and Kelvin Laverne Ming Vases coffee table, 1960s,rectangular bronze and brass top with curved edges over brass legswith arched supports, top features a still life designs with flowers andurns, 54”w x 23”d x 17”h, very good condition 3500-4500917. 1960s hanging fixture, designer unknown, inspired by Lobmeyr,flower forms with faceted plastic crystals supported by thin rods,brass and enameled metal, original finish, unsigned, 28”dia x 36”h,two sockets do not work, good original condition 400-600918. Baker cabinets, attribution, pair, teak, white lacquered cases overebonized legs, each with one large drawer, original brass pulls,original finish, unsigned, 30”w x 12”d x 28”h, very good originalcondition 1500-2000919. Philip & Kelvin LaVerne Chan coffee table, 1960s, pewter, bronzeand enamel top with acid-etched and carved Asian motif, facetedplatform base, original finish, signed with paper label and in surfaceof top, 40”dia x 17.5”h, excellent original condition 3500-4500920. Karl Springer style Executive desk, for Steelcase, goat skin top is edged with wood, platform base with curved endsand a cutout area for a chair, original finish, unsigned, 72”w x 48”d x 30”h, very good original condition 1500-2500185 www.treadwaygallery.com

921. Large Edward Wormley coffee table, by Dunbar, rosewood and mahogany,curved sides, curved stretchers, reverse-tapered legs with brass tips,original finish, signed with brass D tag and paper label indicating “naturalrosewood”, 72”w x 35”d x 17”h, very good original condition 700-900922. Laurel floor lamps, pair,1960s, polished metal baseswith frosted opaque whiteglass shades, original finish,12”dia x 57”h, excellentoriginal condition 500-600923. Edward Wormley dining table, by Dunbar, mahogany, rectangular top with slightly curvededges over two plinths, brass trim, three 12” leaves (not shown), refinished, signed withgreen metal tag, 72”w x 42”d x 29”h, excellent restored condition 4500-5500924. Venini perfume tray,Murano, Italy, rectangularform with a thick border ofround clear glass with whitelatticino inclusions, brasstrim, mirrored bottom, 16”w x10”d x 2”h, mirror replaced,excellent condition 300-500925. Edward Wormley lounge chairs, pair, dark mahogany frames, armrests with subtleoverhang, original upholstery, original finish, signed with Dunbar cloth decking fabric,32”w x 31”d x 31”h, upholstery is worn, otherwise, very good original condition 800-1000926. Edward Wormley“Cosmopolitan” illuminatedglobe, by Dunbar, 1960s,globe by Rand McNally,mahogany frame, coppermeridian ring, originalfinish, documented, 21”diax 34.5”h, very good originalcondition 600-800186 www.treadwaygallery.com

927. Edward Wormley bench, by Dunbar, reverse-tapered roundmahogany legs, tufted seat with pink tonal flame-stitch upholstery,legs refinished, 48”w x 18”d x 23.5”h, seat height: 17”, excellentcondition 1500-2000928. Edward Wormley occasional table, by Dunbar, sixteen-sided burledwood base supports the original round slate top, original finish,signed with rectangular brass label and paper label indicating slatetop, 22”dia x 17.5”h, very light scratches to slate, otherwise excellentoriginal condition 1200-1500929. Edward Wormley cocktail/coffee table, by Dunbar, triangular form inburled wood with rounded corners, reverse tapered dark mahoganylegs with brass caps to feet, original finish, signed with brass D tag,32.75”dia x 15”h, very good original condition 1500-2000930. Edward Wormley game table and chairs, by Dunbar, table withmahogany legs and square woodgrain laminate top that opensto double its size, four mahogany chairs with their original whitevinyl upholstery and brass stretchers, original finish, signed withrectangular brass tags, table: 32”w x 32”d x 29.25”h, 32”w x 64”hwhen fully open, chairs: 19.75”w x 20.5”d x 33.25”h, very goodoriginal condition 700-900931. Edward Wormley sofa, by Dunbar, mahogany frame with exposed supports to back, tuftedbackrest, reupholstered, original finish to frame, 91”w x 34”d x 28”h, very good condition 1500-2000187 www.treadwaygallery.com

932. Post-Modern floor lamp, maker unknown,1970s, three adjustable black plastic armsover a black metal base, 82”h, very goodcondition 100-200933. Peter Protzmann Tubular Collection chairs, four, by Herman Millerchairs, chromed and black enameled frames, original red patternedupholstery, 23”w x 27”d x 32”h, very good original condition 300-500934. International style tables, three, brushed steel frames support polished slate tops, tops aresupported by metal spacers and float over the bases, original finish, square table: 30”w x 30”dx 14.5”h, rectangular tables: 60”w x 15”d x 14.5”h, very good original condition 300-500935. Mies van der Rohe MR chairs, six, by Knoll, original black leather slingseats and backrests, original finish, signed with Knoll Studio marks onframes, 20”w x 28”d x 31.5”h, very good original condition 700-900936. Ettore Sottsass Associati “Spyder”dining table, by Knoll International, c.1984, tubular steel legs with the originalblack finish, round glass top with attachedblack bumpers, clear perspex feet, originalfinish, 53”dia x 28”h, tiny nicks to edge oftop, very good original condition 400-600188 www.treadwaygallery.com

937. Ettore Sottsass “Tahiti” table lamp, forMemphis, Italy, c. 1981, metal, woodbase with black and white patternedlaminate, brightly colored enameled metal,adjustable light source, 15”w x 4”d x 25”h,excellent original condition 900-1200938. George Nelson Associates clock, byHoward Miller, model 622-412, triangularblue base, red and gray clock face withthe original hands is supported by a whitemetal rod, original finish, signed withHoward Miller labels with serial number,13.5”w x 6.5”d x 30”h, very good originalcondition 600-800939. Ettore Sottsass “Tahiti” table lamp, forMemphis, Italy, c. 1981, metal, woodbase with black and white patternedlaminate, brightly colored enameled metal,adjustable light source, signed with metaltag, 15”w x 4”d x 25”h, excellent originalcondition 900-1200940. Franz West chair, “Schone Aussicht” Aus Dem Arrangement Series, for MetaMemphis, Italy, c.1989, from alimited edition of 25, steel with clear lacquered finish, 34.5”w x 28.5”d x 30”h, excellent condition 6000-8000941. Nathalie du Pasquier “Objects for theElectronic Age” fruit bowl, 1994, Italy,polished and enameled metal, laminateand stone, original finish, fully signed ona metal tag, 14.5”w x 14.5”d x 7.5”h, verygood original condition 600-800942. George Nelson Associates clock, byHoward Miller, model 622-410, triangularlight green base supports a red and blueclock face with glass front, original finish,signed with Howard Miller labels withserial number, back marked “HowardMiller by George Nelson”, 13.5”w x 7”dx13.5”h, chip to front edge, good originalcondition 400-600943. George Sowden ceramic tray, forMemphis, by Flavia, c.1984, light greenglaze, metal handles with red detail,marked “Memphis Milano by Flavia”,12.75”w, mint condition 250-300189 www.treadwaygallery.com

944. Jens Quistgaard desk, by Lovig, Denmark, rosewood, hinged gallery top with dividersand one tray, gallery folds flat as desired, four drawers, refinished, signed with Lovigstamp and Denmark stamp, 64"w x 28.75"d x 34"h, excellent condition 2500-3500945. Hans Wegner chair, by JohannesHansen, Denmark, teak, original canedseat and cane-wrapped backrest, originalfinish, signed with branded marks, 25”w x21”d x 30”h, small breaks to caning, verygood original condition 900-1200946. Frederik Sieck dining chairs, four, by Fritz Hansen, Denmark, c. 1962, molded teak backrests, chromed steelframes with four legs, three legs continue to support the backrest, round seats with matte black vinyl upholstery,original finish, signed with Fritz Hansen labels, 22”w x 19”d x 27.5”h, excellent condition 3000-4000947. Bramin large rosewood cabinet, Denmark, four drawers flanked by sliding doors,rounded edges, original finish, signed with Bramin paper label and Danish FurnitureControl, 88.5”w x 17.75”d x 29”h, excellent original condition 1000-1500948. Finn Juhl armchair, by France & Sons,Denmark, teak frame with floating armrests,replaced black leather upholstery, originalfinish, signed with branded marks andFrance & Sons decal, 28”w x 23”d x 32”h,excellent condition 800-1000190 www.treadwaygallery.com

949. Large Tapio Wirkkala “Miracus” bowl,model 3433, clear glass with roughlytextured surface, nubby feet to base,signed with incised signature “TapioWirkkala 3433”, 12”dia x 7”h, small chip torim, very good original condition 800-1000950. Arne Jacobsen hanging light fixture,by Louis Poulsen, Denmark, light grayenameled exterior with white interior,accommodates four bulbs, signed withpaper label, original finish, 20"dia x 10"h,very good original condition 300-400951. Arne Jacobsen AJ flatware, by A.Michelsen, Denmark, 1957, stainlesssteel, complete nine-piece servicefor eight, along with 2 large servingspoons, a large serving fork, a grayladle, and two smaller serving forks,78 pieces total, stamped mark to eachpiece "A.Michelsen", very good originalcondition 2000-3000952. Hans Wegner Peacock chair, pair, by Johannes Hansen, Denmark, 1970s, ash frame with original papercord seat and teak armrests, signedwith branded mark "Johannes Hansen Copenhagen Denmark", original finish, 31"w x 30"d x 42"h, excellent original condition 4000-5000953. Arne Vodder desk and return, by Sibast, Denmark, rosewood, desk with lip to edges, return with lip to back, sliding door concealscolorful drawers, backs of both pieces are finished, desk has a privacy panel, original finish, signed with Sibast and DanishFurniture Control labels, desk: 71”w x 31.5”d x 29”h, cabinet: 66”w x 16.75”d x 25.5”h, excellent original condition 4500-5500191 www.treadwaygallery.com

954. Milo Baughman stylewall unit, glass shelves ina chromed metal frame,seven glass shelves,original finish, 42”w x 16”dx 79.25”h, excellent originalcondition 700-900955. Moroccan rug, 100% wool, criss-cross pattern innavy blue on a cream field, navy blue triangles ateach end, along with navy blue tassels, lined withnylon backing, 118” x 152”, repaired seam acrossmiddle, good original condition 2500-3500956. Reggiani floor lamp, madein Italy, four black metal rodsof varying heights supportadjustable chrome directionallights, black enameledsquare base with chromeplate to top, die-cast marksunder base, 64"h, very goodoriginal condition 500-700957. Milo Baughman dining chairs, four, by Thayer Coggin, square tubular chrome frames support tufted seat cushions, original brown velourupholstery, all signed with Thayer Coggin labels, 23.5”w x 25”d x 32”h, wear to upholstery, otherwise very good original condition 600-800958. Milo Baughman cabinet, by Thayer Coggin, olive burl wood case over a square tubular chrome frame, two facing doors at left conceal two shelves, doors at rightconceals two drawers and vertical storage space, marked with Thayer Coggin labels, original finish, 72"w x 18"d x 34.5"h, excellent original condition 2000-2500192 www.treadwaygallery.com

960. Arc floor lamp, Italy, 1960s, makerunknown, an adjustable tubular chromedarm supports a white plexiglass shade,rectangular marble base, signed with Madein Italy label, as shown: 88”w x 72”h, verygood original condition 400-600959. 1960s bar cart, round form in smoked lucite,brass-plated frame, on castors, glass topand lower shelf, integrated bottle storagecompartment, original finish, unsigned, 22.5”diax 32”h, excellent original condition 600-800961. Gabriella Crespi coffee table, attribution, square chromed metal formwith an inset woven bamboo surface to the top, inset plastic feet,unsigned, 36”w x 36”d x 15”h, excellent original condition 400-600962. Nessen floor lamps, pair, chrome, foldingarms, adjustable height, original finish,each signed with Nessen label, 21”w x11.5”d x 41”h, adjusts to 53”h, no shades,very good original condition 500-700963. 1970s cube lounge chairs, pair, geometric forms with an open area at back,square tubular chrome frames, reupholstered, Klingman’s of Grand Rapidslabels, 28”w x 26”d x 26”h, wear to armrests, very good condition 800-1000964. Afra & Tobia Scarpa “Andre” coffee table,by Knoll, square glass top supportedby cylindrical legs and steel crossbars,45"w x 45"d x 15.25"h, excellent originalcondition 400-600965. Large Milo Baughman lounge chairs, pair, by Thayer Coggin, egg-shaped forms that swiveland rock slightly over round chrome bases, original floral upholstery, signed with “Thayer Coggindesigned by Milo Baughman” label, 38”w x 38”d x 36”h, very good original condition 800-1000193 www.treadwaygallery.com

966. Hans Wegner dining chairs, by Carl Hansen & Son, Denmark, set of four, 1955, oak frames with exposedjoint detail to backrests, each with branded mark “Designer Hans J. Wegner Carl Hansen Odense Denmark”,original finish, replaced tan leather upholstery, 20.5"w x 19"d x 30"h, very good original condition 900-1200967. Ege Rya “Sunrise” rug, Denmark, made byScandinavian Folklore Carpets APS, 100%wool, brown, black, rust and tan, signedwith Ege Rya labels, 99” x 133”, very goodoriginal condition 700-800968. Fritz Hansen tray table, made in Denmarkremovable teak tray on tapered ebonizedfolding wood legs, original finish, signed,24"dia x 16.75"h, excellent condition 400-600969. Ege Rya “Gotland” rug, Denmark, made byScandinavian Folklore Carpets APS, 100%wool, brown, rust and tan, signed with EgeRya label, 72” x 108”, very good originalcondition 400-600970. Danish desk cabinet, by Vantinge Mobelindustri, teak, interior consists of compartments, shelves and a drop-down desk, originalfinish, signed with stamped mark, closed: 32"w x 20.5"d x 47.75"h, open: 66.5”w, good quality, very good original condition 800-1000194 www.treadwaygallery.com

971 Danish dining table, rectangular teak top with inset stoneware tileswith fern leaf imprints over a solid teak base, stamped "AM Made inDenmark" under top, original finish, 63.25"w x 35.5"d x 28.25"h, verygood condition 300-400972. Tue Poulsen dining table by Haslev Mobel Snedkeri, Denmark,round oak top and removable legs, hand-decorated glazedearthenware tiles on inset in the top, original finish, signed withHaslev label, 39.5”dia x 28”h, excellent original condition 700-900973. Danish rugs, two, Denmark, wool, abstract designs in brown, tan, rust andorange, 36" x 57" and 48" x 70", unsigned, very good original condition 300-400974. Yngve Ekstrom “Lamino” chair, by Swedese,Sweden, oak frame with dark brown lamb’s woolupholstery over linen, original finish, signed withbranded mark to frame, 27.25”w x 30”d x 40”h,excellent original condition 500-700975. Ole Wanscher occasional table, rosewood,by Poul Jeppesen, Denmark, square topsupported by four dowel legs attachedat corners, original finish, signed withJeppesen metal tag indicating Wanscher asdesigner, 23.75”w x 23.75”d x 20.5”h, verygood original condition 500-700976. Danish cabinet, rosewood, two locking doors, platform base, interior consists of twodrawers and two shelves, one key, original finish, stamped with maker’s mark and “Made inDenmark”, 54.5”w x 17”d x 26”h, chip to front corner, very good original condition 500-700195 www.treadwaygallery.com

979. Martz table lamp, by MarshallStudios, ceramic with blackglaze, original shade andwooden finial, signed "Martz",as shown: 32"h, base only:15"h, mint condition 300-400980. Poul Henningsen stylehanging lamp, 1960s,aluminum with brushedbrass finish, tiered diffuser,white ceiling cap, originalfinish, unsigned, 24”dia x12”h, very good originalcondition 300-400977. Danish Modern floor clock,teak, 1960s, tapered case,front of clock is a singlelocking door, key included, fiveshelves, original finish, 17.5”wx 11”d x 68.5”h, very goodoriginal condition 600-800978 Martz floor lamp, byMarshall Studios, Indiana,USA, oak, original shade,original finish, signed,16.5”dia x 60”h, excellentoriginal condition 300-400981. Nelo chair and ottoman, Sweden, round plywood bases support cantilevered seats, original tan leather upholstery, original finish,chair: 31”w x 42”d x 32”h, ottoman: 22”w x 22”d x 14”h, chair signed “Original Nelo Sweden”, very good original condition 400-600982. Alvar Aalto furniture, by Artek, four pieces, birch, two tables, onechair and one stool, all with the original finish, all unsigned, large table:27.5”w x 18”d x 17”h, small table: 23.25”w x 16”d x 16.5”h, chair: 17”wx 18”d x 30”h, stool: 15”dia x 17”h, good original condition 300-500983. Jens Risom slipper chairs, pair, by Jens Risom, Inc., walnut frames,intentional negative space to frame under seat, original gold woolupholstery, original finish, 26.5”w x 30”d x 32.5”h, very good originalcondition 600-800196 www.treadwaygallery.com

984. Finn Juhl dining chairs, six, by France & Sons,Denmark, original bright blue wool upholstery, originalfinish, armchairs: 28”w x 24”d x 33.5”h, side chairs:22”w, excellent original condition 1500-2000985. Jorgen Lund coffee table, attribution, Denmark, arectangular rosewood top is supported by steel bases,original finish, unsigned, 74.5”w x 25.5”d x 12.5”h, damageto top in a 4” area, good original condition 600-800986. Danish dining table, 1960s, teak, rectangular top, two22.25” pull-out shelf storing leaves, original finish, 57”w x38.5”d x 28.25”h, excellent original condition 400-600987. Danish Modern cabinet and hutch, 1960s, teak, lowercabinet with three sliding doors, upper cabinet with onesliding teak door and two sliding glass doors, originalfinish, unsigned, lower cabinet: 76.75”w x 19”d x30.5”h, upper cabinet: 57”w x 13.5”d x 30.5”h, overallheight is 61”, excellent original condition 400-600197 www.treadwaygallery.com

988. Midcentury lounge chairs, pair, designer unknown, sculptural exposed wood frameswith the original ebonized finish, rounded backrests, brass caps to feet, reupholstered,original finish, unsigned, 28”w x 32”d x 28”h, very good original condition 900-1200989. Italian glass table lamps, pair, Murano,Italy, blue glass forms with twist designand controlled bubble inclusions, whitemarble bases, bases differ, glass portiononly: 20.5”h, no harps or shades, chip toone base, good condition 400-600990. Milo Baughman settee, by Thayer Coggin, angled armrests, woodplatform base and tapered legs, original blue-green upholstery,original finish, signed with Thayer Coggin label, 48.5”w x 31”d x28.5”h, good original condition 400-600991. Large 1950s coffee table, by S. J. Campbell Co., Chicago, threesolid brass legs, round wood top with inset travertine surface, originalblack finish, signed with paper label, 54”dia x 15”h, very good originalcondition 1000-1500992. T.H. Robsjohn-Gibbings cabinet, by Widdicomb, three doors, interiorcontains six drawers and two shelves, refinished, signed with Widdicombcloth label, 72”w x 20”d x 31”h, excellent restored condition 1500-2000993. Paul McCobb “Predictor” arm chair, byO’Hearn, sculptural frame with roundedarmrest, tapered stretchers and angledback supports, original upholstery, originalfinish, unsigned, 25”w x 25”d x 30.5”h,very good original condition 800-1000198 www.treadwaygallery.com

994. Large Murano glass lamp, Italy, 1950s,ribbed blue glass with gold inclusions,base: 11”dia x 29.5”h, with harp: 44”h,mint condition 900-1200995. Harris Strong framed tiles, “ThreeMusketeers,” set of three, colorful glazedtiles mounted on silk in wood frames,original finish, one signed with HarrisStrong label, each is approximately16.5”w x 48.5”h, loss to toe of far leftfigure, otherwise, excellent originalcondition 1000-1500996. Large Barovier glass table lamp,Italy, 1950s, yellow glass with partiallyembedded jewel-like glass elementsin green, red, white and gold, goldleaf inclusions, wood base, unsigned,base only: 25.5"h, with harp: 38”h, mintcondition 800-1000997. Rene Brancusi coffee table, USA, biomorphic marble top with polished finish, tapered brasslegs, original finish, unsigned, 60”w x 25.5”d x 14”h, excellent original condition 300-400998. Tony Paul magazine table, InterlaceCollection, brass frame, woven woodstrips, original inset glass top, originalfinish, 23.25”w x 17.75”d x 18.75”h, verygood original condition 500-700999. Paul McCobb style globe in stand, brassframe, original globe by Replogle, originalfinish, 14.75”dia x 34”h, very good originalcondition 700-9001000. Paul McCobb Mr. and Mrs. Cabinets, two, by Calvin, from the Directional Series, walnut, onesix-drawer cabinet, one gentleman’s cabinet with six half-sized drawers and one bi-fold doorconcealing pull-out shelves and drawers, brass legs and drawer pulls, refinished, each signedwith Calvin/Directional tag, each is 42.5”w x 20”d x 54”h, very good condition 1000-1500199 www.treadwaygallery.com

1001. Moroccan rug, 100% wool, subtle diamond pattern in rust and yellowon an off-white field, thick braided tassels at each end, signed with“Rabat-Morocco” cloth tag, 158” x 106” with tassels, some stains andwear, good original condition 2500-35001002. Moroccan rug, 100% wool, diamond pattern in rust and yellow onan off-white field, rust colored border, thick braided tassels at eachend, signed with “Rabat-Morocco” cloth tags, 71” x 124” with tassels,small stains, very good original condition 2000-30001003. Norman Cherner side chairs, five, by Plycraft, bent walnut plywood,tapered legs, all clear plastic feet intact, original finish, unsigned,17”w x 20”d x 31”h, very good original condition 1000-15001004. Italian Midcentury desk, walnut, curved top over one bank of drawersand a three-legged base, brushed metal caps to feet, original finish,unsigned, 74.25”w x 43”d x 29”h, excellent condition 1500-20001005. African textiles, two, hand-knotted wool,“Table Bay”, by Masana Tapestries,Lebowa, 39”w x 52”h, with “Wash Day”by Anna Kolisang, Setsoto Design Ltd.,Lesotho: 32”w x 26”h, each signed,excellent original condition 300-500200 www.treadwaygallery.com

TERMS OF SALE: Cash or check with positive I.D. Auctioneer determines the highest bidder and resolves any disputes. All purchases are subject tostate tax unless buyer has proof of exemption or merchandise will be shipped out of state, other than Ohio, no exceptions. Buyers premium is 22%,for phone, absentee and floor bidders, directly through the Gallery, if bidding via internet buyers premium is 25%. Forms of payment accepted; Check, MoneyOrder, Bank Wire, Amex, Visa or MasterCard, please note; there is an additional 2.5% added to your premium if paying by credit card. If you are a resident ofIllinois or Ohio, OR are picking up your purchase at our gallery, you must pay sales tax unless you have a valid tax ID number.Jurisdiction: Buyer agrees that the state and federal courts in Hamilton County, Ohio or Cook County, Illinois shall have exclusive jurisdiction over allmatters arising out of the Buyer’s purchase of items from Treadway/Toomey Galleries, and that service of process in any such proceeding shall be effective ifmailed to Buyer at the Buyer’s address supplied to Treadway/Toomey Galleries.Late Payments/Default Rates and Fees: If any payment is not paid when due or within 10 days thereafter, or if Buyer defaults in its dealings with Treadway/Toomey Galleries or breaches Buyer’s obligations, Buyer agrees to pay to Treadway/Toomey Galleries all damages and attorneys fees and expenses, togetherwith interest at the highest rate allowed by law or 21 percent per annum. Treadway/Toomey Galleries may impose, and purchaser agrees to pay a monthlystorage charge of 1.5 percent of the purchase price as well as a monthly interest charge of 1.5 percent for any lot or item not paid for or removed by purchaserwithin 10 days of the sale. Treadway/Toomey Galleries shall have no liability for any damage to property left on its premises after the date of sale. In addition,Treadway/Toomey Galleries may charge such damages, costs and expenses to any credit card that Buyer has identified to Treadway/Toomey Galleries andBuyer hereby authorizes Treadway/Toomey Galleries to do so.Delivery to any location other than auction site carries a transportation charge.••• Please read our guarantee carefully •••OUR GUARANTEE: We guarantee the authenticity of every item that we sell for 30 days after the auction, except those lots listed as: “in thestyle of”, “attributed to”, “the school of”, “in the manner of”, or “after”. We are not responsible for errors or omissions in the catalog, or in written or oralcondition reports. All measurements are approximate. We make every effort to accurately describe our merchandise, but in the event that errors occur, we cannotbe held responsible. It is the bidder’s sole responsibility to be well-informed before bidding. We sell clocks, lamps, and all electrical items only for their decorativevalue. They are not represented to be in working order, but they may be. Bidding in our auctions indicates that you accept these terms and any announced theday of the sale. Shipping costs are non refundable.Ceramics offered in this sale are free of repairs, chips or cracks post production unless noted in the description of each lot. Our term “mint” refers to the objectbeing in the same condition that it was in when originally produced. Sizes are approximate. Crazing, surface scratches, firing lines, bubbles, glaze crawls, stiltmarks, firing flaws and base flakes will be noted if we feel that they are objectionable. Many of these flaws may have occurred when made. Most ceramics canbe crazed, we generally will not mention it. Many producers have ground the bottom of their vases causing minute chips or flakes. Unless we feel that they areobjectionable, they will not be mentioned. Grueby and other makers of carved pots or those with high relief will often have flakes on edges of the leaves or pointsin high relief, we will only mention anything we feel objectionable and will still consider these pieces to be mint. Clewell is copper-clad and patinated; this patinaoccasionally has small flakes, we mention any we feel is significant. Some framed tiles or plaques may have chips which are hidden by their frames. We will notbe responsible for their disclosure unless we feel it is significant. Some pieces will be dirty or stained, this will usually not be mentioned. In any case, if you areparticular about minor flaws, you should examine pieces in person or have our staff answer any questions. Please ask questions before you buy.Furniture has its original hardware and wood unless otherwise noted. Finishes and marks are carefully described. Some original finishes have minor restorationsuch as added color or a recoating. We will describe to the best of our ability, but it is the buyers responsibility to obtain an in depth description. The wood is oak,unless otherwise stated, and the dimensions are approximate. The furniture is old and over the years has acquired a few dents, drink rings, separations, burns,chips and assorted flaws. We will only mention those that we feel are objectionable. When we describe a piece of furniture as being in “excellent condition”, itgenerally implies that the finish is original and the structure is in fine shape. A piece that has been totally or partially refinished and is in good structural shapewill generally be described as being in “very good condition”. A piece that needs to be refinished or that has a less than stable structural state (i.e. needs gluing,redoweling, etc.) may be generally described as being in “good condition”. The majority of this furniture is ready to be put in the home.Carpets, Rugs and textiles will be described on their overall condition. A piece that is without holes or major wear, but needing minor side or end repair willbe described as in excellent condition. Pieces containing reweaves, re-piling or other professional repairs will be described as in very good condition. Pieceswith wear or flaws and possibly needing repair will be described as in good condition. Certain pieces are rare in any condition and may be described as goodcondition regardless of appearance.Lamps will be described based on patina and condition of glass. Leaded lamps may have cracked segments, most will. Some parts may have been replacedthrough the years, and we will mention it if we feel objectionable. Shades with mica may contain minor flaking or burn spots that will be mentioned if we feelobjectionable.Metalwork will be described based on patina and the condition of the object. Dents, scratches, wear and assorted flaws will be mentioned if we feel that theyare objectionable. A piece with original patina, free of major dents or scratches usually will be described as in “excellent condition”.Art Glass will sometimes contain air bubbles, surface scratches, lines in the making and chips to the pontil. We will mention anything that we feel to be objectionable.Some glass may be ground at the factory causing minor chips or flakes. We will mention anything we feel to be excessive. Discoloration on the interior isusually present when originally produced and will not be noted unless we feel it is excessive.Paintings, Drawings, Prints and Bronzes. We guarantee objects to be an authentic work by the artist listed. Any and all information listed in the catalog that isnot printed in bold type is given to the best of our knowledge, is merely our opinion, and is not guaranteed to be correct or authentic. We make every effort toinsure that all artwork is authentic and is represented accurately. If the authenticity of a purchased object is contested, it must be made known to us within 30days of the sale. 1) A written letter from a noted authority presented to us, declaring the object to be executed by someone other than the artist listed. 2) Thisauthority has no vested interest in the artist's work or the estate of the artist. 3) The object is returned to us in the same condition in which it was purchased. Thepurchase price will be refunded only; there will be no compensation for damages, loss of profit, professional fees, transportation or any other costs.If you have any questions regarding the condition, we would be happy to provide an opinion of the condition, but all works are sold as viewed. If a work is inobvious need of repair, or has obvious imperfections, we will attempt to note it in the description. If a painting is excessively dirty, we will attempt to note it in thedescription; however, we do not feel that the normal darkening of varnish over years is problematic, and it will not be noted in the description. If you would likefor us to give our opinion regarding whether or not a work needs to be cleaned, please contact us. We believe it is important for you to know the condition ofa work before you bid on it. We strongly recommend that you personally inspect potential purchases before the sale, or have your representative inspect it onyour behalf. If this is not possible, we urge you to call us for a detailed verbal or written condition report. This report is not a professional conservator's evaluation,but is given to the best of our opinion.202 www.treadwaygallery.com

CONDITION REPORTS: It is the buyer’s sole responsibility to be knowledgeable about the condition of the property before bidding. We areopen for preview the week prior to every auction, or by appointment. We encourage you to visit and inspect all lots at this time. If you cannot personallyexamine items, we encourage you to call, e-mail or fax us your condition report requests prior to the sale. Our staff will give you our opinion of condition,answer any questions, and send photos if necessary. This information is solely our opinion and is not to be relied on as representations or statementsof fact. It is the buyer’s responsibility to be aware of all conditions, addendums, and corrections before the sale. Condition Reports for the auction areobtainable by contacting the John Toomey Gallery at 708-383-5234, they would be happy to assist you with detailed reports and photographs. Also,all secondary condition reports are listed on our website at the top of each online catalog page. There is a button that says "Condition Reports" thatwhen clicked on, serves as a link to a lot numbered list of reports. Finally, we do our best to place a condition report with every lot listed on Artfact.PREVIEW: We will have a preview of the items offered in this sale, at the John Toomey Gallery, 818 North Blvd. in Oak Park, on the followingdates: Saturday, November 24, 2012 10:00 a.m. - 5:00 p.m., Sunday, November 25, 2012 CLOSED, Monday, November 26, 2012 10:00 a.m.- 5:00 p.m., Tuesday, November 27, 2012 10:00 a.m. - 5:00 p.m., Wednesday, November 28, 2012 10:00 a.m. - 5:00 p.m., Thursday, November29, 2012 10:00 a.m. - 5:00 p.m., Friday, November 30, 2012 10:00 a.m. - 5:00 p.m.Also open by appointment when available. We're glad to offer an advance preview, usually for six weeks prior to sale date on most of the items inthis sale to benefit those traveling through Chicago or for those who may find it inconvenient to preview at our normal times. Call for an appointmentif you wish to arrange special viewing or evening viewing and we will try to accommodate you; contact John Toomey or Anne Dickinson at (708) 383-5234 in Oak Park. We extend this courtesy to all our clients but request an advance phone call to make arrangements.ESTIMATES: Our price estimates are purely that, an estimate, reflecting the range in which the price may fall. This should give buyers an ideaof what they should bid in order to have a good chance of being successful. In some cases the price range may be wider than others, due to theuniqueness of the individual piece. A few items have reserves. We implement them to offer items that may not have been available without them. Youwill find that few of the pieces offered have reserves. In most instances, the reserves will be less than the low estimate.ABSENTEE BIDS/PHONE BIDS: If you can't attend our sale, it is quite easy to get involved. You can bid over the phone during the sale orleave bids which will be executed by one of our representatives in the audience. When leaving a bid the only disadvantage you have is that you can'tadvance your bid as you might if you were there in person. Your bids are executed as though you are there in person. We get you into the bidding atthe first opportunity to insure your chance of being successful at the lowest price. Because of this, the lot may sell for your highest left bid, but not toyou because you were "in" at the previous bid.We respectfully ask that you refrain from calling during the auction to set up phone or leave absentee bids, as we use these lines to makecalls to pre-arranged phone bidders. Advance arrangements are crucial to insure your bids will be handled without problems.Note: Please try to send in absentee bids and/or arrangements for phone bidding to us as early as possible. We have a limited number ofphone lines available, and they do fill up very quickly, so make arrangements early to insure yourself a line. We cannot guarantee you will get a line ifyou make arrangements later than 5:00 p.m. (EST) on the Friday prior to the sale. Also, please remember we prefer to avoid phone bidding on itemsestimated under $500. Be sure absentee bids are given in the correct increments (see chart below). Keep in mind, when tie absentee bids comein, we will honor the first one received. However, absentee bids have an equal chance of being successful as do telephone or in-person bids and in noway take precedence. Again, please mail, fax or phone in absentee bids prior to 5:00 p.m. (EST) on the Friday prior to the sale, as we cannot guaranteeexecution after this time. If you mail your bids in, to avoid confusion, please do not also fax them (and vice versa). If you wish to confirm that your bidswere received, please phone us. If you phone in to make additions to left bids, be sure you mention that you've already left bids. Call Janet Rogers inCincinnati with any questions concerning absentee bids or phone bidding. NOTE: PLEASE DO NOT CALL FOR RESULTS OF SALE THE MONDAYAFTER THE AUCTION. WE WILL BE HAPPY TO ASSIST YOU AFTER ALL INFORMATION HAS BEEN CHECKED FOR ACCURACY.AUCTION INCREMENTS: We use the following increment multiples at our auctions. When leaving absentee bids, pleasemake sure your bids fall within the proper increments. This is crucial to the success of your bids. If your bid is out ofincrement, we will drop it down to the closest increment.0-500 $25. increment 3,000-5,000 $250. increment500-1000 $50. increment 5,000-10,000 $500. increment1,000-3,000 $100. increment 10,000+ $1000 increment or auctioneer's discretionDELIVERY: We use the safest and most economical methods that we are aware of to deliver purchases. You can obtain estimates for shippingprior to the auction by providing us with a full shipping address and lot(s) you are interested in purchasing. Domestic shipping quote requests mustbe received three business days prior to the sale; international quote requests must be received five business days prior to the sale. A single pieceof furniture shipped within the US will range from $200-600 before insurance; a piece of pottery or glass of average size costs $35-60 before insurance;an average sized framed painting will range from $55-95 before insurance. All furniture delivery quotes are for delivery to a first floor or elevatorbuilding. Oversized items can cost significantly more to ship. All items are shipped fully insured, unless the buyer sends a signed waiver. If you havequestions about the shipping or delivery cost of any item please inquire. The buyer is free to make his or her own shipping arrangements. Treadway/Toomey Galleries are not responsible for items that are damaged in any way by shippers. If a problem arises, all claims must be settled betweenthe buyer and the shipper.CONSIGNMENTS WANTEDCONSIGNMENTS WANTEDWe are seeking fine quality consignments for our auctions. We will match or beat anyone's consignmentrate for better items. Check with us before going elsewhere; you will be glad you did. We arenot limited to our geographic area and can easily arrange shipment of any item. Call or write for aproposal. We are very interested in buying a single piece or any entire collection. Please call us ifyou have anything to consign or sell.203 www.treadwaygallery.com

INDEX1950s - 912, 9911960s - 763, 826, 888, 908, 909, 917, 9591970s - 900, 963Aalto, Alvar - 982Abercrombie, Gertrude - 622Afdal, Torbjorn - 762African - 1005After Alphonse Mucha - 621After Andy Warhol - 907After Aristide Maillol - 633After Charles Octave Levy - 537After Egon Schiele - 620After Elie Nadelman - 569After Federico Barocci - 526After Fernand Léger - 701After Henri Matisse - 746After Jean-Baptiste Carpeaux - 541After Käthe Kollwitz - 631Agostini, Tony - 659Albert, Ernest - 640Albright, Adam Emory - 591Albright, Ivan - 626Amphora - 422Andy Warhol’s Charles and Ray Eames DCM - 902Arc - 960Arens, Egmont and Theodore Brookhart - 850Arequipa - 35, 294Armin, Emil - 648Arnold, Ralph - 683Art Deco - 845Art Nouveau - 198, 402Artist Unknown - 530, 531, 535, 549, 570, 579, 585, 641, 732Arts & Crafts - 47, 49, 101, 102, 103, 124, 128, 130, 136, 140,167, 184, 199, 201, 246, 258, 295, 297, 298, 299, 302, 327, 330,351, 352, 353, 354, 355, 357, 358, 359, 366, 391, 392Atlan, Jean-Michel - 714Aurora Studios - 123, 125Austrian - 443Baccarat - 403Bach, Oscar - 362Baker - 918Balogh, Bela - 593Barbi, Tommaso - 910Barovier - 842, 996Barovier & Toso - 891Barrett, Bill - 682Barta, Ladislas - 657Bartlett, Dana - 603Bast - 742Baughman, Milo - 954, 957, 958, 965, 990Bauhaus style - 869Baumann, Gustave - 205, 233Beek, Alice Dow Engley - 564, 565Bellman, Hans - 856Berber, Mersad - 708Bernstein, Theresa Ferber - 550Berthold, Willy - 561Bird, Jim - 692Bissi, Cirno Sergio - 676Boch Freres - 429Bongard, Hermann - 782Botke, Cornelis - 613Bradley, Will - 250Bramin - 947Brancusi, Rene - 997Breuer, Marcel - 844Buffalo Pottery - 79Buffet, Bernard - 725Burckhardt, Rudy - 731Burgun & Schverer - 478Burlini, Joseph A. - 684Burt, Clyde - 798, 819, 820, 821, 822, 823, 825Buthaud, René - 423Butt, Gail Hammond - 693, 696Byrdcliffe - 219Cabat, Rose - 810Calapai, Letterio - 713Calder, Alexander - 730Califano, John - 525Cariani, Varaldo Guiseppe - 562Carr, Henry Marvell - 576Caucasian - 373, 375, 376Celini Craft - 116Chaney, Lester Joseph - 642Chanil, Kim - 743Che, Chuang - 688Cherner, Norman - 1003Chicago Crucible - 77Cleveland, H.G. - 48, 50, 52Clewell - 34, 36, 37, 38, 39, 40, 41, 42, 73, 340Cocteau, Jean - 720Cone, Marvin - 557Cooper, Diana - 739Cowan - 365Crespi, Gabriella - 961Curtis, Edward Sheriff - 371Daguet, Alfred - 417, 418, 419, 421, 448Dahlgreen, Charles William - 556, 615, 619Dali, Salvador - 690, 691, 705, 706, 709, 710, 711, 712Danhausen, Eldon - 774Danish - 970, 971, 973, 976, 977, 986, 987Daum - 397, 458, 459, 485, 486, 490, 491, 497, 498, 499Daum and Majorelle - 492Day, Worden - 582de Frumerie, Agnes - 428de Leon, Jerry Hudson - 650de Marchi, Livio - 678Dedham Pottery - 204Delatte - 493Donahue, Vic - 671Dorsey, William Ballantine - 203Dowd, John - 738Drewes, Werner - 629Drumm, Donald - 905du Pasquier, Nathalie - 941Duckworth, Ruth - 831Duffner & Kimberly - 253, 514Eames, Charles & Ray - 745, 747, 749, 751, 752, 755, 756, 757,758, 760, 768, 769, 770, 775, 776, 777, 789, 790, 791, 792, 793,794, 795, 796, 797, 799, 800, 802, 805, 807Eckhardt, Edris - 360Edwards, Valmai - 852, 1010Ekstrom, Yngve - 974Eliot, Lucy Carter - 653, 654Elman, Ray - 737English Arts & Crafts - 256, 326European - 430, 463Evans, Lyn - 697Evans, Paul - 877, 881, 882Fantuzzi, Eliano - 658Farny, Henry Françios - 612Farsky, Aldrich Otto - 555Fausett, William Dean - 552Fery, John - 558Fieselman, Alta - 677Firenze, Teghini - 911Fisch, Olga - 857Fogel, Seymour - 689Fornasetti, Piero - 897Foss, Olivier - 649French - 748French Art Nouveau - 487Frenkel-Frenel, Yitzhak - 646Friedlaender, Johnny - 715Fuller, Sue - 685Fulper - 172, 173, 174, 175, 176, 177, 178, 179, 180Gallé - 466, 467, 471, 472, 476, 477, 479, 483, 484, 500, 501,502, 503Gambone, Guido - 834, 835, 836, 837, 839, 840Gaul, Arrah Lee - 563Gilpin, Laura - 632, 637Girard, Alexander - 771, 784, 785, 786, 787Godie, Lee - 667, 668, 669Goetz, Henri Bernard - 717Grimmer, Vernon - 643Grobe, German - 532Grueby - 74, 78, 170, 333Guariche, Pierre - 860Guerin - 427Halow, Arthur - 135Hampshire - 344Handel - 87, 239, 248, 296, 303Handicraft Guild - 115Hansen, Fritz - 968Harden - 99, 104, 105, 126Hardwick, Melbourne Havelock - 533Hartman, Cedric - 878Heino, Otto & Vivika - 833Heintz - 4, 6, 138, 187, 189, 301Heldner, Colette Pope - 647Henningsen, Poul - 980Henri, Philippe - 673Hinkle, Clarence Keiser - 584Hoffman, William - 828Hubbard, J. Frank “Cap” - 573Huggins, John & John Houseman - 686Hull, Richard - 718, 719Hunt, Esther - 586Hurley, E.T. - 348Hyde, Conrad - 534In the style of Ben Austrian - 574In the style of Franz Xavier Bergmann - 529In the style of John La Farge - 524Indiana, Robert - 734International style - 934Italian - 901, 989, 1004Jacobsen, Arne - 950, 951Japanese - 323Jarvie - 193, 194Jeanneret, Pierre - 861, 862, 863, 864, 865Jeffreys, Arthur Bishop - 559Jensen, Georg - 281, 282, 284, 405, 407Jonchere, Evariste - 587Jones, Ida - 536Juhl, Finn - 948, 984Kagan, Vladimir - 914Kalo - 109, 111, 112, 114, 117, 118, 120, 279, 280, 283, 285, 286,288Karnes, Karen - 830Keating, Bill - 694Kellner, Thomas - 740, 741Kelly, Ellsworth - 736Kent, Norman - 623Kent, Rockwell - 624Kenton Hills - 364Klimt, Gustav - 616, 617, 618Kloszewski, E. - 680Knoll, Florence - 1006Koepping, Karl - 415Kotz, Daniel - 539Kovner, Saul - 580Krafft, Carl Rudolph - 543, 544, 545, 546Kralik - 416Krehm, William P. - 656Kronach - 424Krotter, Josef - 548Kulla, Roland - 744Lacca, Cesare - 890Lachenal, Edmund - 428Lalique - 399, 401, 460, 462, 464, 465Lalique, R. - 441, 444Lalique, René - 400, 440, 461Lamartine - 470Larche, Raoul - 404Laurel - 778, 922LaVerne, Philip & Kelvin - 916, 919Lawson, Ernest - 523Le Verre Francais - 396, 488, 489Leaver, Noel Harry - 583Lebolt - 289Legras - 468, 469Léveillé, Ernest-Baptiste - 494Liberty & Co. - 185, 307, 325Limbert - 43, 46, 141, 142, 272, 273, 274, 275, 276, 277, 278Lindner, Richard - 722Loetz - 414, 447, 449Loring Andrews Co. - 290Lowell, Milton H. - 567Lund, Jorgen - 985Lutken, Per - 832Magistretti, Vico - MagistrettiMakowski, Tadeusz (Tade) - 577Mangold, Robert Peter - 724Marblehead - 151, 160, 223Marcus & Co. - 287Marinsky, Henry (Harry) - 672Martin, Fletcher - 675Martz - 978, 979Massier, Clement - 411, 413, 454Mathsson, Bruno - 779McArthur, Warren - 851McBurney, James Edwin - 547McCobb, Paul - 993, 999, 1000, 1008McIntosh, Harrison - 827Merriam, James Arthur - 602Michel, Eugéne - 481Midcentury - 773, 824, 858, 988Mont Joye - 480Mont, James - 913Montgomery, Alfred E. A. - 522, 592Moravian - 393Moroccan - 766, 955, 1001, 1002Moser, Ludwig & Söhne - 482Moses, James Kivetoruk - 695Moses, Thomas Gibbs - 560Motherwell, Robert - 735Mourgue, Pascal - 915Murano - 994Nakashima, George - 883, 884, 885, 886Natzler, Gertrud & Otto - 809, 811, 813, 814, 815, 816, 818Navajo - 367, 368, 369, 370, 372Nelo - 981Nelson, George - 753, 754, 759, 761, 764, 788, 803, 804, 938,942, 1009Nessen - 962Netter, Rosenthal - 887Newcomb College - 80, 81, 82, 83, 107, 108, 132Nierman, Leonardo - 664Niloak - 220, 222, 339Noecker, Harold - 652Noguchi, Isamu - 806Norse - 76North Dakota School of Mines - 159Nutting, Wallace - 551Oakley, Violet - 670Ohr, George - 72Oliveira, Nathan - 699Ortman, George Earl - 733Overbeck - 84Owens - 155, 263, 265, 313Palmer, Lillian - 129Panton, Verner - 906Parker - 243Paul Revere - 345Paul, Tony - 998Perkins, Granville - 540Peterson, Jane - 589Picasso, Pablo - 698, 700, 702Pillin, Polia - 801Pisani, Gustavo - 538Pisgah Forest - 226Ponti, Gio - 889Post-Modern - 932Poulsen, Tue - 972Powell, James & Sons - 455Prairie School - 386, 387Prieto, Antonio - 841Protzmann, Peter - 933Quezal - 200, 426, 437, 453Quistgaard, Jens - 944Radford - 318Randahl - 44, 45, 110Randolph, Virginia - 436, 438Rayo, Omar - 727Red Wing Art Pottery - 316Reed, Doel - 601Reggiani - 956Remington, Frederic - 606Risom, Jens - 983Robsjohn-Gibbings, T.H. - 992Rohde, Gilbert - 846, 848, 849, 853, 854, 855Rohlfs, Charles - 171, 207Rookwood - 1, 2, 9, 10, 11, 12, 13, 14, 15, 16, 17, 23, 24, 25, 27,28, 29, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 90,91, 92, 93, 94, 95, 96, 97, 133, 134, 146, 147, 148, 149, 150,209, 210, 211, 212, 213, 214, 215, 216, 217, 221, 227, 255, 257,310, 337, 341, 342, 361, 363Rose Valley - 208Roseville - 153, 157, 228, 314, 343Rousseau, G. Argy - 434Royal Doulton - 410, 420Royal Worchester - 408Roycroft - 18, 19, 20, 21, 22, 127, 181, 182, 183Rozane - 269Rozen, George J. - 604Ruskin - 412Rya, Ege - 967, 969Saarinen, Eero - 750, 783, 1011Saarinen, Eliel - 868, 875, 876Saito, Kiyoshi - 703, 704Salinas, Porfirio - 554Sandzen, Birger - 628Scandinavian - 765, 780, 781Scarpa, Afra & Tobia - 964Scheier - 817Schneider - 398School of American Craft at RIT - 154Schultz, George F. - 553Schuyler, Theodore Roosevelt - 575Schwartz, Andrew Thomas - 605Schwartz, William Samuel - 634, 635, 636Scott, William Edouard - 645Secessionist - 406Seltzer, Olaf Carl - 607, 608Severini, Gino - 588Sharp, Joseph Henry - 611Sheldon, Roy - 571Shop of the Crafters - 162, 163Shreve, Crump & Low Co. - 328Sieck, Frederik - 946204 www.treadwaygallery.comDecember 1, 2012

INDEXSiporin, Mitchell - 630Sloan, John - 609, 610Sloane, Mary Humphreys - 679Smith, Lowell Ellsworth - 644Smith, Paul Kauvar - 594, 596, 598, 599, 600Smith, Roland - 872, 873, 874Sottsass, Ettore - 936, 937, 939Sowden, George - 943Spanish - 225Springer, Karl - 879, 920Stanuga, Ted - 687Stella, Joseph - 572Sterchi, Eda Elisabeth - 581, 595, 597Steuben - 432, 445, 450Stewart, Kipp & Stewart MacDougall - 867Stickley Brothers - 3, 5, 7, 30, 98, 100, 186, 190, 254, 260,347, 349Stickley, Gustav - 8, 31, 32, 33, 51, 53, 68, 69, 121, 122, 137,143, 144, 161, 164, 166, 192, 206, 218, 229, 230, 231, 232,235, 236, 237, 238, 240, 242, 244, 245, 247, 249, 251, 252,259, 261, 262, 304, 305, 308, 320, 321, 322, 324, 335, 336Stickley, L & JG - 70, 86, 88, 89, 139, 145, 165, 168, 169, 191,306, 334, 350Strong, Harris - 995Sugai, Kumi - 726Tamayo, Rufino - 723Taylor Tile Company - 395Teco - 71, 75, 106, 195, 196, 197, 291, 292, 293, 329, 346Thalinger, E. Oscar - 665, 666Thonet - 374Tiffany Studios - 131, 431, 439, 442, 473, 474, 515, 516, 518,519, 520, 521Tiffany, L.C. - 433, 435, 446, 451, 452, 456, 475, 495, 496,504, 505, 506, 507, 508, 509, 510, 511, 512, 513, 517Tobacoff, Boris - 904Topping, James - 568Toso, Fratelli - 843Tredupp, Charles - 527, 528Treiman, Joyce Wahl - 707Tudric - 332Tura, Aldo - 892Turzak, Charles - 681Umanoff, Arthur - 1007Unique Art Glass & Metal Co. - 241University of North Dakota - 224Urban, Albert - 638, 721Van Briggle - 85van den Berg, Willem - 639van der Rohe, Mies - 935Van Erp, Dirk - 234, 300, 356Vasarely, Victor - 728, 729Venini - 772, 838, 924Versen, Kurt - 767Vesey, John - 880Vignelli, Massimo - 899Vodder, Arne - 953Volkous, Peter -829von Blaas, Eugen - 542von Hassler, Carl - 590Vysekal, Edouard - 566Wallace, R. & Sons - 113, 119Wallin, Carl E. - 655Wanscher, Ole - 975Webb, Paul - 264Webb, Thomas & Sons - 457Wedgewood - 409Wegner, Hans - 945, 952, 966Weinstein, Bernard - 660, 661, 662, 663Weldon, William Archibald - 847Weller - 26, 152, 156, 158, 266, 267, 268, 270, 271, 309, 311,312, 315, 317, 319, 331, 338West, Franz - 940Wiener, Ed - 859Williams, Walter Henry - 625Winter, Lumen Martin - 651Wirkkala, Tapio - 949Witkiewicz, Stanislaw Ignacy - 578WMF - 425Wood, Beatrice - 808, 812Wormley, Edward - 921, 923, 925, 926, 927, 928, 929, 930,931Wright, Frank Lloyd - 377, 378, 379, 380, 381, 382, 383, 384,385, 388, 389, 390Wright, Russel - 866, 870, 871Yamada, Tetsuo - 716Yoshida, Hiroshi - 627Young, J.M. - 188, 202Zanuso, Marco - 893, 894, 895, 896, 898Ziegner, Martin K. - 674Zimmerman, Marie - 394Zorn, Anders - 614205 www.treadwaygallery.comDecember 1, 2012

20th Century Art & DesignGalleriesTreadway Gallery, Inc.2029 Madison RoadCincinnati, OH 45208(513) 321-6742Fax: (513) 871-7722e-mail: info@treadwaygallery.comJohn Toomey Gallery, Inc.818 North BoulevardOak Park, IL 60301(708) 383-5234Fax: (708) 383-4828e-mail: info@johntoomeygallery.comArts & Crafts DepartmentJohn Toomey708-383-5234john@johntoomeygallery.comJoe Stanfield708-383-5234joe@johntoomeygallery.comFine Arts DepartmentModern Design DepartmentLisanne Dickson708-383-5234lisanne@johntoomeygallery.comDon Treadway513-321-6742info@treadwaygallery.comLucy Toomey708-383-5234lucy@johntoomeygallery.comAuctioneersJennifur Condon • Kevin Mannella • Lucy ToomeyDirectionsAccountingAnne Dickinson708-383-5234anne@johntoomeygallery.comAbsentee & Phone BiddingLucy Toomey708-383-5234lucy@johntoomeygallery.comShipping InformationColleen Trimarco708-383-5234colleen@johntoomeygallery.comThe auction is being held at 818 North Boulevard (not to be confusedwith North Avenue) in Oak Park, a suburb of Chicago.By automobile from the East; take I-90/94 to 290 West EisenhowerX-way to Exit 21B, Harlem go north (right) to North Boulevard,take a right to 818 North Boulevard.By automobile from the South; take I-57 or I-55 to I-294 (Tri-StateTollway) continue north until you come to I-290 (Eisenhower x-way) go east on I-290 to Exit 21B, Harlem Avenue, go north (left)approximately 10 blocks under viaduct to North Boulevard, takeright to 818 North Boulevard.By automobile from the West; take I-80 or the East-West Tollwayto I-290 (Eisenhower x-way) go east on I-290 to Exit 21B, HarlemAvenue, go north (left) to North Boulevard, take right to 818North Boulevard.By automobile from the North; take I-90 East to I-294 South, toI-290 (Eisenhower x-way) go east on I-290 to Exit 21B, HarlemAve., go north (left) to North Boulevard, take right to 818 NorthBoulevard.Shipping/StaffKevin Mannella • Marty UribeBob Yuro • Joe Mannella • Radoslaw Dusilo708-383-5234PhotographyTom Vogel513-321-6742tom@treadwaygallery.comCatalog Design • Layout • ProductionCarrie White • Kate Wilkins • Dave Warren513-321-6742Advertising & Website DevelopmentDave Warren513-321-6742dave@treadwaygallery.comTreadway Gallery InternetCheck our site on the World Wide Webfor the latest information:http://www.treadwaygallery.comCatalog price - $35.U.S., $45. ForeignPhotos: All Rights Reserved ©2012 Treadway Gallery206 www.treadwaygallery.com

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